DOCSLIB.ORG

Annual Members Exhibition Is Held Each Fall at Various Locations Throughout Indiana

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annual Members Exhibition Is Held Each Fall at Various Locations Throughout Indiana A juried fine art exhibition of Annual Indiana Artists Club Members Members October 2 - November 6, 2020 Exhibition Marian University Art Gallery 2020 Indianapolis, Indiana The Indiana Artists Club, Inc. (IN/A), was founded in 1917 by a group of forty-six artists including such notables as T. C. Steele, William Forsyth, Otto Stark, Carl Graf, Wayman Adams, Simon Baus, Marie Goth, Frederick Polley, Clifton Wheeler, Randolph Coats, Carl Lieber and Alex Holiday. The purpose of IN/A is to hold statewide exhibitions, workshops, demonstrations, and to provide social interaction among its members. A board of directors, elected yearly, leads the organization. The organization has sponsored annual exhibitions since its inception. The Annual Juried Exhibition is held each spring at the Indianapolis Museum of Art at Newfields. INDIANA ARTISTS CLUB The Annual Members Exhibition is held each fall at various locations throughout Indiana. Award-Winning Indiana Artists since 1917 Exhibitions of the current membership are composed of a wide variety of styles and mediums, both contemporary and traditional. To become a member, it is necessary to have been born in Indiana or have been a resident Purchase Information for two years. In addition, you must have been If you are interested in purchasing a work of art accepted into three differently sponsored juried from the exhibition, please contact: exhibitions with three separate works of art. April Willy • [email protected] For additional information visit our website. indianaartistsclub.org 2020 Award Winners Best of Show. $1500 . Dawn Adams . Standing Water First Place. $800 . Joel Fremion. San Francisco Street Scene Second Place. $600 . Kevin James Wilson . The Motherland Third Place . $500 . Bonnie Zimmer . Ancestor Guardian: Fancy Elder Dorthy Schulz-Englehart Memorial Award . $300 . Betty Scarpino. Outside Inside IPAPA Award . $250 . Karen Graeser . Sound of Geese Overhead Merit Award . $200 . Peg Copenhaver . Henderson Ford Merit Award . $200 . Tom Duffy. Trees Over Stream Merit Award . $200 . Janice Lindboe . Country Morning Merit Award . $200 . Sharon Owens. Dancing in Egyptian Grass Merit Award . $200 . Diane Porter . Horn of Plenty Merit Award . $200 . J. Anna Roberts. All Your Eggs in One Basket Student Award . $200 . Danni Schweitzer. Rainforest Reverie Indiana Artists Club would like to extend a special thanks to Marian University for Special hosting the 2020 Annual Members Exhibition (during this challenging year). We also want to thank Crystal Vicars, Director of Marian University Art Galleries, the Thanks staff and students that helped put together the exhibition. Charles A. Shepard • Juror Indiana Artists Club Endowment Fund Charles Shepard has been CEO of the Fort Wayne Museum of Please consider making a contribution to help support the Art since 2003. In his 15 years in Fort Wayne, Charles has added Indiana Artists Club to fullfill its role and mission. To make 4,036 objects to a permanent collection that had only