Entertainment Memorabilia including Animation Art Sunday March 1, 2015

Entertainment Memorabilia including Animation Art Sunday March 1, 2015 at 10am Los Angeles

Bonhams Inquiries Automated Results Service 7601 W. Sunset Boulevard Catherine Williamson, Ph.D. +1 (800) 223 2854 Los Angeles, 90046 Vice President, Director; Fine Books & bonhams.com Manuscripts/Entertainment Memorabilia +1 (323) 436 5442 Front cover: Lot 1018 Preview [email protected] Session page: Lot 1076 Friday February 27, 10am to 5pm Back cover: Lot 1307 Saturday February 28, 10am to 5pm Lucy Carr, Associate Specialist +1 (323) 436 5467 Bids [email protected] +1 (323) 850 7500 +1 (323) 850 6090 fax Dana Hawkes, Consultant +1 (978) 283 1518 To bid via the internet please visit [email protected] www.bonhams.com/21818 Lisa Charlesworth Please see pages 2 to 6 Business Administrator for bidder information including + 1 (323) 436 5410 Conditions of Sale, after-sale [email protected] collection and shipment.

Sale Number: 21818 Lots 1001 - 1402

Catalog: $35

Bonhams 220 San Bruno Avenue San Francisco, California 94103 © 2015, Bonhams & Butterfields Auctioneers Corp.; All rights reserved. Bond No. 57BSBGL0808 CONDITIONS OF SALE

The following Conditions of Sale, as amended by any event the purchaser shall be liable for the payment of be payable to us by the purchaser beginning at the close published or posted notices or verbal announcements any deficiency plus all costs and expenses of both sales, of the 21st day following the sale, and we may thereafter during the sale, constitute the entire terms and our commission at our standard rates, all other charges transfer such property to an offsite warehouse at the conditions on which property listed in the catalog shall due hereunder, attorneys’ fees, expenses and incidental purchaser’s risk and expense. Accounts must be settled in be offered for sale or sold by Bonhams & Butterfields damages. In addition, where two or more amounts full before property will be released. Packing and handling Auctioneers Corp. and any consignor of such property are owed in respect of different transactions by the of purchased lots are the responsibility of the purchaser. for whom we act as agent. If live online bidding is purchaser to us, to Bonhams 1793 Limited and/or to any Bonhams can provide packing and shipping services for available for the subject auction, additional terms and of our other affiliates, subsidiaries or parent companies certain items as noted in the “Buyer’s Guide” section of conditions of sale relating to online bidding will apply; worldwide within the Bonhams Group, we reserve the the catalog. see www.bonhams.com/WebTerms for the supplemental right to apply any monies paid in respect of a transaction terms. As used herein, “Bonhams,” “we” and “us” refer to discharge any amount owed by the purchaser. If all 9. The copyright in the text of the catalog and the to Bonhams & Butterfields Auctioneers Corp. fees, commissions, premiums, bid price and other sums photographs, digital images and illustrations of lots in the due to us from the purchaser are not paid promptly as catalog belong to Bonhams or its licensors. You will not 1. As used herein, the term “bid price” means the provided in these Conditions of Sale, we reserve the right reproduce or permit anyone else to reproduce such text, price at which a lot is successfully knocked down to to impose a finance charge equal to 1.5% per month photographs, digital images or illustrations without our the purchaser. The term “purchase price” means the on all amounts due to us beginning on the 31st day prior written consent. aggregate of (a) the bid price, (b) a PREMIUM retained following the sale until payment is received, in addition to 10. These Conditions of Sale shall bind the successors by us and payable by the purchaser EQUAL TO 25% other remedies available to us by law. OF THE FIRST $100,000 OF THE BID PRICE, 20% OF and assigns of all bidders and purchasers and inure to THE AMOUNT OF THE BID PRICE ABOVE $100,000 3. We reserve the right to withdraw any property and the benefit of our successors and assigns. No waiver, UP TO AND INCLUDING $2,000,000, AND 12% OF to divide and combine lots at any time before such amendment or modification of the terms hereof (other THE AMOUNT OF THE BID PRICE OVER $2,000,000, property’s auction. Unless otherwise announced by the than posted notices or oral announcements during the and (c) unless the purchaser is exempt by law from auctioneer at the time of sale, all bids are per lot as sale) shall bind us unless specifically stated in writing the payment thereof, any California, Arizona, Colorado, numbered in the catalog and no lots shall be divided or and signed by us. If any part of these Conditions of Sale , Florida, Georgia, , Massachusetts, combined for sale. is for any reason invalid or unenforceable, the rest shall Nevada, , Pennsylvania, Texas, Washington, remain valid and enforceable. 4. We reserve the right to reject a bid from any bidder, to D.C., Washington state, or other state or local sales tax 11. These Conditions of Sale and the purchaser’s and (or compensating use tax) and other applicable taxes. split any bidding increment, and to advance the bidding in any manner the auctioneer may decide. In the event our respective rights and obligations hereunder are 2. On the fall of the auctioneer’s hammer, the highest of any dispute between bidders, or in the event the governed by the laws of the State of California. By bidder shall have purchased the offered lot in accordance auctioneer doubts the validity of any bid, the auctioneer bidding at an auction, each purchaser and bidder agrees and subject to compliance with all of the conditions set shall have sole and final discretion either to determine to be bound by these Conditions of Sale. Any dispute, forth herein and (a) assumes full risk and responsibility the successful bidder or to re-offer and resell the article controversy or claim arising out of or relating to this therefor, (b) if requested will sign a confirmation of in dispute. If any dispute arises after the sale, our sales agreement, or the breach, termination or validity thereof, purchase, and (c) will pay the purchase price in full or records shall be conclusive in all respects. brought by or against Bonhams (but not including such part as we may require for all lots purchased. No claims brought against the consignor by the purchaser lot may be transferred. Any person placing a bid as 5. If we are prevented by fire, theft or any other reason of lots consigned hereunder) shall be resolved by the agent on behalf of another (whether or not such person whatsoever from delivering any property to the purchaser procedures set forth below. has disclosed that fact or the identity of the principal) or a sale otherwise cannot be completed, our liability MEDIATION AND ARBITRATION PROCEDURES may be jointly and severally liable with the principal under shall be limited to the sum actually paid therefor any contract resulting from the acceptance of a bid. by the purchaser and shall in no event include any (a) Within 30 days of written notice that there is a compensatory, incidental or consequential damages. dispute, the parties or their authorized and empowered Unless otherwise agreed, payment in good funds is representatives shall meet by telephone and/or in due and payable within five (5) business days following 6. If a lot is offered subject to a reserve, we may implement such reserve by bidding on behalf of the person to mediate their differences. If the parties agree, the auction sale. Whenever the purchaser pays only a mutually acceptable mediator shall be selected and a part of the total purchase price for one or more lots consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the the parties will equally share such mediator’s fees. The purchased, we may apply such payments, in our sole mediator shall be a retired judge or an attorney familiar discretion, to the lot or lots we choose. Payment will reserve. If we have an interest in an offered lot and the proceeds therefrom other than our commissions, we may with commercial law and trained in or qualified by not be deemed made in full until we have collected experience in handling mediations. Any communications good funds for all amounts due. bid therefor to protect such interest. CONSIGNORS ARE NOT ALLOWED TO BID ON THEIR OWN ITEMS. made during the mediation process shall not be Payment for purchases may be made in or by (a) cash, admissible in any subsequent arbitration, mediation or (b) cashier’s check or money order, (c) personal check 7. All statements contained in the catalog or in any bill judicial proceeding. All proceedings and any resolutions with approved credit drawn on a U.S. bank, (d) wire of sale, condition report, invoice or elsewhere as to thereof shall be confidential, and the terms governing transfer or other immediate bank transfer, or (e) Visa, authorship, period, culture, source, origin, measurement, arbitration set forth in paragraph (c) below shall govern. MasterCard, American Express or Discover credit, charge quality, rarity, provenance, importance, exhibition and literature of historical relevance, or physical condition (b) If mediation does not resolve all disputes between or debit card. A processing fee will be assessed on any the parties, or in any event no longer than 60 days after returned checks. Please note that the amount of cash ARE QUALIFIED STATEMENTS OF OPINION AND NOT REPRESENTATIONS OR WARRANTIES. No employee or receipt of the written notice of dispute referred to above, notes and cash equivalents that can be accepted from a the parties shall submit the dispute for binding arbitration given purchaser may be limited. agent of Bonhams is authorized to make on our behalf or on that of the consignor any representation or warranty, before a single neutral arbitrator. Such arbitrator shall be The purchaser grants us a security interest in the oral or written, with respect to any property. a retired judge or an attorney familiar with commercial property, and we may retain as collateral security for law and trained in or qualified by experience in handling the purchaser’s obligations to us, any property and all 8. All purchased property shall be removed from the arbitrations. Such arbitrator shall make all appropriate monies held or received by us for the account of the premises at which the sale is conducted by the date(s) disclosures required by law. The arbitrator shall be purchaser, in our possession. We retain all rights of a and time(s) set forth in the “Buyer’s Guide” portion of this drawn from a panel of a national arbitration service secured party under the California Commercial Code. catalog. Property designated with a “W” and associated agreed to by the parties, and shall be selected as If the foregoing conditions or any other applicable purchased lots, if not removed promptly following sale, will follows: (i) If the national arbitration service has specific conditions herein are not complied with, in addition to be transferred to an offsite warehouse at the purchaser’s rules or procedures, those rules or procedures shall be other remedies available to us and the consignor by risk and expense, as set forth in more detail in the “Buyer’s followed; (ii) If the national arbitration service does not law, including without limitation, the right to hold the Guide.” Purchased property that is permitted to remain have rules or procedures for the selection of an arbitrator, purchaser liable for the purchase price, we at our option onsite at Bonhams’ facility should be removed at the the arbitrator shall be an individual jointly agreed to by may either (a) cancel the sale, retaining as liquidated purchaser’s expense not later than 5:00 p.m. Pacific Time the parties. If the parties cannot agree on a national damages all payments made by the purchaser or (b) five (5) business days following the date of the sale. If not arbitration service, the arbitration shall be conducted by resell the property, either publicly or privately, and in such so removed, a storage fee of $5.00 per lot per day will the American Arbitration Association, and the arbitrator CONDITIONS OF SALE - CONTINUED shall be selected in accordance with the Rules of the LIMITED RIGHT OF RESCISSION REMEDY AGAINST BONHAMS FOR ANY REASON American Arbitration Association. The arbitrator’s award WHATSOEVER IS THE LIMITED RIGHT OF shall be in writing and shall set forth findings of fact and If within one (1) year from the date of sale, the original RESCISSION DESCRIBED IN THIS SECTION. legal conclusions. purchaser (a) gives written notice to us alleging that the identification of Authorship (as defined below) of “Authorship” means only the identity of the creator, the (c) Unless otherwise agreed to by the parties or provided such lot as set forth in the BOLD TYPE heading of period, culture and source or origin of the lot, as the by the published rules of the national arbitration service: the catalog description of such lot (as amended by any case may be, as set forth in the BOLD TYPE heading of saleroom notices or verbal announcements during the the print catalog entry. The right of rescission does not (i) the arbitration shall occur within 60 days following the sale) is not substantially correct based on a fair reading extend to: (a) works of art executed before 1870 (unless selection of the arbitrator; of the catalog (including the terms of any glossary these works are determined to be counterfeits created (ii) the arbitration shall be conducted in the designated contained therein), and (b) within 10 days after such since 1870), as this is a matter of current scholarly location, as follows: (A) in any case in which the subject notice returns the lot to us in the same condition as at opinion which can change; (b) titles, descriptions, or auction by Bonhams took place or was scheduled to the time of sale, and (c) establishes the allegation in the other identification of offered lots, which information take place in the State of New York or Connecticut or the notice to our satisfaction (including by providing one or normally appears in lower case type below the BOLD Commonwealth of Massachusetts, the arbitration shall more written opinions by recognized experts in the field, TYPE heading identifying the Authorship; (c) Authorship take place in , New York; (B) in all other as we may reasonably require), then the sale of such lot of any lot where it was specifically mentioned that cases, the arbitration shall take place in the city of San will be rescinded and, unless we have already paid to there exists a conflict of specialist or scholarly opinion Francisco, California; and the consignor monies owed him in connection with the regarding the Authorship of the lot at the time of sale; (d) sale, the original purchase price will be refunded. Authorship of any lot which as of the date of sale was in (iii) discovery and the procedure for the arbitration shall accordance with the then generally-accepted opinion of be as follows: If, prior to receiving such notice from the original scholars and specialists regarding the same; or (e) the purchaser alleging such defect, we have paid the identification of periods or dates of creation in catalog (A) All arbitration proceedings shall be confidential; consignor monies owed him in connection with the descriptions which may be proven inaccurate by means sale, we shall pay the original purchaser the amount (B) The parties shall submit written briefs to the arbitrator of scientific processes that are not generally accepted of our commissions, any other sale proceeds to which no later than 15 days before the arbitration commences; for use until after publication of the catalog in which the we are entitled and applicable taxes received from property is offered or that were unreasonably expensive (C) Discovery, if any, shall be limited as follows: (I) the purchaser on the sale and make demand on the or impractical to use at the time of such publication. Requests for no more than 10 categories of documents, consignor to pay the balance of the original purchase to be provided to the requesting party within 14 price to the original purchaser. Should the consignor LIMITATION OF LIABILITY days of written request therefor; (II) No more than fail to pay such amount promptly, we may disclose EXCEPT AS EXPRESSLY PROVIDED ABOVE, ALL two (2) depositions per party, provided however, the the identity of the consignor and assign to the original PROPERTY IS SOLD “AS IS.” NEITHER BONHAMS NOR deposition(s) are to be completed within one (1) day; purchaser our rights against the consignor with respect THE CONSIGNOR MAKES ANY REPRESENTATION (III) Compliance with the above shall be enforced by the to the lot the sale of which is sought to be rescinded. OR WARRANTY, EXPRESS OR IMPLIED, AS TO THE arbitrator in accordance with California law; Upon such disclosure and assignment, any liability of Bonhams as consignor’s agent with respect to said lot MERCHANTABILITY, FITNESS OR CONDITION OF (D) Each party shall have no longer than eight (8) hours to shall automatically terminate. THE PROPERTY OR AS TO THE CORRECTNESS present its position. The entire hearing before the arbitrator OF DESCRIPTION, GENUINENESS, ATTRIBUTION, shall not take longer than three (3) consecutive days; The foregoing limited right of rescission is available to PROVENANCE OR PERIOD OF THE PROPERTY OR the original purchaser only and may not be assigned AS TO WHETHER THE PURCHASER ACQUIRES ANY (E) The award shall be made in writing no more than 30 to or relied upon by any subsequent transferee of COPYRIGHTS OR OTHER INTELLECTUAL PROPERTY days following the end of the proceeding. Judgment the property sold. The purchaser hereby accepts RIGHTS IN LOTS SOLD OR AS TO WHETHER A WORK upon the award rendered by the arbitrator may be the benefit of the consignor’s warranty of title and OF ART IS SUBJECT TO THE ARTIST’S MORAL RIGHTS entered by any court having jurisdiction thereof. other representations and warranties made by the OR OTHER RESIDUAL RIGHTS OF THE ARTIST. THE consignor for the purchaser’s benefit. Nothing in PURCHASER EXPRESSLY ACKNOWLEDGES AND To the fullest extent permitted by law, and except as this section shall be construed as an admission by AGREES THAT IN NO EVENT SHALL BONHAMS BE required by applicable arbitration rules, each party shall us of any representation of fact, express or implied, LIABLE FOR ANY DAMAGES INCLUDING, WITHOUT bear its own attorneys’ fees and costs in connection with obligation or responsibility with respect to any LIMITATION, ANY COMPENSATORY, INCIDENTAL OR the proceedings and shall share equally the fees and lot. THE PURCHASER’S SOLE AND EXCLUSIVE CONSEQUENTIAL DAMAGES. expenses of the arbitrator.

SELLER’S GUIDE

SELLING AT AUCTION as “photo auction estimate”. Alternatively, you can submit your tax and family division purposes and reflect prices paid by a willing request using our online form at www.bonhams.com/us. Digital buyer to a willing seller. Bonhams can help you every step of the way when you are ready to images may be attached to the form. Please limit your images to no sell art, antiques and collectible items at auction. Our regional offices When we conduct a private appraisal, our specialists will prepare a more than five (5) per item. and representatives throughout the US are available to service all of thorough inventory listing of all your appraised property by category. your needs. Should you have any further questions, please visit our CONSIGNING YOUR PROPERTY Valuations, complete descriptions and locations of items are included website at www.bonhams.com/us for more information or call our in the documentation. After you receive an estimate, you may consign your property to us for Client Services Department at +1 (800) 223 2854 ext. 23550. sale in the next appropriate auction. Our staff assists you throughout Appraisal fees vary according to the nature of the collection, the AUCTION ESTIMATES the process, arranging transportation of your items to our galleries amount of work involved, the travel distance, and whether the (at the consignor’s expense), providing a detailed inventory of your property is subsequently consigned for auction. The first step in the auction process is to determine the auction value consignment, and reporting the prices realized for each lot. We provide of your property. Bonhams’ world-renowned specialists will evaluate Our appraisers are available to help you anywhere and at any time. secure storage for your property in our warehouses and all items are your special items at no charge and in complete confidence. You can Please call our Client Services Department to schedule an appraisal. insured throughout the auction process. You will receive payment for obtain an auction estimate in many ways: your property approximately 35 days after completion of sale. ESTATE SERVICES • Attend one of our Auction Appraisal Events held regularly at our Sales commissions vary with the potential auction value of the Since 1865, Bonhams has been serving the needs of fiduciaries – galleries and in other major metropolitan areas. The updated property and the particular auction in which the property is offered. lawyers, trust officers, accountants and executors – in the disposition schedule for Bonhams Auction Appraisal Events is available at Please call us for commission rates. of large and small estates. Our services are specially designed to aid www.bonhams.com/us. in the efficient appraisal and disposition of fine art, antiques, jewelry, PROFESSIONAL APPRAISAL SERVICES • Call our Client Services Department to schedule a private appointment and collectibles. We offer a full range of estate services, ranging from at one of our galleries. If you have a large collection, our specialists can Bonhams’ specialists conduct insurance and fair market value flexible financial terms to tailored accounting for heirs and their agents travel, by appointment, to evaluate your property on site. appraisals for private collectors, corporations, museums, fiduciaries to world-class marketing and sales support. and government entities on a daily basis. Insurance appraisals, used • Send clear photographs to us of each individual item, including For more information or to obtain a detailed Trust and Estates for insurance purposes, reflect the cost of replacing property in item dimensions and other pertinent information with each picture. package, please visit our website at or today’s retail market. Fair market value appraisals are used for estate, www.bonhams.com/us Photos should be sent to Bonhams’ address in envelopes marked contact our Client Services Department. Supplemental Conditions of Sale for Motor Vehicle Lot(s)

Please note that the following Supplemental Conditions of Sale shall apply with 3. Limitation of Liability for Motor Vehicle Lot respect to each motor vehicle lot being offered in this auction. EXCEPT AS EXPRESSLY PROVIDED UNDERTHE SECTION OF THE These terms and conditions supplement and modify the general Conditions CONDITIONS OF SALE ENTITLED “Limited Right of Rescission:” EACH of Sale published for this auction. If and to the extent that any of these MOTOR VEHICLE Lot IS sold “AS-IS - WHERE-IS” and “WITH ALL FAULTS” Supplemental Conditions of Sale conflict with the general Conditions of Sale and neither Bonhams nor the CONSIGNOR makeS any express or with respect to the subject motor vehicle lot, these Supplemental Conditions of implied warranty or representation OF ANY KIND whatsoever. Sale shall govern. BONHAMS AND THE CONSIGNOR HEREBY EXPRESSLY DISCLAIM ANY AND ALL REPRESENTATIONS AND WARRANTIES, INCLUDING ANY EXPRESS 1. Vehicle Registration; Taxes and Documentation Fees OR IMPLIED WARRANTIES, INCLUDING, WITHOUT LIMITATION, ANY 1.1 The purchaser is advised that laws in several jurisdictions require that REPRESENTATIONS OR WARRANTIES RELATING TO THE CONDITION OF a lot which is a motor vehicle be registered with governmental authorities, A LOT, title or registability of a lot, that A Lot is roadworthy and that a certificate of title is usually necessary in order to obtain such or of merchantable quality, or that A Lot can be used for any registration. Bonhams makes no representation or warranty with regard to particular purpose. No statement, information or any registration or title document which may accompany the lot (whether set forth in this Catalog, the estimates, the INVOICE, ANY bill of delivered at or following the sale) or with regard to the future issuance sale or title document, CONDITION REPORT, ADVERISEMENT, NOTICE of any title or registration document concerning the lot. The purchaser or any other writing or any oral statement shall be deemed of a motorcar lot is solely responsible for making its own independent to create any warranty or representation concerning A Lot. investigation with regard to the registrability of the lot and ensuring that it is The entire risk with regard to the condition (including but not registered as may be required by law. limited to any repair or restoration to A lot and the number of miles shown on any odometer in a Lot that is a motor 1.2 With respect to any purchaser that is a resident of any jurisdiction in vehicle), quality, performance, roadworthiness, description which Bonhams is not a registered motor vehicle dealer or for which Bonhams (including the accuracy or completeness of any description does not otherwise collect sales tax and documentation or licensing fees provided by CONSIGNOR or bonhams in any medium), AGE, size, on registrable vehicles, or any purchaser of a lot for which Bonhams fails genuineness, attribution, provenance, title, registrability, to collect such taxes or fees for any reason, such purchaser shall be solely rarity, and historical significance of A Lot, AND AS TO WHETHER A responsible for the payment of any sales or use tax arising from the sale and lot complies with any governmental or association standards delivery of any motor vehicle lot purchased hereunder, as well as for any and as to whether THE PURCHASER ACQUIRES ANY INTELLECTUAL registration of a motor vehicle lot and associated taxes and documentation PROPERTY RIGHTS IN a sold lot, is solely with the PURCHASER. and licensing fees. Purchaser hereby agrees to defend, indemnify and hold harmless Bonhams against any claims or assessments by any state, county prospective PURCHASERS are strongly encouraged to or other governmental agency for any failure to register a motor vehicle lot conduct their own independent inspection and investigation and for any unpaid sales or use taxes and any unpaid documentation and of EACH MOTOR VEHICLE lot on offer, including all licensing fees (including any interest and penalties that may accrue or be accompanying documentation provided by the CONSIGNOR, assessed thereon) arising from the sale of such a lot. to satisfy themselves as to all aspects of EACH lot prior to bidding THEREON. PURCHASER assumes all risk with regard to 2. Export License THE Lot, including but not limited to any necessary compliance with applicable law, AND EXPRESSLY ACKNOWLEDGES AND AGREES The purchaser shall be solely responsible, including the payment of any cost THAT IN NO EVENT SHALL Bonhams OR THE CONSIGNOR HAVE ANY or fee, for timely obtaining any necessary license or permit or any certificate of LIABILITY OR RESPONSIBILITY FOR ANY ERRORS OR OMISSIONS IN title to export the motor vehicle lot from the of America (and/or to ANY DESCRIPTION OF A LOT PROVIDED IN ANY MEDIUM. EACH BIDDER import the lot into any foreign jurisdiction). AND PURCHASER EXPRESSLY ACKNOWLEDGES AND AGREES THAT IN NO EVENT SHALL BONHAMS (INCLUDING ITS PARENTS, SUBSIDIARIES, OFFICERS, DIRECTORS, EMPLOYEES, AGENTS AND REPRESENTATIVES) BE LIABLE FOR ANY DAMAGES INCLUDING, WITHOUT LIMITATION, ANY SPECIAL, COMPENSATORY, INCIDENTAL, PUNITIVE OR CONSEQUENTIAL DAMAGES (INCLUDING WITHOUT LIMITATION LOST OPPORTUNITY OR LOST PROFIT OR APPRECIATION) ARISING OR RELATED IN ANY WAY TO THIS AUCTION, THE VALUATION, DESCRIPTION, PROMOTION, OFFER OR SALE OF ANY LOT HEREUNDER, OR ANY RELATED COMMUNICATIONS OR ACTIVITIES, EACH AND ALL OF WHICH ARE EXPRESSLY WAIVED HEREBY. BUYER’S GUIDE

