When Highbrow Meets Lowbrow, DOI 10.1057/978-1-349-95168-0 236 BIBLIOGRAPHY

Total Page:16

File Type:pdf, Size:1020Kb

When Highbrow Meets Lowbrow, DOI 10.1057/978-1-349-95168-0 236 BIBLIOGRAPHY BIBLIOGRAPHY INTRODUCTION Browbeaten into Pulp Nobrow Positions and Oppositions Peter Swirski and Tero Eljas Vanhanen Brooks, Van Wyck. (1915). “Highbrow and Lowbrow.” The Forum, April, pp. 481–492. Credanza. (2008). “High-brow.” Urbandictionary.com, 11 May. http://www. urbandictionary.com/define.php?term=High-brow&defid=3078274 Farndale, Nigel. (2016). “Ian McShane: ‘Game of Thrones is just tits and dra- gons.’” The Telegraph, 6 June. http://www.telegraph.co.uk/tv/2016/03/ 11/ian-mcshane-game-of-thrones-is-just-tits-and-dragons/ Macdonald, Dwight. (1962). Against the Grain: Essays on the Effects of Mass Culture. New York: Random House. Seabrook, John. (2000). Nobrow: The Culture of Marketing, the Marketing of Culture. New York: Knopf. Swirski, Peter. (2005). From Lowbrow to Nobrow. Montreal: McGill-Queen’s UP. Swirski, Peter. (2016a). American Crime Fiction: A Cultural History of Nobrow Literature as Art. New York: Palgrave Macmillan Woolf, Virginia. (1942). “Middlebrow.” In The Death of the Moth, pp. 113–119. London: Hogarth Press. © The Author(s) 2017 235 P. Swirski, T.E. Vanhanen (eds.), When Highbrow Meets Lowbrow, DOI 10.1057/978-1-349-95168-0 236 BIBLIOGRAPHY CHAPTER 2 Pop Culture and Nobrow Culture From Li’l Abner to Discourse Theory and Back: A Culture Critic’s Odyssey Arthur Asa Berger Barthes, Roland. (1957/1972). Mythologies. Transl. Annette Lavers. New York: Hill & Wang. Berger, Arthur Asa. (1973). Pop Culture. Dayton, OH: Pflaum Standard. Berger, Arthur Asa. (1974). “The Secret Agent.” The Journal of Communication 24(2): pp. 70–74. Berger, Arthur Asa. (1997). The Art of Comedy Writing. New Brunswick, NJ: Transaction Books. Bramson, Leon. (1961). Political Context of Sociology. Princeton, NJ: Princeton University Press. Cameron, Deborah and Ivan Panovic. (2014). Working with Written Discourse. London: Sage. Culler, Jonathan. (1986). Ferdinand de Saussure. 2nd ed. Ithaca, NY: Cornell University Press. Denney, Reuel. (1957). Astonished Muse. Chicago: Chicago University Press. Jameson, Fredric. (1991). Postmodernism or, The Cultural Logic of Late Capitalism. Durham, NC: Duke University Press Jowett, Garth. (1992). “Introduction to the Transaction Edition.” In Norman Jacobs (ed.), Mass Media in Modern Society. New Brunswick, NJ: Transaction Books. Kornhauser, William. (1959). Politics of Mass Society. Glencoe, IL: Free Press. Lyotard, Jean-Francois. (1984). The Postmodern Condition. Minneapolis, MN: University of Minnesota Press. Lyotard, Jean-François. (1988/1993). The Postmodern Explained. Trans. Don Barry et al., Minneapolis, MN: The University of Minnesota Press. MacCannell, Dean. (1976). The Tourist: A New Theory of the Leisure Class. New York: Schocken Books. Macdonald, Dwight. (1962). Against the Grain: Essays on the Effects of Mass Culture. New York: Random House. Malinowski, Bronislaw. (1922). Argonauts of the Western Pacific. London: George Routledge & Sons. McLuhan, Marshall. (1951/1967). The Mechanical Bride: Folklore of Industrial Man. Boston, MA: Beacon Press. BIBLIOGRAPHY 237 Rosenberg, Bernard and David Manning White (eds.). (1957). Mass Culture: The Popular Arts in America. Glencoe, IL: The Free Press. Saussure, Ferdinand de. (1916/1966). Course in General Linguistics. Trans. Wade Baskin. New York: McGraw-Hill. Swirski, Peter. (2005). From Lowbrow to Nobrow. Montreal: McGill-Queen’s University Press. Swirski, Peter. (2016a). American Crime Fiction: A Cultural History of Nobrow Literature as Art. New York: Palgrave Macmillan. Theall, Donald. (2001). The Virtual Marshall McLuhan. Montreal, London: McGill-Queen’s University Press. CHAPTER 3 Nobrow, American Style From Goldilocks to the Golden Mean Peter Swirski Anderson, Kirsten (ed.). (2004). Pop Surrealism: The Rise of Underground Art. San Francisco, CA: Ignition/Last Gasp. BBC News. (2013). “Huge Survey Reveals Seven Social Classes in UK.” 3 April. http://www.bbc.com/news/uk-22007058 Berlyne, D.E. (1971). Aesthetics and Psychobiology. East Norwalk, CT: Appleton- Century-Crofts. Boas, George. (1940). “The Mona Lisa in the History of Taste.” Journal of the History of Ideas 1(2): pp. 207–224. Brooks, Van Wyck. (1915). “Highbrow and Lowbrow.” The Forum, April, pp. 481–492. Campbell, Jim. (2015). “As tears go by.” Times Literary Supplement,22May,p.32. Carroll, Joseph. (2001). Reading Human Nature: Literary Darwinism in Theory and Practice. New York: SUNY Press. Carroll, Noël. (2000). Theories of Art Today. Madison, WI: University of Wisconsin Press. Collins, Jim. (2010). Bring On the Books for Everybody: How Literary Culture Became Popular Culture. Durham, NC: Duke University Press. Cooper, David. (2015). Béla Bartók. New Haven, CT: Yale University Press. Dalziel, Margaret. (1957). Popular Fiction 100 Years Ago: An Unexplored Tract of Literary History. London: Cohen and West. Darnton, Robert. (2015). Censors at Work: How States Shaped Literature. London: British Library. 238 BIBLIOGRAPHY Davies, Paul. (2006). The Goldilocks Enigma: Why Is the Universe Just Right for Life? Boston, MA: Mariner. Dodes, Rachel. (2011). “‘Life in a Day’ Director Aims to Elevate YouTube Videos Into Art.” The Wall Street Journal, 22 July. http://blogs.wsj.com/speakeasy/ 2011/07/22/life-in-a-day-director-kevin-macdonald-aims-to-elevate-you tube-videos-into-art/?mod=google_news_blog Driscoll, Beth. (2014). The New Literary Middlebrow. New York: Palgrave Macmillan. Eco, Umberto. (1994). Apocalypse Postponed. Ed. Robert Lumley. Bloomington: Indiana University Press. Eco, Umberto, Giuseppe Pontiggia, Gianni Riotta, and Antonio Tabucchi. (1995). “La Malidezione del faraone.” Sette: Corriere della sera, nos. 32–36. Eliot, T.S. (1920a). “Hamlet and His Problems.” In The Sacred Wood. http:// www.bartleby.com/200/sw9.html Eliot, T.S. (1920b). The Sacred Wood: Essays on Poetry and Criticism. https:// books.google.com.hk/books?id=SCfHnLwWg2MC&printsec=frontcov er&hl=zh-TW&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false Frend, Tad. (1992). “The Case for Middlebrow: Defending the Common Man’s ‘Simpler’ Sensibilities.” The New Republic, 2 March, pp. 24–27. Gans, Herbert J. (1974). Popular Culture and High Culture: An Analysis and Evaluation of Taste. New York, NY: Basic Books. Hammill, Faye. (2010). Sophistication: A Literary and Cultural History. Liverpool: Liverpool University Press. Holub, Miroslav. (1990). The Dimension of the Present Moment: Essays by Miroslav Holub. London: Faber and Faber. Jameson, Fredric. (2005). Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions. New York, NY: Verso. Jordan, Matt Dukes. (2005). Weirdo Deluxe: The Wild World of Pop Surrealism and Lowbrow Art. San Francisco, CA: Chronicle Books. Kauffman, Stuart A. (1995). At Home in the Universe: The Search for Laws of Self- Organization and Complexity. Oxford: Oxford University Press. Keller, P.E., and Schubert E. (2011). “Cognitive and Affective Judgments of Syncopated Musical Themes.” Advances in Cognitive Psychology 7: pp. 142–156. Kidd, C., S.T. Piantadosi, and R.N. Aslin. (2012). “The Goldilocks Effect: Human Infants Allocate Attention to Visual Sequences That Are Neither Too Simple Nor Too Complex.” PLoS One 7. http://journals.plos.org/plosone/article? id=10.1371/journal.pone.0036399 Levine, Lawrence. (1990). Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, MA: Harvard University Press. Life in a Day. (2011). Dir. Kevin Macdonald, et al. LG, Scott Free Productions, YouTube. 