amassed a contribution or for more information, please contact: 1,300 objects in its first 62 years. His particular talents as a museum leader are in nurturing artist relationships, creatively The Heritage Fund acquiring works for the collection, and adapting entrepreneurial The Community Foundation of Bartholomew County strategies from the business world to make exciting things 538 Franklin Street happen often on a shoestring. Charles holds a Master of Arts Columbus, Indiana 47201 • 812-376-7772 in Art History from Williams College. Fort Wayne Museum of Art • fwmoa.org All gifts are sincerely appreciated! indianaartistsclub.org Exhibition Artists Dawn Adams . Standing Water . Oil on canvas. .32 x 32 . $1875 Dan Annarino . Cool Pool . Oil on canvas. .36 x 36 . $2000 Donna Arnold . Circumlocution . Mixed media . .8 x 8 . .$75 Kathy Blankenheim . Traffic Jam2. Oil on panel . .30 x 30 . $1800 Robert Bratton . Hold That Pose . Watercolor . .30 x 26 . $800 Susan Brewer . Intervals in Space . Acrylic on canvas . .36 x 36 . $3600 Rena Brouwer. Wilde . Watercolor . .28 x 34 . $650 Charlene Brown. Even When I Cannot See . Colored pencil . .23 x 19 . $1320 Jody Bruns . On a Spring Day. Linocut reduction . .13 x 13 . $120 Jo Anne Burkhard . Harley and Izzy in Black and White . Oil on linen. .38 x 31 . $2800 Jose F. Caro . 2020 . Soft pastel . .22 x 28 . $1000 Kathryn Clark . Cliff at Turkey Run . Oil . .31 x 25 . $1250 Peg Copenhaver. Henderson Ford . Oil . .18 x 15 . $425 Judy Crawford. Hot Stuff . Oil . .21 x 25 . $950 Alicia Dawn Criswell. Reckoning. Acrylic on canvas . .20 x 20 . $625 David Cunningham . Metamorphosois . Mixed media . .30 x 26 . $2975 Rosa Maria Dies . Girl With Blue Necklace . Monoprint from Collagraph. .15 x 12 . $500 Daniel Driggs . Heron Keep Watching . Acrylic . .38 x 26 . $1500 Tom Duffy. Trees Over Stream . Photography . .18 x 26 . $259 Karen Fehr . Lock, Keys, and Strings . Watercolor/acrylic . .24 x 30 . $500 Brad Fields . Left Out in the Cold . Watercolor . .37 x 28 . $1600 Joel Fremion . San Francisco Street Scene . Fabric collage . .38 x 32 . $4250 Karen Graeser. Sound of Geese Overhead . Oil . .27 x 37 . $2450 Thomas Himsel . Close to the Heart . Oil on linen. .30 x 24 . $2000 Pat Sarver Huffman . The Storyteller. Watercolor . .23 x 22 . $875 Gary M. Jursik. Lemon Delight. Oil on canvas. .25 x 37 . $1200 Diane Kiemeyer. United We Stand. Acrylic . .24 x 32 . $800 Terry Lacy. Deep in the Midwest . Pulp painting. .37 x 27 . $1100 Janice Lindboe . Country Morning . Pastel . .19 x 23 . NFS Cheryle Lowe . Encore . Watercolor . .23 x 20 . $990 Ellen Starr Lyon . Studio Light . Oil on panel . .29 x 22 . $2250 Beverly Mathis . Zoobilation . Mixed water media/collage . .28 x 36 . $750 Susan Mauck . Day Dreamer . Oil . .24 x 21 . $1500 Bob Myers . Up North . Oil . .24 x 24 . $998 Exhibition Artists Sharon Owens. Carnival Candies. Handblown glass . .6 x 4 x 5 . $175 Sharon Owens. Dancing in Egyptian Grass . Handblown glass . .6 x 4 x 5 . $235 Leanor Papai . Iris . Watercolor . .33 x 15 . NFS Anne Parks . Zinnias and Hydrangea . Oil & cold wax . .19 x 15 . $800 Bartosz Pietrzak . The Pianist . Archival Digital Photograph. .38 x 32 . $600 Jerry Points. Moving Water . Oil on cradleboard . .30 x 30 . $3000 Diane Porter . Horn of Plenty . Oil on board . .28 x 40 . $2800 Rodney J. Reveal . Rapid Ready. Oil . .12 x 16 . $800 J. Anna Roberts . All Your Eggs in One Basket . Watercolor . .22 x 30 . $2500 Ann Cole Rose. Sweet Tooth. Watercolor . .37 x 29 . $900 Martha Sando. Guardians. Oil on linen. .37 x 37 . $3100 Betty Scarpino . Outside Inside . Wood . .7 x 13 x 6. $4200 Betty Scarpino . Flow Within . Wood . .13 x 9 x 5. $6500 Carol Sexton . Coral Landscape. Colored pencil . .25 x 31 . $500 Lawrence Sexton . Quiet Winter Reflection . Oil . .24 x 30 . $1200 Sara Shaw . Ranuculus. Oil on panel . .17 x 14 . $300 Donna Shortt . Siberian Iris . Pastel . .24 x 14 . $720 Jerry Smith . Snail Creek Road. Oil . .32 x 38 . $3000 Stephanie Spay . A Flame to be Kindled . Oil . .38 x 32 . NFS Arlyne Springer . Come Sit With Me . Etching. .20 x 26 . $400 Curt Stanfield. Looking Up #1. Oil . .18 x 24 . $1150 Steve Warner . Riverside . Oil . .12 x 16 . $750 Carrie Wild . Twilight Keeper . Ink, watercolor, gold leaf . .14 x 11 . $475 April Willy . Choose Happiness . Oil on canvas. .36 x 36 . $2800 Kevin James Wilson . The Motherland . Prismacolor pencil . .26 x 24 . $1500 Elaine C. Wolfe . Sidestreet Wine Shop. Acrylic . .23 x 19 . $475 Shirley Woolard. The Spoon Lady . Watercolor . .28 x 32 . $750 Bonnie Zimmer . Ancestor Guardian: Fancy Elder . Natural salvaged materials, waxed linen thread . .40 x 19 x 15. $1500 Elizabeth Bath - Student . Feminine Genius Series. Oli on canvas. .10 x 10 . NFS Halley Martin - Student. Contours & Highlights of Typography . Digital media. ..
Load more

Recommended publications
  • Paint and Canvas a Life of T
    TEACHER RESOURCE by Elaine G. Rosa for the Indiana Historical Society Press publication Paint and Canvas A Life of T. C. Steele by Rachel Berenson Perry This is a publication of the Indiana Historical Society Eugene and Marilyn Glick Indiana History Center 450 West Ohio Street Indianapolis, IN 46202-3269 USA Teacher Resource available online: http://www.indianahistory.org Book orders (telephone): (800) 447-1830 Book orders (fax): (317) 234-0562 Copyright 2012 Indiana Historical Society All rights reserved Except for copying portions of the teacher resources by educators for classroom use, or for quoting of brief passages for reviews, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without written permission of the copyright owner. All inquiries should be addressed to the Indiana Historical Society Press. Overview/Description ° High School, English Language Arts–– Theodore Clement Steele was an American 9–10.W.2 Write informational and explana- Impressionist painter known for his Indiana tory texts to examine and convey complex landscapes. He is considered an innovator and ideas, concepts, and information clearly and leader in American Midwest painting and one of accurately through the effective selection, the Hoosier Group of Indiana artists. organization, and analysis of content. This teacher resource provides suggested learning ° High School, English Language Arts–– activities that relate to the Indiana Historical Society 9–10.W.3 Write narratives to develop real Press youth biography Paint and Canvas: A Life of or imagined experiences or events using T.
