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CHAPTER 2

Pop Culture and Nobrow Culture From Li’l Abner to Discourse Theory and Back: A Culture Critic’s Odyssey Arthur Asa Berger

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Rosenberg, Bernard and David Manning White (eds.). (1957). Mass Culture: The Popular Arts in America. Glencoe, IL: The Free Press. Saussure, Ferdinand de. (1916/1966). Course in General Linguistics. Trans. Wade Baskin. New York: McGraw-Hill. Swirski, Peter. (2005). From Lowbrow to Nobrow. Montreal: McGill-Queen’s University Press. Swirski, Peter. (2016a). American Crime Fiction: A Cultural History of Nobrow Literature as Art. New York: Palgrave Macmillan. Theall, Donald. (2001). The Virtual Marshall McLuhan. Montreal, London: McGill-Queen’s University Press.

CHAPTER 3

Nobrow, American Style From Goldilocks to the Golden Mean Peter Swirski

Anderson, Kirsten (ed.). (2004). Pop Surrealism: The Rise of Underground Art. San Francisco, CA: Ignition/Last Gasp. BBC News. (2013). “Huge Survey Reveals Seven Social Classes in UK.” 3 April. http://www.bbc.com/news/uk-22007058 Berlyne, D.E. (1971). Aesthetics and Psychobiology. East Norwalk, CT: Appleton- Century-Crofts. Boas, George. (1940). “The Mona Lisa in the History of Taste.” Journal of the History of Ideas 1(2): pp. 207–224. Brooks, Van Wyck. (1915). “Highbrow and Lowbrow.” The Forum, April, pp. 481–492. Campbell, Jim. (2015). “As tears go by.” Times Literary Supplement,22May,p.32. Carroll, Joseph. (2001). Reading Human Nature: Literary Darwinism in Theory and Practice. New York: SUNY Press. Carroll, Noël. (2000). Theories of Art Today. Madison, WI: University of Wisconsin Press. Collins, Jim. (2010). Bring On the Books for Everybody: How Literary Culture Became Popular Culture. Durham, NC: Duke University Press. Cooper, David. (2015). Béla Bartók. New Haven, CT: Yale University Press. Dalziel, Margaret. (1957). Popular Fiction 100 Years Ago: An Unexplored Tract of Literary History. London: Cohen and West. Darnton, Robert. (2015). Censors at Work: How States Shaped Literature. London: British Library. 238 BIBLIOGRAPHY

Davies, Paul. (2006). The Goldilocks Enigma: Why Is the Universe Just Right for Life? Boston, MA: Mariner. Dodes, Rachel. (2011). “‘Life in a Day’ Director Aims to Elevate YouTube Videos Into Art.” The Wall Street Journal, 22 July. http://blogs.wsj.com/speakeasy/ 2011/07/22/life-in-a-day-director-kevin-macdonald-aims-to-elevate-you tube-videos-into-art/?mod=google_news_blog Driscoll, Beth. (2014). The New Literary Middlebrow. New York: Palgrave Macmillan. Eco, Umberto. (1994). Apocalypse Postponed. Ed. Robert Lumley. Bloomington: Indiana University Press. Eco, Umberto, Giuseppe Pontiggia, Gianni Riotta, and Antonio Tabucchi. (1995). “La Malidezione del faraone.” Sette: Corriere della sera, nos. 32–36. Eliot, T.S. (1920a). “Hamlet and His Problems.” In The Sacred Wood. http:// www.bartleby.com/200/sw9.html Eliot, T.S. (1920b). The Sacred Wood: Essays on Poetry and Criticism. https:// books.google.com.hk/books?id=SCfHnLwWg2MC&printsec=frontcov er&hl=zh-TW&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false Frend, Tad. (1992). “The Case for Middlebrow: Defending the Common Man’s ‘Simpler’ Sensibilities.” The New Republic, 2 March, pp. 24–27. Gans, Herbert J. (1974). Popular Culture and High Culture: An Analysis and Evaluation of Taste. New York, NY: Basic Books. Hammill, Faye. (2010). Sophistication: A Literary and Cultural History. Liverpool: Liverpool University Press. Holub, Miroslav. (1990). The Dimension of the Present Moment: Essays by Miroslav Holub. London: Faber and Faber. Jameson, Fredric. (2005). Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions. New York, NY: Verso. Jordan, Matt Dukes. (2005). Weirdo Deluxe: The Wild World of Pop Surrealism and Lowbrow Art. San Francisco, CA: Chronicle Books. Kauffman, Stuart A. (1995). At Home in the Universe: The Search for Laws of Self- Organization and Complexity. Oxford: Oxford University Press. Keller, P.E., and Schubert E. (2011). “Cognitive and Affective Judgments of Syncopated Musical Themes.” Advances in Cognitive Psychology 7: pp. 142–156. Kidd, C., S.T. Piantadosi, and R.N. Aslin. (2012). “The Goldilocks Effect: Human Infants Allocate Attention to Visual Sequences That Are Neither Too Simple Nor Too Complex.” PLoS One 7. http://journals.plos.org/plosone/article? id=10.1371/journal.pone.0036399 Levine, Lawrence. (1990). Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, MA: Harvard University Press. Life in a Day. (2011). Dir. Kevin Macdonald, et al. LG, Scott Free Productions, YouTube. 95 mins. BIBLIOGRAPHY 239

Llosa, Mario Vargas. (2015). Notes on the Death of Culture: Essays on Spectacle and Society. New York: Farrar, Straus, and Giroux. Macar, Francoise, Viviane Pouthas, and William J. Friedman (eds.). (1992). Time, Action and Cognition: Toward Bridging the Gap. Dordrecht: Kluwer Academic. Meisel, Perry. (2010). The Myth of Popular Culture: From Dante to Dylan. Chichester: Wiley-Blackwell. Menand, Louis. (2011). “Browbeaten: Dwight Macdonald’s War on Midcult.” The New Yorker. http://www.newyorker.com/arts/critics/atlarge/2011/ 09/05/110905cart_atlarge_menand Mencken, H.L. (1919/1921). The American language: An Inquiry into the Development of English in the United States. 2nd ed. New York: A. A. Knopf. http://www.bartleby.com/br/185.html More, Thomas. (1516/2003). Utopia. Trans. Paul Turner. London: Penguin. Parks, Tim. (2015). “The Mystery of Primo Levi.” The New York Review of Books, 5–18 November, p. 28. Poppel, Ernst. (1989). “The Measurement of Music and the Cerebral Clock: A New Theory.” Leonardo 22: pp. 83–89. Raab, Selwyn. (2000). “Writing under an Assumed Name.” The New York Times, 30 January. https://www.nytimes.com/books/00/01/30/reviews/000130. 30raabt.html Radway, Janice A. (1997). A Feeling for Books: The Book-of-the-Month Club, Literary Taste, and Middle-Class Desire. Chapel Hill: University of North Carolina Press. Rankine, Marion. (2015). “At the Bottom of the Brows.” The Times Literary Supplement, 8 May, p. 24. Rubin, Joan Shelley. (1992). The Making of Middlebrow Culture. Chapel Hill: University of North Carolina Press. Seabrook, John. (2000). Nobrow: The Culture of Marketing, the Marketing of Culture. New York: Knopf. Swirski, Peter. (1999). “Popular and Highbrow Literature: A Comparative View.” CLCWeb: Comparative Literature and Culture 1. http://clcwebjournal.lib. purdue.edu/clcweb99_4/swirski99.html Swirski, Peter. (2005). From Lowbrow to Nobrow. Montreal: McGill-Queen’s University Press. Swirski, Peter. (2007). Of Literature and Knowledge: Explorations in Narrative Thought Experiments, Evolution, and Game Theory. New York: Routledge. Swirski, Peter. (2009). I Sing the Body Politic: History as Prophecy in Contemporary American Literature. Montreal: McGill-Queen’s University Press. Swirski, Peter. (2010a). Ars Americana, Ars Politica: Partisan Expression in Contemporary American Literature and Culture. Montreal: McGill-Queen’s University Press. 240 BIBLIOGRAPHY