BIDDING & BUYING AT AUCTION will try to bid just as you would, with the goal of obtaining the automatically added to the invoice unless a valid resale item at the lowest bid price possible. In the event identical bids number has been furnished or the property is shipped via Whether you are an experienced bidder or an enthusiastic are submitted, the earliest bid submitted will take precedence. common carrier to destinations outside the states listed novice, auctions provide a stimulating atmosphere unlike any Absentee bids shall be executed in competition with other above. If you wish to use your resale license please contact other. Bonhams previews and sales are free and open to the absentee bids, any applicable reserve, and bids from other Cashiers for our form. public. As you will find in these directions, bidding and buying auction participants. A friend or agent may place bids on at auction is easy and exciting. Should you have any further your behalf, provided that we have received your written Shipping & Removal questions, please visit our website at Buyers are to review the Offsite Sold Property Storage www.bonhams.com authorization prior to the sale. Absentee bid forms are available or call our Client Services Department at +1 (800) 223 2854 page for a list of lots that will be removed to the offsite in our catalogs, online at www.bonhams.com/us, and at our ext. 23550. warehouse of Box Brothers. These designated lots San Francisco, Los Angeles and New York galleries. must be retrieved by the buyer prior to the day and time Catalogs By Telephone designated on the Offsite Sold Property Storage page. If Before each auction we publish illustrated catalogs that Under special circumstances, we can arrange for you to bid buyers of these designated lots also buy other lots, such include dates and times for previews and auctions. Our by telephone. To arrange for a telephone bid, please contact as decorations, rugs or works of art, these lots may also catalogs also provide descriptions and estimated values our Client Services Department a minimum of 24 hours prior be removed to the warehouse of Box Brothers, so all for each “lot.” A lot may refer to a single item or to a group to the sale. lots remain together and customers can collect or ship of items auctioned together. We offer our catalogs by from one location. All other items will remain at Bonhams subscription or by single copy. For information on subscribing Online for a period of 21 days, after which time they may be to our catalogs, you may refer to the subscription form in Web users may place absentee bids online from anywhere transferred to offsite storage. Wine, Jewelry, Natural this catalog, call our Client Services Department, or visit our in the world. To bid online, please visit our website at www. History, Collectibles, 20th Century Decorative Arts, Rugs, website at . . www.bonhams.com/us bonhams.com/us Native American Art and most Arms & Armor auctions are Previews We are pleased to make our live online bidding facility available not included in this policy. Auction previews are your to inspect each lot prior to to bidders in this sale. Box Brothers San Leandro (for San Francisco auctions only) the auction. We encourage you to look closely and examine Additional terms and conditions of sale relating to online 1471 Doolittle Drive, San Leandro, CA 94577 each object on which you may want to bid so that you will bidding will apply. Please see or Tel (800) 942 6822; Fax (510) 628 8454 know as much as possible about it. Items are sold “as is” and www.bonhams.com/21818 contact the Client Services Department to obtain information with all faults; illustrations in our catalogs, website and other Box Brothers Los Angeles (for Los Angeles auctions only) and learn how you can register and bid online in this sale. materials are provided for identification only. At the previews, 220 W. Ivy Ave, Unit C, Inglewood, Ca 90302 our staff is always available to answer your questions and Bid Increments +1 (310) 419 9915 or +1 (800) 474 7447 guide you through the auction process. Condition reports may Bonhams generally uses the following increment multiples as Box Brothers is open Monday-Friday 8am-5pm with be available upon request. bidding progresses: Saturday and Sunday hours available. Buyers must contact Estimates $50-200...... by $10s Box Brothers 24 hours in advance of pickup. Appointments Bonhams catalogs include estimates for each lot, exclusive of $200-500...... by $20/50/80s are required. buyer’s premium and tax. The estimates are provided as an $500-1,000...... by $50s Bonhams can accommodate shipping for certain items. approximate guide to current market value and should not be $1,000-2,000...... by $100s Please contact our Cashiers Department for more information interpreted as a representation or prediction of actual selling $2,000-5,000...... by $200/500/800s or to obtain a quote. Refer to Conditions of Sale for special prices. They are determined well in advance of a sale and are $5,000-10,000…...... by $500s terms governing the shipment of Arms and Wine. Shipments subject to revision. Please contact us should you have any $10,000-20,000...... by $1,000s are made during weekday business hours up to four weeks questions about value estimates. $20,000-50,000...... by $2,000/5,000/8,000s after payment is received. Carriers are not permitted to deliver $50,000-100,000...... by $5,000s to P.O. Boxes. Reserves $100,000-200,000...... by $10,000s All lots in a catalog are subject to a reserve unless otherwise above $200,000...... at auctioneer’s discretion indicated. The reserve is the minimum price that the seller is International buyers are responsible for all import/export willing to accept for a lot. This amount is confidential and does customs duties and taxes. An invoice stating the actual The auctioneer may split or reject any bid at any time at purchase price(s) will accompany all international purchases. not exceed the low estimated value. his or her discretion as outlined in the Conditions of Sale. BIDDING AT AUCTION Simultaneous sale property collection notice: Currency Converter If this sale previews in multiple cities, please see the title page At Bonhams, you can bid in many ways: in person, via Solely for the convenience of bidders, a currency converter for details regarding final location of property for collection. absentee bid, over the phone, or via Bonhams’ online bidding may be provided at Bonhams sales. The rates quoted for facility. Absentee bids can be submitted in person, online, via conversion of other currencies to U.S. Dollars are indications Handling and Storage Charges fax or via email. only and should not be relied upon by a bidder, and neither Please note: For sold lots removed to Box Brothers, there will Bonhams nor its agents shall be responsible for any errors A valid Bonhams client account is required to participate in be no post-sale storage charge for lots collected within 5 days or omissions in the operation or accuracy of the currency bidding activity. You can obtain registration information online, at from the sale date. For lots that remain at Bonhams, there will converter. the reception desk or by calling our Client Services Department. be no post-sale storage charge for lots collected within 21 days of the sale date. Handling fees may apply. By bidding at auction, whether in person or by agent, by Buyer’s Premium A buyer’s premium is added to the winning bid price of each absentee bid, telephone, online or other means, the buyer or Lots uncollected at Bonhams after 21 days may be removed individual lot purchased, at the rates set forth in the Conditions bidder agrees to be bound by the Conditions of Sale. to the warehouse of Box Brothers. Handling and storage fees of Sale. The winning bid price plus the premium constitute will apply. Lots are auctioned in consecutive numerical order as they the purchase price for the lot. Applicable sales taxes are appear in the catalog. Bidding normally begins below computed based on this figure, and the total becomes your Insurance: All sold lots are insured by Box Brothers at the sum the low estimate. The auctioneer will accept bids from final purchase price. of the hammer price plus buyer’s premium. interested parties present in the saleroom, from telephone Unless specifically illustrated and noted, fine art frames are Please refer to Box Brothers for a list of Handling, bidders, and from absentee bidders who have left written not included in the estimate or purchase price. Bonhams Storage and Insurance fees. bids in advance of the sale. The auctioneer may also accepts no liability for damage or loss to frames during execute bids on behalf of the consignor up to the amount Payment storage or shipment. of the reserve, but never above it. Payments for purchased lots must be made directly to All sales are final and subject to the Conditions of Sale Bonhams. Box Brothers will not release property to a buyer We assume no responsibility for failure to execute bids for any found in our catalogs, on our website, and available at the unless the buyer has paid Bonhams first. 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Select Movie from the Collection of John Malanga

1001 1003 1006 Roberta You’ll Never Get Rich Three Texas Steers RKO, 1935. One sheet , paper-backed. Columbia, 1941. One sheet poster, style B, Republic, 1939. One sheet poster, paper- Roberta was adapted from a popular 1933 paper-backed. backed. An entry in Republic’s long-running Broadway musical of the same name, and 27 x 41 in. “Three Mesquiteers” series, Three Texas was the third film pairing of and $1,800 - 2,200 Steers features as the lead Ginger Rogers. character, Stony Brooke. 27 x 41 in. 1004 27 x 41 in. $3,000 - 3,500 Ziegfeld Follies $1,000 - 1,500 Metro-Goldwyn-Mayer, 1946. One sheet 1002 poster, style D, linen-backed. Featuring 1007 The Great Ziegfeld six pin-up girls illustrated by , Diamond Jim Metro-Goldwyn-Mayer, 1936. One sheet wearing costumes in the style of Florenz Universal, 1935. One sheet poster, linen-backed. poster, style D, linen-backed. Starring William Ziegfeld’s stage spectaculars. 27 x 41 in. Powell as theater magnate Florenz Ziegfeld, 27 x 41 in. $800 - 1,200 The Great Ziegfeld was one of MGM’s $800 - 1,200 biggest hits of the . The three-hour 1008 musical spectacular was nominated for seven 1005 Stowaway ®, including Best Actress The Singing Cowboy Twentieth Century-Fox, 1936. One sheet for Luise Rainer. Republic, 1936. One sheet poster, linen-backed. poster, style A, linen-backed. A 27 x 41 in. 27 x 41 in. vehicle starring the actress as an orphan in $2,000 - 3,000 $800 - 1,200 Shanghai, the poster for Stowaway features a large illustration of Temple in Chinese dress. 27 x 41 in. $1,500 - 2,000

8 | BONHAMS 1003 1004 1005

1006 1007 1008

Entertainment Memorabilia including Animation Art | 9 1009 Ali Baba Goes to Town Twentieth Century-Fox, 1937. One sheet poster, style A, paper-backed. 27 x 41 in. $500 - 700

1010 Metro-Goldwyn-Mayer, 1939. One sheet poster, style C, paper-backed. 27 x 41 in. $4,000 - 6,000

1011 The Ghost Breakers Paramount, 1940. One sheet poster, linen- backed. 27 x 41 in. $1,000 - 1,500

1012 Under Two Flags Twentieth Century-Fox, 1936. One sheet 1009 1010 poster, style B, linen-backed. 27 x 41 in. $800 - 1,200

1013 The Phantom: Chapter 2, The Man Who Never Dies Columbia, 1943. One sheet poster, paper- backed. 27 x 41 in. $700 - 900

1014 Captain America: Chapter 12, Horror on the Highway Republic, 1944. One sheet poster. 27 x 41 in. $800 - 1,200

1015 Woman of the Year Metro-Goldwyn-Mayer, 1941. One sheet poster, style D. This classic Katharine Hepburn-Spencer Tracy comedy earned Hepburn an Academy Award® nomination for Best Actress. 1011 1012 27 x 41 in. $1,500 - 2,000

1016 Cabin in the Sky Metro-Goldwyn-Mayer, 1943. Title card poster. 14 x 11 in. $300 - 500

1017 The Lady From Shanghai Columbia, 1947. Title card poster. 14 x 11 in. $400 - 600

10 | BONHAMS 1013 1014

1016

1015 1017

Entertainment Memorabilia including Animation Art | 11 1018 1019

1020 1021

12 | BONHAMS 1022

1018 Pudgy the Watchman Paramount, 1938. One sheet poster, linen-backed. This post-Code Betty Boop short features her unfortunate hiring of the suspicious Al E. Katz to replace Pudgy in his pest control duties. One sheets for Betty Boop films are exceedingly rare at auction. 27 x 41 in. $3,000 - 5,000

1019 Merrie Melodies 1023 Warner Bros., 1940. Stock one sheet poster, paper-backed. 27 x 41 in. $800 - 1,200

1020 Looney Tunes Warner Bros., 1940. Stock one sheet poster, paper-backed. 27 x 41 in. $800 - 1,200

1021 The Mouse of Tomorrow Twentieth Century-Fox, 1942. One sheet poster, linen-backed. Mouse of Tomorrow was the first appearance of Mighty Mouse, then called Super Mouse. 27 x 41 in. $300 - 500

1022 Fun And Fancy Free RKO, 1947. Title card poster. 14 x 11 in. $300 - 500

1023 Pluto’s Judgement Day RKO, R-1949. One sheet poster, paper-backed. 27 x 41 in. $1,000 - 1,500

1024 Out Of Scale RKO, 1951. One sheet poster, paper-backed. 27 x 41 in. $1,000 - 1,500 1024

Entertainment Memorabilia including Animation Art | 13 1025 1026

1027 1028

14 | BONHAMS 1029

1031

1033 1030

1025 1028 1031 Belle Starr The Petty Girl Niagara Twentieth Century-Fox, 1941. One sheet Columbia, 1950. One sheet poster, linen- Fox, 1953. Title card poster. poster, style A, linen-backed. backed. The poster for this film starring 14 x 11 in. 27 x 41 in. Robert Cummings as a George Petty-style $500 - 700 $1,500 - 2,000 pinup artist features artwork by Petty himself, one of the best known artists of the genre. 1032 1026 27 x 41 in. The Prince and the Showgirl My Gal Sal $400 - 600 Warner Bros., 1957. One sheet poster. Twentieth Century-Fox, 1942. One sheet 27 x 41 in. poster, style A. 1029 $400 - 600 27 x 41 in. THE Asphalt Jungle $400 - 600 Metro-Goldwyn-Mayer, 1950. Title card poster. 1033 14 x 11 in. Some Like It Hot 1027 $300 - 500 , 1959. Half sheet poster. Cover Girl 28 x 22 in. Columbia, 1944. One sheet poster, style A, 1030 $700 - 900 linen-backed. Don’t Bother To Knock 27 x 41 in. Twentieth Century-Fox, 1952. One sheet $700 - 900 poster, linen-backed. 27 x 41 in. $1,500 - 2,000

Entertainment Memorabilia including Animation Art | 15 1032 1034

1035 1036

16 | BONHAMS 1034 Cat on a Hot Tin Roof Metro-Goldwyn-Mayer, 1958. One sheet poster. 27 x 41 in. $500 - 700

1035 Devil is a Woman Paramount, 1935. Window card poster. 14 x 22 in. $1,000 - 1,500

1036 Think Fast, Mr. Moto Twentieth Century-Fox, 1937. One sheet poster, linen-backed. This was the first of the Mr. Moto series, starring as the titular Japanese detective. 27 x 41 in. $900 - 1,200

1037 City for Conquest Warner Bros., 1940. Insert poster. 14 x 36 in. $800 - 1,200

1038 The Big Street RKO, 1942. One sheet poster, paper-backed. 27 x 41 in. $500 - 700 1037 1038

1039 The Scarlet Claw Universal, 1944. One sheet poster, paper- backed. The Scarlet Claw was the eighth of the Basil Rathbone-Nigel Bruce Sherlock Holmes films, and it is considered by many to be the best one made by Universal. 27 x 41 in. $1,500 - 2,000

1039

Entertainment Memorabilia including Animation Art | 17 1040 1041

1042 1043

18 | BONHAMS 1040 Born To Kill RKO, 1946. One sheet poster, linen-backed. 27 x 41 in. $500 - 700

1041 Somewhere in the Night Twentieth Century-Fox, 1946. One sheet poster, linen-backed. 27 x 41 in. $500 - 700

1042 The Postman Always Rings Twice Metro-Goldwyn-Mayer, 1946. One sheet poster, paper-backed. MGM purchased the rights to James M. Cain’s novel of the same name in 1934 but held off on producing it due to concerns about the dark nature of the plot. After the successful release of Cain’s in 1944, MGM proceeding with the production, casting John Garfield and Lana Turner as the leads. 27 x 41 in. 1044 1045 $2,500 - 3,500

1043 Calcutta Paramount, 1946. One sheet poster, linen-backed. 27 x 41 in. $600 - 800

1044 Macao RKO, 1952. One sheet poster, linen-backed. 27 x 41 in. $400 - 600

1045 The Wild One Columbia, 1953. One sheet poster, paper-backed. 27 x 41 in. $700 - 900 1046 1046 Singin’ In The Rain Metro-Goldwyn-Mayer, 1952. Title card poster. 14 x 11 in. $400 - 600

1047 Jailhouse Rock Metro-Goldwyn, Mayer, 1957. Title card poster. 14 x 11 in. $400 - 600

1047

Entertainment Memorabilia including Animation Art | 19 1048 1049

1050 1051

20 | BONHAMS 1052 1053

1054 1055

1048 1052 1055 King Kong Revenge Of The Creature A collection of photographs of Cine-Vog, R-1962. Belgian poster. Universal, 1955. Title card poster. 1910s-20s Los Angeles beach scenes 14 1/2 x 20 in. 14 x 11 in. Comprising 18 8 x 10 in. photos; 62 $1,000 - 1,500 $1,200 - 1,800 photographs smaller than 8 x 10 in.; and 50 2 x 3 in. negatives. Subjects include Mack 1049 1053 Sennett’s Bathing Beauties and other actresses Mighty Joe Young Invasion Of The Body Snatchers and models, as well as competitive swimmers RKO, 1949. One sheet poster, style C, Allied Artists, 1956. One sheet poster, and other beachgoers. Photographers include linen-backed. paper-backed. Nelson Evans and Paul Grenbeaux, and some 27 x 41 in. 27 x 41 in. photographs are annotated with the subject’s $1,200 - 1,800 $1,000 - 1,500 name on the verso, including Phyllis Haver and Eleanor Fields. 1050 Property of various owners $500 - 700 When Worlds Collide Paramount, 1951. One sheet poster, 1054 linen-backed. A collection of early 27 x 41 in. glamour photographs $800 - 1,200 Comprising: three framed 8 x 10 in. photos; 118 smaller than 8 x 10 in.; 23 8 x 10 in. 1051 photos by Nelson Evans; 28 8 x 10 in. The War Of The Worlds photos by Drigo; twelve 8 x 10 in. photos Paramount, 1953. One sheet poster, linen- by Hartsook; four 8 x 10 in. photos by backed. One of the most iconic science Melbourne Spurr; and an additional 46 8 x fiction films of the 20th century, The War of 10 in. photos by unknown photographers. the Worlds was nominated for three Oscars®, A stunning archive of studio photography in winning one for Best Special Effects. In 2011, early Hollywood, including many nudes and it was selected for preservation in the National pin-up style photographs. Film Registry by the Library of Congress. Various sizes 27 x 41 in. $1,000 - 1,500 $3,000 - 5,000

Entertainment Memorabilia including Animation Art | 21 1056 1057

1056 1059 A Ruth Roland photograph album An archive relating to film Blue cloth photograph album with gilt director Bernard B. Ray decoration on upper cover, containing 149 Born Benjamin T. Shamroy and alternately snapshots and seven 8 x 10 in. photographs credited as B.B. Ray and Raymond K. laid down to 27 album leaves. Subjects Johnston, Ray began his career as a include Roland herself, her family, and her cameraman for D.W. Griffith. Ray was a husband, actor Ben Bard. Scenes include prolific director in the 1930s, perhaps best Roland posing in front of theaters advertising known for his contributions to the Rin Tin Tin her appearance, on the studio lot, camping, series. This collection includes 8 x 10 in. film and visiting the beach. stills, negatives, and snapshots; inscribed Album: 10 x 12 in. and signed photographs of cinematographer $400 - 600 Georges Benoit, Lina Basquette, Janet Dawn, director Allan Dwan, May Giraci, Clyde 1057 Hopkins, Ray himself, and Pauline Starke A group of three Elmer Fryer (2); and a photograph album from the 1910s glamour photographs including images from the set of D.W. Griffith’s Mounted and signed (“Elmer Fryer”) in pencil Brute Force (1914), as well as photographs on the mount. Depicting an unknown blonde of , Merian C. Cooper, Dorothy 1058 actress; one photograph of her in a white Gish, D.W. Griffith and his wife, Mabel Norman, gown and two photographs of her topless, Alfred Paget, , , wearing a striped skirt. Fryer began working Biograph Studios, and Majestic Studios. as a photographer in Los Angeles in 1924 Various sizes and became head of the Stills department at $700 - 900 Warner Brothers in 1929, a position he held until 1941. 1060 Overall: 15 x 20 in.; Photographs only: 10 1/2 Oh Doctor! x 13 in. Comique, 1917. French double grande poster $400 - 600 in two panels, folded. This poster for a Fatty Arbuckle short shows the actor hoisting 1058 over his head. A group of photographs from a 94 x 63 in. Tom Mix film $400 - 600 Six photographs, each with the blindstamp 1059 of Don H. Williams. Depicting Mix and others 1061 outside a barn, with some photographs Camping Out showing them on horseback and others, Comique, 1919. French grande poster, folded. standing with a donkey. This poster features a very similar illustration 9 3/4 x 7 1/2 in. to the American one sheet. Camping Out was $300 - 500 recently restored from film fragments found in archives in Italy and the Netherlands. 47 x 63 in. $400 - 600

1062 A Cirque Ancilotti poster Late 1910s-early French circus poster, folded. Featuring a striking illustration of “La Femme Araignée.” 1059 30 3/4 x 44 1/2 in. $500 - 700

22 | BONHAMS 1060

1061 1062

Entertainment Memorabilia including Animation Art | 23 1063 1064

1065 1066

1063 1064 A large collection of souvenir movie programs A pair of ledgers from the Brown Derby 43 programs, 1915-1999, including the following titles: The Birth of a From Brown Derby No. 4, one leather bound book with approximately Nation (1915), Hearts of the World (1918), The Hunchback of Notre 285 pages dating from July 1, 1935 to December 31, 1935, and the Dame (1923), The Gold Rush (1925), Ben Hur (1926), Dinner at Eight second leather bound book with approximately 190 pages from July (1933), The Good Earth (1937), Gone With the Wind (1939), Fantasia 1, 1936 to October 31, 1936. These ledgers were the bookkeeper’s (1939), Song of the South (1946), Wings (1927), Samson and the records of their customers’ accounts. Some of the names listed Delilah (1949), All About Eve (1950), Quo Vadis (1951), The Greatest include , , James Gleason, William Show on Earth (1952), This is Cinerama (1952), The Robe (1953), The Hawks, Myron Selznick, H.E. Rogers, E.H. Griffith, Leon Schlesinger, Red Shoes (1948), How to Marry a Millionaire (1953), Salome (1953), Harpo Marx, Milton Sperling, and Gene Markey. A Star is Born (1954), Giant (1956), The Ten Commandments (1956), 7 x 10 in. Moby Dick (1956), The Bridge on the River Kwai (1957), A Night to $800 - 1,200 Remember (1958), Sleeping Beauty (re-issue 1972), La Dolce Vita (1960), Mary Poppins (1964), Lawrence of Arabia (1962), A Hard Day’s Night (1964), Dr. Zhivago (1965), The Jungle Book (1967), The Aristocats (1970), A Clockwork Orange (1971), Snow White and the Seven Dwarfs (re-issue 1972), The Godfather (1972), The Godfather Part II (1974), (1977), Close Encounters of the Third Kind (1977), E.T. The Extraterrestrial (1982), (1983), Amistad (1997), and Star Wars Episode I: The Phantom Menace (1999). Various sizes $800 - 1,200

