DOCSLIB.ORG

Artistry in Rhythm BROCHURE

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Artistry in Rhythm BROCHURE . 0 A G 6 E p ese C R r nt 2 s G , O 1 A H . T T D C I O I S F A N O E O A P T B R I . P P G S M . N N R U O E O N P L ArArttiissttrryy iinn RRyytthhmm 8 3 0 0 - 8 0 8 0 9 A e C t , u t h i t c s a n e I B z a stan kenton z g a n J o s L m e o , l c . 8 e s alumni reunion e g 3 g n 0 a A 8 m i A Four Day Jazz Festival S s x T o o C / L B C celebrating the musicians L . e L O h . y T P h p and music that created the a r g o t o Stan Kenton Orchestra Legacy h P d r a n o e L n a m r e H © October 8-11, 2009 Four Points Sheraton-LAX Los Angeles, CA lajazzinstitute.org nce again the Los Angeles Jazz Institute celebrates the Stan Kenton Orchestra the fabulous alumni of stan kenton Festival O Legacy by presenting Artistry in Rhythm: A Stan Kenton Alumni Reunion. This year’s plus special guests Details festival is a jam packed four days featuring the sights and sounds of the various Kenton Eras through concerts, films, panels and special presentations. In addition to concerts of original Saxophones Steve Huffsteter Percussion DATES Kenton music we are also featuring concerts Dick Meldonian Larry McGuire Peter Erskine October 8-11, 2009 of the music of important Kenton Alumni. Don Menza Bobby Shew Jack Costanzo Bill Trujillo Roger Ingram Gary Hobbs PLACE Highlights include: The Four Points Sheraton at LAX Kim Park John Daversa Composer/ 9750 Airport Blvd., Los Angeles, CA 90045 The special convention rate is $115 per night. CONCERTS FEATURING Joel Kaye Don Rader Leaders Hotel stay not included in registration fee. ORIGINAL KENTON MUSIC Greg Smith Reserve your room now by calling Trombones Bill Holman 1-(800) 529-4683 A Concert in Progressive Jazz Al Yankee Eddie Bert Al Porcino * The Music of Bob Graettinger * Kim Richmond Dale Devoe Jack Feierman HOW TO PURCHASE TICKETS Innovations in Modern Music Gene Cipriano Werner Herbers There are two ways to attend the festival. * Contemporary Concepts Roy Weigand You can purchase a full registration * Med Flory Kenny Shroyer Vocals package which includes reserved seating The Music of Dee Barton Gary Lefebvre at all events or you can purchase individual * Stan Kenton in the Seventies Mike Suter Stephanie Nakasian tickets on an event-by-event basis. * Bob Crosby The full registration packages are Jack Redmond Special $450 for the VIP or $400 for the Gold. CONCERTS FEATURING John Mitchell Individual event tickets range from $10-$30. Morris Repass Appearances by THE MUSIC OF KENTON ALUMNI Pete Christlieb PLATINUM VIP PACKAGE The Bill Holman Band Denny Brunk Howard Rumsey Includes preferred seating for all ballroom * Lanny Morgan concerts and is $450 in advance, Maynard Ferguson’s Andy Martin Milcho Leviev ($425 for Institute members.) * Fred Selden Birdland Dreamband Bass Jim Amlotte GOLD REGISTRATION PACKAGE Mike Vax Big Band featuring Trumpets Max Bennett Includes reserved seats for all ballroom * Stan Kenton Alumni Don Bagley concerts and is $400 Marvin Stamm Dave Stone ($375 for Institute members) * Shorty Rogers’ Cool and Crazy Carl Saunders INDIVIDUAL TICKETS Howard Rumsey’s Lighthouse Drums/ Tickets are available for each * All Stars-Music of Bob Cooper Mike Vax individual event (see order form in this brochure for details) Rugolomania- To order tickets by phone * The Music of Pete Rugolo or for more information Call (562) 985-7065 Something Cool- * A Portrait of June Christy Shelly Manne’s Men VENDOR * Tables are available. The Music of Frank Rosolino Call (562)985-7065 * The Music of Art Pepper for more information * And More A Presentation of Progressive Jazz Thursday Highlights October 8 | 8:00pm | $20 The Concert in Progressive Jazz features an all star alumni band performing music from Kenton’s Progressive Jazz Era 1947-48. The program includes Kenton classics from the pen of Pete Rugolo, Stan Kenton and Ken Hanna including newly discovered unrecorded works. The Music Of Bob Graettinger Directed by Werner Herbers October 8 | 9:30PM | $20 Bob Graettinger was the most controversial writer hired by Stan Kenton during the late 1940s but Kenton himself and many fans consider him to be a misunderstood genius. Our guest conductor Werner Herbers has spent several years tracking down and assembling the Graettinger music which will be presented at this special concert. Rugolomania The Pete Rugolo Orchestra October 8 | 1:30pm | $20 Rugolomania features a wide variety of Pete Rugolo music written for his various bands and