Tudor Roses PDF Book
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Australian Bred Roses
UNSH Newsletter Edition 2020.5.MAY The Rose Society of NSW: Upper North Shore & Hills Regional Email: unsh. [email protected] Phone: 9653 2202 (9am - 7 pm) Facebook: UNSH Rose Regional UNSH meets on 3rd Sunday of each month in 2020. Meeting time: 2 pm Autumn/Winter;4 pm Spring/Summer PLEASE ARRIVE 15 minutes earlier to ‘Sign On’; buy raffle tickets Patron: Sandra Ross UNSH Rose Advisors: Brigitte & Klaus Eckart Chair: Kate Stanley Assistant Chair: David Smith Treasurer: Judy Satchell Secretary: Paul Stanley LOOK ON PAGE 2 FOR WHAT’S HAPPENING AT UNSH Special Edition: Australian Bred Roses. Table of Contents • PLEASE READ important note regarding the Australian Bred Roses information compiled by Kate L. Stanley…page 2 • Chronological Spreadsheet of Australian Rose Breeders ((Hybridists), accolades, cultivars…pages 3-17 • List of A-Z Australian Bred (AB) roses by Rose Breeder (that doesn’t fit into Spreadsheet Table)…pages 18-32 • List of WALSH roses …pages 32-34 • List of MILLINGTON roses…pages 34-39 • Answers for April Crossword…page 41 An Autumn Poem… “A hush has come over the garden, Just a crinkle and crunch of fallen leaves, The cars and planes punctuating what’s heard, Are silenced for a time. A reflective time in our gardens Hearing little birds’ search for worms, The rich blue sky and warming sun, Lighting up the leaves in colour ” . K.S. 12.5.20 , Page 1 UNSH Newsletter 2020. 5.May Membership Renewal due by June 30th 2020. Please send your money to State as per form sent out in “The Rose”. -
Tudor Roses Kindle
TUDOR ROSES PDF, EPUB, EBOOK Alice Starmore | 176 pages | 06 Dec 2013 | Dover Publications Inc. | 9781606600474 | English | New York, United States Tudor Roses PDF Book I had to laugh when I saw pattern notes that referred to a couple of the patterns as "easy". This category only includes cookies that ensures basic functionalities and security features of the website. John and Terre were warm, welcoming hosts. I designed and made garments never seen in knitting before, full of meaningful details, carefully constructed to evoke character. Necessary cookies are absolutely essential for the website to function properly. We also use third-party cookies that help us analyze and understand how you use this website. Enlarge cover. The crowned and slipped Tudor rose is used as the plant badge of England, as Scotland uses the thistle , Wales uses the leek , and Ireland uses the shamrock Northern Ireland sometimes using flax instead. I compared the old patterns with those in the new book and find it interesting to see the more updated colors of those patterns that were in the original. The knitwear designs that appear in the version of this title have been altered and updated from those that appeared in the version. Your pictures Take a look at the photos you sent us during the show. See 1 question about Tudor Roses…. The Tudor Rose is as much a part of English heraldry now as it has always been, and is still worn on the uniform of the Yeoman Guards Beefeaters at the Tower of London. We will continue to pay part of your postage and packaging costs, but we are asking our UK customers to contribute to their shipping costs as follows —. -
Mickey Mayhew Phd Final2018.Pdf
‘Skewed intimacies and subcultural identities: Anne Boleyn and the expression of fealty in a social media forum’ Mickey Mayhew A Thesis submitted in fulfilment of the requirements for the degree of Doctor of Sociology at London South Bank University Supervisors: Doctor Shaminder Takhar (Director of Studies) and Doctor Jenny Owen Faculty of Arts and Human Sciences, Department of Social Sciences & Department of Media and Cultural Studies, London South Bank University 1 Abstract The aim of this research project was the investigation of a subculture surrounding the famous Tudor queen Anne Boleyn; what that possible subculture means for those involved, and if it constituted part of a new phenomenon of female orientated online subcultures; cybersubcultures. Through the analysis of film, TV, historical literature and fiction, the research illustrates how subcultures are perpetuated through generations cyclically. The research then documents the transition from the traditional or ‘classic’ subcultural model of the 60s to the 21st century cybersubculture and fandom, suggesting a new way of thinking about subcultures in a post-subcultural age. The research suggests that the positioning of Anne Boleyn as a feminist icon/role model, based mainly on a media-mediated image, has formed a subculture which thrives on disjointed imagery and discourse in order to form a subculture of peculiarly subtle resistance. This new cybersubculture reflects the ways in which women are now able to use social media to form communities and to communicate, sharing concerns over men and marriage, all whilst percolating around the media-mediated image of Anne Boleyn as their starting point. These interactions – and the similarities they shared with the ‘classic’ subcultural style - form the data for this research project. -
