CQ-TV 185 Magazine
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Case 20-32299-KLP Doc 208 Filed 06/01/20 Entered 06/01/20 16
Case 20-32299-KLP Doc 208 Filed 06/01/20 Entered 06/01/20 16:57:32 Desc Main Document Page 1 of 137 Case 20-32299-KLP Doc 208 Filed 06/01/20 Entered 06/01/20 16:57:32 Desc Main Document Page 2 of 137 Exhibit A Case 20-32299-KLP Doc 208 Filed 06/01/20 Entered 06/01/20 16:57:32 Desc Main Document Page 3 of 137 Exhibit A1 Served via Overnight Mail Name Attention Address 1 Address 2 City State Zip Country Aastha Broadcasting Network Limited Attn: Legal Unit213 MezzanineFl Morya LandMark1 Off Link Road, Andheri (West) Mumbai 400053 IN Abs Global LTD Attn: Legal O'Hara House 3 Bermudiana Road Hamilton HM08 BM Abs-Cbn Global Limited Attn: Legal Mother Ignacia Quezon City Manila PH Aditya Jain S/O Sudhir Kumar Jain Attn: Legal 12, Printing Press Area behind Punjab Kesari Wazirpur Delhi 110035 IN AdminNacinl TelecomunicacionUruguay Complejo Torre De Telecomuniciones Guatemala 1075. Nivel 22 HojaDeEntrada 1000007292 5000009660 Montevideo CP 11800 UY Advert Bereau Company Limited Attn: Legal East Legon Ars Obojo Road Asafoatse Accra GH Africa Digital Network Limited c/o Nation Media Group Nation Centre 7th Floor Kimathi St PO Box 28753-00100 Nairobi KE Africa Media Group Limited Attn: Legal Jamhuri/Zaramo Streets Dar Es Salaam TZ Africa Mobile Network Communication Attn: Legal 2 Jide Close, Idimu Council Alimosho Lagos NG Africa Mobile Networks Cameroon Attn: Legal 131Rue1221 Entree Des Hydrocarbures Derriere Star Land Hotel Bonapriso-Douala Douala CM Africa Mobile Networks Cameroon Attn: Legal BP12153 Bonapriso Douala CM Africa Mobile Networks Gb, -
INTELSAT SA, Et Al.1 Debto
Case 20-32299-KLP Doc 1697 Filed 03/19/21 Entered 03/19/21 16:03:44 Desc Main Document Page 1 of 150 IN the UNITED STATES BANKRUPTCY COURT FOR the EASTERN DISTRICT of VIRGINIA RICHMOND DIVISION ) In re: ) Chapter 11 ) INTELSAT S.A., et al.1 ) Case No. 20-32299 (KLP) ) Debtors. ) (Jointly Administered) ) AFFIDAVIT of SERVICE I, Victoria X. Tran, depose and say that I am employed by Stretto, the claims and noticing agent for the Debtors in the above-captioned case. On February 26, 2021, at my direction and under my supervision, employees of Stretto caused the following document to be served via first-class mail on the service list attached hereto as Exhibit A, and via electronic mail on the service list attached hereto as Exhibit B: • Notice of Motions and Notice of Hearing (Docket No. 1470) Furthermore, on March 11, 2021, at my direction under my supervision, employees of Stretto caused the following document to be served via first-class mail on Jean Alex Hippolyte at a redacted address: • Notice of Motions and Notice of Hearing (Docket No. 1470) Furthermore, on March 11, 2021, at my direction and under my supervision, employees of Stretto caused the following documents to be served via first-class mail on the service list attached hereto as Exhibit C: • Notice of Adjourned Hearing on Disclosure Statement and Motion to Approve Exclusivity (Docket No. 1570) Furthermore, on March 12, 2021, at my direction and under my supervision, employees of Stretto caused the following document to be served via overnight mail on the service list attached hereto as Exhibit D, via first-class mail on the service list attached hereto as Exhibit E and via electronic mail on the service list attached hereto as Exhibit B: • Notice of Adjourned Hearing on Disclosure Statement and Motion to Approve Exclusivity (Docket No. -
The National Life Story Collection
Daphne Shadwell Page 1 COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not be allowed. CITATION: Women’s Work in British Film and Television, Daphne Shadwell, http://bufvc.ac.uk/bectu/oral-histories/bectu-oh [date accessed] By accessing this transcript, I confirm that I am a student or staff member at a UK Higher Education Institution or member of the BUFVC and agree that this material will be used solely for educational, research, scholarly and non-commercial purposes only. I understand that the transcript may be reproduced in part for these purposes under the Fair Dealing provisions of the 1988 Copyright, Designs and Patents Act. For the purposes of the Act, the use is subject to the following: The work must be used solely to illustrate a point The use must not be for commercial purposes The use must be fair dealing (meaning that only a limited part of work that is necessary for the research project can be used) The use must be accompanied by a sufficient acknowledgement. Guidelines for citation and proper acknowledgement must be followed (see above). It is prohibited to use the material for commercial purposes and access is limited exclusively to UK Higher Education staff and students and members of BUFVC. I agree to the above terms of use and that I will not edit, modify or use this material in ways that misrepresent the interviewees’ words, might be defamatory or likely to bring BUFVC, University of Leeds or my HEI into disrepute. -
Whatever Happened to Vera? 2013-12-23