Swirski, Peter. (2010b). Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution. Austin, TX: University of Texas Press. Swirski, Peter. (2015a). American Political Fictions: War on Errorism in Contemporary American Literature, Culture, and Politics. New York: Palgrave Macmillan. Swirski, Peter. (2015b). “The Zettabyte Problem, or the End of Cultural History As We Know It.” The Montreal Review, August. http://www.themontrealre view.com/2009/The-Zettabyte-Problem.php Swirski, Peter. (2016a). American Crime Fiction: A Cultural History of Nobrow Literature as Art. New York: Palgrave Macmillan. Swirski, Peter. (2016b). “The Art of Artertainment, American Style.” The Montreal Review, June. http://www.themontrealreview.com/2009/The-Art %20of-Artertainment.php The People vs. George Lucas. (2010). Dir. Alexandre O. Philippe. Exhibit A Pictures, Quark Films. 93 mins. Tilley, Carol. (2012). “Seducing the Innocent: Fredric Wertham and the Falsiﬁcations that Helped Condemn Comics.” Information & Culture 47: pp. 383–413. Tomasello, Michael. (1999). “The Human Adaptation for Culture.” Annual Review of Anthropology 28: pp. 509–529. Turner, Frederick, and Ernst Poppel. (1983). “The Neural Lyre: Poetic Meter, the Brain, and Time.” Poetry 142: pp. 277–309. Wertham, Fredric. (1954). Seduction of the Innocent: The Inﬂuence of Comic Books on Today’s Youth. New York: Rinehart and Company. Williams, Raymond. (1958/1989). “Culture Is Ordinary.” In Resources of Hope: Culture, Democracy, Socialism. London: Verso. Wilson, Edward O. (1998). Consilience: The Unity of Knowledge. New York: Knopf. Witek, M.A., E.F. Clarke, M. Wallentin, M.L. Kringelbach, and P. Vuust. (2014). “Syncopation, Body-Movement and Pleasure in Groove Music.” PloS ONE 9. http://journals.plos.org/plosone/article?id=10.1371/journal.pone.0094446

CHAPTER 4

Middlebrow and Nobrow Tracing Patterns Across Culture Beth Driscoll

ABC News. (2010). “Crime Novel Breaks Mould to Win Miles Franklin.” ABC, 24 June. http://www.abc.net.au/news/2010-06-23/crime-novel-breaks- mould-to-win-miles-franklin/877974 BIBLIOGRAPHY 241

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Sethi, Anita. (2013). “The Rosie Project by Graeme Simsion – Review.” The Guardian, 28 April. https://www.theguardian.com/books/2013/apr/28/ rosie-project-graeme-simsion-review Simmers, George. (2014). “Cambridge versus the Cosy: Ludwig Wittgenstein, Q. D. Leavis and Dorothy L. Sayers.” Presented at the Culture Wars 1900–1950 Conference, Shefﬁeld Hallam University. http://www.middlebrow-network. com/Events/CultureWarsconference.aspx Simsion, Graeme. (2013). The Rosie Project. Melbourne: Text Publishing. Sonnet, Esther. (2011). “Why Film Noir? Hollywood, Adaptation, and Women’s Writing in the 1940s and 1950s.” Adaptation 4(1): pp. 1–13. Steger, Jason. (2009). “Harsh Heart of the Truth.” The Age, 26 September. http://www.theage.com.au/news/entertainment/books/harsh-heart-of-the- truth/2009/09/25/1253813603728.html. Swirski, Peter. (2005). From Lowbrow to Nobrow. Montreal: McGill-Queen’s University Press. Swirski, Peter. (2016a). American Crime Fiction: A Cultural History of Nobrow Literature as Art. New York: Palgrave Macmillan. Temple, Peter. (2005). The Broken Shore. Melbourne: Text Publishing Company. Temple, Peter. (2009). The Truth. Melbourne: Text Publishing. Tsiolkas, Christos. (1995). Loaded. Milsons Point, NSW: Vintage. Tsiolkas, Christos. (2008). The Slap. Sydney: Allen & Unwin. Wendell, Sarah. (2013). “Interviews from the Brisbane Writers’ Festival Green Room.” Smart Bitches, Trashy Books podcast. 13 February 2017. http://smart bitchestrashybooks.com/podcast/57-interviews-from-the-brisbane-writers-fes tival-green-room/ Williamson, Eugenia. (2015). “Notes on Kampf.” The Nation, 29 April. http:// www.thenation.com/article/notes-kampf/ Woolf, Virginia. (1942). “Middlebrow.” In The Death of the Moth, pp. 113–119. London: Hogarth Press.

