Bristol and the Abolition of Slavery
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Living the Law Bridget Daley, L’13, and Other Alumni Serve As Force for Change Message from the Dean
THE SUMMER 2018 The Duquesne University School of Law Magazine for Alumni and Friends LIVING THE LAW BRIDGET DALEY, L’13, AND OTHER ALUMNI SERVE AS FORCE FOR CHANGE MESSAGE FROM THE DEAN Dean’s Message Congratulations to our newest alumni! Duquesne Law read about a new faculty/student mentorship program, which celebrated the 104th commencement on May 25 with the Class was made possible with alumni donations. You will also read of 2018 and their families, friends and colleagues. These J.D. and about alumni who are serving their communities in new ways, LL.M. graduates join approximately 7,800 Duquesne Law alumni often behind the scenes and with little fanfare, taking on pro residing throughout the world. bono cases, volunteering at nonprofit organizations, coordinating We all can be proud of what our graduates have community services and starting projects to help individuals in accomplished and the opportunities they have. Many of these need. You will discover how Duquesne Law is expanding diversity accomplishments and opportunities have been made possible and inclusion initiatives and read about new faculty roles in the because of you, our alumni. Indeed, our alumni go above and community as well as new scholarly works. Finally, you will read beyond to help ensure student success here. Colleagues in the about student achievements and the amazing work of student law often share with me that the commitment of Duquesne Law organizations here. alumni is something special! I invite you to be in touch and to join us for one of our Thank you most sincerely for all that you do! Whether you alumni events. -
To Center City: the Evolution of the Neighborhood of the Historicalsociety of Pennsylvania
From "Frontier"to Center City: The Evolution of the Neighborhood of the HistoricalSociety of Pennsylvania THE HISToRICAL SOcIETY OF PENNSYLVANIA found its permanent home at 13th and Locust Streets in Philadelphia nearly 120 years ago. Prior to that time it had found temporary asylum in neighborhoods to the east, most in close proximity to the homes of its members, near landmarks such as the Old State House, and often within the bosom of such venerable organizations as the American Philosophical Society and the Athenaeum of Philadelphia. As its collections grew, however, HSP sought ever larger quarters and, inevitably, moved westward.' Its last temporary home was the so-called Picture House on the grounds of the Pennsylvania Hospital in the 800 block of Spruce Street. Constructed in 1816-17 to exhibit Benjamin West's large painting, Christ Healing the Sick, the building was leased to the Society for ten years. The Society needed not only to renovate the building for its own purposes but was required by a city ordinance to modify the existing structure to permit the widening of the street. Research by Jeffrey A. Cohen concludes that the Picture House's Gothic facade was the work of Philadelphia carpenter Samuel Webb. Its pointed windows and crenellations might have seemed appropriate to the Gothic darkness of the West painting, but West himself characterized the building as a "misapplication of Gothic Architecture to a Place where the Refinement of Science is to be inculcated, and which, in my humble opinion ought to have been founded on those dear and self-evident Principles adopted by the Greeks." Though West went so far as to make plans for 'The early history of the Historical Soiety of Pennsylvania is summarized in J.Thomas Scharf and Thompson Westcott, Hisiory ofPhiladelphia; 1609-1884 (2vols., Philadelphia, 1884), 2:1219-22. -
APRIL, 1916. SCHOOL LETTER T Is the General
