Galileo the Scientist
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What's Your Learning Style?
What’s Your Learning Style? Different people have different learning styles. Style refers to a student’s specific learning preferences and actions. One student may learn more effectively from listening to the instructor. Another learns more effectively from reading the textbook, while another student benefits most from charts, graphs, and images the instructor presents during a lecture. Learning style is important in college. Each different style, described later in more detail, has certain advantages and disadvantages compared with other styles. None is “right” or “wrong.” You can learn to use your own style more effectively. College instructors also have different teaching styles, which may or may not match up well with your learning style. Although you may personally learn best from a certain style of teaching, you cannot expect that your instructors will use exactly the style that is best for you. Therefore it is important to know how to adapt to teaching styles used in college. Different systems have been used to describe the different ways in which people learn. Some describe the differences between how extroverts (outgoing, gregarious, social people) and introverts (quiet, private, contemplative people) learn. Some divide people into “thinkers” and “feelers.” A popular theory of different learning styles is Howard Gardner’s “multiple intelligences,” based on eight different types of intelligence: 1. Verbal (prefers words) 2. Logical (prefers math and logical problem solving) 3. Visual (prefers images and spatial relationships) 4. Kinesthetic (prefers body movements and doing) 5. Rhythmic (prefers music, rhymes) 6. Interpersonal (prefers group work) 7. Intrapersonal (prefers introspection and independence) 8. Naturalist (prefers nature, natural categories) The multiple intelligences approach recognizes that different people have different ways, or combinations of ways, of relating to the world. -
Galileo's Assayer
University of Nevada, Reno Galileo's Assayer: Sense and Reason in the Epistemic Balance A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History. by James A Smith Dr. Bruce Moran/Thesis Advisor May 2018 c by James A Smith 2018 All Rights Reserved THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by JAMES A. SMITH entitled Galileo's Assayer: Sense and Reason in the Epistemic Balance be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS Bruce Moran, Ph.D., Advisor Edward Schoolman, Ph.D., Committee Member Carlos Mariscal, Ph.D., Committee Member Stanislav Jabuka, Ph.D., Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School May, 2018 i Abstract Galileo's The Assayer, published in 1623, represents a turning point in Galileo's philo- sophical work. A highly polemical \scientific manifesto," The Assayer was written after his astronomical discoveries of the moons of Jupiter and sunspots on a rotating sun, but before his mature Copernican work on the chief world systems (Ptolemaic versus Copernican). The Assayer included major claims regarding the place of math- ematics in natural philosophy and how the objects of the world and their properties can be known. It's in The Assayer that Galileo wades into the discussion about the ultimate constituents of matter and light, namely, unobservable particles and atoms. Galileo stressed the equal roles that the senses and reason served in the discovery of knowledge, in contradistinction to Aristotelian authoritarian dogma that he found to hinder the processes of discovery and knowledge acquisition. -
On the Infinite in Leibniz's Philosophy