CHAPTER 5

Prequels to Nobrow Prequels to Nobrow: from Socrates to Cervantes Kenneth Krabbenhoft

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CHAPTER 6

Gothic Literature in America The Nobrow Aesthetics of Murder and Madness Agnieszka Soltysik Monnet

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CHAPTER 7

Neither Indian Reservation Nor Baboon Patriarchy Science Fiction as Nobrow Phenomenon Nicholas Ruddick

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Muir, John Kenneth. (2008). A Critical History of Dr. Who on Television. Jefferson, NC: McFarland. Poe, Edgar Allan. (1845/2012). “The Facts in the Case of M. Valdemar.” In James M. Hutchisson (ed.), Edgar Allan Poe: Selected Poetry and Tales, pp. 363–371. Peterborough, ON: Broadview Press. “Science Fiction.” (2017). Wikipedia. 9 February. https://en.wikipedia.org/ wiki/Science_fiction Shelley, Mary. (1818/2012). Frankenstein; or, the Modern Prometheus.3rded.Eds. D.L. Macdonald and Kathleen Scherf. Peterborough, ON: Broadview Press. “Speculative Fiction.” (2017). Wikipedia. 9 February. https://en.wikipedia.org/ wiki/Speculative_fiction Stableford, Brian. (1985). Scientific Romance in Britain 1890–1950. New York: St. Martin’s Press. Sterling, Bruce. (1988). “Preface.” In Bruce Sterling (ed.), Mirrorshades: The Cyberpunk Anthology, pp. ix–xvi. New York: Ace Books. Stone, Leslie F. (1931/2010). “The Conquest of Gola.” In Arthur B. Evans, et al. (eds.), The Wesleyan Anthology of Science Fiction, pp. 96–109. Middletown, CT: Wesleyan University Press. “Sturgeon’s Law.” (2017). SFE: The Encyclopedia of Science Fiction. February 9. http://www.sf-encyclopedia.com/entry/sturgeons_law Suvin, Darko. (1988). “Three World Paradigms for SF: Asimov, Yefremov, Lem.” In Darko Suvin (ed.), Positions and Presuppositions in Science Fiction, pp. 99–111. Kent, OH: Kent State University Press. Swirski, Peter. (2005). From Lowbrow to Nobrow. Montreal: McGill-Queen’s University Press. Walter, Damien. (2013). “Q & A: Harlan Ellison.” The Guardian, 14 June: http://www.theguardian.com/books/2013/jun/14/harlan-ellison-q-and-a- interview Wells, H.G. (1895/2001). The Time Machine: An Invention. Ed. Nicholas Ruddick. Peterborough, ON: Broadview Press. Wells, H.G. (1896/2009). The Island of Doctor Moreau. Ed. Mason Harris. Peterborough, ON: Broadview Press. Wells, H.G. (1909/2016). Ann Veronica: A Modern Romance. Ed. Carey J. Snyder. Peterborough, ON: Broadview Press. Wells, H.G. [as “Reginald Bliss”] (1915). Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump. London: T. Fisher Unwin. Wells, H.G. (1980). “Preface to The Scientific Romances. ” In Patrick Parrinder and Robert M. Philmus (eds.), H.G. Wells’s Literary Criticism, pp. 240–425. Brighton: Harvester Press. Westfahl, Gary. (1998). The Mechanics of Wonder: The Creation of the Idea of Science Fiction. Liverpool: Liverpool University Press. 250 BIBLIOGRAPHY

CHAPTER 8

Mambo Clothing and Australian Nobrow Wearable Art for a Global Audience Chris McAuliffe

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Mackinolty, Chips. (1979). Christmas as False Consciousness Dance. Sydney: Powerhouse Museum. Mambo Graphics. (1994). Mambo. Art Irritates Life. Sydney: Mambo Graphics Pty Ltd. Museum of Modern Art. (1944). “Tradition Challenged in the Museum of Modern Art Exhibition ‘Are Clothes Modern?’” Typescript press release. http://www.moma.org/momaorg/shared/pdfs/docs/press_archives/963/ releases/MOMA_1944_0049_1944-11-27_441127-41.pdf National Gallery of Victoria. (2014). “Media Release. Mambo: Thirty Years of Shelf-Indulgence.” http://www.ngv.vic.gov.au/media_release/mambo-30- years-of-shelf-indulgence/ Niesche, Christopher. (2014). “Hanging 10: Interview with Angus Kingsmill, CEO of Mambo.” Company Director Magazine, pp. 3–9. Nunn, Louise. (1993). “Mambo Jumbo.” The Advertiser [Adelaide, S.A.], 5 September. O’Neil, Helen. (1996). “Mambo King.” The Australian, 27 February. Pawle, Fred. (1991). “Mamboman.” The Advertiser [Adelaide, S.A.], 8 February. Power, Liza. (1996) “T-shirt That Surfs Around the World.” Sunday Age,21 January, Business section, p. 12. Poyner, Rick. (2002). “Mambo Theology.” Eye 46 (Winter). http://www.eye magazine.com/feature/article/reg-mombassa-text-in-full Swirski, Peter. (2005). From Lowbrow to Nobrow. Montreal: McGill-Queens University Press. The Adventures of Barry McKenzie. (1972). Dir. Bruce Beresford. Warner Bros, Film. 114 min. Thurlow, Rebecca. (2015). “Investors Bet Australian Beachwear Tide Will Rise.” Wall Street Journal, 9 January. http://www.wsj.com/articles/investors-bet- australian-beachwear-tide-will-rise-1420839006 Thorne, Tanis. (1976). “Legends of the Surfer Subculture: Part Two.” Western Folklore 35(4): pp. 270–280. Traill-Nash, Glynis. (2014). “Fashion Exhibitions at Art Galleries Set New Trend.” The Australian,11October.http://www.theaustralian.com.au/ arts/review/fashion-exhibitions-at-art-galleries-set-new-trend/news-story/ 9d9d2eb56cebd7c62a863e8060cf67f5 University Art Gallery, The University of Sydney. (2015). Girls at the Tin Sheds: Sydney Feminist Posters 1975–90. Sydney: The University Art Gallery, The University of Sydney. Warhaft, Sally. (2014). Well May We Say: The Speeches that Made Australia. Melbourne: Text. Williams, Daniel. (2008). “Born again Mambo.” Time, 23 October. http:// content.time.com/time/magazine/article/0,9171,1853177,00.html 252 BIBLIOGRAPHY

CHAPTER 9

Guilty Pleasures, or Nobrow Treasures? Popular Judgment and the Affective Economy of Taste David McAvoy

