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UNIVERSITY of CALIFORNIA Los Angeles Byzantine Liturgy and The
UNIVERSITY OF CALIFORNIA Los Angeles Byzantine Liturgy and the Primary Chronicle A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Slavic Languages and Literatures by Sean Delaine Griffin 2014 ABSTRACT OF THE DISSERTATION Byzantine Liturgy and the Primary Chronicle by Sean Delaine Griffin Doctor of Philosophy in Slavic Languages and Literatures University of California, Los Angeles, 2014 Professor Gail Lenhoff, Chair The monastic chroniclers of medieval Rus’ lived in a liturgical world. Morning, evening and night they prayed the “divine services” of the Byzantine Church, and this study is the first to examine how these rituals shaped the way they wrote and compiled the Povest’ vremennykh let (Primary Chronicle, ca. 12th century), the earliest surviving East Slavic historical record. My principal argument is that several foundational accounts of East Slavic history—including the tales of the baptism of Princess Ol’ga and her burial, Prince Vladimir’s conversion, the mass baptism of Rus’, and the martyrdom of Princes Boris and Gleb—have their source in the feasts of the liturgical year. The liturgy of the Eastern Church proclaimed a distinctively Byzantine myth of Christian origins: a sacred narrative about the conversion of the Roman Empire, the glorification of the emperor Constantine and empress Helen, and the victory of Christianity over paganism. In the decades following the conversion of Rus’, the chroniclers in Kiev learned these narratives from the church services and patterned their own tales of Christianization after them. The ii result was a myth of Christian origins for Rus’—a myth promulgated even today by the Russian Orthodox Church—that reproduced the myth of Christian origins for the Eastern Roman Empire articulated in the Byzantine rite. -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Through the Reign of Catherine the Great
Chapter Thirty-two Religion in Eastern Europe and the Middle East from 1648 through the Reign of Catherine the Great What in Polish and Lithuanian history is called “the Deluge” began in 1648, with the revolt of Ukraine from the Polish-Lithuanian Commonwealth. Ukraine has been important in the history of religion, and especially of Judaism. The Hasidic movement began in Ukraine in the eighteenth century. A century earlier, Ukraine had been the scene of an especially dark chapter in Jewish history. In what is conventionally called “the Khmelnytsky Uprising” (1648-1654) Orthodox Christians killed many thousands of Judaeans, and those who survived were forced temporarily to flee for safety to other lands. In order to see the Khmelnytsky Uprising and the rise of Hasidism in perspective, a summary glance at earlier Ukrainian history is necessary. Early history of Ukraine: Judaism and Orthodox Christianity in Kievan Rus We have seen in Chapter 24 that from the eighth century to the 960s the steppe country above the Black Sea, the Caucasus range and the Caspian had been ruled by the khan or khagan of the Khazars. Prior to the arrival of the Khazars the steppe had been controlled consecutively by coalitions of mounted warriors named Sarmatians, Goths, Huns and Avars. Under these transient overlords the valleys of the great rivers - Bug, Dniester, Dnieper, Don, Volga - were plowed and planted by a subject population known to the historian Jordanes (ca. 550) as Antes and Sclaveni. From the latter designation comes the name, “Slavs,” and it can be assumed that the steppe villagers spoke a variety of Slavic dialects. -
Gifts of the Spirit Handbook
the gifts ofthe Spirit The Gifts of the Spirit a contemporary resource pack First published in the United Kingdom in 2009 Pauline Books & Media Slough SL3 6BS, UK www.pauline-uk.org notes and creative ideas Copyright © Pauline Books & Media UK 2009 All rights reserved. Scripture quotations — Christian Community Bible contents © 1999 Bernardo Hurault, Claretian Publications Used with permission introduction 3 Images and materials on this CD ROM are for educational and pastoral use only, not for com- wisdom 4 mercial distribution in any form. Reproduction by any means, including electronic transmission, right judgement 6 is prohibited without permission in writing from the publisher. courage 8 