Spring 2013 to pdf:1 18/10/12 14:17 Page 1

Yale 2013 spring | summer Spring 2013 to pdf:1 18/10/12 14:17 Page 2 paperback bestsellers

subject page This catalogue contains details of all Yale books scheduled for publication between February and July 2013. ■ Architecture 19,43–45,50,51,67 ■ Trade orders from UK, Continental Europe, Art 12–15,33–60 Africa, The Middle East, India, Pakistan, China ■ and S.E. Asia to: John Wiley & Sons Ltd, Business & Economics 2,3,22,64,74,78 Customer Services Department, European ■ Environment, Science & Nature 10,11,24,32,64,72,76 Distribution Centre, New Era Estate, Oldlands Way, Bognor Regis, W. Sussex PO22 9NQ, UK ■ Fashion 12–15 (Tel. 01243 843 291/Freephone 0800 243 407) or direct to the London office of Yale. ■ History 5,8,9,16,17,19–21,26,29–32,64,77 All prices subject to change without prior notice. ■ Jewish Studies 8,25,65,73,78 = FULL TRADE DISCOUNT ■ Language 70,71 * = available as an ebook from online retailers ■ Literary Studies & Biography 1,8,25,27,61–63,65,73,75,77,78 Inspection Copy Policy ■ Music 25,26,77 All requests for inspection copies should be addressed to: ■ Paperback Reprints 26–28,73–78 Lisa Kemmer, Marketing, Yale University Press, at the address given below, or e-mailed to: ■ Photography 37,40,47,54,56 [email protected]

■ Politics & Current Affairs 2–4,6,7,18,22,23,26,27,64,74,76,78 Rights The London office of Yale University Press is ■ Religion & Philosophy 8,17,66,75,77 solely responsible for all rights and translations. ■ All queries should be addressed to: US Studies & Law 67,73,74,78 Anne Bihan, Head of Rights, ■ Yale University Press, at the address given below, Index 79,80 or e-mailed to: [email protected]

FRONT COVER Sheila Hicks, Mega Footprint Near the Hutch (May I Have This Dance?). Review Copies From: One Work, Sheila Hicks at the Mint, by Annie Carlano, see page 49. All requests for review copies should be made in writing and sent or faxed to: Katie Harris, BACK COVER Sid Vicious, 1977. Courtesy of The Metropolitan Museum of Art, Publicity Department, Yale University Press, Photograph © Dennis Morris. All rights reserved. at the address given below. From: Punk, Chaos to Couture, by Andrew Bolton, see page 12.

YALE UNIVERSITY PRESS • 47 BEDFORD SQUARE • LONDON WC1B 3DP tel: 020 7079 4900 fax: 020 7079 4901 e-mail: [email protected] www.yalebooks.co.uk Spring 2013 to pdf:1 18/10/12 14:17 Page 1

General Interest 1

A literary master’s entertaining guide to reading with deeper insight, better understanding and greater pleasure Terry Eagleton. Photograph © Eamonn McCabe.

How to Read Literature Terry Eagleton What makes a work of literature good or bad? How freely can the reader interpret it? Could a nursery rhyme like Baa Baa Black Sheep be full of concealed loathing, resentment and aggression? In this accessible, delightfully entertaining book, Terry Eagleton addresses these intriguing questions and a host of others. How to Read Literature is the book of choice for students new to the study of literature and for all other readers interested in deepening their understanding and enriching their reading experience. In a series of brilliant analyses, Eagleton shows how to read with due attention to tone, rhythm, texture, syntax, allusion, ambiguity and other formal aspects of literary works. He also examines broader questions of character, plot, narrative, the creative imagination, the meaning of fictionality, and the tension between what works of literature say and what they show. Unfailingly authoritative and cheerfully opinionated, the author provides useful commentaries on Classicism, Romanticism, Modernism and Postmodernism along with spellbinding insights into a huge range of authors, from Shakespeare Terry Eagleton is Distinguished and Jane Austen to Samuel Beckett and J. K. Rowling. Professor of English Literature, University of Lancaster, and Excellence in English Distinguished Visitor, University of Notre Dame. He is the author of more than 40 books. NOW AVAILABLE IN PAPERBACK The Event of Literature May 256 pp. 210x140mm. Terry Eagleton HB ISBN 978-0-300-19096-0 £18.99* PB ISBN 978-0-300-19413-5 £10.99* see page 27 Spring 2013 to pdf:1 18/10/12 14:17 Page 2

2 General Interest

A respected economist warns that Western societies’ expectations for the future are about to collide with reality Protest during the G20 summit, London, April 2009 (Alamy Images).

When the Money Runs Out The End of Western Affluence Stephen D. King The Western world has experienced extraordinary economic progress throughout the last six decades, a prosperous period so extended that continuous economic growth has come to seem normal. But such an era of constantly rising living standards is an historical anomaly, economist Stephen D. King warns, and the current stagnation of Western economies threatens to reach crisis proportions in the not-so-distant future. Praised for the ‘dose of realism’ he provided in the much-praised Losing Control, King follows up in this volume with a plain-spoken assessment of where the West stands today. It’s not just the end of an age of affluence, he shows. We have made promises to ourselves that are only achievable through ongoing economic expansion. The future benefits we expect – pensions, healthcare and social security, for example – may be larger than tomorrow’s resources. And if we reach that point, which promises will be broken and who will lose out? Drawing on historical Stephen D. King is Group Chief parallels from the French Revolution to the disastrous 1931 austerity Economist and Global Head of budget, King demonstrates the links between economic stagnation and Economics and Asset Allocation political and social upheaval, asking whether the West has the courage research at HSBC. He is a member to take the painful but necessary steps towards a of the UK government’s Asia Task fairer and more stable future. Force and writes regularly for the Financial Times and The Times. ALSO AVAILABLE BY THIS AUTHOR

May Losing Control 304 pp. 234x156mm. The Emerging Threats to Western Prosperity HB ISBN 978-0-300-19052-6 £20.00* PB ISBN 978-0-300-17087-0 £10.99* Spring 2013 to pdf:1 18/10/12 14:17 Page 3

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What could prevent China surpassing the United States and becoming the world’s superpower?

Red flags and the Monument to the People’s Heroes, Tiananmen Square. Frederic J. Brown/AFP/Getty Images.

Stumbling Giant The Threats to China’s Future Timothy Beardson While dozens of recent books and articles have predicted the near- certainty of China’s rise to global supremacy, this book boldly counters such widely-held assumptions. Timothy Beardson brings to light the daunting array of challenges that today confront China, as well as the inadequacy of leaders’ responses. Threats to China come from many fronts, Beardson shows, and by their number and sheer weight these problems will thwart the nation’s ambition to take over as the world’s ‘No. 1 power’. Drawing on extensive research and experience living and working in Asia over the last 35 years, the author spells out the details of China’s situation: an inexorable demographic future of remorseless aging, extreme gender disparity, a shrinking labour force and even a falling population. Also, the nation faces social instability, a devastated environment, a low-tech economy with inadequate innovation, the absence of an effective welfare safety-net, an ossified governance structure and radical Islam lurking at the borders. Beardson’s nuanced, first-hand look at China acknowledges its historic achievements while tempering predictions of its imminent hegemony with a no-nonsense dose of reality. Timothy Beardson founded and ran Crosby International Holdings, the largest investment bank in the Far East. Since the late 1990s he has been a frequent speaker on political, economic, environmental and May strategic issues at such forums as the World Economic Forum at Davos 512 pp. 234x156mm. and at prominent universities. HB ISBN 978-0-300-16542-5 £25.00* Spring 2013 to pdf:1 18/10/12 14:17 Page 4

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Hardhitting analysis of the cost – both financial and human – of Britain’s involvement in the Afghanistan war British soldiers marking unexploded ordnance for future disposal, Helmand province (Alamy Images).

Investment in Blood The True Cost of Britain’s Afghan War Frank Ledwidge In this follow-up to the extremely successful Losing Small Wars, Frank Ledwidge analyses the cost – both financial and human – of Britain’s involvement in the Afghanistan war. With the aid of interviews, on-the- ground research and countless Freedom of Information requests, he pieces together the enormous burden the Afghan intervention has placed on the shoulders of British soldiers and their families, UK taxpayers and – by far the greatest sufferers – Afghan civilians. Amongst other issues, he highlights the soldiers left horribly maimed, UK funds poured into the corrupt Afghan government, refugees driven out of Helmand province into disease-ridden camps and the long-term damage to the international reputation of the UK military. Ledwidge argues that the only true beneficiaries of the conflict are development consultants, Afghan drugs kingpins and international arms companies. This is both an extraordinary piece of investigative journalism and a heart-breaking account of military adventurism gone horribly wrong. A former Naval reserve military intelligence officer, Frank Ledwidge served on front-line operations in the Balkan wars and Iraq. In civilian life he practised as a criminal barrister for eight years before specialising in international development and human rights law. He has since worked as a civilian advisor all over the world, including in Afghanistan June and Libya. 304 pp. 234x156mm. HB ISBN 978-0-300-19062-5 £18.99* Translation rights: The Andrew Lownie Literary Agency, London Spring 2013 to pdf:1 18/10/12 14:17 Page 5

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The essential history of Anglo-Saxon England, brought completely up-to- date with new discoveries and interpretations Replica of the Sutton Hoo helmet.

The Anglo-Saxon World Nicholas J. Higham and Martin J. Ryan The Anglo-Saxon period, stretching from the fifth to the late eleventh century, begins with the Roman retreat from the Western world and ends with the Norman takeover of England. Between these epochal events, many of the contours and patterns of English life that would endure for the next millennium were shaped. In this authoritative work, Nicholas Higham and Martin Ryan reexamine Anglo-Saxon England in the light of new research in disciplines as wide-ranging as historical genetics, paleobotany, archaeology, literary studies, art history and numismatics. The result is the definitive introduction to the Anglo-Saxon world, enhanced with a rich array of photographs, maps, genealogies and other illustrations. The Anglo-Saxon period witnessed the birth of the English people, the establishment of Christianity and the development of the English language. With an extraordinary cast of characters (Alfred the Great, the Venerable Bede, King Cnut), a long list of artistic and cultural achievements (Beowulf, the Sutton Hoo ship-burial finds, the Bayeux Tapestry) and multiple dramatic events (the Viking invasions, the Battle of Hastings), the Anglo-Saxon era lays legitimate claim to having been one of the most important in Western history. Nicholas J. Higham is professor emeritus, School of Arts, University of Manchester. Martin J. Ryan is lecturer in early medieval history, School June of Arts, University of Manchester. 336 pp. 246x189mm. 100 colour illus. + 100 b/w illus. 40 line drawings & 60 maps HB ISBN 978-0-300-12534-4 £30.00* Spring 2013 to pdf:1 18/10/12 14:17 Page 6

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A reporter’s vivid account of Central Asia’s wild recent history – violent in the extreme and rife with characters both heroic

and corrupt Children react to being noticed as they play with bullet holes left on a building on Chulpon Street (West side of street) in Andijan, Uzbekistan. May 21, 2005. Photo by Yola Monakhov.

Restless Valley Revolution, Murder and Intrigue in the Heart of Central Asia Philip Shishkin It sounds like the stuff of a fiction thriller: two revolutions, a massacre of unarmed civilians, a civil war, a drug-smuggling highway, brazen corruption schemes, contract hits and larger-than-life characters who may be villains – or heroes – or possibly both. Yet this book is not a work of fiction. It is instead a gripping, first-hand account of Central Asia’s unfolding history from 2005 to the present. Philip Shishkin, a prize-winning journalist with extensive on-the- ground experience in the tumultuous region above Afghanistan’s northern border, focuses mainly on Kyrgyzstan and Uzbekistan. Both nations have struggled with the enormous challenges of post-Soviet independent statehood; both became entangled in America’s Afghan campaign when US military bases were established within their borders. At the same time, the region was developing into a key smuggling hub for Afghanistan’s booming heroin trade. Through the eyes of local participants – the powerful and the powerless – Shishkin reconstructs how Kyrgyzstan and Uzbekistan have ricocheted between extreme repression and democratic strivings, how alliances with the US and Russia have brought mixed blessings and how Stalin’s legacy of ethnic gerrymandering incites conflict even now. Philip Shishkin was a staff reporter for The Wall Street Journal for a June decade and ran the newspaper’s Baghdad bureau during the height of 288 pp. 234x156mm. Iraq’s sectarian war. He has reported from Turkey, Syria, Afghanistan HB ISBN 978-0-300-18436-5 £20.00* and Central Asia, among other locations. He is a fellow at the Asia Society focusing on Central Asia. Spring 2013 to pdf:1 18/10/12 14:17 Page 7

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A lively, informed account of Putin’s years of rule and the impending crisis that threatens his tsar-like regime

‘Day of Anger’ protest against Putin’s government, Moscow, September 2010 (Alamy Images).

Fragile Empire How Russia Fell In and Out of Love with Vladimir Putin Ben Judah From Kaliningrad on the Baltic to the Russian Far East, journalist Ben Judah has travelled throughout Russia and the former Soviet republics, conducting extensive interviews with President Vladimir Putin’s friends, foes and colleagues, government officials, business tycoons, mobsters and ordinary Russian citizens. Fragile Empire is the fruit of Judah’s thorough research: a probing assessment of Putin’s rise to power and what it has meant for Russia and her people. Despite a propaganda programme intent on maintaining the cliché of stability, Putin’s regime was suddenly confronted in December 2011 by a highly public protest movement that told a different side of the story. Judah argues that Putinism has brought economic growth to Russia but also weaker institutions, a contradiction that leads to dangerous instability. The author explores both Putin’s successes and his failed promises, taking into account the impact of a new middle class and a new generation, the Internet, social activism and globalisation, on the impending crisis facing Russia and its people. Ben Judah is Russia and Central Asia Fellow at the European Council of Foreign Relations. He travels regularly throughout Russia and the former USSR, and his writings appear in such journals as The Economist, Foreign Policy, Financial Times, Standpoint and The New Republic. May 352 pp. 234x156mm. 20 illus. HB ISBN 978-0-300-18121-0 £20.00* Spring 2013 to pdf:1 18/10/12 14:17 Page 8

8 General Interest Christians, Muslims and Jesus Mona Siddiqui Prophet or messiah, the figure of Jesus serves as both the bridge and the barrier between Christianity and Islam. In this accessible and thoughtful book, Muslim scholar and popular commentator Mona Siddiqui takes her reader on a personal, theological journey exploring the centrality of Jesus in Christian–Muslim relations. Christian and Muslim scholars have used Jesus and Christological themes for polemical and dialogical conversations from the earliest days to modern times. The author concludes with her own reflections on the cross and its possible meaning in her Muslim faith. Through a careful analysis of selected works by major Christian and Muslim theologians during the formative, medieval and modern periods of both religions, Siddiqui focuses on themes including revelation, prophecy, salvation, redemption, sin, eschatology, law and love. How did some doctrines become the defining characteristics of one faith and not the other? What is the nature of the theological chasm between Christianity and Islam? With a nuanced and carefully considered analysis of critical doctrines the author provides a refreshingly honest counterpoint to contemporary polemical arguments and makes a compelling contribution to reasoned interfaith conversation.

April Mona Siddiqui is professor of Islamic and Interreligious studies, 288 pp. 234x156mm. Divinity School, Edinburgh University, and author of numerous articles HB ISBN 978-0-300-16970-6 £20.00* on Christian–Muslim themes. Her four previous books include How to Read the Qur’an.

Isaac and Isaiah The Covert Punishment of a Cold War Heretic David Caute Rancorous and highly public disagreements between Isaiah Berlin and Isaac Deutscher escalated to the point of cruel betrayal in the mid-1960s, yet surprisingly the details of the episode have escaped historians’ scrutiny. In this gripping account of the ideological clash between two of the most influential scholars of Cold War politics, David Caute uncovers a hidden story of passionate beliefs, unresolved antagonism and the high cost of reprisal to both victim and perpetrator. Though Deutscher (1907–67) and Berlin (1909–97) had much in common – each arrived in England in flight from totalitarian violence, quickly mastered English and found entry into the Anglo-American intellectual world of the 1950s – Berlin became one of the presiding voices of Anglo-American liberalism, while Deutscher remained faithful to his Leninist heritage, resolutely defending Soviet conduct despite his rejection of Stalin’s tyranny. Caute combines vivid biographical detail with an acute analysis of the issues that divided these two icons of Cold War politics, and brings to light for the first time the full severity of Berlin’s action against Deutscher. David Caute is an author, novelist, playwright, historian and journalist. He was a Henry Fellow at Harvard and a prize fellow at All Souls June College, Oxford. Among his books are The Fellow Travellers: A Postscript 336 pp. 234x156mm. on the Enlightenment (Yale), Sixty-Eight: The Year of the Barricades, HB ISBN 978-0-300-19209-4 £25.00* The Dancer Defects: The Struggle for Cultural Supremacy During the Cold War and Politics and the Novel during the Cold War. Spring 2013 to pdf:1 18/10/12 14:17 Page 9

General Interest 9

The dramatic life of the Marquess of Queensberry, nemesis of Oscar Wilde and creator of the famous ‘Rules’

Above left: Marquess of Queensberry cabinet card.

The Marquess of Queensberry Wilde’s Nemesis Linda Stratmann The Marquess of Queensberry is perhaps as famous for destroying one of our greatest literary geniuses as he was for helping establish the rules for modern-day boxing. The trial and two-year imprisonment of Oscar Wilde, following a series of events inspired by Wilde’s romantic interest in Queensberry’s son, remains one of history’s great tragedies. However, Linda Stratmann’s riveting biography of the marquess, also known as John Sholto Douglas, paints a far more complex picture by drawing on new sources and unpublished letters. In his forties, Douglas was altered by a series of setbacks. The events of the Wilde affair – told for the first time from the marquess’s perspective – were directly linked to them. Through the retelling of pivotal events from Douglas’s life, including the death of his brother on the Matterhorn, his fruitless search for him and the suicide of his father, the book reveals a well-meaning man often stricken with a grief he found hard to express, who deserves our compassion. Linda Stratmann is the author of eleven books including Chloroform: The Quest for Oblivion, Notorious Blasted Rascal and Greater London Murders.

April 336 pp. 234x156mm. 27 b/w illus. HB ISBN 978-0-300-17380-2 £20.00* Spring 2013 to pdf:1 18/10/12 14:17 Page 10

10 General Interest

The fascinating story of the revolutionary science that is unravelling the mysteries of BSE and other deadly brain diseases

Fatal Flaws How a Misfolded Protein Baffled Scientists and Changed the Way We Look at the Brain Jay Ingram Discovered and identified as the cause of mad cow disease only three decades ago, the prion is a protein molecule that, when misshapen in the brain, becomes fatal. Novel and controversial, prions have provoked a scientific revolution. They challenge the very foundations of biology: a disease-causing entity with no genetic material at all? A molecule capable of infecting, multiplying and killing? This book recounts the birth of prion science and the imaginative detective work scientists have undertaken as they struggle to find the answers to devastating brain diseases from mad cow and Creutzfeld-Jakob disease to Parkinson’s, Alzheimer’s, Lou Gehrig’s and others. As in each of his best-selling books, Jay Ingram here makes complex scientific concepts accessible and shows how little-known events may Jay Ingram is an award-winning have profound significance. He describes the development of prion science author, writer and science as a rough-and-tumble affair, with rivals, eccentrics, interfering broadcaster. He was co-host and governments and brilliantly creative people all playing salient roles. producer of Discovery Channel Weaving biology, medicine, human tragedy, discovery and bitter Canada’s Daily Planet from 1995 to scientific competition into his account, he reveals the stunning 2011, and he is the author of eleven potential of prion science, whose discoveries may unlock the answers to previous books. some of humankind’s most destructive diseases. ‘Fatal Flaws provides a fascinating insight into the twists and turns of this new science, highlighting the controversies that surrounded its April emergence and the ways it turned the world of research into the 288 pp. 210x140mm. 7 b/w illus. causes of neurodegenerative disease inside out.’ – Lara Marks, author HB ISBN 978-0-300-18989-6 £20.00* of Sexual Chemistry: A History of the Contraceptive Pill Spring 2013 to pdf:1 18/10/12 14:17 Page 11

General Interest 11

An essential book that comes to grips with the events that will determine the fate of the Earth

Photograph © Lloyd DeGrane.

Earthmasters The Dawn of the Age of Climate Engineering Clive Hamilton This book goes to the heart of the unfolding reality of the 21st century: international efforts to reduce greenhouse gas emissions have all failed and before the end of the century Earth is projected to be warmer than it has been for 15 million years. The question, ‘can the crisis be avoided?’ has been superseded by a more frightening one, ‘what can be done to prevent the devastation of the living world?’ And the disturbing answer, now under wide discussion both within and outside the scientific community, is to seize control of the very climate of Earth itself. Clive Hamilton begins by exploring the range of technologies now being developed in the field of geoengineering – the intentional, enduring, large-scale manipulation of Earth’s climate system. He lays out the arguments for and against climate engineering, and reveals the extent of vested interests linking researchers, venture capitalists and corporations. He examines what it means for human beings to be making plans to control the planet’s atmosphere, probes the uneasiness we feel with the notion of exercising technological mastery over nature, and challenges the ways we think about ourselves and our place in the natural world. Clive Hamilton is Vice-Chancellor’s Chair and Professor of Public Ethics, Centre for Applied Philosophy and Public Ethics, Charles Sturt University, Canberra. Three of his previous books are devoted to February climate change. 272 pp. 216x138mm. HB ISBN 978-0-300-18667-3 £20.00* Spring 2013 to pdf:1 18/10/12 14:17 Page 12

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The provocative punk aesthetic and its incendiary Distributed by Yale University Press Distributed by Yale influence on high fashion Published by Museum The of Art Metropolitan

Sid Vicious, 1977. Courtesy of The Metropolitan Museum of Art, Photograph © Dennis Morris. All rights reserved.

, March 2011. , March PUNK Vogue Chaos to Couture Andrew Bolton • With an introduction by Jon Savage Since its origins in the 1970s, punk has had an explosive influence on fashion. With its eclectic mixing of stylistic references, punk effectively introduced the postmodern concept of bricolage to the elevated precincts of haute couture and directional ready-to-wear. As a style, punk is about chaos, anarchy and rebellion. Drawing on provocative sexual and political imagery, punks made fashion overtly hostile and threatening. This aesthetic of violence – even of cruelty – was intrinsic to the clothes themselves, which were often customised with rips, tears and slashes, as well as studs, spikes, zippers, D-Rings, safety pins and razor blades, among other things. This extraordinary publication examines the impact of punk’s aesthetic Courtesy of The Metropolitan Museum of Art. Photography by David Sims. David of Art. by Photography Museum The Metropolitan Courtesy of of brutality on high fashion, focusing on its do-it-yourself, rip-it-to- shreds ethos, the antithesis of couture’s made-to-measure exactitude. Indeed, punk’s democracy stands in opposition to fashion’s autocracy. Yet, as this book reveals, even haute couture has readily appropriated

Karl Lagerfeld (French, born Hamburg, 1938) for House of Chanel, 2011. 1938) for House born Hamburg, Karl Lagerfeld (French, the visual and symbolic language of punk, replacing beads with studs, paillettes with safety pins and feathers with razor blades in an attempt to capture the style’s rebellious energy. Focusing on high fashion’s Exhibition embrace of punk’s aesthetic vocabulary, this book reveals how designers The Metropolitan Museum of Art, have looked to the quintessential anti-establishment style to originate 09/05/13 – 11/08/13 new ideals of beauty and fashionability. Andrew Bolton is Curator in The Costume Institute at The Metropolitan Museum of Art. Jon Savage is the author of many books on punk, including the award winning history of punk music, England’s Dreaming. May He continues to write on punk and other genres in a variety of 224 pp. 356x279mm. 200 colour illus. publications, notably Mojo magazine and The Observer Music Monthly. PB ISBN 978-0-300-19185-1 £30.00* Translation rights: The Metropolitan Museum of Art, New York Spring 2013 to pdf:1 18/10/12 14:17 Page 13

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An astute exploration of the most outrageous shoe designs of the 21st century

Alberto Guardiani. Flutterby shoes, fall 2012. Courtesy Alberto Guardiani.

Shoe Obsession Valerie Steele and Colleen Hill This fabulously illustrated book explores western culture’s fascination with extravagant and fashionable shoes. Over the past decade, shoe design has become increasingly central to fashion, with fashion companies paying ever more attention to shoes and other accessories. High-heeled shoes, in particular, have become the fashion accessory of the 21st century. Co-written by one of the world’s leading historians of fashion and an authority on fashion accessories, the book features approximately 150 pairs of the most extreme and ultra-fashionable styles of the past 12 years, including work by such prominent designers as Manolo Blahnik, Pierre Hardy, Christian Louboutin and Bruno Frisoni for Roger Vivier, as well as shoes by influential design houses such as Azzedine Alaïa, Balenciaga, Alexander McQueen and Prada. Avant-garde styles by up-and-coming designers such as Japan’s Kei Kagami and Noritaka Tatehana are also highlighted. Exhibition Shoe Obsession examines recent extreme and fantastical shoe styles in The Fashion Institute of Technology, relation to the history of high heels, the role of shoes as a reflection of New York, 07/02/13 – 13/04/13 their wearers’ personality traits, and the importance of shoes in art and exhibitions. The book is lavishly illustrated with full-colour photographs of spectacular contemporary shoe designs. Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology, New York. Colleen Hill is associate curator of accessories, The Museum at the Fashion Institute of March Technology, New York. 192 pp. 256x192mm. 200 colour illus. HB ISBN 978-0-300-19079-3 £25.00* Published in association with The Fashion Institute of Technology, New York Spring 2013 to pdf:1 18/10/12 14:17 Page 14

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A wide-ranging exploration of the dandy and men’s fashion over the past two centuries, from Beau Brummell to hip-hop Group of shirts worn by Francis J. Carolan, c. 1900. T. Hodgkinson, shirtmaker, London. Monogrammed cotton plain weave, cotton novelty weave and silk novelty weave.

Artist/Rebel/Dandy Men of Fashion Edited by Kate Irvin and Laurie Anne Brewer With essays by Kate Irvin, Laurie Anne Brewer, Christopher Breward and Monica L. Miller • Preface by Thom Browne Artist/Rebel/Dandy celebrates the pleasures of the sharp-dressed man, from the discreet sophistication of the consummately elegant George Bryan ‘Beau’ Brummell in the early 19th century to the diverse, highly personal flair of the tastemakers who colour the landscape of menswear today. Since the word ‘dandy’ came into vogue in London in 1813, it has at times been used to describe someone superficial, flamboyant and self-indulgent. Instead, the dandy is here shown to employ profound thought and imagination in his self-presentation, fashioning an image that often challenges the status quo and transcends the ordinary. Exhibition A series of essays traces the often contradictory definitions and images Museum of Art, Rhode Island School of the dandy, the history of young men and clothes in the long 19th of Design, 26/04/13 – 18/08/13 century, the fabrics and tailoring that play an important role in dandy style and the relationship of black dandyism and hip-hop. In addition, this book features contributions on notable dandies by individuals who share a kinship with their subject, including Patti Smith considering Published in association with the Museum Charles Baudelaire; a reflection on Oscar Wilde by his grandson, of Art, Rhode Island School of Design Merlin Holland; Daniela Morera, formerly part of Andy Warhol’s Factory crowd, reminiscing about the artist’s image; and writer Philip Hoare describing the ‘thrift-shop dandyism’ of director John Waters.

May Kate Irvin is curator and head of the Department of Costume and Textiles, 208 pp. 279x229mm. and Laurie Anne Brewer is assistant curator in the Department of 125 colour + 20 b/w illus. Costume and Textiles, both at the Museum of Art, Rhode Island School of HB ISBN 978-0-300-19081-6 £35.00* Design. Spring 2013 to pdf:1 18/10/12 14:17 Page 15

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A superlative new study of the roots of the modern fashion show

Private client watching three mannequins modelling through a lorgnette. ‘La mode qui vient’, Fantasio, 15 September 1912. Paris, Bibliothèque Forney.

The Mechanical Smile Modernism and the First Fashion Shows in France and America, 1900–1929 Caroline Evans In the early 20th century, the desire to see clothing in motion flourished on both sides of the Atlantic: models tangoed, slithered, swaggered and undulated before customers in couture houses and department stores. The Mechanical Smile traces the history of the earliest fashion shows in France and the United States from their origins in the 1880s to 1929, situating them in the context of modernism and the rationalisation of the body. Fashion shows came into being concurrently with film, and this book explores the connections between fashion and early cinema, which arguably functioned as what Walter Benjamin called ‘new velocities’ – forces that altered the rhythms of modern life. Caroline Evans is professor of Using significant new archival evidence, The Mechanical Smile shows fashion history and theory at Central how so-called ‘mannequin parades’ employed the visual language of Saint Martins College of Arts and modernism to translate business and management methods into visual Design, as well as a visiting professor seduction. Caroline Evans, a leading fashion historian, argues for an at the Centre for Fashion Studies, expanded definition of modernism as both gestural and performative, Stockholm University. drawing on literary and performance theory rather than relying on art and design history. The fashion show, Evans posits, is a singular nodal point where the disparate histories of commerce, modernism, gender and the body converge. May 400 pp. 280x230mm. 80 colour + 170 b/w illus. HB ISBN 978-0-300-18953-7 £30.00* Spring 2013 to pdf:1 18/10/12 14:18 Page 16

16 General Interest

The first single-volume history of Reformed Protestantism from its 16th-century origins to the present Stained glass window, Rundle Memorial United Church.

Calvinism A History D. G. Hart This briskly-told history of Reformed Protestantism takes these churches through their entire 500-year history – from 16th-century Zurich and Geneva to modern locations as far-flung as Seoul and Sao Paulo. D. G. Hart explores specifically the social and political developments that enabled Calvinism to establish a global presence. Hart’s approach features significant episodes in the institutional history of Calvinism that are responsible for its contemporary profile. He traces the political and religious circumstances that first created space for Reformed churches in Europe and later contributed to Calvinism’s expansion around the world. He discusses the effects of the American and French Revolutions on ecclesiastical establishments as well as 19th- and 20th-century communions, particularly in Scotland, the Netherlands, the United States and Germany, that directly challenged church dependence on the state. Raising important questions about secularisation, religious freedom, privatisation of faith and the place of religion in public life, this book will appeal not only to readers with interests in the history of religion but also in the role of religion in political and social life today. D. G. Hart is visiting professor of history, Hillsdale College, and former director of the Institute for the Study of American Evangelicals, Wheaton College. He is author of more than a dozen previous books, including most recently From Billy Graham to Sarah Palin. May 352 pp. 234x156mm. 20 b/w illus. HB ISBN 978-0-300-14879-4 £25.00* Spring 2013 to pdf:1 18/10/12 14:18 Page 17

General Interest 17 Thomas Aquinas A Portrait Denys Turner Leaving so few traces of himself behind, Thomas Aquinas seems to defy the efforts of the biographer. Highly visible as a public teacher, preacher and theologian, he nevertheless has remained nearly invisible as man and saint. What can be discovered about this man, his mind and his soul? In this short, compelling portrait, Denys Turner clears away the haze of time and brings Thomas vividly to life for contemporary readers – those unfamiliar with the saint as well as those well acquainted with his teachings. Building on the best biographical scholarship available today and reading Thomas’ texts with piercing acuity, Turner seeks the point at which the man, the mind and the soul of Thomas Aquinas intersect. Reflecting upon Thomas, a man of Christian Trinitarian faith yet one whose thought is grounded firmly in the body’s interaction with the material world, a thinker at once confident in the powers of human reason and a man of prayer, Turner provides a more detailed human portrait than ever before of one of the most influential philosophers and theologians in all of Western thought.

