Special Editions; Institute for Balkan Studies SASA
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Delicate Balance Negotiating Isolation and Globalization in the Burmese Performing Arts Catherine Diamond
A Delicate Balance Negotiating Isolation and Globalization in the Burmese Performing Arts Catherine Diamond If you walk on and on, you get to your destination. If you question much, you get your information. If you do not sleep and idle, you preserve your life! (Maung Htin Aung 1959:87) So go the three lines of wisdom offered to the lazy student Maung Pauk Khaing in the well- known eponymous folk tale. A group of impoverished village youngsters, led by their teacher Daw Khin Thida, adapted the tale in 2007 in their first attempt to perform a play. From a well-to-do family that does not understand her philanthropic impulses, Khin Thida, an English teacher by profession, works at her free school in Insein, a suburb of Yangon (Rangoon) infamous for its prison. The shy students practiced first in Burmese for their village audience, and then in English for some foreign donors who were coming to visit the school. Khin Thida has also bought land in Bagan (Pagan) and is building a culture center there, hoping to attract the street children who currently pander to tourists at the site’s immense network of temples. TDR: The Drama Review 53:1 (T201) Spring 2009. ©2009 New York University and the Massachusetts Institute of Technology 93 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/dram.2009.53.1.93 by guest on 02 October 2021 I first met Khin Thida in 2005 at NICA (Networking and Initiatives for Culture and the Arts), an independent nonprofit arts center founded in 2003 and run by Singaporean/Malaysian artists Jay Koh and Chu Yuan. -
IDO Dance Sports Rules and Regulations 2021
IDO Dance Sport Rules & Regulations 2021 Officially Declared For further information concerning Rules and Regulations contained in this book, contact the Technical Director listed in the IDO Web site. This book and any material within this book are protected by copyright law. Any unauthorized copying, distribution, modification or other use is prohibited without the express written consent of IDO. All rights reserved. ©2021 by IDO Foreword The IDO Presidium has completely revised the structure of the IDO Dance Sport Rules & Regulations. For better understanding, the Rules & Regulations have been subdivided into 6 Books addressing the following issues: Book 1 General Information, Membership Issues Book 2 Organization and Conduction of IDO Events Book 3 Rules for IDO Dance Disciplines Book 4 Code of Ethics / Disciplinary Rules Book 5 Financial Rules and Regulations Separate Book IDO Official´s Book IDO Dancers are advised that all Rules for IDO Dance Disciplines are now contained in Book 3 ("Rules for IDO Dance Disciplines"). IDO Adjudicators are advised that all "General Provisions for Adjudicators and Judging" and all rules for "Protocol and Judging Procedure" (previously: Book 5) are now contained in separate IDO Official´sBook. This is the official version of the IDO Dance Sport Rules & Regulations passed by the AGM and ADMs in December 2020. All rule changes after the AGM/ADMs 2020 are marked with the Implementation date in red. All text marked in green are text and content clarifications. All competitors are competing at their own risk! All competitors, team leaders, attendandts, parents, and/or other persons involved in any way with the competition, recognize that IDO will not take any responsibility for any damage, theft, injury or accident of any kind during the competition, in accordance with the IDO Dance Sport Rules. -
Dance, Senses, Urban Contexts