understanding 10 Text written by Matthew van Duyvenbode knowledge 12 Consultants — Alice Murphy and Sue Cooper reverence 14 Edited by Maria Rosario D Agtarap fsp wonder and awe 16 my gift 18 Designed by Mary Louise Winters fsp music discussion starters 20 BOOKS & MEDIA www.pauline-uk.org Middle Green, Slough SL3 6BS – UK T 01753 577629 F 01753 511809 E [email protected] Pauline Books & Media is an expression of the ministry of the Daughters of St Paul. introduction Everyone wants to love and be loved. The difficulty is in knowing how. When love goes wrong, real damage can be done to people. But when love works it is spectacular. It is a many-splendoured thing. And this resource pack lays out some of those splendours to help people find true love in their life, a love that will last and set them free. The fireworks and other big emotions we experience in loving are to be treasured and enjoyed. -
Russian Viking and Royal Ancestry
GRANHOLM GENEALOGY RUSSIAN/VIKING ANCESTRY Direct Lineage from: Rurik Ruler of Kievan Rus to: Lars Erik Granholm 1 Rurik Ruler of Kievan Rus b. 830 d. 879 m. Efenda (Edvina) Novgorod m. ABT 876 b. ABT 850 2 Igor Grand Prince of Kiev b. ABT 835 Kiev,Ukraine,Russia d. 945 Kiev,Ukraine,Russia m. Olga Prekrasa of Kiev b. ABT 890 d. 11 Jul 969 Kiev 3 Sviatoslav I Grand Prince of Kiev b. ABT 942 d. MAR 972 m. Malusha of Lybeck b. ABT 944 4 Vladimir I the Great Grand Prince of Kiev b. 960 Kiev, Ukraine d. 15 Jul 1015 Berestovo, Kiev m. Rogneda Princess of Polotsk b. 962 Polotsk, Byelorussia d. 1002 [daughter of Ragnvald Olafsson Count of Polatsk] m. Kunosdotter Countess of Oehningen [Child of Vladimir I the Great Grand Prince of Kiev and Rogneda Princess of Polotsk] 5 Yaroslav I the Wise Grand Duke of Kiew b. 978 Kiev d. 20 Feb 1054 Kiev m. Ingegerd Olofsdotter Princess of Sweden m. 1019 Russia b. 1001 Sigtuna, Sweden d. 10 Feb 1050 [daughter of Olof Skötkonung King of Sweden and Estrid (Ingerid) Princess of Sweden] 6 Vsevolod I Yaroslavich Grand Prince of Kiev b. 1030 d. 13 Apr 1093 m. Irene Maria Princess of Byzantium b. ABT 1032 Konstantinopel, Turkey d. NOV 1067 [daughter of Constantine IX Emperor of Byzantium and Sclerina Empress of Byzantium] 7 Vladimir II "Monomach" Grand Duke of Kiev b. 1053 d. 19 May 1125 m. Gytha Haraldsdotter Princess of England m. 1074 b. ABT 1053 d. 1 May 1107 [daughter of Harold II Godwinson King of England and Ealdgyth Swan-neck] m. -
Copyrighted Material
335 Index a “After You Get What You Want, You “Aba Daba Honeymoon” 151 Don’t Want It” 167 ABBA 313 Against All Odds (1984) 300 Abbott and Costello Meet Frankenstein “Age of Not Believing, The” 257 (1948) 155 Aguilera, Christina 323, 326 Abbott, Bud 98–101, 105, 109, 115 “Ah Still Suits Me” 87 ABC 229–230 “Ah, Sweet Mystery of Life” 78 Abdul, Paula 291 AIDS 317–318 About Face (1953) 151 “Ain’t There Anyone Here for “Abraham” 110–111 Love?” 170 Absolute Beginners (1986) 299 Aladdin (1958) 181 Academy Awards 46, 59, 73–74, 78, 82, Aladdin (1992) 309–310, 312, 318, 330 89, 101, 103, 107, 126, 128, 136, 140, Aladdin II, The Return of Jafar 142, 148–149, 151, 159, 166, 170, 189, (1994) 309 194, 200, 230, 232–233, 238, 242, 263, Alamo, The (1960) 187 267, 271, 282, 284, 286, 299, 308–309, Alexander’s Ragtime Band (1938) 83, 319, 320–321 85–88 Ackroyd, Dan 289 Alice in Wonderland (1951) 148 Adler, Richard 148 Alice in Wonderland: An X‐Rated Admiral Broadway Revue (1949) 180 Musical Fantasy (1976) 269 Adorable (1933) 69 All‐Colored Vaudeville Show, An Adventures of Priscilla, Queen of the (1935) 88 Desert, The (1994) 319 “All God’s Chillun Got Rhythm” 88–89 African AmericansCOPYRIGHTED 13–17, 21, 24, 28, 40, All New MATERIAL Mickey Mouse Club, The 43, 54–55, 78, 87–89, 109–111, 132, (1989–94) 326 163–164, 193–194, 202–203, 205–209, “All Out for Freedom” 102 213–216, 219, 226, 229, 235, 237, All‐Star Revue (1951–53) 179 242–243, 258, 261, 284, 286–287, 289, All That Jazz (1979) 271–272, 292, 309, 293–295, 314–315, 317–319 320, 322 “After the Ball” 22 “All You Need Is Love” 244 Free and Easy? A Defining History of the American Film Musical Genre, First Edition. -
VI. Meanwhile Back at the Ranch