June Denys Turner, former professor of divinity at Cambridge University, is 256 pp. 210x140mm. Horace Tracy Pitkin Professor of Historical Theology, Yale University. HB ISBN 978-0-300-18855-4 £18.99* He has written widely on political theory and social theory in relation to Christian theology, as well as on Medieval thought.

Gandhi A Spiritual Biography Arvind Sharma In his Autobiography, Gandhi wrote, ‘What I want to achieve – what I have been striving and pining to achieve these thirty years – is self- realisation, to see God face to face ... All that I do by way of speaking and writing, and all my ventures in the political field, are directed to this same end’. While hundreds of biographies and histories have been written about Gandhi (1869–1948), nearly all of them have focused on the political, social or familial dimensions of his life. Very few, in recounting how Gandhi led his country to political freedom, have viewed his struggle primarily as a search for spiritual liberation. Shifting the focus to the understudied subject of Gandhi’s spiritual life, Arvind Sharma retells the story of Gandhi’s life through this lens. Illuminating unsuspected dimensions of Gandhi’s inner world and uncovering their surprising connections with his outward actions, Sharma explores the eclectic religious atmosphere in which Gandhi was raised, his belief in reincarnation, his conviction that morality and religion are synonymous, his attitudes toward tyranny and freedom, and, perhaps most important, the mysterious source of his power to establish new norms of human conduct. This book enlarges our understanding of one of history’s most profoundly influential figures, a man whose trust in the power of the soul helped liberate millions. May 256 pp. 210x140mm. Arvind Sharma is Birks Professor of Comparative Religion, McGill HB ISBN 978-0-300-18596-6 £20.00* University. His publications include Our Religions: The Seven World Religions and Women in World Religions. Spring 2013 to pdf:1 18/10/12 14:18 Page 18

18 General Interest

The story of Northern Ireland’s Troubles – and their complex aftermath

Members of the Real IRA attending 1916 Easter Rising commemoration in Derry, Northern Ireland, April 2010 (Alamy Images).

Northern Ireland The Reluctant Peace Feargal Cochrane In this thoughtful and engaging book, Feargal Cochrane looks at Northern Ireland’s ‘Troubles’ from the late 1960s to the present day. He explains why, a decade and a half after the peace process ended in political agreement in 1998, sectarian attitudes and violence continue to plague Northern Ireland today. Former members of the IRA now sit alongside their unionist adversaries in the Northern Ireland Assembly, but the region’s attitudes have been slow to change and recent years have even seen an upsurge in violence on both sides. In this book, Cochrane, who grew up a Catholic in Belfast in the ’70s and ’80s, explores how divisions between Catholics and Protestants became so entrenched during the thirty years of political violence in Northern Ireland – which killed over 3,500 people – leading up to the peace agreement. Cochrane asks whether the peace process has actually delivered for the citizens of Northern Ireland, and what more needs to be done to enhance the current reluctant peace. Feargal Cochrane is professor of international conflict analysis and director of the Conflict Analysis Research Centre at the University of Kent. He is the author of several previous books on Ireland.

April 320 pp. 234x156mm. 20 b/w illus. HB ISBN 978-0-300-17870-8 £25.00* Spring 2013 to pdf:1 18/10/12 14:18 Page 19

General Interest 19

Shell Oil’s ‘See Britain First’ campaign, illustrated by Edward McKnight Kauffer, ran in the late 1920s and early 1930s. © Simon Rendall.

Men from the Ministry How Britain Saved Its Heritage An entirely new – and personal – look at heritage Simon Thurley in Britain in the 20th century Between 1900 and 1950 the British state amassed a huge collection of over 800 historic buildings, monuments and historic sites and opened them to the public. It was an enterprise without precedent. Governments elsewhere had of course assembled collections of paintings, sculptures and books. But Britain created what was effectively an outdoor museum of national history, overseen by a range of voluntary bodies including the Council for the Protection of Rural England, the Society for the Protection of Ancient Buildings and the National Trust. Simon Thurley is the Chief In this vivid and forcefully argued book Simon Thurley analyses this Executive of English Heritage. extraordinary collecting frenzy and places it in the context of an He was formerly the Director of the interwar period dominated by nostalgia, neo-romanticism and cultural Museum of London, and the Curator protectionism. The establishment of a modern state based on deep of Historic Royal Palaces. Among his historical and rural roots encapsulated the view of the former prime books are The Royal Palaces of Tudor minister, Stanley Baldwin, that heritage was the rock out of which the England and Hampton Court: An nation’s children would be hewn. Architectural and Social History, The Second World War demonstrated that the government’s collecting both published by Yale. activities could not be sustained and that the conservation of the nation’s heritage should be assigned to the National Trust. It was war too that extended protection to buildings that were living and occupied, not merely those that were ruins. Thurley paints a picture of a country traumatised by war, fearful of losing what was left of its April history and traditions and a government that actively set out to protect 224pp 234x156mm. 50 b/w illus. them. And he shows how the project continues today. HB 978-0-300-19572-9 £18.99* Spring 2013 to pdf:1 18/10/12 14:18 Page 20

20 General Interest

A fascinating, wide-ranging survey of the history of possession and exorcism through the ages

St Eligius performing an exorcism. Art Resource.

The Devil Within Possession and Exorcism in the Christian West Brian L. Levack In the 16th and 17th centuries, the era of the Reformation, thousands of Europeans were thought to be possessed by demons. In response to their horrifying symptoms – violent convulsions, displays of preternatural strength, vomiting of foreign objects, displaying contempt for sacred objects and others – exorcists were summoned to expel the evil spirits from victims’ bodies. This compelling book focuses on possession and exorcism in the Reformation period, but also reaches back to the 15th century and forward to our own times. Entire convents of nuns in French and Spanish towns, 30 boys in an Amsterdam orphanage, a small group of young girls in Salem, Massachusetts – these are among the instances of demon possession in the United States and throughout Europe that Brian Lavack closely examines, taking into account the diverse interpretations of generations of theologians, biblical scholars, pastors, physicians, anthropologists, psychiatrists and historians. Challenging the commonly-held belief that possession signals physical or mental illness, the author argues that demoniacs and exorcists – consciously or not – are following scripts encoded in their various religious cultures, and their performances can only be understood in those contexts. Brian L. Levack is John E. Green Regents Professor in History, University of Texas at Austin, and author of the best-selling textbook, March The Witch-Hunt in Early Modern Europe. 352 pp. 234x156mm. 16 b/w illus. HB ISBN 978-0-300-11472-0 £25.00* Spring 2013 to pdf:1 18/10/12 14:18 Page 21

General Interest 21

How the greatest change of the modern era revolutionised ordinary lives

William Pickett after P. J. de Loutherbourg, Iron Works, Colebrook Dale, 1805.

Liberty’s Dawn A People’s History of the Industrial Revolution Emma Griffin This remarkable book looks at hundreds of autobiographies penned between 1760 and 1900 to offer an intimate first-hand account of how the Industrial Revolution was experienced by the working class. The Industrial Revolution brought not simply misery and poverty. On the contrary, Griffin shows how it raised incomes, improved literacy and offered exciting opportunities for political action. For many, this was a period of new, and much valued, sexual and cultural freedom. This rich personal account focuses on the social impact of the Industrial Revolution, rather than its economic and political histories. In the tradition of best-selling books by Liza Picard, Judith Flanders and Jerry White, Griffin gets under the skin of the period and illuminates a cast of colourful characters, including factory workers, miners, shoemakers, carpenters, servants and farm labourers. Emma Griffin is senior lecturer in history at the University of East Anglia and an expert on the social and economic history of Britain from 1700 to 1870. She is a frequent contributor to BBC Radio 3’s Night Waves and the author of three previous books, including A Short History of the British Industrial Revolution and Blood Sport: A History of Hunting in Britain.

March 336 pp. 234x156mm. 16 pages of b/w illus. HB ISBN 978-0-300-15180-0 £25.00* Spring 2013 to pdf:1 18/10/12 14:18 Page 22

22 General Interest Democracy in Retreat The Revolt of the Middle Class and the Worldwide Decline of Representative Government Joshua Kurlantzick Since the end of the Cold War, the assumption among most political theorists has been that as nations develop economically, they will also become more democratic – especially if a vibrant middle class takes root. This assumption underlies the expansion of the European Union and much of American foreign policy, bolstered by such examples as South Korea, the Philippines, Taiwan and even to some extent Russia. Where democratisation has failed or retreated, aberrant conditions take the blame: Islamism, authoritarian Chinese influence or perhaps the rise of local autocrats. But what if the failures of democracy are not exceptions? In this thought-provoking study of democratisation, Joshua Kurlantzick proposes that the spate of retreating democracies, one after another over the past two decades, is not just a series of exceptions. Instead, it A Council on Foreign Relations Book reflects a new and disturbing trend: democracy in worldwide decline. The author investigates the state of democracy in a variety of countries, why the middle class has turned against democracy in some cases and whether the decline in global democratisation is reversible.

April Joshua Kurlantzick is a fellow at the Council on Foreign Relations, 296 pp. 234x156mm. where he studies Southeast Asia and democratisation, as well as global HB ISBN 978-0-300-17538-7 £20.00* views on human rights and democracy. He is a frequent contributor to publications including Time and The New Republic.

The Electronic Silk Road How the Web Binds the World Together in Commerce Anupam Chander On the ancient Silk Road, treasure-laden caravans made their arduous way through deserts and mountain passes, establishing trade between Asia and the civilisations of Europe and the Mediterranean. Today’s electronic Silk Roads ferry information across continents, enabling individuals and corporations anywhere to provide or receive services without obtaining a visa. But the legal infrastructure for such trade is yet rudimentary and uncertain. If an event in cyberspace occurs at once everywhere and nowhere, what law applies? How can consumers be protected when engaging with companies across the world? In this accessible book, cyber-law expert Anupam Chander provides the first thorough discussion of the law that relates to global Internet commerce. Addressing up-to-the-minute examples, such as Google’s struggles with China, the Pirate Bay’s skirmishes with Hollywood and the outsourcing of services to India, the author insightfully analyses the difficulties of regulating Internet trade. Chander then lays out a framework for future policies, showing how countries can dismantle barriers while still protecting consumer interests. Anupam Chander is professor of law at the University of California, August Davis, and director of the California International Law Center. He has 224 pp. 234x156mm. 4 b/w illus. taught at Yale, Chicago, Stanford and Cornell, and has published in the HB ISBN 978-0-300-15459-7 £20.00* nation’s leading law reviews. Spring 2013 to pdf:1 18/10/12 14:18 Page 23

General Interest 23 The Passage to Europe How a Continent Became a Union Luuk van Middelaar • Translated by Liz Waters As financial turmoil in Europe preoccupies political leaders and global markets, it becomes more important than ever to understand the forces that underpin the European Union, hold it together and drive it forward. This timely book provides a gripping account of the realities of power politics among European states and between their leaders. Drawing on long experience working behind the scenes, Luuk van Middelaar captures the dynamics and tensions shaping the European Union from its origins until today. It is a story of unexpected events and twists of fate, bold vision and sheer necessity, told from the perspective of the key players – from De Gaulle to Havel, Thatcher to Merkel. Van Middelaar cuts through the institutional complexity by exploring the unforeseen outcome of decisive moments and focusing on the quest for public legitimacy. As a first-hand witness to the day-to-day actions and decisions of Europe’s leaders, the author provides a vivid narrative of the crises and compromises that united a continent. By revisiting the past, he sheds fresh light on the present state of European unification and offers insights into what the future may hold.

June Luuk van Middelaar is a Dutch political philosopher and currently 352 pp. 234x156mm. policy adviser and speechwriter to the president of the European HB ISBN 978-0-300-18112-8 £25.00* Council, Herman Van Rompuy. His first book, Politicide, won the Prix de Paris in 1999. Translation rights: Historische Uitgeverij, Groningen

Mutiny and Its Bounty Leadership Lessons from the Age of Discovery Patrick J. Murphy and Ray W. Coye Violent mutiny was common in seafaring enterprises during the Age of Discovery – so common in fact, that dealing with mutineers was an essential skill for captains and other leaders of the time. Mutinies in today’s organisations are much quieter, more social and intellectual and far less violent, yet the coordinated defiance of authority springs from dissatisfactions very similar to those of long-ago shipboard crews. This highly original book mines the seafaring logs and other archives of great 15th- and 16th-century ship captains and discovers instructive lessons for today’s leaders facing challenges to their authority as well as for other members of organisations in which mutinous events occur. The book begins by examining mutinies against great explorer captains of the Age of Discovery: Christopher Columbus, Ferdinand Magellan, Sebastian Cabot and Henry Hudson. The authors then identify lessons that entrepreneurs, leaders and other members may apply to organisational insurrections today. They find, surprisingly, that mutiny may be a force for good in an organisation, paving the way to more collaborative leadership and stronger commitment to shared goals and values. Patrick J. Murphy is associate professor of management, DePaul April University. He is also current chair of the Management History 304 pp. 210x140mm. 9 b/w illus. Division, Academy of Management. Ray W. Coye is associate professor HB ISBN 978-0-300-17028-3 £18.99* of management, DePaul University. The authors both have maritime service backgrounds and seafaring experience. Spring 2013 to pdf:1 18/10/12 14:18 Page 24

24 General Interest

The life story of the ancient and majestic ginkgo tree, from the age of dinosaurs to the 21st century

Ginkgo The Tree That Time Forgot Peter Crane • Foreword by Peter Raven Perhaps the world’s most distinctive tree, ginkgo has remained stubbornly unchanged for more than two hundred million years. A living link to the age of dinosaurs, it survived the great ice ages as a relic in China, but it earned its reprieve when people first found it useful about a thousand years ago. Today ginkgo is beloved for the elegance of its leaves, prized for its edible nuts and revered for its longevity. This engaging book tells the full and fascinating story of a tree that people saved from extinction – a story that offers hope for other botanical biographies that are still being written. Inspired by the historic ginkgo that has thrived in London’s Kew Gardens since the 1760s, renowned botanist Peter Crane explores the evolutionary history of the species from its mysterious origin through its proliferation, drastic decline and ultimate resurgence. Crane also highlights the cultural and social significance of the ginkgo: its medicinal and nutritional uses, its power as a source of artistic and religious inspiration and its importance as one of the world’s most popular street trees. Readers of this extraordinarily interesting book will be drawn to the nearest ginkgo, where they can experience firsthand the timeless beauty of the oldest tree on Earth. Sir Peter Crane is Carl W. Knobloch Jr. Dean and professor, School of Forestry and Environmental Studies, Yale University, and former director of The Royal Botanic Gardens, Kew. April 400 pp. 254x178mm. 61 b/w illus. HB ISBN 978-0-300-18751-9 £25.00* Spring 2013 to pdf:1 18/10/12 14:18 Page 25

General Interest 25 Franz Kafka The Poet of Shame and Guilt Saul Friedländer Franz Kafka was the poet of his own disorder. Throughout his life he struggled with a pervasive sense of shame and guilt that left traces in his daily existence – in his many letters, extensive diaries and especially in his fiction. This stimulating book investigates some of the sources of Kafka’s personal anguish and its complex reflections in his imaginary world. In this biography, Saul Friedländer probes major aspects of Kafka’s life (family, Judaism, love and sex, writing, illness and despair) that until now have been skewed by posthumous censorship. Contrary to Kafka’s dying request that all his papers be burned, Max Brod, Kafka’s closest friend and literary editor, published and edited the author’s novels and other works soon after his death in 1924. Friedländer shows that, when reinserted in Kafka’s works, deleted segments lift the mask of ‘sainthood’ frequently attached to the writer and thus restore previously hidden aspects of his individuality. Jewish Lives Series – See also page 65 Saul Friedländer is a renowned historian of the Holocaust and in 2008 won the Pulitzer Prize for the second volume of his influential work The Years of Extermination: Nazi Germany and the Jews, 1939–1945. May He is Distinguished Emeritus Professor of History and Club 39 224 pp. 210x140mm. 2 b/w illus. Endowed Chair in Holocaust Studies at UCLA. Friedländer was born HB ISBN 978-0-300-13661-6 £18.99* in Prague and spent his boyhood in Nazi-occupied France. Rights sold: German

Forbidden Music The Jewish Composers Banned by the Nazis Michael Haas With National Socialism’s arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the 20th century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. Michael Haas was producer of London/Decca’s recording series ‘Entartete Musik’ and is presently research director of the Jewish Music Institute for Suppressed Music, SOAS, University of London. April 336 pp. 234x156mm. 16 pages of b/w illus. HB ISBN 978-0-300-15430-6 £25.00* Spring 2013 to pdf:1 18/10/12 14:18 Page 26

26 Paperbacks Contesting The Arch Conjuror Democracy of England Political Ideas in John Dee Twentieth-Century Europe Glyn Parry Jan-Werner Müller Based on primary documents, This brilliant guide to this biography of John Dee, European political ideas and the great magus of the thinkers spans the 20th century. Elizabethan world, challenges With special focus on Fascism many of our beliefs about his and Stalinism and their occult, religious and political legacies, the author illuminates involvements. both the century’s ideological ‘Parry has rescued Dee from extremes and how Europeans the shadows of his own built lasting liberal democracies in the second half of the century. secrecy and restored him as a glittering light in the magical ‘A fine study of the impact of mass democracy on European Elizabethan firmament.’ – The Sunday Telegraph political cultures’ – New Statesman ‘Parry reassesses Dee’s reputation as a maverick figure on the ‘Müller provides an insightful and comprehensive overview of margins and instead places him at the very heart of the the development of political ideas in 20th-century Europe that Elizabethan court.’ – BBC History Magazine takes in Fascism, Communism, social democracy, liberalism, ‘We are invited to imagine Elizabethan England as a much and much else.’ – Standpoint. stranger place that we had assumed. John Dee comes across Jan-Werner Müller is professor of politics at Princeton as a figure of national significance in an age with a belief University. His previous books include A Dangerous Mind: system very different from ours.’ – The Guardian Carl Schmitt in Post-War European Thought and Another Glyn Parry is a senior lecturer in history, Victoria University Country: German Intellectuals, Unification and National of Wellington, New Zealand, and from January 2013, Identity, both published by Yale. professor of history at Northumbria University, Newcastle. May 304 pp. 234x156mm. 10 b/w illus. April 352 pp. 234x156mm. 14 b/w illus. PB ISBN 978-0-300-19412-8 £15.99* PB ISBN 978-0-300-19409-8 £25.00* Rights sold: French, German, Italian, Russian, Serbian, Swedish

Gustav Mahler It Was a Long Time Jens Malte Fischer Ago, and It Never Translated by Happened Anyway Stewart Spencer Russia and the Lauded by scholars as a Communist Past landmark work, this is the best- sourced and most balanced David Satter biography available on the This book explores why Russia celebrated composer. has ignored the lessons of its ‘Formidable … Fischer’s canny tragic Communist experience handling of the latest and shows how a deep-rooted Mahlerian scholarship is likely lack of respect for the to remain the best one-volume individual, blocks the nation’s treatment of its inexhaustible subject.’ – BBC Music way to a stable and democratic future. Magazine ‘An informed and insightful essay – with disturbing ‘Gustav Mahler contains much new information on a multi- implications.’ – Michael Kerrigan, The Scotsman faceted musician whose autobiography can be read in his ‘David Satter has written a book full of vivid and well chosen symphonies.’ – The Independent anecdotes.’ – John Lloyd, Financial Times ‘A superb, multi-faceted biography … Fischer’s superb study ‘Impeccably argued … Satter is a man whom no Russian does full justice to the complexity of its subject.’ leader would wish to meet, let alone shake by the hand, but – The Sunday Times he has their measure.’ – Donald Rayfield, Literary Review Jens Malte Fischer is professor of the history of theatre at David Satter is senior fellow, Hudson Institute, and fellow, the University of Munich. Stewart Spencer is an acclaimed Foreign Policy Institute of Johns Hopkins University School of translator whose work includes biographies of Richard Wagner, Advanced International Studies. His books Age of Delirium: The Cosima Wagner and W. A. Mozart, all published by Yale. Decline and Fall of the Soviet Union and Darkness at Dawn: The April 776 pp. 234x156mm. 16 b/w illus. Rise of the Russian Criminal State are both available from Yale. PB ISBN 978-0-300-19411-1 £16.99* March 400 pp. 234x156mm. Translation rights: Paul Zsolnay Verlag, Vienna PB ISBN 978-0-300-19237-7 £12.99 Spring 2013 to pdf:1 18/10/12 14:18 Page 27

Paperbacks 27 The Event of Literature Terry Eagleton In this characteristically concise, witty and lucid book, Terry Eagleton turns his attention to the questions we should ask about literature, but rarely do. What is literature? Can we even speak of ‘literature’ at all? What do different literary theories tell us about what texts mean and do? In throwing new light on these and other questions he has raised in previous bestsellers, Eagleton offers a new theory of what we mean by literature, and shows what it is that a great many different literary theories have in common. ‘A shrewd historical synthesis of the interaction between literature and the common culture.’ – The Times ‘Written with his characteristic wit, verve and insight, The Event of Literature marks a new chapter in the developing thought of our pre-eminent literary theorist.’ – London Review of Books ‘A fascinating and often compelling expansion of Eagleton’s oeuvre.’ – Publishers Weekly Terry Eagleton is Distinguished Professor of English Literature, University of Lancaster, and Excellence in English Distinguished Visitor, University of Notre Dame. He is the author of more than 40 books, spanning the fields of literary theory, postmodernism, politics, ideology and religion. His recent books Why Marx Was Right, On Evil April and Reason, Faith, and Revolution are all available from Yale. 264 pp. 210x140mm. PB ISBN 978-0-300-19413-5 £10.99* Rights sold: English reprint (South Asia), Japanese, Korean, Spanish, Turkish

Kenya The Battle for Between Hope and Despair, the Arab Spring 1963–2012 Revolution, Counter- Daniel Branch Revolution and the In this insightful account of Making of a New Era Kenya’s history from 1963 to Revised and updated edition the present day, Daniel Branch sheds new light on the nation’s Lin Noueihed struggles and the complicated and Alex Warren causes behind them. This highly readable book ‘[An] engaging and important analyses the explosive events of book.’ – Philip Murphy, the Arab Spring and its International Affairs aftermath, looking at what each country has accomplished – or failed to accomplish – and ‘Branch has produced a largely narrative account, accessible assessing the challenges the region faces on its road to democracy. to the general, non-specialist reader, and an excellent primer for students on African Studies courses interested in Kenya.’ ‘The authors’ personal experiences are combined well with a – Warris Vianni, Awaaz Magazine.com riveting narrative.’ – James Denselow, Huffington Post ‘There had been a glaring shortage of really good general ‘Why did they fall? In the months that followed the advent works on [Kenya’s] post-independence history. [This book] of the Arab spring, authors have rushed to explain why some not only plugs that hole, but has much to say too about the dictators have been unseated but not others … These are not possible futures of many other poor post-colonial states.’ easy questions, but one of the strongest attempts to answer – Stephen Howe, The Independent them is The Battle for the Arab Spring.’ – The Economist Daniel Branch is assistant professor of African history, Lin Noueihed has spent 10 years as a Reuters correspondent in University of Warwick. He is the author of Defeating Mau Mau, the Middle East. Alex Warren is a director and co-founder of Creating Kenya: Counterinsurgency, Civil War and Decolonization. Frontier, a Middle East and North Africa consultancy. He specialises in Libya and edits The Week in Review: Libya. January 384 pp.234x156mm. 20 b/w illus. February 368 pp. 234x156mm. 20 b/w illus. PB ISBN 978-0-300-19414-2 £14.99* PB ISBN 978-0-300-19415-9 £12.99* Translation rights: The Andrew Lownie Literary Agency, London Spring 2013 to pdf:1 18/10/12 14:18 Page 28

28 Paperbacks Ancient Greece Tibet From Prehistoric to A History Hellenistic Times Sam van Schaik Second Edition A timely, lively and insightful Thomas R. Martin history of Tibet, from the seventh century to today. In this comprehensive history of ancient Greece, Thomas R. ‘Succinct, scholarly, and Martin brings alive Greek exceptionally well written, Tibet civilisation from its Stone Age accomplishes a rare triumph of roots to the fourth century B.C. virtue … fills an important gap Focusing on the development of in the literature about Tibet.’ the Greek city-state and the – John Schellhase, The Mantle society, culture and architecture of Athens in its Golden Age, ‘Van Schaik … call[s] into question many preconceptions the Martin integrates political, military, social and cultural history general reader may have about Tibet, its religion, its society in a book that will appeal to students and general readers alike. and its politics … An entertaining read for a wide audience.’ Now in its second edition, this classic work features new maps – BBC History Magazine and illustrations, a new introduction and updates throughout. ‘A limpidly written, highly accessible, and comprehensive ‘Sam van Schaik successfully portrays a wider historical Tibet history of Greece and its civilizations … A highly readable in an informed, well-researched, unbiased and readable way. account of ancient Greece, particularly useful as an It should appeal to scholars and researchers in Tibetan studies introductory or review text for the student or the general and equally to the more general reader.’ – Asian Affairs reader.’ – Kirkus Reviews Sam van Schaik is an expert on the early history of Tibet Thomas R. Martin is professor of Classics at the College of and Tibetan Buddhism. He is based at the British Library in the Holy Cross. His publications include Ancient Rome: From London where he is Research Manager for the International Romulus to Justinian, Herodotus and Sima Qian: The First Great Dunhuang Project. Historians of Greece and China. May 324 pp. 234x156mm. 24 b/w illus. May 384 pp. 234x156mm. PB ISBN 978-0-300-19410-4 £12.99* PB ISBN 978-0-300-16005-5 £11.99* Rights sold: English reprint (India), Italian

Mary I Edward III England’s Catholic Queen W. Mark Ormrod John Edwards A landmark biography of the charismatic king beloved of A new appraisal of the first Tudor 14th-century England. queen, her European connections, her ambitions and intentions and ‘Ormrod has mastered the the religious violence that stained complex interplay of her short reign. circumstance, motive, and personality to provide an original ‘Mary has not lacked for and important account not only biographers, but John Edwards of a king but of a nation at a has managed to outclass them critical stage of its history. all. For the first time we have a Edward III is a remarkable achievement and deserves a wide proper account of her with a fully European-wide perspective, readership, both among professional historians and the general depicting a Trastamara princess as well as a Tudor, and using public.’ – The Times Literary Supplement a framework of Spanish documentation which English historians have seldom consulted.’ – Diarmaid MacCulloch ‘Mark Ormrod’s Edward III is majestically compelling.’ – Simon Sebag Montefiore, The Daily Telegraph ‘Edwards has comprehensively defeated a persistent and painful historical myth and replaced it with something more ‘A skilfully written and original biography.’ complicated, more human and much more accurate. This is – Jonathan Sumption, The Spectator the best biography of Mary we have yet seen.’ – Lucy Wooding, Times Higher Education W. Mark Ormrod is a professor in the Department of History, University of York. He is author of The Reign of Edward III: John Edwards is Modern Languages Faculty Fellow in Crown and Political Society in England, 1327–1377, Political Spanish, University of Oxford. His recent books include Life in Medieval England, 1300–1450 and, with Anthony The Spanish Inquisition, Ferdinand and Isabella and Isabella: Musson, The Evolution of English Justice: Law, Politics and Catholic Queen and Madam of Spain. Society in the Fourteenth Century. The English Monarchs Series The English Monarchs Series April 408 pp. 234x156mm. 17 b/w illus. April 752 pp. 234x156mm. 28 b/w illus. PB ISBN 978-0-300-19416-6 £14.99* PB ISBN 978-0-300-19408-1 £16.99* Spring 2013 to pdf:1 18/10/12 14:18 Page 29

History 29 Livingstone Revised and Expanded Edition Tim Jeal David Livingstone (1813–73) is revered as one of history’s greatest explorers and missionaries, the first European to cross Africa, and the first to find Victoria Falls and the source of the Congo River. In this exciting new edition, Jeal draws on fresh sources and archival discoveries to provide the most fully rounded portrait of this complicated man – dogged by failure throughout his life despite his full share of success. Using Livingstone’s original field notebooks, Jeal finds that the explorer’s problems with his African followers were far graver than previously understood. From recently discovered letters he elaborates on Livingstone’s decision to send his wife Mary back home to England. He also uncovers fascinating information about Livingstone’s importance to the British Empire and about his relationship with the journalist-adventurer Henry Morton Stanley. In addition Jeal here evokes the full pathos of the explorer’s final journey. This masterful, An extensively revised edition updated biography also features an excellent selection of new maps and of Tim Jeal’s classic biography illustrations. published to mark the Tim Jeal is a London-based biographer and novelist. His acclaimed bicentenary of the great explorer biographies of David Livingstone, Henry Morton Stanley and Robert Baden-Powell have all been chosen as Notable Books of the Year by the February New York Times and the Washington Post. 432 pp. 216x138mm. 12 colour + 25 b/w illus. PB ISBN 978-0-300-19100-4 £16.99* Rights held by the author

Solomon’s Secret Arts The Occult in the Age of Enlightenment Paul Kleber Monod The late 17th and 18th centuries are known as the Age of Enlightenment, a time of science and reason. But in this illuminating book, Paul Kleber Monod reveals the surprising extent to which Newton, Boyle, Locke and other giants of rational thought and empiricism also embraced the spiritual, the magical and the occult. Although public acceptance of occult and magical practices waxed and waned during this period they survived underground, experiencing a considerable revival in the mid-18th century with the rise of new anti- establishment religious denominations. The occult spilled over into politics with the radicalism of the French Revolution and into literature in early Romanticism. Even when official disapproval was at its strongest, the evidence points to a growing audience for occult publications as well as to subversive popular enthusiasm. Ultimately, finds Monod, the occult was not discarded in favour of ‘reason’ but was incorporated into new forms of learning. In that sense, the occult is part of the modern world, not simply a relic of an unenlightened past, April and is still with us today. 412 pp. 234x156mm. 24 b/w illus. HB ISBN 978-0-300-12358-6 £27.50* Paul Kleber Monod is A. Barton Hepburn Professor of History at Middlebury College. Spring 2013 to pdf:1 18/10/12 14:18 Page 30

30 History The Huguenots Geoffrey Treasure Following the Reformation, a growing number of radical Protestants came together to live and worship in Catholic France. The Huguenots survived persecution and armed conflict to win freedom of worship, civil rights and unique status as a protected minority. In 1685, following renewed persecution, the Revocation of the Edict of Nantes abolished their remaining rights. Choosing faith over home, over 200,000 Huguenots fled across Europe and, soon, further afield. In this magnificent book, Geoffrey Treasure explores what it was like to be a Huguenot through their rise, survival and fall, from power politics to religious practice and the psychological pressures of living in a threatened ‘state within a state’. Over a span of a century and a half he weaves together political and religious concerns, those of statesmen, feudal magnates and leading figures of the Catholic revival, a Catherine de Medici seeking compromise, a Louis XIV requiring unity, with the stories of ordinary citizens leading extraordinary lives. Treasure describes the Huguenots’ disciplined community, inspiring in faith and courage and rich in achievement, and illuminates their place within Protestantism and European history. Viewing their exodus as a crucial turning point for Europe, Treasure points to the immense significance of the Huguenot story for all their homelands. April 384 pp. 234x156mm. 16 b/w illus. Geoffrey Treasure was Senior Master at Harrow School before his HB ISBN 978-0-300-19388-6 £25.00* retirement in 1992. He has published many acclaimed books, including The Making of Modern Europe, Mazarin and Louis XIV.