projects utilizing the Pete Rugolo Collection from the Los Angeles Jazz Institute archive. Howard Rumsey’s Lighthouse All Stars Revisted The Music of Bob Cooper Featuring Andy Martin and Pete Christlieb October 8 | 4:30pm | $20 This concert honors two of Stan Kenton’s most important alumni Howard Rumsey and Bob Cooper featuring Coop’s original Lighthouse music which is housed at the Los Angeles Jazz Institute. Innovations in Modern Music Friday Highlights October 9 | 8:30pm | $30 The Innovations in Modern Music concert features an all-star alumni band plus strings performing the original Innovations music. This music is rarely performed in public and will be a highlight of Artistry in Rhythm. Shorty Rogers Big Band Cool and Crazy October 9 | 5:30pm | $20 Shorty Rogers was a significant member of the Innnovations in Modern Music Orchestra as both a writer and a member of the trumpet section. After he left the band in 1951 he settled in Los Angeles and became the father of West Coast Jazz. In 1953 he recorded one of the greatest big band albums of all time titled Cool and Crazy which we are proud to present in it’s entirety. Something Cool A Portrait of June Christy Featuring Stephanie Nakasian October 9 | 1:30pm | $20 After becoming famous as the featured vocalist with Stan Kenton, June Christy launched a solo career that established her as one of the great jazz vocalists of all time. Her collaborations with Pete Rugolo created a musical partnership on the level of Sinatra/Riddle. Stephanie Nakasian will perform her interpretations of the classic Christy/Rugolo charts drawn from the Bob Cooper/June Christy collection at the Los Angeles Jazz Institute archive. Surf Ride—The Music of Art Pepper Fred Selden Meets Art Pepper’s Rhythm Section Featuring Milcho Leviev October 9 | 4:00pm | $20 Fred Selden teams up with Art Pepper’s rhythm section to perform pieces written by and associated with Art Pepper. Shelly Manne’s Men Featuring Bobby Shew and Bill Trujillo October 9 | 12:00pm | $20 Shelly Manne was a major contributor to the success of both the Progressive Jazz Orchestra and Innovations in Modern Music. After leaving Kenton he became the most in demand drummer on the west coast and the leader of one of the outstanding small groups of all time. This concert revisits the music of Shelly Manne and His Men. Thursday, October 8 Friday, October 9 Saturday, October 10 Sunday, October 11 P 9:00-10:00 9:00-10:00 9:00-10:00 9:00-10:00 R California Ballroom California Ballroom California Ballroom California Ballroom Film 1 Film 2 Film 3 Film 4 The Kenton Era 1: 1941-48 The Kenton Era 2: Stan Kenton and The Kenton Era Part 3: The Vocalists The Kenton Era 4: O Clips featuring: Stan Kenton, Howard Rumsey, the Birth of West Coast Jazz Featuring clips of Anita O’ Day, Gene Howard, Stan Kenton, Bill Perkins, Pete Rugolo, Vido Musso, Bob Cooper, June Christy, Ann Richards Lennie Niehaus, Jack Sheldon, Featuring clips of: Stan Kenton, Shorty Rogers, G Shelly Manne, Laurindo Almeida, Jack Costanzo, Maynard Ferguson, Conte Candoli, Lee Konitz, Carl Fontana, Mel Lewis, Bill Chase, Eddie Bert, Buddy Childers, Eddie Safranski Bill Holman, Stan Levey, Richie Kamuca, 10:30-11:30 Scott Lafaro San Diego Room Zoot Sims, Bud Shank, Charlie Mariano, R 10:30-11:30 Frank Rosolino Presentation 3 10:15-11:00 San Diego Room Stan Kenton Rarities San Diego Room Presentation 1 10:30-11:30 Presented by Steven D. Harris Presentation 4 In Search of Bob Graettinger San Diego Room Jade Visions: The Life and A Robert Morgan and Werner Herbers Presentation 2 12:00-1:00 Music of Scott Lafaro A Portrait of Bud Shank Pool Patio presented by Helene La Faro-Fernandez 12:00-1:00 M Presented by Ken Poston Concert 11 Book signing to follow Pool Patio CSUN Jazz "A" Band Concert 1 12:00-1:00 Directed by Matt Harris 11:15-12:15 CSULB Concert Jazz Orchestra Pool Patio Pool Patio Directed by Jeff Jarvis Concert 6 1:30-2:30 Concert 16 California Ballroom Cal State Fullerton Jazz Ensemble 1:30-2:30 Shelly Manne’s Men Directed by Chuck Tumlinson California Ballroom Featuring Bobby Shew and Bill Trujillo Concert 12 Andy Martin Plays Frank Rosolino 12:30-1:30 Concert 2 1:30-2:30 Rugolomania: The Music of Pete Rugolo 2:45-3:45 San Diego Room The Pete Rugolo Orchestra California Ballroom Panel 5 Concert 7 San Diego Room Alumni Part 4 3:00-4:00 Something Cool Panel 3 Panelists: Kim Richmond, Mike Vax, Greg Smith, San Diego Room A Jazz Portrait of June Christy Alumni Part 3 Al Yankee, Peter Erskine, Mike Suter, Dale Devoe Panel 1: The Alumni Pt.