The Portcullis Revised August 2010
Factsheet G9 House of Commons Information Office General Series The Portcullis Revised August 2010 Contents Introduction 2 Other uses for the Portcullis 2 Charles Barry and the New Palace 3 Modern uses 4 This factsheet has been archived so the content City of Westminster 4 and web links may be out of date. Please visit Westminster fire office 4 our About Parliament pages for current Other users 5 information. Styles 5 Appendix A 7 Examples of uses of the Portcullis 7 Further reading 8 Contact information 8 Feedback form 9 The crowned portcullis has come to be accepted during the twentieth century as the emblem of both Houses of Parliament. As with many aspects of parliamentary life, this has arisen through custom and usage rather than as a result of any conscious decision. This factsheet describes the history and use of the Portcullis. August 2010 FS G 09 Ed 3.5 ISSN 0144-4689 © Parliamentary Copyright (House of Commons) 2009 May be reproduced for purposes of private study or research without permission. Reproduction for sale or other commercial purposes not permitted. 2 The Portcullis House of Commons Information Office Factsheet G9 Introduction Since 1967, the crowned portcullis has been used exclusively on House of Commons stationery. It replaced an oval device, which had been in use since the turn of the twentieth century, on the recommendation of the Select Committee on House of Commons (Services). The portcullis probably came to be associated with the Palace of Westminster through its use, along with Tudor roses, fleurs-de-lys and pomegranates, as decoration in the rebuilding of the Palace after the fire of 1512. -
Alaris Capture Pro Software
The Red Rose of Lancaster? JOHN ASHDOWN—HILL In the fifteenth century the rival houses of Lancaster and York fought the ‘Wars of the Roses’ for possession of the crown. When, in 1485, the new Tudor monarch, Henry VII, brought these wars to an end, he united, by his mam'age to Elizabeth of York, the red rose of Lancaster and the white rose of York, to create a new emblem and a new dynasty. Thus was born the Tudor rose. So might run a popular account, and botanists, searching through the lists of medieval rose cultivars, have even proposed identifications of the red rose of Lancaster with Rosa Gallica and the white rose of York with Rosa Alba, while the bi-coloured Tudor rose is linked to the naturally occurring variegated sport of Rosa Gallica known as ‘Rosa Mundi’ (Rosa Gallica versicolor), or alternatively, to the rather paler Rosa Damascena versicolor. It should, perhaps, be observed that Rosa Gallica, while somewhat variable in colour. is more likely to be a shade of pink than bright red, and Rosa Alba, while generally white in colour, also occurs in shades of pink, so that in nature the colour~distinction between the two roses is not always clear. ‘Rosa Mundi’ is also strictly speaking variegated in two shades of pink, rather than being literally red and white.‘ The label ‘Wars of the Roses’was a late invention, first employed only in 1829, by Sir Walter Scott, in his romantic novel Anne of Geierstein.2 The story of the rose emblems might appear on casual inspection to be well-founded, for we find ample evidence of Tudor roses bespattering Tudor coinage and royal architecture, for example, at Hampton Court, the Henry VII chapel at Westminster, and at Cambridge, on the gates of Christ’s and St John’s Colleges, and in King’s College chapel. -
Heraldic Badges, We
P/zoto . S ooner p . ) F 1 0 I . f f - A ee eater (Tower o London) in his full dre ss unifo rm s ho win the B , g o f “ e ancient method earing the badg . ARTH UR CH ARL ES FO " - DAVIES ’ O F L x N O L - - C N s IN N , BA R R IST ER AT LA W WIT H NUME ROUS I L L U S T R A T I O N S LO DO : OH LA THE BODL Y H AD N N J N NE , E E N EW YORK : OH LA CO PA Y C VI I J N NE M N . M M WI L I M L W L D L S . L A C O ES A N D SON S , LT D . , O N DON A N BECC E L IS T OF IL L US TR A TION S F IG . 1 A f T ower o f L f - s . Bee eater ( ondon) in his ull dre s uni f n o f orm , showing the a cient method wearing the badge Frontispie ce T O F AC E PAG E 2 o f E f 2 2 . The Badge ngland , rom the Royal Warrant o f f 3 . The Badge Scotland , rom the Royal Warrant e of f 4 . The Badg Ireland , rom the Royal Warrant o f f 5 The second Badge Ireland , rom the Royal War rant 6 fl o f U f . The ( oral) Badge the nited Kingdom , rom the Royal Warrant o f U n f t he 7 . -
