When Highbrow Meets Lowbrow, DOI 10.1057/978-1-349-95168-0 236 BIBLIOGRAPHY

When Highbrow Meets Lowbrow, DOI 10.1057/978-1-349-95168-0 236 BIBLIOGRAPHY

BIBLIOGRAPHY INTRODUCTION Browbeaten into Pulp Nobrow Positions and Oppositions Peter Swirski and Tero Eljas Vanhanen Brooks, Van Wyck. (1915). “Highbrow and Lowbrow.” The Forum, April, pp. 481–492. Credanza. (2008). “High-brow.” Urbandictionary.com, 11 May. http://www. urbandictionary.com/define.php?term=High-brow&defid=3078274 Farndale, Nigel. (2016). “Ian McShane: ‘Game of Thrones is just tits and dra- gons.’” The Telegraph, 6 June. http://www.telegraph.co.uk/tv/2016/03/ 11/ian-mcshane-game-of-thrones-is-just-tits-and-dragons/ Macdonald, Dwight. (1962). Against the Grain: Essays on the Effects of Mass Culture. New York: Random House. Seabrook, John. (2000). Nobrow: The Culture of Marketing, the Marketing of Culture. New York: Knopf. Swirski, Peter. (2005). From Lowbrow to Nobrow. Montreal: McGill-Queen’s UP. Swirski, Peter. (2016a). American Crime Fiction: A Cultural History of Nobrow Literature as Art. New York: Palgrave Macmillan Woolf, Virginia. (1942). “Middlebrow.” In The Death of the Moth, pp. 113–119. London: Hogarth Press. © The Author(s) 2017 235 P. Swirski, T.E. Vanhanen (eds.), When Highbrow Meets Lowbrow, DOI 10.1057/978-1-349-95168-0 236 BIBLIOGRAPHY CHAPTER 2 Pop Culture and Nobrow Culture From Li’l Abner to Discourse Theory and Back: A Culture Critic’s Odyssey Arthur Asa Berger Barthes, Roland. (1957/1972). Mythologies. Transl. Annette Lavers. New York: Hill & Wang. Berger, Arthur Asa. (1973). Pop Culture. Dayton, OH: Pflaum Standard. Berger, Arthur Asa. (1974). “The Secret Agent.” The Journal of Communication 24(2): pp. 70–74. Berger, Arthur Asa. (1997). The Art of Comedy Writing. New Brunswick, NJ: Transaction Books. Bramson, Leon. (1961). Political Context of Sociology. Princeton, NJ: Princeton University Press. Cameron, Deborah and Ivan Panovic. (2014). Working with Written Discourse. London: Sage. Culler, Jonathan. (1986). Ferdinand de Saussure. 2nd ed. Ithaca, NY: Cornell University Press. Denney, Reuel. (1957). Astonished Muse. Chicago: Chicago University Press. Jameson, Fredric. (1991). Postmodernism or, The Cultural Logic of Late Capitalism. Durham, NC: Duke University Press Jowett, Garth. (1992). “Introduction to the Transaction Edition.” In Norman Jacobs (ed.), Mass Media in Modern Society. New Brunswick, NJ: Transaction Books. Kornhauser, William. (1959). Politics of Mass Society. Glencoe, IL: Free Press. Lyotard, Jean-Francois. (1984). The Postmodern Condition. Minneapolis, MN: University of Minnesota Press. Lyotard, Jean-François. (1988/1993). The Postmodern Explained. Trans. Don Barry et al., Minneapolis, MN: The University of Minnesota Press. MacCannell, Dean. (1976). The Tourist: A New Theory of the Leisure Class. New York: Schocken Books. Macdonald, Dwight. (1962). Against the Grain: Essays on the Effects of Mass Culture. New York: Random House. Malinowski, Bronislaw. (1922). Argonauts of the Western Pacific. London: George Routledge & Sons. McLuhan, Marshall. (1951/1967). The Mechanical Bride: Folklore of Industrial Man. Boston, MA: Beacon Press. BIBLIOGRAPHY 237 Rosenberg, Bernard and David Manning White (eds.). (1957). Mass Culture: The Popular Arts in America. Glencoe, IL: The Free Press. Saussure, Ferdinand de. (1916/1966). Course in General Linguistics. Trans. Wade Baskin. New York: McGraw-Hill. Swirski, Peter. (2005). From Lowbrow to Nobrow. Montreal: McGill-Queen’s University Press. Swirski, Peter. (2016a). American Crime Fiction: A Cultural History of Nobrow Literature as Art. New York: Palgrave Macmillan. Theall, Donald. (2001). The Virtual Marshall McLuhan. Montreal, London: McGill-Queen’s University Press. CHAPTER 3 Nobrow, American Style From Goldilocks to the Golden Mean Peter Swirski Anderson, Kirsten (ed.). (2004). Pop Surrealism: The Rise of Underground Art. San Francisco, CA: Ignition/Last Gasp. BBC News. (2013). “Huge Survey Reveals Seven Social Classes in UK.” 3 April. http://www.bbc.com/news/uk-22007058 Berlyne, D.E. (1971). Aesthetics and Psychobiology. East Norwalk, CT: Appleton- Century-Crofts. Boas, George. (1940). “The Mona Lisa in the History of Taste.” Journal of the History of Ideas 1(2): pp. 207–224. Brooks, Van Wyck. (1915). “Highbrow and Lowbrow.” The Forum, April, pp. 481–492. Campbell, Jim. (2015). “As tears go by.” Times Literary Supplement,22May,p.32. Carroll, Joseph. (2001). Reading Human Nature: Literary Darwinism in Theory and Practice. New York: SUNY Press. Carroll, Noël. (2000). Theories of Art Today. Madison, WI: University of Wisconsin Press. Collins, Jim. (2010). Bring On the Books for Everybody: How Literary Culture Became Popular Culture. Durham, NC: Duke University Press. Cooper, David. (2015). Béla Bartók. New Haven, CT: Yale University Press. Dalziel, Margaret. (1957). Popular Fiction 100 Years Ago: An Unexplored Tract of Literary History. London: Cohen and West. Darnton, Robert. (2015). Censors at Work: How States Shaped Literature. London: British Library. 238 BIBLIOGRAPHY Davies, Paul. (2006). The Goldilocks Enigma: Why Is the Universe Just Right for Life? Boston, MA: Mariner. Dodes, Rachel. (2011). “‘Life in a Day’ Director Aims to Elevate YouTube Videos Into Art.” The Wall Street Journal, 22 July. http://blogs.wsj.com/speakeasy/ 2011/07/22/life-in-a-day-director-kevin-macdonald-aims-to-elevate-you tube-videos-into-art/?mod=google_news_blog Driscoll, Beth. (2014). The New Literary Middlebrow. New York: Palgrave Macmillan. Eco, Umberto. (1994). Apocalypse Postponed. Ed. Robert Lumley. Bloomington: Indiana University Press. Eco, Umberto, Giuseppe Pontiggia, Gianni Riotta, and Antonio Tabucchi. (1995). “La Malidezione del faraone.” Sette: Corriere della sera, nos. 32–36. Eliot, T.S. (1920a). “Hamlet and His Problems.” In The Sacred Wood. http:// www.bartleby.com/200/sw9.html Eliot, T.S. (1920b). The Sacred Wood: Essays on Poetry and Criticism. https:// books.google.com.hk/books?id=SCfHnLwWg2MC&printsec=frontcov er&hl=zh-TW&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false Frend, Tad. (1992). “The Case for Middlebrow: Defending the Common Man’s ‘Simpler’ Sensibilities.” The New Republic, 2 March, pp. 24–27. Gans, Herbert J. (1974). Popular Culture and High Culture: An Analysis and Evaluation of Taste. New York, NY: Basic Books. Hammill, Faye. (2010). Sophistication: A Literary and Cultural History. Liverpool: Liverpool University Press. Holub, Miroslav. (1990). The Dimension of the Present Moment: Essays by Miroslav Holub. London: Faber and Faber. Jameson, Fredric. (2005). Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions. New York, NY: Verso. Jordan, Matt Dukes. (2005). Weirdo Deluxe: The Wild World of Pop Surrealism and Lowbrow Art. San Francisco, CA: Chronicle Books. Kauffman, Stuart A. (1995). At Home in the Universe: The Search for Laws of Self- Organization and Complexity. Oxford: Oxford University Press. Keller, P.E., and Schubert E. (2011). “Cognitive and Affective Judgments of Syncopated Musical Themes.” Advances in Cognitive Psychology 7: pp. 142–156. Kidd, C., S.T. Piantadosi, and R.N. Aslin. (2012). “The Goldilocks Effect: Human Infants Allocate Attention to Visual Sequences That Are Neither Too Simple Nor Too Complex.” PLoS One 7. http://journals.plos.org/plosone/article? id=10.1371/journal.pone.0036399 Levine, Lawrence. (1990). Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, MA: Harvard University Press. Life in a Day. (2011). Dir. Kevin Macdonald, et al. LG, Scott Free Productions, YouTube. 95 mins. BIBLIOGRAPHY 239 Llosa, Mario Vargas. (2015). Notes on the Death of Culture: Essays on Spectacle and Society. New York: Farrar, Straus, and Giroux. Macar, Francoise, Viviane Pouthas, and William J. Friedman (eds.). (1992). Time, Action and Cognition: Toward Bridging the Gap. Dordrecht: Kluwer Academic. Meisel, Perry. (2010). The Myth of Popular Culture: From Dante to Dylan. Chichester: Wiley-Blackwell. Menand, Louis. (2011). “Browbeaten: Dwight Macdonald’s War on Midcult.” The New Yorker. http://www.newyorker.com/arts/critics/atlarge/2011/ 09/05/110905cart_atlarge_menand Mencken, H.L. (1919/1921). The American language: An Inquiry into the Development of English in the United States. 2nd ed. New York: A. A. Knopf. http://www.bartleby.com/br/185.html More, Thomas. (1516/2003). Utopia. Trans. Paul Turner. London: Penguin. Parks, Tim. (2015). “The Mystery of Primo Levi.” The New York Review of Books, 5–18 November, p. 28. Poppel, Ernst. (1989). “The Measurement of Music and the Cerebral Clock: A New Theory.” Leonardo 22: pp. 83–89. Raab, Selwyn. (2000). “Writing under an Assumed Name.” The New York Times, 30 January. https://www.nytimes.com/books/00/01/30/reviews/000130. 30raabt.html Radway, Janice A. (1997). A Feeling for Books: The Book-of-the-Month Club, Literary Taste, and Middle-Class Desire. Chapel Hill: University of North Carolina Press. Rankine, Marion. (2015). “At the Bottom of the Brows.” The Times Literary Supplement, 8 May, p. 24. Rubin, Joan Shelley. (1992). The Making of Middlebrow Culture. Chapel Hill: University of North Carolina Press. Seabrook, John. (2000). Nobrow: The Culture of Marketing, the Marketing of Culture. New York: Knopf. Swirski, Peter. (1999). “Popular and Highbrow Literature: A Comparative View.” CLCWeb: Comparative Literature and Culture 1. http://clcwebjournal.lib. purdue.edu/clcweb99_4/swirski99.html Swirski, Peter. (2005). From Lowbrow to Nobrow. Montreal: McGill-Queen’s University Press. Swirski, Peter. (2007). Of Literature and Knowledge: Explorations in Narrative Thought Experiments, Evolution, and Game Theory. New York: Routledge.

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