Comparative Drama Conference Xli
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In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
Calendrical Calculations: the Millennium Edition Edward M
Errata and Notes for Calendrical Calculations: The Millennium Edition Edward M. Reingold and Nachum Dershowitz Cambridge University Press, 2001 4:45pm, December 7, 2006 Do I contradict myself ? Very well then I contradict myself. (I am large, I contain multitudes.) —Walt Whitman: Song of Myself All those complaints that they mutter about. are on account of many places I have corrected. The Creator knows that in most cases I was misled by following. others whom I will spare the embarrassment of mention. But even were I at fault, I do not claim that I reached my ultimate perfection from the outset, nor that I never erred. Just the opposite, I always retract anything the contrary of which becomes clear to me, whether in my writings or my nature. —Maimonides: Letter to his student Joseph ben Yehuda (circa 1190), Iggerot HaRambam, I. Shilat, Maaliyot, Maaleh Adumim, 1987, volume 1, page 295 [in Judeo-Arabic] If you find errors not given below or can suggest improvements to the book, please send us the details (email to [email protected] or hard copy to Edward M. Reingold, Department of Computer Science, Illinois Institute of Technology, 10 West 31st Street, Suite 236, Chicago, IL 60616-3729 U.S.A.). If you have occasion to refer to errors below in corresponding with the authors, please refer to the item by page and line numbers in the book, not by item number. Unless otherwise indicated, line counts used in describing the errata are positive counting down from the first line of text on the page, excluding the header, and negative counting up from the last line of text on the page including footnote lines. -
IRISH FILM and TELEVISION - 2012 the Year in Review Roddy Flynn, Tony Tracy (Eds.)
Estudios Irlandeses , Number 8, 2013, pp. 195-231 ____________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION - 2012 The Year in Review Roddy Flynn, Tony Tracy (eds.) Copyright (c) 2013 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the authors and journal are properly cited and no fee is charged for access. Irish Film and TV Review 2012. Introduction Roddy Flynn, Tony Tracy .................................................................................................. 196 Death of a Superhero Liam Burke......................................................................................................................... 200 Dollhouse Laura Canning .................................................................................................................... 204 Seven Psychopaths Joan FitzPatrick Dean ......................................................................................................... 207 What Richard Did Debbie Ging ....................................................................................................................... 210 Section 481 Roddy Flynn ...................................................................................................................... 213 Beyond the Multiplex Eileen Leahy....................................................................................................................... 216 Nuala: A Life and Death Stephanie McBride -
Northwestern University “Mise En Vie” and Intra-Culturalism: Performing
Northwestern University “Mise en vie ” and Intra-culturalism: Performing the Life of Black Migrants to Italy A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN THE PARTIAL FULFILLMENT OF THE REQUIREMENTS For the degree DOCTOR OF PHILOSOPHY Field of Performance Studies By Raffaele Furno Evanston, Illinois December 2008 2 ABSTRACT “Mise en vie ” and Intra-culturalism: Performing the Life of Black Migrants to Italy Raffaele Furno The dissertation aims to explore the intersection between the artistic performance of blackness in contemporary Italian theater and the country’s social stigmatization of black immigrants as a problem or national emergency. I argue that Italians live in a state of “historic forgetfulness” since they have not been able to absorb the racist discourse strongly implemented during the fascist regime. Tracing “historic forgetfulness” as an implicit ideology within contemporary restrictive immigration laws, and in the mass media focus on the illegal aspects of the migratory phenomenon, I use performance