24 | BONHAMS 1065 An archive relating to early child actor Wally Albright Comprising the 1933 and 1934 editions of the Film Daily Yearbook of Motion Pictures; three film reels, one with a label inscribed, “Wally Albright [Personal] David Copperfield Test,” possibly Albright’s test for the role which went to Freddie Bartholomew; and 12 scripts, including The Trespasser (1929), Salvation Nell (1931) (partial), (1933), Mr. Skitch (1933), What Price Vengeance (1937), The Woman I Love (1937), Sons of the Legion (1938), King of the Sierras (1938) (inscribed to Albright by writer Frank Gay), and Mexicali Rose (1939). Also included is a questionnaire partially completed by Albright in 1938, noting that his first role was in Sunrise (1927), at six months old. Albright is best known for his appearances in a number of “Our Gang” shorts in 1934. Various sizes $700 - 900

1066 A collection of photographs from Creation RKO, 1931. Four very rare images of animator Willis O’Brien’s dinosaurs, miniatures, and RKO matte paintings. O’Brien directed an approximately twenty-minute test reel (of which only roughly four minutes still exist) for his abortive RKO project Creation, melding footage of stop-motion dinosaurs and live actors. Creation was the seed of King Kong: a Lost World-like story of 20th century men on an unknown island confronted by dinosaurs. RKO chief David O. Selznick declined the project, but the stop-motion models, miniature sets, and scripted scenes from Creation all found their way into King Kong. The images from Creation are: a test shot of the Tyrannosaurus Rex and Stegosaurus models (both of which were used for King Kong) posed on a miniature set against a mountainous backdrop (the 1067 rack holding the backdrop clearly visible); a Tyrannosaurus model holding a puppet of the character Hallet; a shot of a two-horned Arsinotherium in a Kong-like miniature jungle; and a group portrait of the Arsinotherium, a Stegosaurus, two Triceratops, and possibly a Styracasaurus in the same jungle set. Provenance: Originally in the collection of Orville Beckett; accompanied by copies of letters from Orville Beckett’s daughter as well as . 5 x 7 in. $600 - 800

1067 A collection of photographs from The Last Days of Pompeii RKO, 1935. 18 black and white stills printed on matte paper. Directors Ernest B. Schoedsack and Merian C. Cooper and special effects master Willis O’Brien reunited to create The Last Days of Pompeii, released two years after King Kong. The film concerns a Pompeiian blacksmith, played by Preston Foster, who becomes a gladiator to try to save his wife and child. He later takes a job working for Pontius Pilate and becomes wealthy running the arena where he once fought. The photographs include images of the arena, the temple and town square, the eruption of Mt. Vesuvius, the temple and a behind-the-scenes photo of Byron Crabbe creating a matte painting of the arena. Provenance: Originally in the collection of Orville Beckett; accompanied by copies of letters 1068 from Orville Beckett’s daughter as well as Ray Harryhausen. 5 x 3 1/2 in. $1,000 - 1,500

1068 A collection of photographs of Anita Page Eleven vintage photographs of the actress, together with additional reprints. Photographers include Hurrell (2), Clarence Sinclair Bull (2), Ruth Harriet Louise (1) and Alfred Cheney Johnston (1). Included in the lot is a framed photograph of her wedding to Lt. Hershel House, signed indistinguishably by the photographer and inscribed in pencil on the mat, “March 22- 1937.” Page retired from the film business after her marriage to House, moving to Coronado and embracing the life of a Naval officer’s wife. Various sizes $400 - 600

1069 A Marlene Deitrich signed photograph A portrait of the actress inscribed and signed at upper right, “To Helen [indistinguishable] / many thanks! / Marlene Dietrich / 1939,” with Hurrell’s blindstamp at lower right. This photograph was taken in 1938 and another image from the same sitting appears in Hurrell’s Portfolio I (1979-80). 11 x 14 in. 1069 $500 - 700

Entertainment Memorabilia including Animation Art | 25 1070 A pair of Ray Jones photographs of Both taken in 1934, one three-quarters photograph of Grant in a blazer, and a second of him in a striped sweater. Each bearing stamps on the verso reading, “Credit will be appreciated / Paramount Photo / by Ray Jones,” “Cary Grant / in ,” and a press snipe noting that he has just finished Ladies Should Listen and Kiss and Make Up and is about to start production on Enter Madame. 10 x 13 1/4 in. $600 - 800

1071 A pair of photographs of Cary Grant and Virginia Cherrill Photograph of Cary Grant inscribed on the verso, “Cary Grant and Archie / August 1933 / Hollywood”; photograph of Virginia Cherrill 1070 with the blindstamp on the recto and stamp on the verso of Lansing Brown. 10 3/4 x 13 3/4 in.; 10 1/2 x 13 1/2 in. $500 - 700

1072 A pair of Clarence Sinclair Bull photographs of Virginia Cherrill Early 1930s, each with the photographer’s blindstamp at lower right as well as his credit stamp on the verso. These photographs capture Cherrill at the height of her Hollywood fame, not long after her starring turn in (1931). 10 1/4 x 13 1/8 in. $500 - 700

1073 An inscribed portrait photograph of Virginia Cherrill Circa 1930s, a head-and-shoulders portrait of the actress against one of Beaton’s signature 1071 gauzy backdrops, mounted, signed (“Beaton”) on the mount in red watercolor, and additionally inscribed, “To Virginia from Cecil.” Overall: 11 1/8 x 16 in. (lacking upper left corner); Photograph only: 7 1/2 x 9 1/2 in. $500 - 700

1072

26 | BONHAMS 1073 1074

1075

1074 1075 A Cecil Beaton portrait A pair of Cecil Beaton photographs for Vogue photograph of Virginia Cherrill Test prints, one depicting Virginia Cherrill in a sari and Indian jewelry, standing in front of a Circa late 1930s-early , featuring fireplace, and a second of an array of Indian jewelry. The portrait is inscribed on the verso, the actress posed in front of a pastoral “Lady Jersey, Indian Jewellery, 19-9-38 / by Cecil Beaton for Vogue / at 24, Farm St London backdrop, mounted and signed (“Beaton”) in ‘39,” and the jewelry photograph is inscribed “16-9-38” and stamped, “The copyright of this red pencil on the mount. photograph belongs to ‘Vogue.’” These photographs were taken at Cherrill (then Lady Jersey)’s Overall: 11 1/2 x 16 in.; Photograph only: 7 home in London. Beaton suggested the photo shoot after covering Cherrill’s Oliver Messell- 3/8 x 9 3/8 in. designed Georgian Ball at Osterley Park earlier that year. Much of the jewelry had been gifted $500 - 700 to Cherrill by her longtime paramour, the Maharaja of Jaipur. 8 x 10 in. $500 - 700

Entertainment Memorabilia including Animation Art | 27 1077

1076

1079 1078

Property from the Estate of 1076 1078 1080 A Norma Shearer Romeo and A John Ralston Clarke portrait An Irving Thalberg 14K gold Juliet photograph album of Norma Shearer vanity set Black leather photograph album stamped in Pastel on illustration board, signed (“John McChesney , Newark, New Jersey. gilt on upper cover, “Photographs.” 70 9 x 10 Ralston Clark”) at lower right. Published on Seven pieces, comprising a hand mirror, shoe in. photographs laid down to album leaves, the cover of Silver Screen magazine, June, horn, nail file, and four brushes. Each with a including scene stills, set stills, behind-the- 1932. House in a wood and leather portfolio. striped pattern, monogrammed “T.” scenes photographs, and photographs of 11 1/2 x 16 in. Largest brush: 7 1/4 x 2 1/4 in. production art. Also including portraits of $500 - 700 $1,500 - 2,000 costars Leslie Howard, Henry Kolker, Basil Rathbone, Reginald Denny, Ralph Forbes, 1079 1081 Edna May Oliver, and C. Aubrey Smith A pair of photographs of Irving An Irving Thalberg cane inscribed to Shearer and signed. Thalberg and Norma Shearer Hammered brass handle, black painted wood Album: 13 1/2 x 10 1/2 in. 1930, mounted in presentation folders, shaft, and horn tip, bearing the remnants of a $500 - 700 stamped “Study by Tycko / Ambassador “Made in Austria” label. Hotel,” depicting Thalberg and Shearer with Length: 34 in. 1077 their infant son, Irving Jr. The photographer $300 - 500 A collection of photographs of Aaron Tycko is best known for his portraits of Irving Thalberg, Norma Shearer, Albert Einstein from the same period. 1082 and their family Overall: 12 x 15 1/4 in.; Photographs only: A marble bust of Irving Thalberg 20 photographs in all, including images of 7 x 9 in. Larger than life-size white marble sculpture. Irving Jr. and Katherine as infants and young $400 - 600 Likely a preliminary version of the bust children, and Thalberg and Shearer on their commission by Norma Shearer for the sailboat at Catalina. Photographers include administration building MGM named in his Clarence Sinclair Bull (1), Hurrell (4), Tycko (1), honor. The building, housing the studio’s Daniel Sheehan (1), and some of the sailing executive offices, had been planned by photos bear press snipes on the verso. Thalberg but he did not live to see its 8 x 10 to 11 x 14 in. completion in 1938. Today, the building houses $500 - 700 the offices of Sony Pictures executives. 11 x 6 x 9 in. $800 - 1,200

28 | BONHAMS 1080

1082

1081

1083 A preliminary model for the Irving G. Thalberg Memorial Award Plaster sculpture of Thalberg’s head, signed and dated (“57 Rocchi”) on the neck, mounted on a metal support. The Academy of Motion Picture Arts and Sciences created the Thalberg award in 1937 to celebrate “creative producers whose bodies of work reflect a consistently high quality of motion picture production.” Darryl Zanuck was the first recipient, at the 1938 ceremony. The first statuette was sculpted by artist Bernard Sopher, and did not meet with Norma Shearer’s approval as she felt it was not sufficiently impressive. She commissioned a new design for the award and had new statuettes 1083 produced and sent to past recipients. A third Thalberg award design was created by Gualberto Rocchi in 1957. Rocchi was a well-known Italian sculptor of the period and had been commission by Shearer to create a bust of Thalberg for the building at MGM named after the producer. She liked the finished product so much that she felt that the Thalberg award should be redesigned to match. This plaster sculpture was likely one of the preliminary models sent by the sculptor to Shearer during the design process, and is very similar to the finished product. The Rocchi-designed Thalberg award was first used at the 1966 Oscars® and is the statuette still awarded today. Rocchi is still alive today and a period photograph of him posing with a very similar plaster sculpture of Thalberg is viewable on his website (scultore-rocchi.com). Overall length: 8 1/2 in.; Head only: 5 1/2 in. $500 - 700

1083 (detail)

Entertainment Memorabilia including Animation Art | 29 1085

1084

1086

1089

1088

1087 1090

30 | BONHAMS 1091 1092

1084 1089 A Norma Shearer 10k gold Academy of Motion A pair of Hurrell photographs of Norma Shearer Picture Arts and Sciences® life membership card Each signed and dated in pencil on the photograph, (“George S. 10k gold card with a raised rendering of the Oscar® statuette, engraved, Hurrell ‘29”), matted. The first depicts Shearer posing seductively “Academy of Motion Picture Arts and Sciences / Life Membership / to in gold sequined gown, and the second shows her with a blonde / Norma Shearer / by the / Academy Board of Governors / May 1977.” child. The photograph of Shearer in the gold gown was likely one of The verso is engraved, “In recognition of dedication / to the Academy those commissioned by the actress to show off her vampish side throughout its / first fifty years, 1927-1977.” Housed in a brown vinyl wallet and convince her husband Irving Thalberg of her suitability for The and accompanied by Shearer’s signed 1968 AMPAS membership card. Divorcee, which would win her a Best Actress Oscar®. To that point, 3 3/4 x 2 3/8 in. Shearer typically played more demure roles and until seeing these $600 - 800 photos, Thalberg was not convinced that she was suited for the role. Overall: 15 x 19 in.; Photograph only: 11 x 13 1/2 in. 1085 $1,500 - 2,000 A pair of Norma Shearer/Irving Thalberg clocks Comprising a red marble Ateliers Juvenia desk clock with red enamel 1090 face; and a Waltham Premier 8 Days clock in a black leather case. A pair of George Hurrell photographs of Marble: 4 1/4 x 6 in.; Base of leather clock: 7 x 3 1/4 in. Norma Shearer $300 - 500 Each signed and dated in pencil on the photograph, (“George S. Hurrell ‘29”), matted. Depicting Shearer in a floor-length off-the- 1086 shoulder gown, posing with a blonde child. Likely from one of Hurrell’s A Norma Shearer sterling silver Ortega bowl earliest sessions with the actress. Sterling silver footed bowl made by Ortega, Mexico City. The rim is Overall: 15 x 19 in.; 11 x 13 1/2 in. engraved, “To / Miss Norma Shearer / Ambassador of Goodwill / $600 - 800 Mexico City, April 1941 / from Lic. Miguel Aleman / Secretary of the Interior.” As part of the U.S. government’s “Good Neighbor” policy, 1091 Shearer, , , and others were A group of three Norma Shearer signed photographs sent on a goodwill mission to Mexico City in 1941. Comprising a photograph of Shearer in Marie Antoinette, inscribed 5 3/4 x 6 x 3 in. and signed; a postcard of Shearer, signed on the recto and $300 - 500 additionally inscribed and signed on the verso; and a second postcard of Shearer, signed on the recto and additionally inscribed and signed 1087 on the verso. An assembled set of Norma Shearer sterling silver Largest: 5 x 7 in. Comprising two Gorham sterling silver covered vegetable dishes with $200 - 300 a Greek key pattern; a sterling silver handled serving dish engraved “NTS”; a sterling silver dish with a fluted rim engraved “NSA”; a 1092 sterling silver sugar bowl and matching creamer; a tea strainer; and a A collection of photographs of Norma Shearer sterling silver dish presented to Shearer for winning second place in and Tyrone Power in Marie Antoinette the Slalom Internacional Mixto in Portillo, Chile in 1952. Metro-Goldwyn-Mayer, 1938. Comprising two 8 x 10 in. $1,000 - 1,500 photographs, one with Lazslo Willinger’s stamp; and five 11 x 14 in. photographs, all with Willinger’s stamp on the verso, one inscribed 1088 by Shearer on the verso. A set of three Norma Shearer silver plate tea caddies $300 - 500 A matching pair of fluted silver plate tea caddies with pineapple finials, engraved on the lid, “NAS.” Together with a third silver plate tea caddy, also with pineapple finial. Largest: 3 5/8 x 3 x 4 in. $300 - 500

Entertainment Memorabilia including Animation Art | 31 1093 1094

1095 1096

32 | BONHAMS 1093 1096 A Norma Shearer screenplay of A group of three George Hurrell Marie Antoinette photographs of Norma Shearer Metro-Goldwyn-Mayer, 1938. Mimeographed Each signed and dated in pencil on the manuscript, story by Stefan Zweig, 225 mount (“Hurrell ‘34). Two photographs depict pp, Culver City, December 3, 1937 (but Shearer in a long dress with a striped halter inscribed “OK to 1/12 / 1-24 / -26”), housed neck top, and the third is a close-up of the in goldenrod MGM wraps inscribed in pencil, actress in a dark jacket. “For Miss Norma Shearer” and stamped Overall: 13 x 18 in.; Photographs: 8 x 13 in. “Complete.” Reportedly Shearer’s favorite of to 9 x 12 in. her own films, Marie Antoinette was one of $800 - 1,200 the most expensive films of the 1930s and earned the Shearer a Best Actress Oscar® 1097 nomination. A group of three George Hurrell $800 - 1,200 photographs of Norma Shearer Gelatin silver prints, mounted, signed and dated 1094 (“Hurrell ‘34”) on the mount in pencil. Two of the A Norma Shearer owned dialogue photographs capture Shearer in a black and continuity script of Limelight gold ensemble and the third shows her wearing United Artists, 1952. Mimeographed a floor-length gown with a velvet jacket. manuscript, 64 pp, n.p., n.d., attached Overall: 12 3/4 x 18 in.; Photograph only: 1097 with brads to a card backing. It is unclear approximately 8 x 12 in. why Shearer owned this script of this late $800 - 1,200 Chaplin comedy as she had retired from acting ten years prior but she was close to 1098 Chaplin in her earlier years, with her and A Norma Shearer Motion Picture Irving Thalberg often spending time with Hall of Fame plaque Chaplin and Paulette Goddard. Certificate reads, “Motion Picture / Hall of 8 1/3 x 14 in. Fame / Dedicated to the men and women $300 - 500 who / made Motion Pictures a true art form / proudly honors / Norma Shearer / with / 1095 Membership / December 8, 1981.” A group of three George Hurrell 12 x 14 1/2 in. photographs of Norma Shearer $300 - 500 Each signed and dated in pencil on the photograph, (“George S. Hurrell ‘32”), 1099 mounted and displayed in presentation A Norma Shearer collection of folders. Publicity photographs for Smilin’ Through, depicting the actress in a grand Comprising a bronze metal coin belt with original white ballgown. tag from Henri Bendel; a gilt metal version of the Overall: 12 7/8 x 17 1/4 in.; Photographs: same belt with Kenneth Jay Lane “KJL” stamp; Approximately 10 x 13 in. a gilt metal Maltese Cross necklace with blue $800 - 1,200 paste stones and “KJL” stamp; and a gilt metal 1098 brooch with “KJL” stamp. Various sizes $300 - 500

1100 A Norma Shearer watch and compacts Comprising a 10K gold filled Elgin watch with expandable bracelet band and three gilt metal compacts, one with faux tortoiseshell lid. Largest compact: 3 x 3 in. $200 - 300

1099

1100

Entertainment Memorabilia including Animation Art | 33 1101 1102

1104

1103

1101 Property of various owners 1104 A group of three Norma A George Montgomery 14K Shearer clutches 1103 gold wristwatch One black vinyl by Bobbie Jerome; one silver A cast-signed Romeo and Ulysse Nardin wristwatch with 14K gold case beaded with rhinestone clasp; and one gold Juliet script and band, with original box. Together with a beaded by Saks . Metro-Goldwyn-Mayer, 1936. Mimeographed copy of Montgomery’s autobiography, The Largest: 10 1/4 x 6 1/4 in. manuscript, 93 pp, Culver City, November Years of George Montgomery (Dallas, 1981). $300 - 500 13, 1935, bound in brads with goldenrod Montgomery is best known for his Western Metro-Goldwyn-Mayer wraps. Signed on films of the 1940s and ‘50s, first at Republic 1102 the upper cover by NORMA SHEARER, and then at Fox. He played A collection of four Norma IRVING THALBERG, GEORGE CUKOR, in The Brasher Doubloon (1947) and later Shearer clutches LESLIE HOWARD, REGINALD DENNY, directed and produced his own films. One green and red floral print fabric with BASIL RATHBONE, AGNES DEMILLE, EDNA Provenance Accompanied by a letter from rhinestone clasp by Waldman; one Kelly MAY OLIVER, ADRIAN, C. AUBREY SMITH, the George Montgomery Foundation of the green vinyl by Bobbie Jerome; one lime , KATHERINE DE MILLE, Arts, indicating that this watch was owned by green leather by Papagallo; and one red , TALBOT JENNINGS, George Montgomery. leather by Papagallo. , DOUGLAS SHEARER, $1,500 - 2,500 11 3/4 x 5 1/4 in. and others. Romeo and Juliet was nominated $300 - 500 for four Academy Awards® including Best Picture and Best Actress for Norma Shearer. $1,800 - 2,200

34 | BONHAMS 1105 1106

1107 1108

1105 1107 1108 A Baranger Studios fire pumper A David S. Hall set design for A set design for Ali Baba Goes to store window mechanical Wee Willie Winkie Town animated display Twentieth Century-Fox, 1937. Watercolor on 20th Century Fox, 1937. Pencil on paper, , Baranger Studios label on reverse. A board, signed (“David S. Hall”), matted and signed lower right (“L.F. Quijano”), matted fire wagon pulled by three galloping horses framed. This illustration depicts the opulent and framed. In this comedy, a manned by two animated firemen, background fortress of Indian rebel army leader Khoda hobo stumbles into the set of a film about the with a heart on fire, reading “Keep her heart Khan (), with Khan seated at Arabian Nights and falls asleep. He dreams of aflame with one of our beautiful diamond rings,” center, surrounded by his battlements, flags, being the adviser to the Sultan, and this set mounted on a marbleized based, inoperative. and various guards and footmen. design depicts the banquet hall. 20 x 12 x 12 in. Within mat: 12 1/2 x 15 1/2 in. $2,000 - 2,500 Set in 19th century India, director John $600 - 800 Ford’s Wee Willie Winkie stars Shirley Temple 1106 as a spunky youngster adopted as a British A Baranger Studios Engine No. army post’s mascot in 19th century India. 1 store window mechanical Based on a Rudyard Kipling short story, the animated display film co-stars Ford regular Victor McLaglen. 1950s, Baranger Studios label on reverse. Six David S. Hall and William S. Darling were firemen pump water and one fireman holds nominated for an Academy Award® for Best the hose and nods with a brick Georgian Art Direction for this film. house set in the background, inoperative. Overall: 23 x 33 in.; Within mat: 23 ¾ x 10 in. 21 x 12 x 16 in. $500 - 700 $2,000 - 2,500

Entertainment Memorabilia including Animation Art | 35 1109 1110 1111

1112 1113 1114

1109 1111 1112 A Katharine Hepburn painting A Bela Lugosi signed contract for A pair of signed Oil on board, framed. Depicting a man S.O.S. Coast Guard and pressbook contracts, including one for standing on shore wit the ocean behind him. for The Return of Chandu a radio version of Arsenic and Provenance: Sotheby’s, Property from the 1. Printed and typed document signed (“Bela Old Lace Estate of Katharine Hepburn, June 10-11, Lugosi”) and initialed, 2 pp recto and verso, 1. Typed Document Signed (“Boris Karloff”), 1 2004, lot 364. [Los Angeles], June 7, 1937, confirming that p, New York, November 27, 1950, on Theatre Overall: 14 1/2 x 11 3/4 in.; Within frame: 8 Lugosi is to appear as Boroff in S.O.S. Coast Guild, Inc. letterhead, confirming that Karloff 1/2 x 6 1/4 in. Guard, to receive co-star billing, and to be is to appear in a radio dramatization of David $3,000 - 5,000 paid $1500 per week, also signed by E.H. Copperfield to air on Christmas Eve, 1950, for Goldstein of Republic Pictures, cuts and the sum of $825. 1110 creasing to upper margin, general thumbing 2. Typed Document Signed (“Boris Karloff”), 1 A Bela Lugosi signed contract with overall. Lugosi appears as a mad scientist p, New York, June 24, 1952, confirming that Corporation for his role intent on creating a “disintegrating gas” and Karloff is to appear on the NBC show Best in the film Women of All Nations selling it to foreign powers in this 12-episode Plays in an adaptation of Arsenic and Old Lace 1 p, March 7, 1931, stating that he will be paid serial from 1937. to air on July 6, 1952, for the sum of $500. $1000 per week for his role as Prince Hassen. 2. Bela Lugosi in “The Return of Chandu.” $300 - 400 New York: Economy Novelty and Printing Co., Karloff reprises his Broadway role as Jonathan [1934]. Lithographic folding front portfolio with Brewster, the homicidal Brewster brother “Advertising,” “Publicity” and “Chandu on the who, in one of the greatest casting jokes Magic Island” folio booklets plus “Chandu of the century, “looks like Karloff.” (Karloff Mask.” Lacking 2 smaller booklets. was not available for the film version, so Contract: 8 1/2 x 22 in.; Pressbook: 12 x 20 in. the role went to Raymond Massey.) In the $600 - 800 radio version of David Copperfield, Karloff takes a turn as the wicked Micawber (played onscreen by W.C. Fields). $700 - 900

36 | BONHAMS 1113 A group of 4 screenplays by Gene Fowler 3 mimeographed manuscripts and one typed carbon, all from the personal library of Gene Fowler, all produced by Twentieth Century- Fox: Professional Soldier (1935, typed carbon), A Message to Garcia (1936), Half Angel (1936) and Nancy Steele is Missing! (1937). All four volumes uniformly bound in maroon leatherette boards, a few with penciled notations to flyleaves. Provenance: the estate of Gene Fowler; Serendipity Books; the Richard Manney Collection.