Alex. (2008). “How to Control Guilty Pleasures.” LifeSpy, 22 January. http:// www.lifespy.com/2008/how-to-control-guilty-pleasures/ AOLstaff. (n.d.). “Guilty Pleasures We Can’t Live Without.” AOL Money & Finance. http://money.aol.com/special/guilty-pleasures-we-cannot-live- without Basu, Tanya. (2015). “Why Are We Obsessed with ‘Unboxing’ Videos?” Mental Floss,16December.http://mentalﬂoss.com/article/72336/why-are-we- obsessed-unboxing-videos Berlatsky, Noah. (2015). “With Culture, Guilt Can Sometimes Be a Good Thing.” The Atlantic,17February.http://www.theatlantic.com/entertain ment/archive/2015/02/the-subtext-of-guilty-pleasures/385368/ Bourdieu, Pierre. (1984). Distinction: A Social Critique of the Judgement of Taste. Trans. Richard Nice. Cambridge. MA: Harvard University Press. Brewer, Philip. (2007). “Making the Most of Your Guilty Pleasures.” Wise Bread: Living Large on a Small Budget, 4 August. http://www.wisebread.com/mak ing-the-most-of-your-guilty-pleasures carlsonmandude. (2006). “Guilty Pleasure.” Urban Dictionary, 22 December. http://www.urbandictionary.com/deﬁne.php?term=guilty+pleasure Cohen, Lizabeth. (2003). A Consumer’s Republic: The Politics of Consumption in Postwar America. New York: Vintage. Collins, Jim. (2010). Bring on the Books for Everybody: How Literary Culture Became Popular Culture. Durham, NC: Duke University Press. Cross, Gary. (2000). An All-Consuming Century: Why Commercialism Won in Modern America. New York: Columbia University Press. Eakin, Marah. (2016). “Texas Woman Dons Chewbacca Mask in a Kohl’s Parking Lot, Experiences Pure Joy.” A.V. Club, 20 May. http://www.avclub.com/ article/texas-woman-dons-chewbacca-mask-kohls-parking-lot–237102 Ebert, Roger. (2010). “Letters to Juliet.” Chicago Sun-Times, 12 May. http:// rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20100512/ REVIEWS/100519988 Ewen, Stuart. (2001). Captains of Consciousness: Advertising and the Social Roots of the Consumer Culture (25th Anniversary ed.). New York: Basic Books. BIBLIOGRAPHY 253

Fisher, Maryann. (2010). “Why It’s Good to Feel Guilty.” Psychology Today,14 May. http://www.psychologytoday.com/blog/loves-evolver/201005/why- its-good-feel-guilty Grossman, Cathy Lynn. (2010). “What’s your guilty pleasure? It’s when you think, ‘I really shouldn’t but …’”USA Today, 10 September. Faith and Reason. http://content.usatoday.com/communities/Religion/post/2010/ 09/family-guy-cupcakes-guilty-pleasures/1 “Guilty Pleasures.” (2007). The Atlantic, April. http://www.theatlantic.com/ magazine/archive/2007/04/primary-sources/305677/ Herring, Scott. (2007). Queering the Underworld: Slumming, Literature, and the Undoing of Lesbian and Gay History. Chicago, IL: University of Chicago Press. Hof, Robert D. (2015). “‘Unboxing’ Videos a Gift to Marketers.” New York Times,6December.http://www.nytimes.com/2015/12/07/business/ media/unboxing-videos-a-gift-to-marketers.html?_r=0 Hutcheon, Linda. (1998). “Irony, Nostalgia, and the Postmodern.” University of Toronto English Library. http://www.library.utoronto.ca/utel/criticism/ hutchinp.html IIID–I. (2011). “Guilty Pleasure.” Urban Dictionary, 2 October. http://www. urbandictionary.com/deﬁne.php?term=guilty%20pleasure Jenkins, Henry. (2006). Convergence Culture: Where Old and New Media Collide. New York: NYU Press. Just_Sayin’. (2008). “American Idol! The ultimate guilty pleasure.” Site-Insights. com, 15 January. http://siteinsights.com/2008/01/15/american-idol-the- ultimate-guilty-pleasure/ Kageyama, Noa. (n.d.). “How to Stop Procrastinating on the Important Things, Yet Still Indulge in Guilty Pleasures Guilt-Free with ‘Temptation Bundling.’” Bulletproof Musician. http://www.bulletproofmusician.com/temptation- bundling-how-to-stop-procrastinating-on-the-important-things-yet-still- indulge-in-guilty-pleasures-guilt-free/ Kelly, Heather. (2014). “The bizarre, lucrative world of ‘unboxing’ videos.” CNN.com, 13 February. http://www.cnn.com/2014/02/13/tech/web/ youtube-unboxing-videos/ Kelly, Liz. (2007). “Guilty Pleasure: Movies to Watch Again and Again.” Washington Post.com, 30 March. http://blogs.washingtonpost.com/celebritol ogy/2007/03/guilty_pleasure_movies_to_watc.html Klosterman, Chuck. (2001). Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota. New York: Simon & Schuster. Klosterman, Chuck. (2004). “Guilty Pleasures: The Curious Etymology of a Phrase Gone Wrong.” Esquire, 1 November. Levine, Lawrence W. (1988). Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, MA: Harvard University Press. 254 BIBLIOGRAPHY

Liquor.com. (2011). “Guilty-Pleasure Cocktails.” Huffington Post, 25 February. http://www.huffingtonpost.com/liquorcom/guilty-pleasure-cocktails_b_ 827353.html#s244956&title=Pia_Colada McCree, Sam Gentoku. (2015). “How to Overcome a Guilty Pleasure.” mindfitmove, 3 March. http://mindfitmove.com/selfcarediet MoneyNing. (n.d.). “What are Your Guilty Pleasures?” MoneyNing. http:// moneyning.com/life-style/what-are-your-guilty-pleasures/ Newman, Michael Z. (2008). “Confession, Transgression, and Yin Yang Twin’s ‘Wait (The Whisper Song).’” In Media Res: A MediaCommons Project,20 February. http://mediacommons.futureofthebook.org/videos/2008/02/ 20/transgression-confession-and-ying-yang-twinss/ Petersen, Anne Helen. (2013). “In Defense of Cheerleading.” The Toast,15 August. http://the-toast.net/2013/08/15/in-defense-of-cheerleading/ Prince, Rosa. (2014). “Toddlers Mesmerized by Surreal World of Unboxing Videos.” The Telegraph, 22 September. http://www.telegraph.co.uk/news/ worldnews/northamerica/usa/11112511/Toddlers-mesmerised-by-surreal- world-of-unboxing-videos.html Robinson, Joanna. (2011). “The Seven Best Guilty Pleasure TV Shows.” Pajiba, 20 October. http://www.pajiba.com/seriously_random_lists/the-seven-best- guilty-pleasure-tv-shows.php Robson, David. (2014). “Psychology: Why Does Guilt Increase Pleasure?” BBC Future, 30 December. http://www.bbc.com/future/story/20141219-why- does-guilt-increase-pleasure Sachs, Tony. (2010). “Single Malt Scotch Makes a Singular Holiday Gift for Your Loved Ones (or Yourself).” Huffington Post, 20 December. http://www.huf fingtonpost.com/tony-sachs/single-malt-scotch-makes_b_798699. html#s212135 SirGrant. (2007). “Guilty Pleasure.” Wikipedia, 14 July. http://en.wikipedia. org/wiki/Guilty_pleasure Sontag, Susan. (2009). “Notes on ‘Camp.’” In Against Interpretation and Other Essays, pp. 275–292. London: Penguin. Szalai, Jennifer. (2013). “Against ‘Guilty Pleasure.’” The New Yorker,9 December. http://www.newyorker.com/books/page-turner/against-guilty- pleasure Timberg, Scott. (2008). “Highbrow. Lowbrow. No brow. Now what?” Los Angeles Times, 27 July. http://articles.latimes.com/2008/jul/27/entertain ment/ca-shame27 Williams, Raymond. (1980). “Advertising: The Magic System.” In Problems in Materialism and Culture, pp. 170–195. London: Verso. Wilson, Carl. (2007). Let’s Talk about Love: A Journey to the End of Taste. New York: Continuum. Žižek, Slavoj. (1989). The Sublime Object of Ideology. London: Verso. BIBLIOGRAPHY 255