Load more

Recommended publications
  • Dave Black: a Publisher's Perspective by Rick Mattingly
    Dave Black: a Publisher’s Perspective By Rick Mattingly ave Black serves as Vice President and Another mistake I often see are people RM: I often saw books that came from teachers Editor-in-Chief, School & Church who try to write the bible of whatever sub- who said, “Instead of students having to buy Publications, for Alfred Music Pub- ject they’re teaching, and they send in a 200- several different drum books, this one book has Dlishing Company. A prolific composer page manuscript. No one is going to publish everything they need!” It would have a little bit and arranger, more than 60 of his composi- a book that size. Had they talked to the about reading, a little bit about rudiments, a tions and arrangements have been published publisher in advance and asked for a recom- couple of pages of Stick Control-type exercises, by Alfred, Barnhouse, CPP/Belwin, TRN, mended page count, they could have saved a little bit of rock drumset, a little bit of jazz Highland/Etling, and Warner Bros. Black themselves a lot of time. drumset, a little bit about fills, a little double has written for the bands of Louie Bellson, bass, a little odd-time stuff—a little bit of a lot RM: Sammy Nestico, Bill Watrous, Bobby Shew, Ed Based on what I saw when I used to review of things, but not enough of anything. Shaughnessy, Gordon Brisker, and the C.S.U., manuscripts for Hal Leonard, how many times DB: Right. The typical cover letter I often Northridge Jazz Ensemble.
    [Show full text]
  • Monday, June 30Th at 7:30 P.M. Blue Lake Fine Arts Camp Free Admission
    JUNE 2008 Listener BLUE LAKE PUBLIC RADIO PROGRAM GUIDE Monday, June 30th at 7:30 p.m. TheBlue Grand Lake Rapids Fine ArtsSymphony’s Camp DavidFree LockingtonAdmission WBLV-FM 90.3 - MUSKEGON & THE LAKESHORE WBLU-FM 88.9 - GRAND RAPIDS A Service of Blue Lake Fine Arts Camp 231-894-5656 http://www.bluelake.org J U N E 2 0 0 8 H i g h l i g h t s “Listener” Volume XXVI, No.6 “Listener” is published monthly by Blue Lake Public Radio, Route Two, Twin Lake, MI 49457. (231)894-5656. Summer at Blue Lake WBLV, FM-90.3, and WBLU, FM-88.9, are owned and Summer is here and with it a terrific live from operated by Blue Lake Fine Arts Camp Blue Lake and broadcast from the Rosenberg- season of performances at Blue Lake Fine Clark Broadcast Center on Blue Lake’s Arts Camp. Highlighting this summer’s Muskegon County Campus. WBLV and WBLU are public, non-commercial concerts is a presentation of Beethoven’s stations. Symphony No. 9, the Choral Symphony, Blue Lake Fine Arts Camp with the Blue Lake Festival Orchestra, admits students of any race, color, Festival Choir, Domkantorei St. Martin from national or ethnic origin and does not discriminate in the administration of its Mainz, Germany, and soloists, conducted programs. by Professor Mathias Breitschaft. The U.S. BLUE LAKE FINE ARTS CAMP Army Field Band and Soldier’s Chorus BOARD OF TRUSTEES will present a free concert on June 30th, and Jefferson Baum, Grand Haven A series of five live jazz performances John Cooper, E.