as a methodology and category to analyze the world and individuate viable alternatives to Italy’s (un)welcoming reaction to African immigrants. Through archival research, interviews and participant observation, I follow the work of the Afro-Romagnole ensemble Teatro delle Albe. The Albe perceives theater as a tool to show the richness and endless possibilities contained in religious, linguistic, and cultural differences. The group’s productions raise doubts on any dichotomous separation between right and wrong, legal and illegal, white and black. Working on the specificity of each individual, the Albe brings ethnic background to what it should be: one element of the far more complicated personal identity that encompass gender, sexuality, education, personal experiences, emotions, aspirations, and more. -
A/W/Visual A/W 4
We know what we need South Asian women speak out on climate change adaptation Acknowledgements This report was written by Tom Mitchell, Thomas Tanner and Kattie Lussier (Institute of Development Studies (IDS) at the University of Sussex, UK). Many thanks are due to numerous people who helped with field work, advised on the analysis or commented on drafts, including: Bangladesh: Wahida Bashar Ahmed, Naureen Fatema, Ferhana Ferdous and ActionAid Bangladesh team India: Neha Aishwarya, , Sharad Kumari, Mona, Raman Mehta and Jyoti Prasad and ActionAid India team Nepal: Ambika Amatya, Dhruba Gautam, Rajesh Hamal, Shyam Jnavaly, Amrita Sharma and ActionAid Nepal team Ennie Chipembere, Tony Durham, Sarah Gillam, Anne Jellema, Marion Khamis, Akanksha Marphatia, Yasmin McDonnell, Colm O’Cuanachain, Shashanka Saadi, Ilana Solomon, Tom Sharman, Harjeet Singh, Annie Street and Roger Yates Khurshid Alam (consultant) Most importantly, special thanks go to This report was edited by Angela Burton, Marion Khamis the many women who contributed and and Stephanie Ross and designed by Sandra Clarke. participated in the research from the Photographers: Pabna and Faridpur districts in Bangladesh, Bangladesh: Emdadul Islam Bitu the Muzaffarpur district in India and India: Sanjit Das the Banke and Bardiya districts in Nepal. Nepal: Binod Timilsena Front cover photograph: Sanjit Das / ActionAid November 2007 Contents Executive summary 4 1 Introduction 6 2 The rationale: women and climate change adaptation in the Ganga river basin 10 3 The evidence: women’s livelihood adaptation priorities 14 4 The policy gap: women’s rights in adaptation financing 17 5 The lessons: recommendations for adaptation finance 20 Notes 22 Sanjit Das / ActionAid page 3 Executive summary I am 60 years old and I have never experienced so much flooding, droughts, hot winds and hailstones as in recent years… “I am surprised how often we have these problems. -
Bengali English Calendar 2018 Pdf
Bengali english calendar 2018 pdf Continue Bengali Calendar 1425 (Eng: 2018-2019) Baisakh- 13/14. Joystha -10/18. Jordi. Sharaban - 13.Vadra - 4/14. Aswin - 3. Kartik -1/2/4/9/12. Agrahan - 11/14. Wells -1/8/11 . Magh - 1/4. Falgun -9/12. Chaitra - 1. USK: All agesBengali Calendar PanjikaBengali Calendar is also known as the Bangla Calendar or Bong Calendar. The current Bengali year is the Bengali calendar 1425 BS or Bengali Sambat. The Bengali calendar is based on the solar calendar. There are two types of Bengali calendar. One is used as an offical calendar in Bangladesh (BD) and another used in the Indian states (IN) of West Bengal (WB), Tripura and Assam. * - Easy scrolling view* - Vertical view* - Updated by Bengali Year ১৪২৫ (1425)* - Bengal calendar 2018* - best calendar application* - calendar application 2018* - 2019 calendar application* - Bengal calendar 2018* - Bengali calendar 2018bengali calendar 1425bengalicalendar1425bengali panjikabengali panjika 2018bengali panjika marriage datesbang English calendar today and calendar appsbangla datebengali calendar new year calendar bengali calendar online bangladesh calendar bangladesh calendars bangladesh calendarbengali and english calendarbengali full panjikapanjikaBangla date of marriage Date MarchNew Bangladesh panjika2018 Bangladesh panjikaBangla panjika 2018 West Bengal Festivals 321 Contains Ads Calendar Bangla 2019 application is useful for people from West Bengal and Bengali speaking to people all over the world. This application intends to bring you information about Calendar -
An Abstract of the Thesis Of