William Beckford On Historical Distance First Prime Minister Mark Salber Phillips of the London Empire Conceptions of distance are foundational to historical Perry Gauci thought, but Mark Salber Phillips gives the idea new subtlety and meaning. He argues that distance is a matter not just of This first-ever biography of time and space but also of form, affect, ideology and William Beckford provides a understanding. In this exceptionally wide-ranging study, unique look at 18th-century Phillips examines Renaissance, Enlightenment and British history from the contemporary histories, as well as a broad spectrum of perspective of the colonies. Even historical genres – including local history, literary history, in his own time, Beckford was counter-factual fiction, history painting and museology. seen as a metaphor for the dramatic changes occurring ‘On Historical Distance is a fascinating and very important during this era. He was born in book that should be read by all historians. Beautifully written 1709 into a family of wealthy in elegant, economical and engaging prose, the book wears its sugar planters living in Jamaica, when the colonies were still considerable learning very lightly as it scintillatingly brings peripheral to Britain. By the time he died in 1770, the meta-historical and philosophical insights of Gadamer, colonies loomed large and were considered the source of Ricoeur, Collingwood, Nussbaum, Taylor and others to bear Britain’s growing global power. on its topics in remarkably crisp, clear and unpretentious prose. A deeply original, challenging and thought-provoking Beckford grew his fortune in Jamaica, but he spent most of his study of the evolving history of history by one of our leading adult life in London, where he was elected Lord Mayor twice. historians of historiography, this book should provoke a lively As one of the few politicians to have experienced imperial debate among historians and should be assigned as essential growing pains on both sides of the Atlantic, his life offers a reading for classes on historical methods and historiography.’ riveting look at how the expanding empire challenged existing – John Marshall, John Hopkins University political, social and cultural norms. Perry Gauci is a fellow and tutor in history at Lincoln Mark Salber Phillips is professor of history at Carleton College, University of Oxford. His most recent book is University, Ottawa. He is the author of Society and Sentiment: Regulating the British Economy, 1660–1850. Genres of Historical Thought in Britain, 1740–1820.

The Lewis Walpole Series in Eighteenth-Century Culture and History The Lewis Walpole Series in Eighteenth-Century Culture and History June 256 pp. 234x156mm. 24 b/w illus. June 304 pp. 234x156mm. 10 colour + 30 b/w illus. HB ISBN 978-0-300-16675-0 £22.50* HB ISBN 978-0-300-14037-8 £32.00 Spring 2013 to pdf:1 18/10/12 14:18 Page 31

History 31 Return from the Natives How Margaret Mead Won the Second World War and Lost the Cold War Peter Mandler Celebrated anthropologist Margaret Mead, who studied sex in Samoa and child-rearing in New Guinea in the 1920s and ’30s, was determined as the Second World War approached to show that anthropology could help sum up the national character of the most complex, modern societies and produce better wartime strategies. This fascinating book follows her and her closest collaborators – her lover and mentor Ruth Benedict, her third husband Gregory Bateson, and her would-be fourth husband, Geoffrey Gorer – to their triumphant climax when Mead was chosen to be one of the principal cultural ambassadors from America to Britain in 1943. Part intellectual biography, part cultural history and part history of the human sciences, Peter Mandler’s book is a reminder that the Second World War and the Cold War were a clash of cultures, not just ideologies; examines how far intellectuals should involve themselves in politics; and speaks to modern-day concerns, such as the United States’ relationships with Afghanistan, Iraq and Iran. Peter Mandler is Professor of Modern Cultural History at the March University of Cambridge and president-elect of the Royal Historical 352 pp. 234x156mm. 8 b/w illus. Society. He is the author of numerous books, including two published HB ISBN 978-0-300-18785-4 £30.00* by Yale: The English National Character and The Fall and Rise of the Stately Home.

Confluences Enlightenment’s An American Expedition Frontier to Burma, 1935 The Scottish Highlands Erin L. Hasinoff and the Origins of In January 1935, the Environmentalism Vernay-Hopwood Chindwin Fredrik Albritton Expedition departed from Jonsson Rangoon to explore the Chindwin River valley on Enlightenment’s Frontier is behalf of the American the first book to investigate Museum of Natural History. the environmental roots of The party traversed northern the Scottish Enlightenment. Burma, gathering biological specimens and ethnological What was the place of the natural world in Adam Smith’s artifacts for the museum. famous defense of free trade? This book includes documentation and photographs made Fredrik Albritton Jonsson recovers the forgotten networks of Mandalay to Lonkin, Jan. 1935. Photograph by H. C. Raven. H. C. Raven. by 1935. Photograph to Lonkin, Jan. Mandalay during the journey as well as biographical narratives of its improvers and natural historians that sought to transform the

Image VHC-D25, American Museum of Natural History Library. Library. History of Natural VHC-D25, American Museum Image organisers, sponsors and field scientists. The collected items, soil, plants and climate of Scotland in the 18th century. personal belongings, provisions, tools and exchange goods The Highlands offered a vast outdoor laboratory for rival carried by the expedition party tell the story of the participants’ liberal and conservative views of nature and society. But when encounters with flora, fauna, landscapes and people, including the improvement schemes foundered toward the end of the the ‘head-hunting Nagas’. This account offers details of the century, northern Scotland instead became a crucible for expedition’s itinerary, cross-cultural interactions and exchanges. anxieties about overpopulation, resource exhaustion and the physical limits to economic growth. In this way, the rise and Exhibition Bard Graduate Center, 13/03/13 – 03/08/13 fall of the Enlightenment in the Highlands sheds new light on Erin L. Hasinoff is a research associate in the Division of the origins of environmentalism. Anthropology at the American Museum of Natural History Fredrik Albritton Jonsson is an assistant professor of British (AMNH) and an adjunct assistant professor in the Museum history at the University of Chicago. Studies Program at New York University. The Lewis Walpole Series in Eighteenth-Century Culture and History Distributed for the Bard Graduate Center, NY July 384 pp. 234x156mm. 7 b/w illus. + 2 maps March 176 pp. 222x178mm. 75 colour + 75 b/w illus. HB ISBN 978-0-300-16254-7 £30.00 PB ISBN 978-0-300-19023-6 £25.00* Spring 2013 to pdf:1 18/10/12 14:18 Page 32

32 History Queens and Writing History in the Age of Biomedicine Mistresses of Roger Cooter with Claudia Stein Renaissance France A collection of ten essays paired with substantial prefaces, this book chronicles and contextualises Roger Cooter’s contributions Kathleen Wellman to the history of medicine. Through an analysis of his own This book tells the history of the work, Cooter critically examines the politics of conceptual and French Renaissance through the methodological shifts in historiography. In particular, he lives of its most prominent queens examines the ‘double bind’ of postmodernism and biological or and mistresses, beginning with neurological modelling that, together, threaten academic history. Agnès Sorel, the first officially To counteract this trend, suggests Cooter, historians must begin recognised royal mistress in 1444, actively locating themselves in the problems they consider. including Anne of Brittany, Catherine de Medici, Anne The essays and commentaries constitute a kind of contour map of Pisseleu, Diane de Poitiers, Marguerite de Valois among history’s recent trends and trajectories – its points of passage to others, and concluding with Gabrielle d’Estrées, Henry IV’s the present – and lead both to a critical account of the discipline’s powerful mistress during the 1590s. historiography and to an examination of the role of intellectual Wellman includes both queens and mistresses, showing that frameworks and epistemic virtues in the writing of history. women in both roles enjoyed great influences over both French ‘An intellectual tour de force wresting with Marc Bloch’s politics and culture, not to mention the powerful men with original quest to interrogate the purpose, meaning, and whom they were involved. The book also addresses the enduring methodology of the historian’s craft … a ‘must have’ book mythology surrounding these women, relaying captivating tales for introducing students to the study of history, especially at that uncover much about Renaissance modes of argument, the graduate level.’ – Dorothy Porter, Professor in the History symbols and values, as well as our own modern preoccupations. of Health Sciences, University of California, San Francisco ‘The topic is timely, important, and will draw a wide audience Roger Cooter is a professor at the Centre for the History of of scholars and non-specialists with an interest in Renaissance Medicine at the University College London and has worked as France.’ – Deborah Losse, Arizona State University a research fellow at both the University of Oxford and the Kathleen Wellman is Dedman Family Distinguished Professor University of Manchester. He is co-editor of the journal and chair of the Clements Department of History at Southern Medical History. Claudia Stein is an associate professor of Methodist University in Dallas, TX. history at the University of Warwick. June 416 pp. 234x156mm. 59 b/w illus. July 384 pp. 234x156mm. 7 b/w illus. HB ISBN 978-0-300-17885-2 £30.00 HB ISBN 978-0-300-18663-5 £30.00

Aristocratic Vice Household Politics The Attack on Duelling, Suicide, Conflict in Early Modern England Adultery, and Gambling in Don Herzog Eighteenth-Century England Early modern English canonical sources and sermons often urge Donna T. Andrew the subordination of women. In Household Politics, Don Herzog Aristocratic Vice examines the argues that these sources were blather – not that they were outrage against – and attempts to irrelevant, but that plenty of people rolled their eyes at them. end – the four vices associated with Indeed many held that a man had to be an idiot or a buffoon to the aristocracy in 18th century in try to act on their hoary ‘wisdom’. Households didn’t bask England: duelling, suicide, adultery serenely in naturalised or essentialised patriarchy. Instead, and gambling. All four, it was husbands, wives and servants struggled endlessly over authority. commonly believed, owed their origin to pride. Many felt the Nor did some insidiously gendered public/private distinction law did not go far enough to punish perpetrators when they make the political subordination of women invisible. Conflict, were members of the elite. In this exciting new book, Andrew Herzog argues, doesn’t corrode social order: it’s what social order explores each vice’s treatment by the press at the time and usually consists in. He uses the argument to impeach shows how a century of public attacks on aristocratic vices conservatives and their radical critics for sharing confused promoted a sense of ‘class superiority’ among the soon-to- alternatives. The social world Herzog brings vibrantly alive is emerge British middle class. much richer – and much pricklier – than many imagine. ‘No historian of the period has made greater or more effective ‘This is a stunning performance … The conceptual analysis use of the newspaper press as a source for cultural history than is, frankly, wild and passionate, the brilliant observations of a [Donna T. Andrew]. This book is evidently the product of a man who has spent his lifetime charting the confusing cross- great deal of work and is likely to stimulate further work.’ currents of ideology.’ – Blakey Vermeule, Stanford University – Joanna Innes, University of Oxford Don Herzog is a professor at the University of Michigan Law Donna T. Andrew is professor emerita of history at the School. He is the author of four previously published books. University of Guelph in Ontario, Canada. May 256 pp. 234x156mm. July 352 pp. 234x156mm. 4 b/w illus. HB ISBN 978-0-300-18078-7 £22.50 HB ISBN 978-0-300-18433-4 £35.00 Spring 2013 to pdf:1 18/10/12 14:18 Page 33

Art 33

A vivid evocation of the splendour of Edwardian Britain

Above: Charles Wellington Furse, Diana of the Uplands, 1903–4, Tate Britain. Background: Cartier and Sons, Paris, one of a pair of Fern Spray Brooches, platinum and diamonds, 1903. Collection Cartier, Geneva. Edwardian Opulence British Art at the Dawn of the Twentieth Century Angus Trumble and Andrea Wolk Rager With contributions by A. Cassandra Albinson, Tim Barringer, Pamela Fletcher, Imogen Hart, Elizabeth C. Mansfield and Alexander Nemerov Views of the Edwardian era have swung between seeing the period as a golden summer afternoon of imperial and elite complacency and the starkly conflicting depiction of the decade as one of intense political, economic and artistic instability leading up to the chasm of the First World War. This magnificent book explores themes of power and a contrasting lightness of touch through the distinctive architecture, interiors and decorative and fine arts of the time. Creation, consumption and display are enlightened through portraits by Sargent and Boldoni, diamond tiaras and ostrich feather fans and a spectacular embroidered gown belonging to Mary, the American-born wife of Lord Curzon, Viceroy of India. At the same time, the Lumiere brothers’ invention of autochromes enabled informal colour portrait photography that fostered the cult of celebrity. Opulence and leisure were driving forces for the domestic and imperial British economic engine in the early years of the 20th century. Angus Trumble is senior curator of painting and sculpture at the Yale Center for British Art. Andrea Wolk Rager is visiting assistant professor at Case Western Reserve University. March Exhibition 420 pp. 305x241mm. Yale Center for British Art, 28/02/13 – 02/06/13 380 colour + 30 b/w illus. HB ISBN 978-0-300-19025-0 £50.00* Published in association with the Yale Center for British Art Spring 2013 to pdf:1 18/10/12 14:18 Page 34

34 Art Vermeer and Music The Art of Love and Leisure Marjorie E. Wieseman Johannes Vermeer (1632–1675) is one of the world’s most captivating artists. Renowned for his sublimely beautiful depictions of everyday Dutch life, Vermeer created exquisite paintings that are sought out by any art lover. Music was a key facet of 17th-century Dutch life, both in public and private. Of Vermeer’s 36 surviving paintings twelve depict musical themes or a musical instrument. These include the magnificent pictures by Vermeer: Young Woman Standing at a Virginal; Young Woman Seated at a Virginal; The Music Lesson; and The Guitar Player, all featured in this book. The book also includes paintings by Vermeer’s contemporaries, such as Gerard ter Borch (1617–1681), Gabriel Metsu (1629–1667) and Jan Steen (c. 1626–1679). Vermeer and Music provides new insight into the Exhibition cultural significance of these images. A historical overview of musical National Gallery, London, instruments and entertainment in the Dutch Republic, including the 26/06/13 – 08/09/13 abundant publication of songbooks filled with love songs and poems, some richly illustrated, contextualises the fascinating relationship between music and the visual arts.

June Marjorie E. Wieseman is Curator of Dutch Paintings at the National 72 pp. 265x205mm. 60 colour illus. Gallery, London. Her publications include Vermeer’s Women: Secrets and PB ISBN 978-1-85709-567-8 £9.99* Silence, A Closer Look: Deceptions and Discoveries and Dutch Painting.

Frederic Church And the Landscape Oil Sketch Andrew Wilton • With contributions by Christopher Riopelle The Gallery National • London and Katherine Bourguignon The American painter Frederic Church (1826–1900) rose to fame as a member of the Hudson River School, which inaugurated the great tradition of American landscape painting. He was also a leading proponent of the landscape oil sketch made rapidly out-of-doors, in front of the subject. Such informal and spontaneous works often served as preparatory studies for large-scale paintings, and played a vital role in landscape practice and pedagogy in both Europe and America from the mid-19th century to around 1900. This book features some thirty sketches Church made in the United States, Jamaica, Europe and the Near East over the course of his career. Exhibition A number of them come from Olana, the artist’s magnificent home National Gallery, London, overlooking the Hudson River and now a New York State historic site. 06/02/13 – 28/04/13 An introductory essay by Andrew Wilton is accompanied by detailed Scottish National Gallery, Edinburgh, commentaries on the featured works. May – September 2013 Andrew Wilton was formerly Keeper and Senior Research Fellow of the British Collection at Tate Britain. He is the author of American Sublime: Landscape Painting in the United States 1820–1880. Katherine Bourguignon is the Associate Curator at the Terra Foundation for American Art Europe, Paris. She most recently contributed to the National Gallery’s An American Experiment: George Bellows and the Ashcan School. Christopher Riopelle is Curator of Post- January 1800 Paintings at the National Gallery, London. He has contributed to 72 pp. 235x196xmm. 45 colour illus. many titles including the National Gallery’s Picasso: Challenging the Past PB ISBN 978-1-85709-550-0 £9.99* and Sisley in England and Wales. Spring 2013 to pdf:1 18/10/12 14:18 Page 35

Art 35

Michael Landy, established Young British Artist, takes inspiration from the iconography of Christian saints in the National Gallery, creating drawings, collages • London National Gallery The and large kinetic sculptures Michael Landy as Saint Jerome © Michael Landy, courtesy of the Thomas Dane Gallery, London / Photo: The National Gallery, London.

Saints Alive Michael Landy in the National Gallery Colin Wiggins, with Richard Cork and Jennifer Sliwka Exhibition The National Gallery in London has always inspired contemporary National Gallery, London, artists, and never more so than here. Michael Landy came to prominence 23/05/13 – 24/11/13 with the Young British Artists of the 1980s and 90s; a group that rejected, among other things, notions of deference to traditional forms of art. This book is a record of Landy’s three-year residency in a dedicated studio in the Gallery, from which he could explore the collection and create new work, from drawing to sculpture; illustrated with drawings, work in progress and in situ photography of the final installation. Colin Wiggins is Special Project Although he attaches little importance to his own Catholic education, Curator and Jennifer Sliwka is Landy was fascinated by the stories of the saints in the National Gallery Howard and Roberta Ahmanson Collection – once a part of common and religious culture, now largely Fellow in Art and Religion; both at forgotten. The resulting body of work is a mass of drawings – multiple the National Gallery, London. copies of fragments from paintings – together with collages using large- Richard Cork is an art critic and scale reproductions of paintings, and a series of monumental kinetic writer based in London. sculptures made from recycled machinery. The process of copying, central to Landy’s practice while at the Gallery, and then translating his compositions into three dimensions, would have been recognisable to any of his artist predecessors, and reaffirms the continuing relevance of the traditions of Old Master painting for artists today. The sculptures themselves are fragmented assemblages: two- dimensional paintings brought to life; whirring, moving, clanging. May While intended to be playful in their interactivity, the gruesome 72pp. 210x270mm. 80 colour illus. imagery of Christian martyrdom, in all its horribly inventive forms, PB ISBN 978-1-85709-560-9 £9.99* suggests otherwise, lending an inescapably macabre undertone. Translation rights for National Gallery London titles: The National Gallery Company, London Spring 2013 to pdf:1 18/10/12 14:18 Page 36

36 Art Hopper Drawing Carter E. Foster Edward Hopper (1882–1967) is recognised as one of the most well-known American artists of the 20th century. His distinctive style, combining subtle observations of the world with his imagination, has not only influenced other artists but also photographers, filmmakers and popular culture. Although Hopper is primarily known for his oil paintings, including such iconic works as Nighthawks (1942) and Early Sunday Morning (1930), this important publication is the first comprehensive exploration of his drawings and working methods. In 1967, Hopper’s widow, Josephine Nivison Hopper, bequeathed her husband’s artistic estate to the Whitney Museum of American Art, including a fascinating collection of more than 2,000 drawings spanning his entire career. This group of works has never been the subject of in-depth study and many have never been reproduced before. Hopper Exhibition kept these drawings for personal reference as he revisited various themes Whitney Museum of American Art, throughout his career. Carter Foster carefully examines how Hopper 23/05/13 – 06/10/13 used his drawings to develop his paintings, arguing that the artist’s work Dallas Museum of Art, can only be fully understood after in-depth study of these preparatory 17/11/13 – 16/02/14 sketches. Foster also argues that Hopper was, in many ways, a traditional Walker Art Center, draftsman who methodically developed schematic ideas into detailed 15/03/14 – 22/06/14 studies to refine content. However, the steps toward this refinement are unique to Hopper and reveal how he turned the mundane into poetic images with universal appeal. June Carter E. Foster is Steven and Ann Ames Curator of Drawings at the 304 pp. 305x241mm. Whitney Museum of American Art. 325 colour illus. HB ISBN 978-0-300-18149-4 £45.00* Distributed for the Whitney Museum of American Art Translation rights: Whitney Museum of American Art, New York

My Dear Mr. Hopper Edited by Elizabeth Thompson Colleary Edward Hopper (1882–1967), long recognised as the premier 20th-century American realist painter, was famously introverted and reclusive. He rarely spoke about his personal life, and his close friends were few and love interests fewer. Until now, there have been only two known romantic pursuits prior to Hopper’s marriage to Josephine Nivison: a brief relationship in Paris with an English girl and another spanning several years with an older French woman in New York in 1914. The discovery of fifty-eight previously unknown letters and one note from Alta Hilsdale (1884–1948) to Hopper brings to light a previously unknown, possibly one-sided romantic relationship. Hilsdale, who was from Minnesota and spent time in New York and Paris, sent letters to Hopper at various home and studio addresses over the course of ten years. Reverend Arthayer Sanborn, a close friend of Edward and Josephine Hopper, discovered the letters in Hopper’s childhood home in Nyack, New York, after the artist’s death. Fewer than ten people have had the opportunity to read these letters, and they are published in their entirety for the first time in My Dear Mr. Hopper. Elizabeth Thompson Colleary is an independent scholar. Edward Hopper in Paris, 1907. © The Arthayer R. Sanborn Hopper Collection Trust, 2005. Trust, Collection Hopper The Arthayer R. Sanborn 1907. © in Paris, Hopper Edward July 96 pp. 232x197mm. 20 colour + 5 b/w illus. Published in association with the Whitney Museum of American Art HB ISBN 978-0-300-18148-7 £16.99* Translation rights: Whitney Museum of American Art, New York Spring 2013 to pdf:1 18/10/12 14:18 Page 37

Art 37

‘You could say that I am a student of photography, and I am; but really I’m a student of America.’ – Garry Winogrand Garry Winogrand, Los Angeles, 1964. Gelatin silver print, 27.9 x 35.4 cm. San Francisco Museum of Modern Art, gift of Jeffrey Fraenkel. © The Estate of Garry Winogrand / Fraenkel Gallery, San Francisco. Garry Winogrand Edited by Leo Rubinfien With contributions by Sarah Greenough, Susan Kismaric, Erin O’Toole, Tod Papageorge and Sandra Phillips Widely regarded as one of the most important photographers of the 20th century, Garry Winogrand (1928–1984) did much of his best-known work in Manhattan during the 1960s, becoming an epic chronicler of that tumultuous decade. But Winogrand was also an avid traveller and roamed extensively around the United States, bringing exquisite work out of nearly every region of the country. This landmark retrospective catalogue looks at the full sweep of Winogrand’s exceptional career. Drawing from his enormous output, which at the time of his death included thousands of rolls of undeveloped film and unpublished contact sheets, the book will serve Exhibition as the most substantial compendium of Winogrand’s work to date. San Francisco Museum of Modern Art, Lavishly illustrated with both iconic images and photographs that have 09/03/13 –31/05/13 never been seen before now, and featuring essays by leading scholars of National Gallery of Art, Washington, American photography, Garry Winogrand presents a vivid portrait of an 02/03/14 – 08/06/14 artist who unflinchingly captured America’s swings between optimism The Metropolitan Museum of Art, and upheaval in the postwar era. 21/06/14 – 21/09/14 Jeu de Paume, Paris, Leo Rubinfien is a photographer and essayist in New York City. 13/10/14 – 25/01/15 Sarah Greenough is senior curator and head of the department of Fundacion MAPFRE, Madrid, photographs at the National Gallery of Art, Washington, D.C. March – June 2015 Susan Kismaric was curator of photographs at the Museum of Modern Art. Erin O’Toole is assistant curator of photography at the San Francisco Museum of Modern Art. Tod Papageorge is Walker Evans Professor of Photography at Yale University. Sandra Phillips is senior April curator of photography at the San Francisco Museum of Modern Art. 448 pp. 288x248mm. 470 b/w illus. HB ISBN 978-0-300-19177-6 £55.00* Published in association with the San Francisco Museum of Modern Art Translation rights: San Francisco Museum of Modern Art Spring 2013 to pdf:1 18/10/12 14:18 Page 38

38 Art Picasso and Chicago 100 Works, 100 Years Stephanie D’Alessandro • With a contribution by Adam Gopnik The Art Institute of Chicago was the first American museum to exhibit works by Pablo Picasso (1881–1973) when it hosted the Armory Show in February 1913. Published to commemorate this landmark event in the history of avant-garde European Art, Picasso and Chicago will also accompany the Art Institute’s first large-scale Picasso exhibition in almost 30 years. , 1902–04. Oil on panel. 122.9 x 82.6 cm. , 1902–04. Oil This handsome catalogue presents one hundred of Picasso’s finest works, including Mother and Child (1921), Head of a Woman (Fernande) (1909), Woman Washing Her Feet (1944) and The Frugal Meal (1904). The artworks survey Picasso’s extensive material The Old Guitarist The Old experimentations and subjects that are emblematic of the artist, including the emotive individuals of his Blue and Rose periods, the faceted faces and still-life objects of his Cubist years and the monumental personages from his post-World War II production. Exhibition An illustrated chronology documents notable exhibitions and

The Art Institute of Chicago, Helen Birch Bartlett Memorial Collection, 1926.253. Memorial Bartlett Birch of Chicago, Helen The Art Institute The Art Institute of Chicago, acquisitions and outlines Picasso’s varied contributions to a city that has 20/02/13 – 12/05/13 enthusiastically collected his art for the past century. Stephanie D’Alessandro is the Gary C. and Frances Comer Curator of Modern Art at the Art Institute of Chicago. Adam Gopnik is a staff Pablo Picasso (Spanish, 1881–1973). (Spanish, Picasso Pablo March 108 pp. 305x241mm. writer for the New Yorker. 110 colour +10 b/w illus. HB ISBN 978-0-300-18452-5 £15.99* Distributed for the Art Institute of Chicago Translation rights: Art Institute of Chicago

Hotel Texas An Art Exhibition for the President and Mrs. John F. Kennedy Essays by Olivier Meslay, Scott Grant Barker, David Lubin and Alexander Nemerov • Illustrated chronology by Nicola Longford The events associated with John F. Kennedy’s death are etched into American national memory. This fascinating book tells a less familiar part of the story, about a special art exhibition organised by a group of Fort Worth citizens. On November 21, 1963, the Kennedys arrived in Fort Worth around midnight, making their way to Suite 850 of the Hotel Texas. There, installed in their honour, was an intimate exhibition that included works by Monet, Van Gogh, Marin, Eakins, Feininger and Picasso. Due to the late hour, it was not until the following morning that the couple viewed the exhibition and phoned one of the principal organisers, Ruth Carter Johnson, to offer thanks. Mrs. Kennedy Exhibition indicated that she wished she could stay longer to admire the beautiful Dallas Museum of Art, works. The couple was due to depart for Dallas, and the rest is history. 26/05/13 – 15/09/13 Amon Carter Museum of American Art, This volume reunites the works in this exhibition for the first time and 12/10/13 – 12/01/14 features some previously unpublished images of the hotel room. Essays examine this exhibition from several angles: anecdotal, analytical, Distributed for the Dallas Museum of Art cultural and historical, and include discussions of what the local citizens and Amon Carter Museum of American Art wished to convey to their distinguished viewers. Olivier Meslay is associate director of curatorial affairs at the Dallas Museum of Art. Scott Grant Barker is a cultural historian, who June specialises in the art history of the city of Fort Worth. David Lubin is 112 pp. 267x216mm. the Charlotte C. Weber Professor of Art at Wake Forest University. 120 colour + b/w illus. Alexander Nemerov is the Carl and Marilynn Thoma Provostial HB ISBN 978-0-300-18756-4 £18.99* Professor in the Arts and Humanities at Stanford University. Translation rights: The Dallas Museum of Fine Art Spring 2013 to pdf:1 18/10/12 14:18 Page 39

Art 39 Experiments in Modern Realism World Making in Postwar European and American Art Alex Potts This major study offers a new understanding of the aesthetics and politics of postwar European and American art. Questioning the widespread assumption that the most innovative practices were non- representational, it shows how a powerful realist impulse operated alongside a strong commitment to abstraction. Alex Potts makes the case that the ambition to create work that engaged with the everyday and political realities of the world motivated much of the period’s vital experimentation with medium and artistic process. Experiments in Modern Realism is a refreshingly unorthodox account of the artistic and political impulses shaping the diverse practices that emerged in mid-20th century art. The wide variety of canonical and lesser-known work it features ranges from free-form paintings by Dubuffet and De Kooning and assemblages by Rauschenberg and Fahlström to actions and happenings by Beuys and Kaprow. Engaging the fields of history, literature, politics, cultural theory and art history, this book is a remarkably probing analysis of postwar art from one of the most important voices in art history today. Alex Potts is collegiate professor, history of art, at the University of June Michigan. 320 pp. 256x192mm. 60 colour + 120 b/w illus. HB ISBN 978-0-300-18768-7 £35.00*

Carl Andre Sculpture as Place, 1958–2010 Yasmil Raymond • With contributions by Christophe Cherix, Brooke Holmes, Vincent Katz, Marjorie Perloff, Arnauld Pierre, Anne Rorimer, Phyllis Tuchman, Philippe Vergne and Mika Yoshitake Carl Andre (b. 1935) redefined the parameters of abstract sculpture in the 1960s and 1970s. He was a highly influential voice in the American minimalist movement, recognised for his ordered linear and , 2002. 26 western red cedar timbers. red , 2002. 26 western grid formats. In the early 1960s, Andre’s creative focus shifted to writing poetry when he took a job as a freight brakeman and conductor for the Pennsylvania Railroad. His poems echoed and Cedar Tango Cedar extended the themes in his sculptural work, and his experience with the railroad significantly influenced his choice of materials in later years.