    [Show full text]
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • Morgenstern, Dan. [Record Review: Thad Jones & Mel Lewis: Live at the Village Vanguard] Down Beat 35:8 (April 18, 1968)
    Records are reviewed by Don DeMicheal, Gilbert M. Erskine, Kenny Dorha m, Barbara Gardner, Bill Mathieu, Marian McPartland, Dan Mor 11e nslar Bill Quinn, Harvey Pekar, William Russo, Harvey Siders, Pete Welding, John S. Wilson, and Michael Zwerin. Reviews are signed by !lie Wr't n, I ers Ratings are : * * * * * excellent, * * * * very good, * * * good, * * fair, * poor . ' When two catalog numbers are listed, the first is mono, and the second is stereo . times (especially on Yellow Days) · his Thad Jones-Mel Lewis •- •- -. ... touch is uncannily close to the master 's. LIVE AT THE Vl.LLAGB VANGUA.ll." Solid S1A1e SS l80l6: L/lflc Pi:<lo ll; ,1 "/l'v..,. BIG BANDS Two ringers were brought in to beef up l'reodom; Barba l'eo/i11'; Do11'1 Git Sn1ty• tltl•, /0111 Tree; Samba Co11 Gde/m. ' "' 1I. Duke Ellington the trumpet section, currently the ban.d's weakest link. Everybody was on best be­ Personnel: Jone1, flu·cgelhoro; Snooky y 0 SOUL CALL-Verve V/V6·870l: La Pim Bell• Jimmy No1tingb3m, Marvin Stamm, Rkfiard ~•• Af.-i&11l11r;IVett litdia11 Pa11caltt; Soul C111/;Slti11 Jiavior, it seems-the band sounds tight Iiams, Bill Berry. trumpets; Bob Brool<o, II, Du/I; Jan, Will, Sm11. and together at all times. The superb ·re­ Garnett Bl'owo, Tom Mclmo,h, Cliff fi~a~yer, Personnel: Cnt Anderson, Herbie Jones, Cootie irombones; Jerome Richnrdson, Jerry Dad !>tr, \Villla 'ms. M,rccer I!llingron. uumpors; Buster cord ing brings out the foll flavor of the Joe Parcell, '.Eddie Daniels, -Pepper Adams r~t• lloiaod Hannn piano; Sam Herm an, • IM • Cooper, Lawrence Brown, Chuck Connors , rrom• magnificent Ellington sound; the reeds, in 1 bonci.: Russell Procope.
    [Show full text]
  • Guide to the Bill Holman Collection
    Guide to the Bill Holman Collection NMAH.AC.0733 Scott Schwartz, Ann Kuebler, and Pam Kirby 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Music Manuscripts, 1952 - 1999.............................................................. 4 Series 2: Photographs and Business Records, 1975-1997.................................... 28 Bill Holman Collection NMAH.AC.0733 Collection Overview Repository: Archives Center, National Museum of American History Title: Bill Holman Collection Identifier: NMAH.AC.0733 Date:
    [Show full text]
  • Concert Jazz Orchestra
    PERSONNEL STUDIO JAZZ BAND CONCERT JAZZ ORCHESTRA Alto Sax—Hayden Dekker* Alto Sax—Kyle Myers*† Alto Sax—Jordan Guzman* Alto Sax—Grant Beach* Tenor Sax—Andrew Rosenblum* Tenor Sax—Brandon Baker* Tenor Sax—Brandon Muhawi* Tenor Sax—Josias Miguel* Baritone Sax—Emily Williams* Baritone Sax—Howard Hardaway* Trumpet—Max Maynard Trumpet—Andrew Solares*+ Trumpet—Elias Rodriguez* Trumpet—Adam Portocarrero*+ Trumpet—Ryan Furness* Trumpet—Evan Hamada*> Trumpet—Alex Hille Trumpet—Adam Rosenblum* CONCERT JAZZ Trombone—Ethan Saxe Trombone—Ethan Saxe Trombone—Luke Lizotte* Trombone—Chris Innes+ Trombone—Max Mineer* Trombone—Anna Menotti* Trombone—Daniel Nakazono Trombone—Rob