    [Show full text]
  • A SHARED HERITAGE African American Culture Flourished Through His Painting to Inspire the Received Early Instruction from Promi­ in the Mid- to Late-1920S
    . A SHARED HERITAGE African American culture flourished through his painting to inspire the received early instruction from promi­ in the mid- to late-1920s. Countee Cullen artistic talents of Indianapolis's black nent members of the Hoosier Group, published his first volume of poems, community. John We sley Hardrick primarily William Forsyth (1854-.-1935) Color(19 25); the \#a ry Blues (1926) by (1891-1968), fo r a brochure accom­ and Otto Stark (1859-1926). Hardrick, Langston Hughes appeared on popular panying an exhibition of his paintings, Scott, and Wo odruff were among a reading lists; satirist George S. Schuyler wrote that his goal was "to stimulate growing number of aspiring black artists wrote fo r The American Mercury; and an interest among the colored citizens who were participating in the devel­ Claude McKay's novel Home to Ha rlem of Indianapolis to encourage art; to in­ opment of American art on a regional (1928) became a best-seller. These spire, if possible, some young talented and national basis during the early RAINY NIGHT, ETAPLES. 1912. WILLIAM E. SCOT T. INDIANAPOLIS MUSEUM OF ART, GIFT OF A GROUP OF AFRICAN AMERICAN CITIZENS OF INDIANAPOLIS. African Americans were among the boy or girl to realize that 'Life without 1900s. They also seized a "chance fo r many who contributed to a literary and labor is a crime, and labor without art group expression and self determina­ artistic movement known as the Harlem is brutality."' tion" by turning to black subject mat­ Renaissance. Through art, leader and Hardrick and his contemporaries ter in their work.
    [Show full text]
  • Indiana Artists Annual Juried Exhibition 2016
    88th Annual Juried Exhibition This year we had a wide-range of fine artwork; 150 entries by 80 artist members were submitted. Enclosed are the 45 artists 2020 and their artworks that were accepted into the exhibition. A special thanks to our juror Brian Sindler for stepping-in on a short notice. Awards will be determined eventually, depending on the future status of the exhibition. Due to the closure of the museum because of Covid-19, our exhibition has been put on hold until further notice. Another very special thanks to Pam Newell and Laurie Wright, exhibition co-chairs, and the Indianapolis Museum of Art at Newfields staff for all their time and effort to organize this exhibition under these unique situations. More to come . About the Indiana Artists Club, Inc. A Celebrated Past — An Alive Future L.S. Ayres department store in 1913 where it was held for many years. In January 1917, professional artists Carl Graf, Otto Stark, T.C. Steele, Wayman Adams, Simon Baus, The Indiana Artists Club continues the primary goals Paul Hadley, Randolph Coats, Frederick Polley, of representing artists and educating the community. It is a vibrant group of over 150 Indiana artists Clifton Wheeler, and William Forsyth gathered in engaged in disciplines of art. Indianapolis to form the Indiana Artists Club. Since 1992, the Annual Juried Exhibition is held each The Club’s primary goal was to promote the artistic interests of its membership and the community. The Annual Members Exhibition is held in various locationsspring at throughoutthe Indianapolis Indiana. Museum A board of ofArt directors at Newfields.
    [Show full text]
  • Academicism to Modernism.Pdf
    Academicism to Modernism Fresh Perspectives on Historic Indiana Art Academicism to Modernism Fresh Perspectives on Historic Indiana Art October 28, 2005 – May 21, 2006 William Weston Clarke Emison Museum of Art DePauw University Foreword Kaytie Johnson Essay and acknowledgements Laurette E. McCarthy Editor Vanessa Mallory FOREWORD DePauw University is pleased to present from their collections for the show: Dr. Stephen Academicism to Modernism: Fresh Perspectives Butler and Dr. Linda Ronald; the Jack D. Finley on Historic Indiana Art, an exhibition that focuses Collection; Indiana State Museum and Historic on the lesser-known and understudied aspects of Sites; Indianapolis Public Schools; the Richmond Indiana art from the late nineteenth through early Art Museum; the Sheldon Swope Art Museum; Judy twentieth centuries. A majority of exhibitions and Waugh; and Wishard Health Services. publications that focus upon this period tend to The contributions of several individuals have concentrate primarily on what is referred to as enabled DePauw to present this exhibition. My “Hoosier Impressionism,” – most notably paintings thanks go out to my dedicated staff – Christie by artists such as T.C. Steele, John Ottis Adams Anderson and Christopher Lynn – for their tireless and William Forsyth – which has perpetuated an energy and enthusiasm in bringing this show to incomplete, and exclusive, history of the artistic fruition. My appreciation is also extended to Kelly legacy of Indiana. By introducing our audience to Graves for her design expertise and assistance with works by unfamiliar – and familiar – artists, in a wide producing this publication, and to Vanessa Mallory, range of artistic styles, we hope to emphasize, and whose editing skills are unrivaled.