CHAPTER 10

The Good, the Bad, and the Nobrow Structures of Taste and Distaste in the Nobrow Age Tero Eljas Vanhanen

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24, 203, 227 American Horror Story, 128 4’33”, 4 American Idol, 200 The American Language, 35 American Psycho, 207, 210, 219–223, 227, 230 A Amin, Idi, 18 Abrams, Mark, 163 “Analysis of the Public Arts,” 19 Adagia, 96 An Anatomy of Humor, 20 Adorno, Theodor W., 14 Anders, Gunther, 14 Aeneid, 49 Anna Karenina, 152 Against the American Grain, 15 Ann Veronica, 143 The Age, 62, 64 AOL Money & Finance, 197 Aida, 2 Argonauts of the Western Ai Weiwei, 178 Paciﬁc, 17 Alizadeh, Ali, 73, 74 Ariosto, Ludovico, 101 Allan, Richard, 164, 166, 167, Aristophanes, 93 170, 172, 177 Aristotle, 83–85, 90, 224 Allen, Grant, 142, 143 Arnold, Gina, 172, 173 Allen, Mitch, 21 Arnold, Matthew, 34 Amazing Stories, 140, 143–146 Ars Americana, Ars Politica, 34 Amazon Women on the Moon, 135 Ars Poetica, 34 The Ambitious Stepmother, 225 The Art of Comedy Writing, 20–21 American Crime Fiction: A Cultural Ashley, Mike, 147 History of Nobrow Literature as Asimov, Isaac, 147 Art, 5, 25, 58 The Astonished Muse, 15 L’Americano a Fumetti, 18 Astounding Science Fiction, 147, 148

Astounding Stories, 146 “Berenice,” 117, 118 See also Astounding Science Fiction Berger, Arthur Asa, 13 Atlantic Monthly, 187 Berlant, Lauren, 74 The Atrocity Exhibition, 149 Berlatsky, Noah, 189, 201 Atwood, Margaret, 136 Bernstein, Leonard, 54 Auden, W. H., 152 Berry, Jess, 174 Augustine of Hippo, 87–89 Billy Budd, 123, 125 Ausonius, 33 Birch, Ric, 176 Austen, Jane, 66, 111, 122, 137 “The Black Cat,” 118 Australian Society, 58 The Blair Witch Project, 128 Avatar, 139 Blind Men and Elephants: Perspective AV Club, 202 on Humor, 20 Azalea, Iggy, 201 Blood Meridian, 209–218, 220, 223, 227, 230 Bloom, Harold, 213 B Blue Danube, 4 Bach, Johann Sebastian, 39 Boccaccio, Giovanni, 92, 95, 96 Bachner, Sally, 214–216 Bond, James (character), 149 Bad Debts, 58 Book Thingo, 68 Badiou, Alain, 74 Borges, Jorge Luis, 146 Bakhtin, Mikhail, 27 Bourdieu, Pierre, 188 Bald Soprano, 21 Bowery, Leigh, 155 Ballard, J. G., 149, 151, 152 Bradbury, Ray, 136 Barr, Alfred H., 159 Bramson, Leon, 15 Barry McKenzie, 169 Breaking Bad, 182 Barthes, Roland, 19, 27 Brite, Poppy Z., 128, 210, 227, Bartók, Béla, 9, 50 228, 230 Basilio (character), 100 The Broken Shore, 59, 60 Bateman, Patrick Brooks, Max, 128 (character), 219–223, 230 Brooks, Van Wyck, 3, 4, 35, 110, – Batman v Superman, 3 207 210, 217, 220, 230, 231 Baudelaire, Charles, 113 Brown, Charles Brockden, 122 Baudrillard, Jean, 27 Browne, Ray B., 15 Baxter, Stephen, 152 Buck Rogers, 139 “ ” “Because I Could Not Stop The Business Man, 118 for Death,” 41, 43 Byron, George Gordon, 4 Beckett, Samuel, 101 Beethoven, Ludwig van, 46 C Bembo, Carlo, 92–98 Cage, John, 4 Bembo, Pietro, 5, 91 “Calamus,” 125 Benjamin, Walter, 27 “Call of Cthulhu,” 128 Bennett, Elizabeth (character), 66 Cameron, Deborah, 23 INDEX 263

Campbell, John W., 146–149 Course in General Linguistics, 26 Cannibal Holocaust, 215, 216 Creech, James, 123, 124 Capek, Karel, 4 Cricher, Charles, 20 Capp, Andy, 23 Crichton, Michael, 137 Carax, Leos, 125 Critique of Judgment, 224 Carroll, Lewis, 48 Crocodile Dundee, 169 “The Case of Amontillado,” 118 Culler, Jonathan, 27 The Castle of Otranto, 110 Culture for the Masses, 15 The Castles of Athlin and Dunbayne, 111 D Cave, Nick, 155 Daedalus, 15 Cervantes, Miguel de, 6, 9, 91, 98, Danse Macabre, 229 – 101 104, 106 Dante Alighieri, 135 A Chain of Chance, 4 Dante, Joe, 92–96 Chandler, Raymond, 4, 57, 58 Darcy, Fitzwilliam (character), 66, 67 ’ Charlie s Angels, 182 David, 156 Charybdis (mythical creature), 8 Debenham, Pam, 164 Chewbacca (character), 202 Deconstructing Travel: Cultural Christie, Agatha, 19, 57 Perspectives on Tourism, 22 Christos Tsiolkas and the Fiction De doctrina christiana, 87 of Critique, 72 Deffence et illustration de la langue La Chute de la Maison Usher, 114 francoyse, 94, 99 Cicero, 84, 85, 87, 90, 91, 93, 95, 104 De Graff, Robert F., 36 Clair, Rene, 16 De Lorris, Guillaume, 95 Clarín (character), 100 De Meung, Jean, 95 Clarke, Arthur C., 152 De Montebello, Philippe, 158, 160 Close Encounters of the Third Demosthenes, 93 Kind, 150 Denney, Reuel, 15 Closet Writing/Gay Reading, 123 Deodato, Ruggero, 215 CNN, 201 Derrida, Jacques, 113 Cohen, Lizabeth, 195 Diálogo de la lengua, 96, 99 Collins, Jim, 37, 55, 183, 184, 199 Dialogo sulla società Americana, 16 The Comic-Stripped American, 18 Dickens, Charles, 137, 214 Condon, Richard, 34 Dickinson, Emily, 41, 43 “ ” The Conquest of Gola, 148 Dick, Philip K., 152 Conrad, Joseph, 146 “Diddling,” 118 ’ A Consumer s Republic, 195 Digimon, 156 Cooper, Dennis, 210, 222, 223 The Dimension of the Present Corman, Roger, 114 Moment, 42 Cornelius, Jerry (character), 149 Dion, Celine, 191 Cornwell, Patricia, 63 Disch, Thomas M., 126, 149 Cortázar, Julio, 101 Disney, Walt, 49 264 INDEX