95 mins. BIBLIOGRAPHY 239 Llosa, Mario Vargas. (2015). Notes on the Death of Culture: Essays on Spectacle and Society. New York: Farrar, Straus, and Giroux. Macar, Francoise, Viviane Pouthas, and William J. Friedman (eds.). (1992). Time, Action and Cognition: Toward Bridging the Gap. Dordrecht: Kluwer Academic. Meisel, Perry. (2010). The Myth of Popular Culture: From Dante to Dylan. Chichester: Wiley-Blackwell. Menand, Louis. (2011). “Browbeaten: Dwight Macdonald’s War on Midcult.” The New Yorker. http://www.newyorker.com/arts/critics/atlarge/2011/ 09/05/110905cart_atlarge_menand Mencken, H.L. (1919/1921). The American language: An Inquiry into the Development of English in the United States. 2nd ed. New York: A. A. Knopf. http://www.bartleby.com/br/185.html More, Thomas. (1516/2003). Utopia. Trans. Paul Turner. London: Penguin. Parks, Tim. (2015). “The Mystery of Primo Levi.” The New York Review of Books, 5–18 November, p. 28. Poppel, Ernst. (1989). “The Measurement of Music and the Cerebral Clock: A New Theory.” Leonardo 22: pp. 83–89. Raab, Selwyn. (2000). “Writing under an Assumed Name.” The New York Times, 30 January. https://www.nytimes.com/books/00/01/30/reviews/000130. 30raabt.html Radway, Janice A. (1997). A Feeling for Books: The Book-of-the-Month Club, Literary Taste, and Middle-Class Desire. Chapel Hill: University of North Carolina Press. Rankine, Marion. (2015). “At the Bottom of the Brows.” The Times Literary Supplement, 8 May, p. 24. Rubin, Joan Shelley. (1992). The Making of Middlebrow Culture. Chapel Hill: University of North Carolina Press. Seabrook, John. (2000). Nobrow: The Culture of Marketing, the Marketing of Culture. New York: Knopf. Swirski, Peter. (1999). “Popular and Highbrow Literature: A Comparative View.” CLCWeb: Comparative Literature and Culture 1. http://clcwebjournal.lib. purdue.edu/clcweb99_4/swirski99.html Swirski, Peter. (2005). From Lowbrow to Nobrow. Montreal: McGill-Queen’s University Press. Swirski, Peter. (2007). Of Literature and Knowledge: Explorations in Narrative Thought Experiments, Evolution, and Game Theory. New York: Routledge.
Recommended publications
  • BOOKS: the Hand That Feeds You, a Novel (Co-Authored with Amy Hempel)
    BOOKS: The Hand That Feeds You, a novel (co-authored with Amy Hempel) Scribner (published in 2015) Act of God± a novel Pantheon (published in 2015) Vintage Contemporary Paperback (published in 2016) Pushkin Press, England (published 2016) 5 Flights Up, an adaptionHeroic of Measures Revelations Entertainment Latitude Productions Directed by Richard Loncraine Starring Morgan Freeman, Diane Keaton, and Cynthia Nixon Scheduled release date: 2015 Heroic Measures, a novel Pantheon (published in 2009) Vintage Contemporary Paperback (published in 2010) Schocken Books, Israel (2010) Prószyński Media, Poland (2014) Newton & Compton Editions, Italy (2015) AST publications, Russia (2015) Pushkin Press, Great Briton (2015) The Tattoo Artist1 a novel Pantheon (published in 2005) Vintage Contemporary Paperback Verso da Kapa, Portugal East View International Culture LTD, Taiwan Teeth of the Dogx a novel Crown/Random House (published in 1999) Bertelsmann, Germany Half a Life, a memoir Crown/Random House (published in 1996) Anchor Books The Law of Falling Bodies± a novel Poseidon Press/Simon & Schuster (published in 1993) Kruger Verlag, Germany Money, a novella Kruger Verlag, Germany (published in 1993) Small Claims± a collection of short stories Weidenfeld & Nicolson, New York (published in 1986) Flammarion Editions, France Bompiani Editions, Italy FELLOWSHIPS / AWARDS: Los Angeles Times Best Fiction Award Finalist(Heroic Measures) 2010 Globe and the Mail Best International Fiction(Heroic Award Measures) 2010 Janet Fleidenger Kafka Prize for best fiction by an American woman ( The Tattoo Artist) 2006 Guggenheim Fellowship 2006 New York State Foundation for the Arts in Creative Writing 2002 National Endowment for the Arts/Japan Fellowship 1999 New York State Foundation for the Arts in Creative Writing 1996 National Endowment for the Arts in Creative Writing 1995.
