Postcolonial Gothic and the Politics of Home by Julie Hakim Azzam BA
The Alien Within: Postcolonial Gothic and the Politics of Home by Julie Hakim Azzam B.A. English Literature, North Central College, 1998 M.A. English Literature, Northern Illinois Univeresity, 2000 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English University of Pittsburgh 2007 i UNIVERSITY OF PITTSBURGH Arts and Sciences This dissertation was presented by Julie Hakim Azzam It was defended on September 21, 2007 and approved by Susan Andrade, PhD, Associate Professor Troy Boone, PhD, Associate Professor Shalini Puri, PhD, Associate Professor Carol Stabile, PhD, Associate Professor Dissertation Advisor: Susan Andrade, PhD, Associate Professor ii Copyright © by Julie Hakim Azzam 2007 iii The Alien Within: Postcolonial Gothic and the Politics of Home Julie Hakim Azzam, PhD University of Pittsburgh, 2007 Postcolonial gothic fiction arises in response to certain social, historical, or political conditions. Postcolonial fiction adapts a British narrative form that is highly attuned to the distinction and collapse between home and not home and the familiar and the foreign. The appearance of the gothic in postcolonial fiction seems a response to the failure of national politics that are riven by sectarian, gender, class, and caste divisions. Postcolonial gothic is one way in which literature can respond to increasing problematic questions of the postcolonial “domestic terrain:” questions concerning legitimate origins; rightful inhabitants; usurpation and occupation; and nostalgia for an impossible nationalist politics are all understood in the postcolonial gothic as national questions that are asked of the everyday, domestic realm. This dissertation argues that the postcolonial employment of the gothic does four distinct things in works by al-Tayeb Salih, J.M.
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