DANCE, SENSES, URBAN CONTEXTS Dance and the Senses · Dancing and Dance Cultures in Urban Contexts 29th Symposium of the ICTM Study Group on Ethnochoreology July 9–16, 2016 Retzhof Castle, Styria, Austria Editor Kendra Stepputat Copy-editors Liz Mellish Andriy Nahachewsky Kurt Schatz Doris Schweinzer ICTM Study Group on Ethnochoreology Institute of Ethnomusicology, University of Music and Performing Arts Graz Graz, Austria 2017 Symposium 2016 July 9–16 International Council for Traditional Music Study Group on Ethnochoreology The 29th Symposium was organized by the ICTM Study Group on Ethnochoreology, and hosted by the Institute of Ethnomusicology, University of Music and Perfoming Arts Graz in cooperation with the Styrian Government, Sections 'Wissenschaft und Forschung' and 'Volkskultur' Program Committee: Mohd Anis Md Nor (Chair), Yolanda van Ede, Gediminas Karoblis, Rebeka Kunej and Mats Melin Local Arrangements Committee: Kendra Stepputat (Chair), Christopher Dick, Mattia Scassellati, Kurt Schatz, Florian Wimmer Editor: Kendra Stepputat Copy-editors: Liz Mellish, Andriy Nahachewsky, Kurt Schatz, Doris Schweinzer Cover design: Christopher Dick Cover Photographs: Helena Saarikoski (front), Selena Rakočević (back) © Shaker Verlag 2017 Alle Rechte, auch das des auszugsweisen Nachdruckes der auszugsweisen oder vollständigen Wiedergabe der Speicherung in Datenverarbeitungsanlage und der Übersetzung vorbehalten. Printed in Germany ISBN 978-3-8440-5337-7 ISSN 0945-0912 Shaker Verlag GmbH · Kaiserstraße 100 · D-52134 Herzogenrath Telefon: 0049 24 07 / 95 96 0 · Telefax: 0049 24 07 / 95 96 9 Internet: www.shaker.de · eMail: [email protected] Christopher S. DICK DIGITAL MOVEMENT: AN OVERVIEW OF COMPUTER-AIDED ANALYSIS OF HUMAN MOTION From the overall form of the music to the smallest rhythmical facet, each aspect defines how dancers realize the sound and movements. -
An Analysis of the Religious Belief Characteristics of Southeast Asian Dance
2020 3rd International Conference on Interdisciplinary Social Sciences & Humanities (SOSHU 2020) An Analysis of the Religious Belief Characteristics of Southeast Asian Dance Feirui Li Guangxi University For Nationalities, Guangxi, Nanning, 530006, China Keywords: Southeast asian dance, Religious beliefs, Thailand Abstract: The dances in Southeast Asia are colorful and can be divided into four major dance systems: Buddhism, Puppet, Hinduism and Islam. The four major dance systems are influenced by India's two epics. In some Southeast Asian countries, such as Thailand and Vietnam, their religious culture is closely linked to dance arts. Strong religious culture permeates dance music, style and dance vocabulary. Based on the analysis of Southeast Asian dance art, this paper takes Thai dance art as an example to further elaborate its religious and cultural charm. 1. Introduction Engels said that religion, like philosophy, is a “higher, i.e. more far from the material economic foundation of ideology” [1]. However, as an ideology, it not only experienced the process of development and processing, but also developed independently according to its own laws. Religious culture and dance culture. Asean art, as a new breakthrough in Chinese art research, is very research-oriented [2]. Southeast Asia is made up of Vietnam, Laos, Cambodia, Thailand, Indonesia and other countries. Due to geographical and religious reasons, Southeast Asian countries represented by Indonesia, Thailand and Myanmar live alone in dance culture and are relatively developed [3]. Dances in Southeast Asia have strong religious color of Buddhism and Hinduism. As a result, the dance branches in Southeast Asia present four major dance departments, namely puppet dance department, Hindu dance department, Buddhist dance department and Islamic dance department. -
ODLUKU O Izboru Pravnih Lica Za Poslove Iz Programa Mera Zdravstvene Zaštite Životinja Za Period 2014–2016
Na osnovu člana 53. stav 5. Zakona o veterinarstvu („Službeni glasnik RS”, br. 91/05, 30/10, 93/12), Ministar poljoprivrede, šumarstva i vodoprivrede donosi ODLUKU o izboru pravnih lica za poslove iz Programa mera zdravstvene zaštite životinja za period 2014–2016. godine Poslovi iz Programa mera za period 2014–2016. godine, koji su utvrđeni kao poslovi od javnog interesa, ustupaju se sledećim pravnim licima: Grad Beograd 1. VS „Tika Vet” Mladenovac Rabrovac, Jagnjilo, Markovac Amerić, Beljevac, Velika Ivanča, Velika Krsna, Vlaška, Granice, Dubona, Kovačevac, Koraćica, Mala Vrbica, 2. VS „Mladenovac” Mladenovac Međulužje, Mladenovac, selo Mladenovac, Pružatovac, Rajkovac, Senaja, Crkvine, Šepšin Baljevac, Brović, Vukićevica, Grabovac, Draževac, VS „Aćimović– 3. Obrenovac Zabrežje, Jasenak, Konatica, LJubinić, Mislođin, Piroman, Obrenovac” Poljane, Stubline, Trstenica Belo Polje, Brgulice, Veliko Polje, Dren, Zvečka, Krtinska, 4. VS „Dr