    [Show full text]
  • UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki Permalink https://escholarship.org/uc/item/97g9d23n Author Mewhinney, Matthew Stanhope Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki By Matthew Stanhope Mewhinney A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Japanese Language in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Alan Tansman, Chair Professor H. Mack Horton Professor Daniel C. O’Neill Professor Anne-Lise François Summer 2018 © 2018 Matthew Stanhope Mewhinney All Rights Reserved Abstract The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki by Matthew Stanhope Mewhinney Doctor of Philosophy in Japanese Language University of California, Berkeley Professor Alan Tansman, Chair This dissertation examines the transformation of lyric thinking in Japanese literati (bunjin) culture from the eighteenth century to the early twentieth century. I examine four poet- painters associated with the Japanese literati tradition in the Edo (1603-1867) and Meiji (1867- 1912) periods: Yosa Buson (1716-83), Ema Saikō (1787-1861), Masaoka Shiki (1867-1902) and Natsume Sōseki (1867-1916). Each artist fashions a lyric subjectivity constituted by the kinds of blending found in literati painting and poetry. I argue that each artist’s thoughts and feelings emerge in the tensions generated in the process of blending forms, genres, and the ideas (aesthetic, philosophical, social, cultural, and historical) that they carry with them.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Directed by Henry Selick; Based on the Novel by Neil Gaiman
    Directed by Henry Selick; Based on the novel by Neil Gaiman Production Notes 2 Table of Contents I. Synopsis page 3 II. The Genesis of Coraline page 4 III. Screen Vision page 6 IV. Stop Starts page 7 V. With the Voice Talents of… page 9 VI. Two Worlds, One Studio page 14 VII. On the Set page 23 VIII. Two Worlds, Three Dimensions page 24 IX. Fast Facts page 27 X. Trivia Tips page 28 XI. About the Cast page 29 XII. About the Moviemakers page 33 3 Synopsis Combining the visionary imaginations of two premier fantasists, director Henry Selick (The Nightmare Before Christmas) and author Neil Gaiman (Sandman), Coraline is a wondrous and thrilling, fun and suspenseful adventure that honors and redefines two moviemaking traditions. It is a stop-motion animated feature – and, as the first one to be conceived and photographed in stereoscopic 3-D, unlike anything moviegoers have ever experienced before. Coraline Jones (voiced by Dakota Fanning) is a girl of 11 who is feisty, curious, and adventurous beyond her years. She and her parents (Teri Hatcher, John Hodgman) have just relocated from Michigan to Oregon. Missing her friends and finding her parents to be distracted by their work, Coraline tries to find some excitement in her new environment. She is befriended – or, as she sees it, is annoyed – by a local boy close to her age, Wybie Lovat (Robert Bailey Jr.); and visits her older neighbors, eccentric British actresses Miss Spink and Forcible (Jennifer Saunders and Dawn French) as well as the arguably even more eccentric Russian Mr.