Gene Fowler was a legendary newspaperman 1115 who, like and Charles MacArthur, was lured to Hollywood to write for the 1116 movies during the 1930s. Fowler famously befriended W.C. Fields, who claimed that Fowler’s three sons were the only children he could stand. These four volumes are originally from Fowler’s personal library. $1,200 - 1,800 1116 A large group of Sherlock Holmes screenplays 1114 Universal, 1939-1946. Comprising 38 scripts, many in very early form, as follows: A Beau Geste cast-signed script The Adventures of Sherlock Holmes. Mimeographed manuscript, August 19, 1939, dialogue Paramount, 1939. Mimeographed and continuity. manuscript, 146 pp, January 13, 1939 (but Sherlock Holmes and the Voice of Terror (early titles: Sherlock Holmes #1 and Sherlock Holmes with blue revision pages as late as March Saves London). Typed manuscript by Lynn Riggs, April 2, 1942; typed carbon by John Bright, 20, 1939 bound in), bound in self wrappers March 10, 1942; 2 mimeographed manuscripts, May 4 and July 28, 1942 (the latter a dialogue with brads. Signed on the title page by stars and continuity script). Riggs and Bright received shared writing credit for this film. , RAY MILLAND, ROBERT Sherlock Holmes and the Secret Weapon (early titles: Sherlock Holmes #2 and Sherlock PRESTON, SUSAN HAYWARD, and J. Holmes Fights Back). Typed manuscript by Scott Darling and Edward T. Lowe, marked CARROL NAISH. Additionally signed by actor “First draft,” March 24, 1942; typed manuscript marked “third draft,” April 22, 1942; typed who is not in Beau Geste but manuscript, May 22, 1942; mimeographed manuscript, May 28, 1942; mimeographed was a Paramount contract actor, and possibly manuscript, dialogue and continuity, August 6, 1942. present on the lot when the rest of the actors Sherlock Holmes in Washington. 3 typed manuscripts (1 annotated) by Bertram Millhauser signed the script. Beau Geste, a remake of and Lynn Riggs, April 8, to July 1, 1942; 3 mimeographed manuscripts, including dialogue the 1926 of the same name, was and continuity script. written and directed by William Wellman; it Sherlock Holmes Faces Death (early title: Sherlock Holmes in Peril). Typed carbon by Eric tells the story of a trio of brothers played by Taylor, March 6, 1943 (Taylor received no screen credit for film); mimeographed manuscript, Cooper, Milland, and Preston, who join the dialogue and continuity, June 2, 1943. French Foreign Legion to fight in Algeria. The Pearl of Death. 3 mimeographed manuscripts by Bertram Millhauser, March 21, 1944 to $1,500 - 2,000 March 28, 1944. Sherlock Holmes and the Spider Woman. Mimeographed manuscript, dialogue and continuity, 1115 July 29, 1943. A bound score of Alexander’s The House of Fear (early title: The Murder Club). Typed carbon by Ray Chanslor, April 4, 1944; Ragtime Band inscribed by Irving mimeographed manuscript, dialogue and continuity, July 20, 1944. to Lamar Trotti The Woman in Green (early title: Invitation to Death). Typed carbon by Bertram Millhauser, 20th Century Fox, 1938. Printed sheet music, annotated, December 24, 1944, Howard Benedict’s copy; 3 mimeographed manuscripts, bound in black morocco with gilt-lettering on the December 21, 1944 and January 4 and February 28, 1945, the latter a dialogue and upper cover and a gilt 20th Century Fox logo on continuity script. the back cover. Inscribed and signed in black Pursuit to Algiers (early title: The Fugitive). Typed carbon by Leonard Lee, May 20, 1945; 2 ink on the front free endpaper, “For Lamar Trotti- mimeographed manuscripts with June dates. / You should be very proud / of your job- / My Terror by Night. 2 typed carbons by Frank Bruber, July 2, 1945; 2 mimeographed manuscripts, best wishes / Irving Berlin.” Alexander’s Ragtime September 29, 1945. Band features 12 of Berlin’s songs and the Dressed to Kill (early title: Prelude to Murder). Typed carbon by Leonard Lee, dated January composer also contributed to the screenplay, 3, 1946; typed manuscript dated January 16, 1946; 2 mimeographed manuscripts, one a alongside Trotti and others. Berlin’s songs are dialogue and continuity. used to tell the story of popular music, from the Provenance: the Richard Manney Collection. 1911 release of the title song to “Heat Wave” in the 1930s. Trotti would go on to write the The first two Holmes adaptations starring Basil Rathbone were filmed at Fox before the screenplays for Young Mr. Lincoln, Cheaper franchise moved over to Universal in 1942. This archive may have been that of associate by the Dozen,” and “There’s No Business Like producer Howard Benedict, whose name appears on an early script for The Woman in Show Business,” among others. Green, and who produced many of the titles while at Universal. In any case, it is a remarkable 9 1/4 x 12 1/4 in. collection of primary material relating to one of the most popular film series of the 1940s. $1,500 - 2,000 $5,000 - 7,000

Entertainment Memorabilia including Animation Art | 37 1117

1118 1119

38 | BONHAMS 1117 A cast-signed copy of Life With Father Day, Clarence. Life With Father. Garden City: Sundial Press, 1943. Hardcover with dust jacket. Signed by the cast and crew of the 1947 movie, including actors , , Irene Dunne, Jimmy Lydon, Zasu Pitts, Martin Milner, Johny Calkins, Heather Wilde, and Derek Scott; writers Russel Crouse and Howard Lindsay; Katharine Day, the author’s widow and an advisor on the film; and director . Many of the inscriptions are dedicated to Van Mathews, a Warner Bros. electrician.

Published in 1935, Life With Father was a popular novel based on episodes from Day’s own family life. It was adapted by Russel Crouse and Howard Lindsay into a Broadway play in 1939, running until 1947. It still holds the record for the longest-running nonmusical Broadway play. Due to this tremendous popularity, it also broke the record for most ever paid for screen rights to a play: $500,000 plus half the film’s profits. The play’s writers and Day’s widow were both heavily involved in the production, hence their presence on set to sign this book. The film received four Oscar® nominations, including Best Actor for William Powell, and was a highlight of the actor’s late career. 5 1/2 x 7 3/4 in. $2,000 - 3,000

1118 Three Mounted Men Universal, 1918. French grande poster, folded. This early film featured cowboy star Harry Carey. 1120 1121 47 x 63 in. $400 - 600

1119 Without Honors Weiss Brothers, 1932. Three sheet poster, linen-backed. 41 x 81 in. $700 - 900

1120 South of the Rio Grande Columbia, 1932. Insert poster. 14 x 36 in. $800 - 1,200

1121 Unknown Valley Columbia, 1933. Three sheet poster in three panels, folded. 41 x 81 in. $1,000 - 1,500

1122 The Lawless Frontier Monogram, 1934. Three sheet poster in three panels, folded. 41 x 81 in. $800 - 1,200

1123 1122 1123 The Man From Utah , 1934. U. S. one sheet poster, folded. This film stars John Wayne as an undercover agent sent to investigate a rodeo racket. 27 x 41 in. $1,200 - 1,800

Entertainment Memorabilia including Animation Art | 39 1124 1124

1125 1126

1127 1128

40 | BONHAMS Property from the Estates of George O’Brien and Marguerite Churchill 1124 A large collection of George O’Brien film stills and promotional photographs Over 950 8 x 10 in. photographs and 60 11 x 14 in. photographs covering O’Brien’s career from the 1920s through the 1940s. Many important Hollywood photographers are represented, including Ernest Bachrach, Max Munn Autrey, Melbourne Spurr, Hartsook, Witzel, and Hal Phyfe. Films include The Iron Horse, The Blue Eagle, , 3 Bad Men, Blindfold, The Lone Star Ranger, A Holy Terror, Riders of the Purple Sage, Frontier Marshall, Ever Since Eve, Daniel Boone, Looking 1129 for Trouble, Windjammer, Gun Law, Fort Apache and She Wore a Yellow Ribbon. Together with a quantity of 5 x 7 in. promotional photographs. Various sizes $3,000 - 5,000

1125 An archive of George O’Brien personal photographs Over 200 photographs, mostly snapshots (3 x 5 in.), including many photographs of O’Brien with his wife and children, at the beach (including photographs of him with and Duke Kahanamoku), playing sports, and in his Naval uniform. Various sizes $400 - 600

1126 A Marguerite Churchill archive of photographs and scrapbooks Over 330 8 x 10 in. and 11 x 14 in. publicity photographs and film stills, including examples by photographers Edwin Bower Hesser, Sasha of London, Max Munn Autrey, Scotty Welbourne, and Hal Phyfe. These photographs range from her modeling days as a child in New York to her Hollywood fame in the 1930s. Together with four scrapbooks, mostly containing press clippings, a small number of 1130 handwritten letters and pieces of original artwork and five passports, dated 1957 to 1976. 1129 $700 - 900 A pair of Mervyn LeRoy photographs inscribed to 1127 George O’Brien A group of albums of photographs and clippings The first depicting a young LeRoy in a newsboy cap, inscribed in black relating to George O’Brien ink, “To my Pal George / wishing him all a / Real Pal could / Mervyn / Comprising five scrapbooks of press clippings; a handwritten travel diary, 4/15/22.” In 1922, LeRoy and O’Brien both had uncredited roles in The 1927-1931, including O’Brien’s trip to the Philippines with John Ford; an Ghost Breaker. The second photograph depicts LeRoy with a movie album related to his wedding to Marguerite Churchill, including clippings camera and is inscribed in black ink, “For / Marguerite and George / and congratulatory letters and telegrams; an album of photographs of a The happiness I am wishing / you I wish I were a / partner too / alway’s trip to South America with his wife; and an album including photographs [sic] / Mervyn.” from the sets of The Silver Treasure (1926) and Millionaire Cowboy (1935); 7 7/8 x 9 7/8 in.; 10 3/8 x 13 1/4 in. and a photograph album from the 1960s. Together with four Bibles, one $300 - 500 of his father’s, one given to him by his father, one given by O’Brien to his mother, and one O’Brien used during World War II. Various sizes 1130 $500 - 700 A cast-signed photograph from The Golden West Fox, 1932. Photograph of the cast, inscribed on the margin, 1128 “Best Wishes From ‘The Golden West Company’,” and signed by Sunrise George O’Brien, Janet Chandler, Emmett Corrigan, Marion Burns, Fox, 1927. Black and red ink on newsprint, issued in Berlin in July, 1927. A Edmund Breese, and Director David Howard. The Gold West was double-sided German poster for Sunrise, also celebrating the fifth anniversary an adaptation of a Zane Grey novel and included stock footage of Fox in Germany, The recto proclaims that Sunrise is the first film of the of Western landscapes from earlier George O’Brien films The Iron anniversary class, and that the American press has declared it the greatest Horse and Three Bad Men. masterpiece in international film. The text on the verso lists the corporation’s Overall: 13 7/8 x 10 7/8 in.; Image only: 9 1/4 x 7 1/4 in. achievements in Germany and the United States. Posters from the original $300 - 500 release of Sunrise are exceedingly rare and this one is particularly interesting as it comes from the director’s home country. It was likely collected by George O’Brien when he visited Berlin to promote the film. 12 1/2 x 18 1/2 in. $800 - 1,200

Entertainment Memorabilia including Animation Art | 41 1131 A collection of posters and promotional material relating to George O’Brien Comprising: trade ads for The Devil’s Master and 3 Bad Men; lobby cards for Hard Rock Harrigan, Timber Stampede, and Hollywood Cowboy; pressbooks for The Painted Lady, The Man Who Came Back, The Lone Star Ranger, and Fair Warning; one sheet posters for Daniel Boone and Tall Timber, insert posters for When A Man’s Man and Gold Raiders, and the 1924-5 Fox exhibitor’s guide. Various sizes $400 - 600

1132 An inscribed and signed Rudolph Valentino photograph A matted still from the film Cobra, depicting Valentino with Dan O’Brien. Inscribed in 1131 1132 black ink, “To Dan O’Brien / ‘The Best Chief of San Francisco’s / Best’ Sincerely, / Rudolph Valentino.” Dan O’Brien was Chief of the San Francisco Police Department from 1920 to 1928. Overall: 9 7/8 x 11 3/4 in.; Photograph only: 8 x 10 in. $500 - 700

1133 A collection of Daniel O’Brien photographs Includes 46 photographs 8 x 10 in. or larger, and 38 photographs smaller than 8 x 10 in., and a photograph album. Included are photographs of O’Brien with Tom Mix, Mae Busch, Louis B. Mayer, Emory Johnson, Clara Kimball Young, Pauline Starke, John Ford, and a signed photo of Buster Keaton. O’Brien, George O’Brien’s father, was the Chief of the San Francisco Police from 1920 to 1928. He oversaw the foundation of the nation’s first police academy in 1923 and often served as an ambassador for the city, welcoming important visitors. He also made appearances in a number of films. 1133 1134 Various sizes $300 - 500

1133A A collection of celebrity signed photographs Eighteen photographs, most inscribed to George O’Brien, including examples by Mervyn LeRoy, William Janney, Roscoe Turner, J. Farrell MacDonald, Anita Page, Lou Tellegen, Ray Whitley, Sally O’Neil, Milton “Skeets” Elliot, and Lila Lee. 8 x 10 in. to 11 x 14 in. $400 - 600

1135

1133A

42 | BONHAMS 1134 A John Wayne signed letter to George O’Brien Typed letter signed (“Duke”), 1 p, Beverly Hills, March 22, 1979, Wayne writes to his old costar, “I often recall our basketball game in Mt. Rainier. Your success and the crew’s unsuccessful attempt to get to Rainbow Lodge from Longmire’s ... also the picture that took us to Kayenta with Sue Ladd, Warren Hymer and the George O’Brien Stock Company.” Wayne reminisces to O’Brien about their early days at Fox, when O’Brien was the star and Wayne worked in the props department. The letter likely refers to Rough (1930), which filmed at Mt. Rainier, and The Lone Star Ranger (1930), which filmed in Kayenta, Arizona. Wayne died of stomach cancer less than three months after this letter was written. 7 1/4 x 10 1/2 in. $300 - 500

1135 A group of three George O’Brien sterling silver brushes Made by William B. Kerr, Newark, New Jersey, decorated with a pinstripe pattern, each monogrammed “G O’ B.” Hairbrush: 7 1/2 x 3 1/4 in. $400 - 600

1136 A George O’Brien coat from Noah’s Ark Warner Bros., 1928. Heavy olive green canvas double-breasted overcoat with wool and leather linings. Accompanied by two photographs showing O’Brien wearing this coat in Noah’s Ark an early Michael Curtiz film costarring . Noah’s Ark starred O’Brien as a wealthy young American man who goes to fight in World War I, with the film later cutting to a parallel scene in Biblical times. 1136 $400 - 600

1137 A pair of George O’Brien riding boots Handmade brown leather riding boots with wooden boot trees. Accompanied by two photographs of O’Brien wearing similar boots, one of him on horseback with a polo team in A Holy Terror (1931). Photographs: 7 1/4 x 9 1/4 in. $300 - 500

1138 A George O’Brien pair of spurs Large cast metal spurs, likely made in Mexico, with tan leather straps. Diameter: 5 1/2 in.; Length: 10 1/4 in. 1138 $300 - 500

1137

Entertainment Memorabilia including Animation Art | 43 1139 A George O’Brien saddle Tooled leather Western saddle, with contrast stitching, wool, wood and silver metal elements, and straps stamped “George J. O’Brien.” Cantle is stamped “Fustes Finos Marca / Los Dos Potros / Trabajos Garantizados Por / J. Felix Barajas M. / Colina, Col. Mex.” $500 - 700

1140 A George O’Brien Stetson cowboy hat Tan Stetson cowboy hat with 4 3/4 in. brim, c.1930s, with “Trademark / Clear Nutria / John B. Stetson Co. / Philadelphia” seal on the purple silk lining, with tan grosgrain sweatband, a red size label and a brown reorder label. This hat dates from the height of George O’Brien’s fame. Size 7 1/4 $500 - 700

Property of various owners

1141 A Gene Autry signed Stetson cowboy hat A 3X beaver quality Stetson hat inscribed in ink on the lining “To Bob / My Best Wishes / Always / Gene Autry 3-17-79,” stamped on inner rim with a Stetson logo and “Shudde 1139 Bros. Houston” stamp. Provenance: Sotheby’s, Collector’s Carrousel, June 13, 1998, lot 283. Size 7 1/8 $600 - 800

1140 1141

44 | BONHAMS 1142 1142

1142 A cast-signed copy of Margaret Mitchell’s Gone With the Wind New York: Macmillan, 1938. Gray cloth, front panel of dust jacket only. These signatures were collected by actor (who played Signed on the front free endpaper and half-title by 23 cast and crew Brent Tarleton) for his sister-in-law who has also signed the book members, including stars CLARK GABLE, VIVIEN LEIGH, OLIVIA (“Mrs. Harry F. Crane”). Two of the signatures (Westmore and Myrick) DE HAVILLAND, and LESLIE HOWARD; supporting cast HATTIE are dedicated to her. Crane played one of Scarlett’s twin suitors, and MCDANIEL, RAND BROOKS (Charles Hamilton), is best known for speaking the film’s opening lines, “what do we care if (signing here as “George Bessolo,” Brent Tarleton), CAMMIE KING we were expelled from college, Miss Scarlett? The war’s going to start (Bonnie Blue), EVELYN KEYES (Suellen O’Hara), ANN RUTHERFORD soon, so we would have left college anyhow.” (Carreen), WILLIAM BAKEWELL (mounted officer); and crew members WILL HILL (technical advisor), WALTER PLUNKETT (costume designer), Cast-signed copies of Gone With the Wind are extremely rare at LYDIA SCHILLER (script clerk), LYLE WHEELER (), SUSAN auction, with one signed by 29 actors selling for $135,300 in 2012. MYRICK (technical advisor), BEN NYE (make-up), MONTY WESTMORE 6 x 8 3/4 x 1 3/4 in. (make-up) and ERIC STACEY (assistant director). $20,000 - 30,000 Provenance: Camden House, Beverly Hills, California, Movie Memorabilia: The Golden Age of Hollywood, May 20, 1989; letter of provenance from Universal Studios Hollywood, dated August 2, 1994, confirming its sale and stating that it was purchased at auction by Universal.

Entertainment Memorabilia including Animation Art | 45 1143 1143

1144 1145

1143 1144 A Butterfly McQueen signed contract for Gone A Gone with the Wind pressbook With the Wind Metro-Goldwyn-Meyer, 1939. Includes three separate booklets for Typed document signed by McQueen and Kay Brown on behalf of advertising, a booklet for publicity, a booklet showing what is available Selznick International Pictures, 6 pp, 4to, executed in New York, to theaters such as cutout figures, block posters and cards, all the January 14, 1939. Together with typed summary of the contract, 2 pp various sized posters, standees and many more ideas for promoting (but contemporary with the original contract), a typed letter contract the film. Together with a program entitled Suggestions for Presentation on Selznick stationery stating that she agrees to pay for her round of Gone with the Wind. trip ticket to California, a McQueen typed note signed acknowledging 19 x 17 in. that she has received her one roundtrip ticket, and a typed page from $800 - 1,200 Victor Shapiro of Selznick International Pictures describing Butterfly’s role as the part of Prissy, Scarlett O’Hara’s maid. 1145 A Walter Plunkett limited edition portfolio of Butterfly McQueen studied dance with the Venezuela Jones Negro Gone With the Wind costume design prints Youth Group. It was then that she received the stage name “Butterfly,” Set of six lithographs of Plunkett’s best known costume designs describing her constantly moving arms when dancing the “Butterfly for Gone With the Wind, each signed (“Plunkett”) and numbered Ballet” in a 1935 production of Midsummer Night Dream. Her first 956/100 in pencil. Housed in a portfolio with a print of Plunkett and acting role was Prissy, the young servant in Gone With the Wind, a list of his films. who, after repeatedly assuring Scarlett that she has assisted at many 16 1/2 x 20 1/2 in. childbirths, panics at the moment Melanie goes into labor, shrieking, $1,000 - 1,500 “Oh, Miss Scarlett, I don’t know nothin’ ‘bout birthin’ no babies.” 8 1/2 x 13 in. $5,000 - 7,000

46 | BONHAMS 1146

1146 ’s chair from The Maltese Falcon Warner Bros., 1941. Burgundy button tufted leather chair with nailhead detail, mounted on a wooden platform rocker with carved feet. Inscribed on the underside in white paint, “WB 84892” Accompanied by a copy of the film. Provenance: Hollywood Studio Auction to benefit People For The American Way, 1982; Christie’s, Hollywood Memorabilia, June 7, 1997, lot 215.