Carl Andre, Carl Andre, Exhibition In this stunning catalogue, which accompanies the first retrospective of Dia: Beacon, May 2013 – 30/12/13 Andre’s work since 1970, the artist’s legacy is examined in ten essays by international scholars. The book presents a broad range of sculpture made over the past fifty years, including Andre’s emblematic floor and corner pieces, highlighting his radical use of standardised units of industrial material such as timber planks, concrete blocks and metal

30 x 30 x 93 cm each two rows of 13 timbers overall dimensions: 30 x 432 424 cm. of 13 timbers overall 30 x 93 cm each two rows plates. A vast selection of Andre’s previously unpublished concrete poems, together with letters, postcards, ephemera and documentation of important installations, further complements our understanding of an essential figure in the history of contemporary art. June Yasmil Raymond is curator of Dia Art Foundation. 400 pp. 279x229mm. 150 colour + 250 b/w illus. HB ISBN 978-0-300-19171-4 £45.00* Published in association with Dia Art Foundation Spring 2013 to pdf:1 18/10/12 14:18 Page 40

40 Art Common Ground German Photographic Cultures across the Iron Curtain Sarah E. James This ambitious publication is the first book thoroughly to evaluate the photography that emerged during Germany’s geopolitical division from the 1950s to the 1980s. With richly illustrated and exhaustively researched analyses of photographic projects from East and West Germany, including exhibitions, photo-essays, private archives and photo-books, Common Ground constructs a comparative perspective, examining how sequence, seriality and repetition were mobilised to produce forms of solidarity and political agency. Author Sarah James places German postwar photography in the context of Soviet, American and European photographic developments; the specific cultural experiences of the Cold War; and the shifting politics of German identity. By reconsidering the relationship between divergent cultures of the pre-war Weimar period and the Cold War era, Common Ground prompts new readings of major figures such as Bernd and Hilla Becher, Karl Blossfeldt and August Sander, as well as historically neglected figures such as Karl Pawek, Evelyn Richter and Rudolf Shäfer. The result is a groundbreaking study of the political and pedagogical functions of documentary photography. April Sarah E. James is lecturer, history of art, at University College London. 264 pp. 256x192mm. 10 colour + 170 b/w illus. HB ISBN 978-0-300-18444-0 £35.00*

Paula Modersohn-Becker The First Modern Woman Artist Diane Radycki Considered one of the most important of the early German modernists, the painter Paula Modersohn-Becker (1876–1907) challenged traditional representations of the female body in art. She was the first modern woman artist to paint herself nude, as well as mothers and children nude. She also created the first self-portrait while pregnant in the history of art. Modersohn-Becker painted the life she was living as a woman and artist and led the way for generations of women artists. Tragically, her life and career were cut short at age thirty-one, following complications from childbirth. Diane Radycki examines the artist’s fascinating biography, including her friendships with poet Rainer Maria Rilke and sculptor Clara Westhoff; her personal anguish, including years in an unconsummated marriage, a disappointing affair and irresolution about motherhood. Radycki also details the genres of Modersohn-Becker’s work: figure (especially nudes), still life and landscape; and the reception of her work following her death. As the first English-language publication on the artist in over two decades, this book is the authoritative source on Modersohn- Becker, who Radycki convincingly portrays as the first significant woman artist in the history of modernism. Diane Radycki is associate professor of art history at Moravian College, May 256 pp. 267x203mm. Bethlehem, Pennsylvania. She served as editor and translator of 64 colour + 80 b/w illus. The Letters and Journals of Paula Modersohn-Becker. HB ISBN 978-0-300-18530-0 £40.00* Spring 2013 to pdf:1 18/10/12 14:18 Page 41

Art 41 What Art Is Arthur C. Danto What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, What Art Is challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the viewer: interpretation. Danto crafts his argument in an accessible manner that engages with both philosophy and art across genres and eras, beginning with Plato’s definition of art in The Republic, and continuing through the progress of art as a series of discoveries, including such innovations as perspective, chiaroscuro and physiognomy. Danto concludes with a fascinating discussion of Andy Warhol’s famous shipping cartons, which are visually indistinguishable from the everyday objects they represent. Throughout, Danto considers the contributions of philosophers including Descartes, Kant and Hegel, and artists from Michelangelo and Poussin to Duchamp and Warhol in this far-reaching examination of the interconnectivity and universality of aesthetic production. Arthur C. Danto is Johnsonian Professor of Philosophy Emeritus at April Columbia University and former art critic for The Nation. He is the 192 pp. 210x140mm. author of numerous books, including Andy Warhol, Unnatural Wonders: HB ISBN 978-0-300-17487-8 £18.99* Essays from the Gap Between Art and Life and After the End of Art. Translation rights: Georges Borchardt Agency, New York

Aesthetics A Memoir Ivan Brunetti Born to working-class parents in a small town in Italy, and reared in Chicago, Ivan Brunetti (b. 1967) was drawn to cartoons and comic strips from an early age. Finding inspiration in Spider-Man and Peanuts, he began crafting his own stories and gradually developed a unique style that he applied to imaginative, sometimes shocking subjects. The dark humour of his graphic novels earned him a cult following, yet his illustrations have had broad appeal. Now recognised as an award- winning cartoonist and illustrator, Brunetti has published his work in the New Yorker, the New York Times Magazine and McSweeney’s, among others. Ivan Brunetti has published several This eye-popping illustrated autobiography by Brunetti traces his graphic novels and taught courses on artistic trajectory and output, from youthful doodles to his latest cover editorial illustration and comics at illustrations and comic strips. Aesthetics: A Memoir unearths a trove of the University of Chicago and previously unpublished materials, including working drawings, sketches Columbia College Chicago. He is for cartoons, book covers, personal photographs and items from the author of Cartooning: Philosophy and artist’s collection of toys and handmade objects. In an introductory Practice and editor of An Anthology of essay and captions, Brunetti explains – in a voice that is as quirky, Graphic Fiction, Cartoons, and True smart and clear as his drawings – his creative process and aesthetic Stories, both published by Yale. sensibility. This overarching retrospective conveys Brunetti’s philosophy of life and cartooning through his keen words and unforgettable images. May 112 pp. 191x197mm. 120 colour + 20 b/w illus. HB ISBN 978-0-300-18440-2 £22.50* Spring 2013 to pdf:1 18/10/12 14:18 Page 42

42 Art Paris 1650–1900 Decorative Arts in the Rijksmuseum Reinier Baarsen From 1650 to 1900 Paris was the undisputed centre of fashion and taste in Europe. Home to a unique concentration of artists, designers, patrons, critics and a keen buying public, Paris was the city where trends were made and where novel types of objects, devised for new ways of life, were invented. This book traces the wonderful story of Parisian decorative arts from the reign of Louis XIV to the triumph of art nouveau, through a selection of 150 breathtaking, and often little-known, masterpieces from the collection of the Rijksmuseum in Amsterdam. It features an exhilarating mixture of furniture, gilt bronze, tapestries, silver, watches, snuff-boxes, jewellery, Sèvres porcelain and other ceramics, as well as some design drawings and engravings. Specially taken photographs reveal the daring design and beautiful execution of the work of some of the greatest artists and craftsmen of their time. Reinier Baarsen discusses the history and significance of each object, presenting the findings of much new research. Reinier Baarsen is Senior Curator of Furniture at the Rijksmuseum. March He has published widely on the Rijksmuseum’s collections. 704 pp. 305x248mm. 800 colour illus. HB 978-0-300-19129-5 £175.00* Translation rights: Rijksmuseum

Salvaging the Past Georges Hoentschel and French Decorative Arts at The Metropolitan Museum of Art, 1907–2013 Daniëlle Kisluk-Grosheide, Deborah L. Krohn and Ulrich Leben Georges Hoentschel (1855–1915) was a leading French interior designer in historic styles, head of a decorating firm and ceramicist during the Belle Epoque. He found inspiration for his designs in Medieval and 18th-century French art, which he avidly collected amassing more than 4000 pieces of furniture, woodwork, metalwork, sculpture, paintings and textiles. After visiting Hoentschel in Paris, the American financier J. Pierpont Morgan acquired the collection and bequeathed it to The Metropolitan Museum of Art in 1906 and 1916–17. These works greatly enriched the museum’s medieval art department and became the nucleus of its decorative arts department, profoundly influencing American tastes in the early 20th century. Through texts, early documentary photographs and images of newly Exhibition conserved works, Salvaging the Past goes behind the scenes to explore Bard Graduate Center, NY, the history and influence of this remarkable collection. 03/04/13 – 11/08/13 Daniëlle Kisluk-Grosheide is curator of European sculpture and decorative arts at The Metropolitan Museum of Art, New York. Deborah L. Krohn is associate professor of Italian Renaissance decorative arts at Bard Graduate Center. Ulrich Leben is a visiting professor and special March exhibitions curator at Bard Graduate Center and associate curator for the 320 pp. 292x229mm. furniture collection at Waddesdon Manor, Buckinghamshire. 270 colour + 45 b/w illus. HB ISBN 978-0-300-19024-3 £45.00* Published in association with the Bard Graduate Center, NY Spring 2013 to pdf:1 18/10/12 14:18 Page 43

Art 43

The history of one of the finest 17th-century houses in Europe

Ceiling of the Queen’s Closet, Ham House, c. 1673. National Trust.

Ham House Four Hundred Years of Collecting and Patronage Christopher Rowell Built in 1610 during the reign of James I and remodelled in 1637–9 by the future first Earl of Dysart, Ham House and its gardens have endured through centuries of English history while remaining representative of the styles and culture of the original inhabitants. It is one of the few places where Caroline décor – as developed by British architect Inigo Jones and familiar to Peter Paul Rubens and Anthony van Dyck – can still be appreciated. To mark the 400th anniversary of one of the most famous houses in Europe, eighteen internationally recognised scholars join National Trust curators in documenting the history of Ham House and its collections. The new discoveries, reattributions and revelations of the contributors are accompanied by specially commissioned photography of the house and its contents. An appendix includes complete transcriptions of house inventories for the 17th, 18th and 19th centuries, published here for the first time. Christopher Rowell is the National Trust’s furniture curator and was formerly curator responsible for Ham House.

April 400 pp. 279x241mm. 250 colour + 100 b/w illus. Published for the Paul Mellon Centre for Studies in British Art HB ISBN 978-0-300-18540-9 £75.00* and the National Trust Spring 2013 to pdf:1 18/10/12 14:18 Page 44

44 Art

Praise for the Glossary: ‘Massively informative for all’ – RIBA Journal

Pevsner’s Architectural Glossary

From abacus to zigzag via dosseret, hoodmould and squinch, this explanatory glossary draws on the architectural vocabulary of the Buildings of England, Scotland, Wales and Ireland series. Beginners will

Pevsner Architectural Guides Architectural Pevsner find that familiarity with the names quickly helps them understand the similarities and differences between the buildings and styles they see. At the same time, the breadth of the fields covered will be useful even to experts. This clear and practical resource will enliven any architectural exploration.

FEATURES OF THE APP INCLUDE • Definitions of more than a thousand architectural terms, both structural and stylistic • Choice of search methods • Clear explanatory line drawings • Superb colour images supporting definitions • Map locations for individual buildings • Linked cross references and bookmarks • Audio pronunciation feature

Available March iPhone and iPad formats £2.99 from the App Store: www.itunes.com/appstore Developed in association with Aimer Media Spring 2013 to pdf:1 18/10/12 14:18 Page 45

Art 45 South Ulster: Armagh, Cavan and Monaghan The Buildings of Ireland Kevin Mulligan The South Ulster volume of the Buildings of Ireland covers the inland counties of Cavan, Monaghan and Armagh, an area stretching from the thinly populated uplands around the Cuilcagh Mountains and the cradle of the Shannon to the fertile Blackwater Valley and the southern shores of Lough Neagh. The architecture of the region is as varied as the landscapes that receive it, with building materials adding to the variety while ensuring that the buildings express a deep sense of belonging. The city of Armagh, set in orchard country, is the major settlement, a Georgian town built on ancient foundations, and the ecclesiastical capital of Ireland, celebrated in two proud cathedrals. Carrickmacross and Bailieborough typify the Irish market town with its lively architectural contrasts. Churches range from the Gothic Revival displays at Bessbrook and Butler’s Bridge, to the vernacular halls of Derryvalley and Carsan. Among country houses, the Early Georgian brick Bellamont Forest and Ballyhaise introduced the Palladian revival to Ireland. St Peter’s Church, Laragh, a roadside Gothic fairytale in corrugated iron, is as memorable a landmark as the august Rokeby Pevsner Architectural Guides obelisk in Armagh. April 800 pp. 216x121mm. 120 colour illus. Kevin V. Mulligan is an architectural historian and lives in County HB ISBN 978-0-300-18601-7 £35.00* Monaghan.

Sussex: East with Brighton and Hove The Buildings of England Nicholas Antram The East Sussex volume of The Buildings of England covers an area ranging from the High Weald in the north of the county to the massive ridge of the South Downs and the resort towns and ancient ports of the coast. Its coastal resorts are particularly distinguished, none more so than Brighton and Hove, where John Nash’s oriental Pavilion for the Prince Regent sets the tone. Elsewhere castles at Camber, Bodiam and fortified town walls at Rye and Winchelsea attest to its military past and Battle Abbey to its medieval endowments. The towns and villages are especially rich in timber-framed, brick and tile houses for which the county is famous. The 20th century makes its mark in the exhilarating De La Warr Pavilion at Bexhill, and the uncompromising forms of the 1960s University of Sussex campus. Nicholas Antram is co-author of the Brighton and Hove City Guide in the Pevsner series (Yale, 2008) and was formerly on the staff of English Heritage.

May 800 pp. 216x121mm. 120 colour illus. HB ISBN 978-0-300-18473-0 £35.00* Spring 2013topdf:118/10/1214:18Page46 Published by The Metropolitan Museum of Art

Distributed by Yale University Press 46 University of Iowa. Professor andArchaeology, Emeritus in Classical Art HB ISBN978-0-300-17953-8£45.00* 368pp.292x229mm.450colour +25b/willus. April Richard Daniel De Puma contribution tothestudyofancientItaly. thought tobegenuine. This isaninvaluable new authenticity,pastiches andobjectsofuncertain allpreviously and individualobjects. The closingsectionfeatures forgeries, by chronological analysesoftombgroups, typesofobjects Etruscan Studies and theMetropolitan’s collection,followed Etruscan Art draws upondecadesofresearch. this bodyofwork ispublishedinaninformative bookthat ambers.Forwonderful thefirsttimeinmore than70years, tomb group, intricategoldjewellery, gemsand carved B.C.objectsfrom theMonteleoneseventh century diSpoleto about 900to100B.C.Masterpieces ofthecollectioninclude HB ISBN978-0-300-18921-6£50.00* 97 colour +78b/willus. 292 pp.279x229mm. April Art opens with short historiesofpre-Romanopens withshort Italy, is F. Wendell Miller Distinguished thrived incentralItaly from of ancientEtruria, which fascinating anddiverse culture provides anintroduction tothe collection ofEtruscan also art Museum’s outstanding This engagingbookonthe Richard Daniel De Puma Museum ofArt in TheMetropolitan Art Etruscan on theBayofNaples,1710–1890 Rediscovering theAncientWorld Translation rights:National ofArt, Washington Gallery DC Advanced Study inthe Visual /Distributed Arts by Yale University Press Studies Series intheHistory ofArt •Published by theNational Centerfor ofArt, Gallery History atGeorge Mason ofHistory and Art Department University. Carol C.Mattusch understood atthetime. presents thediscoveries from thestandpointofhow theywere andtheirdocumentation,thisextensively illustratedbook artifacts Britain. Unlike otherpublicationsthatfocusonthearchaeological architectural remains anddesigninItaly, onart France, Germany and display, anddiscussthewiderinfluenceofrecovered objectsand exploitation ofthesitesthrough excavation, publicationandmuseum historiansandarchaeologistsEssays by chronicle leadingart the writers andtourists. scholars andarchaeologists, aswell architects, asby designers, artists, the excavations monarchs, statesmen, by 18th-and19th-century diplomacy andtourism. This fascinatingbookexaminesresponses to nearby cityofNaples became anexusofscholarship, cultural attention whenexcavations commencedinthe1730s.Asaresult, the ofMountthe eruption Vesuvius in79C.E.,drew international The ancientRoman citiesofPompeii andHerculaneum, buriedby Edited byCarol Mattusch C. these piecestolife. collecting, providing windows ontothe pastthathelpbring provenance, designandcraft,patterns ofownership and accompanying essaysdiscussissuesofpatronage and captures details,marks andheraldicengraving.Finally, Every photographythat objectisdocumentedwithnew informationtobothspecialistandnon-specialistreaders.new socio-historical contextforeachpiece,offeringawealth of Federal periods.Detailed discussionsprovide astylisticand ecclesiastical andpresentation silver from theColonialand Metropolitan Museum’s extensive collectionofdomestic, HB ISBN978-0-300-19183-7£50.00* July 304pp.305x216mm.350colour illus. York. New American Wing, bothat The Metropolitan Museum ofArt, and Beth Carver Wees Medill Higgins Harvey is Mathy Professor History inthe ofArt is curatorofAmericanDecorative Arts, is aresearch associateinthe distinguished works from the documents themost This lavishlyillustratedbook Harvey Medill Higgins Wees Carver with Beth 1650–1800 Museum ofArt, in theMetropolitan American Silver Masterpieces of

Chocolate Pot, 1700–1710, Edward Winslow. The Metropolitan Museum of Art 33.120.221. Published by The Metropolitan Museum of Art Distributed by Yale University Press 47 Art by Hans by Dürer and the Dürer by features both familiar and features by Cranach. In all, more than 70 works are than 70 works all, more In Cranach. by The Dormition of the Virgin The Dormition of the is curator in the department of European is an independent scholar. Virgin and Child with Saint Anne and Child with Saint Virgin is curator in charge in the department of photographs Judgment of Paris Judgment thoroughly discussed and analysed, making this volume an discussed and analysed, making this volume thoroughly for the study of this rich artistic period. incomparable resource Schäufelein – and the portraits Holbein by as remarkable well as iconic double-sided altarpiece Ainsworth Maryan W. York. of Art, New Museum The Metropolitan at Paintings Waterman P. Joshua Maryan W. Ainsworth and Joshua P. Waterman Ainsworth P. and Joshua Maryan W. Husband and With contributions by Timothy B. Karen Mahon, Charlotte Thomas, Hale, with Dorothy Klein George Bisacca and Peter Albrecht the Elder, Cranach masters Lucas Renaissance by Paintings featured the works among are Younger the Holbein and Hans Dürer study the largest the first to comprehensively in this lavish volume, created These works, paintings in America. collection of early German that comprises 16th centuries in the region in the 14th through include religious and Switzerland, Austria Germany, present-day images – such as Jeff Rosenheim Jeff York. of Art, New Museum The Metropolitan at Early German Paintings of Art,in The Metropolitan Museum 1360–1575 Six hundred thousand lives were lost between 1861 and 1865, making lost between were lives thousand hundred Six deadliest war. America’s and South North between the conflict republic’s was the test of the young States’ the Between the ‘War If in it was also a watershed to its founding precepts, commitment the epic, heartbreaking camera recorded as the history, photographic end – beginning to from narrative on the home front, those providing of the immediate visual access to the horrors for the first time, with battlefield. War Civil and the American Photography Photography and the American Civil War Civil the American and Photography Jeff Rosenheim haunting battlefield landscapes strewn seen images that include rarely soldiers with bodies, studio portraits of armed Confederate and Union rare to meet their destiny, family) preparing (sometimes in the same camp and Richmond, languorous of Gettysburg multi-panel panoramas diagnostic medical studies of in repose, exhausted troops scenes showing last bloody battles, and survivedwounded soldiers who the war’s Booth. Wilkes and his assassin, John Lincoln portraits of both Abraham the occasion of the 150th anniversary on of the battle of Published War Civil features book (1863), this beautifully produced Gettysburg Alexander Gardner, Brady, Mathew Barnard, George photographs by and many others. O’Sullivan Timothy Translation rights, bottom half of page 46 & page 47: The Metropolitan Museum of Art, New York of Art, New Museum The Metropolitan rights, bottom half of page 46 & page 47: Translation

May 256 pp. 229x279mm. illus. 200 colour HB ISBN 978-0-300-19180-6 £35.00* HB ISBN 978-0-300-14897-8 £55.00* June 368 pp. 279x229mm. illus. + 40 b/w 300 colour Exhibition of Art, Museum The Metropolitan 01/04/13 – 02/09/13

Volunteer Infantry Volunteer , 1861–62. 1⁄4 plate ambrotype. David Wynn Vaughan Collection, Atlanta, Georgia. Atlanta, Collection, Vaughan Wynn David ambrotype. plate 1⁄4 1861–62. , The Metropolitan Museum of Art 50.135.4. Art of Museum Metropolitan The

Unknown Artist, Artist, Unknown Captain Charles A. and Sergeant John M. Hawkins, Company E, 38 E, Company Hawkins, M. John Sergeant and A. Charles Captain Regiment Georgia Regiment Portrait of a Member of the Wedigh Family, Probably Hermann Wedigh, Hans Holbein the Younger. Younger. the Holbein Hans Wedigh, Hermann Probably Family, Wedigh the of Member a of Portrait th Spring 2013 to pdf:1 18/10/12 14:18 Page 47 Page 14:18 18/10/12 pdf:1 to 2013 Spring Spring 2013 to pdf:1 18/10/12 14:19 Page 48

48 Art Distinguished Images Prints and the Visual Economy in Nineteenth-century France Stephen Bann This multifaceted book reviews the vast range of types of printmaking that flourished in France during the 19th century. Studies of this period’s printmaking tend to be confined to histories of individual processes, such as lithography or steel engraving. This study surveys the field as a whole and discusses the relationships between the various media in the context of an overall ‘visual economy’. Lithography, etching and engraving are all examined through new research on noteworthy artists of the period, including Hyacinthe Aubry-Lecomte, Léopold Flameng, Ferdinand Gaillard, Aimé de Lemud, Nadar and Charles Waltner. Rather than simply tracing the rise of Modernism in the 19th century, Distinguished Images reconstitutes the period’s cultural milieu through a series of case studies written with an eye to overarching forces at play. The result is the most original analysis of printmaking to appear in many years – a striking new account of a system in which printmaking, printmakers and art May critics played heretofore unrecognised or misunderstood roles. 224 pp. 256x192mm. 10 colour + 95 b/w illus. Stephen Bann is Emeritus Professor and Senior Research Fellow, HB ISBN 978-0-300-17727-5 £35.00* Bristol University.

Fictions of The Myth of Art History Nouveau Réalisme Edited by Mark Ledbury Art and the Performative With an introduction by in Postwar France Michael Hatt and Mark Ledbury Kaira M. Cabañas Fictions of Art History, the most On October 27, 1960, art recent addition to the Clark critic Pierre Restany named a Studies in the Visual Arts series, group of Paris-based artists addresses art history’s complex the ‘Nouveaux Réalistes’ relationships with fiction, (New Realists) in a founding poetry and creative writing. declaration that stated, Inspired by a 2010 conference, the volume examines art ‘The New Realists recognise their collective singularity. New historians’ viewing practices and modes of writing. How, the Realism = new perceptual approaches of the real’. Besides contributors ask, are we to unravel the supposed facts of Restany, this group included Arman, François Dufrêne, history from the fictions constructed in works of art? How do Raymond Hains, Yves Klein, Martial Raysse, Daniel Spoerri, art historians employ or resist devices of fiction, and what are Jean Tinguely and Jacques Villeglé. Their work incorporated the effects of those choices on the reader? In styles by turns consumer objects and new media in response to the postwar witty, elliptical and plain-speaking, the essays in Fictions of Art period’s painterly modes and its burgeoning consumer and History are fascinating and provocative critical interventions in industrial society. However, they did not share a common art history. avant-garde strategy. Essays by Paul Barolsky, Thomas Crow, Gloria Kury, This book is a critical reassessment of this important Mark Ledbury, Ralph Lieberman, Maria H. Loh, Alexander neo-avant-garde movement. Kaira M. Cabañas offers an Nemerov, Joanna Scott, Cole Swensen, Marianna Torgovnick, interdisciplinary account of their work and challenges the ideas Caroline Vout and Marina Warner of Restany, who mandated a ‘direct appropriation of the real’. Mark Ledbury is Power Professor of Art History and Visual Cabañas posits that, for the Nouveaux Réalistes, realism engaged Culture and Director of the Power Institute at the University performative practices to produce alternative social meanings. of Sydney. Kaira M. Cabañas is lecturer and the director of the MA in Clark Studies in the Visual Arts Modern Art: Critical and Curatorial Studies in the department Distributed for the Sterling and Francine Clark Art Institute of art history and archaeology at Columbia University. April 256 pp. 241x178mm. 90 b/w illus. April 208 pp. 229x178mm. 40 colour + 78 b/w illus. PB ISBN 978-0-300-19192-9 £16.99* HB ISBN 978-0-300-18120-3 £45.00* Translation rights: The Sterling and Francine Clark Art Institute, Williamstown Spring 2013 to pdf:1 18/10/12 14:19 Page 49

Art 49 Interaction of Color 50th Anniversary Edition Josef Albers • Foreword by Nicholas Fox Weber Josef Albers’s Interaction of Color is a masterwork in art education. Conceived as a handbook and teaching aid for artists, instructors and students, this influential book presents Albers’s singular explanation of complex colour theory principles. Originally published by Yale University Press in 1963 as a limited silkscreen edition with 150 colour plates, Interaction of Color first appeared in paperback in 1971, featuring ten colour studies, and has remained in print ever since. With over a quarter of a million copies sold in its various editions since 1963, Interaction of Color remains an essential resource on colour. This new edition presents a significantly expanded selection of close to sixty colour studies alongside Albers’s original text, demonstrating such principles as colour relativity, intensity and temperature; vibrating and vanishing boundaries; and the illusion of transparency and reversed grounds. A celebration of the longevity and unique authority of Albers’s contribution, this landmark edition will find new audiences in studios and classrooms around the world. Josef Albers was a member of the Bauhaus group in Germany during the 1920s. In 1933 he came to the United States, where he taught at Black Mountain College for sixteen years. In 1950 he joined the faculty at Yale University as chairman of the department of design. Albers was elected to the National Institute of Arts and Letters in 1968 and was professor emeritus of art at Yale until his death in 1976. Nicholas Fox Weber is executive director of the Josef and Anni Albers Foundation.

July 224 pp. 234x152mm. 64 colour illus. + 16 line drawings PB ISBN 978-0-300-17935-4 £11.99*

Alice Aycock Drawings Jonathan Fineberg • With an introduction by Terrie Sultan Alice Aycock (b. 1946) emerged onto the New York art scene in the 1970s and is best known for her large-scale public sculptures that often combine an industrial appearance with references to weightlessness as well as to science and cosmology. Aycock also has embraced the practice of drawing throughout her enormously productive career. Alice Aycock: Drawings is the first exploration of her spectacular drawings, which include elements of mirage, fantasy and science, and evoke both abstract thinking and bodily sensation. The works on paper featured in this handsome volume highlight the major themes that have governed her artistic practice: the role of architecture as a founding point of reference; the importance of mechanics and structure; and references to nature. As author Jonathan Fineberg demonstrates, Aycock is an artist who thinks on paper. Her works are often equal parts engineering plan and science fiction imagining. Visualising such contradictions allows us to, in her words, transport ourselves ‘farther into another place’. Exhibition Parrish Art Museum, 21/04/13 – 14/07/13; Grey Art Gallery, New York University, 21/04/13 – 14/07/13 University Art Museum, UC Santa Barbara, 25/01/14 – 19/04/14; Santa Barbara Art Museum, 25/01/14 – 19/04/14 Jonathan Fineberg is visiting presidential professor at University of Nebraska and adjunct curator at Parrish Art Museum. Terrie Sultan is director of the Parrish Art Museum.

Distributed for the Parrish Art Museum Translation rights: The Parrish Art Museum, New York May 160 pp. 248x304mm. 102 colour + 15 b/w illus. PB ISBN 978-0-300-19110-3 £30.00*

One Work Sheila Hicks at the Mint Edited by Annie Carlano In a unique collaboration combining art, design and scholarship, One Work presents fibre artist Sheila Hicks’s massive four-storey work, Mega Footprint Near the Hutch (May I Have This Dance?) newly installed in the atrium of Mint Museum Uptown, Charlotte NC. Two pullout accordion folds and a loop in the cover enable readers to hang the book up to enjoy it as a work of art. Created by internationally renowned designer Irma Boom, it follows her prize-winning design for Sheila Hicks: Weaving as Metaphor (Yale University Press / Bard Graduate Center, 2006). In the text Annie Carlano situates ‘one work’ – Hicks’s vibrant linen-wrapped tubes – in the discourse on the transformative and inspirational interaction between 21st-century art and architecture. Annie Carlano is director of craft and design at the Mint Museum. Published in association with the Mint Museum Available 64 pp. 216x152mm. 20 colour illus. PB ISBN 978-0-300-19085-4 £25.00* Spring 2013 to pdf:1 18/10/12 14:19 Page 50

50 Art Irony; or, The Self-Critical Opacity of Postmodern Architecture Emmanuel Petit In this fascinating reassessment of postmodern architecture at the end of the 20th century, Emmanuel Petit addresses the role of irony and finds a vitality and depth of dialectics largely ignored by historical critiques. A look at five individual architects – Peter Eisenman (b. 1932), Arata Isozaki (b. 1931), Rem Koolhaas (b. 1944), Stanley Tigerman (b. 1930) and Robert Venturi (b. 1925) – reveals the beginning of a phenomenology of irony in architecture. As Petit explains, irony is manifested in the work of these architects as an aesthetic tool, as existential comedy and as cultural satire. Petit frames his discussion between the destruction of two utopian structures by architect Minoru Yamasaki (1912–1986): the demolition of the Pruitt-Igoe housing complex in St. Louis in 1972 and the collapse of the World Trade Center in 2001. Meticulously researched and drawing widely from philosophy and literary criticism, Petit crafts a compelling case for the role of irony during a period when architects struggled to come to terms with significant contradictions within cultural modernity. Emmanuel Petit is associate professor at the Yale School of Architecture. He is editor of Philip Johnson: The Constancy of Change.

May 272 pp. 229x152mm. 26 colour + 103 b/w illus. HB ISBN 978-0-300-18151-7 £35.00*

Building Seagram Phyllis Lambert • With a foreword by Barry Bergdoll The Seagram Building rises up over New York’s Park Avenue with perfect lines of bronze and glass. Considered one of the greatest icons of 20th-century architecture, the building was commissioned by Samuel Bronfman, founder of the Canadian distillery dynasty Seagram. Bronfman’s daughter, Phyllis Lambert, was twenty-seven years old when she took over the search for an architect and chose Mies van der Rohe (1886–1969), a pioneering master of modern ‘skin and bones’ architecture. Mies, who designed the building clad in bronze and amber-tinted glass along with Philip Johnson (1906–2005), emphasised the beauty of structure and fine materials and set the building back from the avenue, creating the building’s plaza as an urban oasis. Lambert’s choice established her role as a leading architectural patron and singlehandedly changed the face of American urban architecture. Building Seagram is a comprehensive personal and scholarly history of the Seagram Building and its architectural, cultural and urban legacies. Lambert makes use of previously unpublished personal archives, company correspondence and photographs to tell an insider’s view of the debates, resolutions and unknown dramas of the building’s construction, as well as its crucial role in the history of modern art and architectural patronage. Phyllis Lambert is founding director of the Canadian Centre for Architecture in Montreal. A licensed architect, she has contributed essays to numerous books and is the subject of the 2007 documentary film Citizen Lambert: Joan of Architecture. Barry Bergdoll is professor of architectural history in the department of art history and archaeology at Columbia University and the Philip Johnson Chief Curator of Architecture and Design at the Museum of Modern Art, New York.

May 320 pp. 254x178mm. 52 colour + 141 b/w illus. HB ISBN 978-0-300-16767-2 £45.00*

Richard Diebenkorn The Berkeley Years, 1953–1966 Timothy Anglin Burgard and Steven A. Nash • With Contributions by Emma Acker In the 1950s American painter Richard Diebenkorn (1922–1993) took a dramatic turn away from his early work, exploring new vocabularies of both abstract and representational styles, which would come to be known as the artist’s ‘Berkeley period’. This era has long been recognised as one of the most interesting chapters in postwar American art, yielding many of Diebenkorn’s best-known works. Richard Diebenkorn: The Berkeley Years, 1953–1966 examines Diebenkorn’s process and output during this decisive period. Three original essays explore the artist’s evolving conceptions of abstraction and representation, emphasising the interrelationships between the abstract paintings and drawings and related landscapes, figurative works and still lifes, as well as Diebenkorn’s ongoing interest in aerial views. Exhibition De Young Museum, San Francisco, 29/06/13 – 29/09/13; Palm Springs Art Museum, 26/10/13 – 16/02/14 North Carolina Museum of Art, 16/03/14 – 08/06/14 Timothy Anglin Burgard is Ednah Root Curator-in-Charge of the American Art Department at the Fine Arts Museums of San Francisco. Steven A. Nash is executive director of the Palm Springs Art Museum. Emma Acker is assistant curator of American Art at the Fine Arts Museums of San Francisco. Published in association with the Fine Arts Museums of San Francisco July 240 pp. 305x254mm. 150 colour illus. HB ISBN 978-0-300-19078-6 £40.00* Spring 2013 to pdf:1 18/10/12 14:19 Page 51

Art 51 James Stirling Revisionary Modernist Amanda Reeser Lawrence James Stirling was one of the most influential architects of the late 20th century. His formally inventive yet historically informed designs inspired a generation of architects in his native England and throughout the world. James Stirling: Revisionary Modernist is the first in-depth, book- length analysis of the architect’s work. Amanda Reeser Lawrence focuses on six of Stirling’s projects from the early 1950s through the late 1970s, offering detailed formal analysis of the buildings and drawings while also mapping his relationship to a broader architectural and cultural context. Though it is widely held that Stirling took a mid-career turn towards postmodernism, Lawrence shows that he was undeniably modern throughout his career. She clarifies the ways in which Stirling understood modernism as inextricably linked to the past and placed his own work in what he termed a ‘dialogue with architectural tradition’. ‘Strikingly original. Amanda Lawrence’s detailed analysis of Stirling’s buildings and drawings allows readers to follow the architect’s design strategies and understand how he employed diverse means to embody them. I have never read such a compelling and persuasive assessment of a 20th-century architect’s work. An exemplary study and a model for future studies.’ – Diane Ghirardo, University of Southern California February 248 pp. 254x178mm. Amanda Reeser Lawrence is assistant professor in the School of 129 b/w illus. Architecture at Northeastern University and is founding coeditor of HB ISBN 978-0-300-17005-4 £30.00* Praxis: A Journal of Writing + Building.