    [Show full text]
  • Jan Thijs 1.514.992.2316
    Still photographer: JAN THIJS 1.514.992.2316 AMERICAN GODS Ian McShane FREMANTLEMEDIA Ricky Whittle STARZ Cloris Leachman Dir.: David Slade, Guillermo Peter Stormare Navarro, Vincenzo Natali Emily Browning BAD SANTA 2 Billy Bob Thornton BROADGREEN Kathy Bates MIRAMAX Tony Cox Dir.: Mark Waters Christina Hendricks ARRIVAL Amy Adams FILMNATIONENT. Jeremy Renner PARAMOUNT PICTURES Forest Whitaker Dir.: Denis Villeneuve SHUT IN Naomi Watts EUROPACORP Oliver Platt RELATIVITY MEDIA Charlie Heaton Dir.: Farren Blackburn Jacop Trembley TUT Sir Ben Kingsley SPIKE TV/ MUSE ENT. Avan Jogia Dir.: David Von Ancken Kylie Bunbury ASCENSION Tricia Helfer SCI-FI Gil Bellows Brian Van Holt REGRESSION MOD COMPANY - FIRST Ethan Hawke GENERATION FILMS Emma Watson Dir.:Alejandro Amenabar RED 2 Bruce Willis SUMMIT Catherine Zeta-Jones ENTERTAINMENT Mary-Louise Parker LIONSGATE Helen Mirren Dir.: Dean Parisot John Malkovich THE YOUNG AND Kyle Catlett EPITHÉTE/TAPIOCA PRODIGIOUS SPIVIT Helena Bonham Carter Dir.: Jean-Pierre Jeunet Judy Davis WARM BODIES Nicholas Hoult SUMMIT (additional stills) Teresa Palmer ENTERTAINMENT John Malkovich Dir.: Jonathan Levine Vin Diesel RIDDICK UNIVERSAL STUDIOS Jordi Mollå Dir.: David Twohy Keri Hilson 1 MIRROR MIRROR Julia Roberts RELATIVITY MEDIA Nathan lane Dir.: Tarsem Singh Lily Collins Armie Hammer IMMORTALS Henry Cavill RELATIVITY MEDIA Mickey Rourke UNIVERSAL STUDIOS Freida Pinto Dir.: Tarsem Singh Stephan Dorff John Hurt FATAL BAZOOKA Michael Youn LEGENDE FILMS (Fr) Isabelle Funaro Dir.: Michael Youn Stephane Rousseau OSCAR ET LA DAME Michèle Laroque PAN-EUROPEENNE (Fr) ROSE Dir.: Eric-Emmanuel Schmitt THE COMPANY Michael Keaton SONY/TNT Alfred Molina Director: Michael Salomon Christopher O’Donnell THE AGE OF Dianne Kruger ALLIANCE ATLANTIS IGNORANCE Marc Labreche Dir.: Deny Arcand 300 Gerard Butler WARNER BROS.
    [Show full text]
  • Trevor Morris
    TREVOR MORRIS COMPOSER Trevor Morris is one of the most prolific and versatile composers in Hollywood. He has scored music for numerous feature films and won two EMMY awards for outstanding composition for his work in Television. Internationally renowned for his music on The Tudors, The Borgias, Vikings and the hit NBC television series Taken, Trevor is a stylistically and musically inventive soundtrack creator. Trevor’s unique musical voice can be heard on his recent film scores which include The Delicacy, Hunter Killer, Asura, Olympus Has Fallen, London Has Fallen, and Immortals. And further Television compositions including Another Life, Condor, Castlevania, The Pillars oF the Earth for Tony and Ridley Scott, Emerald City and Iron Fist for Marvel Television. Trevor has also worked as a co-producer/ conductor/ orchestrator on films including Black Hawk Down, The Last Samurai, The Ring Two, Pirates of the Caribbean, and Batman Begins and collaborated with Tony and Ridley Scott, Neil Jordan, Luc Besson, Jerry Bruckheimer, Antoine Fuqua, Tarsem Singh Dandwar, as well as composers James Newton Howard and Hans Zimmer. Trevor is also a Concert Conductor, conducting his music in live concert performances around the globe, including Film Music Festivals in Cordoba Spain, Tenerife Spain, Los Angeles, and Krakow Poland where he conducted a 100-piece orchestra and choir for over 12,000 fans. Trevor has been nominated 5 times for the prestigious EMMY awards, and won twice. As well as being nominated at the World Soundtrack Awards in Ghent for the ‘Discovery of the Year ‘composer award for the film Immortals. Trevor is a British/Canadian dual citizen, based in Los Angeles.
    [Show full text]
  • The Complete Stories
    The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York.