H E PETERITE. VoL. XXI I. APRIL, 1916. No. 222. SCHOOL LETTER T is the general custom of Editors, when writing the School Letter, to commence with the most important event, and this term pride of place must undoubtedly be accorded to the weather. The condition of the weather can be best judged from the fact that to-day is the first fine day we have had since the middle of January, a fact which caused universal acclamation. The activities of the Hockey team have naturally been greatly hampered by the rain, indeed out of 7 matches arranged 4 have had to be cancelled. Out of the three matches played, however, two have been very creditable victories, and, if only the weather clears up, the team should emerge victorious from all the remaining matches. We have received the confident assurances of the Boating authorities that in their sphere of influence the reputation of th School will be worthily maintained, and the information brought in by our spies leads us to the same conclusion. The boater being like ducks, are the only members of the School who have not been inconvenienced by the weather, and so we hope that in the boat-races, maintaining their " duck " reputation, they will simply " fly " to victory. The Corps is still continuing to do good work, although this term reminiscences of parades have been inseparably associ- ated with snow, rain, and mud, especially the latter. A minor 2 SCHOOL LETTER. field-day was held upon Friday, March 17th (an exclusive account of which, written by our special correspondent at the front, appears upon a later page), and the major and combined field- day, is due to take place upon Friday, March 24th. -
The Staging of Oscar Wilde and His Contemporaries at the St
Responding to the ‘power of attraction’: the staging of Oscar Wilde and his contemporaries at the St. James’s Theatre, 1892-1895. Lucie Sutherland Keywords: Actor-manager, George Alexander, Treasury Book, West End, Matinée, Repertoire William Archer, a cultural commentator most often associated with the promotion of dramatic naturalism, did not solely concern himself with dramatic form. He was also alert to the necessity for profit in professional theatre making, often demonstrating a concern with the economic viability of theatrical production in his writing. For example: It would of course be idle to suppose that the comparative popularity of two plays is exactly indicated by the length of their respective runs […] It is impossible, in short, without access to the books of the management, to measure with absolute precision the power of attraction exercised by any particular play.1 Archer states what theatre industry professionals and scholars of that industry know; only box office receipts can truly confirm the economic success of a production. Length of run and audience figures may be indicative, but accurate business records detailing the income generated by fee paying audience members will be the only way to ascertain the ‘power of attraction’ exercised by a piece of theatre. When Archer was writing, in the final decade of the nineteenth century, it was the role of the actor-manager to market a production as successful for the longest duration possible, frequently sustaining that production to demonstrate the ongoing prestige of the -
A Touch of Greasepaint, Apr
CANADIAN BROADCASTING CORP. RADIO DRAMA A Touch of Greasepaint, Apr. 24, 1954 Inventory Series 1 1. Some “firsts” & beginnings of the theatre: The Contrast, New York, 1787 2. Morals, Restoration & Victorian: The Provoked Wife and Lady Windermere’s Fan 3. Melodrama: Ticket of Leave Man, East Lynne and Caste 4. The Admirable Bashville (G.B.S) 5. Sarah Siddons: Venice Preserved and Zara 6. The Bucktails, or Americans in England and Fashion 7. The Land of Promise (Somerset Maugham) 8. Tom Robertson and Garrick 9. David Garrick: The Old Batchelor 10. David Garrick: “Actors’ Fund Prologue” and The Wonder 11. Irish Theatre: In the Shadow of the Glen 12. Edmund Kean: A New Way to Pay Old Debts 13. Edmund Kean: Othello, Act 3, Scene 3. 14. Chekhov, The Seagull 15. Henry Irving: Two Roses 16. Henry Irving: The Bells 17. Sheridan: The School for Scandal 18. Dion Boucicault: The Colleen Bawn and London Assurance 19. Comedy: Sir Thomas More, Gammer Gurton’s Needle and The Relapse 20. Henrik Ibsen, Little Eyolf Canadian Broadcasting Corporation Radio Drama A Touch of Greasepaint Inventory Page 2 of 11 21. Ben Jonson: Volpone 22. Pirandello: Naked 23. Macready: The Distrest Mother 24. Macready: Virginus 25. Oscar Wilde: An Ideal Husband 26. Moliere: The School for Wives 27. August Stringberg: The Dance of Death 28. Marriage: Proposal scenes from The Shoemaker’s Holiday, The Way of the World, Money and The White Headed Boy Series 2 1. Repeat 2. D.H. Lawrence: The Widowing of Mrs. Holroyd 3. Shelley: The Cenci 4. Sheridan: The Rivals 5. -