Royal Coin for Her Majesty Anna Leigh Late Medieval English Gold Coin
Royal Coin for Her Majesty Anna Leigh Late Medieval English Gold Coin In the latter half of the 16th century, gold became abundant throughout Europe, and English gold coins became more prevalent. The increase in gold supply was primarily because of an influx of gold from the New World (via Spain), but also due to the success of English privateers. The use of gold coinage was a great boon to the Royal economy, and gold is considered a major reason for the economic success that occurred at the start of the Tudor reigns. Gold coinage was so important that most mints were not permitted to strike in gold. Whereas silver mints were scattered throughout England, gold coins came exclusively from the Tower of London. At the same time, new technology was emerging that would change minting. The screw-press replaced medieval striking techniques, providing more uniform and reliable imprints and paving the way for modern coinage. Coins from this period in England to not include minting dates, so the dating is based on coin styles and content. The die axis of these coins, like most medieval coins, is random. As the medieval period came to an end, there was a series of massive debasements in which the royalty secretly diluted the gold content of coins without changing their nominal value. This debasement resulted in a loss of trust in coinage that had been based on the inherent value of metals, and marked the end of medieval coinage. The Royal coin for HRM Anna Leigh is made of “jeweler’s gold”, a type of brass intended to have a similar color to modern gold jewelry. -
The Readers' Advisory Guide to Historical Fiction
The Readers’ Advisory Guide to Historical Fiction www.alastore.ala.org ALA READERs’ ADVISORY SERIES The Readers’ Advisory Guide to Genre Blends The Readers’ Advisory Guide to Horror Serving Boys through Readers’ Advisory The Readers’ Advisory Guide to Graphic Novels The Readers’ Advisory Guide to Genre Fiction, second edition Research-Based Readers’ Advisory The Readers’ Advisory Guide to Nonfiction Serving Teens through Readers’ Advisory The Horror Readers’ Advisory: The Librarian’s Guide to Vampires, Killer Tomatoes, and Haunted Houses The Science Fiction and Fantasy Readers’ Advisory: The Librarian’s Guide to Cyborgs, Aliens, and Sorcerers The Mystery Readers’ Advisory: The Librarian’s Clues to Murder and Mayhem The Romance Readers’ Advisory: The Librarian’s Guide to Love in the Stacks The Short Story Readers’ Advisory: A Guide to the Best The Readers’Advisory Handbook The Readers’ Advisory Guide to Street Literature The Readers’ Advisory Guide to Mystery, second edition www.alastore.ala.org The Readers’ Advisory Guide to Historical Fiction Jennifer S. Baker An imprint of the American Library Association Chicago 2015 www.alastore.ala.org JENNIFER BAKER earned her master’s degree in librarianship at the University of Washington and now works at the Seattle Public Library’s Reader Services Department as a reference and readers’ advisory librarian. Baker currently serves on the Listen List Award committee, sponsored by the Reference and User Services (RUSA) division of the American Library Association, and she has also served on the Reading List Council. She reviews his- torical suspense for Booklist, serves on the consulting team for EBSCO Publishing’s Adult Core Collection, and is the author of several readers’ advisory articles in Library Journal, NoveList, and Reference and User Services Quarterly. -
Beefeaters, British History and the Empire in Asia and Australasia Since 1826
University of Huddersfield Repository Ward, Paul Beefeaters, British History and the Empire in Asia and Australasia since 1826 Original Citation Ward, Paul (2012) Beefeaters, British History and the Empire in Asia and Australasia since 1826. Britain and the World, 5 (2). pp. 240-258. ISSN 2043-8575 This version is available at http://eprints.hud.ac.uk/id/eprint/14010/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Beefeaters, British history and the Empire in Asia and Australasia since 1826 Paul Ward, Academy for British and Irish Studies, University of Huddersfield, UK A revised version of this article is published in Britain and the World. Volume 5, Page 240-258 DOI 10.3366/brw.2012.0056, ISSN 2043-8567 Abstract The Yeoman Warders at the Tower of London (colloquially known as ‘Beefeaters’) have been represented as a quintessential part of British history. -
Iolanda Ramos Universidade Nova De Lisboa