    [Show full text]
  • Anarchist Modernism and Yiddish Literature
    i “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature by Anna Elena Torres A dissertation submitted in partial satisfaction of the requirements for the degree of Joint Doctor of Philosophy with the Graduate Theological Union in Jewish Studies and the Designated Emphasis in Women, Gender and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Chana Kronfeld, Chair Professor Naomi Seidman Professor Nathaniel Deutsch Professor Juana María Rodríguez Summer 2016 ii “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature Copyright © 2016 by Anna Elena Torres 1 Abstract “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature by Anna Elena Torres Joint Doctor of Philosophy with the Graduate Theological Union in Jewish Studies and the Designated Emphasis in Women, Gender and Sexuality University of California, Berkeley Professor Chana Kronfeld, Chair “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature examines the intertwined worlds of Yiddish modernist writing and anarchist politics and culture. Bringing together original historical research on the radical press and close readings of Yiddish avant-garde poetry by Moyshe-Leyb Halpern, Peretz Markish, Yankev Glatshteyn, and others, I show that the development of anarchist modernism was both a transnational literary trend and a complex worldview. My research draws from hitherto unread material in international archives to document the world of the Yiddish anarchist press and assess the scope of its literary influence. The dissertation’s theoretical framework is informed by diaspora studies, gender studies, and translation theory, to which I introduce anarchist diasporism as a new term.
    [Show full text]
  • 18416.Brochure Reprint
    RANDOMRANDOM HOUSEHOUSE PremiumPremium SalesSales && CustomCustom PublishingPublishing Build Your Next Promotion with THE Powerhouse in Publishing . Random House nside you’ll discover a family of books unlike any other publisher. Of course, it helps to be the largest consumer book publisher in the world, but we wouldn’t be successful in coming up with creative premium book offers if we didn’t have Ipeople who understand what marketers need. Drop in and together we’ll design your blueprint for success. Health & Well-Being You’re in good hands with a medical staff that includes the American Heart Association, American Medical Association, American Academy of Pediatrics, American Cancer Society, Dr. Andrew Weil and Deepak Chopra. Millions of consumers have received our health books through programs sponsored by pharmaceutical, health insurance and food companies. Travel Targeting the consumer or business traveler in a future promotion? Want the #1 brand name in travel information? Then Fodor’s, with its ever-expanding database to destina- tions worldwide, is the place to be. Talk to us about how to use Fodor’s books for your next convention or meeting and even about cross-marketing opportunities and state-of- the-art custom websites. If you need beauti- fully illustrated travel books, we also publish the Knopf Guides, Photographic Journey and other picture book titles. Call 1.800.800.3246 Visit us on the Web at www.randomhouse.com 2 Cooking & Lifestyle Imagine a party with Julia Child, Martha Stewart, Jean-Georges, and Wolfgang Puck catering the affair. In our house, we have these and many more award winning chefs and designers to handle all the details of good living.
    [Show full text]
  • Media Kit an Exclusive Television Event
    MEDIA KIT AN EXCLUSIVE TELEVISION EVENT ABOUT SHOWTIME SHOWTIME is the provider of Australia’s premium movie channels: SHOWTIME, SHOWTIME 2 and SHOWTIME Greats. Jointly owned by four A HELL OF A PLACE TO MAKE YOUR FORTUNE MA Medium Level Violence Coarse Language of the world’s leading fi lm studios Sony Pictures, Paramount Pictures, Sex Scenes 20th Century Fox and Universal Studios, as well as global television distributor Liberty Media, the SHOWTIME channels are available on FOXTEL, AUSTAR, Optus, TransAct and Neighbourhood Cable. For further information contact: Catherine Lavelle CLPR M 0413 88 55 95 SERIES PREMIERE 8.30PM WEDNESDAY NOVEMBER 3 - continuing weekly E [email protected] showtime.com.au/deadwood In an age of plunder and greed, the richest gold strike in American history draws a throng of restless misfi ts to an outlaw settlement where everything — and everyone — has a price. Welcome to DEADWOOD...a hell of a place to make your fortune. From Executive Producer David Milch (NYPD BLUE) comes DEADWOOD, a new drama series that focuses on the birth of an American frontier town and the ruthless power struggle that exists in its lawless boundaries. Set in the town of DEADWOOD, South Dakota the story begins two weeks after Custer’s defeat at Little Big Horn, combining fi ctional and real-life characters and events in an epic tale. Located in the Black Hills Indian Cession, the “town” of DEADWOOD is an illegal settlement, a violent and uncivilized outpost that attracts a colorful array of characters looking to get rich — from outlaws and entrepreneurs to ex-soldiers and racketeers, Chinese laborers, prostitutes, city dudes and gunfi ghters.