The Library of Sir Geoffrey Bindman Part II 2020/10 Natural History
THE LIBRARY OF GEOFFREY BINDMAN PART III THE NINETEENTH CENTURY AND AFTER BERNARD QUARITCH LTD 36 Bedford Row, London, WC1R 4JH tel.: +44 (0)20 7297 4888 fax: +44 (0)20 7297 4866 email: [email protected] / [email protected] web: www.quaritch.com Bankers: Barclays Bank PLC, 1 Churchill Place, London E14 5HP Sort code: 20-65-90 Account number: 10511722 Swift code: BUKBGB22 Sterling account: IBAN: GB71 BUKB 2065 9010 5117 22 Euro account: IBAN: GB03 BUKB 2065 9045 4470 11 U.S. Dollar account: IBAN: GB19 BUKB 2065 9063 9924 44 VAT number: GB 322 4543 31 Recent lists: 2021/01 The Wandering Lens: Nineteenth-Century Travel Photography 2020/11 The Library of Sir Geoffrey Bindman Part II 2020/10 Natural History Recent catalogues: 1443 English Books & Manuscripts 1442 The English & Anglo-French Novel 1740-1840 1441 The Billmyer–Conant Collection — Hippology © Bernard Quaritch 2021 1. ANDREWS, Alexander. The History of British Journalism, from the Foundation of the Newspaper Press in England, to the Repeal of the Stamp Act in 1855, with Sketches of Press Celebrities … with an Index. London, R. Clay for Richard Bentley, 1859. 2 vols, 8vo, pp. viii, 339, [1];[ 4], 365, [1]; very short marginal tear to title of vol. I; a very good set in publisher’s red grained cloth by Westley’s & Co, London, boards blocked in blind, spines lettered in gilt; spines sunned, slight rubbing and bumping; modern booklabel of John E.C. Palmer to upper pastedowns. £150 First edition of a detailed study of British newspapers. The first comprehensive history of the subject, the text is derived from close study of the British Museum’s collections, from the sixteenth century to the mid-nineteenth. -
Thomas Gullen, a Black Boy Living with Mrs Hamilton of Bristol
Thomas Gullen, a black boy living with Mrs Hamilton of Bristol Volunteer Researcher: Clive Nicholas Note to readers: Our research files have been compiled by a committed and diligent team of volunteer researchers. Please be aware that while our volunteers have received training in basic research skills, they are not professional historians. We welcome further use of our research-files (with due credit). However, we encourage you to perform your own fact-checking / research processes before relying on any of the information contained here. Telling Our Stories – Finding Our Roots in Devon 1 A Baptism The parish registers of St Peter’s Church at Tiverton contain an unusual entry recording a baptism that occurred on the 4th of May 1780. rs rs It reads, Thomas Gullen a black boy living with M H amilton of Bristol aged 18 y . The record of baptism for Thomas Gullen is of interest not only because it indicates the presence of a black boy in Tiverton in the late eighteenth century but also because it contains information about his age and the fact that he was living with a Mrs Hamilton of Bristol. This gives rise to some thought-provoking questions. Who was Thomas Gullen? Where did he come from? Who was Mrs Hamilton of Bristol? Why was Thomas Gullen, a black boy, living with her? Why was he baptised at Tiverton? The presence of black people in Devon during the eighteenth century was not commonplace but equally was not unknown. The Friends of Devon's Archives Black History Project, for example, has identified 35 entries, largely baptisms and burials, in Devon parish registers for black people over a period of ninety years from 1708 – 1798. -
Centrality, Orthodoxy and Self-Reflexivity In