AN ABSTRACT OF THE THESIS OF Nicolas Evans for the degree of Master of Arts in English presented on June 2, 2017. Title: (Mis)representation & Postcolonial Masculinity: The Origins of Violence in the Plays and Films of Martin McDonagh. Abstract approved: ______________________________________________________ Neil R. Davison This thesis examines the postmodern confrontation of representation throughout the oeuvre of Martin McDonagh. I particularly look to his later body of work, which directly and self-reflexively confronts issues of artistic representation & masculinity, in order to gain a more nuanced understanding of his earliest and most controversial plays. In part, this thesis addresses misperceptions regarding The Leenane Trilogy, which was initially criticized for the plays’ shows of irreverence and use of caricature and cultural stereotypes. Rather than perpetuating propagandistic or offensive representations, my analysis explores how McDonagh uses affect and genre manipulation in order to parody artistic representation itself. Such a confrontation is meant to highlight the inadequacy of any representation to truly capture “authenticity.” Across his oeuvre, this postmodern proclivity is focused on disrupting the solidification of discourses of hyper-masculinity in the vein of postcolonial, diasporic, and mainstream media’s constructions of masculinity based on aggression and violence. ©Copyright by Nicolas Evans June 2, 2017 All Rights Reserved (Mis)representation & Postcolonial Masculinity: The Origins of Violence in the Plays and Films of Martin McDonagh by Nicolas Evans A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented June 2, 2017 Commencement June 2017 Master of Arts thesis of Nicolas Evans presented on June 2, 2017 APPROVED: Major Professor, representing English Director of the School of Writing, Literature, and Film Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Too Many Psychopaths Spoil the Froth
LEXINGTON HERALD-LEADER | LEXGO.COM WEEKENDER: GOING OUT FRIDAY | OCTOBER.12.2012 | 13 TOO MANY PSYCHOPATHS SPOIL THE FROTH By Roger Moore MOVIE REVIEW McClatchy-Tribune News Service ‘Seven Psychopaths’ The writer-director of In Bruges, the playwright turned filmmaker Martin McDonagh, sells out and makes his first R for strong violence, bloody images, Hollywood film, Seven Psychopaths, pervasive language, sexuality/nudity and some drug use. CBS Films. 109 min. a commentary on selling out. Well, Fayette Mall, Hamburg, Nicholasville. that and Hollywood’s obsession with psychopaths. And his own. (Harry Dean Stanton) who follows the True to title, it’s about seven man who murdered his daughter into psychopaths and a screenwriter named hell itself. A Buddhist psychopath? What Marty writing a movie about them. would motivate him? And so on. But as a possibly psychopathic Billy and Hans (Walken) are running character tells the writer (played a little dognapping-for-reward-money by Colin Farrell), “Yo u’re the one so scam so Hans can care for his terminally fascinated by psychopaths. After a while ill wife. And they’ve nabbed the wrong they get tiresome, don’t you think?” dog, a Shih Tzu beloved by mobster Like generations of great talents Charlie (Harrelson), who is willing to “going Hollywood” before him, kill to get that dog back. McDonagh takes his shot at having it Walken gives his pop-eyed glare both ways. He hired a quartet of the CHUCK ZLOTNICK | CBS FILMS and his signature colorful line-readings coolest character actors in the business Colin Farrell, left, Christopher Walken and Sam Rockwell star in Seven Psychopaths, a and eccentric pronunciations to every and revels in the presence of Farrell, dark comedy about selling out, dognapping and screenwriting. -
The Dead Don't Die — They Rise from Their Graves and Savagely Attack and Feast on the Living, and the Citizens of the Town Must Battle for Their Survival