    [Show full text]
  • Read Canadian Cinematographer Article
    CANADIAN SOCIETY OF CINEMATOGRAPHERS $4 June 2019 www.csc.ca Made in Canada: The Story Behind the CSC Envisionist Award • CSC Wisdom Lecture Series A publication of the Canadian Society of Cinematographers FEATURES – VOLUME 11, NO. 3 JUNE 2019 Fostering cinematography in Canada since 1957. The Canadian Society of Cinematographers was founded by a group of Toronto, Montreal and Ottawa cameramen. Since then over 800 cinematographers and persons in associated occupations have joined the organization. The CSC provides tangible recognition of the common bonds that link film and digital professionals, from the aspiring student and camera assistant to the news veteran and CSC senior director of photography. We facilitate the dissemination and exchange of technical information and endeavor to advance the knowledge and status of our members within the industry. Carlos Esteves Credit: As an organization dedicated to furthering CSC Wisdom Lecture Series with Dean Cundey ASC, CSC technical assistance, we maintain contact 10 with non-partisan groups in our industry but have no political or union affiliation. The CSC is a not-for-profit organization run by volunteer board members of the society. Thank you to our sponsors for their continued support. CORPORATE SPONSORS AC Lighting Inc. All Axis Remote Camera Systems Applied Electronics Limited Arri Canada Ltd. Canon Canada Inc. Cinetx Inc. Codes Pro Media Cooke Optics Video Amazon Prime Courtesy of Credit: Dazmo Camera Made in Canada: American Gods By Trevor Hogg, Special to Canadian Cinematographer Deluxe Toronto 14 DMG Lumière FUJIFILM, North America Corporation FUJIFILM, Optical Devices Division Fusion Cine Henry’s Camera HD Source Inspired Image Picture Company Keslow Camera Kino Flo CSC Lee Filters Mole-Richardson MOSS LED Inc.
    [Show full text]
  • SPECIAL THANK YOU Mo V I E B:11” S:10” Gu I D E T:11” 2017 MOVIE GUIDE
    SPECIAL THANK YOU Mo v i e B:11” S:10” Gu i d e T:11” 2017 MOVIE GUIDE - Amityville: The Awakening (1/6) Directed by Franck Khalfoun - Starring Bella Thorne, Jennifer Jason Leigh, Jennifer Morrison - Mena (1/6) Directed by Doug Liman - Starring Tom Cruise, Jesse Plemons - Underworld: Blood Wars (1/6) Directed by Anna Foerster - Starring Theo James, Kate Beckinsale, Charles Dance, Tobias Menzies - Hidden Figures (1/13) JANUARY Directed by Theodore Melfi -Starring Taraji P. Henson, Octavia Spencer, Kirsten Dunst, Jim Parsons, Kevin Costner - Live By Night (1/13) Directed by Ben Affleck - Starring Zoe Saldana, Scott Eastwood, Ben Affleck, Elle Fanning, Sienna Miller - Monster Trucks (1/13) Directed by Chris Wedge - Starring Jane Levy, Amy Ryan, Lucas Till, Danny Glover, Rob Lowe B:11” S:10” T:11” - The Founder (1/20) Directed by John Lee Hancock - Starring Michael Keaton - The Resurrection of Gavin Stone (1/20) Directed by Dallas Jenkins - Starring Nicole Astra, Brett Dalton - Split (1/20) Directed by M. Night Shyamalan - Starring James McAvoy, Anya Taylor Joy - Table 19 (1/20) Directed by Jeffrey Blitz - Starring Anna Kendrick, Craig Robinson, June Squibb, Lisa Kudrow - xXx: The Return of Xander Cage (1/20) Directed by D.J. Caruso - Starring Toni Collette, Vin Diesel, Tony Jaa, Samuel L. Jackson - Bastards (1/27) Directed by Larry Sher - Starring Glenn Close, Ed Helms, Ving Rhames, J.K. Simmons, Katt Williams, Owen Wilson - A Dog’s Purpose (1/27) Directed by Lasse Hallstrom - Starring Peggy Lipton, Dennis Quaid, Britt Robertson - The Lake (1/27) Directed by Steven Quale - Starring Sullivan Stapleton - Resident Evil: The Final Chapter (1/27) Directed by Paul W.S.
    [Show full text]