Repositorium für die Medienwissenschaft Jo Henderson Whatever Happened to Vera? 2013-12-23 https://doi.org/10.25969/mediarep/14081 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Henderson, Jo: Whatever Happened to Vera?. In: VIEW Journal of European Television History and Culture, Jg. 2 (2013-12-23), Nr. 4, S. 45–50. DOI: https://doi.org/10.25969/mediarep/14081. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.18146/2213-0969.2013.jethc043 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Weitergabe unter gleichen Bedingungen 4.0 Attribution - Share Alike 4.0 License. For more information see: Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz http://creativecommons.org/licenses/by-sa/4.0 finden Sie hier: http://creativecommons.org/licenses/by-sa/4.0 volume 02 issue 04/2013 WHATEVER HAPPENED TO VERA? Jo Henderson Canterbury Christ Church University North Holmes Road Kent CT1 1QU United Kingdom [email protected] Abstract: The road to technological progress is littered with unsuccessful prototypes and their inventors. In British television there is perhaps no better example than John Logie Baird, universally recognised as the successful inventor of the technology, but not of the successful business model. Another, lesser known, casualty is the Vision Electronic Recording Apparatus (VERA), developed within the BBC Design Unit between 1952 and 1958. VERA had the potential to change the production and working practices of British television, in ways yet to be imagined or apparent, but just as it reached completion it was superceded by an American import. -
Ethical Perspectives on Reality Television: Parenting Docu-Soaps, Makeover Shows, and Parodies of Reality Dating Programs
Ethical Perspectives on Reality Television: Parenting Docu-Soaps, Makeover Shows, and Parodies of Reality Dating Programs Benjamin John Healey BA (Honours), University of Queensland A thesis submitted for the degree of Master of Philosophy at The University of Queensland in 2017 School of Communication and Arts Healey 2 Abstract This thesis argues that certain characteristics of reality television subgenres are likely to consistently produce ethical problems in programs belonging to those subgenres. Through the ethical analysis of cases studies from three subgenres of reality television, I also demonstrate the relative value of various normative ethical frameworks in analysing ethical problems in reality programming. I also argue that popular, non-academic criticisms of reality television act as implicit ethical judgements that align with formal criticisms from normative ethics. My first chapter addresses the ethical problems of informed consent, agency and representation in Extreme Guide to Parenting (Bravo 2014) and Toddlers & Tiaras (TLC 2008–13), two docu-soap programs that feature children. I find that a Kantian deontological perspective largely disapproves of children’s involvement in reality television, and these objections are echoed by similar arguments from documentary ethics. A perspective from the utilitarian arguments of Jeremy Bentham and John Stuart Mill, conversely, may in some cases approve or disapprove of children’s participation in docu- soaps, depending on whether the production of these programs is seen to generally contribute to wider happiness. A utilitarian evaluation of the ethical goods and harms of docu-soaps production and reception has parallels with debates in documentary ethics over the function of documentary as a general public good. -
6. Using Cryptimage at Startup You Will See the Main Interface : Cryptimage Interface, the Look and Feel Will Be Different Depending Your Operating System
Cryptimage user guide 1. Introduction Cryptimage is an open source software under the license GNU GPL v3 which purpose is to reproduce old analog TV encryption systems like « discret 11 » (used between 1984 and 1995 by french TV network « canal plus ») , « nagravision syster » (used between 1995 and 2010), and « videocrypt » used by Sky TV and by several other broadcasters on astra satellites. This software allows to encrypt a video file (image and sound) , and allows also a decryption of an encrypted file, by meeting the standard of discret11, nagravision syster and videocrypt. Besides the ability to reproduce in a digital way these three encryption systems, its second use is to allow the re-use of hardware descramblers by injecting to them an encrypted video file produced by cryptimage. 2. Definition of discret 11 The discret11 process is to encrypt the image by delaying each line by three values to choose from (0, 902 and 1804 milliseconds), delays are selected through an algorithm based on a pseudo-random sequence, the sound is rendered unintelligible by subjecting it to a spectrum inversion around the frequency 12800 Hz. Discret11 encryption example, on a philips PM5544 tv card. 3. Definition of nagravision syster Nagravision syster (SYStème TERrestre) scrambles the image by permuting lines, a TV frame has 2 interlaced fields, each field has 288 lines and these lines are permuted (except line 288 which is not permuted), then the first 32 lines of each encrypted field are shifted to the previous encrypted field, which give this pattern -
Simultaneous Transmission of Audio and Video Signals Using Visible Light Communications
Northumbria Research Link Citation: Son, Do, Cho, Eun Byeol, Moon, Inkyu, Ghassemlooy, Zabih, Kim, Soeun and Lee, Chung Ghiu (2013) Simultaneous transmission of audio and video signals using visible light communications. EURASIP Journal on Wireless Communications and Networking, 2013 (1). p. 250. ISSN 1687-1499 Published by: Springer URL: http://dx.doi.org/10.1186/1687-1499-2013-250 <http://dx.doi.org/10.1186/1687- 1499-2013-250> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/16123/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) Son et al. -