The Divine Comedy, 135 F Dodds, E. R., 82 “The Facts in the Case Don Juan (character), 105 of M. Valdemar,” 140, 145 Don Quixote, 5–7, 81, 91, 98, Falstaff (character), 100 101–105 “The Fate of the Poseidonia,” 146 Don Quixote (character), 7, 98, Faust (character), 105 102–105 Ferdinand de Saussure, 27 Dr. Who, 139 Fiction and the Reading Public, 57 Du Bellay, Joachim, 5, 94–96, 98, 99 Fifty Shades of Grey, 136 Dunn, Katherine, 219 Firth, Colin, 67 Dupin, C. Auguste, 114 Fletcher, Lisa, 66 Durkheim is Dead: Sherlock Homes Folengo, Teoﬁlo, 101 is Introduced to Sociological “Football and Cultural Theory, 21 Values,” 20 Dyer, Richard, 20 Foucault’s Pendulum, 48 Frankenstein, 134, 136, 139, 140, 146 E Freud, Sigmund, 27, 117 Ebert, Roger, 190–192, 199, 203 Frisk, 210, 222, 223, 227 Eco, Umberto, 9, 16, 17, 20, 47, 48 From Lowbrow to Nobrow, 5, 25, 29, Edelman, Lee, 123 37, 39, 54 Edemariam, Aida, 76 Fuenteovejuna, 100 Eisenhower, Dwight D., 31 El arte nuevo de hacer comedias en este tiempo, 99 G Eliot, T. S., 32, 34, 45, 46, Game Of Thrones, 182 114, 149 Gans, Herbert, 38 Elliott, Helen, 64 Gaston de Blondeville, 111 Ellis, Bret Easton, 208, 210, 219, 220, Gates, Bill and Melinda, 64 222, 223, 227 Gaultier, Jean Paul, 156, 158 Ellison, Harlan, 150 Gelder, Ken, 76 Ellwood, Tony, 174, 175 The Genius of the Jewish Joke, 21 Eloi (characters), 139 George, Melissa, 73 Encyclopedia of Science Fiction, 135 Gerbner, George, 19 The End of Alice, 227 Gernsback, Hugo, 6, 133, 138–140, Epstein, Jean, 114 143–149, 152, 153 Erasmus, Desiderius, 96 Giammanco, Roberto, 16 Esquire, 185 Gilman, Charlotte Perkins, 126, 127 Euripides, 48 The Girl Next Door, 210 Europeo, 16 Glendinning, Pierre (character), 112, Exquisite Corpse, 210, 227, 121–125 228, 230 Godwin, William, 122 INDEX 265

Goldilocks (character), 31, 45, 182 Historical Romance Fiction: Golding, Wayne, 164 Heterosexuality and Gorgias, 83 Performativity, 66 GQ Magazine, 53 Hogan, Paul, 158, 169 Gracie, Anne, 69 Holmes, Sherlock (character), 41, 45 Gregory of Nazianzus, 88 Holub, Miroslav, 42 Griswold, Rufus, 113 Home and Away, 72, 73 Grossman, Cathy Lynn, 186 Homer, 33, 36, 48, 95 The Guardian, 64, 76 Homes, A. M., 227 Gutenberg, Johannes, 90, 91 Horace, 8, 34, 225 Hubbard, L. Ron, 148 Hufﬁngton Post, 196 H Hume, David, 208, 225–227, 230 Haldeman-Julius, E., 35 Humor: The International Journal Hall, Stuart, 20 of Humor Research, 21 Halttunen, Karen, 113 The Hunger Games, 187 Hamlet, 32 Hutcheon, Linda, 182 The Hamlet Case, 21 Huxley, Aldous, 109, 114 Hamlet (character), 5, 49, 105 Huxley, Thomas Henry, 142 “Hamlet and His Problems,” 32 Hammett, Dashiell, 57 Hanks, Tom, 193 I Harker, Jaime, 58 In Media Res, 193 Harris, Clare Winger, 146 In the Cut, 227 Hartwell, David, 137, 138 Ionesco, Eugène, 21 Hawthorne, Nathaniel, 120 Irish, Jack (character), 59 Hawthorne, Sophia, 120 Isherwood, Christopher, 58 Head On, 71 The Island of Doctor Moreau, 143, 145 Heidegger, Martin, 36 “The Issues Joined,” 14 Heinemann, William, 36 The Italian, 111 Heinlein, Robert A., 132, 147, 149, 150 Henry VIII, 35 Herbert, James, 210, 228, 230 J Heroet, Antoine, 95 Jacobs, Norman, 15 Hesiod, 34 James, Edward, 147 Hetzel, Pierre-Jules, 140, 141 James, E. L., 136, 220 Heyward, Michael, 60 James, Henry, 18, 114, 126, 127, 136, “Highbrow and Lowbrow,” 3, 150, 151, 220 35, 110 Jameson, Fredric, 20, 27, 34 High-Rise, 151 Jarman, Rosie (character), 64 Highway to Hell, 4 Jenkins, Henry, 195, 198, 200, 203 266 INDEX