THE DEAD DON’T DIE The Greatest Zombie Cast Ever Disassembled Bill Murray ~ Cliff Robertson Adam Driver ~ Ronnie Peterson Tilda Swinton ~ Zelda Wintson Chloë Sevigny ~ Mindy Morrison Steve Buscemi ~ Farmer Miller Danny Glover ~ Hank Thompson Caleb Landry Jones ~ Bobby Wiggins Rosie Perez ~ Posie Juarez Iggy Pop ~ Coffee Zombie Sara Driver ~ Coffee Zombie RZA ~ Dean Carol Kane ~ Mallory O’Brien Austin Butler ~ Jack Luka Sabbat ~ Zach Selena Gomez ~ Zoe and Tom Waits ~ Hermit Bob The Filmmakers Written and Directed by Jim Jarmusch Produced by Joshua Astrachan Carter Logan TABLE OF CONTENTS I. Synopsis . 4 II. “The Dead Don’t Die” Music and Lyrics by Sturgill Simpson 5 III. About the Production . 6 IV. Zombie Apocalypse Now . 8 V. State of the Nation . 11 VI. A Family Affair . 15 VII. Day For Night . 18 VIII. Bringing the Undead to Life . 20 IX. Anatomy of a Scene: Coffee! . 23 X. A Flurry of Zombies . 27 XI. Finding Centerville . 29 XII. Ghosts Inside a Dream . 31 XIII. About the Filmmaker – Jim Jarmusch . 33 XIV. About the Cast . 33 XV. About the Filmmakers . 49 XVI. Credits . 54 2 SYNOPSIS In the sleepy small town of Centerville, something is not quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are beginning to exhibit unusual behaviors. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon start plaguing Centerville: The Dead Don't Die — they rise from their graves and savagely attack and feast on the living, and the citizens of the town must battle for their survival. -
Ideological, Dystopic, and Antimythopoeic Formations of Masculinity in the Vietnam War Film Elliott Stegall
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 Ideological, Dystopic, and Antimythopoeic Formations of Masculinity in the Vietnam War Film Elliott Stegall Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES IDEOLOGICAL, DYSTOPIC, AND ANTIMYTHOPOEIC FORMATIONS OF MASCULINITY IN THE VIETNAM WAR FILM By ELLIOTT STEGALL A Dissertation submitted to the Program in Interdisciplinary Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2014 Elliott Stegall defended this dissertation on October 21, 2014. The members of the supervisory committee were: John Kelsay Professor Directing Dissertation Karen Bearor University Representative Kathleen Erndl Committee Member Leigh Edwards Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii ACKNOWLEDGEMENTS I am most grateful for my wife, Amanda, whose love and support has made all of this possible; for my mother, a teacher, who has always been there for me and who appreciates a good conversation; to my late father, a professor of humanities and religion who allowed me full access to his library and record collection; and, of course, to the professors who have given me their insight and time. iii TABLE OF CONTENTS List of Figures................................................................................................................................. v Abstract………………………………………………………………………………………...... vi 1. VIETNAM MOVIES, A NEW MYTHOS OF THE MASCULINE......................................... 1 2. DISPELLING FILMIC MYTHS OF THE VIETNAM WAR……………………………... 24 3. IN DEFENSE OF THE GREEN BERETS ………………………………………………..... -
Narrative Resistance and Poetic Justice in Martin Mcdonagh's A
13 Rewriting History: Narrative Resistance and Poetic Justice in Martin McDonagh’s A Very Very Very Dark Matter José Lanters ABSTRACT Martin McDonagh’s A Very Very Very Dark Matter (2018) explores how the stories of exploited people have been written out of history. The play includes several storytellers, and it both replicates and deviates from the details of numerous existing narratives, including McDonagh’s own plays. Set in 1857, the play imagines that Hans Christian Andersen’s fairy tales were written by a pygmy woman from the Belgian Congo who has traveled back in time; Hans calls her Marjory and keeps her in a box in his attic. Eventually Marjory writes herself out of the box and departs for Africa to prevent the colonization of her people. Dark Matter compels us to question the narratives about the past that have become embedded in our culture and to uncover the facts that official accounts have altered or suppressed; rewriting history is acceptable only in imaginative storytelling, as an act of poetic justice. (JL) KEYWORDS: Belgian Congo, colonialism, disability, racism, revisionist history, storytellers In her book Professional Savages, Roslyn Poignant reconstructs the lives of nine Aboriginal North Queenslanders who, in the late nineteenth century, were abducted from their homeland by a recruiter for P. T. Barnum’s circus and toured around the United States and Europe as an exotic spectacle for western eyes. Poignant argues that, to retrieve the Queenslanders’ story, it was not only necessary for her to unravel “the socioeconomic and cultural processes” by which the Indigenous Australians were commodified, but also to interrogate “the narratives 14 we have told ourselves” about such matters in discourses ranging from “anthropological and newspaper reports” to “triumphalist histories of nation” (9).