This distinctive chair is one of the few pieces of furniture in in Sam Spade’s small studio apartment in The Maltese Falcon, where much of the film’s action takes place. Many of the main characters, including those played by Mary Astor and Sidney Greenstreet, sit in it during the course of the film and the climactic final scene featuring the titular bird unfolds around it. Film fans are always surprised to learn that Sam’s large, imposing “bachelor’s chair” is upholstered in burgundy leather rather than black, but using bright colors to create greater contrast in black and white was a standard practice during the Golden Age of Cinema. Courtesy of Warner Bros./Photofest 32 x 49 x 28 in. $75,000 - 100,000

Entertainment Memorabilia including Animation Art | 47 1148

1147 1149

1147 1150 A photograph A collection of Mary Astor diaries, awards, and Circa early 1940s, a head and shoulders portrait of the actor in a white photographs shirt and tie, inscribed and signed, “With every good wish / Humphrey Including a small notebook diary dating from October 18th 1916, Bogart.” Stamped on the verso, “Humphrey Bogart/ Warner Brothers written when she was a child; a green leather bound A Line A Day Pictures.” A classic photograph of the actor from the period of his dairy dating from 1926 to 1928 and 1952, with almost-daily entries most famous films. discussing lunch dates, lovers, rehearsals and day-to-day activities; 10 7/8 x 13 3/4 in. and red leather bound diaries dating from 1959 to 1984. Together $500 - 700 with a film reel for the show Person to Person from CBS Television Network with a thank you note on Hotel Bel-Air stationery dated 1148 1960; a 1940 Players Directory; an uncorrected proof for The Lonely The Maltese Falcon Life written by ; a collection of 21 personal photographs Warner Bros., 1941. Lobby card poster. of Mary Astor; a group of movie stills; a five page handwritten letter 14 x 11 in. about her and other actors’ experience with director , $1,200 - 1,800 specifically mentioning the film Dodsworth. Also included are Astor’s 1942 Oscar® nomination certificate for Best Supporting Actress for 1149 (1941), which she won; the cover for the sheet music to A caricature of the cast of The Maltese Falcon Tschaikovsky’s Concerto No. 1, signed by the cast and crew of The Colored pencil and ink on artist board, signed and dated at upper right Great Lie, including producer Hal Wallis, director , (“Edward [indistinguishable ‘71”), depicting Humphrey Bogart, Sydney Bette Davis, and ; and a 1944 certificate inducting Astor Greenstreet, Peter Lorre, Mary Astor, Elisha Cook Jr., and the titular into the Philco Radio Hall of Fame. bird. Likely completed for the film’s 30th anniversary. 15 1/2 x 17 1/4 in. Many of Mary Astor’s diaries were entered into evidence against her $800 - 1,200 during her 1936 custody battle, excerpts of which were leaked to the press, exposing her extramarital affairs with George S. Kaufman and others. The diaries at the trial were burned by a judge in 1952. $1,500 - 2,000

48 | BONHAMS 1151

1150

1151 A Tiffany & Co. silver bowl given as a wedding gift to Mary Astor and Kenneth Neil Hawks Markings on base Tiffany & Co. 18457 Makers 4142 / Sterling Silver / 925-1000/M. One side of the bowl with raised lettering Mary Astor / Kenneth Neil Hawks / February 23, 1928 and the other side of bowl 1152 with raised lettering D.S.P. / [key and scroll design] / D.D.3. The bowl was given by friend of the couple who were members of the Delta Sigma Pi club in New York City. Kenneth Hawks was the brother of director , and was a producer and director in his own right. He died in a plane crash in 1930 during the filming of aerial scenes for Such Men are Dangerous. Diameter: 10 1/2 in. $800 - 1,200

1152 Revenge United Artists, 1928. One sheet poster, linen backed. The film, starring Delores Del Rio, was inspired by The Daughter of the Bear Tamer by Konrad Bercovici. 27 x 41 in. $400 - 600

1153 Birds of Paradise RKO, 1932. Pre-war Belgian poster, linen backed. The film stars Dolores Del Rio as a Polynesian girl who falls in love with westerner Joel McCrea. 27 x 41 in. $500 - 700 1153

Entertainment Memorabilia including Animation Art | 49 1154 1155

1156 1157

1154 1155 The Devil is a Woman A collection of ephemera from the film Becky Sharp Paramount, 1935. Complete set of eight lobby cards with original RKO, 1935. Comprising an insert, eight jumbo lobby cards, a film envelope. Directed by , The Devil is a Woman program, a Radio City Music Hall program, a daybill; an invitation to stars Marlene Dietrich, Lionel Atwill, and Cesar Romero and features a a Becky Sharp press luncheon at the Savoy Hotel, July 9th, 1935; a screenplay by John Dos Passos. Summer Sale Convention program, July 12 and 13, 1935. The film 14 x 11 in. is based on Thackeray’s satirical novel Vanity Fair. Miriam Hopkins $3,000 - 5,000 plays a self-absorbed young woman who beats all odds with her keen wit, fine looks and fluency in French and rises up the social ladder in 19th century Britain. Insert: 14 x 36 in.; Lobby cards: 14 x 18 in. $600 - 800

50 | BONHAMS 1156 Life Begins for Andy Hardy Metro-Goldwyn-Mayer, 1941. One sheet poster, style D. 27 x 41 in. $500 - 700

1157 Girl Crazy Metro-Goldwyn-Mayer, 1943. One sheet poster, style B. 27 x 41 in. $800 - 1,200

1158 How to Fish Productions, 1942. Australian daybill poster, mounted on board. A stock poster featuring images of Goofy skiing and boxing. 13 x 30 in. $300 - 400

1159 Shadow of a Doubt Universal, 1943. Insert poster. 14 x 36 in. 1158 1159 1160 $1,000 - 1,500

1160 Leave Her to Heaven 20th Century Fox, 1945. Insert poster, framed. Overall: 17 1/2 x 37 3/4 in. $300 - 500

1161 Laura Twentieth Century-Fox, 1944. One sheet poster, linen-backed, framed. The classic Otto Preminger was nominated for five Academy Awards® and won one, for Best Cinematography. Overall: 30 x 44 in.; Poster only: 27 x 41 in. $4,000 - 6,000

1161

Entertainment Memorabilia including Animation Art | 51 1162 A pair of screenplays of Laura plus a collection of set stills from the collection of playwright Mart Crowley 2 xerographic manuscripts, the first by Jay Dratler, the second by Dratler and others, 127 and 134 pp, Culver City, October 30, 1943 and April 18, 1944 (but these copies reproduced later), each in Twentieth Century- Fox wrappers; together with 33 black and white production stills (some studio issued, others contact prints from negatives), all images from the discarded Rouben Mamoulian-shot scenes from the film, many heavily annotated on the back with Crowley’s research regarding the scenes and their 1162 1163 origins in the script. WITH: an Autograph letter signed (“Mart Crowley”), 6 pp, n.p., n.d., on personal stationery, giving a history of the present collection.

Mart Crowley is a writer best known for his landmark play, later turned into a film, The Boys in the Band, one of the first candid depictions of urban gay life. While he was working at Fox in the late 1970s, he was approached to write the book of a musical based on Laura. He contacted the Fox steno department and received the present scripts for research, and then collected the enclosed stills (and annotated them), documenting the turbulent production of the film. The musical of Laura was never made. $1,000 - 2,000

1163 A Lawrence Olivier and a Joan Fontaine contract with Selznick International Pictures For Rebecca 1. Two typed documents signed (“Lawrence 1164 1165 Olivier”) together with a third unsigned document, each 1 p, dated July 13, 1939 and August 24, 1939, each postponing his commencement of employment. 2. Typed document signed (“Joan Fontaine”), 5 pp, September 2, 1939, in Culver City, CA, an employment agreement with Selznick International Pictures. The contracts do not specifically state which film, but the dates indicate these are for the film Rebecca, as is usual with Selznick contracts. Together with a pressbook for Rebecca and a Ladies Home Journal featuring a cover story on Rebecca. 11 x 8 1/2in for contracts $2,000 - 3,000

1166 1167

52 | BONHAMS 1164 A group of 4 Carole Lombard signed contracts with Selznick International Pictures and a related document Typed document signed (“Carole Lombard”), 25 pp, Culver City, May 31, 1938, being a 2 picture agreement between Selznick International Pictures and Lombard, running through the period ending December 31, 1939. Together with 3 typed documents signed (“Carole Lombard), 5 pp total, Culver City, July 22, 1938 to March 14, 1940, the first two documents relating to delays in the starting date of a picture, the third canceling the agreement after the first film only. AND WITH: Typed document, 5 pp, Culver City, October 1, 1938, being an agreement between Selznick International Pictures and Loew’s Incorporated for the loan of James Stewart’s services during 1938- 39, with the 15 pp document from Loew’s confirming the agreement. Together with group of marketing material for the film Made for Each Other including a campaign book and an advertising book.

The first three Lombard and the two Stewart documents relate to the 1939 comedy/drama Made for Each Other, starring the two as a young couple who marry after knowing each other one day, only to 1168 discover life has hardships in store for them. 11 x 8 1/2 in. (contracts) $1,500 - 2,000

1165 A screenplay of The Lost Weekend, together with a release dialogue script of the same Paramount, 1945. Mimeographed manuscript, 98 pp, no date, in plain wrappers. Together with mimeographed manuscript, 97 pp, legal folio, June 11, 1945, bound in self-wrappers with Paramount info deleted and University Central Files stamp added. In custom clamshell box. Provenance: Serendipity Books (receipt laid in); the Richard Manney Collection. 1169 Billy Wilder was inspired to make The Lost Weekend, the story of an alcoholic in the throws of a binge, after working with Raymond 1168 Chandler on the screenplay of Double Indemnity. A screenplay of Carl 8 1/2 by 11 and 8 1/2 by 14 in. Foreman’s Champion $400 - 600 United Artists, 1949. Mimeographed manuscript, 130 pp, with 2 pp staff list bound in at rear, October 16, 1948 (pink and blue revisions 1166 pages dated as late as October 29 bound in), bound in blue printed A revised final screenplay of Nightmare Alley “Screen Plays, Inc” wraps, copy #10, with “Richmond” penciled to Mimeographed manuscript by Jules Furthman, 153 pp, 4to, April 2, 1947, upper cover and title page. in red Twentieth Century-Fox wrappers, stamped #2 to preliminary leaf. Provenance: Serendipity Books (receipt laid in); the Richard Manney Provenance: Serendipity Books (receipt laid in); the Richard Manney Collection. Collection. Based on a short story by Ring Lardner, Champion is celebrated as A fine copy of the noir classic about the rise and fall of a carnival one of the greatest (and most brutal) boxing movies, and featured a worker (Tyrone Power), based on the novel of the same name by breakout performance by as the lead. This script seems William Lindsey Gresham. to bear the ownership signature of Howard Richmond, the film’s $400 - 600 sketch artist. $400 - 600 The script appears to be missing the final few pages. 1169 1167 A group of screenplays of dramas and musicals A final screenplay of The Snake Pit Most 1930s-1950s, titles include: False Face (an unproduced script Twentieth Century-Fox, 1948. Mimeographed manuscript, 159 pp, by , annotated); Here I am a Stranger (Fox July 1, 1947, housed in blue studio wrappers marked “Final” and 1939); Hold Back the Dawn (Paramount 1941); Young Man with a “permanent file.” Horn (Warner Bros. 1950); Cyrano de Bergerac (United Artist 1950) Provenance: Serendipity Books (receipt laid in indicating script ; Song and Dance Man (Fox 1936); Colonel Effingham’s Raid (Fox originated with Zanuck’s secretary); the Richard Manney Collection. 1946); Stanley and Livingstone (Fox 1939); Island in the Sun (Fox 1957); Thunder in the Valley (here titled Bob, Son of Battle) (Fox 1947); Olivia de Havilland stars in this stark post-war noir about a woman The Loves of Edgar Allan Poe (Fox 1942); Greystoke (Warner Bros. who wakes up in a mental hospital but can’t remember how she got 1984); Machiavelli (1980s, unproduced screenplay by David Hoag); there. The Snake Pit was nominated for several Academy Awards(R) and Oz (WDP 1984, 3 drafts plus press kit). and also led to several states implementing laws to improve conditions Provenance: most titles from Serendipity Books (receipts laid in or at mental institutions. penciled notations); the Richard Manney Collection. $300 - 500 $1,200 - 1,800

Entertainment Memorabilia including Animation Art | 53 1170 1170A

1171 1172

1170 1170A A screenplay of Sunset A Peter Lorre script for the play A Night at Madame Tussaud’s Boulevard Mimeographed manuscript by Edwin Justus Mayer, 105 pp (plus 5 additional script pages Paramount, 1950. Mimeographed reproduced on spirit duplicator laid in), [1952], housed in plain brown wrappers with title manuscript, 117 pp, March 21, 1949 (but printed to upper cover, Lorre’s name to upper cover and title page (though not in his hand), with colored revision pages as late as July 19 script heavily annotated throughout by Lorre and others. Waterstaining, toning and creasing, bound in), in maroon cloth library binding, with thumbing throughout. stamps. Sunset Boulevard was nominated for eleven Academy Awards® and won three. Peter Lorre always hoped he would star in a Broadway play, but the closest he came was $2,000 - 3,000 appearing in A Night at Madame Tussaud’s on the summer stock circuit of 1952. The play, written in the gothic horror tradition and featuring wax figures, blood and gore, co-starred actress Miriam Hopkins and was performed at the Grist Mill Playhouse in Andover, NJ September 1-6, 1952. This script is a palimpsest of that production: it was clearly used by Lorre, and contains his notes and underlinings, as well as his particular stage directions written in another hand. It also contains more general stage directions in another hand, notes on set decorating, and notes that relate to stage movements for other characters (during scenes when Lorre’s character is not on stage, so likely not made for his benefit). In all, an interesting artifact of Lorre’s career. 8 1/2 x 11 in. $400 - 600

54 | BONHAMS 1173 1174

1175 1176

1171 1173 1175 A A Kobal collection portfolio A collection of celebrity signed autograph sentiment of Clarence Sinclair Bull photographs Inscribed in pencil and initialed, “So sorry! photographs of Greta Garbo Comprising an inscribed and signed photograph Greetings. / G.G.,” matted and framed with a Five prints, published in 1980, each blind of Spencer Tracy, 1944; an inscribed and photograph of the actress. stamped “The Kobal Collection” at lower signed photograph of , 1944; an Provenance: Accompanied by a copy of right, and numbered 6/99, housed in a inscribed and signed photograph of ; the original receipt from George Houle Fine portfolio with a colophon and certificate an inscribed and signed photograph of Fred Books, indicating that this note was written signed by John Kobal. The portfolio features Astaire; an inscribed and signed photograph of to George Cukor. a 1929 portrait for The Kiss, a 1930 portrait Bing Crosby; an inscribed and signed photograph Overall: 13 1/4 x 19 in.; Within mat: 5 1/4 for Inspiration, two 1931 portraits for Susan of Rex Harrison; an inscribed and signed x 1 1/4 in. Lennox: Her Rise and Fall, and one 1931 photograph of , Jr.; an inscribed $1,000 - 1,500 portrait for Mata Hari. and signed photograph of Gregory Peck; 16 x 20 in. photograph signed by George Cukor, Clifton 1172 $1,000 - 1,500 Webb, , and Katharine Hepburn; A Greta Garbo signed check a photograph entitled “The Five Longest Noses in Dated June 4, 1944, drawn on the Guaranty 1174 Hollywood,” signed by Felix Ferry, George Cukor, Trust Company of New York, made out to A group of large format , and Basil Rathbone; and additional the Ritz Towers in the amount of $593, and celebrity signed photographs unsigned photographs, all framed. signed (“Greta Garbo”). The Ritz Tower, A group of celebrity signed photographs Most: 8 x 10 in. located at on Park Avenue at 57th Street in Comprising , Alexis $600 - 800 New York, was built in 1925 and was one Smith, Eddie Cantor, Paul Henreid of the earliest luxury high rise apartment (photograph by Bert Six), Hazel Forbes, 1176 buildings. Garbo took an apartment there in and Fred Astaire and Ginger Rogers (in one A group of 5 signed large format the early 1940s to escape Hollywood and photograph). Together with an unsigned celebrity portraits wait out the war. She bought an apartment photograph of George Raft by Scotty All gelatin silver prints, including of MARY nearby in 1953 and remained there until her Welbourne, and an unsigned photograph of PICKFORD, ALICE FAYE, , death in 1990. William Boyd by Edwin Bower Hesser. CLAUDE RAINS and JEANETTE MACDONALD, 6 1/2 x 2 3/4 in. 11 x 14 in. all signed at lower quadrants, Faye, Payne and $1,500 - 2,000 $600 - 800 MacDonald photographs additionally inscribed to cinematographer Allen Davey, Claude Rains portrait inscribed to Davey’s daughter, Doris, condition very fine throughout. Provenance: the estate of Allen Davey, Jr. 11 x 14 in. each $600 - 900

Entertainment Memorabilia including Animation Art | 55 1178

1177

1180 1179

1177 1179 An Academy Award® nomination certificate for A collection of five handwritten Rock Hudson Allen Davey’s color cinematography for Cover Girl letters from World War II Printed document signed by as President of AMPAS, Five autograph letters signed (“Roy”), 17 pp total, n.p. and the Philippines, 1 p, nominating Davey for Outstanding Achievement in Color each with original transmittal envelope. Rock Hudson (then Roy H. Cinematography for the year ending December 31, 1944, with blind- Fitzgerald) writes to his high school friend, Sunny, asking about local stamped gilt seal at lower left. Housed in original folder with tissue. gossip and telling her what he plans to do when he gets home. Sunny was Together with one 1945 Academy Awards program, 2 copies of the in junior high school when Rock Hudson was in high school. They used 1944 Academy Awards program (the year Casablanca won, and a to live on Ash Street in Winnetka, Illinois, and he, Sunny and other kids year that Davey was nominated for Hello, Frisco, Hello), and two ticket from the neighborhood created a club calling themselves the “Ash Street stubs to the 1944 Awards ceremony. Gang.” Hudson writes that he hopes to attend UCLA but is not sure he will Provenance: the estate of Allen Davey, Jr. be accepted due to his grades. Hudson did move to Los Angeles in 1946 but was not accepted to college and began his acting career instead. At the 1945 ceremony, Davey lost to Leon Shamroy (for Wilson). $300 - 400 $500 - 700 1180 1178 A typed letter signed A collection of six letter from film stars and Typed letter signed (“Stan Laurel”), 1 p, Santa Monica, California, February celebrities 2, 1963, to Eleanor Weaver, matted and framed with a print of the actor. Comprising a John Steinbeck typed letter signed, 1963; an Elizabeth Laurel answers a fan’s questions about Laurel & Hardy’s last movie, Utopia Taylor Warner typed letter signed mentioning her performance in The (1951), also known as Atoll K and Robinson Crusoeland. A French-Italian Little Foxes; a Walt Disney typed letter signed, 1965; a Katherine production, the film was not widely distributed. Laurel writes, “we were Houghton Hepburn note signed, 1982; a Mary Martin signed note, greatly hampered by the language / barrier, it was an impossible situation 1977; a signed note; an unsigned thank you card in every respect & a very / unhappy experience for us - adding to this, I from Lauren Bogart; and a Hello Dolly program and card. took very ill ... the film was scheduled 12 weeks shooting time we took Various sizes exactly 12 months ... never thought / it would ever be released, I was really $800 - 1,200 ashamed of it. This will / always remain a tragic memory to me.” Overall: 20 3/4 x 14 1/2 in.; Within mat: 7 1/2 x 9 1/2 in. $300 - 500

56 | BONHAMS 1181

1181 A large group of film noir screenplays Comprising 152 titles, late 1930s-1970s, most bound in studio wrappers, approximately 60 additionally housed in custom slipcases, titles include Kiss of Death; The Woman on Pier 13; Crime Wave; Affair in Trinidad; The Postman Always Rings Twice (Mamet version); Notorious; Spellbound; The Spiral Staircase; Call Northside 777; Where the Sidewalk Ends; Riot on Pier 6; Boomerang; Gaslight; Roadhouse; Psycho; The Big Carnival; Jeopardy; Hangover Square; Shadow on the Wall; Woman on the Run; The Woman in White; Street of Chance; The Desperate Hours; The Third Man; Detour; Cry Vengeance; The List of Adrian Messenger; The Godfather Part II; I wake Up Screaming!; Whirlpool; Quicksand; ; /Marlowe; Fallen Angel; Farewell, My Lovely; Klute; I Want to Live; The Killer is Loose; Edge of Doom; The Paradine Case; Suddenly; and many more. Provenance: Serendipity Books (many with original receipts laid in or penciled notations to covers); the Richard Manney Collection.

A comprehensive collection of noir titles, both A and B pictures, carefully curated over several decades. A complete listing of titles is available upon request. $50,000 - 70,000

Entertainment Memorabilia including Animation Art | 57 1182 A post-production screenplay of The Ladykillers Mimeographed manuscript by William Rose, 147 pp (including 9 pp of preliminary material bound in at front), legal folio (8 1/2 by 14 inches), 1955, perfect-bound at upper margin in pink wrappers, housed in black binder with typed label to upper cover. Provenance: the Richard Manney Collection.

A post-production (or, to American studios, cutting continuity) copy of one of the greatest of all black comedies, this copy also includes a list of music cues, 3 pages of synopsis and 3 pages of character descriptions. Rose won a BAFTA for best screenplay for this work. stars as “The Professor,” the leader of the robbery gang, and is described here as a “sinister, wily gentleman-crook.” $400 - 600

1183 1182 1183 A final screenplay of A Star is Born by Moss Hart Warner Bros., 1954. Mimeographed Manuscript, 110 pp, Burbank, October 7, 1953 (blue revision pages dated as late as May 17, 1954 bound in), housed in yellow printed studio wrappers with story department stamp to upper center. Provenance: Serendipity Books (receipt laid in); the Richard Manney Collection.

A Star is Born was ’s comeback vehicle, having taken a few years off after negotiating her release from MGM in 1950. Playwright Moss Hart updated the 1937 script by Dorothy Parker and others, itself a remake of What Price, Hollywood? This draft includes 1184 the famous “Born in a Trunk” sequence, cut from the original release but reconstructed from file sources in 1983. $600 - 900

1184 A group of four screenplays of Westerns Titles include: Broken Arrow (Arrow) (Fox 1950); Rocky Mountain (Warner Bros. 1950); Crazy Horse (unproduced screenplay by Otis Carney for producer Martin Ransohoff, January 1988);Custer, Son of the Morning Star (unproduced screenplay by Melissa Mathison, November 27, 1985, based on the book by Evan Connell). All bound in wrappers with brads. Provenance: the Richard Manney Collection. $400 - 500

1185

58 | BONHAMS 1185 A group of 7 screenplays of war, espionage and disaster films Titles include Four Sons (Fox 1940), screenplay by John Howard Lawson and Milton Sperling; Careful, Soft Shoulders, Secret Agent of and Manila Calling (all Fox 1942); Rendesvoux 24 (Fox 1946); The Devil at 4 o’Clock (Columbia 1961) signed by Spencer Tracy and on the title page; and The Ugly American (Universal 1963). All in studio wraps. Provenance: Serendipity Books (penciled notations and receipts laid in); the Richard Manney Collection. $800 - 1,200

1186 An Emerald City townsman’s jacket from The Wizard of Oz Metro-Goldwyn-Mayer, 1939. Bright green wool felt jacket with puffed sleeves and a taupe wool felt and teal piping loop design in the center, five large taupe wool-covered buttons (one is missing), and a taupe and teal wool felt belt across the chest. Bearing a green-lettered Metro-Goldwyn-Mayer label inscribed in black ink, “38-.” Accompanied by a copy of the film.