Building Inside Studio Gang Architects Edited by Jeanne Gang and Zoë Ryan One of the foremost architects working today, Jeanne Gang is widely recognised for her innovative and independent practice. Studio Gang Architects confronts pressing contemporary issues and seeks to answer questions that exist locally but resound globally through architecture. The firm’s work is exemplified by recent projects such as the Aqua Tower in Chicago, an 82-storey mixed-use high-rise, which critic Paul Goldberger described as, ‘Reclaiming the notion that thrilling and beautiful form can still emerge out of the realm of the practical’. With the studio poised to contribute a new set of buildings to the global skyline, Building: Inside Studio Gang Architects, examines its most current work, twelve built and unbuilt projects that address four major Exhibition issues facing contemporary architecture: its relationship to nature, the Art Institute of Chicago, development of dense urban areas, the integration of the ideas of 24/09/12 – 24/02/13 community members, and architecture and performance. Featuring essays, interviews, sketches and drawings – many previously unpublished – this beautifully illustrated book provides an insider’s Distributed for Studio Gang Architects look at a cutting-edge architectural practice. Jeanne Gang, a MacArthur Fellow, is founder of Studio Gang Architects. Her previous book on the studio is Reveal. Zoë Ryan is John January H. Bryan Chair and Curator of Architecture and Design at the Art 184 pp. 254x203mm. Institute of Chicago. Her previous books include Bertrand Goldberg: 97 colour illus. + 109 duotones Architecture of Invention. HB ISBN 978-0-300-19118-9 £30.00* Translation rights: Studio Gang, Chicago Spring 2013 to pdf:1 18/10/12 14:19 Page 52

52 Art Pliny and the Artistic Culture of the Italian Renaissance The Legacy of the ‘Natural History’ Sarah Blake McHam Pliny’s Natural History (A.D. 77–79) served as an indispensable guide to and exemplar of the ideals of art for Renaissance artists, patrons and theorists. Bearing the imprimatur of antiquity, the Natural History gave permission to do art on a grand scale, to value it, and to see it as an incomparable source of prestige and pleasure. In this magisterial book Sarah Blake McHam surveys Pliny’s influence, from Petrarch, the first figure to recognise Pliny’s relevance to understanding the history of Greek art and its reception by the Romans, to Vasari and late 16th-century theorists. McHam charts the historiography of Latin and Italian manuscripts and early printed copies of the Natural History to trace the dissemination of its contents to artists from Donatello and Ghiberti to Michelangelo and Titian. Meanwhile, benefactors commissioned works intended to emulate the prototypes Pliny described, aligning themselves with the great patrons of antiquity. This is a richly illustrated, comprehensive reference work of social history, myth making, iconography, theory and criticism. Sarah Blake McHam is professor of art history at Rutgers University. May 464 pp. 280x220mm. 120 colour + 105 b/w illus. HB ISBN 978-0-300-18603-1 £45.00*

Roman Fever Influence, Infection and the Image of Rome, 1700–1870 Richard Wrigley During the 18th and 19th centuries, artists and travellers were lured to Rome, the home of civilised values and artistic beauty. But the history of visiting Rome had a pathological side – not only crisis and disorientation but repulsion at its filth and stink. Crucially Rome’s air was considered to contain a chronic source of disease. This book argues that ‘bad air’ (mal’aria) is a neglected aspect of thinking about the city’s history and as a destination for artists, visitors, and Romans both ancient and modern. These problems interfered with exploring Rome, its art and architecture, and representing its landscape. Atmospheric contamination made plein air painting and investigating antique ruins challenging activities. Roman Fever invites an original and alternative perspective on the city and its countryside, revisiting the history of Rome in terms of ideas about climate and the role of the environment. Beautifully illustrated with unfamiliar images, it focuses on the interplay between enthusiasm and inspiration, and debilitation and mortality, all an integral part of discovering and engaging with the Eternal City’s landscape. Richard Wrigley is professor of art history at the University of Nottingham. May 270 pp. 256x192mm. 50 colour + 65 b/w illus. HB ISBN 978-0-300-19021-2 £45.00* Spring 2013 to pdf:1 18/10/12 14:19 Page 53

Art 53 Imperial Gothic Under the Banyan Tree Religious Architecture and Relocating the Picturesque High Anglican Culture in the in British India British Empire, 1840–1870 Romita Ray G. A. Bremner Under the Banyan Tree is the first The Gothic Revival movement in comprehensive study of the architecture was intimately evolution and flourishing of the entwined with 18th– and picturesque during the British Raj. 19th–century British cultural Romita Ray argues that this politics. By the middle of the concept allowed British artists and 19th century, architects and theorists had transformed the writers travelling in India to aestheticise the Indian landscape, movement into a serious scholarly endeavour, connecting it to its people and the biota (the banyan tree and the elephant, notions of propriety and ‘truth’, particularly in the domain of above all). These ideas not only shaped specific landscapes in religious architecture. Simultaneously, reform within the India, but also fed the imagination of a global audience Church of England had worked to widen the aesthetic and throughout the British empire. The material in this engaging liturgical appeal of ‘correct’ gothic forms. Coinciding with text ranges from river landscapes and tea plantations to these developments, both architectural and religious, was the elephants and bejewelled Indian princes, shedding light on continued expansion of Britain’s empire, including a renewed how the concepts of picturesque beauty and pleasure were urgency by the English Church to extend its mission beyond diversified in India, sometimes dramatically beyond their the British Isles. conventional parameters. Exquisitely illustrated with unusual and beautiful images, Under the Banyan Tree is both a starting In this groundbreaking new study, G. A. Bremner traces the point for examining the function of the picturesque and an global reach and influence of the Gothic Revival throughout insightful addition to scholarship investigating British art and Britain’s empire during these crucial decades. empire in the 18th and 19th centuries. G. A. Bremner is senior lecturer in architectural history at the Romita Ray was born and raised in Calcutta. She is an associate University of Edinburgh. professor of art history at Syracuse University, New York. Published for the Paul Mellon Centre for Studies in British Art Published for the Paul Mellon Centre for Studies in British Art April 384 pp. 280x230mm. 80 colour + 285 b/w illus. March 400 pp. 256x192mm. 60 colour + 50 b/w illus. HB ISBN 978-0-300-18703-8 £50.00* HB ISBN 978-0-300-18769-4 £50.00*

In the Olden Time Ireland and Victorians and the the Picturesque British Past Design, Landscape Andrew Sanders Painting, and Tourism, In this richly textured and 1700–1840 wide-ranging survey of Finola O’Kane Victorian attitudes to the past, Andrew Sanders builds on Roy That Ireland is picturesque is Strong’s ground-breaking book a well-worn cliché, but little And when did you last see your is understood of how this father?: The Victorian Painter and British History (1978). perception was created, Sanders explores the essentially literary nature of Victorian painted and manipulated during the long 18th century. history writing, and he reveals the degree to which painters This book positions Ireland at the core of the picturesque’s were indebted to written records both fictional and factual. development and argues for a far greater degree of Irish Starting with a stimulating comparison of Queens Elizabeth I influence on the course of European landscape theory and and Victoria, In the Olden Time examines works by poets and design. Positioned off-axis from the greater force-field, and painters, essayists and dramatists, architects and musicians, off-shore from mainland Europe and America, where better to including Jane Austen, John Donne, William Shakespeare and cultivate the oblique perspective? This book charts the creation John Soane. Together with a study of religious history as seen of picturesque Ireland, while exploring in detail the role and through the eyes of architect and critic Augustus Pugin and reach of landscape painting in the planning, publishing, journalist William Cobbett, this book offers an original view landscaping and design of Ireland’s historic landscapes, towns of Victorian responses to British history, presenting a fresh and tourist routes. investigation of unexpected Victorian attitudes and the Finola O’Kane is Lecturer in the School of Architecture, establishment of particular 20th-century prejudices and bias. Landscape and Civil Engineering, University College Dublin, Andrew Sanders is emeritus professor, department of English, and author of Landscape Design in 18th Century Ireland: Durham University. Mixing Foreign Trees with the Natives.

Published for the Paul Mellon Centre for Studies in British Art Published for the Paul Mellon Centre for Studies in British Art April 244 pp. 241x191mm. 80 colour + 20 b/w illus. May 288 pp. 279x241mm. 120 colour + 45 b/w illus. HB ISBN 978-0-300-19042-7 £40.00* HB ISBN 978-0-300-18538-6 £45.00* Spring 2013 to pdf:1 18/10/12 14:19 Page 54

54 Art William Henry Winslow Homer Fox Talbot & the Clark Beyond Photography Marc Simpson Edited by Mirjam Brusius, With contributions by Dan Katrina Dean Cohen, James A. Ganz, Rebecca Goldstein, Alexis and Chitra Ramalingam Goodin, Sarah Hammond, William Henry Fox Talbot was a Susannah Maurer, Kathleen British pioneer in photography, M. Morris, James Baetjer Pilgrim and Richard Rand yet he also embraced the wider Winslow Homer is a core figure of 19th-century American art. preoccupations of the Victorian Age Although known for his oil paintings of Civil War scenes and – a time that saw political, social, intellectual, technical and the Atlantic coastline, Homer’s oeuvre encompasses a variety of 61.6 x 97.2 cm. on canvas, (detail), 1877. Oil industrial changes. His manuscripts, now in the archive of the themes, from childhood games through the life-and-death British Library, reveal the connections and contrasts between his struggles of man and nature. The Clark Art Institute holds one photographic innovations and his investigations into optics, of the greatest collections of Homer’s work across all media, Guides Two mathematics, botany, archaeology and classical studies. including wood engravings, etchings, watercolours, drawings Drawing on Talbot’s letters, diaries, research notebooks, and paintings from nearly all phases of his career. The collection botanical specimens and photographic prints, distinguished was assembled predominately by Robert Sterling Clark, who

scholars from a range of disciplines broaden our understanding purchased his first Homer painting in 1915, and maintained a Massachusetts. Williamstown, Art Clark Institute, and Francine Sterling of Talbot as a Victorian intellectual and a man of science. passion for the artist throughout the rest of his collecting career. Mirjam Brusius is postdoctoral fellow at the Max Planck Exhibition Institute for the History of Science, Harvard University. Katrina Sterling and Francine Clark Art Institute, 13/06/13 – 08/09/13 Dean is a university archivist at Melbourne University. Chitra Marc Simpson is associate director of the Williams College Ramalingam is postdoctoral fellow in the Department of History graduate program in the history of art and expert on and Philosophy of Science at the University of Cambridge. 19th-century American art. Studies in British Art Distributed for the Sterling and Francine Clark Art Institute (American, 1836–1910), Homer Winslow Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art July 240 pp. 279x241mm. 265 colour illus. HB ISBN 978-0-300-19194-3 £35.00* June 328 pp. 254x178mm. 100 colour illus. Translation rights: HB ISBN 978-0-300-17934-7 £50.00* The Sterling and Francine Clark Art Institute, Williamstown

New Eyes Princes and Paupers , on America The Art of Jacques Callot La Noblesse The Genius of Richard Dena M. Woodall

Caton Woodville and Diane Wolfthal , from Edited by Acclaimed French printmaker Jacques Joy Peterson Heyrman Callot (1592–1635) trained in Italy With contributions by and later worked as a court artist for Marie-Stéphanie Delamaire, Cosimo II de’ Medici in Florence. Eric Gordon, Seth Rockman Callot revolutionised printmaking by and Jochen Wierich developing the process of hard- ground etching, and he applied his During a tragically short career, Richard Caton Woodville technical skills to depicting the world around him.

(1825–1855) produced iconic works depicting mid-century Collection. Albert A. Feldman 1620–23. Etching. America. The themes he represents, including the generational The extraordinary etchings featured in this book testify to divide that informed so many pressing issues of the time, offer Callot’s mastery of sacred and profane imagery. The authors a unique perspective on both America and Europe in the delve into Callot’s techniques and subjects, ranging from decades preceding the Civil War and capture a period of rapid humorous scenes inspired by commedia dell’arte to noble social, political and technological transformation. New Eyes on feasts, biblical events and even the horrors of war. They also America, the most comprehensive work on Woodville to date, explore how the artist used characters from opposite ends of reproduces all of the artist’s known works. society to expose the complexities and injustices of his time. Exhibition Exhibition The Walters Art Museum, Baltimore, 10/03/13 – 02/06/13 Museum of Fine Arts, Houston, 31/01/13 – 05/05/13 Gentleman Who Salutes While Holding His Felt Hat under His Arm under His Hat Felt His While Holding Who Salutes Gentleman Mint Museum, Charlotte, 30/06/13 – 03/11/13 Dena M. Woodall is assistant curator of prints and drawings Joy Peterson Heyrman is deputy director for development and at the Museum of Fine Arts, Houston. Diane Wolfthal is the exhibition curator for American art at the Walters Art Museum. David and Caroline Minter Chair in the Humanities and Professor of Art History at Rice University.

Distributed for the Walters Art Museum Callot, Jacques Distributed for the Museum of Fine Arts, Houston March 144 pp. 254x229mm. 129 colour + 7 b/w illus. March 176 pp. 292x241mm. 126 b/w illus. PB ISBN 978-0-300-19450-0 £15.99* Translation rights: Walters Art Museum, Baltimore PB ISBN 978-0-300-18505-8 £35.00* Translation rights: The Museum of Fine Arts, Houston Spring 2013 to pdf:1 18/10/12 14:19 Page 55

Art 55 Hieronymus Cock Van Gogh The Renaissance in Print at Work Edited by Joris Van Grieken, Marije Vellekoop Ger Luijten and With contributions by Jan Van der Stock Nienke Bakker, et al. Hieronymus Cock (1518–1570) Vincent van Gogh is was an Antwerp painter and often considered to be printmaker. Together with his a genius in a class of wife, he was one of the first to his own, an exceptional establish a publishing house for self-taught artist who paid little attention to the art world prints. From 1548 their firm ‘At the Sign of the Four Winds’ around him. In reality, Van Gogh learned extensively from issued hundreds of important etchings and engravings. Prints others, exchanged ideas with his contemporaries and often made after frescoes and paintings by Italian artists Raphael and use of prevailing methods and techniques to hone his skills. Bronzino, the first series of classical ruins, antique sculpture, as This extraordinary book explores the workmanship behind his well as designs by such Northern artists as Maarten van artistry. The reader follows Van Gogh’s quest to perfect his Heemskerck and Frans Floris were distributed all over Europe skills and the way he adopted various drawing and painting and helped to spread Renaissance ideals of beauty. It was Cock techniques; acquired information about materials; learned who spotted the talent of Pieter Bruegel, an artist who would about the physical characteristics of canvases, paint, paper, eventually supply Cock with more than sixty designs for prints. chalk and other materials; how he approached working on Exhibition paper and canvas and which factors influenced his working M–Museum Leuven, Belgium, 14/03/13 – 09/06/13 practice. Showing his work alongside that of other artists Institut Néerlandais, Paris, 18/09/13 – 15/12/13 demonstrates the degree to which he followed examples set by his contemporaries. Joris Van Grieken is curator of prints and drawings at the Royal Library of Belgium in Brussels. Ger Luijten is director Exhibition of the Fondation Custodia, Paris. Jan Van der Stock is Van Gogh Museum, 01/05/13 – 12/01/14 professor of art history at the Leuven University and director Marije Vellekoop is curator of prints and drawings at the of Illuminare – Centre for the Study of Medieval Art. Van Gogh Museum, Amsterdam. March 416 pp. 305x241mm. 320 illus. May 296 pp. 279x241mm. 400 colour illus. HB ISBN 978-0-300-19184-4 £60.00* HB ISBN 978-0-300-19186-8 £40.00*

Jenne-Jeno Van Gogh’s 700 Years of Sculpture in Mali Studio Practice Bernard de Grunne Edited by Leo Jansen Extensive fieldwork in Mali in With contributions by Muriel 1982 led to fascinating discoveries Geldof, Ralph Haswell, Ella about the function of elegant and Hendriks, Sjraar van Heugten, et al. sophisticated ancient terracotta This publication, a companion to sculptures found there as well as Van Gogh at Work, shows how the their religious and cultural artist experimented with an significance. Jenne-Jeno enormous range of materials and investigates this important research and traces potential techniques in his paintings and drawings. The result of an connections between regions in West Africa whose artistic styles extensive research project carried out by the Van Gogh Museum, were previously thought to have developed independently. Shell and the Netherlands Institute for Cultural Heritage, we Generously illustrated with hundreds of colour images, this learn of the artist’s decisions to work with certain supports, book represents a significant contribution to the study of an art priming layers, pigments and inks, all of which had a profound form virtually unknown until a few decades ago. effect on his final works. Also included is new information Due to its remarkable soil quality, the uniquely fertile Inland concerning van Gogh’s resources, working conditions and Niger Delta played a crucial role in the development of clay methods, as well as potential influences on his work. architecture and sculpture in West Africa. The ancient Islamic Presented in detail is an overview of art that Van Gogh saw in city of Jenne, located in present-day Sudan, was the first to exhibitions, handbooks he was able to acquire, and the establish the region’s spectacular cylindrical-brick architecture, materials and tools available at the time. The combination of crafted from the rich earth found there. This clay is also the art historical, scientific and technical knowledge provides a medium of the terracotta sculptures, more than 300 of which better sense of how Van Gogh’s artwork originally looked. emerged in the early second millennium A.D. Exhibition Van Gogh Museum, 01/05/13 – 12/01/14 Bernard de Grunne is a specialist of ancient terracotta in Leo Jansen is curator of paintings at the Van Gogh Museum. Africa and was director of Sotheby’s in New York and London. May 500 pp. 305x241mm. 300 colour illus. + 35 tables June 400 pp. 292x241mm. 300 colour + 70 b/w illus. HB ISBN 978-0-300-19187-5 £85.00* HB ISBN 978-0-300-18870-7 £60.00* Titles on this page: Distributed for Mercatorfonds • Translation rights: Mercatorfonds Spring 2013 to pdf:1 18/10/12 14:19 Page 56

56 Art The Photographs of Ray K. Metzker Keith F. Davis Ray K. Metzker (b. 1931) is one of the greatest living photographers of the modern era, although his name may not be as broadly familiar as that of some of his peers. Richly illustrated, The Photographs of Ray K. Metzker brings his extraordinary work to the attention of a larger audience, summarising his life and achievements over the past six decades. With a fresh perspective, curator and author Keith F. Davis explores the roots of Metzker’s innovative vision, from his early interest in photojournalism through his studies with Harry Callahan and Aaron Siskind at Chicago’s Institute of Design in the late 1950s, and his bold innovations of the 1960s and 1970s. Metzker’s work is richly diverse, embracing landscape, city scenes and expressive potential of the multiple image. These many themes are united by Metzker’s technical precision and daring, and his graphic use of sunlight and shadow. He has repeatedly reinvented his approach to the medium, and this book testifies to the remarkable range and originality of his work. Exhibition The J. Paul Getty Museum, 25/09/12 – 24/02/13; Henry Art Gallery, University of Washington, Seattle, 22/09/13 – 14/01/14 Keith F. Davis is the senior curator of photography at the Nelson-Atkins Museum of Art.

Distributed for the Nelson-Atkins Museum of Art Translation rights: Nelson Atkins Museum, Kansas City January 224 pp. 279x279mm. 147 tritones HB ISBN 978-0-300-17105-1 £40.00*

Heartland The Photographs of Terry Evans Keith F. Davis, Jane L. Aspinwall and April M. Watson The landscape and people of the American Midwest have captivated photographer Terry Evans (b. 1944) throughout her forty-year photographic career. Heartland traces the evolution of Evans’s vision, beginning in the early 1970s with her social documentary images of people in Kansas. She became a landscape photographer in 1978, focusing on the grasses, land and skies of the prairie; this was followed by an aerial survey of the entire Great Plains, from Texas to Canada. She has also photographed Chicago from the air, an abandoned military site, small- town life in Kansas and historical samples of prairie flora and fauna from Chicago’s Field Museum. More recently, she has documented the steel industry in the Midwest and oil and gas drilling in North Dakota. Exhibition The Nelson-Atkins Museum of Art, 20/10/12 – 20/01/13 Keith F. Davis is senior curator of photography, Jane L. Aspinwall is associate curator and April M. Watson is associate curator, all at the Nelson-Atkins Museum of Art.

Distributed for the Nelson-Atkins Museum of Art Translation rights: Nelson Atkins Museum, Kansas City January 220 pp. 279x279mm. 86 colour + 54 tritone illus. HB ISBN 978-0-300-19075-5 £40.00*

Abelardo Morell

The Universe Next Door , 2009. Elizabeth Siegel • With contributions by Brett Abbott and Paul Martineau

Over the past twenty-five years, Abelardo Morell (b. 1948) has earned international praise Obscura: Camera for his images that use the language of photography to explore visual surprise and wonder. Born in Havana, Cuba, Morell came to the United States as a teenager in 1962 and later studied photography. He gained attention for intimate, black-and-white pictures of domestic objects from a child’s point of view, inspired by the birth of his son in 1986, as well as images in which he turns a room into a giant camera obscura, projecting exterior views onto interior spaces; and photographs of books that revel in their sensory materiality. In more recent years, he has turned to colour, exploring the camera obscura with a painterly delight and innovating a tent camera that projects outdoor scenes onto a textured ground. This handsome book examines Morell’s career to the present day, including in Bedroom Bridge of the Brooklyn View his earlier works in black-and-white and never before published colour photographs from the last decade. Museum. Getty The J. Paul inkjet print. Archival Exhibition The Art Institute of Chicago, 01/06/13 – 02/09/13; The J. Paul Getty Museum, 01/10/13 – 05/01/14 High Museum of Art, 22/02/14 – 18/05/14 Elizabeth Siegel is associate curator of photography at the Art Institute of Chicago. Abelardo Morell (American, born Cuba, 1948). (American, born Cuba, Morell Abelardo Distributed for the Art Institute of Chicago Translation rights: Art Institute of Chicago June 176 pp. 305x229mm. 55 colour + 75 duotone illus. HB ISBN 978-0-300-18455-6 £35.00* Spring 2013 to pdf:1 18/10/12 14:19 Page 57

Art 57 Angels, Demons, and Savages Pollock, Ossorio, Dubuffet Klaus Ottmann and Dorothy Kosinski With essays by Klaus Ottmann and Alicia G. Longwell, a text by Jean Dubuffet and contributions by Elizabeth Steele, Sylvia Albro, Scott Homolka and Chantal Bernicky The artistic relationships among Jackson Pollock (1912–1956), Alfonso Ossorio (1916–1990) and Jean Dubuffet (1901–1985) strongly influenced the development of postwar art. Ossorio, the central figure in the trio, was an early champion of Pollock and the close friend of Dubuffet, whose radically anticultural Art Brut collection was prominently displayed at Ossorio’s Hamptons estate. Dubuffet’s 1951 essay on Ossorio, published here for the first time in English, demonstrates his admiration for the Filipino-American artist and collector. Angels, Demons, and Savages reveals previously unrecognised technical and thematic affinities in the artists’ work, from Dubuffet’s ‘raw’, unconventional style to Ossorio’s use of Christian iconography and grotesque elements to Pollock’s emphasis on medium and gestural force. Complete with two original essays and a conservation study, this groundbreaking catalogue shows how the three artists shaped the aesthetic on both sides of the Atlantic through their exchange of ideas and techniques. Exhibition The Phillips Collection, 09/02/13 – 12/05/13; Parrish Art Museum, 28/07/13 – 31/10/13 Klaus Ottmann is director of the Center for the Study of Modern Art and curator at large at the Phillips Collection. Dorothy Kosinski is the director of the Phillips Collection. Published in association with the Phillips Collection and the Parrish Art Museum March 168 pp. 279x229mm. 84 colour + 16 b/w illus. HB ISBN 978-0-300-18648-2 £30.00*

Mexico and American Modernism Ellen G. Landau In the years between the two world wars, the enormous vogue of ‘things Mexican’ reached its peak. Along with the popular appeal of its folkloric and pictorialist traditions, Mexican culture played a significant role in the formation of modernism in the United States. Mexico and American Modernism analyses the complex social, intellectual and artistic ramifications of interactions between avant-garde American artists and Mexico during this critical period. In this insightful book, Ellen Landau looks beyond the well-known European influences on modernism. Instead, she probes the lesser-known yet powerful connections to Mexico and Mexican art that can be seen in the work of four acclaimed American mid-century artists: Philip Guston (1913–1980), Robert Motherwell (1915–1991), Isamu Noguchi (1904–1988) and Jackson Pollock (1912–1956). Landau details how these artists’ relationships with the Mexican muralists, expatriate Surrealists and leftist political activists of the 1930s and 1940s affected the direction of their art. Her analysis of this aesthetic cross- fertilization provides an important new framework for understanding the emergence of Abstract Expressionism and the New York School as a whole. Ellen G. Landau is the Andrew W. Mellon Professor of the Humanities at Case Western Reserve University and the leading expert on Jackson Pollock and Lee Krasner, specialising in 20th-century American and European art and theory.

June 240 pp. 254x203mm. 31 colour + 78 b/w illus. HB ISBN 978-0-300-16913-3 £35.00*

Master Paintings in the Art Institute of Chicago Selected by Douglas Druick A key destination for any art lover, the Art Institute of Chicago houses an extraordinary collection of master paintings. Within the covers of this beautiful book, updated to include some recent acquisitions and a new preface by director Douglas Druick, the reader finds an amazing selection of European and American paintings dating from the Renaissance to the present day. Included are singular works by Rembrandt, Rubens and El Greco; Cassatt, Homer and J. M. W. Whistler; Degas, Monet, Caillebotte and Seurat; Picasso, Lichtenstein, Richter and Twombly. Georges Seurat (French, 1859–1891). A Sunday on Douglas Druick is President and Eloise W. Martin Director of the Art La Grande Jatte – 1884, 1884–86. Oil on canvas. Institute of Chicago. 207.5 x 308.1 cm. The Art Institute of Chicago, Helen Birch Bartlett Memorial Collection, 1926.224. Distributed for the Art Institute of Chicago Translation rights: Art Institute of Chicago August 168 pp. 279x279mm. 150 colour illus. HB ISBN 978-0-300-19188-2 £25.00* Spring 2013 to pdf:1 18/10/12 14:19 Page 58

58 Art The Arts of India, Eyes of the Ancestors Southeast Asia, and The Arts of Island Southeast the Himalayas at the Asia at the Dallas Museum of Art Dallas Museum of Art Edited by Reimar Schefold Anne Bromberg, Catherine With contributions by Steven Asher, Frederick Asher, Alpert, George Ellis, Robert W. Clark and Nico de Jonge, Vernon Kedit, Nancy Tingley Reimar Schefold, Achim Sibeth and Roxana Waterson In recent years, the Dallas Museum of Art has expanded its collection of South Asian art Eyes of the Ancestors takes an in- from a small number of Indian Temple sculptures to nearly depth look at the Dallas Museum of Art’s world-renowned 500 works, including Indian Hindu and Buddhist sculptures, collection of artworks from Island Southeast Asia. Beautiful Himalayan Buddhist bronze sculptures and ritual objects, photography and essays by distinguished scholars unlock the artwork from Southeast Asia and decorative arts from India’s magic of the island cultures of Indonesia, Sarawak and East Mughal Period. This volume details the cultural and artistic Timor. Reimar Schefold introduces these texts, which significance of more than 140 works, which range from investigate various indigenous art forms from a fresh Tibetan thangkas and Indian miniature paintings to stone perspective. They describe the contexts, purposes and aesthetic sculptures and bronzes. influences of a range of objects, from intricately woven sacred and ceremonial textiles to carved ancestor figures. Also Anne Bromberg is the Cecil and Ida Green Curator of Ancient featured are gold and metalwork designs as well as weaponry and Asian Art at the Dallas Museum of Art. Catherine Asher is and jewellery, some dating back more than a hundred years. professor of art history at the University of Minnesota. Frederick Asher is chair of the department of art history at the Reimar Schefold is professor emeritus of the anthropology University of Minnesota. Robert W. Clark is coordinator of the and sociology of Indonesia at the University of Leiden and the Tibetan Language Program at Stanford University. Nancy former chairman of the Royal Institute of Linguistics and Tingley is an independent curator of Southeast Asian art. Anthropology.