    [Show full text]
  • Reifel, J. Ottis Adams Research Collection, 1872-1972 | Indianapolis Museum of Art Archives
    M010 Reifel, J. Ottis Adams Research Collection, 1872-1972 | Indianapolis Museum of Art Archives By Rebecca Denne Collection Overview Title: Reifel, J. Ottis Adams Research Collection, 1872-1972 Primary Creator: Adams, J. Ottis (John Ottis) (1851-1927) Extent: 1.71 linear feet Arrangement: The collection is arranged in two series: Series I: Primary Source Material Series II: Research Files Languages: English, French, German Scope and Contents of the Materials The Reifel, J. Ottis Adams Research Collection contains primary source documents and research files about the life and times of Indiana artist J. Ottis Adams, collected by Dorothy Reifel. The archival collection came to the Indianapolis Museum of Art from the Dorothy Reifel estate. The collection has been divided into two series which are described below. Series I: Primary Source Material, 1972-1944, n.d. contains photographs of Brookville, The Hermitage, and J. Ottis Adams' family. Also included are letters addressed to J. Ottis Adams and his wife Winifred Ottis Adams. Amongst these are messages of sympathy and condolence following the artist's death in 1927, a letter from Mrs. T.C. Steele, and letters from architect Edwin Fulwider. The series also includes a detailed family tree of J. Ottis Adams created in 1937. Passports in addition to a consignment note, a souvenir, and a hand-drawn map of Munich document the time Adams spent studying in Germany in the late nineteenth century. The series is arranged primarily by date. Series 2: Research Files, 1898-1972, n.d. contains the research files of Dorothy Reifel. Her research is comprised of newspaper clippings about J.
    [Show full text]
  • J. Ottis Adams Papers Addition, 1891-1967 | Indianapolis Museum of Art Archives
    M009 J. Ottis Adams Papers Addition, 1891-1967 | Indianapolis Museum of Art Archives By Rebecca Denne Collection Overview Title: J. Ottis Adams Papers Addition, 1891-1967 Primary Creator: Adams, J. Ottis (John Ottis) (1851-1927) Extent: 1.42 Linear Feet. Date Acquired: December 3, 2014 Languages: English Scope and Contents of the Materials The J. Ottis Adams Papers Addition includes three scrapbooks containing clippings, ephemera, correspondence, and photographs of the artist’s home and studio. The first and second scrapbooks document the artist’s professional life between the periods of 1891-1927 and 1895-1904. The final scrapbook was assembled by the artist’s family and contains additional material and notes related to the artist’s life, dated between 1901 and 1967. A letter from the St. Louis World’s Fair Department of Art (1904) is also included. Collection Biographical Note The landscape painter John Ottis Adams was born in 1851 in Amity, Indiana, a small town south of Indianapolis. He attended Wabash College in 1871, but left a year later for the South Kensington Art School in London to study under John Parker. Adams returned to Indiana in 1876, eventually settling in Muncie. In 1880 Adams returned to Europe, traveling to the Royal Academy in Munich to study with Gyula Benczúr. In Munich, Adams met two other painters from Indiana, Theodore Clement (T. C.) Steele and William Forsyth. After seven years in Munich, Adams returned to Muncie and opened an art school there with Forsyth. Adams also taught classes in Union City and Fort Wayne, Indiana. IMA Archives M009 J.