Prague Journal of English Studies Volume 1, No. 1, 2012 '2,SMHV ISSN: 1804-8722 “Our Little Parish of St. James‘s”: Centrality, Orthodoxy and Self-Reflexivity in the 1890s London Theatre Rudolf Weiss In the 1890s the London theatre was governed by the idea of centrality. is most representative and most prestigious theatrical territory was ruled by the actor-manager, the monocratic director who also played the leading roles. Moreover, he was the arbiter in matters of dramatic aesthetics, in matters of dramatic ethics as well as audience reception. Henry Arthur Jones and Arthur Wing Pinero, the most popular playwrights of the period, provided them with leading parts which reflect their managerial functions in the dramatic world: the raisonneurs in their society dramas manipulate the action, advise the other characters and represent social and moral orthodoxy. e article explores the concept of centrality in the London theatre of the 1890s on various interconnected levels – theatre management, dramatic technique, functions of the raisonneur and ideological implications of the scène à faire as well as audience structure and audience taste. A special focus is placed on the essential (self)reflexivity of this “little parish”, where the managerial structures of the mainstream theatre are mirrored in the conventional dramatic aesthetics of society drama, the predominant genre in the repertoire, which echoes the mind-set of the majority of the spectators. 1. Introduction: the authority of the actor-manager In her introductory chapter to e Cambridge Companion to Victorian and Edwardian eatre Nina Auerbach claims that all the contributions in this volume “insist on the centrality of the theatre in nineteenth-century culture; until the end of the century, its broad popularity gave its conventions the aura of universality” (4). -
Liverpool and the Raw Cotton Trade
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ResearchArchive at Victoria University of Wellington Liverpool and the Raw Cotton Trade: A Study of the Port and its Merchant Community, 1770-1815 Alexey Krichtal A thesis submitted in fulfilment of the requirements for the degree of Master of Arts at Victoria University of Wellington 2013 TABLE OF CONTENTS Abstract ii Acknowledgements iii List of Tables and iv Figures Abbreviations vi Introduction 1 Chapter One: Liverpool cotton imports, 1770-1815 10 Chapter Two: Liverpool Merchants, Networks, and the Atlantic 33 Cotton Trade, 1770-1815 Chapter Three: Cotton, Specialisation, and the Changing Structure of 79 Liverpool‘s Business Community Conclusion 108 Appendix A: Newspapers documenting Liverpool cotton imports 111 Appendix B: Cargo unit standardisation approach 115 Appendix C: Consignee and partnership variation 118 Appendix D: Liverpool merchants in the Portuguese cotton and 120 wine trades, 1795 Appendix E: Converting weights and measurements of major Liverpool 122 commodities into pounds sterling. Bibliography 124 i ABSTRACT This thesis examines the port of Liverpool, its merchant community, and the growth of the raw cotton trade from its initial rise c. 1770 to the end of the Napoleonic period in 1815. By constructing a large database from Liverpool import lists published in Lancashire newspapers, combined with surviving cotton planter, merchant, and manufacturer papers, this thesis analyses: first, the rise of Liverpool as a major British cotton port and the geographical shifts in the port‘s cotton supply from the West Indies to Guyana, Brazil, and the United States; then second, the organisation of Liverpool‘s cotton trade in the Atlantic basin and at home. -
Bristol, Africa and the Eighteenth Century Slave Trade to America, Vol 1
BRISTOL RECORD SOCIETY'S PUBLICATIONS General Editor: PROFESSOR PATRICK MCGRATH, M.A. Assistant General Editor: MISS ELIZABETH RALPH, M.A., F.S.A. VOL. XXXVIII BRISTOL, AFRICA AND THE EIGHTEENTH-CENTURY SLAVE TRADE TO AMERICA VOL. 1 THE YEARS OF EXPANSION 1698--1729 BRISTOL, AFRICA AND THE EIGHTEENTH-CENTURY SLAVE TRADE TO AMERICA VOL. 1 THE YEARS OF EXPANSION 1698-1729 EDITED BY DAVID RICHARDSON Printed for the BRISTOL RECORD SOCIETY 1986 ISBN 0 901583 00 00 ISSN 0305 8730 © David Richardson Produced for the Society by Alan Sutton Publishing Limited, Gloucester Printed in Great Britain CONTENTS Page Acknowledgements vi Introduction vii Note on transcription xxix List of Abbreviations xxix Text 1 Index 193 ACKNOWLEDGEMENTS In the process of compiling and editing the information on Bristol trading voyages to Africa contained in this volume I have been fortunate to receive assistance and encouragement from a number of groups and individuals. The task of collecting the material was made much easier from the