Distributed for the Dallas Museum of Art Distributed for the Dallas Museum of Art March 264 pp. 305x229mm. 120 colour illus. August 264 pp. 305x229mm. 120 colour illus. HB ISBN 978-0-300-14988-3 £45.00* HB ISBN 978-0-300-18495-2 £45.00* Translation rights: The Dallas Museum of Fine Art Translation rights: The Dallas Museum of Fine Art

Byzantine Things Recasting the Past in the World Collecting and Presenting Antiquities Edited by Glenn Peers at the Art Institute of Chicago With contributions by Charles Barber, Karen Manchester Stephen Caffey, Henri Franses, Caitlin With an essay by Karen B. Alexander Haskell, James Rodriguez, Richard Coinciding with the Shiff, Shannon Steiner, Susan Sutton opening of the Art and Robin Williams Institute’s newly How did Byzantine culture understand redesigned and In Harmony its own objects we now call ‘art’? This expanded of Chicago, 2002.11. The Art Institute book attempts to overturn conventional galleries of The Norma Jean Calderwood art historical thought through a Greek, Roman Collection of Islamic Art combination of material investigation, and Byzantine Edited by Mary McWilliams historical recovery and hermeneutic art, this book clearing. Distinguished authors argue showcases some of This outstanding and largely that categorising these objects made for the best pieces unpublished collection reveals the Medieval Greek Christians as art is from its iconographic, literary, linguistic and incorrect, instead suggesting that they permanent technical influences on more than 1000 were rooted in a world with an collection. years of Islamic artistic achievement, animistic view of living things. Karen Manchester is chair and curator

particularly in the Persianate world. 62 x 47.6 27 cm. A.D. 140/150. Marble. Roman, Woman. of a Bust Portrait Exhibition The Menil Collection, of Ancient Art, Department of Ancient Exhibition Harvard Art Museums, 03/05/13 – 11/08/13 and Byzantine Art at the Art Institute of 31/01/13 – 01/6/13 Glenn Peers is a professor of early Chicago. Mary McWilliams is the Norma Jean medieval and Byzantine art at the Distributed for The Art Institute of Chicago Calderwood Curator of Islamic and Later University of Texas at Austin. Indian Art at the Harvard Art Museums. March 116 pp. 305x216mm. Distributed for The Menil Collection 85 colour + 5 b/w illus. Distributed for the Harvard Art Museums June 192 pp. 216x267mm. HB ISBN 978-0-300-19191-2 £14.99* Feb 304 pp. 305x235mm. 309 illus. 100 colour illus. Translation rights: Art Institute of Chicago HB ISBN 978-0-300-17641-4 £55.00* HB ISBN 978-0-300-19178-3 £30.00* Translation rights: Harvard University Art Museum Translation rights: Menil Foundation, Houston Spring 2013 to pdf:1 18/10/12 14:19 Page 59

Art 59 ‘Great and The Progress of Love Mighty Things’ Edited by Kristina Van Outsider Art from the Jill and Dyke and Bisi Silva Sheldon Bonovitz Collection How do today’s artists Edited by Ann Percy with Cara understand and depict notions of love? As witnessed in this Zimmerman • Contributions by compelling book, they often Francesco Clemente, Lynne transcend traditional European Cooke, Joanne Cubbs, Bernard L. romantic notions to create Herman, Ann Percy, Colin Rhodes representations of love in less and Cara Zimmerman familiar manifestations. This is the first book to explore the collection of Jill and The title of this volume, The Progress of Love, refers to a group Sheldon Bonovitz, one of the finest private collections of of 18th-century paintings by Jean-Honoré Fragonard, who American outsider art. Twenty-seven artists are included in the represented love as a contemporary phenomenon rather than selection published here, among them Eugene Von in the guise of allegory or fiction. Today’s artists go further. Bruenchenhein, William Edmondson, Howard Finster, Sister The Progress of Love features 30 artists from Africa, Europe, the Gertrude Morgan, Martín Ramírez and Bill Traylor. The book African diaspora and the New World, including Kelechi Amadi- presents short biographies of the artists and essays by major Obi, Zoulikha Bouabdellah, Sophie Calle, Mary Ellen Carroll, scholars that examine the work from both theoretical and Kendell Geers, Felix Gonzalez-Torres, Romuald Hazoumé, historical perspectives, with a particular focus on the relationship Zanele Muholi, Wura-Natasha Ogunji and Yinka Shonibare. of contemporary art to outsider art and how the latter has been Exhibition The Menil Collection, 02/12/12 – 17/03/13 critically appropriated into postmodern discourse. Centre for Contemporary Arts, Lagos, 13/10/12 – 27/01/13 Exhibition Philadelphia Museum of Art, 03/03/13 – 27/05/13 Pulitzer Foundation for the Arts, 16/11/12 – 20/04/13 Ann Percy is curator of drawings at the Philadelphia Museum Kristina Van Dyke is the director of the Pulitzer Foundation of Art. Cara Zimmerman is executive director of the for the Arts, St. Louis. Bisi Silva is the director of the Centre Foundation for Self-Taught Artists in Philadelphia. for Contemporary Art, Lagos. Published in association with the Philadelphia Museum of Art Distributed for The Menil Collection April 288 pp. 305x254mm. 235 colour + 5 b/w illus. January 176 pp. 279x222mm. 105 colour illus. HB ISBN 978-0-300-19175-2 £40.00* HB ISBN 978-0-300-18493-8 £35.00* Translation rights: Philadelphia Museum of Art Translation rights: Menil Foundation, Houston

They Seek a City Painters and Chicago and the Art of Paintings in the Early Migration, 1900–1950 American South Sarah Kelly Oehler Carolyn J. Weekley In the first half of the 20th This beautifully illustrated volume century, thousands of newcomers presents the complex ways in – Eastern European émigrés, which the lives of artists, clients Mexican immigrants and and sitters were interconnected in Southerners both black and white the early American South. – flocked to Chicago. These new residents included artists who made significant contributions The first comprehensive study of this subject, Painters and to the vibrant cultural life of the city. They Seek a City Paintings in the Early American South draws upon materials highlights approximately seventy-five paintings, works on including diaries, correspondence and newspapers in order to paper, photographs and sculptures by such artists as Eldzier explore the stylistic trends of the period and the lives of the Cortor, Archibald Motley and Morris Topchevsky that reflect sitters, as gentility spread from the wealthiest southerners to the diverse urban social landscape. the middle class. Featuring works by John Singleton Copley, (detail), 1935. Oil on cardboard. 20 x 36 cm. The Art Institute The Art Institute 20 x 36 cm. on cardboard. (detail), 1935. Oil Charles Willson Peale and Benjamin West, among many As these artists sought to navigate their surroundings and others, this important book examines the training and status establish their identities amid a changing society, they found of painters, the distinction between fine art and the inspiration in their personal and cultural contexts. Frequently, mechanical arts, the popularity of portraiture and the nature Train Station Train they focused on the underlying causes of immigration or of clientele between 1540 and 1790, providing a new, critical migration and depicted themes of exile and alienation. Others understanding of the history of art in the American South. chose to represent their new surroundings, for better or worse, addressing concerns such as racism, poverty and social injustice. Exhibition Colonial Williamsburg Foundation, 23/03/13 – 07/09/14 Exhibition The Art Institute of Chicago, 03/03/13 – 02/06/13 Carolyn J. Weekley is Juli Grainger Curator at the Colonial Sarah Kelly Oehler is the Henry and Gilda Buchbinder Associate Williamsburg Foundation. Curator of American Art at the Art Institute of Chicago. Published in association with the Colonial Williamsburg Foundation Distributed for the Art Institute of Chicago March 448 pp. 286x248mm. 326 colour + 40 b/w illus. March 112 pp. 305x229mm. 85 colour + 10 b/w illus.

prior gifts of Florence Jane Adams, Mr. and Mrs. Carter and the estate of Celia Schmidt, 1990.134. H. Harrison Mr. Adams, Jane prior gifts of Florence HB ISBN 978-0-300-19076-2 £50.00*

of Chicago, Charles M. Kurtz. Charitable Trust and Barbara Neff Smith and Solomon Byron Smith funds; through funds; through Smith Byron and Solomon Smith Neff and Barbara Trust Charitable of Chicago, Charles M. Kurtz. HB ISBN 978-0-300-18453-2 £25.00* Translation rights: The Colonial Williamsburg Foundation, Virginia Walter Ellison (American, 1899–1977). Ellison Walter Translation rights: Art Institute of Chicago Spring 2013 to pdf:1 18/10/12 14:19 Page 60

60 Art Forrest Bess Mexico’s Revolutionary Seeing Things Invisible Avant-Gardes Clare Elliott • With a From Estridentismo to ¡30–30! contribution by Robert Gober Tatiana Flores Artist Forrest Bess spent most of In December 1921, the poet his life on the Texas coast working Manuel Maples Arce papered the as a commercial fisherman. In his walls of Mexico City with his spare time, however, he painted, manifesto Actual No. 1, sparking creating a body of work rich with the movement Estridentismo symbolism. Bess experienced hallucinations that frightened and (Stridentism). Inspired by Mexico’s rapid modernisation intrigued him, and he incorporated images from these visions following the Mexican Revolution, the Estridentistas into small-scale abstract paintings starting in the mid-1940s. attempted to overturn the status quo in Mexican culture, Between 1949 and 1967, Betty Parsons organised six solo taking inspiration from contemporary European movements. exhibitions of Bess’s work at her New York City gallery. Since Mexico’s Revolutionary Avant-Gardes provides a nuanced then, the art world has periodically rediscovered his work, account of the early-20th-century moment that came to be recently through a 2012 Whitney Biennial installation by known as the Mexican Renaissance, featuring an impressive sculptor Robert Gober. Forrest Bess: Seeing Things Invisible is the range of artists and writers. Relying on extensive documentary artist’s first museum retrospective in the United States. research and previously unpublished archival materials, author Exhibition The Menil Collection, 19/4/13 – 18/08/13 Tatiana Flores expands the conventional history of Hammer Museum, Los Angeles, 29/09/13 – 05/01/14 Estridentismo by including its offshoot movement ¡30–30!. Neuberger Museum of Art, SUNY, 16/02/14 – 11/05/14 Tatiana Flores is assistant professor in the department of art Clare Elliott is assistant curator at The Menil Collection. history with a joint appointment in the department of Latino Distributed for The Menil Collection and Hispanic Caribbean studies at Rutgers University. May 112 pp. 267x241mm. 60 colour illus. July 376 pp. 254x203mm. 48 colour + 122 b/w illus. HB ISBN 978-0-300-18973-5 £40.00* HB ISBN 978-0-300-18448-8 £45.00* Translation rights: Menil Foundation, Houston , 1899. Le Jockey

The Impressionist Line from Journeys to New Worlds Classic Modern Degas to Toulouse-Lautrec Spanish and Portuguese Colonial The Art Worlds of Joseph Pulitzer Jr. Drawings and Prints from the Clark Art in the Roberta and Richard Marjorie B. Cohn Huber Collection Edited by Jay A. Clarke Joseph Pulitzer Jr. inherited the famous With essays by Mary Weaver Chapin, Edited by Suzanne L. Stratton-Pruitt name and occupation of his grandfather,

Henri de Toulouse-Lautrec (French, 1864–1901), (French, Toulouse-Lautrec de Henri Jay A. Clarke, Anne Higonnet, With the assistance of Mark A. Castro the journalist and publisher who Richard Kendall and Alastair Wright This beautifully illustrated catalogue established the Pulitzer Prize. Yet while he carried on the family business in St. A new look at works by notable French showcases 120 Spanish and Portuguese Louis, he was also building one of the artists represented in the collection of the artworks from the 17th and 18th greatest private art collections of the 20th Sterling and Francine Clark Art Institute. centuries, all highlights from the dazzling collection of Roberta and Richard Huber. century. Classic Modern is the first Exhibition The Frick Collection, biography of Joseph Pulitzer Jr. to focus Exhibition Philadelphia Museum of 12/03/13 – 16/06/13 on his art collecting – arguably his Art, February – June 2013 Lithograph on paper, 51.5 x 36 cm. Acquired by the Sterling and Francine Clark Art Clark Institute. and Francine the Sterling by 51.5 x 36 cm. Acquired Lithograph on paper, Jay A. Clarke is Manton Curator of greatest passion – and his role in bringing Prints, Drawings, and Photographs at the Suzanne L. Stratton-Pruitt is an modernism to the American Midwest. independent scholar specialising in Sterling and Francine Clark Art Institute. Marjorie B. Cohn is Carl A. Spanish and Spanish colonial art. Distributed for the Sterling and Francine Weyerhaeuser Curator of Prints, Clark Art Institute Published in association with the Philadelphia Emerita, at the Harvard Art Museums. Museum of Art March 160 pp. 267x241mm. Distributed for the Harvard Art Museums March 225 pp. 305x254mm. 80 colour illus. March 480 pp. 267x184mm. 198 colour + 7 b/w illus. PB ISBN 978-0-300-19193-6 £30.00* 65 colour + 34 b/w illus. HB ISBN 978-0-300-19176-9 £40.00* Translation rights: The Sterling and Francine Translation rights: HB ISBN 978-0-300-17983-5 £35.00* Clark Art Institute, Williamstown Philadelphia Museum of Art Translation rights: Harvard University Art Museum Spring 2013 to pdf:1 18/10/12 14:19 Page 61

Literary Studies 61 Selected Poems Seán Ó’Ríordáin Edited by Frank Sewell In the mid-20th century, a new generation of poets writing in Irish emerged, led by young Seán Ó’Ríordáin among others. Ó’Ríordáin’s work has well stood the test of time, and he continues to engage today’s Irish readers and writers. This well-rounded selection of poems brings most of Ó’Ríordáin’s works to English language readers for the first time. The poems appear in their original Irish alongside English translations by some of Ireland’s leading poets. Also included for the first time in English is Ó’Ríordáin’s essay What is Poetry?, considered an extraordinary touchstone of critical insight for poets and literary commentators. The volume reflects Ó’Ríordáin’s seven main concerns: poetry and its place in the artist’s life; the plural self; the relationship between the individual and society; gender relations; the nature of animals; Ireland, its language and culture; and mortality. Seán Ó’Ríordáin (1916–1977) was born in County Cork and lived his life entirely in Ireland. He completed four poetry volumes, the last – The Margellos World Republic of Letters Tar Éis Mo Bháis – published posthumously. He also wrote powerful opinion pieces for The Irish Times during his later years. Frank Sewell is a poet, translator, critic and academic. He is course director of English at the University of Ulster (Coleraine), where he teaches Irish literature May and creative writing. His translations include the poems of Cathal 256 pp. 197x127mm. Ó’Searcaigh and Gearóid Mac Lochlainn. HB ISBN 978-0-300-19058-8 £16.99 Translation rights: Cló Iar Connacht Teo, Connemara

The Corpse Washer Sinan Antoon Young Jawad, born to a traditional Shi’ite family of corpse washers and shrouders in Baghdad, decides to abandon the family tradition, choosing instead to become a sculptor, to celebrate life rather than tend to death. He enters Baghdad’s Academy of Fine Arts in the late 1980s, in defiance of his father’s wishes and determined to forge his own path. But the circumstances of history dictate otherwise. Saddam Hussein’s dictatorship and the economic sanctions of the 1990s destroy the socioeconomic fabric of society. The 2003 invasion and military occupation unleash sectarian violence. Corpses pile up, and Jawad returns to the inevitable washing and shrouding. Trained as an artist to shape materials to represent life aesthetically, he now must contemplate how death shapes daily life and the bodies of Baghdad’s inhabitants. Through the struggles of a single desperate family, Sinan Antoon’s novel shows us the heart of Iraq’s complex and violent recent history. Descending into the underworld where the borders between life and death are blurred and where there is no refuge from unending nightmares, Antoon limns a world of great sorrows, a world where the The Margellos World Republic of Letters winds wail. Sinan Antoon is a poet, novelist and translator. Born and raised in Baghdad, he left Iraq after the 1991 Gulf War. He is associate professor June at the Gallatin School, New York University, and cofounder and coeditor 192 pp. 210x140mm. of the cultural page of Jadaliyya. The Corpse Washer is his second novel. HB ISBN 978-0-300-19060-1 £15.99* Translation rights: The Colchie Agency, New York Spring 2013 to pdf:1 18/10/12 14:19 Page 62

62 Literary Studies The Ingenious Gentleman and Poet Federico García Lorca Ascends to Hell Carlos Rojas • Translated by Edith Grossman In Carlos Rojas’s imaginative novel, the Spanish poet Federico García Lorca, murdered by Francoist rebels in August 1936, finds himself in an inferno that somehow resembles Breughel’s Tower of Babel. He sits alone in a small theatre in this private hell, viewing scenes from his own life performed over and over and over. Unexpectedly, two doppelgängers appear, one a middle-aged Lorca, the other an irascible octogenarian self, and the poet faces a nightmarish confusion of alternative identities and destinies. Carlos Rojas uses a fantastic premise – García Lorca in hell – to reexamine the poet’s life and speculate on alternatives to his tragic end. Rojas creates with a surrealist’s eye and a moral philosopher’s mind. He conjures a profoundly original world, and in so doing earns a place among such international peers as Gabriel García Márquez, Philip Roth, J. M. Coetzee and José Saramago. Carlos Rojas is a novelist, an art historian and a creator of visual works of art. He was born in Barcelona and came to the United States as a young man. In 1960 he joined the faculty of Emory University, where he is now Charles Howard Candler Professor of Spanish Emeritus. Edith Grossman has translated into English many works by major Latin American and Peninsular writers. The Margellos World Republic of Letters May 224 pp. 197x127mm. HB ISBN 978-0-300-16776-4 £16.99 Translation rights: Ediciones Destino, Barcelona

The Girl with the Golden Parasol Uday Prakash • Translated by Jason Grunebaum Uday Prakash’s novel of contemporary India is a tender love story – university student Rahul is swept away by a ‘sweet fever’ of love for Analji, the enchanting girl with the golden parasol. But Prakash’s tale is set in a world where the 3,000-year-old Hindu caste system still holds sway and social realities doom the chances of a non-Brahmin boy who loves a Brahmin girl. The Girl with the Golden Parasol is the first English translation of Prakash’s work to be published in the United States. His audacious novel captures the profound contradictions of India today, where the forces aligned against change outweigh even the power of love. Uday Prakash is an author of poems, short stories, non-fiction, films and documentaries. In 2010 he received the prestigous Sahitya Akademi literary award in India. He is professor-in-charge, Department of Mass Communication, Media and Journalism, Indira Gandhi Tribal University, Amarkantak. Jason Grunebaum is a fiction writer and translator. He is senior lecturer in Hindi, University of Chicago. The Margellos World Republic of Letters May 192 pp. 197x127mm. PB ISBN 978-0-300-19054-0 £10.99 Translation rights: Jennifer Lyons Literary Agency, New York

La Vida Doble A Novel Arturo Fontaine • Translated by Megan McDowell Set in the darkest years of the Pinochet dictatorship, La Vida Doble is the story of Lorena, a leftist militant who arrives at a merciless turning point when every choice she confronts is impossible. Captured by agents of the Chilean repression, withstanding brutal torture to save her comrades, she must now either forsake the allegiances of motherhood, or betray the political ideals to which she is deeply committed. Ranking with García Márquez and Bolaño on Latin America’s roster of most accomplished authors, Fontaine is a fearless explorer of the most sordid and controversial aspects of Chile’s history and culture. He addresses a set of moral questions specific to Pinochet’s murderous reign, but invites us, four decades later, to consider global conflicts today and question how far we’ve come. Arturo Fontaine was born in Santiago and is professor of philosophy at the Universidad de Chile. He is author of four volumes of poetry and three novels. Megan McDowell is a translator specialising in Chilean and Latin American literature. The Margellos World Republic of Letters June 320 pp. 197x127mm. HB ISBN 978-0-300-17669-8 £15.00 Rights held by the author Spring 2013 to pdf:1 18/10/12 14:19 Page 63

Literary Studies 63 Essays A Fully Annotated Edition Henry D. Thoreau • Edited by Jeffrey S. Cramer This new selection of Thoreau’s essays traces his trajectory as a writer for the outlets of his day – the periodical press, newspapers and compendiums – and as a frequent presenter on the local lecture circuit. By arranging the writings chronologically, the volume recreates the experience of Thoreau’s audience as they followed his developing ideas over time. Jeffrey Cramer, award-winning editor of three previous volumes of works by Thoreau, offers the most accurate text available for each essay and provides convenient on-page annotations. He establishes context and guides the reader through unfamiliar allusions and references, plumbing the depths of Thoreau’s writings with unprecedented insight. Among the essays in this book: • The Last Days of John Brown • Resistance to Civil Government • Thomas Carlyle and His Works • Natural History of Massachusetts

June Jeffrey S. Cramer is Curator of Collections, The Thoreau Institute at 448 pp. 234x156mm. 1 b/w illus. Walden Woods, and editor of three previous volumes by Henry D. HB ISBN 978-0-300-16498-5 £25.00* Thoreau. Cramer contributes to the Literary Review, The Massachusetts Review, The Christian Science Monitor and many other publications.

Divine Love Westerly Islamic Literature and the Path to God Will Schutt William C. Chittick Foreword by Carl Phillips In this book William Chittick looks at historic Persian Will Schutt is the 2012 literature and the topic of love, which is at the heart of Islamic winner of the Yale Series of spiritual thought. It contains extensive Arabic and Persian Younger Poets Competition material, from the Qur’an up through the 12th century, and draws on more than a thousand pages of new translations. A young soldier dons Napoleon’s William C. Chittick is professor of religious studies at Stony hat. An out-of-work man wanders Brook University. Berlin, dreaming he is Peter the Great. The famous exile Dante July 448 pp. 234x156mm. finally returns to his native city to HB ISBN 978-0-300-18595-9 £30.00 ‘hang his crown of laurels up’. Familial and historical apparitions haunt this dazzling collection of poems by Will Schutt, the 2012 recipient of the prestigious Yale Series of Younger Poets award. The Watchman in Pieces Coupled with Schutt’s own voice are the voices of some of Surveillance, Literature, and Liberal Personhood Italy’s most prominent 19th- and 20th-century poets including David Rosen and Aaron Santesso Giacomo Leopardi, Alda Merini, Eugenio Montale and Edoardo Sanguineti. Subtle, discerning, restrained, the poems Spanning nearly 500 years of cultural and social history, this in Westerly probe a vast emotional geography, with its book examines the ways that literature and surveillance have contingent pleasures and pains, ‘where the door’s always dark, developed together, as kindred modern practices. The authors the sky still blue’. show that, since the Renaissance, changes in observation Will Schutt’s poems and translations have appeared in Agni, A strategies have driven innovations in literature; literature, in Public Space, FIELD and elsewhere. He is recipient of fellowships turn, has provided a laboratory and forum for the way we from the Stadler Center for Poetry and the James Merrill House. think about surveillance and privacy. David Rosen is associate professor of English at Trinity College. Yale Series of Younger Poets Aaron Santesso is associate professor of English at Georgia Tech. May 80 pp. 234x156mm. July 352 pp. 234x156mm. 10 b/w illus. HB ISBN 978-0-300-18850-9 £25.00 HB ISBN 978-0-300-15541-9 £30.00 PB ISBN 978-0-300-18851-6 £14.99 Spring 2013 to pdf:1 18/10/12 14:19 Page 64

64 Politics & Economics The Resurgence of the West How a Transatlantic Union Can Prevent War and Restore the United States and Europe Richard Rosecrance After two centuries of ascent, the United States finds itself in economic decline. Some advise America to cure its woes alone. But the road to isolation leads inevitably to the end of US leadership in the international system, warns Richard Rosecrance in this bold and novel book. Instead, Rosecrance calls for the United States to join forces with the European Union and create a trans-Atlantic economic union. Such a US-Europe community would unblock arteries of trade and investment, rejuvenate the West, and enable Western countries to deal with East Asian challenges from a position of unity and economic strength. In this great merger the author of this far-seeing book offers a positive vision in which members of a tightly knit Western alliance regain economic health and attract Eastern nations to join a new and worldwide international order. Richard Rosecrance is Senior Fellow, Adjunct Professor and Director of the US-China Relations Project at the Belfer Center for Science and International Affairs, John F. Kennedy School of Government, Harvard University. He is also Distinguished Research Professor, UCLA. July 192 pp. 210x140mm. HB ISBN 978-0-300-17739-8 £22.50

Population, Fear, and Uncertainty Atlas of the Ethno-Political The Global Spread of Fertility Decline History of the Caucasus Jay Winter and Michael Teitelbaum Arthur Tsutsiev • Translated by Nora Seligman Favorov The world’s population has grown by five billion people over the past century, an astounding 300 percent increase. Yet it is actually the decline in The Atlas of the Ethno-Political History of the Caucasus is a magnificent family size and population growth that is the issue attracting greatest collection of fifty-six original maps with concern in many countries. This eye-opening book looks at demographic commentaries that detail the ethnic, trends in Europe, North America and Asia – areas that now have low religious and linguistic makeup of the fertility rates – and argues that there is an essential yet often neglected Caucasus – the region located between political dimension to a full assessment of these trends. Political decisions the Black and Caspian Seas that that promote or discourage marriage and childbearing, facilitate or contains Europe’s highest mountain – discourage contraception and abortion and stimulate or restrain from the 18th century to the present. immigration all have played significant roles in recent trends. The highly detailed maps and text untangle the exceptionally complicated Jay Winter is the Charles J. Stille Professor of History at Yale. He is the history of this area, poised between author of Dreams of Peace and Freedom and Remembering War, and coeditor Europe and Asia, which has been of The Great War and the Twentieth Century. Michael Teitelbaum is a marked by ethnic conflicts and changing political borders. The Atlas senior adviser at the Alfred P. Sloan Foundation in New York and illuminates the conflicting historical Wertheim Fellow at Harvard Law School. He is the author of The British visions of homelands and borders, and Fertility Decline and coauthor of Political Demography, Demographic provides a comprehensive reference tool Engineering. Together, Winter and Teitelbaum have coauthored two for scholars, geographers and historians. previous books: The Fear of Population Decline and A Question of Numbers: Arthur Tsutsiev is the senior researcher High Migration, Low Fertility, and National Identity. This book is the third at the Center for Social Studies at the in their series of books on population change in historical perspective. Vladikavkaz Institute of Management. July 288 pp. 234x156mm. 24 b/w illus. July 208 pp. 318x241mm. HB ISBN 978-0-300-13906-8 £35.00 57 colour maps HB ISBN 978-0-300-15308-8 £40.00 Spring 2013 to pdf:1 18/10/12 14:19 Page 65

Jewish Studies 65 Totally Unofficial The Autobiography of Raphael Lemkin Edited by Donna-Lee Frieze Among the greatest intellectual heroes of modern times, Raphael Lemkin lived an extraordinary life of struggle and hardship, yet altered international law and redefined the world’s understanding of group rights. He invented the concept and word ‘genocide’ and propelled the idea into international legal status. An uncommonly creative pioneer in ethical thought, he was nominated twice for the Nobel Peace Prize. Although Lemkin died alone and in poverty, he left behind a model for a life of activism, a legacy of major contributions to international law, and – not least – an unpublished autobiography. Presented here for the first time is his own account of his life, from his boyhood on a small farm in Poland with his Jewish parents, to his perilous escape from Nazi Europe, through his arrival in the United States and rise to influence as an academic, thinker and revered lawyer of international criminal law. Raphael Lemkin (1900–1959), US jurist and Holocaust survivor, served as adviser to the US War Department during World War II and played a crucial role in the discussions leading to the 1948 UN Convention on the Prevention and Punishment of the Crime of Genocide. Donna-Lee July Frieze taught a graduate unit on genocide at Deakin University in 288 pp. 234x156mm. Melbourne, lectures frequently on the Holocaust and genocide and is a HB ISBN 978-0-300-18696-3 £25.00 2013 Prins Foundation Senior Scholar at the Center for Jewish History in New York City. She has digitised Lemkin’s entire autobiography.

Rav Kook Mystic in an Age of Revolution Yehudah Mirsky Rav Abraham Isaac Kook (1865–1935) was one of the most influential – and controversial – rabbis of the 20th century. A maverick thinker, he combined strict traditionalism with an embrace of modernity and its heresies, Orthodoxy and tolerance, scholasticism and ecstasy, and passionate nationalism with profound universalism. Though little- remembered outside the Orthodox world to which he belonged, his life and teachings are essential to understanding Israeli politics, contemporary Jewish spirituality and modern Jewish thought. This biography, the first in English in 60 years, offers a full portrait of the man and his contributions. Yehudah Mirsky is Associate Professor of the Practice of Near Eastern and Judaic Studies and the Schusterman Center for Israel Studies at Brandeis University. Recently published in the Jewish Lives Series (see also pages 25 & 73):

Jewish Lives Series

August 224 pp. 210x140mm. HB ISBN 978-0-300-16424-4 £17.99 Spring 2013 to pdf:1 18/10/12 14:19 Page 66

66 Religion & Philosophy What Really On Heroes, Hero- Happened in the Worship, and the Garden of Eden? Heroic in History Ziony Zevit Thomas Carlyle • Edited The Garden of Eden story, one by David R. Sorensen of the most famous narratives and Brent E. Kinser in Western history, is typically Based on a series of lectures read as an ancient account of delivered in 1840, Thomas original sin and humanity’s fall Carlyle’s On Heroes, Hero- from divine grace. In this Worship, and the Heroic in highly innovative study, History considers the creation Ziony Zevit argues that this is of heroes and the ways they not how ancient Israelites exert heroic leadership. From understood the early Biblical text. Drawing on such diverse the divine and prophetic (Odin and Muhammad) to the disciplines as Biblical studies, geography, archaeology, poetic (Dante and Shakespeare) to the religious (Luther and mythology, anthropology, biology, poetics, law, linguistics and Knox) to the political (Cromwell and Napoleon), Carlyle literary theory, he clarifies the worldview of the ancient investigates the mysterious qualities that elevate humans to Israelite readers during the First Temple period and elucidates cultural significance. what the story may have meant in its original context. By situating the text in the context of six essays by Most provocatively, he contends that our ideas about original distinguished scholars that reevaluate both Carlyle’s work and sin are based upon misconceptions originating in the Second his ideas, David Sorensen and Brent Kinser argue that Temple period under the influence of Hellenism. He shows Carlyle’s concept of heroism stresses the hero’s spiritual how, for Ancient Israelites, the story was really about how dimension. In Carlyle’s engagement with various heroic humans achieved ethical discernment. He argues further that personalities, he dislodges religiosity from religion, myth from Adam was not made from dust and that Eve was not made history and truth from ‘quackery’ as he describes the wondrous from Adam’s rib. His study unsettles much of what has been ways in which these ‘flowing light-fountains’ unlock the heroic taken for granted about the story for more than two millennia potential of ordinary human beings. and has far-reaching implications for both literary and David R. Sorensen is professor of English at Saint Joseph’s theological interpreters. University, Philadelphia. Brent E. Kinser is associate professor Ziony Zevit is Distinguished Professor of Biblical Literature of English at Western Carolina University. and Northwest Semitic Languages and Literatures at the American Jewish University in Los Angeles, CA. Rethinking the Western Tradition June 448 pp. 210x140mm. July 320 pp. 234x156mm. 22 b/w illus. PB ISBN 978-0-300-14860-2 £12.99 HB ISBN 978-0-300-17869-2 £20.00*

Transient Apostle American Zion Paul, Travel, and the Rhetoric of Empire The Old Testament as a Political Text Timothy Luckritz Marquis from the Revolution to the Civil War In a significant reevaluation of Paul’s place in the early Eran Shalev Christian story, Timothy Luckritz Marquis explores the theme The Bible has always been an integral part of American of travel in the apostle’s correspondence. He casts Paul’s political culture. Yet in the years before the Civil War, it was rhetorical strategies against the background of Augustus’s age, the Old Testament, not the New Testament, that pervaded when Rome’s wealth depended on conquests abroad, the political rhetoric. In this book, Eran Shalev examines how this international commerce they facilitated, and the incursion of powerful predilection for Old Testament narratives and foreign customs and peoples they brought about. In so doing, rhetoric in early America shaped a wide range of debates and Luckritz Marquis provides an explanation for how Paul cultural discussions – from republican ideology, constitutional created, maintained and expanded his local communities in interpretation, southern slavery, and more generally the the larger, international Jesus movement and shows how Paul meaning of American nationalism to speculations on the was a product of the material forces of his day. origins of American Indians and to the emergence of ‘This is the single most sophisticated book on Paul to be Mormonism. Shalev argues that the effort to shape the United written within the paradigms of contemporary critical thought States as a biblical nation reflected conflicting attitudes within … it makes real progress in understanding Paul’s letters.’ the culture – boastful on the one hand, but uncertain about its – Daniel Boyarin abilities and ultimate destiny on the other. Eran Shalev is associate professor in the History Department Timothy Luckritz Marquis is assistant professor of The New at Haifa University, Israel. Testament at Moravian Theological Seminary. April 256 pp. 234x156mm. May 216 pp. 234x156mm. HB ISBN 978-0-300-18692-5 £30.00 HB ISBN 978-0-300-18714-4 £30.00 Spring 2013 to pdf:1 18/10/12 14:19 Page 67

US Studies 67 The Gateway Arch Tracy Campbell Rising to a triumphant height of 630 feet, the Gateway Arch in St. Louis is a revered monument to America’s western expansion. Envisioned in 1947 but not completed until the mid-1960s, the arch today attracts millions of tourists annually and is one of the world’s most widely recognised structures. By weaving together social, political and cultural history, historian Tracy Campbell uncovers the complicated and troubling history of the beloved structure. This compelling book explores how a medley of players with widely divergent motivations (civic pride, ambition, greed, among others) brought the Gateway Arch to fruition, but at a price the city continues to pay. Campbell dispels long-held myths and casts a provocative new light on the true origins and meaning of the Gateway Arch. He shows that the monument was the scheme of shrewd city leaders who sought to renew downtown St. Louis and were willing to steal an election, destroy historic buildings, and drive out local people and businesses to achieve Tracy Campbell is professor of their goal. Campbell also tells the human story of the architect Eero history and co-director of the Saarinen, whose prize-winning design brought him acclaim but also Wendell Ford Public Policy Research charges of plagiarism, and who never lived to see the completion of his Center at the University of Kentucky. vision. As a national symbol, the Gateway Arch has a singular place in American culture, Campbell concludes, yet it also stands as an instructive example of failed urban planning. May 256 pp. 210x140mm. 25 b/w illus. HB ISBN 978-0-300-16949-2 £18.99* Icons of America