Jennings, Dare, 155, 157, 158, 160, Leavis, Q. D., 57 162–166, 168–172, 176, 177 Le Guin, Ursula K., 49, 138, Joan of Arcadia, 185, 186 148, 152 Joe Versus the Volcano, 193, 196 Lem, Stanislaw, 4, 49, 101, John Chrysostom, 88 136, 152 Jones, Indiana (character), 48 Leo X, 91 Journal of Consumer Research, 187 Less Than Zero, 219 The Journal of Popular Culture, 15 Let the Right One In, 128 Jowett, Garth, 15 Letters to Juliet, 190, 191, 199 Joyce, James, 137, 152, 220 Levine, Lawrence, 189 Lewis, Matthew Gregory, 125 Leyton, Elliott, 214 K Life in a Day, 31, 49 Kagayama, Noa, 187 LifeSpy, 187 Kant, Immanuel, 224, 226 “Ligeia,” 116 Kauffman, Stuart, 44 Li’l Abner, 5, 6, 11–13, 17, 20, Kay, Michael H., 146 23, 24 Keeping Up with the Kardashians, 188 Li’l Abner: A Study in American Kennedy, George, 86 Satire, 13 Ketchum, Jack, 210, 228 Lippard, George, 122 Kingsmill, Angus, 157, 159, Literature, Analytically Speaking, 39 163, 171 Loaded, 71 King, Stephen, 6, 128, 229, 230 Lombardo, Agostino, 16 The King Who Was a King, 131 Lope de Vega, 9–101, 106 Klosterman, Chuck, 183, 185, 186, Lovecraft, H. P., 37, 127 188, 201 Lucas, George, 49, 149 Knight, India, 76 Luis de Granada, 90 Knight, Stephen, 60, 63 Luke the Evangelist, 86 Kornhauser, William, 15 Lyotard, Jean-François, 25 Krazy Kat, 16, 25

M L MacCannell, Dean, 22 Lacan, Jacques, 113 Macdonald, Dwight, 3 Larbalestier, Justine, 146 Macdonald, Kevin, 50 Larkin, Philip, 34 MacInnes, Colin, 170 Latham, Rob, 148 Mackay, Jan, 164 Lauter, Paul, 125 Mackinolty, Chips, 164 Lavinia, 49 Madariaga, Salvador de, 102 The Laviniad, 49 Mad Men, 195 Lawrence, D. H., 34 Magasin illustré d’éducation Lear (character), 100 et de récréation, 141 INDEX 267

La maledizione del faraone, 47 “Middlebrow,” 3 Malinowski, Bronislaw, 17 Middlemarch, 36 The Maltese Falcon, 26 Mighty Morphin’ Power Rangers, 156 Mardi: And a Voyage Miller, Henry, 220 Thither, 119, 120 Milton, John, 225 Marlowe, Philip (character), 58 Mistake in Identity: A Cultural Studies Marot, Clément, 95 Murder Mystery, 21 Martin Chuzzlewit, 214 Mitchell, Weir, 127 Marx, Karl, 27 Moby-Dick, 112, 120, 123, 125 The Masculine Middlebrow Mombassa, Reg (pseudonym), 164, 1880–1950, 58 169, 170, 172, 175, 177 The Mass-Comm Murders, 21 See also O’Doherty, Chris “Mass Culture in America,” 14 Mona Lisa, 33, 36 “Mass Culture in America: A Different Monet, Claude, 178 Point of View,” 14 MoneyNing, 197 Mass Culture: The Popular Arts The Monk, 125 in America, 14, 15 Moorcock, Michael, 149 Mass Media in Modern Society, 15 Moore, Michael, 34 Mayo, Kat, 68, 69 Moore, Susanna, 227 McBain, Ed, 30 More, Thomas, 8, 35 McCann, Andrew, 72 Morlocks (characters), 46, 139 McCarthy, Cormac, 209–212, 214, Morrison, Toni, 9, 38, 215 216–219, 227 Mozart, Wolfgang Amadeus, 39, McCree, Sam Gentoku, 187 41, 42 McEvoy, Marc, 61, 62 Il Mulino, 16 McLuhan, Marshall, 12, 14, 27 “Murder Makes the Magazine,” 48 McQueen, Alexander, 155, 156, 158 Murder on the Orient Express, 19 The M.D.: A Horror Story, 126 The Mysteries of Udolpho, 111, 121 “The Meaning of Tom Jones,” 20 Mythologies, 19 The Mechanical Bride: The Folklore of Industrial Man, 12 The Mechanics of Wonder: The Creation N of the Idea of Science Fiction, 137 Nabokov, Vladimir, 101–102, 151 Media Analysis Techniques, 19 Nebrija, Antonio de, 96 Media, Myth, and Society, 18 Neighbours, 72, 73 Melville, Herman, 9, 111, 112, 119, Nekromantik, 215, 216 120, 122–126 Nelly, 185 Menand, Louis, 37 Nembo Kid (character), 16 Mencken, H. L., 4, 35 See also Superman (character) Mental Floss, 202 The New Literary Middlebrow, 37, 54 Merril, Judith, 149, 150 Newman, Michael Z., 193 Mickey Mouse (character), 166 Newson, Marc, 175 268 INDEX

Newton, Thandie, 73 Perrault, Charles, 141 New Yorker, 5, 38 Perrin, Tom, 75 New York Times, 12, 194, 201 Peterson, Anne Helen, 203 New York Times Book Review, 219 Petrarch, Francesco, 92, 93, 95, 96 Niebla, 103 Phaedrus, 48 Night of the Crabs, 228 Philippe, Alexandre O., 49 Nineteen Eighty-Four, 151 “The Philosophy of Nobrow, 5 Composition,” 115 Notes on the Death of Culture, 34 Pierre: Or, the Ambiguities, 120 Nye, Russell, 15 Plato, 34, 83 Plautus, 21 Playback, 4 O Playboy Club, 182 Oates, Joyce Carol, 9, 38, 128 Poe, Edgar Allan, 9, 48, 109, O’Doherty, Chris, 169 111–119, 126, 133, 140, 145 See also Mombassa, Reg Poetics, 224 (pseudonym) Pokémon, 2, 181 Off Season, 228 Pola X, 125 “Of the Standard of Taste,” 225 Poletti, Anna, 73, 74 “Of Tragedy,” 226 The Political Context Oggi, 16 of Sociology, 15 Olivier, Laurence, 218 The Politics of Mass Society, 15 “One Human Minute,” 49 Pontiggia, Guiseppe, 47 “On the Supernatural in Poetry,” 229 Pop Culture, 17, 18, 24 O’Rourke, P. J., 34 Popular Culture Association, 15 Oryx and Crake, 136 Popular Culture and High Culture, 38 Oukhvanova, Irina, 23 A Portrait of the Artist as a Young Ovid, 225 Man, 185 The Portrait of a Lady, 136 The Postmodern Condition: A Report P on Knowledge, 25 Pajiba, 182 Postmodernism, or, The Cultural Logic Palahniuk, Chuck, 219 of Late Capitalism, 26 Panovic, Ivan, 23 Postmortem for a Postmodernist, 21 Panza, Sancho (character), 7, 98, 102 Post, Sheila, 119 The Paris Review, 38 Pound, Ezra, 149 Paris in the Twentieth Century, 141 Prada, Miuccia, 155, 157 Paul the Evangelist, 86 The Prestige of Violence, 214 Pelecanos, George, 63 Pride and Prejudice, 66, 67, 152 The People vs. George Lucas, 31, 49 I Primi Eroi, 16 Pérez, Augusto (character), 103 Professor Moriarty (character), 41 INDEX 269