Kostić” Obrenovac Orašac, Ratari, Rvati, Skela, Ušće, Urovci 5. VS „Simbiosis Vet” Obrenovac Obrenovac, Barič, Mala Moštanica 6. VS „Nutrivet” Grocka Begaljica, Pudarci, Dražanj Umčari, Boleč, Brestovik, Vinča, Grocka, Živkovac, 7. VS „Grocka” Grocka Zaklopača, Kaluđerica, Kamendo, Leštane, Pudraci, Ritopek Baroševac, Prkosava, Rudovci, Strmovo, Mali Crljeni, 8. VS „Arnika Veterina” Lazarevac Kruševica, Trbušnica, Bistrica, Dren Vrbovno, Stepojevac, Leskovac, Sokolovo, Cvetovac, 9. VS „Artmedika Vet” Lazarevac Vreoci, Veliki Crljeni, Junkovac, Arapovac, Sakulja Lazarevac, Šopić, Barzilovica, Brajkovac, Čibutkovica, VS „Alfa Vet CO 10. Lazarevac Dudovica, Lukovica, Medoševac, Mirosaljci, Zeoke, Petka, 2007” Stubica, Šušnjar, Županjac, Burovo 11. VS „Ardis Vet” Sopot Slatina, Dučina, Rogača, Sibnica, Drlupa 12. VS „Uniprim Vet” Barajevo Arnajevo, Rožanci, Beljina, Boždarevac, Manić 13. VS „Vidra-Vet” Surčin Bečmen, Petrovčić, Novi Beograd, Bežanija Surčin Surčin, Dobanovci, Boljevci, Jakovo, Progar 14. -
Upravljanje Komunalnim Otpadom I Potencijali Za Reciklažu Južne I Jugoistočne Srbije
Upravljanje komunalnim otpadom i potencijali za reciklažu južne i jugoistone Srbije Bratimir Neši dipl. inž. zaštite životne sredine Niš, Decembar 2010. Upravljanje komunalnim otpadom i potencijali za reciklažu na primeru južne i jugoistone Srbije Sadržaj 1. Uvod .............................................................................................................................. 3 2. Znaenje osnovnih izraza u oblasti upravljanja otpadom ..................................... 6 3. Vrste i klasifikacija otpada .......................................................................................... 9 4. Analiza postoje(eg stanja i infrastruktura ............................................................... 19 5. Kljuni principi upravljanja otpadom ..................................................................... 22 6. Opcije upravljanja otpadom ..................................................................................... 23 7. Tehniki aspekti upravljanja otpadom .................................................................... 26 8. Socijalni aspekti upravljanja otpadom ..................................................................... 28 9. Odgovornosti institucija i pravni okviri za upravljanje otpadom u Republici Srbiji ...................................................................................... 30 10. Integralni sistem upravljanja otpadom .................................................................. 36 11. Upravljanje otpadom u južnoj i jugoistonoj Srbiji ............................................... -
TV and Radio Features, Texts on Portals – a Machine-Retyped Text
TV and radio features, texts on portals – a machine-retyped text Vijesti TV – 8 October 2018 Power plants being built by Albania on the Cijevna River could be the subject of arbitration According to the information given to Vijesti TV from the non-governmental organization Centre for Protection and Research of Birds of Montenegro (CZIP). The Cijevna River could be left without the living world while the area around that river will be permanently devastated if the planned construction of 14 small hydropower plants within its Albanian section is implemented. It was from non-governmental organizations that the Montenegrin public, as well as the Government of Montenegro learned that the construction of the first of 14 mini power plants began on this river. Since Albania has already violated the Espoo Convention on Environmental Impact Assessment in a Transboundary Context due to its omission to inform the neighbouring countries, in the forthcoming period the Ministry of Sustainable Development and Tourism expects cooperation of the official Tirana and development of an environmental impact assessment study. They believe that there will be no arbitrage and that the problem will be overcome by establishment of a joint committee. MATIJA OTAŠEVIĆ The Centre for Protection and Research of Birds of Montenegro (CZIP), an organization which sent photographs of construction works on the Cijevna River to the Ministry expressed its concerns that the construction of 14 small hydropower plants in the Albanian section of the Cijevna Rijeka could seriously endanger the Montenegrin river ecosystem and leave this river without the living world. KSENIJA MEDENICA, CZIP: "There is an impact on migration, both daily and seasonal when it comes to fish populations. -