On the Infinite in Leibniz's Philosophy Elad Lison Interdisciplinary Studies Unit Science, Technology and Society Ph.D. Thesis Submitted to the Senate of Bar-Ilan University Ramat-Gan, Israel August 2010 This work was carried out under the supervision of Dr. Ohad Nachtomy (Department of Philosophy), Bar-Ilan University. Contents א.……………………………….…………………………………………Hebrew Abstract Prologue…………………………………………………………...………………………1 Part A: Historic Survey Methodological Introduction…………………………………………………………..15 1. Aristotle: Potential Infinite………………………………………………………….16 2. Thomas Aquinas: God and the Infinite………………………………………..…….27 3. William of Ockham: Syncategorematic and Actual Infinite……………………..….32 4. Rabbi Abraham Cohen Herrera: Between Absolute Unity and Unbounded Multitude………………………………………………………………………..….42 5. Galileo Galilei: Continuum Constructed from Infinite Zero's………………………49 6. René Descartes: Infinite as Indefinite…………………………………………….…58 7. Pierre Gassendi: Rejection of the Infinite…………………………………………...69 8. Baruch Spinoza: Infinite Unity…………………………………………………...…73 9. General Background: Leibniz and the History of the Infinite……………………....81 Summary…………………………………………………………………………….…94 Part B: Mathematics Introduction…………………………………………………………………………….99 1. 'De Arte Combinatoria' as a Formal Basis for Thought: Retrospective on Leibniz's 1666 Dissertation………………………………………………………………....102 2. Leibniz and the Infinitesimal Calculus……………………………………….……111 2.1. Mathematical Background: Mathematical Works in 16th-17th Centuries…..111 2.2. Leibniz's Mathematical Development…………………………………….…127 -
A New Vision of the Senses in the Work of Galileo Galilei
Perception, 2008, volume 37, pages 1312 ^ 1340 doi:10.1068/p6011 Galileo's eye: A new vision of the senses in the work of Galileo Galilei Marco Piccolino Dipartimento di Biologia, Universita© di Ferrara, I 44100 Ferrara, Italy; e-mail: [email protected] Nicholas J Wade University of Dundee, Dundee DD1 4HN, Scotland, UK Received 4 December 2007 Abstract. Reflections on the senses, and particularly on vision, permeate the writings of Galileo Galilei, one of the main protagonists of the scientific revolution. This aspect of his work has received scant attention by historians, in spite of its importance for his achievements in astron- omy, and also for the significance in the innovative scientific methodology he fostered. Galileo's vision pursued a different path from the main stream of the then contemporary studies in the field; these were concerned with the dioptrics and anatomy of the eye, as elaborated mainly by Johannes Kepler and Christoph Scheiner. Galileo was more concerned with the phenomenology rather than with the mechanisms of the visual process. His general interest in the senses was psychological and philosophical; it reflected the fallacies and limits of the senses and the ways in which scientific knowledge of the world could be gathered from potentially deceptive appearances. Galileo's innovative conception of the relation between the senses and external reality contrasted with the classical tradition dominated by Aristotle; it paved the way for the modern understanding of sensory processing, culminating two centuries later in Johannes Mu« ller's elaboration of the doctrine of specific nerve energies and in Helmholtz's general theory of perception. -
Galileo Galilei by Beatrix Mccrea Galileo Galilei Was an Italian Physicist, Engineer, and Astronomer Bestknown for Disc
3/24/2019 Galileo Galilei - Google Docs Galileo Galilei By Beatrix McCrea Galileo Galilei was an Italian physicist, engineer, and astronomer bestknown for discovering the four largest moons on Jupiter and his theory of gravity. His theory of gravity stated that if a bowling ball and a feather dropped at the same time in space they would land at the same time. He also invented the thermometer and an astronomical telescope. Galileo Galilei was born to Vincenzo Galilei and Giulia Ammanniti in Piza, Italy on February 15, 1564. He was the first of six children. There were two things that happened which led Galileo to find that he loved math and science. On The Famous People the text states “the first incident happened in 1581 when he first noticed that a chandelier despite swinging in small and large arcs took almost the same time to return to the first position.” The other incident was when he accidentally attended a geometry lecture. Both these incidents made Galileo find his love for science. Galileo discovered the four largest moons on Jupiter. On Biography.com it says Galileo Galilei was best known for discovering Jupiter and it’s four biggest moons. The names were Io, Europa, Ganymede, and Callisto. They were discovered by Galileo in January of 1610. Galileo used a better version of the telescope that made him made to see the four moons. Galileo Galilei had a very popular theory of gravity, that if there was no air resistance (like in space) you would drop a bowling ball and a feather and they would land at the exact same time. -