A NOT SO SECRET GARDEN: ENGLISH ROSES, Iolanda Ramos VICTORIAN AESTHETICISM AND THE MAKING OF Universidade Nova de SOCIAL IDENTITIES Lisboa 1 Lady Lilith (1872), Dante Gabriel Rossetti, Delaware Art Museum 1 Iolanda Ramos is Assistant Professor at the FCSH-NOVA University of Lisbon, where she has been teaching since 1985, and a researcher at the Centre for English, Translation and Anglo-Portuguese Studies (CETAPS). She has published eXtensively on Victorian Studies and Neo-Victorianism within the framework of Utopian Studies as well as on intercultural, visual and gender issues. Her most recent publications include Performing Identities and Utopias of Belonging (co-edited with Teresa Botelho, Newcastle upon Tyne: CSP, 2013) and Matrizes Culturais: Notas para um Estudo da Era Vitoriana (Lisboa: Edições Colibri, 2014). GAUDIUM SCIENDI, Número 8, Julho 2015 98 A NOT SO SECRET GARDEN: ENGLISH ROSES, Iolanda Ramos VICTORIAN AESTHETICISM AND THE MAKING OF Universidade Nova de SOCIAL IDENTITIES Lisboa his essay seeks to draw on theories of representation so as to link the multi- signifying dimension of the garden with the language of flowers as T conveying a social and moral code, acknowledged both in the Victorian age and today, and therefore ultimately aims to revisit the making of social identities. It begins by placing the English rose within the tradition of British national symbols and proceeds to highlight how floral symbolism was widely used in the arts, focusing on a selection of Pre- Raphaelite paintings in order to show how floral imagery both sustained and subverted stereotyped female roles. It goes on to argue that floral representations were used as a means for women to recognise their "natural" place in society. -
А.И. Павлова Royal Traditions in Britain the Royal Family Is One Of
стым для произношения и запоминания; создавать запоминающиеся ас- социации; вызывать доверие. Библиографический список 1. Алекс Френкель. Нейминг. Как игра в слова становятся бизнесом. М.: До- брая книга, 1999. 2. Г. Чармессон. Торговая марка: как создать имя, которое принесет миллио- ны. СПб: Питер, 1999. 3. http://avtorstva.ru/nejming/nejming-kompanii/ 4. Бернар Гали. Brand. Рождение имени. Энциклопедия. М.: Этерна, 2007. А.И. Павлова 10 кл., МБОУ гимназия № 103 г. Минеральные Воды науч. рук. Е.В. Кулакова Royal Traditions in Britain The Royal Family is one of the most signifi cant national symbols of the UK. The history of the English Crown is over a thousand years old. The role of the Monarchy in the state has changed during the long period of the his- tory. Now The Queen carries out a lot of traditional important tasks on behalf of the nation. She appoints the PM at the end of the election, summons and dissolves the Parliament, recognizes foreign states and governments, makes formal appointments to the most important offi ces of the state in the Armed Forces and churches, concludes treaties, confers peerages, knighthoods and other honours. But there are special royal occasions, taking place regularly each year. They are colourful and exciting events. The State Opening of Parliament is the most important event of the Par- liamentary year. The ceremony traditionally takes place in November or after a General Election. Before The Queen travels to Parliament from Bucking- ham Palace, certain traditional precautions are observed. A detachment of The Queen’s Body Guard of the Yeomen of the Guard searches the cellars of the Houses of Parliament. -
Hosehold Cavalry
Changing the Guard, Guarding the Change of History 1. INTRODUCTION The Queen's Guard and Queen's Life Guard are the names given to contingents of cavalry and infantry soldiers charged with guarding the official royal residences in London. The British Army has had regiments of both Horse Guards and Foot Guards since before the restoration of King Charles II, and, since 1660, these have been responsible for guarding the Sovereign Palaces. The Queen's Guard and Queen's Life Guard is mounted at the royal residences which come under the operating area of London District, which is responsible for the administration of the Household Division; this covers Buckingham Palace, St James's Palace and the Tower of London, as well as Windsor Castle. The Queen's Guard is also mounted at the sovereign's other official residence, the Palace of Holyroodhouse, but not as regularly as in London. In Edinburgh, the guard is the responsibility of the resident infantry battalion at Redford Barracks. It is not mounted at the Queen's private residences at Sandringham or Balmoral. The Queen's Guard is the name given to the contingent of infantry responsible for guarding Buckingham Palace and St. James's Palace (including Clarence House) in London. The guard is made up of a company of soldiers from a single regiment, which is split in two, providing a detachment for Buckingham Palace and a detachment for St James's Palace. Because the Sovereign's official residence is still St James's, the guard commander (called the 'Captain of the Guard') is based there, as are the regiment's colours.