Connecting Through Dance
Connecting Through Dance: The Multiplicity of Meanings of Kurdish Folk Dances in Turkey Mona Maria Nyberg Thesis submitted in partial fulfillment of the M.A. degree Department of Social Anthropology, University of Bergen Spring 2012 The front page photograph is taken by Mona Maria Nyberg at a Kurdish wedding celebration. The women who are dancing in the picture are not informants. II Acknowledgements While studying for an exam during my time as a bachelor student, I read a work by Professor Bruce Kapferer which made me reconsider my decision of not applying for the master program; I could write about dance, I realized. And now I have! The process has been challenging and intense, but well worth it. Throughout this journey I have been anything but alone on this, and the list of persons who have contributed is too long to mention. First of all I need to thank my informants. Without you this thesis could not have been written. Thank you for your help and generosity! Especially I want to thank everyone at the culture centers for allowing me do fieldwork and participate in activities. My inmost gratitude goes to two of my informants, whose names I cannot write out of reasons of anonymity - but you know who you are. I want to thank you for allowing me into your lives and making me part of your family. You have contributing to my fieldwork by helping me in in innumerous ways, being my translators – both in terms of language and culture. You have become two of my closest friends. -
Vernacular Religion in Diaspora: a Case Study of the Macedono-Bulgarian Group in Toronto
Vernacular Religion in Diaspora: a Case Study of the Macedono-Bulgarian Group in Toronto By Mariana Dobreva-Mastagar A Thesis submitted to the Faculty of Trinity College and the Theological Department of the Toronto School of Theology In partial fulfilment of the requirements for the degree of Doctor of Philosophy in Theology awarded by the University of St. Michael's College © Copyright by Mariana Dobreva-Mastagar 2016 Vernacular Religion in Diaspora: a case Study of the Macedono-Bulgarian group in Toronto PhD 2016 Mariana Dobreva-Mastagar University of St.Michael’s College Abstract This study explores how the Macedono-Bulgarian and Bulgarian Eastern Orthodox churches in Toronto have attuned themselves to the immigrant community—specifically to post-1990 immigrants who, while unchurched and predominantly secular, have revived diaspora churches. This paradox raises questions about the ways that religious institutions operate in diaspora, distinct from their operations in the country of origin. This study proposes and develops the concept “institutional vernacularization” as an analytical category that facilitates assessment of how a religious institution relates to communal factors. I propose this as an alternative to secularization, which inadequately captures the diaspora dynamics. While continuing to adhere to their creeds and confessional symbols, diaspora churches shifted focus to communal agency and produced new collective and “popular” values. The community is not only a passive recipient of the spiritual gifts but is also a partner, who suggests new forms of interaction. In this sense, the diaspora church is engaged in vernacular discourse. The notion of institutional vernacularization is tested against the empirical results of field work in four Greater Toronto Area churches. -
Circassian Customs & Traditions