Retrocausality
RETROCAUSALITY By Ian J. Courter Revision #4 © 2015 ALL RIGHTS RESERVED. NO PORTION OF THIS SCRIPT MAY BE PERFORMED, PUBLISHED, REPRODUCED, SOLD, OR DISTRIBUTED BY ANY MEANS OR QUOTED OR PUBLISHED IN ANY MEDIUM, INCLUDING ANY WEBSITE,WITHOUT PRIOR WRITTEN CONSENT. [email protected] FADE IN: EXT. MESOPOTAMIA - BABYLON (2250 B.C.) - NIGHT SUPER: Babylon - 2250 B.C. Soft moonlight shines on narrow, dusty, and deserted streets winding among mud-brick buildings. Scattered torches flicker in time with the WHISPER of a gentle wind as insects BUZZ. At tree-top level, there is a SPARK as a flat-black, rugby ball-sized PROBE appears in mid-air, indistinct and nearly invisible. After a moment, it glides away silently. EXT. ISHTAR GATE - CONTINUOUS The probe hovers, bobbing ever so slightly in the breeze. PROBE POV - THE GATE In night vision green. Lines of laser light rapidly criss- cross the gate from one end to the other. BACK TO SCENE No visible lights as the probe glides over the gate and stops on the other side. INT. RESEARCH FACILITY - WAREHOUSE (PRESENT) - DAY SUPER: Present Huge interior space with old, dusty equipment in the corners. Bright lights shine on a large, metal ring lying in the center. A thick cable extends from it to a shipping container- sized metal box with a large digital control panel. On a raised platform with a railing, stereotypical SCIENTISTS in lab coats cluster around large window pane-thin monitors. SIMON JACOBS (30), thin and geeky, works at a console. MARTIN GALANG (50), gray-haired and tall in a designer suit, strides up to the console. -
New Perspectives on Galileo the University of Western Ontario Series in Philosophy of Science
NEW PERSPECTIVES ON GALILEO THE UNIVERSITY OF WESTERN ONTARIO SERIES IN PHILOSOPHY OF SCIENCE A SERIES OF BOOKS ON PHILOSOPHY OF SCIENCE, METHODOLOGY, AND EPISTEMOLOGY PUBLISHED IN CONNECTION WITH THE UNIVERSITY OF WESTERN ONTARIO PHILOSOPHY OF SCIENCE PROGRAMME Managing Editor J. 1. LEACH Editorial Board J. BUB, R. E. BUTTS, W. HARPER, J. HINTIKKA, D. J. HOCKNEY, C. A. HOOKER, 1. NICHOLAS, G. PEARCE VOLUME 14 NEW PERSPECTIVES ON GALILEO Papers Deriving from and Related to a Workshop on Gali/eo held at Virginia Polytechnic Institute and State University, 1975 Edited by ROBERT E. BUTTS Department of Philosophy, the University of Western Ontario, London, Canada and JOSEPH C. PITT Department of Philosophy and Religion, Virginia Polytechnic Institute and State University, Blacksburg, Virginia, U.S.A. D. REIDEL PUBLISHING COMPANY DORDRECHT : HOLLAND / BOSTON: U.S.A. Library of Congress Cataloging in Publication Data Main entry under title: New perspectives on Galileo. (The University of Western Ontario series in philosophy of science ; v. 14) Bibliography: p. Includes index. 1. S cience-Methodology -Congresses. 2. Science-Philosophy-Congresses. 3. Galilei, Galileo,1564-1642. I. Butts, Robert E. II. Pitt, JosephC. Q174.N48 509 /.2'4 77-17851 ISBN-I3: 978-90-277-0891-5 e-ISBN: 978-94-009-9799-8 DOl: 10.1007/978-94-009-9799-8 Published by D. Reidel Publishing Company, P.O. Box 17, Dordrecht, Holland Sold and distributed in the U.S.A., Canada, and Mexico by D. Reidel Publishing Company,lnc. Lincoln Building, 160 Old Derby Street, Hingham, Mass. 02043, U.S.A. All Rights Reserved Copyright © 1978 by D. -
SFX’S Horror Columnist Peers Into If You’Re New to the Netflix Catherine Zeta-Jones Movie