Men wearing these jackets are visible throughout the scenes in the Emerald City, including those who welcome Dorothy and her friends to the “Wash & Brush Up Co.” where they receive their makeovers. The fanciful design and attention to detail of this jacket is emblematic of the care and imagination Adrian brought to all of the film’s costumes. $8,000 - 12,000

1186

1186 (detail)

Entertainment Memorabilia including Animation Art | 59 1187 1188

1189 1191

60 | BONHAMS 1192

1193

1187 1191 A Lynn Bernay dress from Everything I Have is Yours An Inger Stevens dress from Man on Fire Metro-Goldwyn-Mayer, 1952. Green calf-length dress with self- Metro-Goldwyn-Mayer, 1957. Navy blue wool dress with full pleated covered buttons and belt and white waffle-knit cotton collar. skirt and notched v-neck, bearing a label inscribed in black ink, Bearing a label inscribed in black ink, “1576 / 9558 Lynn Bernay.” “1713 Inger Stevens.” Stevens plays Nina Wylie, the assistant of Earl Bernay was an uncredited dancer in the film and wears this dress Carleton (Bing Crosby)’s lawyer in this drama about a couple fighting in a musical number with Gower Champion. Bernay went on to for custody of their son. This was Bing Crosby’s first non-singing film work in the costume department on films, with credits including role as well as Stevens’ film debut. The Hours (2002) and Up in the Air (2009), among others. $300 - 500 Accompanied by a still from the film. $200 - 300 1192 A Clark Gable jacket from The Misfits 1188 United Artists, 1961. Khaki cotton jacket with front patch pockets made A Janice Rule evening dress from Holiday for Sinners by Lee Westerner, bearing a red-lettered Western Costume Co. label Metro-Goldwyn-Mayer, 1952. Off-the-shoulder evening gown featuring reading, “21-99-42 / Clark Gable #1 / Chest 46.Gable, playing cowboy a lace bodice with sequined net trim and a full net skirt with lace and Gay Leonard, wears this jacket when he first meets Roslyn Tabor sequin accents, bearing a label inscribed, “1570-9400 Janice Rule” () and Isabelle Steers (Thelma Ritter) at a casino in Reno. and an MGM cleaning tag. Accompanied by a still from the film. Provenance: Christie’s New York, Rock & Roll and Entertainment Holiday for Sinners takes place during Mardi Gras in New Orleans and Memorabilia, December 17, 2004, lot 45. tells the story of three men raised in the city. Rule plays Susan Corvier, the love interest of Dr. Jason Kent (). The Misfits would be Clark Gable’s last film, as he died of a heart $300 - 500 attack just twelve days after filming was completed. It also marked the last film role of Marilyn Monroe and the fourth to last film 1189 appearance for costar Montgomery Clift. The film received mixed A Janet Stewart dress from Small Town Girl reviews upon its release but Gable’s portrayal of Gay Leonard is Metro-Goldwyn-Mayer, 1953. Pale blue silk shirtdress with self- widely considered to be one of his finest. covered buttons and a knife-pleated skirt, bearing a label inscribed $5,000 - 7,000 in black ink, “1589 Janet Stewart,” and an MGM cleaning tag. Accompanied by a copy of the film. 1193 A Jimmy Stewart buckskin jacket from How the Stewart wears this dress when standing next to Cindy Kimbell (Jane West Was Won Powell) while singing in the choir in the film’s final scene at the church, Metro-Goldwyn-Mayer, 1962. The jacket has fringe down each arm, a when Kimbell is reunited with Rick Livingston (). fringed suede front panel, beaded horsehair ties on the left shoulder, $200 - 300 and bears a green-lettered “MGM Studio / Culver City,” label inscribed, “J. Stewart / Prod. # 1776 / Job #684.” Together with a supplied pair 1190 no lot of tan suede button-front pants with fringe down each leg. Provenance: Jacket was originally purchased at the 1970 MGM auction. From the collection of John Jensen, a prop man at MGM studios during the 1960s and 1970s. $2,000 - 3,000

Entertainment Memorabilia including Animation Art | 61 1194 A Grace Kelly handwritten letter Autograph letter signed (“Grace”), 2 pp, Switzerland, February 29, 1964, to Mr. and Mrs. Mark Miller, with original transmittal envelope. Princess Grace writes to friends, congratulating them on the birth of their child and remarking on her and Prince Rainier’s skiing holiday. She also writes that they are headed to to visit Prince Rainier’s father, who is ill. Prince Pierre moved to Paris after separating from, and subsequently divorcing, Princess Charlotte of Monaco in the 1930s. He died in November, 1964. 5 3/4 x 8 in. $700 - 900

1195 A temporary complete screenplay of High Society, 1194 together with two copies of synopsis and production memos Metro-Goldwyn-Mayer, 1956. Mimeographed manuscript by John Patrick, 103 pp, November 15, 1955, in play blue wrappers with Sol Siegel info to lower left corner; WITH “Playground.” Typed manuscript by Patrick, 50 pp, n.p., n.d.; a mimeographed copy of synopsis, also 50 pp, here titled “Cole Porter’s ‘Playground,’” with character synopsis bound in at beginning, bound in blue wrappers with MGM script department label. Lot also includes mimeo copies of the film’s production schedule (2 pp), recording schedule (2 pp), cast list (2 pp) and staff and crew list (2 pp). A rich and complete collection of documents relating to the production of the film. $1,500 - 2,000

1195 1196 No lot

1197 A Frank Sinatra signed print Glossy print of Paul Sawyer’s famous painting of the singer, inscribed and signed, “For Ruth Ellen- / Love and xxxxx / Frank Sinatra.” 8 x 10 in. $300 - 500

1198 A Frank Sinatra signed program for the 1963 Frank Sinatra Invitational Official program for the golf tournament which took place on November 7-11, 1963 at the Canyon Country Club in Palm Springs. Signed (“Frank Sinatra”) on the programs’ Autographs page. The Invitational was planned as an annual event but only took place once. The Frank Sinatra Celebrity Invitational tournament was started in 1989 and continues today. 8 5/8 x 11 in. $400 - 600

1197

62 | BONHAMS 1198 1199

1200 1201

1199 1200 1201 A collection of A group of Joey Bishop and Sammy A Joey Bishop Friar’s Club photographs Davis Jr.-received telegrams certificate Comprising 78 8 x 10 in. photographs, 38 7 88 to Joey Bishop, many with original Certificate commemorating Bishop’s induction x 9 in. photographs, 77 snapshots (3 1/2 x 3 envelopes, many congratulating him on being into the Friar’s Club, dated May 20, 1959, 1/2 in. and 4 x 5 in.). Including a quantity of named Friars Club Man of the Year, others with printed signatures of Abbot Joe E. Lewis stills from The Joey Bishop Show and other on the opening of a show at Chez Paree in and Dean Harry Delf. television shows; photographs of Bishop’s in February, 1949, and a number 11 x 8 1/2 in. Friars Club Roast; publicity stills of Bishop from his agent at William Morris regarding $300 - 500 and others; photographs of Frank Sinatra, bookings. Senders include Jack Benny, Frank Sammy Davis Jr., and ; and Sinatra (who wrote, “if you want a rest after photographs signed by Bishop. Together with the / pressures of your big night come to a Bishop signed check, and a small number Hawaii and I’ll give you a swimming lesson”), of press clippings. , Joe E. Lewis, Joseph Cotten, Various sizes and Senator Jacob Javits. Also included are $300 - 500 three telegrams to Sammy Davis Jr. from Mervyn LeRoy, Milton Berle, Phil Silvers. 8 1/2 x 5 1/2 in. $300 - 500

Entertainment Memorabilia including Animation Art | 63 1202 A group of Joey Bishop awards and accessories Comprising two plaques from the Jewish Basketball League Alumni, 1951 and 1953; a green hardstone desktop pen holder with a brass plaque with Bishop’s name and the year 1964; and a promotional gilt metal letter opener and money clip reading “It’s time for Joey,” with a facsimile of Bishop’s signature and the image of a clock. Various sizes 1202 1203 1204 $300 - 500

1203 1205 1207 A 14K gold light gifted by Jack A collection of four Buddy Adler A pair of champagne buckets with Benny to Jo Stafford address books stands plus an additional bucket Engraved on the front, “To Jo,” and on the Four leather and fabric covered address from Chasen’s in Beverly Hills back with a caricature of Jack Benny. Retailed books with typed pages, apparently all each of white metal, on pedestals. by William Ruser, Beverly Hills, and marked dating form the 1950s. Entries include Fred Provenance Chasen’s liquidation sale, “Ruser 14K” on the underside. Jo Stafford Astaire, Lucille Ball, Ingrid Bergman, Pandro October 17, 1997, A.Z. Stein and Co. (with was an American pop music singer who Berman, , Marlon Brando, COAs and original marketing flyers). had an act with her husband Paul Weston Cubby Broccoli, Sidney and Frances Brody, $400 - 600 in which they played Jonathan and Darlene William F. Buckley, Yul Brynner, James Edwards, a pair of incompetent lounge Coburn, , Gary Cooper, 1208 singers. The bit was very popular and the pair , Tony Curtis, Walt Disney, Kirk A collection of appeared on Jack Benny’s Shower of Stars Douglas, Doris Duke, Robert Evans, Henry celebrity autographs in 1958. In 1955, Stafford was the greatest Fonda, Joan Fontaine, John Ford, Clark In pencil and ink, on programs, menus, and selling female solo artist in the world. Gable, Cary Grant, William Haines, Howard cards, many laid down to album leaves. 1 1/4 x 2 1/8 x 3/8 in. Hawks, William Holden, , Howard Signatures include Steve Allen, Don Ameche, $500 - 800 Hughes, Harry James and Betty Grable, Harry Belafonte, Milton Berle Pat Boone, , , Estee Lauder, Rossano Brazzi (2), Red Buttons (2), Cab 1204 Jack Lemmon, Raymond Loewy, Sid Luft Calloway, , Jeff Chandler, Dick A collection of Buddy Adler and and Judy Garland, Henry Mancini, Joseph Clark, , Jackie Cooper, Joan Anita Louise awards Mankiewicz, , , Crawford (2), Tony Curtis, Arlene Dahl, Seven plaques awarded to Buddy Adler, , Ann Miller, Robert Mitchum, Sammy Davis Jr., Marlene Dietrich, Joe comprising: a 1955-56 Exhibitor Laurel Ricardo Montalban, Yves Montand, Agnes DiMaggio, Eddie Fisher (2), Eva Gabor Award for Top Ten Producer; a 1956-57 Moorehead, , William Paley, Col. (2), Althea Gibson, , Burt Exhibitor Laurel Award for Anastasia for Tom Parker, Gregory Peck, William Powell, Lancaster (2), Dorothy Lamour, Janet Leigh, Topliner Drama; a 1956-57 Exhibitor Laurel Anthony Quinn, George Raft, , , , Groucho Marx, Award for Top Ten Producer; 1957 Exhibitor Ginger Rogers, Cesar Romero, Robert and , Toots Shor, Frank Sinatra, and Laurel Award for Best Producer; an undated Ethel Scull, David O. Selznick, Irene Sharaff, Andy Williams. Exhibitor Laurel award for producing the Frank Sinatra, Barbara Stanwyck, James Various sizes Harlem Globetrotters; a 1959 Exhibitor Laurel Stewart, Ed Sullivan, Benny Thau, Spencer $500 - 700 Award for Best Producer; and a 1956-57 Tracy, Lana Turner, Robert Wagner and Independent Film Journal Exhibitorating Natalie Wood, Hal Wallis, Jack Warner, Lew 1209 Award for being the Motion Picture Industry’s Wasserman, John Wayne, Jock Whitney, Billy A cast-signed copy of Top Money-Making Producer. Together with Wilder, Harry Winston, Joanne Woodward, Porgy and Bess four framed certificates, comprising: a 1953- Loretta Young, and Darryl F. Zanuck. New York: Random House, 1959. A 54 Independent Film Journal Exhibitorating All: Approximately 7 x 9 in. promotional book relating to the film Porgy Award for being a Top Money Producer; a $700 - 900 and Bess (Columbia, 1959), signed on the 1954-55 Motion Picture Herald award for rear free endpapers by attendees of the film’s being a Champion Producer; a 1955-56 1206 premiere in New York on June 24, 1959. Motion Picture Herald award for being a A Best Picture Academy Award® Signatures include director Otto Preminger; Champion Producer; nomination plaque for Love is a cast members , Sammy 1956-57 Motion Picture Herald award for Many-Splendored Thing Davis Jr., Ruth Attaway, and Brock Peters; being A Champion of Champions Producer. Certificate of Nomination for Love is a Many- and attendees Bennett Cerf, Mary Martin, Splendored Thing as Best Motion Picture , Red Buttons, Edward R. Together with a gold metal plaque from the of 1955, presented to Buddy Adler of 20th Murrow, Richard Rodgers, and Barry Gray. Crestview B’nai B’rith, honoring Anita Louise Century-Fox, on a laminated plaque. Adapted 8 1/2 x 12 1/4 in. as Woman of the Year, 1957, and a certificate from an autobiographical novel of the $500 - 700 from the Motion Picture Relief Fund for Anita same name by Han Suyin, Love is a Many- Louise’s contribution to the April 5, 1943 Splendored Thing starred Jennifer Jones broadcast, signed by the Directors Motion and William Holden as an interracial couple Picture Relief Fund President, . who meets with resistance from Hong Kong Anita Louise was married to producer Buddy society. The film won three Oscars® and was Adler from 1940 until his death in 1960. nominated for five others. Largest: 12 1/4 x 10 1/4 in. 12 x 13 1/2 in. $700 - 900 $500 - 700

64 | BONHAMS 1205

1207

1206

1208 1209

Entertainment Memorabilia including Animation Art | 65 1210 A Marilyn Monroe-inscribed copy of Gentlemen Prefer Blondes New York: Grosset & Dunlap, 1926. The Anita Loos novel that inspired the 1954 movie, inscribed on the half-title, “To Linda / Love & Kisses / Marilyn Monroe.” The recipient of the book was Linda Bennett, a 1950s child actress. Provenance: Christie’s New York, Entertainment Memorabilia, July 25, 2003, lot 5; Bonhams Los Angeles, Entertainment Memorabilia including Animation Art, May 5, 2013, lot 3217. 5 1/2 x 7 1/2 in. $4,000 - 6,000

1211 A pair of test recordings of Marilyn Monroe in Let’s Make Love Two 12 in. records with plain white labels, one inscribed “surface” in red ink, with black-and-white photographs of Monroe taped to the label (likely at a later time). Each housed in a brown paper sleeve, one is inscribed in red ink, “Let’s Make Love / Monroe / Irving / Townsend / need fast / OK” and the second is inscribed in green ink, “Let’s Make Love / Monroe / Irving / Townsend / need / rush OK.” Accompanied by a digital transfer of the two records. Let’s Make Love was Monroe’s last musical film.

Townsend was a renowned jazz producer, best known for ’s Lady in Satin and Miles Davis’s Kind of Blue. He was also the head of West Coast A&R for Columbia, who released the soundtrack for Let’s Make Love. 1210 $1,000 - 1,500

1212 Niagara Twentieth Century-Fox, 1953. One sheet poster, linen backed. 27 x 41 in. $700 - 900

1213 A Cecil Beaton costume design for Lady 1211 Windermere’s Fan Gouache on paper, signed (“Beaton”), and inscribed “’Lady Windermere,’” by Cecil Beaton, framed. Depicting a lady in a yellow ballgown with a ruched and swagged train embellished with pink flowers. This illustration is very similar to a yellow gown worn by Penelope Dudley-Ward as Lady Windermere in the revival of the play on Broadway in 1946-47. Overall: 12 1/4 x 16 1/4 in.; Within frame: 6 3/4 x 10 3/4 in. $600 - 800

1214 Five costume sketches for Hedy Lamarr in Copper Canyon Paramount Pictures, 1950. Watercolor on illustration board. Four of the sketches with approval stamps on the reverse indicating the cost of the costumes and approval initials, three signed (“Farrow”) at lower right by the director, John Farrow. 23 x 14 1/2 in. $500 - 700

1212

66 | BONHAMS 1213 1215

1214 1216

1215 1216 A Jean Louis costume design for Rita Hayworth A pair of Walter Plunkett costume designs for in Salome Valley of the Kings Columbia, 1953. Watercolor on illustration board, initialed twice at Metro-Goldwyn-Mayer, 1954. Watercolor on brown paper, one lower right with a swatch bronze lamé attached at upper left. Depicting signed (“Plunkett”). a bronze pleated dress with a sash and coordinating headpiece. Provenance: purchased from the estate of Walter Plunkett. 20 x 15 in. 17 1/2 x 12 in. $1,200 - 1,600 $400 - 600

Entertainment Memorabilia including Animation Art | 67 1217 1218

1219

68 | BONHAMS 1217 An Edith Head costume design for Rhonda Fleming in Gunfight at the OK Corral Paramount, 1957. Watercolor on paper with small swatch of chartreuse grosgrain affixed to left center, an image of Fleming as “Laura” in a saloon gown, sheet with penciled notes throughout (“plain--no dots on skirt”) and with initials at lower left (“HBW/JS” likely Hal Wallis and director John Sturges) approving the design. Fleming plays a beautiful gambler who falls in love with Burt Lancaster’s Wyatt Earp. Edith Head is credited as the costumer for this film and her handwriting appears at the lower left corner. $200 - 300

1218 A pair of Edith Head costume designs for Matchmaker Paramount, 1958. Watercolor on illustration board. One design for Anthony Perkins and the other for several other male actors, annotated with measurements for hat size, shirt and pant size and with the date 1880. 23 x 14 1/2 in. $600 - 800

1219 A pair of Edith Head costume 1220 1221 designs for Matchmaker Paramount, 1958. Watercolor on illustration board. One drawing depicts a gown for Shirley Booth and the other a gown for Shirley MacLaine; each is annotated with the date 1880. 23 x 14 1/2 in. $600 - 800

1220 Warner Bros. 1954, One sheet poster. This poster, featuring Grace Kelly reaching for a telephone, was designed by Bill Gold, who also designed posters for Casablanca and A Clockwork Orange, among others. 27 x 41 in. $1,000 - 1,500

1221 To Catch a Thief Paramount, 1955. Insert poster. This film won an Academy Award® for Best 1222 Cinematography. 14 x 36 in. $500 - 700

1222 Vertigo Paramount, 1958. Five lobby card posters. 14 x 11 in. $500 - 700

1223 Vertigo Paramount, 1958. Half sheet poster. Featuring a design by . 28 x 22 in. $800 - 1,200 1223

Entertainment Memorabilia including Animation Art | 69 1224 North by Northwest Metro-Goldwyn-Mayer, 1959. One sheet poster. 27 x 41 in. $600 - 800

1225 Psycho Universal, 1960. One sheet poster. Psycho received two Academy Awards®, one going to Janet Leigh for Best Supporting Actress and the other to for Best Director. 27 x 41 in. $800 - 1,200

1226 A Christmas Carol United Artists, 1951. One sheet and insert posters. 27 x 41 in.; 14 x 36 in. $500 - 700

1227 The Belle of New York 1224 1225 Metro-Goldwyn-Mayer, 1952. One sheet and eight lobby cards posters. 27 x 41 in.; 11 x 14 in. $300 - 400

1228 Rebel Without a Cause Warner Bros., 1955. One sheet poster. 27 x 41 in. $1,000 - 1,500

1229 Rebel Without a Cause Warner Bros., 1955. Complete set of eight lobby card posters. 11 x 14 in. $1,000 - 1,500

1230 East of Eden Warner Bros., 1955. One sheet poster. 27 x 41 in. $300 - 400

1231 East of Eden 1226 1227 Warner Bros., 1955. Complete set of eight lobby card posters. 11 x 14 in. $400 - 600

70 | BONHAMS 1228 1229

1230 1231

Entertainment Memorabilia including Animation Art | 71 1232 Singin’ in the Rain Metro-Goldwyn-Mayer, 1952, U.S. one sheet. 27 x 41in $1,000 - 1,500

1233 Jailhouse Rock Metro-Goldwyn-Mayer, 1957. Insert poster. 14 x 36 in. $500 - 700

1234 Jailhouse Rock Metro-Goldywyn-Mayer, 1957. Complete set of eight lobby card posters. 14 x 11 in. $700 - 900

1235 I Want to Live! United Artists, 1958. One sheet poster. The film is based on the infamous story of Barbara Graham, a convicted killer, who was executed in the gas chamber on the same day as her two accomplices, Jack Santo and Emmett Perkins. Susan Hayward plays Barbara Graham, a woman, with a dubious background who frequents seedy bars and who knows the men who murdered the older 1232 1233 woman. When they get caught, they think she was the one who informed the police. Their revenge is to blame her for the murder. 27 x 41in $400 - 600

1236 no lot

1237 A collection of political and royal correspondence Comprising two large staff Christmas cards from President and Mrs. Eisenhower, 1956 and 1957; a typed letter signed by J. Edgar Hoover; programs for Richard and Pat Nixon’s memorial services; a typed letter signed by Richard Nixon; a Richard Nixon signed photograph; a Ronald Reagan signed photograph; a typed letter signed by Charles De Gaulle; Christmas cards from J. Paul Getty (one signed “Paul”); a J. Paul Getty inscribed and signed photograph; three typed letters signed by Senator Jacob Javits, a typed letter signed by Lord Mountbatten; an autograph letter signed (“Edward”) by the Duke of Windsor; three autograph letters signed 1234 1235 by the Duchess of Windsor; and a typed announcement of the wedding of the Duke of Windsor and Wallis Warfield on Candé Monts stationery, dated May 18, 1937. Various sizes $600 - 800

72 | BONHAMS Property from the Estate of

1238 A group of Peter Lawford cards and ID, including his driver’s license Comprising Lawford’s last driver’s license, dated April 12, 1982; his signed AFTRA membership card for the period ending November 1, 1984; his Screen Actor’s Guild membership card; his health plan card; his Blue Cross insurance card; and his UCLA Hospital card. Provenance: Estate of Peter Lawford. Approximately 3 1/4 x 2 1/4 in. $500 - 700

1239 A Peter Lawford address book Black leather address book stamped in gold on the upper cover, “PL,” with a lock closure. Containing leaves with typed addresses, many annotated by Lawford and others. The entries are a veritable who’s who of Golden Age Hollywood, including: , Nat King Cole, Fred Astaire, Richard Avedon, Saul Bass, , Jack Benny, California Governor Edmund Brown, Marlon Brando, Bing Crosby, 1237 Oleg Cassini, Rosemary Clooney, Angie Dickinson, , , Sammy Davis, , Dominick Dunne, Eddie Fisher, , , Paul Henreid, Conrad Hilton, Bob Hope, , , Ted Kennedy, John F. Kennedy, Jackie Kennedy, Joseph P. Kennedy, Robert and Ethel Kennedy, Mervyn LeRoy, Alan Jay Lerner, Arthur Loew, Dean Martin, Steve McQueen, Paul Newman, David Niven, , , ,, , , Dore Schary, Frank Sinatra, Spencer Tracy, Jack Warner, Billy Wilder, and Natalie Wood. Also included are lists of restaurants and hotels in the United States and Europe, including the Bel Air Hotel, the Beverly Wilshire, the Carlyle, Cal-Neva Lodge, the Essex House, the Flamingo, the Fountainbleau, the Mayflower, the Brown Derby, La Caravelle, Le Pavillon, Jilly’s, Scandia, and many others. Provenance:Estate of Peter Lawford. 6 1/4 x 8 1/4 x 1 1/4 in. 1238 $1,500 - 2,000