Verdugo Trombone—Evan Wicks Guitar—Mauricio Martin* ORCHESTRA Vibes—Joseph Nazariego* Guitar—Daniel Mandrychenko* Piano—Eric Bell*^ Piano—Alex Flavell*^ Bass—Matthew Evans* Bass—Evan Tom*‡ Drums—Jackie Rush*^ / Ryan Dong* Drums—Karo Galadjian*^ *—Jazz Studies Major †—Beau & Jo France Graduate Jazz Studies Scholar STUDIO JAZZ BAND +—Cole Scholar ‡—Jazz Studies Scholar ^—KKJZ Scholar >—President's Scholar JEFF JARVIS, DIRECTOR UPCOMING “JAZZ AT THE BEACH” EVENTS JEFF HAMILTON, GUEST ARTIST November 23 Pacific Standard Time, Jazz & Tonic November 24 Jazz Lab Band, 4PM, Daniel Recital Hall December 6 Jazz @ the Nugget, 5PM SUNDAY, NOVEMBER 10, 2019 4:00PM GERALD R. DANIEL RECITAL HALL PLEASE SILENCE ALL ELECTRONIC MOBILE DEVICES. This concert is funded in part by the INSTRUCTIONALLY RELATED ACTIVITIES FUNDS (IRA) provided by California State University, Long Beach. recordings for such names as Lou Rawls, Michael Jackson, Melba Moore, The O’Jays and more. Live performance credits include Gladys Knight, Van Morrison, Dizzy Gillespie, Louie Bellson, Joe Williams, Benny Golson, Jon Hendricks, Jimmy Heath, Joe Lovano, Henry Mancini, Slide Hampton, Kevin Mahogany, Grady Tate, Eddie Daniels, Rob McConnell, and Doc Severinsen.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • Ron Mcclure • Harris Eisenstadt • Sackville • Event Calendar
    NEW YORK FebruaryVANGUARD 2010 | No. 94 Your FREE Monthly JAZZ Guide to the New ORCHESTRA York Jazz Scene newyork.allaboutjazz.com a band in the vanguard Ron McClure • Harris Eisenstadt • Sackville • Event Calendar NEW YORK We have settled quite nicely into that post-new-year, post-new-decade, post- winter-jazz-festival frenzy hibernation that comes so easily during a cold New York City winter. It’s easy to stay home, waiting for spring and baseball and New York@Night promising to go out once it gets warm. 4 But now is not the time for complacency. There are countless musicians in our fair city that need your support, especially when lethargy seems so appealing. To Interview: Ron McClure quote our Megaphone this month, written by pianist Steve Colson, music is meant 6 by Donald Elfman to help people “reclaim their intellectual and emotional lives.” And that is not hard to do in a city like New York, which even in the dead of winter, gives jazz Artist Feature: Harris Eisenstadt lovers so many choices. Where else can you stroll into the Village Vanguard 7 by Clifford Allen (Happy 75th Anniversary!) every Monday and hear a band with as much history as the Vanguard Jazz Orchestra (On the Cover). Or see as well-traveled a bassist as On The Cover: Vanguard Jazz Orchestra Ron McClure (Interview) take part in the reunion of the legendary Lookout Farm 9 by George Kanzler quartet at Birdland? How about supporting those young, vibrant artists like Encore: Lest We Forget: drummer Harris Eisenstadt (Artist Feature) whose bands and music keep jazz relevant and exciting? 10 Svend Asmussen Joe Maneri In addition to the above, this month includes a Lest We Forget on the late by Ken Dryden by Clifford Allen saxophonist Joe Maneri, honored this month with a tribute concert at the Irondale Center in Brooklyn.