VI. Meanwhile, Back at the Ranch… Classical music was in a confused and confusing state of flux during the Jazz Age and the Swing Era. The first crack in its façade came in 1860, when Richard Wagner’s opera Tris- tan und Isolde first explored atonal harmonies and unusual chord positions to create a sound world that was uncertain and, to many listeners, difficult to grasp, but the first wave of com- posers influenced by this aesthetic didn’t appear until the 1890s. The earliest and most famous of these were Richard Strauss, whose tone poems Death and Transfiguration, Also Sprach Zarathustra, Till Eulenspiegel and Don Juan opened up a new sound world to thousands of listeners, but concurrent with Strauss were the even more complex scores of Gustav Mahler and Claude Debussy, who fused Wagnerian harmony onto new melodic forms that were even more complex than Strauss’. Debussy, with his slightly more congenial melodic structure and transparent orchestration, was moderately accepted by the greater body of classical listeners, yet when Toscanini premiered his opera Pelléas et Mélisande at La Scala in 1904 it created a riot almost as vociferous as that which greeted Stravinsky’s ballet Le Sacre du Printemps in Paris seven years later. Mahler’s music, with its very complex and (to contemporary listeners) confusing structures, was rejected not only by classical audiences but also by most musicians and critics until 1910, when his Eighth Symphony was premiered to an enthusiastic audience, but even after that point most conductors wouldn’t touch his music with the exception of Wil- lem Mengelberg and Mahler’s protégés, Otto Klemperer, Bruno Walter and Oskar Fried. -
Mulieris Dignitatem, John Paul II, 15 August 1988 - Apostolic Letter
Mulieris Dignitatem, John Paul II, 15 August 1988 - Apostolic Letter http://www.vatican.va/holy_father/john_paul_ii/apost_letters/docum... APOSTOLIC LETTER MULIERIS DIGNITATEM OF THE SUPREME PONTIFF JOHN PAUL II ON THE DIGNITY AND VOCATION OF WOMEN ON THE OCCASION OF THE MARIAN YEAR Venerable Brothers and dear Sons and Daughters, Health and the Apostolic Blessing. I INTRODUCTION A sign of the times 1. THE DIGNITY AND THE VOCATION OF WOMEN - a subject of constant human and Christian reflection - have gained exceptional prominence in recent years. This can be seen, for example, in the statements of the Church's Magisterium present in various documents of the Second Vatican Council, which declares in its Closing Message: "The hour is coming, in fact has come, when the vocation of women is being acknowledged in its fullness, the hour in which women acquire in the world an influence, an effect and a power never hitherto achieved. That is why, at his moment when the human race is undergoing so deep a transformation, women imbued with a spirit of the Gospel can do so much to aid humanity in not falling".1 This Message sums up what had already been expressed in the Council's teaching, specifically in the Pastoral Constitution Gaudium et Spes2 and in the Decree on the Apostolate of the Laity Apostolicam Actuositatem.3 Similar thinking had already been put forth in the period before the Council, as can be seen in a number of Pope Pius XII's Discourses4 and in the Encyclical Pacem in Terris of Pope John XXIII.5 After the Second Vatican Council, my predecessor Paul VI showed the relevance of this "sign of the times", when he conferred the title "Doctor of the Church" upon Saint Teresa of Jesus and Saint Catherine of Siena,6 and likewise when, at the request of the 1971 Assembly of the Synod of Bishops, he set up a special Commission for the study of contemporary problems 1 of 42 5/31/05 2:53 PM Mulieris Dignitatem, John Paul II, 15 August 1988 - Apostolic Letter http://www.vatican.va/holy_father/john_paul_ii/apost_letters/docum.. -
Biography: 850 Words)
Sara Davis Buechner (long biography: 850 words) Sara Davis Buechner is one of the leading concert pianists of our time. She has been praised worldwide as a musician of “intelligence, integrity and all- encompassing technical prowess” (New York Times); lauded for her “fascinating and astounding virtuosity” (Philippine Star), and her “thoughtful artistry in the full service of music” (Washington Post); and celebrated for her performances which are “never less than 100% committed and breathtaking” (Pianoforte Magazine, London). Japan’s InTune magazine says: “When it comes to clarity, flawless tempo selection, phrasing and precise control of timbre, Buechner has no superior.” In her twenties, Ms. Buechner was the winner of a bouquet of prizes at