Propp, Vladimir, 27 S Prose della volgar lengua, 92, 94, 96 Salvucci, Claudio, 49 Psychology Today, 186 Sarsgaard, Peter, 73 Punch, 3 Saussure, Ferdinand de, 19, 27 “The Purloined Letter,” 113 Sayers, Dorothy L., 57 Pynchon, Thomas, 215 Schiaparelli, Elsa, 157 Science and Invention, 144 Sci-Fi Chronicles, 139 Q Scott, Sir Walter, 122 Quevedo, Francisco de, 105 Scylla (mythical creature), 8 Seabrook, John, 5, 54 “The Secret Agent,” 18 Sedgwick, Eve Kosofsky, 123, R 124, 125 Rabelais, François, 101 Seduction of the Innocent, 31 Radcliffe, Ann, 6, 111, 229 Seldes, Gilbert, 14 Rankin, Ian, 63 Serpell, C. Namwali, 221 The Rats, 210, 228, 230 Sethi, Anitha, 64 “The Raven,” 115 Sex and the City, 192 Reacher, Jack (character), 211 Shakespeare, William, 4, 8, 32, 33, Reader’s Digest, 36 46, 91, 120, 218, 225 [REC], 128 Shanley, John Patrick, 193 Resident Evil, 139 Shelley, Mary, 134–136, 138, Reynolds, Simon, 171 140, 146 Rhapsody, 38, 39 Show Boat, 25 Rhetoricae ecclesiasticae libri sex, 90 Sibley, Mulford Q., 11 Riotta, Gianni, 47 Signs in Contemporary Culture: Road House, 185, 186, 196 An Introduction to Semiotics, 19 Robson, David, 188 Silverman, Debra, 160 Romeo and Juliet (1968 ﬁlm), 190 Simmers, George, 57 Ronsard, Pierre de, 95, 96 Simpson, Homer (character), 36 Rosenberg, Bernard, 14 Simpson, Lisa (character), 36 The Rosie Effect, 64, 66 Simpson, Marge (character), 36 The Rosie Project, 54, 56, 64–66, The Simpsons, 36 68–71, 76, 77 Simsion, Graeme, 54, 56, 64, 67–71 Rota, Nino, 190 The Slap, 54, 56, 71–77 Roth, Philip, 215 Sloterdijk, Peter, 190 Rowe, Nicholas, 225 Smart Bitches, Trashy Books, 70 Rubin, Joan Shelley, 55 Smith, Guy N., 228 Rudofsky, Bernard, 159 Socrates, 6, 82–86, 89, 94 Russ, Joanna, 138 Sonnet, Esther, 58 Ryan, Meg, 193 Sons Of Anarchy, 182 270 INDEX

Sontag, Susan, 116, 183 Tiptree, James, Jr., 138, 152 Southern Literary Messenger, 117 Titus Andronicus, 218 Spinrad, Norman, 135 The Tourist, 22 Stableford, Brian, 142 Los trabajos de Persiles y Stapledon, Olaf, 152 Segismunda, 101 Star Trek, 150 Truth, 54, 56, 57, 59–64, 66, 76, 77 Star Wars, 49, 136, 149, 150 Tsiolkas, Christos, 54, 56, 71–76 Steger, Jason, 62 The Turn of the Screw, 126 Stephen, Ann, 165 TV Guide, 33 Sterling, Bruce, 149 The TV-Guided American, 18 Stone, Leslie F., 148 Twain, Mark, 4 Strand Magazine, 142 Twilight, 203 Studi Americani, 16 Sturgeon, Theodore, 136, 147 Stüssy, Shawn, 157 Superman (character), 16 U See also Nembo Kid (character) Ulysses, 152 Supernatural, 128 Unamuno, Miguel de, 101, 103, 104 Swayze, Patrick, 185, 186 Understanding Media: The Extensions Swift, Jonathan, 135, 143 of Man, 12 Swirski, Peter, 4, 54, 55, 58, 61, Unﬁnished Play, 47 71, 81, 85, 110, 127, 133, Updike, John, 48 139, 157, 161, 174, 182, USA Today, 186 189, 196 Utopia, 35 Sydney Morning Herald, 61 Szalai, Jennifer, 186, 194

V T Valdés, Juan de, 5, 96–100 Tabucchi, Antonio, 47 Van Vogt, A. E., 147 Tarzan of the Apes, 31 Vargas Llosa, Mario, 34 “The Tell-Tale Heart,” 118 Verdi, Giuseppe, 2 Temple, Peter, 54, 56, 58, 59, 60, Verne, Jules, 133, 136, 138, 140–144, 61, 62, 63, 64 146, 149 Terence, 93 Victoria, Queen, 144 Thamus, 48 Villani, Stephen (character), 59, 63 Theall, Donald, 12 Virgil, 33, 49, 95 Thurman, Uma, 73 The Virtual Marshall McLuhan, 12 Tillman, Professor Don Vogue, 175 (character), 64–67 Vonnegut, Kurt, 136 Timberg, Scott, 203 Voyages extraordinaires, 136 Times Literary Supplement, 150 Vreeland, Diana, 175 INDEX 271

W “William Wilson,” 118 The Walking Dead, 128 Willis, Paul, 20 Wallace, Irving, 34 Wilson, Carl, 191 Wall Street Journal, 22 Wilson, William (character), 118 Walpole, Horace, 110 Wimsey, Lord Peter (character), 57 Warhol, Andy, 164 Winters, Yvor, 114 War With the Newts, 4 Wise Bread, 198 The War of the Worlds, 152 Woodhouse, Reed, 223 Washington Post, 193 Woolf, Virginia, 3, 55, 137 “The Wasteland,” 37 Working Papers in Cultural “Waste Paper: A Poem of Profound Studies, 20 Insigniﬁcance,” 37–38 Working with Written Discourse, 23 Weber, Max, 27 Worstead, Paul, 164, 167, 172, 177 Wedd, Gerry, 165, 170 Wundt, Wilhelm, 40 Wells, H. G., 9, 131, 133, 135, Wyndham, John, 137 138, 139, 141–144, 146, 149–152 Welsh, Irvine, 219 Y Wendell, Sarah, 70 Yeats, William Butler, 32, 152 Wertham, Frederic, 31 The Yellow Kid, 18 Westfahl, Gary, 137, 144, 145, 147 “The Yellow Wallpaper,” 126, 127 Whalen, Terence, 112 Young, Elizabeth, 221 “What is News?,” 20 White, David Manning, 14 Whitlam, Gough, 162 Whitman, Walt, 125 Z Williamson, Eugenia, 54 Zefﬁrelli, Franco, 190 Williams, Raymond, 195 Zola, Émile, 141