    [Show full text]
  • Musica Jazz Autore Titolo Ubicazione
    MUSICA JAZZ AUTORE TITOLO UBICAZIONE AA.VV. Blues for Dummies MSJ/CD BLU AA.VV. \The \\metronomes MSJ/CD MET AA.VV. Beat & Be Bop MSJ/CD BEA AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Victor Jazz History vol. 13 MSJ/CD VIC AA.VV. Blue'60s MSJ/CD BLU AA.VV. 8 Bold Souls MSJ/CD EIG AA.VV. Original Mambo Kings (The) MSJ/CD MAM AA.VV. Woodstock Jazz Festival 1 MSJ/CD WOO AA.VV. New Orleans MSJ/CD NEW AA.VV. Woodstock Jazz Festival 2 MSJ/CD WOO AA.VV. Real birth of Fusion (The) MSJ/CD REA AA.VV. \Le \\grandi trombe del Jazz MSJ/CD GRA AA.VV. Real birth of Fusion two (The) MSJ/CD REA AA.VV. Saint-Germain-des-Pres Cafe III: the finest electro-jazz compilationMSJ/CD SAI AA.VV. Celebrating the music of Weather Report MSJ/CD CEL AA.VV. Night and Day : The Cole Porter Songbook MSJ/CD NIG AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Saint-Germain-des-Pres Cafe II: the finest electro-jazz compilationMSJ/CD SAI Adderley, Cannonball Cannonball Adderley MSJ/CD ADD Aires Tango Origenes [CD] MSJ/CD AIR Al Caiola Serenade In Blue MSJ/CD ALC Allison, Mose Jazz Profile MSJ/CD ALL Allison, Mose Greatest Hits MSJ/CD ALL Allyson, Karrin Footprints MSJ/CD ALL Anikulapo Kuti, Fela Teacher dont't teach me nonsense MSJ/CD ANI Armstrong, Louis Louis In New York MSJ/CD ARM Armstrong, Louis Louis Armstrong live in Europe MSJ/CD ARM Armstrong, Louis Satchmo MSJ/CD ARM Armstrong, Louis
    [Show full text]
  • Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
    1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
    [Show full text]
  • Art Pepper a Taste of Pepper Mp3, Flac, Wma
    Art Pepper A Taste Of Pepper mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: A Taste Of Pepper Country: Europe Released: 2010 Style: Bop MP3 version RAR size: 1175 mb FLAC version RAR size: 1614 mb WMA version RAR size: 1715 mb Rating: 4.8 Votes: 650 Other Formats: VOC WMA AC3 AAC MIDI AIFF MPC Tracklist Hide Credits Art Pepper Meets The Rhythm Section ( 1957 ) You'd Be So Nice To Come Home To 1-1 5:29 Composed By – C. Porter* Red Pepper Blues 1-2 3:41 Composed By – R. Garland* Imagination 1-3 5:55 Composed By – J. Van Heusen And J. Burke* Waltz Me Blues 1-4 3:00 Composed By – A. Pepper*, P. Chambers* Straight Life 1-5 4:02 Composed By – A. Pepper* Jazz Me Blues 1-6 4:50 Composed By – T. Delaney* Tin Tin Deo 1-7 7:45 Composed By – C. Pozo*, G. Fuller* Star Eyes 1-8 5:16 Composed By – D. Raye*, G. DePaul* Birks Works 1-9 4:20 Composed By – D. Gillespie* Mucho Calor ( 1958 ) Mucho Calor 2-1 6:55 Arranged By – Bill HolmanComposed By – B. Holman* Autumn Leaves 2-2 Arranged By – Benny CarterComposed By – G. Parsons*, J. Prévert*, J. 3:07 Mercer*, J. Kosma* Mambo De La Pinta 2-3 5:30 Arranged By – Art PepperComposed By – A. Pepper* I'll Remember April 2-4 2:22 Arranged By – Art PepperComposed By – D. Raye*, G. DePaul*, P. Johnston* Vaya Hombre Vaya 2-5 3:23 Arranged By – Bill HolmanComposed By – B. Holman* I Love You 2-6 5:49 Arranged By – Bill HolmanComposed By – C.
    [Show full text]
  • Scholarships…A Mission, Not an Option! by Don Bestor, Jr
    Winter, 2012 The Fort Pierce Jazz & Blues Society Newsletter Volume XVI MISSION: To promote the growth, appreciation and performance of Jazz & Blues – great American music art forms – through scholarships, workshops, clinics, weekly jazz jams and community outreach programs. Scholarships…a mission, not an option! By Don Bestor, Jr. prospective scholarship applicants to basis requires an extra effort to affect President get involved. Our very well put together positive results. This is just part of what A while ago, one scholarship program, I might add, is goes on “behind the scenes.” None of of our regular fans headed by one of our Board members, this deters our determination to get on approached me Mr. Al Hager, an award-winning educa- with what we’re here to accomplish. and asked if we were still sponsor- tor for more than 25 years! Please allow me to yell the answer ing students on their way to college in To manage an organization like the to the question of us being pro-active in the form of scholarships. That ques- Jazz and Blues Society of Fort Pierce the scholarship program: "YES!" We tion took me by surprise because that is an honor and it is something that remain committed to providing scholar- is why many of us dedicate our time I’m very respectful of. As you may or ships to those high school seniors who to this organization. The Society ac- may not know, many things happen, qualify for our program and we are so tively pursues student applicants with transpire, pop-up and sometimes it can very proud to be able to do that! We a monthly letter to every band director happen every day.
    [Show full text]