DOCTOR WHO JODIE WHITTAKER EXCLUSIVE SCI-FI 306 DAREDEVIL SEASON 3 On set with Over 30 pages the Man of pure terror! Without Fear featuring EXCLUSIVE! HALLOWEEN Jamie Lee Curtis and SUSPIRIA CHILLING John Carpenter on the ADVENTURES OF SABRINA return of Michael Myers THE HAUNTING OF HILL HOUSE OVERLORD BRUCE CAMPBELL SLAUGHTERHOUSE RULEZ AND LOADS MORE SCARES! ISSUE 306 NOVEMBER Contents2018 34 56 61 68 HALLOWEEN CHILLING DRACUL DOCTOR WHO Jamie Lee Curtis and John ADVENTURES Bram Stoker’s great-grandson We speak to the new Time Lord Carpenter tell us about new OF SABRINA unearths the iconic vamp for Jodie Whittaker about series 11 Michael Myers sightings in Remember Melissa Joan Hart another toothsome tale. and her Heroes & Inspirations. Haddonfield. That place really playing the teenage witch on CITV needs a Neighbourhood Watch. in the ’90s? Well this version is And a can of pepper spray. nothing like that. 62 74 OVERLORD TADE THOMPSON A WW2 zombie horror from the The award-winning Rosewater 48 56 JJ Abrams stable and it’s not a author tells us all about his THE HAUNTING OF Cloverfield movie? brilliant Nigeria-set novel. HILL HOUSE Shirley Jackson’s horror classic gets a new Netflix treatment. 66 76 Who knows, it might just be better PENNY DREADFUL DAREDEVIL than the 1999 Liam Neeson/ SFX’s horror columnist peers into If you’re new to the Netflix Catherine Zeta-Jones movie. her crystal ball to pick out the superhero shows, this third season Fingers crossed! hottest upcoming scares. is probably a bad place to start. -
To Download Conference Program
ACMI & THE AUSTRALIAN RESEARCH COUNCIL PRESENT 6–8 December 9am–7pm Join 50 leading experts as they unmask the critical thinking behind superheroes from comics to film, TV and videogames #acmisuperheroes While at the Superheroes Beyond Welcome to the conference come and experiencE... Conference! Superheroes are transmedia, transcultural, and transhistorical icons, and yet discussions of these a VR experience at Screen Worlds at ACMI caped crusaders often fixate on familiar examples. This conference will go beyond out-dated definitions of superheroes. Over the next three days we will unmask international examples, WE’VE BEEN WAITING FOR YOU! SuperHeroes: Realities Collide examine superheroes beyond the comic book page, identify historical antecedents, consider real is a trip to an alternative comic dimension in room-scale Virtual world examples of superheroism, and explore heroes whose secret identities are not cisgender men. Reality. The City of Melbourne needs you to create your own unique character, choose powers and abilities to transform into a This conference is part of the larger Superheroes & Me Linkage research project funded by the superhero who will protect us from a dangerous comic contagion. Australian Research Council. Partners in this project included Swinburne University of Technology, Melbourne University, National University of Singapore, and our industry partner ACMI. While at Created in a unique collaboration between Swinburne University of ACMI please make sure to visit some of the other project outcomes including the newly curated Technology, celebrated technology artist Stuart Campbell aka Cleverman: The Exhibition, which goes behind the scenes of the ground-breaking Australian superhero SUTU and award-wining VR studio VISITOR. -
If You Were Not Here Last Week... Please Come to The
http://www.physics.smu.edu/pseudo IF YOU WERE NOT HERE LAST WEEK... PLEASE COME TO THE FRONT OF THE CLASS AND SEE PROF. COTTON. http://www.physics.smu.edu/pseudo “Any sufficiently advanced technology is indistinguishable from magic.” --Arthur C. Clarke, "Profiles of The Future", 1961 (Clarke's third law) English physicist & science fiction author (1917 – 2008) “The Bible shows the way to go to heaven, not the way the heavens go.” --Galileo Galilei “By denying scientific principles, one may maintain any paradox.” --Galileo Galilei http://www.physics.smu.edu/pseudo The Scientific Method (continued) Supplementary Material for CFB3333/PHY3333 Professors John Cotton and Stephen Sekula January 23, 2012 Based on the following information on the web: http://www.physics.smu.edu/pseudo/SciMeth http://www.physics.smu.edu/pseudo But first . some MAGIC! http://www.physics.smu.edu/pseudoAA roundround ofof applauseapplause forfor .. .. .. SCALISE,SCALISE, ILIL MAGNIFICO!MAGNIFICO! Wonder at his powers of levitation! Gasp as