outset by the generous help and advice given to me by the staffs of the Public Record Office, the Bristol Record Office, the Bristol Central Library and the Bristol Society of Mer chant Venturers. I am grateful to the Society of Merchant Venturers for permission to consult its records and to use material from them. My thanks are due also to the British Academy for its generosity in providing me with a grant in order to allow me to complete my research on Bristol voyages to Africa. Finally I am indebted to Miss Mary Williams, the City Archivist in Bristol, and Professor Patrick McGrath, the General Editor of the Bristol Record Society, for their warm response to my initial proposal for this volume and for their guidance and help in bringing it to fruition. -
Prologue 1 Paying a Visit to the Crown
Notes Prologue 1 Charles Kean, a letter to Mary Anne Skerret, 3 July 1855, Royal Archives Add X/85. Further material from the Royal Archives will be abbreviated ‘RA’. 2 John Cam Hobhouse (Lord Broughton) diary entry, 14 November 1837, quoted in John Cam Hobhouse, Recollections of a Long Life, 5 vols. (London: W. Clowes & Sons, 1865–7), V, p. 101. 3 Royal Archives Queen Victoria’s Journal 6 February 1852. Subsequent references to Queen Victoria’s journal will be abbreviated ‘RA QVJ’. 4 RA QVJ, 18 June 1853. 5 RA QVJ, 30 March 1859. 6 RA QVJ, 28 April 1856. 7 Benita Stoney and Heinrich C. Weltzein, eds., My Mistress the Queen: The Letters of Frieda Arnold, Dresser to Queen Victoria 1854–9, trans. Sheila de Bellaigue (London: Weidenfeld & Nicolson, 1994), pp. 148–9. 8 RA QVJ, 20 February 1855. 9 RA QVJ, 18 February 1856. 10 Victoria’s extensive collection of playbills, programmes and playscripts is carefully preserved in the Royal Archives at Windsor Castle. 11 James I and VI, Basilikon Doron, cited in Stephen Orgel, The Illusion of Power: Political Theater in the English Renaissance (Berkeley and Los Angeles: University of California Press, 1975), p. 42. 12 King Leopold of the Belgians, a letter to Princess Victoria, 7 October 1836; cited in Lynne Vallone, Becoming Victoria (New Haven: Yale University Press, 2001), p. 199. 13 Walter Bagheot, The English Constitution (London, 1867; Ithaca: Cornell University Press, 1963), pp. 64, 97. 14 Edmund Gosse and Mary Ponsonby, ‘The Character of Queen Victoria’, Quarterly Review 193 (January–June 1901) 311. -
Bristol Cathedral the University, Bristol
BRISTOL BRANCH OF THE HISTORICAL ASSOCIATION BRISTOL CATHEDRAL THE UNIVERSITY, BRISTOL Price £2.00 1993 The Rebuilding of the Nave ISBN O 901388 66 1 JOSEPH BETTEY BRISTOL BRANCH OF THE HISTORICAL ASSOCIATION LOCAL HISTORY PAMPHLETS Hon. GeneralEditor: PETER HARRIS Editorial Adviser: JOSEPH BETTEY Bristol Cathedral: The Rebuilding of the Nave is the eighty-second pamphlet in the Local History series published by the Bristol Branch of the Historical Association. Its author, Dr Joseph Bettey, is the Reader in Local History in the Department of Continuing Education in the University of Bristol. He is also the Chairman of the Fabric Advisory Committee of Bristol Cathedral. He has written two earlier pamphlets for BRISTOL CATHEDRAL the series on Bristol Churches and the Reformation and on The Suppression of the Religious Houses in Bristol. The Rebuilding of the Nave The illustration on the front cover shows the Northwest view of the Cathedral from College Green after the removal of most of the houses Bristol Cathedral possesses several features which give it great from the site of the former nave during the 1830s. Note the large historic interest and make it a treasure house for students of medieval buttresses holding up the centre tower. (From J. Latimer, Annals of art and architecture. The Chapter House of c. 1170 with its elegant Bristol1600 -1900, illustrated edition. Vol V 1906, 128.) entrance is one of the finest Romanesque buildings in the country; the Elder Lady Chapel of c. 1220 is notable forits superb proportions and remarkable carvings; and the vaulted Chancel and Eastern Lady The publication of a pamphlet by the Bristol Branch does not necessarily Chapel of the early fourteenth century with its innovative design imply the Branch's approval of the opinions expressed in it.