Circassian Customs & Traditions АДЫГЭ ХАБЗЭ 1 Circassian Customs & Traditions Amjad M. Jaimoukha [compiler, editor, translator] АДЫГЭ ХАБЗЭ Жэмыхъуэ Амджэд (Амыщ) In English and Circassian (supplementary) Centre for Circassian Studies 2014 2 Circassian Customs & Traditions Circassian Culture & Folklore Second edition 2014 First published 2009 © 2014 Amjad Jaimoukha All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. 3 Contents Introduction 5 1. Birth 10 2. Christening 15 3. Upbringing 17 4. Courtship and Marriage 28 5. Divorce and Bigamy 62 6. ‘In sickness and in health’ 63 7. Death and Obsequies 70 8. Greetings and Salutes 80 9. The Circassian Code of Chivalry 83 • Respect for Women and Elders 84 • Blood-revenge 86 • Hospitality and Feasts 89 Appendices 1. Proverbs and Sayings on Circassian Customs and Traditions 115 2. Proverbs and Sayings Associated with Hospitality Traditions 141 References and Bibliography 162 4 Introduction IRCASSIAN customs and social norms are enshrined in an orally- C transmitted code called ‘Adige Xabze’—‘Circassian Etiquette’ [«адыгэ хабзэ»]. This rigid and complex system of morals had evolved to ensure that strict militaristic discipline was maintained at all times to defend the country against the many invaders who coveted Circassian lands. In addition, social niceties and graces greased the wheels of social interaction, and a person’s good conduct ensured his survival and prosperity. The Xabze served as the law for ad hoc courts and councils set up to resolve contentious cases and other moot issues, and pronounce binding judgements. -
Sustainable Local Development Project in Serbia
SUSTAINABLE LOCAL DEVELOPMENT PROJECT IN SERBIA FINAL REPORT SEPTEMBER 21, 2016 This publication was produced for review by the United States Agency for International Development by Chemonics International Inc. SUSTAINABLELOCALDEVELOPMENTPROJECT FINALREPORT CONTENTS 1.INTRODUCTION........................................................................................................................................1 2.ABOUTTHEPROJECT................................................................................................................................2 2.1TheOriginalApproach.................................................................................................................2 2.2Change..........................................................................................................................................3 2.3NewPlansandPrinciples.............................................................................................................5 3.PROJECTACTIVITIES.................................................................................................................................8 3.1INTERͲMUNICIPALCOOPERATIONSUPPORT..............................................................................8 3.2SECTORSUPPORTFORSMALLANDMEDIUMͲSIZEDENTERPRISEDEVELOPMENT.................15 3.2.1Textile–DenimProduction................................................................................................15 3.2.2FootwearSector..................................................................................................................17 -
Final Report: Sustainable Local Development in Serbia
SUSTAINABLE LOCAL DEVELOPMENT PROJECT IN SERBIA FINAL REPORT SEPTEMBER 21, 2016 This publication was produced for review by the United States Agency for International Development by Chemonics International Inc. SUSTAINABLELOCALDEVELOPMENTPROJECT FINALREPORT CONTENTS 1.INTRODUCTION........................................................................................................................................1 2.ABOUTTHEPROJECT................................................................................................................................2 2.1TheOriginalApproach.................................................................................................................2 2.2Change..........................................................................................................................................3 2.3NewPlansandPrinciples.............................................................................................................5 3.PROJECTACTIVITIES.................................................................................................................................8 3.1INTERͲMUNICIPALCOOPERATIONSUPPORT..............................................................................8 3.2SECTORSUPPORTFORSMALLANDMEDIUMͲSIZEDENTERPRISEDEVELOPMENT.................15 3.2.1Textile–DenimProduction................................................................................................15 3.2.2FootwearSector..................................................................................................................17