1240 A Peter Lawford address book Burgundy leather Cartier address book stamped in gold on the upper cover, “Peter Lawford.” Containing pages of typed and handwritten (in Lawford’s hand and others’) addresses and phone numbers. Entries include: Steve Allen, Burt Bachrach, Milton Berle, Joey Bishop, Marlon Brando, Cubby Broccoli, , , Sammy Cahn, Tony Curtis, Doris Day, Bette Davis, Cas Elliott, Henry Ford II, , Berry Gordy, George Hamilton, Hugh Hefner, , Rose Kennedy, Ethel Kennedy, Jackie Kennedy, Teddy Kennedy, Swifty Lazar, Jack Lemmon, Jerry Lewis, Gina Lollabrigida, Jean Louis, Jack Lord, Lee Marvin, Walter Matthau, Vincent Minelli, 1239 Paul Newman, Bob Newhart, Otto Preminger, Col. Tom Parker, John Phillips, Michelle Phillips, Lee Radziwill, Burt Reynolds, Peter Sellers, Sergeant and Eunice Shriver, Ringo Starr, Ike and Tina Turner, Robert Wagner, and Racquel Welch. Provenance: Estate of Peter Lawford. 7 1/4 x 10 x 1 5/8 in. $1,500 - 2,000

1240

Entertainment Memorabilia including Animation Art | 73 1241 1242

1243 1244

74 | BONHAMS 1241 A Ted Kennedy oil painting inscribed to Peter Lawford Oil on canvas, depicting a bouquet of yellow and white daisies in a vase, inscribed and signed at lower left, “To Peter / [indistinguishable] / Ted Kennedy,” matted and framed. Kennedy first began painting seriously in 1964, after a plane crash left him bedridden for many months. His preferred subjects were seascapes and flowers, and he often gifted his paintings to charity auctions as well as to friends and family. Kennedy and Lawford were brothers-in-law from 1954 to 1966, while Lawford was married to Pat Kennedy. Provenance: Estate of Peter Lawford. Overall: 26 x 22 1/4 in.; Painting only: 17 3/4 x 14 in. $800 - 1,200

Property of various owners 1245 1242 An invitation to John F. Kennedy and Jacqueline Bouvier’s wedding Printed card from Mr. and Ms. Hugh Dudley Auchincloss inviting the recipient to the wedding of Jacqueline Lee Bouvier to the Honorable John Fitzgerald Kennedy, United States Senate, on September 12, 1953 at St. Mary’s Church in Newport, Rhode Island. Though Kennedy was just a young Senator at the time, the couple had already achieved national recognition and were featured on the cover of Life magazine in July 1953. 600 people attended the wedding ceremony, which was officiated by the Archbishop of Boston, and it is estimated that an additional 2,000 people waited outside for a glimpse of the happy couple exiting the church. 4 3/8 x 5 7/8 in. $800 - 1,200

1243 A large collection of Jackie Kennedy documents and memorabilia Comprising: a Senator and Mrs. Kennedy Christmas card with secretarial signature, 1958; a Senator and Mrs. Kennedy card acknowledging congratulations on the birth of JFK Jr., 1960; two Senator and Mrs. Kennedy Christmas cards with secretarial signatures, 1960; a group of three Kennedy campaign stamps, one featuring an image of JFK and a second with an image of JFK and Jackie; a John F. Kennedy White House matchbook; a Jacqueline Kennedy White House facsimile signature card; a White House card congratulating a graduate, with facsimile Jacqueline Kennedy signature and original transmittal envelope, 1961; a group of documents relating to Jackie Kennedy’s state visit to Greece in June 1961; a White House dinner menu from November 13, 1961, when Pablo Casals performed; a President and Mrs. Kennedy congratulations acknowledgment card after Jackie Kennedy’s White House TV tour, 1962; a President and Mrs. Kennedy condolence acknowledgment card after the death of their son Patrick, 1963; a Jackie Kennedy card condolence acknowledgment card after the death of 1245A President Kennedy; two bound volumes containing architect John Carl Warnecke’s proposal for the John F. Kennedy memorial, 1964; a Jackie Kennedy condolence acknowledgement card after the death of Robert F. Kennedy, with original transmittal envelope, 1968; a Jacqueline Onassis condolence acknowledgment card after the death of Aristotle Onassis, 1975; and an autograph note signed (“Jacqueline Onassis”) to Sophia Koslow, with autograph envelope. A fascinating, comprehensive collection of memorabilia relating to the late First Lady. Various sizes $1,200 - 1,800

1244 A Jackie Onassis handwritten letter to Halston Autograph letter signed (“J. Onassis”), New York, n.d., 1 p. On her pale blue 1040 Fifth Avenue stationery, Onassis writes to the fashion designer: “Dear Halston- / Here are the black trousers- / maybe they could be a little / bit longer - / + the red dress with the / sort of hole in the back panel / will be back in 2 weeks / thanks so much.”

Onassis and Halston first met when she visited Bergdorf’s to order a pillbox hat for her husband’s inauguration and Halston was the head of the store’s custom millinery department. After Halston opened his own salon in 1968, Onassis was a regular customer. Onassis’s pale blue stationery was so associated with her that it was remarked upon by Ted Kennedy in his eulogy for her: “how cherished were those wonderful notes in her distinctive hand on her powder blue stationery!” 5 1/4 x 7 5/8 in. $1,200 - 1,800

1246

Entertainment Memorabilia including Animation Art | 75 1247 1248

1245 1246 1249 Cat People They Live by Night Abbott and Costello Meet RKO, 1942. Half sheet poster, style B. Rare RKO, 1948. Three sheet poster, linen- Frankenstein poster for the Jacques Tourneur horror classic backed, framed. Universal International, R-56. One sheet poster. starring Simone Simon. Overall: 45 x 84 in.; Poster only: 41 x 81 in. 27 x 41 in. 28 x 22 in. $400 - 600 $800 - 1,200 $6,000 - 8,000 1247 1250 1245A Gun Crazy Tobor the Great Lifeboat United Artists, 1950. Six sheet poster, linen- Republic, 1954. Three sheet poster, linen- Twentieth Century-Fox, 1944. Directed by backed, framed. backed, framed. Alfred Hitchcock, this wartime drama takes Overall: 81 x 81 in.; Poster only: 80 x 80 in. Overall: 46 x 85 in.; Poster only: 41 x 81 in. place entirely on a lifeboat adrift in the ocean. $4,000 - 6,000 $1,200 - 1,800 The poster’s artwork prominently features the film’s stars, including Tallulah Bankhead, 1248 1251 William Bendix, and John Hodiak. 41 x 81 in. The War of the Worlds Tarantula $2,500 - 3,500 Paramount, 1953. Insert poster. Inscribed and Universal International, 1955. One sheet signed at upper right by producer , poster, linen-backed. This poster features “To John / Only the best / George Pal.” artwork by Reynold Brown, who also created 14 x 36 in. the artwork for Attack of the 50 Ft. Woman $800 - 1,200 and Creature of the Black Lagoon. 27 x 41 in. $500 - 700

76 | BONHAMS 1249

1251 1250

Entertainment Memorabilia including Animation Art | 77 1252 Tarantula! Universal, 1955. Half sheet poster, style A. 28 x 22 in. $500 - 700

1253 The Curse of the Demon Columbia, 1957. Three sheet poster in two panels. 41 x 81 in. $800 - 1,200

1252 1255 1254 How to Make a Monster American International, 1958, insert. The film is about a studio with new management who have determined that the horror genre has run its course and plan on focusing their attention on musicals, They fire Pete Dumond, the monster make-up artist and he gets his revenge. 14 x 36in $300 - 400

1255 House on Haunted Hill Allied Artists, 1958. Half sheet poster. 28 x 22 in. $500 - 700

1256 The Wasp Woman Filmgroup, 1959. One sheet poster. An aging cosmetic queen seeks out a solution by experimenting with an anti-aging serum made from wasp enzymes. The treatment, however, has unexpected side-effects. 27 x 41 in. $1,500 - 2,000

1257 Beast from Haunted Cave Filmgroup, 1959. One sheet and insert posters. A group of thieves flee for the wilderness when they are pursued by a frightening spider-like monster. 27 x 41 in.; 14 x 36 in. $650 - 850

1253 1254 1258 The Curse of the Werewolf Hammer Film Productions/Universal, 1961. This was the only werewolf film made by Hammer Studios. 27 x 41in $400 - 600

1259 Godzilla vs. the Thing American International Pictures, 1964, 40” by 60” poster on heavier stock paper. A Japanese science fiction kaiju film by Toho. Mothra defends her offspring when Godzilla invades their Pacific Island nest. 40 x 60in $200 - 300

78 | BONHAMS 1256 1257

1258 1259

Entertainment Memorabilia including Animation Art | 79 1260 1261

1262 1262A

1260 1262 1262A Night of the Living Dead A cel from the opening credits of A pair of “Wanted” broadsides Continental, 1968. One sheet poster. Bewitched from Chisum 27 x 41 in. ABC, 1964-1972. Gouache on celluloid, Warner Bros., 1970. First broadside reading $800 - 1,200 displayed with a printed reproduction “Reward / $200.00 / Karl Riker ... Wm. Brady background of the skyline. Depicting Elizabeth Sheriff Lincoln County” and featuring a line 1261 Montgomery as Samantha Stephens on a drawing of actor Gregg Palmer as Riker; the Dr. No broomstick, flying through the sky. second reading “Reward / $1200 / William United Artists, R-1971. Italian 2 foglio, folded. Cel: 11 3/4 x 8 1/2 in.; Image size: 3/4 x 1 1/2 in. Bonney / Alias / ‘Billy the Kid’ ... Sheriff Dan 55 x 79 in. $800 - 1,200 Nodeen / Lincoln County....” Together with $400 - 600 a hand-lettered broadside for a Sam Horne. John Wayne stars as a cattle baron involved in the Lincoln County land wars. 11 x 14 in. (largest) $500 - 700

80 | BONHAMS 1263 A group of three concept paintings for The Great Race Warner Bros., 1965. Gouache on board, one painting signed indistinguishably, all three framed. One painting depicts the march for women’s suffrage in the middle of the film, with The New York Sentinel building visible, and two depicting the racers’ arrival in the town of Zdrasvoite, where the locals greet them with flaming torches. Largest: 16 1/2 x 34 3/4 in. $800 - 1,200

1264 A collection of female 1263 entertainer signatures Comprising 132 index cards with signers including Gracie Allen, June Allyson, , Ann Bancroft, Shirley Booth, Claudia Cardinale, Leslie Caron, June Carter Cash, Cyd Charisse, Claudette Colbert, Jeanne Crain, Joan Crawford, Bette Davis, Lorraine Day, Doris Day, Yvonne De Carlo, Diana Dors, Irene Dunne, Cass Elliott, Linda Evans, Nina Foch, , Katherine Grayson, June Haver, Olivia de Havilland, June Havoc, Susan Hayward, Edith Head, Tippi Hedren, Sonja Henie, , Ruth Hussey, Jeanette MacDonald, Jayne Mansfield, Ann Rutherford, Inger Stevens, , and Vera-Ellen. Together with signed photos of Natalie Wood and Cindy Wilson; three signed Christmas cards (1965-7) from Maureen O’Hara, with original transmittal envelopes. Together with six photographs of Barbara Stanwyck, 4 unsigned Christmas cards from her (1966-7, 1969-70), three autograph letters signed (6 pp total), an autograph note signed; and six black and white film stills. Index cards: 3 x 5 in. to 4 x 6 in. $1,000 - 1,500

1265 1264 A collection of male entertainer signatures Comprising 210 index cards with signers including Steve Allen, , Gene Autry, Count Basie, Harry Belafonte, Jean Pierre Belmondo, Milton Berle, Joey Bishop, Dan Blocker, Sonny Bono, Ernest Borgnine, Stephen Boyd, Marlon Brando, Beau Bridges, Charles Bronson, George Burns, Raymond Burr, Red Buttons, James Caan, David Carradine, Johnny Carson, Johnny Cash, , Nat King Cole, Jackie Cooper, Joseph Cotten, Broderick Crawford, Tony Curtis, Sammy Davis Jr, Jose Ferrer, Mel Ferrer, Larry Fine (Three Stooges), Henry Fonda, Andy Griffith, Buster Keaton, Alan Hale, Richard Harris, Rex Harrison, Charlton Heston, William Holden, Bob Hope, Dennis Hopper, Rock Hudson, Tab Hunter, Van Johnson, Louis Jourdan, Danny Kaye, Sergio Mendes, Dick Powell, John Wayne, and Ed Wynn. Together with signed photos of Chad Everett (2), Dean Martin, and Harold Adamson; and 19 black and white film stills. Index cards: 3 x 5 in. to 4 x 6 in. $1,000 - 1,500 1265

Entertainment Memorabilia including Animation Art | 81 1266 A Richard and Robert Sherman signed Mary Poppins soundtrack and a typed letter signed Album inscribed and signed, “To / Neva! / You’re always / wonderful / Fondly, / Dick Sherman + / Bob Sherman / 7-64,” matted and framed. Together with a typed letter signed (“Julie”), 1 p, North Hollywood, California, July 12, 1965, to Neva Rames, with original transmittal envelope. The letter reads in part, “this is a very belated / and apologetic thank you for the lovely / telegram you sent me after the Oscar / Awards.” Andrews won the Best Actress Oscar® 1266 for Mary Poppins and Richard and Robert Sherman won the awards for both Best Original Song and Best Score. Provenance: Collection of Neva Rames, a member of the Wardrobe department on Mary Poppins. Album overall: 17 3/4 x 18 1/4 in.; Letter: 4 7/8 x 6 1/4 in. $400 - 600

1267 A drawing of Mary Poppins Ink on paper, inscribed at the lower margin by Walton, “Chimney Sequence / Mary Poppins,” matted and framed. Depicting Mary Poppins in her best-known costume, with parrot-head umbrella and carpet bag in hand. Tony Walton was the film’s costume designer and was also married to Julie Andrews at the time of the production. Provenance: Collection of Neva Rames, a member of the film’s Costume department, who was charged with figuring out how to keep the costumes in place as the character flew. Overall: 19 1/4 x 23 in.; Within mat: 11 x 16 1267 1268 in. $1,000 - 1,500

1268 A Tony Walton drawing of Mary Poppins Ink on paper, matted and framed. Depicting Mary Poppins in the “Jolly Holiday” sequence, wearing an Edwardian gown and holding a parasol. Provenance: Collection of Neva Rames, a member of the film’s Costume department. Overall: 19 1/4 x 23 in.; Within mat: 12 3/4 x 16 1/4 in. $1,000 - 1,500

1269 1270

82 | BONHAMS 1269 A Tony Walton drawing of Mary Poppins Ink on paper, matted and framed. Depicting Mary Poppins in the “Jolly Holiday” sequence, wearing an Edwardian gown and holding a parasol. Provenance: Collection of Neva Rames, a member of the film’s Costume department.

Walt Disney purchased the rights to P.L. Travers’ novel but not the rights to the illustrations, so the look of Mary Poppins was designed anew for the film, including changing the time period from the 1930s to the 1910s. Mary Poppins was nominated for thirteen Academy Awards®, including Best Costume Design, Color, and won five. Overall: 19 1/4 x 23 in.; Within mat: 12 3/4 x 16 1/2 in. $1,000 - 1,500

1270 A Dennis Hopper signed treatment for The Last Movie Universal, 1971. Mimeographed manuscript, Los Angeles, 97 pp, 1965, bound in brads in tan Phil Spector Productions wrappers. Signed (“Dennis Hopper”) on the title page, which bears the film’s original title, The Last Movie or: Boo-Hoo in Tinsel Town. Inspired by his time in Mexico filming The Sons of Katie Elder, Hopper approached Rebel Without a Cause screenwriter Steven Stern to write a script about a Hollywood production taking over a small Latin American village. The pair wrote a treatment (likely very similar to this one) and Phil Spector signed on as a producer. Despite the massive success of Easy Rider, Hopper 1271 struggled to get the movie made and Spector eventually dropped the film. Pre-production finally began in late 1969 with the film’s cast including Kris Kristofferson, Peter Fonda, and Michelle Phillips. The Last Movie filmed on location in Peru, a process that Hopper later described as “one long sex and drugs orgy.” It was finally released at the 1971 Venice Film Festival, where it won the Critics Prize, but it was met with extremely negative press in the United States. Universal demanded that Hopper recut the film and after the director refused, the studio withdrew The Last Movie just two weeks into its release. Hopper remastered the film in 2007 and it received a rare public screening at last year’s Paris Photo Los Angeles art fair. $400 - 600

1271 A final screenplay of Bonnie and Clyde Warner Bros., 1967. Mimeographed manuscript, 134 pp, September 6, 1966 (but with colored revision pages as late as December 22 bound in), bound in goldenrod Warner Bros. wrappers. Upper cover reads “Final” and is inscribed, “73 / O.K.” Bonnie and Clyde was an enormous box office success and received ten Academy Award® nominations, including Best Picture, Best Director, and Best Actor and Actress for Warren Beatty and Faye Dunaway. $600 - 800

1272 An print inscribed by Shirley MacLaine Signed (“Hirschfeld”) in pencil and numbered AP XXVII/XXX, matted and framed. Originally 1272 published in in April 1984, the print depicts Shirley MacLaine dancing in Shirley MacLaine on Broadway. MacLaine has inscribed and sign the print on the lower margin, “For my / darling / Alan, / An original for the / one who originated it / all! / My Love Always / Shirley / Xmas 1984.” Together with a greeting card with handwritten inscription by Shirley MacLaine. Provenance: Collection of Alan Johnson, who choreographed and staged Shirley MacLaine on Broadway. Johnson also choreographed MacLaine’s 1976 self-titled show, and was nominated for four Emmys for his work on her TV specials. Overall: 20 x 25 1/4 in.; Print only: 15 x 20 in. $500 - 700

Property from the Estate of Ernie Flatt

Ernest Flatt grew up in Englewood, Colorado and served in the Army during World War II, touring the Pacific with the Maurice Evans Group and performing for the troops. In the 1950s, he worked as a dancer and choreographer in Hollywood, appearing in White Christmas, Singin’ in the Rain and An American in Paris, and There’s No Business Like Show Business, among many others. He is best known for his troupe of “Ernie Flatt Dancers,” who performed first on The Garry Moore Show and later on The Carol Burnett Show, which earned him an Emmy award in 1971. Flatt also worked on the Inaugural balls for four Presidents and directed and choreographed the hit Broadway musical Sugar Babies, which earned him two Tony 1273 nominations, for Best Choreography and Best Direction of a Musical, in 1980.

Entertainment Memorabilia including Animation Art | 83 1273 An Ernie Flatt photograph archive Over 350 photographs from the career of respected dancer and choreographer Ernie Flatt, including photographs from his tours of the Pacific war zone performing for the troops in World War II with Maurice Evans’ Group; his days in the unit at MGM, dancing in An American in Paris and Singin’ in the Rain, among others; and his work in choreography from The Garry Moore Show and The Carol Burnett Show in the 1960s and 1970s (including an album of 50 photographs of Julie and Carol at Carnegie Hall) to Sugar Babies in the 1980s. Also included is a collection of photographs signed to Flatt, with examples from Gene Kelly, Doris Day, Boris Karloff, Betty Grable, Mickey Rooney, Lana Turner, Carol Burnett and Julie Andrews, Ann Miller, and Zsa Zsa Gabor. A fascinating look at film, television and stage choreography in the 20th century. Most: 8 x 10 in. $1,200 - 1,800

1274 A group of four Ernie Flatt 1274 Emmy certificates Four framed certificates, three for contributions to the winning of an Emmy, and one nomination certificate. Comprising certificates for: Contributions to the winning of an Emmy by Julie and Carol at Carnegie Hall for Outstanding Program Achievement in the Field of Music, 1962-63; Contributions to the Emmy Award- winning program The Carol Burnett Show chosen as Outstanding Music-Variety Series, 1973-74; Contributions to the Emmy Award-winning program The Carol Burnett Show, chosen as Outstanding Comedy-Variety or Music Series, 1974-75; and a nomination for Outstanding Achievement in Choreography for The Carol Burnett Show with the Pointer Sisters, 1976-77. 1275 1277 Largest: 14 3/4 x 11 3/4 in. $1,200 - 1,800

1275 An Ernie Flatt Emmy Award plaque Wooden plaque with a silver metal circular medallion bearing a raised Emmy statuette, with a plaque reading, “1961-62 Awards Period / Outstanding Program Achievement / In the Field of Variety / ‘The Garry Moore Show’ / Ernest Flatt / Choreographer.” The Garry Moore Show debuted on CBS 1950 and ran on-and-off until 1967. It featured comedy skits, monologues, and musical numbers. 9 1/2 x 9 1/2 in. $600 - 800

1276 An Ernie Flatt Emmy Award statuette 1276 CBS, 1970. Gilt metal statuette, with base engraved, “1970-1971 Television Academy Awards / Outstanding Achievement in Choreography / Ernest O. Flatt / The Carol Burnett Show / October 12, 1970 - CBS.” Accompanied by a framed photograph of Flatt holding the award. Flatt choreographed The Carol Burnett Show for its entire run (1967-1978). Height: 15 in. $2,000 - 3,000

84 | BONHAMS 1277 A Carol Burnett photograph inscribed to Ernie Flatt and an illustration of Carol Burnett and Julie Andrews A photograph of Carol Burnett in a clown costume, inscribed and signed on the mount, “To Dear Ernie, / who made my / three left feet / look like only two! / (a minor miracle) / Love Always / Caroly,” framed. Together with: an illustration of Burnett and Julie Andrews, pencil, ink and acrylic on paper, signed “Robert Dol [indistinguishable],” depicting Burnett and Andrews wearing comical cowboy costumes on stage at Carnegie Hall during their “Big D” number, matted and framed. Accompanied by an 8 x 10 in. photograph of them on stage during that song. Provenance: Estate of Ernie Flatt. Overall: 17 x 21 in.; 15 3/4 x 19 1/4 in. $600 - 800

1278 A group of five Bob Mackie designs gifted to 1278 Ernie Flatt Ink and marker on paper, each signed (“Bob Mackie,”), matted and framed. These drawings were gifted by costume designer Bob Mackie to choreographer Ernie Flatt at the end of The Carol Burnett Show, on which they both worked. Mackie incoporated Flatt’s ownership of an avocado farm and his profession as the choreographer into these illustrations of dancers in avocado-themed costumes. One depicts Flatt as a drum major, and is inscribed by Mackie, “The Ernie Flatt / Avocado Follies / The Avocadets Present / Favorite Dishes.” The remaining four illustrations depict actors and dancers from The Carol Burnett Show (including Bernadette Peters and Toni Kaye) as “Miss Avocado filled with Caviar,” “Miss Guacamole,” “Miss Avocado and Grapefruit Salad,” and “Miss Avocado stuffed with Seafood.” Overall: 18 x 22 1/2 in.; Within mat: Approximately 10 x 15 1/2 in. $1,500 - 2,000

Property of various owners

1279 A Bob Mackie Cher dress Long halter neck gown comprised of a net layer covered in aqua sequins, with a floral chiffon layer on top, bearing a Bob Mackie label. Harry F. Waters, wrote of The Cher Show in Newsweek in February 1975 that the show’s star was “second banana to the show’s real star- -a cool, hip, certifiably freaky costume designer named Bob Mackie. Television hasn’t shown so much glitter and flash since NBC did a special on ’s closet.” Provenance: Accompanied by a letter of provenance from the consignor, who worked in Wardrobe on both The Cher Show (1975- 76) and The Sonny and Cher Show (1976-77) and was given this dress when the latter show ended. $2,000 - 3,000

1280 A Bob Mackie Cher dress Nude crepe floor-length gown with black lace overlay and elaborate floral embroidery in black sequins and rhinestones, with black satin spaghetti straps, bearing a Bob Mackie label. Provenance: Accompanied by a letter of provenance from the consignor, who worked in Wardrobe on both The Cher Show (1975- 76) and The Sonny and Cher Show (1976-77) and was given this dress when the latter show ended. $2,000 - 3,000

1279 1280

Entertainment Memorabilia including Animation Art | 85 1281

1281 1979 Triumph Bonneville Frame no. T140ECX06604 Engine no. T140ECX06604

RIDDEN BY RICHARD GERE IN AN OFFICER AND A GENTLEMAN. Two motorcycles were purchased for the movie from Dewey Motorcycles in Seattle, Washington on August 4, 1981. There are several distinctive elements that prove that this bike was used for filming and promotional photographs, including the inverted shocks, the small aftermarket mirror (that scratched the tank until it was righted), the late model Amal carburetors and the small road-style rear sprocket. The second motorcycle was a stunt bike with a larger rear sprocket, upright mirrors and upright rear shocks. (The stunt bike is currently on display at Planet Hollywood in Orlando Florida.) Both bikes have the small black and chrome sticker on the chain guard from “Dewey Cycles.” Provenance: After completion of An Officer and a Gentleman, the motorcycle was purchased by director Michelle Manning for use in the movie Blue City (Paramount, 1986); after completion of that film, the motorcycle was sold to Murray Lantz (the set costumer on Blue City). The present owner purchased the motorcycle from Murray Lantz in June of 2006. $10,000 - 15,000

Please see the supplemental terms and conditions that apply to this motor vehicle lot.