    [Show full text]
  • First Floor July 9, 2019
    Haan Museum of Indiana Art Room by Room Guide First Floor July 9, 2019 FRONT ENTRY Architecture The closets on either side of the door are glove closets. Women of that period always wore gloves when they went outside. The entire front entry was made in 1760 for the Hubbard-Slater mansion in Norwich, Connecticut, and included in the Connecticut Building at the World's Fair. Paintings The paintings on each side of the front door are by TC Steele, the most important painter who stayed in Indiana to paint. These paintings of his children show how cultured families spent their time in the 1800’s. The piano is still in Steele’s studio in Nashville, IN. The Cellist, TC Steele, 1894, is a painting of his son, Shirley. Daisy at the Piano, TC Steele, 1893. Daisy is his daughter. Furniture Pier table, New York, 1810; alabaster columns and bronze feet Grandfather Clock, 1910; sold by Badger Furniture, Indianapolis Pier Mirror, 1870; ebony with mother of pearl and bronze inlay and brass trim PARLOR History The door between the parlor and the family room was added when the house was moved to Lafayette. Architecture There were no ceiling fixtures in the two front rooms or in any second floor rooms when the Haans purchased the property. The Haans added this antique basket chandelier and a matching one in the office as well as new fixtures in all the second floor rooms. Paintings (counterclockwise from the Great Hall door) All the paintings in this room are by Hoosier Group artists. Steele, Adams and Forsythe all trained in Munich.
    [Show full text]
  • Crown Hill's Origin and Development.Pub
    CROWN HILL’S ORIGIN AND DEVELOPMENT Beauty of the Cemetery Due to Unselfish Spirit and Wise Management. NATURE’S CHARMS PRESERVED Consistent Course by Which Effects of Serenity, Peace and Seclusion Have Been Maintained. “The cemetery is an open space among the ruins, covered in winter with violets and daisies. It might make one in love with death to think that one should be buried in so sweet a place.” So wrote the English poet Shelley concerning the Protestant cemetery in Rome, in which by a strange coincidence, he himself was finally laid to rest. The same thought would apply in some degree to Crown Hill Cemetery in Indianapolis. Not that it is “an open space among ruins,” like the little cemetery at Rome, for though it is surrounded by all the marks of modern progress. The atmosphere of sacred seclusion that pervades the inclosure seems to say to the waves of worldly activity that surround its borders, “Thus far shalt thou come but no farther.” The living who pass its portals fine themselves at once in an atmosphere entirely distinct from that they left behind, and the dead who find their final resting place amid its quiet borders must feel grateful, if the dead experience human emotions, that their mortal remains have been buried in so sweet a place. Crown Hill cemetery is a product of evolution, and is typical of the growth of Indianapolis through various stages from a frontier settlement to a straggling village, a capital in the woods, a sleepy country town, a prosperous railroad center, a robust community feeling its strength and demanding recognition, to a metropolitan city of national fame.
    [Show full text]
  • J. Ottis Adams Papers, 1882-1951 | Indianapolis Museum of Art Archives
    M001 J. Ottis Adams Papers, 1882-1951 | Indianapolis Museum of Art Archives By Eliza Sparacino Collection Overview Title: J. Ottis Adams Papers, 1882-1951 Primary Creator: Adams, J. Ottis (John Ottis) (1851-1927) Extent: 2.5 Linear Feet. Arrangement: The collection is arranged in three series: Personal and Professional Materials, Exhibition Materials, and Journals Languages: English Scope and Contents of the Materials The first series, Personal and Professional Materials, includes business cards, clippings, a postcard from the artist Clifton Wheeler, small black and white reproductions of the J. Ottis Adams painting The Gleaners, 1886, and an anonymous painting of Mary Queen of Scots, as well as the Adams family's inventories of the collection. The second series, Exhibition Materials, consists of exhibition catalogues, announcements, and art association bulletins. The last series, Journals, includes journals with articles about J. Ottis Adams, Winifred Adams, and other artists of the Hoosier Group. Collection Biographical Note The landscape painter John Ottis Adams was born in 1851 in Amity, Indiana, a small town south of Indianapolis. He attended Wabash College in 1871, but left a year later for the South Kensington Art School in London to study under John Parker. Adams returned to Indiana in 1876, eventually settling in Muncie. In 1880 Adams returned to Europe, traveling to the Royal Academy in Munich to study with Gyula Benczúr. In Munich, Adams met two other painters from Indiana, Theodore Clement (T. C.) Steele and William Forsyth. After seven years in Munich, Adams returned to Muncie and opened an art school there with Forsyth. Adams also taught classes in Union City and Fort Wayne, Indiana.