Nature’s Noblemen The Rush to Gold Transatlantic Masculinities and the France, the French, and the California Gold Rush, Nineteenth-Century American West 1848–1854 Monica Rico Malcolm J. Rohrbough In this fascinating book Monica Rico explores the myth of the The California Gold Rush began in 1848 and incited many American West in the 19th century as a place for men to assert ‘wagons west’. However, only half of the 300,000 gold seekers their masculinity by ‘roughing it’ in the wilderness and reveals travelled by land. The other half travelled by sea. And it’s the how this myth played out in a transatlantic context. Rico story of this second group that interests Malcolum Rohrbough uncovers the networks of elite men – British and American – in his authoritative new book The Rush to Gold. He examines who circulated between the West and the metropoles of the California Gold Rush through the eyes of 30,000 French London and New York. participants. In so doing, he offers a completely original Each chapter tells the story of an individual who, by travelling analysis of an important – but previously neglected – chapter these transatlantic paths, sought to resolve anxieties about in the history of the Gold Rush, which occurred at a time of class, gender and empire in an era of profound economic and sweeping change in France and transformed the country. social transformation. All of the men Rico discusses – from Rohrbough is the author of Days of Gold, which is generally the well known, including Theodore Roosevelt and Buffalo accepted as the essential text on the subject, and he spent Bill Cody, to the comparatively obscure, such as English cattle considerable time researching his current book in France. rancher Moreton Frewen – envisioned the American West as a The Rush to Gold is an important contribution to the fast- global space into which redemptive narratives of heroic upper- growing field of transnational American history. class masculinity could be written. Malcolm J. Rohrbough is professor emeritus at the University Monica Rico is associate professor of history at Lawrence of Iowa, specialising in the history of the American West. University. He is the author of several books. The Lamar Series in Western History The Lamar Series in Western History July 288 pp. 234x156mm. 5 b/w illus. July 352 pp. 234x156mm. 13 b/w illus. HB ISBN 978-0-300-13606-7 £27.50 HB ISBN 978-0-300-18140-1 £27.50 Spring 2013 to pdf:1 18/10/12 14:19 Page 68

68 US Studies The Incidental The Snail Darter Steward and the Dam Reflections on Citizen Science How Pork-Barrel Politics Akiko Busch • Illustrated by Endangered a Little Fish and Debby Cotter Kaspari Killed a River A search for a radio-tagged Zygmunt J. B. Plater Indiana bat roosting in the Even today, thirty years after the woods behind her house in New legal battles to save the York’s Hudson Valley led Akiko endangered snail darter, the little Busch to assorted other fish is often invoked as an icon encounters with the natural of leftist extremism and world – local ecological governmental foolishness. In this monitoring projects, community-organised cleanup efforts and eye-opening book, the environmental lawyer who fought and data-driven citizen science research. Whether pulling up water won the case, known officially as Hill et al. v. TVA, tells the chestnuts in the Hudson River, measuring beds of submerged hidden story behind one of the Supreme Court’s most aquatic vegetation, or searching out vernal pools, all significant environmental law decisions. The truth of the illuminated the role of ordinary citizens as stewards of place. darter’s saga has been deliberately clouded, Zygmunt Plater In this elegantly written book, Busch highlights factors that asserts, and he offers a fully documented account of the six- distinguish 21st-century citizen scientists from traditional year crusade against a pork barrel dam project that made no amateur naturalists: a greater sense of urgency, helpful new economic sense. technologies and the expanded possibilities of crowdsourcing. Zygmunt J. B. Plater is professor of law and director of the Akiko Busch is well known for her writings on design, culture Land & Environmental Law Program at Boston College Law and the natural world. School. May 224 pp. 210x140mm. 11 illus. July 352 pp. 234x156mm. 28 illus. HB ISBN 978-0-300-17879-1 £18.99 HB ISBN 978-0-300-17324-6 £25.00

According to Our Hearts Freedom to Harm Connecticut’s Rhinelander v. Rhinelander and the The Lasting Legacy of the Laissez Indigenous Peoples Law of the Multiracial Family Faire Revival What Archaeology, History, and Angela Onwuachi-Willig Thomas O. McGarity Oral Traditions Teach Us About This landmark book looks at what it This comprehensive look at America’s Their Communities and Cultures means to be a multiracial couple in the succession of ‘laissez-faire revivals’ shows Lucianne Lavin • Contribution to United States today. According to Our how anti-regulatory business crusades the Introduction by Paul Grant-Costa Hearts begins with a look back at a 1925 harm public safety and economic Edited by Rosemary Volpe case in which a two-month marriage performance with a look at the Gilded ends with a man suing his wife for Age, from the late 1800s to the early Drawing on exciting new archaeological misrepresentation of her race, and shows 1900s; the Laissez-Faire Revival of the and ethnographic discoveries, interviews how society has yet to come to terms mid-1960s to mid-1970s; and the with Native Americans, a huge variety with interracial marriage. Angela tenure of the George W. Bush of published and unpublished materials, Onwuachi-Willig examines the issue by administration. During these periods, and her own ongoing archaeological drawing from a variety of sources, the government often passed protective and documentary research, Lucianne including her own experiences. She legislation in response to particular crises Lavin provides a remarkably detailed argues that housing law, family law and instead of criminalising hazardous portrait of Connecticut’s prehistoric employment law fail, in important ways, practices. During the Bush indigenous peoples, as well as of their to protect multiracial couples. In a administration, government intervention changing lives during the past 400 years society in which marriage is used to give, was at its lowest since the New Deal of colonial and state history. withhold and take away status – in the years and Thomas O. McGarity argues Lucianne Lavin is Director of Research workplace and elsewhere – she says that America is now in the middle of a and Collections at the Institute for interracial couples are at a disadvantage, fourth assault on the government’s role American Indian Studies. which is only exacerbated by current law. as the protector of its citizens. Published in association with the Yale Angela Onwuachi-Willig is the Charles Thomas O. McGarity holds the Joe R. Peabody Museum of Natural History M. and Marion J. Kierscht Professor of and Teresa Lozano Long Endowed Chair July 416 pp. 254x178mm. Law at the University of Iowa. in Administrative Law at the University of Texas at Austin School of Law. 37 colour + 235 b/w illus. July 320 pp. 234x156mm. HB ISBN 978-0-300-18664-2 £30.00 30 b/w illus. April 400 pp. 234x156mm. HB ISBN 978-0-300-16682-8 £22.50 HB ISBN 978-0-300-14124-5 £20.00 Freedom to Harm Spring 2013 to pdf:1 18/10/12 14:19 Page 69

US Studies/Law 69 Time No Longer What Changed Americans After When Everything the American Century Changed Patrick Smith 9/11 and the Making Americans cherish their national of National Identity myths, some of which predate the Joseph Margulies country’s founding. But the time for illusions, nostalgia and grand Beautifully written and carefully ambition abroad has gone by, reasoned, this bold and Patrick Smith observes in this provocative work upends the original book. Americans are now conventional wisdom about the faced with a choice: between a American reaction to crisis. mythical idea of themselves, their nation and their global Margulies demonstrates that for key elements of the post-9/11 ‘mission’, on the one hand, and on the other an idea of landscape – especially support for counterterror policies like America rooted in historical consciousness. To cling to old torture and hostility to Islam – American identity is not only myths will ensure America’s decline, Smith warns. He darker than it was before September 11, 2001, but substantially demonstrates with deep historical insight why a fundamentally more repressive than it was immediately after the attacks. These new perspective and self-image are essential if the United repressive attitudes, Margulies shows us, have taken hold even States is to find its place in the 21st century. as the terrorist threat has diminished significantly. Patrick Smith was International Herald Tribune’s bureau chief Joseph Margulies is clinical professor of law and associate in Hong Kong and then Tokyo from 1985–92, when he also director, Roderick MacArthur Justice Center, Northwestern wrote ‘Letter from Tokyo’ for The New Yorker. He is the University School of Law. He has been deeply involved in author of four previous books and contributes frequently to post-9/11 litigation and scholarship, and his book The New York Times, Business Week, TIME and other Guantanamo and the Abuse of Presidential Power received the publications. American Bar Association’s prestigious Silver Gavel Award. June 192 pp. 234x156mm. June 288 pp. 234x156mm. HB ISBN 978-0-300-17656-8 £20.00 HB ISBN 978-0-300-17655-1 £20.00

Translation rights: Sterling Lord Literistic, New York

Friend of the Court The American Illness Captured by Evil On the Front Lines with the Essays on the Rule of Law The Idea of Corruption in Law First Amendment Edited by F. H. Buckley Laura S. Underkuffler Floyd Abrams This book brings together twenty-plus One of the most powerful words in the Since 1971, when the Pentagon Papers contributors from the fields of law, English language, ‘corruption’ is also were leaked to the New York Times and economics and international relations to one of the most troubled concepts in furious debate over First Amendment look at whether the US legal system is law. According to Laura Underkuffler, it rights ensued, free-speech cases have contributing to the country’s long is a concept based on religiously emerged in rapid succession. Floyd postwar decline. The book provides a revealed ideas of good and evil. But the Abrams has been on the front lines of comprehensive overview of the notion of corruption defies the ordinary nearly every one of these major cases, interactions between economics and the categories by which law defines crimes – which is also to say that, more than any law – in such areas as corruption, categories that punish acts, not other person, he has forged America’s business regulation and federalism – character, and that eschew punishment legal understanding of free speech. and explains how the American system on the basis of religion and emotion. works differently from those in most Drawing on contemporary examples – This collection of Abrams’s writings countries, with contradictory, hard to including former assemblywoman gathers speeches, articles, debates, briefs, understand business regulations, tort Diane Gordon and former governor oral arguments and testimony from his laws varying from state to state and Rod Blagojevich – Underkuffler entire career. The writings illuminate surprising judicial interpretations of explores the implications and dangers of topics of ongoing import: WikiLeaks, clearly written contracts. This imposes maintaining such an archaic concept at the correctness of the Citizens United far heavier litigation costs on American the heart of criminal law. case, journalist shield laws, and, not companies and hampers economic least, the responsibilities of the press. Laura S. Underkuffler is Associate growth. Dean for Academic Affairs and J. Floyd Abrams is a partner in the law F. H. Buckley is a Foundation Professor DuPratt White Professor of Law at firm of Cahill, Gordon & Reindel. at George Mason School of Law. Cornell University. She lives in He has taught law at Columbia School Portland, Maine. of Journalism, Yale Law School and May 512 pp. 234x156mm. Columbia Law School. 10 b/w illus. June 256 pp. 234x156mm. July 416 pp. 234x156mm. HB ISBN 978-0-300-17521-9 £40.00 3 b/w illus. HB ISBN 978-0-300-19087-8 £22.50 HB ISBN 978-0-300-17314-7 £35.00 Spring 2013 to pdf:1 18/10/12 14:19 Page 70

70 Language Yale French Studies, Yale French Studies, Volume 121 Volume 123 Literature and History: Rethinking Claude Levi-Strauss: Around ‘Suite Française’ 1908–2009 and ‘Les Bienveillantes’ Robert Doran Richard J. Golsan and One of the most influential thinkers of the 20th century, Philip Watts, Special Editors Claude Levi-Strauss casts a long shadow over many areas of Irène Némirovsky’s Suite Française and inquiry, from ethnology and cultural anthropology to literary Jonathan Littell’s Les Bienveillantes studies, Marxist theory and religious studies. In recent years, constitute the two most important interest in his work has experienced a renaissance. Both literary publishing events in France in the new millennium. commemorating and reassessing this work, this issue of Yale Both have enjoyed commercial and critical success, and both French Studies demonstrates how Levi-Strauss’s thought can be have generated controversy among critics and historians. considered from a multiplicity of perspectives, and the essays in the collection portray him as a vibrant presence in a wide In this volume scholars of literary studies and history reflect variety of contemporary discussions. upon the significance of these works and answer some of the questions that they raise about how literary fiction organises our Robert Doran is James P. Wilmot Assistant Professor of understanding of the past and our perception of the world. French and Comparative Literature at the University of Rochester. Richard J. Golsan is University Distinguished Professor and director of the Melbern G. Glasscock Center for Humanities August 288 pp. 234x156mm. Research at Texas A&M University. Philip Watts is chair of PB ISBN 978-0-300-19020-5 £20.00 the Department of French at Columbia University. Translation rights: Yale French Studies Available 272 pp. 234x156mm. PB ISBN 978-0-300-18477-8 £20.00 Translation rights: Yale French Studies

FRENCH IN ACTION is a model for video-based language instruction, and the new edition updates the text and workbook for today’s students

French in Action French in Action A Beginning Course in Language and Culture: A Beginning Course in Language and Culture: The Capretz Method, Third Edition, Part 1 The Capretz Method, Third Edition, Part 2 Pierre Capretz, with Beatrice Abetti, Pierre Capretz, with Beatrice Abetti, Marie Odile-Germain and Barry Lydgate Marie Odile-Germain and Barry Lydgate Since it was first published, French in Action: A Beginning Part 2 of the textbook and workbook guides students through Course in Language and Culture – The Capretz Method has the intermediate level of French language acquisition. been widely recognised in the field as a model for video-based August 416 pp. 279x216mm. foreign-language instructional materials. The third edition has HB ISBN 978-0-300-17611-7 £45.00 been revised by Pierre Capretz and Barry Lydgate and includes new, contemporary illustrations throughout and more-relevant information for today’s students in the Documents sections of French in Action each lesson. A completely new feature is a journal by the A Beginning Course in Language and Culture: popular character Marie-Laure, who observes and humorously Third Edition, Workbook, Part 1 comments on the political, cultural and technological changes The Capretz Method, in the world between 1985 and today. The new edition also Pierre Capretz, with Thomas Abbate, Beatrice incorporates more content about the entire Francophone Abetti, Frank Abetti and Barry Lydgate world. In use by hundreds of colleges, universities and high schools, French in Action remains a powerful educational April 520 pp. 279x216mm. resource, and the third edition updates the course for a new PB ISBN 978-0-300-17612-4 £30.00 generation of learners. Pierre Capretz is the creator of French in Action and a pioneer French in Action in video-based foreign-language instruction. He taught French A Beginning Course in Language and Culture: at Yale University from 1956 to 2003 and was director of the Third Edition, Workbook, Part 2 Yale Language Laboratory from 1963 to 2000. The Capretz Method, Barry Lydgate is professor of French at Wellesley College. Pierre Capretz, Beatrice Abetti, Frank Abetti, January 376 pp. 279x216mm. Thomas Abbate and Barry Lydgate 1120 total scattered illus. August 608 pp. 279x216mm. HB ISBN 978-0-300-17610-0 £45.00 PB ISBN 978-0-300-17613-1 £30.00 Spring 2013 to pdf:1 18/10/12 14:19 Page 71

Language 71 An Introduction Learning Irish to Spoken Reissued with DVD Standard Arabic Mícheál Ó Siadhail A Conversational Course Learning Irish is the standard on DVD introductory course to the Irish language. The product of many Part 2 years of original and scholarly Shukri B. Abed research as well as much teaching experience, this book and This text-and-DVD package can accompanying DVD serve a be used to improve the double function: they provide a conversational skills of beginner sound approach to the ordinary Arabic students. It helps learners language learner and at the same time furnish the professional as they start to express themselves in the Arabic language, linguist with an authentic description of the spoken language. guiding them through linguistic functions such as introductions, describing people and places and discussing The book does not presuppose prior knowledge of Irish and typical daily activities. gives thorough coverage of the grammatical patterns of the language. Texts and exercises are presented in an authentic, Shukri B. Abed is professor of philosophy and director of the interesting, conversational style and in carefully graded stages. Arabic Program at the Center for Jerusalem Studies, Al-Quds The learner is assisted in mastering the pronunciation by the University. use of phonetic spelling and by the related audio recordings. April 384 pp. 234x156mm. 40 b/w illus. Mícheál Ó Siadhail has been a lecturer at Trinity College Dublin PB with DVD ISBN 978-0-300-15904-2 £30.00 and a professor at The Dublin Institute for Advanced Studies. January 320 pp. 230x150mm. PB & DVD ISBN 978-0-300-19106-6 £25.00*

Attica: Intermediate Being a Language Teacher Learning Chinese Classical Greek Norma Lopez-Burton A Foundation Course in Mandarin, Readings, Review, and Exercises and Denise Minor Intermediate Level Cynthia L. Claxton Being a Language Teacher provides an Julian K. Wheatley innovative, personal approach to second Designed to build language ability while Effective as either a primary or language teaching. Through illustrative stimulating curiosity, Learning Chinese secondary textbook, Attica: Intermediate personal anecdotes, this text guides new teaches intermediate conversational and Classical Greek fills a gap in the available and aspiring language teachers through literary skills in Mandarin. materials by simultaneously providing a key pedagogical strategies while much-needed grammar review and an encouraging productive reflection by Conversational lessons are separated introduction to primary texts that the classroom veterans. An ancillary website from lessons on reading and writing students will be working with in the provides online videos to complement characters, allowing instructors to adapt second and third year of study. the text by showing an experienced the book to their students and to their Through comprehensive exercises, teacher applying the book’s lessons. course goals while exposing students to the geography, history and cultures of extensive explanatory notes and an In a market dominated by dense China. ancillary website with additional theoretical approaches to language materials, this text gives students the pedagogy, this text provides an instantly Julian K. Wheatley is the coordinator skills they need to become comfortable accessible, practical set of teaching tools of the Chinese Language and Culture with advanced second-year literary for educators at all levels. Its accessible Program at MIT–Singapore and material. style and affordability give it the previously held positions as visiting Cynthia L. Claxton is lecturer and the flexibility to serve as either a primary or associate professor of Chinese at the Undergraduate Program Director in a supplementary text for teaching National Institute of Languages and Greek and Latin at the University of assistants, students in credential Literatures at Nanyang Technological California, Irvine. programmes or undergraduates in University, Singapore, and as director of applied linguistics courses. the MIT China Program. July 288 pp. 229x152mm. Norma Lopez-Burton teaches Spanish July 416 pp. 254x203mm. 6 b/w illus. at the University of California–Davis 66 colour illus. PB ISBN 978-0-300-17876-0 £30.00 and has directed its first-year Spanish PB ISBN 978-0-300-14118-4 £35.00 programme since 1994. Denise Minor is assistant professor of Spanish at California State University–Chico. July 384 pp. 234x156mm. PB ISBN 978-0-300-18689-5 £30.00 Spring 2013 to pdf:1 18/10/12 14:19 Page 72

72 Environment, Science & Nature Bonsai Mariposa Road A Patient Art The First Butterfly Big Year Susumu Nakamura Robert Michael Pyle and Ivan Watters with With a love for adventure as great Terry Ann R. Neff as his lifelong fascination with With elegant photography, butterflies, America’s best-known this stunning volume lepidopterist set himself an presents more than sixty irresistible challenge: how many of living bonsai masterpieces the 800 species of butterflies from the renowned known in the US could he track collection of the Chicago Botanic Garden. Each patiently down in a single year? Packing little nurtured tree is presented at the peak of its seasonal beauty; more than a butterfly net and favourite binoculars in his well- each embodies the quiet energy and beauty of the art of bonsai. travelled 1982 Honda, Robert Pyle embarked on the first Butterfly Big Year – a 365-day, 88,000-mile sprint to every In an engaging opening essay, the book introduces the practice corner of America. and philosophy of bonsai, its spiritual resonance and its horticultural sophistication. Then, alongside each tree’s Mariposa Road is part road-trip tale, part travelogue and part portrait, is a short, thoughtful discussion of the species and memoir of people and species Pyle encountered along the way. style of the tree as well as its individual history and character. Most of all, the book is an unprecedented, intimate view of Readers will cherish this superbly conceived and designed the entrancing world of butterflies, with new attention to their book while gaining a new appreciation for the living habitats in a time of environmental stress and climate change. masterpieces that inspired it. ‘Mariposa Road is a mighty slice of North America, seen Susumu Nakamura has served as director of education for the through the eyes of one of its most eloquent naturalists. This Nippon Bonsai Association and director of Bonsai Clubs is extreme butterflying at its best.’ – Martin Warren, Chief International. Ivan Watters, curator at the Chicago Botanic Executive, Butterfly Conservation, Wareham, Dorset Garden, is a bonsai master recognised for his work and teaching. Terry Ann R. Neff is known for developing books Robert Michael Pyle is the author of sixteen books, including that deal with the intersection of art and culture. Chasing Monarchs and Wintergreen. March 164 pp. 248x248mm. 76 colour illus. April 576 pp. 234x156mm. 17 maps HB ISBN 978-0-300-19090-8 £30.00 PB ISBN 978-0-300-19097-7 £15.99*

My Backyard Jungle Risk, Chance, Dancing with the River The Adventures of an Urban Wildlife and Causation People and Life on the Chars Lover Who Turned His Yard into Investigating the Origins of South Asia Habitat and Learned to Live with It and Treatment of Disease Kuntala Lahiri-Dutt James Barilla Michael B. Bracken and Gopa Samanta For James Barilla and his family, the The press and other media constantly This book offers an intimate glimpse into dream of transforming their Columbia, report news stories about dangerous the microcosmic world of ‘hybrid South Carolina backyard into a haven chemicals in the environment, miracle landscapes’. Focusing on chars – the part- for wildlife evoked images of kids cures, the safety of therapeutic land, part-water, low-lying sandy masses catching grasshoppers by day and treatments and potential cancer-causing that exist within the riverbeds in the fireflies at night, of digging up potatoes agents. But what exactly is actually floodplains of lower Bengal – the authors and picking strawberries. When they meant by ‘increased risk’ – should we show how, both as real-life examples and signed up with the National Wildlife worry if we are told that we are at twice as metaphors, chars straddle the Federation to certify their yard as a the risk of developing an illness? And conventional categories of land and wildlife habitat, it felt like pushing back how do we interpret ‘reduced risk’ to water, and how people who live on them against the tide of bad news about properly assess the benefits of noisily fluctuate between legitimacy and vanishing species, changing climate, touted dietary supplements? illegitimacy. The result, a study of human dying coral reefs. Then the animals habitation in the space between land and started to arrive, and Barilla soon Demonstrating the difficulty of water, charts a new way of thinking discovered the complexities of merging separating the hype from the about land, people and ways of life. human with animal habitats. hypothesis, noted epidemiologist Michael Bracken clearly communicates Kuntala Lahiri-Dutt is a Fellow in James Barilla is assistant professor in the how clinical epidemiology works. Resource Management in the Asia- MFA program of the University of Pacific Program at Australian National South Carolina where he teaches creative Michael B. Bracken is the Susan University. Gopa Samanta is part of the nonfiction and environmental writing. Dwight Bliss Professor of Epidemiology University of Burdwan in India. at Yale University. April 320 pp. 210x140mm. 8 illus. Yale Agrarian Studies Series July 288 pp. 234x156mm. 31 illus. HB ISBN 978-0-300-18401-3 £20.00 June 288 pp. 234x156mm. 11 illus. HB ISBN 978-0-300-18884-4 £40.00 HB ISBN 978-0-300-18830-1 £40.00 Translation rights: The Strothman Agency, Charlestown Spring 2013 to pdf:1 18/10/12 14:19 Page 73

Paperbacks 73 Jackson Pollock Sarah Evelyn Toynton The Life of Sarah Bernhardt Evelyn Toynton’s fresh, Robert Gottlieb fascinating portrait of Jackson A riveting portrait of the great Pollock explores his work, his Sarah Bernhardt from acclaimed influence and his legend in the writer Robert Gottlieb. context of both art history and the cultural history of mid-20th- ‘A fascinating look at century America. Bernhardt’s mythology and the stagecraft behind it … ‘Toynton’s sensitive and incisive What Sarah understood – as book sorts through the Gottlieb, a storied editor and wreckage of an imagination out publisher, makes clear – was of which so much of how the heightened drama of contemporary art would go on to assemble itself.’ performance might be extended to her own life.’ – Vogue – Kelly Grovier, The Times Literary Supplement ‘A book that is wise, funny, affectionate and enjoyable as well ‘Toynton ably chronicles Pollock’s gambol over the edge.’ as blessedly compact.’ – John Carey, The Sunday Times – Justin Moyer, Washington Post ‘Short, witty and tender … This book is one that your ‘Evelyn Toynton’s new book on Pollock is brief … but friends and family will actually want to read: a better astutely written. She comments wryly on some of the myths stocking-topper for the literary-minded is hard to imagine.’ that have grown up around Pollock, particularly his – Miranda Seymour, The Lady reputation as a ‘cowboy artist’.’ – Marc O’Sullivan, Irish Examiner Robert Gottlieb is the author of the acclaimed Balanchine: The Ballet Maker. He writes for the New York Review of Books, Evelyn Toynton, a frequent contributor to Harper’s and other The New Yorker and other publications, and is dance critic for publications, is the author of the novels Modern Art, a New the New York Observer. York Times Notable Book of the Year, and The Oriental Wife. Jewish Lives Series Icons of America April 256 pp. 210x140mm. 94 b/w illus. May 160 pp. 210x140mm. 6 b/w illus. PB ISBN 978-0-300-19259-9 £15.99* PB ISBN 978-0-300-19250-6 £10.99* Rights sold: German

Carl Van Vechten Hank Greenberg and the Harlem The Hero Who Didn’t Want Renaissance to Be One Mark Kurlansky A Portrait in Black and White Best-selling author Mark Kurlansky delivers the life story Emily Bernard of Hank Greenberg, the first This groundbreaking book is Jewish player elected into the the first to focus on the Baseball Hall of Fame. In Hank flamboyant Carl Van Vechten, Greenberg, Kurlansky explores his notoriety as a white man the truth behind the slugger’s with a passion for black people legend: his Bronx boyhood, his and culture, and his still- spectacular discipline as an debated contributions to the Harlem Renaissance. aspiring baseball player, the complexity of his decision not to ‘Convincingly captures the era and the colorful personalities play on Yom Kippur and the cultural context of virulent who punctuated it.’ – Sam Roberts, New York Times anti-Semitism in which his career played out. ‘Always winning … Kurlansky adroitly weaves the reluctance ‘[Van Vechten] was undoubtedly one of the midwives of the with which Greenberg wore this symbolic tallit throughout Harlem Renaissance, which raised the vexing question of the his life.’ – New York Times Book Review effects of white patronage on that proud but short-lived cultural movement. Emily Bernard’s penetrating book Mark Kurlansky is most recently the author of The Eastern confronts this issue from every conceivable angle while Stars: How Baseball Changed the Dominican Town of San Pedro writing the largely forgotten Van Vechten back into the de Macorís. Kurlansky has written, edited or contributed to story.’ – Morris Dickstein, The Times Literary Supplement twenty books. His previous books Cod, Salt, 1968 and The Food of a Younger Land were all New York Times bestsellers. Emily Bernard is associate professor, English Department and ALANA US Ethnic Studies Program, University of Vermont. Jewish Lives Series June 376 pp. 234x156mm. 41 b/w illus. April 192 pp. 210x140mm. 1 b/w illus. PB ISBN 978-0-300-19252-0 £12.00* PB ISBN 978-0-300-19246-9 £9.99 Spring 2013 to pdf:1 18/10/12 14:19 Page 74

74 Paperbacks A Single Roll Realeconomik of the Dice The Hidden Cause of the Obama’s Diplomacy Great Recession (And How with Iran to Avert the Next One) Trita Parsi Grigory Yavlinsk Translated by In this book Trita Parsi Antonina W. Bouis uncovers the full details of the diplomatic encounters between Grigory Yavlinsky, an Washington and Tehran during internationally respected free- Obama’s early presidency, then market economist and former discusses whether diplomacy deputy prime minister of should be the foreign policy Russia, makes a powerful case approach of choice for the US. that without a commitment to established social principles in business and politics, a stable ‘Well-timed … Absorbing … A tale of missed opportunities, global economy will be impossible to achieve. obduracy and short-sightedness, all which are pushing the Middle East towards greater instability.’ – The Economist ‘Grigory Yavlinsky’s book is an important contribution to understanding the interplay between social norms and ‘A carefully balanced and thoroughly researched account of modern economy. The current global crisis makes his the tortured US-Iranian relationship in recent years. Parsi is analysis especially relevant.’ – George Soros the ideal person to write it.’ – Julian Borger’s Global Security Blog, The Guardian Grigory Yavlinsky is a Russian economist and founder and member of the Russian United Democratic Party Trita Parsi is president of the National Iranian American (YABLOKO). As deputy prime minister of Russia in 1990, he Council and a former Public Policy Scholar at the Woodrow wrote the first Russian economic programme for transition to Wilson International Center for Scholars. a free-market economy, 500 Days. March 304 pp. 234x156mm. March 192 pp. 234x156mm. PB ISBN 978-0-300-19236-0 £10.99* PB ISBN 978-0-300-19239-1 £12.99 Rights sold: Arabic, Turkish Rights sold: Korean

Petersburg Fin de Siècle Conversions The Message and the Book Mark Steinberg Two Family Stories from the Sacred Texts of the World’s Religions The final decade of the old order in Reformation and Modern America John Bowker imperial Russia was a time of both crisis Craig Harline Drawing on the sacred writings of the and possibility, an uncertain time that This powerful work by a gifted cultural major world religions and inspired an often desperate search for historian explores the effects of religious supplementing passages with his clear meaning. This book explores how conversion on family relationships, and illuminating commentary, John journalists and other writers in showing how the challenges of the Bowker offers a thoughtful introduction St. Petersburg described and interpreted reformation can offer insight to families to the ideas and beliefs upon which the troubled years between the Russian facing similarly divisive challenges today. great faiths are built. revolutions of 1905 and 1917. ‘An absorbing, creative book … It will ‘A masterly survey of the major Mark Steinberg examines the work of definitely become a go-to book for writings of the religions of the world, writers of all kinds, from anonymous readers interested in the history and presenting their canonical texts along journalists to well-known public psychology of conversion.’ –Lauren with texts regarded as secondary intellectuals, from secular liberals to Winner, author of Girl Meets God: revelation and other writings from religious conservatives, and reveals a A Memoir theologians, philosophers and poets.’ new, darker perspective on the history of – Gavin Flood, Oxford University St. Petersburg on the eve of revolution. Craig Harline is professor of history at Brigham Young University. He is the John Bowker is a former Fellow of Mark Steinberg is professor of history author of five previous books, including Corpus Christi College and Trinity at the University of Illinois, Urbana- Miracles at the Jesus Oak: Histories of the College, Cambridge and of Gresham Champaign, and editor of the journal Supernatural in Reformation Europe and College, London. He is the author and Slavic Review. He is the author of Sunday: A History of the First Day from editor of more than 30 books, including The Fall of the Romanovs and Voices of Babylonia to the Super Bowl. the New York Times bestseller God: Revolution, 1917, both published by A Brief History. Yale. New Directions in Narrative History April 320 pp. 234x156mm. March 416 pp. 234x165mm. March 416 pp. 234x156mm. 3 b/w illus. 37 colour illus. 7 b/w illus. PB ISBN 978-0-300-19233-9 £12.99* PB ISBN 978-0-300-19244-5 £14.99* PB ISBN 978-0-300-19198-1 £18.99 Translation rights: Translation rights: InkWell Management, New York John Ware Literary Agency, New York Spring 2013 to pdf:1 18/10/12 14:19 Page 75

Paperbacks 75 Marcel Proust George Gershwin A Life Larry Starr William C. Carter This fresh look at Gershwin’s work examines three shows in Reissued with a new preface to detail (Lady Be Good, Of Thee commemorate the first I Sing and Porgy and Bess) publication of À la recherché du and demonstrates how his temps perdu one hundred years Broadway experience ago, Marcel Proust portrays in influenced all of his music. abundant detail the life and extraordinary times of one of ‘This is a highly distinguished the greatest literary voices of and stimulating piece of the 20th century. scholarship, very well written and thoroughly ‘William Carter’s judicious recommendable to student, scholar and non-specialist alike.’ and comprehensive biography tells a story whose structure – Phillip Borg-Wheeler, Classical Music closely corresponds with its subject’s masterpiece.’ – Lucy Hughes-Hallet, The Sunday Times ‘Humane and insightful … The author’s intelligence and affection shine through.’ – Ivan Hewett, The Daily Telegraph ‘Magisterial.’ – Iain Finlayson, The Times ‘His analysis of these works are well pitched, comprehensible ‘An impeccably researched and well-paced narrative that to expert and enthusiast … Thorough with context and the brings vividly and credibly to life not only the writer himself insights come fast.’ – Kieron Quirke, Financial Times but also the changing world he knew.’ – Roger Pearson, New York Times Book Review ‘A sad story but a very illuminating one, and the book is an enthralling read.’ – Peter Dickinson, Gramophone William C. Carter, professor emeritus of French at the University of Alabama at Birmingham, is the author of Proust Larry Starr is a Professor of Music History, University of in Love and a new, fully annotated edition of Proust’s classic, Washington. Swann’s Way. Yale Broadway Masters Series April 992 pp. 234x156mm. 47 b/w illus. March 216 pp. 234x156mm. 19 illus./24 music examples PB ISBN 978-0-300-19179-0 £20.00* PB ISBN 978-0-300-19238-4 £18.99*