the world’s première piano competitions -- Queen Elisabeth of Belgium, Leeds, Salzburg, Sydney and Vienna. She won the Gold Medal at the 1984 Gina Bachauer International Piano Competition, and was a Bronze Medalist of the 1986 Tschaikowsky International Piano Competition in Moscow. With an active repertoire of more than 100 piano concertos ranging from A (Albeníz) to Z (Zimbalist) -- one of the largest of any concert pianist today -- she has appeared as soloist with many of the world’s prominent orchestras: New York, Philadelphia, Cleveland, Saint Louis, San Francisco, Montréal, Edmonton, Vancouver, Victoria, Honolulu, Qingdao and Tokyo; the CBC Radio Orchestra, Japan Philharmonic, City of Birmingham (U.K.) Symphony Orchestra, BBC Philharmonic, Moscow Radio Symphony, Kuopio (Finland) Philharmonic, Slovak Philharmonic and the Orquesta Sinfónica de Castilla y León (Spain). Audiences throughout North America have applauded Ms. Buechner’s recitals in venues such as Carnegie Hall, Lincoln Center, Kennedy Center and the Hollywood Bowl; and she enjoys wide success throughout Asia where she tours annually. -
Artie Shaw 1938-1939
Glenn Miller Archives ARTIE SHAW 1938-1939 Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 1 Table of Contents I. 1938 ................................................................................................................... 3 June 1938 ............................................................................................................... 3 July 1938 ................................................................................................................ 4 August 1938 ......................................................................................................... 12 September 1938 ................................................................................................... 15 October 1938 ........................................................................................................ 32 November 1938 .................................................................................................... 37 December 1938 .................................................................................................... 60 II. 1939 ............................................................................................................... 101 January 1939 ...................................................................................................... 101 February 1939 .................................................................................................... 131 March 1939 ........................................................................................................ -
Dana Suesse Collection Finding Aid (PDF)
University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch …………………………………………………………………… 2 Scope And Content …………………………………………………………………… 4 Container List …………………………………………………………………… 5 MS280-Dana Suesse Collection 1 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION BIOGRAPHICAL SKETCH Before the age of six, Suesse studied piano and organ, and appeared in midwest vaudeville and concert stages as a pianist and dancer. Even as a child she added her own compositions to her concerts and captivated audiences with improvisations. Suesse and her mother moved to New York City in December 1926. They became active in a myriad of cultural events, and were indelibly enamored of Manhattan. Unable to sell her salon music, she experimented in the medium known as “jazz” and succeeded in composing popular songs and short instrumentals in the modern manner. In a few years she was able to comfortably support herself and her family as composer of popular tunes as well as larger works, hence the nickname “girl Gershwin” (The New Yorker, December 16, 1933). Suesse had enormous success with songs such as Have You Forgotten, Ho Hum, My Silent Love and You Oughta Be in Pictures. Throughout the 1930s she performed her compositions in the most important entertainment venues of the east coast, including Radio City Music Hall, Madison Square Garden, the Metropolitan Opera House, Brooklyn Academy of Music, Boston Symphony Hall and network radio. Her works were conducted by Ferde Grofé, Arthur Fiedler, Erno Rapée, Nathaniel Shilkret, Alfred Wallenstein, Eugene Goossens, Josef Krips and most importantly, Paul Whiteman.