he commands the elements of nature! http://www.physics.smu.edu/pseudo GLOSSARY OF CRITICAL DEFINITIONS http://www.physics.smu.edu/pseudo FACT ● The National Academy of Sciences definition of fact: ● An observation that has been repeatedly confrmed and for all practical purposes is accepted as true. "In science, 'fact' can only mean 'confirmed to such a degree that it would be perverse to withhold provisional assent.' I suppose that apples might start to rise tomorrow, but the possibility does not merit equal time in physics classrooms." --Stephen Jay Gould EXAMPLE: At Standard Temperature and Pressure, lead is more dense than water. -
David Ramsey Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
David Ramsey 电影 串行 (大全) Dead to Rights https://zh.listvote.com/lists/film/movies/dead-to-rights-16555590/actors Suicide Squad https://zh.listvote.com/lists/film/movies/suicide-squad-16636526/actors The Secret Origin of Felicity https://zh.listvote.com/lists/film/movies/the-secret-origin-of-felicity-smoak-18416478/actors Smoak Legacies https://zh.listvote.com/lists/film/movies/legacies-21075036/actors Invasion! https://zh.listvote.com/lists/film/movies/invasion%21-28518213/actors Legacy https://zh.listvote.com/lists/film/movies/legacy-28517940/actors The Odyssey https://zh.listvote.com/lists/film/movies/the-odyssey-16639693/actors Three Ghosts https://zh.listvote.com/lists/film/movies/three-ghosts-16640101/actors Brotherhood https://zh.listvote.com/lists/film/movies/brotherhood-21484189/actors Lone Gunmen https://zh.listvote.com/lists/film/movies/lone-gunmen-9023621/actors Muse of Fire https://zh.listvote.com/lists/film/movies/muse-of-fire-16609655/actors Kapiushon https://zh.listvote.com/lists/film/movies/kapiushon-30634955/actors Unfinished Business https://zh.listvote.com/lists/film/movies/unfinished-business-16644267/actors Identity https://zh.listvote.com/lists/film/movies/identity-16577364/actors Betrayal https://zh.listvote.com/lists/film/movies/betrayal-17622803/actors Keep Your Enemies Closer https://zh.listvote.com/lists/film/movies/keep-your-enemies-closer-16586458/actors The Calm https://zh.listvote.com/lists/film/movies/the-calm-18285639/actors Vertigo https://zh.listvote.com/lists/film/movies/vertigo-16645902/actors -
Collective of Heroes: Arrow's Move Toward a Posthuman Superhero Fantasy
St. Cloud State University theRepository at St. Cloud State Culminating Projects in English Department of English 12-2016 Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy Alyssa G. Kilbourn St. Cloud State University Follow this and additional works at: https://repository.stcloudstate.edu/engl_etds Recommended Citation Kilbourn, Alyssa G., "Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy" (2016). Culminating Projects in English. 73. https://repository.stcloudstate.edu/engl_etds/73 This Thesis is brought to you for free and open access by the Department of English at theRepository at St. Cloud State. It has been accepted for inclusion in Culminating Projects in English by an authorized administrator of theRepository at St. Cloud State. For more information, please contact [email protected]. Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy by Alyssa Grace Kilbourn A Thesis Submitted to the Graduate Faculty of St. Cloud State University in Partial Fulfillment of the Requirements for the degree of Master of Arts in Rhetoric and Writing December, 2016 Thesis Committee: James Heiman, Chairperson Matthew Barton Jennifer Tuder 2 Abstract Since 9/11, superheroes have become a popular medium for storytelling, so much so that popular culture is inundated with the narratives. More recently, the superhero narrative has moved from cinema to television, which allows for the narratives to address more pressing cultural concerns in a more immediate fashion. Furthermore, millions of viewers perpetuate the televised narratives because they resonate with the values and stories in the shows. Through Fantasy Theme Analysis, this project examines the audience values within the Arrow’s superhero fantasy and the influence of posthumanism on the show’s superhero fantasy.