Renegade Julian of Norwich, Henry Miller and the Theologian Making of ‘Tropic of Cancer’ Denys Turner Frederick Turner Offering a fresh and elegant Banned as pornography in the account of Julian’s thought – its United States, Tropic of Cancer nuances, systematic character was notorious for explicit and originality, Denys Turner sexuality and graphic language. argues that this 14th-century Frederick Turner reveals the thinker’s sophisticated approach untold story of Miller’s novel to theological questions places and explores its unique her legitimately within the importance in American pantheon of other great literature. medieval theologians. ‘This short, erudite and highly coloured account of Miller’s ‘What [Turner] demonstrates time and again is a creative backstory explores both an extraordinary American scrupulousness that is able to distinguish between paradox life and Miller’s ‘renegade’ American inheritance.’ and incoherence, but he also has the rarer skill among – Robert McCrum, The Observer theologians to communicate subtle technicalities with exceptional clarity.’ – Brutus Green, Theology ‘An entertaining and skillful evocation of the time when Miller’s memoir of bottom-feeding American expats in Paris ‘[A] groundbreaking book about Julian the theologian … a was known as the dirtiest book in the world.’ – Lee Sandlin, bold and utterly compelling case that her works warrant a Wall Street Journal place in the higher echelons of rigorous, systematic theology.’ – Jonathan Wright, Catholic Herald Frederick Turner is the author or editor of a dozen books, including Into the Heart of Life: Henry Miller at One Hundred. Denys Turner is Horace Tracy Pitkin Professor of Historical Theology, Yale Divinity School and Department of Religious Icons of America Studies, Yale University. May 256 pp. 210x140mm July 288 pp. 210x140mm. PB ISBN 978-0-300-19251-3 £10.99* Translation rights: Robin Straus Agency, New York PB ISBN 978-0-300-19255-1 £13.99* Spring 2013 to pdf:1 18/10/12 14:19 Page 76

76 Paperbacks Dog Days, A German Generation Raven Nights An Experiential History John M. Marzluff of the Twentieth Century and Colleen Marzluff Thomas A. Kohut Illustrations by Evon Zerbetz Germans of the generation born Foreword by Bernd Heinrich just before the outbreak of World In this engaging memoir, a War I lived through a tumultuous husband-and-wife team of and dramatic century. This book biologists recall their days as tells the story of their lives and, in young field scientists in the so doing, offers a new history of Maine woods – studying the 20th-century Germany, as Common Raven, training sled experienced and made by dogs, and exploring the ties of marriage and friendship. ordinary human beings. On the basis of sixty-two oral-history ‘Full of the grittiness of experimental persistence – and the interviews, this book shows how this generation was shaped splendour of ravens and dogs – this is a warm tale of psychologically by a series of historically engendered losses. wonderful science.’ – Patricia Churchland, Nature ‘Lucid and revealing.’ – Wall Street Journal ‘This is also a book of great fascination and even of beauty ‘Provocative, poignant … reveals the staggering losses of … Dog Days, Raven Nights is a work of science but it is also German history, but also the abiding desire for community a book about research as adventure and as a strange, deeply and belonging, the allure of the Third Reich, and the enriching kind of human fulfilment.’ – Mark Cocker, misplacement of guilt and introspection after 1945. A The Times Literary Supplement remarkable portrait of a generation in the century of genocide.’ – Peter Fritzsche, author of Life and Death in the Third Reich John Marzluff is Professor of Wildlife Science, College of the Environment, University of Washington, and the author of Thomas A. Kohut is the Sue and Edgar Wachenheim III four books. Colleen Marzluff is an expert in the raising and Professor of History at Williams College and author of training of sled dogs and herding dogs. Wilhelm II and the Germans: A Study in Leadership. April 323 pp. 234x156mm. 56 b/w illus. April 352 pp. 234x156mm. 1 b/w illus. PB ISBN 978-0-300-19247-6 £10.99* PB ISBN 978-0-300-19245-2 £15.99

Fighting Cancer with Every Twelve Seconds The Realm of the Nebulae Knowledge and Hope Industrialized Slaughter Edwin Hubble A Guide for Patients, Families, and the Politics of Sight With New Forewords by Robert P. Kirshner and Sean M. Carroll and Health Care Providers Timothy Pachirat In less than a century, the accepted A political scientist goes undercover in a Second Edition picture of the universe transformed modern industrial slaughterhouse to Richard C. Frank, MD from a stagnant place, comprised provide an account of killing work from entirely of our own Milky Way galaxy, The second edition of this essential the perspective of those who carry it out. to a realm inhabited by billions of resource for patients and their families ‘Pachirat’s extraordinary narrative tells individual galaxies, hurtling away from discusses new treatment options that us about much more than abused one another. We must thank, in part, have become available, including animals and degraded workers. It Edwin Hubble, one of the greatest targeted therapies, immune therapies opens our eyes to the kind of society in observational astronomers of the 20th and personalised cancer medicine. which we live.’ – Peter Singer century. In 1936, Hubble described his Information on the types of medicines principal observations and conclusions used to fight cancer has been updated ‘A profoundly sobering exploration of in The Realm of the Nebulae, which and revised; also included is a new the interplay between the imperatives quickly became a classic work. Two section on alternative cancer therapies. of the modern meatpacking industry new introductory pieces, by Robert and the dehumanizing slaughter of Richard C. Frank is director of cancer Kirshner and Sean Carroll, explain cattle.’ – Ian Shapiro research at the Whittingham Cancer advances since Hubble’s time and his Center of Norwalk Hospital, medical ‘Superbly written.’ – Mark Bittman, work’s foundational importance. director of Mid-Fairfield Hospice and New York Times Robert P. Kirshner is Clowes Professor Clinical Assistant Attending at Weill of Science at Harvard University. He Cornell Medical College. He has Timothy Pachirat is assistant professor, has written The Extravagant Universe: recently been appointed cancer expert Department of Politics, The New Exploding Stars, Dark Energy and the for WebMD. School University, New York. Accelerating Universe. Kirshner is a leading Yale University Press Health & Wellness Yale Agrarian Studies Series observational astronomer, well known for July 320 pp. 234x156mm. April 320 pp. 234x156mm. his study of the accelerating universe. 23 b/w illus. 10 b/w illus. The Silliman Memorial Lectures Series PB ISBN 978-0-300-19248-3 £11.99 PB ISBN 978-0-300-19061-8 £14.99* April 256 pp. 234x156mm. Rights sold: English reprint (South Asia), Rights sold: Korean English reprint (Australia) PB ISBN 978-0-300-18712-0 £12.99 Spring 2013 to pdf:1 18/10/12 14:19 Page 77

Paperbacks 77 Auschwitz and After Why Niebuhr Second Edition Matters Charlotte Delbo Charles Lemert Translated by Rosette C. Lamont Reinhold Niebuhr (1892–1971) With a New Introduction by was a Protestant preacher, an Lawrence L. Langer influential religious thinker and Written by a member of the an important moral guide in French resistance who became an mid-20th-century America. But important literary figure in what does he have to say to us postwar France, this moving now? In what way does he memoir of life and death in inform the thinking of political Auschwitz and the post-war leaders and commentators from experiences of women survivors has become a key text for Barack Obama and Madeleine Albright to David Brooks and Holocaust studies classes. This second edition includes an Walter Russell Mead, all of whom acknowledge his influence? updated and expanded introduction by Holocaust scholar In this lively overview of Niebuhr’s career, Charles Lemert Lawrence L. Langer. analyses why interest in Niebuhr is rising and how he provides the answers we ache for in the face of shifts in the global order. ‘I find Rosette C. Lamont’s remarkable translation of Charlotte Delbo’s work perceptive, delicate, and poignant, in ‘From beginning to end this book is a wonderful read – short: exceptional.’ – Elie Wiesel brisk, intelligent, and relevant, filled with delicious asides, personal reflections, and unexpected turns.’ – Alan Wolfe, Charlotte Delbo (1913–1985) was the author of numerous Boston College plays and essays. Rosette C. Lamont (1927 –2012) was professor of French and comparative literature at Queens Charles Lemert is University Professor and Andrus Professor College and the Graduate School of the City University of of Social Theory Emeritus at Wesleyan University and Senior New York. Lawrence L. Langer is professor of English Fellow of the Center for Comparative Research at Yale University. emeritus at Simmons College in Boston. Why X Matters Series June 384 pp. 210x140mm. July 272 pp. 210x140mm. PB ISBN 978-0-300-19077-9 £15.99* PB ISBN 978-0-300-19254-4 £10.99 Translation rights: Les Editions de Minuit, Paris

Utopia The Music Libel The Serpent and the Lamb Second Edition Against the Jews Cranach, Luther, and the Making Thomas More • Translated and Ruth HaCohen of the Reformation introduced by Clarence H. Miller and Steven Ozment This deeply imaginative and wide- with an afterword by Jerry Harp ranging book shows how, since the first This spirited retelling of the lives and First published in 1516, Saint Thomas centuries of the Christian era, gentiles works of Lucas Cranach, the artist, and More’s Utopia is one of the most have associated Jews with noise. Ruth Martin Luther, the reformer, recognises important works of European HaCohen focuses her study on a for the first time how their combined humanism and serves as a key text in ‘musical libel’ – a variation on the successes gave birth to modern German survey courses on Western intellectual Passion story in which an innocent art and the Protestant Reformation. history, the Renaissance, political theory Christian boy is killed by a Jew in order ‘Martin Luther could not have found and many other subjects. Preeminent to silence his ‘harmonious musicality’. a truer friend, or a more brilliant More scholar Clarence H. Miller does In paying close attention to how and craftsman, to bring his image to the justice to the full range of More’s where this libel surfaces, HaCohen public gaze.’ – Andrew Pettegree, rhetoric in this masterful translation. covers a wide swathe of western cultural University of St Andrews In a new afterword to this edition, history, showing how entrenched Jerry Harp contextualises More’s life aesthetic-theological assumptions have ‘Packed with stunning images and and Utopia within the wider frames of persistently defined European culture brilliant analysis, a sheer delight for European humanism and the and its internal moral and political serious readers of Reformation era Renaissance. orientations. history and art.’ – Brian Odom, Washington Independent Review of Books Clarence H. Miller, Emeritus Professor ‘Brilliant and original in its use of of English Literature at St. Louis diverse avenues of historical inquiry.’ – Steven Ozment is McLean Professor of University, served as executive editor of Leon Botstein, president of Bard College Ancient and Modern History, Harvard the fifteen-volume Yale Edition of The University. Complete Works of St. Thomas More. Ruth HaCohen is Arthur Rubinstein Jerry Harp, a poet and a Renaissance Chair of Musicology at Hebrew June 344 pp. 234x156mm. scholar, is assistant professor of English University of Jerusalem. 11 colour + 77 b/w illus. at Lewis and Clark College. PB ISBN 978-0-300-19253-7 £12.99* July 532 pp. 234x156mm. Translation rights: April 224 pp. 210x140mm. 9 colour + 80 b/w illus. Writers’ Representatives Agency, New York PB ISBN 978-0-300-18610-9 £6.99 PB ISBN 978-0-300-19477-7 £25.00* Spring 2013 to pdf:1 18/10/12 14:19 Page 78

78 Paperbacks The Peacekeeping Economy Promiscuous Using Economic Relationships to Build a More Peaceful, ‘Portnoy’s Complaint’ and Our Doomed Pursuit Prosperous, and Secure World of Happiness Lloyd J. Dumas Bernard Avishai An original and practical argument for maintaining security In this exuberant assessment of Philip Roth’s notorious novel through economic relationships rather than by military means. and its legacy, the author discusses why Portnoy’s Complaint sparked such outrage, how it affected Roth’s subsequent work, Lloyd J. Dumas is Professor of Political Economy, Economics and why the book stands as a masterpiece of 20th-century and Public Policy at the University of Texas, Dallas. fiction. March 432 pp. 234x156mm. ‘An engaging and erudite re-examination of Portnoy’s PB ISBN 978-0-300-19235-3 £20.00 Complaint … This fine and flawed novel does, indeed, merit Translation rights: Sterling Lord Literistic, New York another look even though and maybe because, as Avishai reminds us, what seemed daring to a twenty-something in 1969 may well seem touching when he is 60.’ Managing the Mountains – Glenn C. Altschuler, Jerusalem Post Land Use Planning, the New Deal, Bernard Avishai is adjunct professor of business at Hebrew and the Creation of a Federal Landscape in Appalachia University and author of three books and dozens of articles for The New Yorker, The New York Review of Books, Harvard Sara M. Gregg Business Review, and other publications. This account of land use reform during the New Deal explores April 240 pp. 210x140mm. its precedents in the conservation and agricultural policies of PB ISBN 978-0-300-19241-4 £10.99* the early 20th century. Sara M. Gregg is currently a Postdoctoral Fellow at the Woodrow Wilson Presidential Library. Diary Yale Agrarian Studies Series Richard Selzer July 304 pp. 234x156mm. 30 b/w illus. Selections from the moving, beautifully crafted diary of a PB ISBN 978-0-300-19256-8 £16.99 celebrated storyteller and surgeon. ‘No matter where [Richard Selzer] takes us, we follow, Democracy, Expertise, because he has the storyteller’s gift.’ – New Yorker and Academic Freedom Richard Selzer, a former surgeon and Yale School of Medicine professor, is the author of several collections of stories and A First Amendment Jurisprudence for the Modern State essays, including Mortal Lessons, Letters to a Young Doctor and Robert C. Post the account of his own recovery from Legionnaires’ disease, Raising the Dead. A leading legal scholar develops a theory of First Amendment rights and academic freedom that reconciles the need for April 256 pp. 234x156mm. democratic legitimation with the need to develop and PB ISBN 978-0-300-19197-4 £12.99 distribute professional expertise. Translation rights: Georges Borchardt Agency, New York Robert C. Post is Sol & Lillian Goldman Professor of Law and Dean of the Yale Law School. Just Words May 192 pp. 210x140mm. Lillian Hellman, Mary McCarthy, and the Failure of PB ISBN 978-0-300-19249-0 £13.99 Public Conversation in America Alan Ackerman The Geonim of Babylonia and the Focusing on Lillian Hellman’s infamous 1980 libel suit against Shaping of Medieval Jewish Culture Mary McCarthy for her scornful comments on The Dick Cavett Show, this book explores the roles of truth and lying in Robert Brody American public life and considers why civil discourse seems The only survey in English of the crucial Geonic period in beyond our reach. Babylonia, this book – now reissued with a new preface and ‘Ackerman does an admirable job of tying this case to the bibliography – focuses on the cultural and historical milieu of great issues of the mid-20th century.’ – Franklin Foer, the Geonim as well as their intellectual and literary creativity. New Republic Robert Brody is professor of Talmud at Hebrew University, Alan Ackerman is associate professor of English, University of Jerusalem, and a leading authority on Talmudic and Geonic Toronto. literature. April 361 pp. 210x140mm. May 408 pp. 234x156mm. PB ISBN 978-0-300-19196-7 £12.99 PB ISBN 978-0-300-18932-2 £26.00 Rights sold: Russian No Hebrew rights Spring 2013 to pdf:1 18/10/12 14:19 Page 79

Index 79 71 Abed: Introduction to Spoken Arabic (An) 60 Cohn: Classic Modern 67 Gateway Arch (The): Campbell 56 Abelardo Morell: Siegel 36 Colleary: My Dear Mr. Hopper 30 Gauci: William Beckford 69 Abrams: Friend of the Court 40 Common Ground: James 78 Geonim of Babylonia (The): Brody 68 According to Our Hearts: Onwuachi-Willig 31 Confluences: Hasinoff 75 George Gershwin: Starr 78 Ackerman: Just Words 68 Connecticut’s Indigenous Peoples: Lavin 76 German Generation (A): Kohut 41 Aesthetics: Brunetti 26 Contesting Democracy: Müller 24 Ginkgo: Crane 47 Ainsworth: Early German Paintings 74 Conversions: Harline 62 Girl with Golden Parasol (The): Prakash 49 Albers: Interaction of Color 32 Cooter: Writing History 70 Golsan: Yale French Studies, Volume 121 49 Alice Aycock: Fineberg 61 Corpse Washer (The): Antoon 73 Gottlieb: Sarah 69 American Illness (The): Buckley 24 Crane: Ginkgo 59 Great and Mighty Things: Percy 66 American Zion: Shalev 38 D’Alessandro: Picasso and Chicago 78 Gregg: Managing the Mountains 28 Ancient Greece: Martin 72 Dancing with the River: Lahiri-Dutt 21 Griffin: Liberty’s Dawn 32 Andrew: Aristocratic Vice 41 Danto: What Art Is 26 Gustav Mahler: Fischer 57 Angels, Demons, and Savages: Ottmann 56 Davis: Heartland 25 Haas: Forbidden Music 5 Anglo-Saxon World (The): Higham 56 Davis: Photographs of Ray Metzker (The) 77 HaCohen: Music Libel Against Jews (The) 61 Antoon: Corpse Washer (The) 55 de Grunne: Jenne-Jeno 43 Ham House: Rowell 45 Antram: Sussex: East 46 De Puma: Etruscan Art 11 Hamilton: Earthmasters 26 Arch Conjuror of England (The): Parry 77 Delbo: Auschwitz and After 73 Hank Greenberg: Kurlansky 32 Aristocratic Vice: Andrew 22 Democracy in Retreat: Kurlantzick 74 Harline: Conversions 14 Artist/Rebel/Dandy: Irvin 78 Democracy, Expertise, Freedom: Post 16 Hart: Calvinism 58 Arts of India (The): Bromberg 20 Devil Within (The): Levack 31 Hasinoff: Confluences 64 Atlas of Ethno-Political History: Tsutsiev 78 Diary: Selzer 56 Heartland: Davis 71 Attica: Intermediate Classical Greek: Claxton 48 Distinguished Images: Bann 32 Herzog: Household Politics 77 Auschwitz and After: Delbo 63 Divine Love: Chittick 55 Hieronymus Cock: Van Grieksen 78 Avishai: Promiscuous 76 Dog Days, Raven Nights: Marzluff 5 Higham: Anglo-Saxon World (The) 42 Baarsen: Paris 1650–1900 70 Doran: Yale French Studies, Volume 123 36 Hopper Drawing: Foster 48 Bann: Distinguished Images 57 Druick: Master Paintings in the AIC 38 Hotel Texas: Meslay 72 Barilla: My Backyard Jungle 78 Dumas: Peacekeeping Economy (The) 32 Household Politics: Herzog 27 Battle for the Arab Spring (The): Noueihed 27 Eagleton: Event of Literature (The) 1 How to Read Literature: Eagleton 3 Beardson: Stumbling Giant 1 Eagleton: How to Read Literature 76 Hubble: Realm of the Nebulae (The) 71 Being a Language Teacher: Lopez-Burton 47 Early German Paintings: Ainsworth 30 Huguenots (The): Treasure 73 Bernard: Carl Van Vechten 11 Earthmasters: Hamilton 53 Imperial Gothic: Bremner 12 Bolton: Punk 28 Edward III: Ormrod 60 Impressionist Line (The): Clarke 72 Bonsai: Nakamura 33 Edwardian Opulence: Trumble 58 In Harmony: McWilliams 74 Bowker: Message and the Book (The) 28 Edwards: Mary I 53 In the Olden Time: Sanders 72 Bracken: Risk, Chance, and Causation 22 Electronic Silk Road (The): Chander 68 Incidental Steward (The): Busch 27 Branch: Kenya 60 Elliott: Forrest Bess 62 Ingenious Gentleman (The): Rojas 53 Bremner: Imperial Gothic 31 Enlightenment’s Frontier: Jonsson 10 Ingram: Fatal Flaws 78 Brody: Geonim of Babylonia (The) 63 Essays: Thoreau 49 Interaction of Color: Albers 58 Bromberg: Arts of India (The) 46 Etruscan Art: De Puma 71 Introduction to Spoken Arabic (An): Abed 41 Brunetti: Aesthetics 15 Evans: Mechanical Smile (The) 4 Investment in Blood: Ledwidge 54 Brusius: William Henry Fox Talbot 27 Event of Literature (The): Eagleton 53 Ireland and the Picturesque: O’Kane 69 Buckley: American Illness (The) 76 Every Twelve Seconds: Pachirat 50 Irony: Petit 50 Building Seagram: Lambert 39 Experiments in Modern Realism: Potts 14 Irvin: Artist/Rebel/Dandy 51 Building: Gang 58 Eyes of the Ancestors: Schefold 8 Isaac and Isaiah: Caute 50 Burgard: Richard Diebenkorn 10 Fatal Flaws: Ingram 26 It Was a Long Time Ago: Satter 68 Busch: Incidental Steward (The) 48 Fictions of Art History: Ledbury 73 Jackson Pollock: Toynton 58 Byzantine Things in the World: Peers 76 Fighting Cancer: Frank 51 James Stirling: Lawrence 48 Cabañas: Myth of Nouveau Réalisme (The) 49 Fineberg: Alice Aycock 40 James: Common Ground 16 Calvinism: Hart 26 Fischer: Gustav Mahler 55 Jansen: Van Gogh’s Studio Practice 67 Campbell: Gateway Arch (The) 60 Flores: Mexico’s Avant-Gardes 29 Jeal: Livingstone 70 Capretz: French in Action 62 Fontaine: La Vida Doble 55 Jenne-Jeno: de Grunne 69 Captured by Evil: Underkuffler 25 Forbidden Music: Haas 31 Jonsson: Enlightenment’s Frontier 39 Carl Andre: Raymond 60 Forrest Bess: Elliott 60 Journeys to New Worlds: Stratton-Pruitt 73 Carl Van Vechten: Bernard 36 Foster: Hopper Drawing 7 Judah: Fragile Empire 49 Carlano: One Work 7 Fragile Empire: Judah 75 Julian of Norwich: Turner 66 Carlyle: On Heroes 76 Frank: Fighting Cancer 78 Just Words: Ackerman 75 Carter: Marcel Proust 25 Franz Kafka: Friedländer 27 Kenya: Branch 8 Caute: Isaac and Isaiah 34 Frederic Church: Wilton 2 King: When the Money Runs Out 22 Chander: Electronic Silk Road (The) 68 Freedom to Harm: McGarity 42 Kisluk-Grosheide: Salvaging the Past 63 Chittick: Divine Love 70 French in Action: Capretz 76 Kohut: German Generation (A) 8 Christians, Muslims and Jesus: Siddiqui 25 Friedländer: Franz Kafka 73 Kurlansky: Hank Greenberg 60 Clarke: Impressionist Line (The) 69 Friend of the Court: Abrams 22 Kurlantzick: Democracy in Retreat 60 Classic Modern: Cohn 17 Gandhi: Sharma 62 La Vida Doble: Fontaine 71 Claxton: Attica: Intermediate Classical Greek 51 Gang: Building 72 Lahiri-Dutt: Dancing with the River 18 Cochrane: Northern Ireland 37 Garry Winogrand: Rubinfien 50 Lambert: Building Seagram Spring 2013 to pdf:1 18/10/12 14:19 Page 80

80 Index 57 Landau: Mexico and American Modernism 26 Parry: Arch Conjuror of England (The) 8 Siddiqui: Christians, Muslims and Jesus 68 Lavin: Connecticut’s Indigenous Peoples 74 Parsi: Single Roll of the Dice (A) 56 Siegel: Abelardo Morell 51 Lawrence: James Stirling 23 Passage to Europe (The): van Middelaar 54 Simpson: Winslow Homer & the Clark 71 Learning Chinese: Wheatley 40 Paula Modersohn-Becker: Radycki 74 Single Roll of the Dice (A): Parsi 71 Learning Irish: Ó Siadhail 78 Peacekeeping Economy (The): Dumas 69 Smith: Time No Longer 48 Ledbury: Fictions of Art History 58 Peers: Byzantine Things in the World 68 Snail Darter and the Dam (The): Plater 4 Ledwidge: Investment in Blood 59 Percy: ‘Great and Mighty Things’ 29 Solomon’s Secret Arts: Monod 77 Lemert: Why Niebuhr Matters 74 Petersburg, Fin de Siècle: Steinberg 45 South Ulster: Mulligan 65 Lemkin: Totally Unofficial 54 Peterson Heyrman: New Eyes on America 75 Starr: George Gershwin 20 Levack: Devil Within (The) 50 Petit: Irony 13 Steele: Shoe Obsession 21 Liberty’s Dawn: Griffin 44 Pevsner: Pevsner’s Architectural Glossary 74 Steinberg: Petersburg, Fin de Siècle 29 Livingstone: Jeal 44 Pevsner’s Architectural Glossary: Pevsner 9 Stratmann: Marquess of Queensberry (The) 71 Lopez-Burton: Being a Language Teacher 30 Phillips: On Historical Distance 60 Stratton-Pruitt: Journeys to New Worlds 66 Luckritz Marquis: Transient Apostle 56 Photographs of Ray Metzker (The): Davis 3 Stumbling Giant: Beardson 78 Managing the Mountains: Gregg 47 Photography and Civil War: Rosenheim 45 Sussex: East: Antram 58 Manchester: Recasting the Past 38 Picasso and Chicago: D’Alessandro 59 They Seek a City: Oehler 31 Mandler: Return from the Natives 68 Plater: Snail Darter and the Dam (The) 17 Thomas Aquinas: Turner 75 Marcel Proust: Carter 52 Pliny and the Italian Renaissance: McHam 63 Thoreau: Essays 69 Margulies: What Changed 64 Population, Fear, and Uncertainty: Winter 19 Thurley: Men from the Ministry 72 Mariposa Road: Pyle 78 Post: Democracy, Expertise, Freedom 28 Tibet: van Schaik 9 Marquess of Queensberry (The): Stratmann 39 Potts: Experiments in Modern Realism 69 Time No Longer: Smith 28 Martin: Ancient Greece 62 Prakash: Girl with Golden Parasol (The) 65 Totally Unofficial: Lemkin 28 Mary I: Edwards 54 Princes and Paupers: Woodall 73 Toynton: Jackson Pollock 76 Marzluff: Dog Days, Raven Nights 59 Progress of Love (The): Van Dyke 66 Transient Apostle: Luckritz Marquis 57 Master Paintings in the AIC: Druick 78 Promiscuous: Avishai 30 Treasure: Huguenots (The) 46 Masterpieces of American Silver: Wees 12 Punk: Bolton 33 Trumble: Edwardian Opulence 46 Mattusch: Rediscovering the Ancient World 72 Pyle: Mariposa Road 64 Tsutsiev: Atlas of Ethno-Political History 68 McGarity: Freedom to Harm 32 Queens and Mistresses of France: Wellman 75 Turn er: Julian of Norwich 52 McHam: Pliny and the Italian Renaissance 40 Radycki: Paula Modersohn-Becker 75 Turn er: Renegade 58 McWilliams: In Harmony 65 Rav Kook: Mirsky 17 Turn er: Thomas Aquinas 15 Mechanical Smile (The): Evans 53 Ray: Under the Banyan Tree 53 Under the Banyan Tree: Ray 19 Men from the Ministry: Thurley 39 Raymond: Carl Andre 69 Underkuffler: Captured by Evil 38 Meslay: Hotel Texas 74 Realeconomik: Yavlinsky 77 Utopia: More 74 Message and the Book (The): Bowker 76 Realm of the Nebulae (The): Hubble 59 Van Dyke: Progress of Love (The) 57 Mexico and American Modernism: Landau 58 Recasting the Past: Manchester 55 Van Gogh at Work: Vellekoop 60 Mexico’s Avant-Gardes: Flores 46 Rediscovering the Ancient World: Mattusch 55 Van Gogh’s Studio Practice: Jansen 65 Mirsky: Rav Kook 75 Renegade: Turner 55 Van Grieksen: Hieronymus Cock 29 Monod: Solomon’s Secret Arts 6 Restless Valley: Shishkin 23 van Middelaar: Passage to Europe (The) 77 More: Utopia 64 Resurgence of the West (The): Rosecrance 28 van Schaik: Tibet 26 Müller: Contesting Democracy 31 Return from the Natives 55 Vellekoop: Van Gogh at Work 45 Mulligan: South Ulster 50 Richard Diebenkorn: Burgard 34 Vermeer and Music: Wieseman 23 Murphy: Mutiny and Its Bounty 67 Rico: Nature’s Noblemen 63 Watchman in Pieces (The): Rosen 77 Music Libel Against Jews (The): HaCohen 72 Risk, Chance, and Causation: Bracken 59 Weekley: Painters in the American South 23 Mutiny and Its Bounty: Murphy 67 Rohrbough: Rush to Gold (The) 46 Wees: Masterpieces of American Silver 72 My Backyard Jungle: Barilla 62 Rojas: Ingenious Gentleman (The) 32 Wellman: Queens and Mistresses of France 36 My Dear Mr. Hopper: Colleary 52 Roman Fever: Wrigley 63 Westerly: Schutt 48 Myth of Nouveau Réalisme (The): Cabañas 64 Rosecrance: Resurgence of the West (The) 41 What Art Is: Danto 72 Nakamura: Bonsai 63 Rosen: Watchman in Pieces (The) 69 What Changed: Margulies 67 Nature’s Noblemen: Rico 47 Rosenheim: Photography and Civil War 66 What Really Happened in Eden?: Zevit 54 New Eyes on America: Peterson Heyrman 43 Rowell: Ham House 71 Wheatley: Learning Chinese 18 Northern Ireland: Cochrane 37 Rubinfien: Garry Winogrand 2 When the Money Runs Out: King 27 Noueihed: Battle for the Arab Spring (The) 67 Rush to Gold (The): Rohrbough 77 Why Niebuhr Matters: Lemert 61 Ó Ríordáin: Selected Poems 35 Saints Alive: Wiggins 34 Wieseman: Vermeer and Music 71 Ó Siadhail: Learning Irish 42 Salvaging the Past: Kisluk-Grosheide 35 Wiggins: Saints Alive 53 O’Kane: Ireland and the Picturesque 53 Sanders: In the Olden Time 30 William Beckford: Gauci 59 Oehler: They Seek a City 73 Sarah: Gottlieb 54 William Henry Fox Talbot: Brusius 66 On Heroes: Carlyle 26 Satter: It Was a Long Time Ago 34 Wilton: Frederic Church 30 On Historical Distance: Phillips 58 Schefold: Eyes of the Ancestors 54 Winslow Homer & the Clark: Simpson 49 One Work: Carlano 63 Schutt: Westerly 64 Winter: Population, Fear, and Uncertainty 68 Onwuachi-Willig: According to Our Hearts 61 Selected Poems: Ó Ríordáin 54 Woodall: Princes and Paupers 28 Ormrod: Edward III 78 Selzer: Diary 52 Wrigley: Roman Fever 57 Ottmann: Angels, Demons, and Savages 77 Serpent and the Lamb (The): Ozment 32 Writing History: Cooter 77 Ozment: Serpent and the Lamb (The) 66 Shalev: American Zion 70 Yale French Studies, Volume 121: Golsan 76 Pachirat: Every Twelve Seconds 17 Sharma: Gandhi 70 Yale French Studies, Volume 123: Doran 59 Painters in the American South: Weekley 6 Shishkin: Restless Valley 74 Yavlinsky: Realeconomik 42 Paris 1650–1900: Baarsen 13 Shoe Obsession: Steele 66 Zevit: What Really Happened in Eden? 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