    [Show full text]
  • Carl Lieber Papers
    Carl Lieber papers Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 1 Container Listing ...................................................................................................... Carl Lieber papers AAA.liebcarl Collection Overview Repository: Archives of American Art Title: Carl Lieber papers Identifier: AAA.liebcarl Date: 1894-1921 Creator: Lieber, Carl Extent: 1 Linear foot ((230 items)) Language: English . Administrative Information Acquisition Information The donor, Martha Hofmann Buschman, is a decendant of the Lieber family. Restrictions Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information. Biographical / Historical The Art Association of Indianapolis is formally known
    [Show full text]
  • INA Membersexh Catalog Digital 2021
    2021 ANNUAL INDIANA ARTISTS CLUB Award-Winning Indiana Artists since 1917 MEMBERS EXHIBITION The Indiana Artists Club, Inc. (IN/A), was founded in 1917 by a group of forty-six artists A juried fine art exhibition of including such notables as T. C. Steele, William Forsyth, Otto Stark, Carl Graf, Wayman Adams, Simon Baus, Marie Goth, Frederick Polley, Indiana Artists Club Members Clifton Wheeler, Randolph Coats, Carl Lieber and Alex Holiday. The purpose of IN/A is to hold statewide exhibitions, workshops, demonstrations, and August 10 - to provide social interaction among its members. A board of directors, elected yearly, leads the organization. The organization has sponsored September 25, 2021 annual exhibitions since its inception. The Annual Juried Exhibition is held each spring at the Indianapolis Museum of Art at Newfields. Richmond Art Museum The Annual Members Exhibition is held each fall at various locations throughout Indiana. Richmond, Indiana Exhibitions of the current membership are composed of a wide variety of styles and mediums, both contemporary and traditional. To become a member, it is necessary to have Purchase Information been born in Indiana or have been a resident If you are interested in purchasing a work of art for two years. In addition, you must have been from the exhibition, please contact the accepted into three differently sponsored juried Richmond Art Museum: exhibitions with three separate works of art. (765) 966-0256 For additional information visit our website. richmondartmuseum.org indianaartistsclub.org Exhibition Artists Dawn Adams . Like Diamonds in the Sky . Oil on canvas . 31 x 31 . $2075 Dan Annarino . Doin’ It Together .
    [Show full text]
  • ISU Bicentennial Catalog
    Copyright © 2016 University Art Gallery, Indiana State University All rights reserved. No part of this publication may be reproduced or transmitted in any form, or by any means, electronic or mechanical, without written permission from the University Art Gallery. Galleries and permanent collections the curators of this exhibition thoughtfully considered maintained by universities are subject to challenges the work of his in our collection and decided not to and opportunities that their independent counter include it. The students instead chose less well-known parts are not. The mission of a university gallery artists, especially those with backgrounds and points and collection is educational in the most direct way, of view typically underrepresented in exhibitions like and they must be resources that students can and this. The unique perspective of the students is also felt do utilize to enrich and broaden their classroom here, in this catalog, which was written and designed experiences. This Indiana Bicentennial project, which by students. In their research for the following essays, saw forty-five Indiana State University students curate, they chose to emphasize facts, stories, technologies, install, market, and contextualize – in this catalog – a and methodologies that spoke to them. retrospective of Hoosier art, challenged the traditional educational limits of a university gallery and collection. When we conceived of this project, we hoped it would be a valuable experience for students, instructing them Under normal circumstances, the University Gallery in the workings of the professional art world. It has Director and Director of the Permanent Art Collection proven to be a valuable experience for us as well.
    [Show full text]