1281 (detail)

86 | BONHAMS 1282 An original set design sketch from Three Days of the Condor Paramount Pictures, 1975. Watercolor on paper, inscribed “To Ira – All the best / Three Days of the Condor / Ansonia Alley,” signed at lower right by the (“Stephen Grimes”), framed. The Sydney Pollack thriller stars as a CIA researcher who comes back from lunch one day to find that all of his colleagues have 1282 been assassinated. Within frame: 12 1/2 x 30 in. $400 - 600

1283 A large collection of Saturday Night Live memorabilia 1970s. Lot includes a Gilda Radner cut-out doll book; a Janine Dreyer SNL script to be aired October 13, 1979; a laminated thank you letter to Janine, dated November, 1981, signed Steve; two Gilda Radner handwritten notes; a Michael O’Donoghue handwritten note; early NBC stationery; a Paul Shaffer signed business card; a collection of 12 comical postcards; a Miskel Spillman signed note; a one sheet for Mr. Mike’s Mondo Video; SNL stationery; a David Byrne image and signed note suggesting camera angles for his appearance on SNL Live Feb. 10; a program for John Belushi’s memorial service in NYC; a group of 7 images of the comedians shown in the beginning of the show; a blue rayon shirt with Saturday Night (the original name of the show) embroidered on the back; an SNL jacket; boxes of slides of Gilda and Baskin and Albert Brooks; a Smart Peacock promo reel and a four page handwritten letter with instructions signed by Howard Shore; and several letters submitted to SNL for the role of Anyone Can Host all stating why they think they would be the ideal candidate as the host for this show. Provenance: The consignor of this lot was the show’s music coordinator in the 1970s. $1,500 - 2,000

1284 A revised final script of Every Which Way But Loose, cinematographer Rex Metz’s copy Warner Bros., 1987. Xerographic manuscript, 153 pp, March 17, 1978, in light green studio wrappers. Housed in binder with additional production materials including shooting schedules, 1283 scenic descriptions, call sheets, revisions, notepad, continuity breakdowns and on-set pictures by photographer Raymond Bleesz. Heavy handwritten notes by Metz throughout. With minor damp damage to the binder and production handling wear to the contents. In very good condition. $300 - 500

1285 A Judge Reinhold screenplay of Fast Times at Ridgemont High Universal Studios, 1982. Xeroxed manuscript, September 9, 1981, first draft screenplay, signed and dated in black marker (“Judge Reinhold 6/20/90”). A few pages annotated with brackets for his character, Brad. This 1982 American coming-of-age comedy was adapted by Cameron Crowe from his book of the same name. As a magazine freelance writer, Crowe attended Clairemont High School in San Diego and wrote about his experiences. The film follows the lives of two sophomores, Stacy Hamilton and Mark Ratner, and their friends. Reinhold plays Stacy’s brother, Brad. $800 - 1,200 1284 1285

Entertainment Memorabilia including Animation Art | 87 1286 1287

Property from the Estate of Property of various owners 1290 William M. Keck II A pair of “Spock” 1288 ears from Star Trek V 1286 A Howard Chaykin promotional Foam latex ears with remnants of adhesive A clown drawing poster for Star Wars on the back. Accompanied by a typed letter Colored pencil on fabric, signed and dated Twentieth Century-Fox, 1976. Depicting Luke signed by Leonard Nimoy on Walt Disney (“Red Skelton 1983”) at lower right, depicting a Skywalker, Princess Leia, Han Solo and Darth Pictures letterhead with original transmittal baby clown with a bottle, matted and framed. Vader, with the original red Star Wars logo envelope, stating: “I wore these ears while Accompanied by a Certificate of Authenticity/ at lower right. The margin reads, “Poster making ‘Star Trek V’ this past December, Appraisal from Center Art Galleries, identifying 1 1st Edition Artist: Howard Chaykin Luke 1988; it’s my pleasure to donate them to the it as “Mean Widdle Kid,” as well as a Skywalker © The Star Wars Corporation.” Valley Cities Purim Carnival Auction.” photograph of Skelton with the drawing. Howard Chaykin, a comic artist, designed Ears: Approximately 2 x 2 1/8 in. Overall: 32 1/2 x 36 in.; Within mat: 18 x 22 in. this poster to promote the Marvel Star Wars $1,500 - 2,000 $1,000 - 1,500 comic books and the movie, coming out the following year. These were sold at the 1976 1291 1287 World Con and San Diego Comic Con. The A Star Trek Generations script A Red Skelton clown drawing first poster to promote the classic film and signed by 13 members of the Pencil and ink on fabric, signed and among the rarest of Star Wars collectibles. film’s cast dated (“Red Skelton 85”) at lower left, 20 x 29 in. Paramount Pictures, 1994. Xerox manuscript, depicting a sad clown skiing, matted and $1,500 - 2,000 125 pp, final draft, signed on the title page framed. Accompanied by a Certificate of by , Gates McFadden, Authenticity/Appraisal from Center Art 1289 Gwynyth Walsh (B’Etor), Alan Ruck, Michael Galleries identifying the title as “Slalom Revenge of the Jedi Dorn (Worf), Brent Spiner, Barbara March Freddie,” and two photographs showing 20th Century Fox, 1982. Dated Advance (Lursa), , Malcom McDowell, Skelton with this drawing. Style, rolled. This poster for Return of the LeVar Burton, Marina Sirtis, Patrick Stewart, Overall: 26 3/4 x 34 1/4 in.; Within mat: 13 x Jedi with its original title features artwork by and Walter Koenig. This was the first movie 19 1/2 in. . to feature the cast of the TV show Star Trek $1,000 - 1,500 27 x 41 in. Generations. The consignor received the $800 - 1,200 script as a Christmas present and attended many conventions over the years to get everyone’s signature. $400 - 600

1292 no lot

88 | BONHAMS 1288 1289

1290 1291

Entertainment Memorabilia including Animation Art | 89 1293 A pair of Mr. T boxing trunks from Rocky III Black polyester trunks embroidered in white on the left leg, “CL,” with ivory stripes down each leg and an ivory waistband embroidered in black, “Clubber.” In his film debut, Mr. T. played James “Clubber” Lang, a young fighter who takes on ’s Rocky. Provenance: Accompanied by a letter of provenance from the consignor describing how Mr. T gave the trunks to his friend’s son who was a boxer, and that man later gave them to the consignor to give him luck with his acting career. $2,000 - 3,000

1294 A Julia Roberts/Kiefer Sutherland wedding invitation June, 1991. A 4-leaf, string-bound, letterpress invitation on cream stationery with engraved 1293 vignette of “Love” on the cover, an epigramme on leaf 2, and the invitation itself on leaf 3: “Julia Fiona Roberts and Kiefer William Sutherland invite you to A Celebration of Love on Friday, the fourteenth of June Nineteen Hundred and Ninety-one at six o’clock in the evening....” Black tie indicated. No address given. Some mild toning, very small waterstain to right margin of leaf 3.

It was supposed to be the wedding of the century. America’s Sweetheart, Julia Roberts, became engaged to Sutherland in 1990 after the two starred together in Flatliners. The gala was to be held on Twentieth Century-Fox’s soundstage 14, and 150 of Hollywood’s most notable residents (plus a few family members from Smyrna, GA) had been invited. In the months leading up to the wedding however, the young couple was troubled by a tabloid story about Sutherland’s friendship with an exotic dancer, and the weekend before the wedding, Roberts ran into former co-star Jason Patric while vacationing at the Canyon Ranch spa in Tuscon. On June 10, publicists for both actors announced the postponement of the wedding, and Roberts immediately left for Ireland with Patric. 1294 6 x 9 in. $300 - 500

1295 A Meg Ryan hat from When Harry Met Sally Metro-Goldwyn-Mayer, 1989. Chocolate brown felt with coordinating ribbon detail, labeled “Fred Bare Head Wear” and “as worn by Meg Ryan in When Harry Met Sally.” Meg Ryan, as Sally Albright, wears this hat as she and Harry (Billy Crystal) go on a walk in and visit the Metropolitan Museum of Art. Accompanied by a copy of the film. 1295 Provenance: The hat was won in a newspaper competition in Sheffield, . It is accompanied by a letter from the publication. $800 - 1,200

90 | BONHAMS 1296 A Stan Winston studios prototype maquette from Small Soldiers DreamWorks, 1998. Cast resin figure on a painted plywood base bearing a printed sticker reading “Slamfist,” and a second with the logo of Stan Winston Studios. Directed by Joe Dante, Small Soldiers is an action-fantasy film featuring live action and computer animated elements. Slamfist, a toy who comes to life, was voiced by actor- director Christopher Guest. 17 x 12 x 11 in. $800 - 1,200

1297 The Hessian Horseman’s cape and sword from Sleepy Hollow Paramount, 1999. Floor-length cape with a stiff leather-backed collar, composed of black and silver brocade with a burgundy lining, shredded and distressed. Inscribed in grease pencil on the lining, “CW/RI,” referring 1296 to Christopher Walken and Rob Inch, his stunt double. Together with a cast metal sword with a snake head with fangs bared and red paste eyes. Provenance: Bonhams Knightsbridge, Rock & Film Memorabilia, April 27, 2005, lot 245 (cape only).

Sleepy Hollow was nominated for three Academy Awards®, including one for Colleen Atwood for Best Costume Design. She also won BAFTA and Costume Designers Guild awards for the film. Sword length: 44 1/4 in. $1,500 - 2,000

1298 A Sacha Baron Cohen “Borat” suit Gray-blue polyester blend single-breasted two button suit jacket, bearing the label of “Scott Daniel,” with remnants of makeup on the right lapel; and matching trousers, bearing the label “St. Michael from Marks & Spencer.” Sacha Baron Cohen only wore two suits as the character of Kazakh journalist Borat Sagdiyev, and the other is currently on display in the “Hollywood Costume” exhibition organized by the Victoria & Albert Museum in London. Accompanied by French and American posters for the film. Provenance: Collection of costume designer and character co-creator Jason Alper. Accompanied by a letter of provenance from Alper describing how this is one of two suits he purchased for Cohen to wear as Borat on Da Ali G Show (2000-2004), Ali G Indahouse (2002) and Borat (2006) as well as in numerous promotional appearances.

Sacha Baron Cohen won the Golden Globe for Best Actor in a Musical or Comedy for his performance in Borat, and the film was also nominated for a Golden Globe for Best Picture: Musical or Comedy and an Oscar® for Best Adapted Screenplay. 1297 Size 40 $4,000 - 6,000

1299 A clapperboard used in The Lord of the Rings: The Return Of The King New Line Cinema, 2003. A plastic board with a wooden arm, marked with the scene number “RK371P,” the roll number “A202,” take 1, director Peter Jackson’s name in black lettering, and the date 7.7.03. Provenance: The Collection of Sir Christopher and Lady Lee, accompanied by a signed letter of provenance.

This clapperboard is from Sir ’s final appearance as the wizard Saruman in The Lord of The Rings: The Return of The King. The scene (from the extended version of the film), portrays the dark Wizard’s demise. Gandalf destroys Saruman’s staff causing him to lose his power, and his one-time follower Grima Wormtongue turns on him, stabbing Saruman in the back and causing him to topple from the Pinnacle of Orthanc. 10 x 11 in. $4,000 - 6,000 1299

Entertainment Memorabilia including Animation Art | 91 1298

92 | BONHAMS 1300 A pair of Tobey Maguire costumes from Seabiscuit Universal, 2003. Comprising a a pair of cream-colored breeches, a red and cream- colored silk jersey with “H” insignia (for Howard Stables) and red and cream-colored cap with grosgrain tie; and dark green silk jersey with a pale pink diagonal stripe and a matching cap with grosgrain tie. Together with a pair of riding boots inscribed on the interior, “P. Atkinson,” likely referring to Paul Atkinson, one of the stunt jockeys. Provenance: Accompanied by two Certificates of Authenticity from Premiere Props/, one for “Red’s (Tobey Maguire) Silk Top & Cap,” and one for “Red’s (Tobey Maguire) ‘Howard Stables’ Uniform.” Also accompanied by a studio wardrobe tag listing the red and cream cap, red and cream silks, white breeches, and boots. $1,000 - 1,500

1301 A Johnny Depp pirate hat from Pirates of the Caribbean: On Stranger Tides Walt Disney, 2011. Dark brown pebbled leather tricorn hat with X’s embroidered on the front two sides, intentionally distressed, with a scalloped band on the interior. Interior inscribed in black ink, “Jack / #2.” This hat is one of the most recognizable piece of of Depp’s Captain Jack Sparrow costume from the Pirates of the Caribbean series. One of the most successful film series of recent years, the four movies have so far grossed $3.7 billion dollars worldwide, and a fifth film is due to be released in 2017. On Stranger Tides was directed by Rob Marshall and 1300 included elements from the Tim Powers 1987 fantasy novel of the same name. $8,000 - 12,000

1301

Entertainment Memorabilia including Animation Art | 93 1302

1303 1304

Rock & Roll Memorabilia 1302 1304 Rock Around the Clock A set of Beatles signatures , 1956, banner on heavy stock paper. This is In ink on a sheet of white paper, framed with a copy of the album known to be the first real rock film, a storyline about Bill Haley and at the Hollywood Bowl, and a telegram with details of the Comets. the concert. 24 x 60 in. 12 x 12 in. $300 - 400 $3,000 - 5,000

1303 1305 A celluloid from The Beatles’ Yellow Submarine A Beatles-signed copy of a With The Beatles album United Artists/King Features, 1968. Gouache on celluloid. The Parlophone PMC 1206 mono LP, inscribed by Paul McCartney on three celluloids depict the Yellow Submarine, the Blue Meanie’s the front cover, “To Katina / love from The Beatles” and signed on the hand and Captain Fred; one cel annotated “attack 2 Sc 4” and “Alt verso by McCartney, John Lennon, Ringo Starr and George Harrison. 2 Scene 31 21-F.” Provenance: Obtained by British journalist Peter Noble and his wife 16 x 12 1/2 in. actress Marianne Stone for their daughter at a party at Alma Cogan’s $800 - 1,200 house after the Beatles concert at the London Palladium on January 12, 1964. Accompanied by a photo of Ringo Starr holding this album and lot 1306, and a photocopied letter of provenance from Marianne Stone. $15,000 - 20,000

94 | BONHAMS 1305 1305 (reverse)

Ringo Starr holding lots 1305 and 1306

Entertainment Memorabilia including Animation Art | 95 1306

1306 (reverse)

96 | BONHAMS 1307

1308 1309

1306 1308 A Beatles-signed copy of a Please Please Me album A test pressing of the Beatles’ 1969 Christmas record Parlophone PMC 1202 mono LP, inscribed by Paul McCartney on the 10” metal test pressing bearing an Apple Corps label with the typed front cover, “To Kara, love / from The Beatles” and signed on the verso inscription, “Beatles Christmas Record / 1969.” The Beatles recorded by McCartney, John Lennon, Ringo Starr and George Harrison. their first Christmas record in 1963, which was produced on flexi- Provenance: Obtained by British journalist Peter Noble and his wife disc and sent to members of the UK and US fan clubs. The Beatles’ actress Marianne Stone for their daughter at a party at Alma Cogan’s seventh and final Christmas record was released in 1969. Like the house after the Beatles concert at the London Palladium on January 12, 1968 record, the band members had recorded their parts separately. 1964. Accompanied by a photo of Ringo Starr holding this album and The 1969 record features an interview with John and Yoko, Paul lot 1305, and a photocopied letter of provenance from Marianne Stone. singing “This is to Wish You a Merry, Merry Christmas,” and Ringo $15,000 - 20,000 promoting his film The Magic Christian. A compilation LP of all the Christmas records was released in 1970. 1307 $400 - 600 A Robert Freeman lithograph of the Beatles Featuring the famous image Freeman shot for the cover of With the 1309 Beatles (1963), signed (“Bob Freeman”), numbered AP 19/35 and A Hard Day’s Night inscribed “For Peter and Marianne.” Freeman photographed and United Artists, 1964. 40” by 60” poster on heavier stock paper. The designed the covers for five Beatles albums on Parlophone. film follows a typical day in the life of the Beatles. Provenance: Estate of Peter Noble and Marianne Stone. 40 x 60 in. 17 5/8 x 14 3/8 in. $400 - 600 $1,200 - 1,800

Entertainment Memorabilia including Animation Art | 97 1310 1313

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98 | BONHAMS 1310 A Ringo Starr and his All-Starr Band signed advertisement A USA Today full page advertisement from June 21, 1989, signed by Ringo Starr, Dr. John, Billy Preston, Joe Walsh, Rick Danko, Nils Lofgren, Jim Keltner and Clarence Clemons, framed. Together with a Ringo Starr signed ticket stub and a backstage pass from the July 23, 1989 concert in Dallas, framed with a photograph of Starr. Advertisement (overall): 14 1/4 x 23 1/4 in. $500 - 700

1311 A group of seven Family Dog posters Comprising: FD-41-OP-1, Ship; FD-43-OP-1, Moby Grape; FD-44-OP-1, Water Bearer; FD-49-OP-1, Neptune’s Notion; FD-50-OP-1, Break on Through to the Other Side; and FD-51- OP-1, Peacock Ball; FD-117-OP-1, Giddyap. Various sizes $500 - 700

1312 A group of eleven Bill Graham posters Comprising: BG-29-OP-2, Jefferson Airplane; BG-45-OP-2, Junior Wells Chicago Blues Band; BG-47-OP-1, Butterfield Blues Band; BG-53-OP-1, BG-53-RP-2, Otis Rush; BG-56- OP-1, Moby Grape; BG-60-OP-1, Howlin’ Wolf; BG-72-OP-1, Butterfield Blues Band; BG-80-OP-1, Cream; BG-96-OP-1, the Byrds; and BG-107-OP-1, Butterfield Blues Band. Various sizes $600 - 800

1313 A Bill Graham poster for The Who Designed by Lee Conklin, advertising concerts on February 22-24, 1968 at the Fillmore Auditorium and the Winterland Ballroom. Acts include The Who, Cannonball Adderly, and the Vagrants. 13 7/8 x 21 5/64 in. $500 - 700

1314 A Bill Graham “Flying Eyeball” Jimi Hendrix poster 1314 BG-105-OP-1, designed by Rick Griffin, advertising concerts by the Jimi Hendrix Experience, John Mayall & the Blues Breakers, and Albert King on February 1-4, 196 at the Fillmore Auditorium and Winterland Ballroom. One of the most iconic and sought- after posters of the era. 14 1/32 x 21 9/16 in. $3,000 - 5,000

1315 A Jerry Garcia watercolor entitled Crème de Menthe Hangover Watercolor on paper, signed (“JGARCIA”) in black ink at lower center, matted and framed. The watercolor depicts two green faces, one of which resembles Garcia’s own face. Provenance: Ambassador Galleries, New York, Garcia’s one man exhibition, March 23, 1994. Accompanied by the price list from the exhibition. Overall: 10 1/4 x 8 1/2 in.; Within mat: 6 x 4 in. $4,000 - 6,000 1315

Entertainment Memorabilia including Animation Art | 99 1316

1316 1317 A Jim Morrison cowhide jacket worn at the Doors’ 1969 Madison A collection of Elvis Presley Square Garden concert personal photographs Handmade calfskin skin jacket with wide lapels, no buttons or other closures, and no labels. Jim Housed in two albums, comprising: 70 Morrison wore this jacket over a white shirt during the Doors’ concert at Madison Square Garden snapshots, 27 8 x 10 in. photographs (incl. in New York on January 24, 1969. Shortly into the concert, he took the jacket off and threw it contact sheets), nine slides, two negatives, into the crowd (likely because the jacket is quite heavy and would have been very hot under the and four pieces of ephemera. Including many stage lights), where the consignor’s boyfriend caught it. Morrison’s throwing of his jacket was photographs of Priscilla Presley, including mentioned in contemporary press coverage of the concert, with Donald Flynn writing in the New several from their wedding; photographs of York Daily News, “Morrison majestically let fly with an eloquent belch and flung his jacket into his Lisa Marie Presley as an infant and a young audience. The jacket went like a cow in a river swarming with piranhas.” (January 25, 1969). girl; Elvis on stage, signing autograph, and Provenance: Accompanied by a letter of provenance from the consignor describing how her outside the Memphian Theatre in Memphis. boyfriend went to the concert, caught Jim Morrison’s jacket after he threw it into the audience, Also including stills from some of Elvis’s films. left the concert (to avoid the other fans fighting him for it) and brought it back to her as a gift. Various sizes $1,000 - 1,500 In early 1969, the Doors were at the height of their fame. The sold-out crowd of 20,000 people at Madison Square Garden was their largest concert to date, and one of their biggest songs, “Touch Me” had just been released as a single in December 1968. Morrison’s personal style was an important element of his fame and has continued to inspire successive generations.

Please contact the department for photographs of Jim Morrison wearing this jacket. $15,000 - 20,000

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1320

1321

1318 1320 An Elvis Presley signed souvenir headshot An enormous banner for Elvis at the Las Vegas Hilton Promoting his August 1969 appearances at the Las Vegas Green, silver, and blue Mylar banner promoting Elvis’s International, inscribed and signed in pen “To Hal / Thanks / Elvis appearances at the Las Vegas Hilton, reading “Elvis / Hear Elvis Presley,” on the verso of a photograph of Elvis with a facsimile on RCA Records & Tapes,” with an image of Elvis in his signature signature, matted and framed. white jumpsuit at either end. Overall: 10 1/2 x 13 1/2 in. Provenance: Accompanied by a letter from Tom Askew of Flashbacks $600 - 800 Inc. describing how his company made 100 of these banners under the supervision of Elvis and Col. Tom Parker. 1319 144 x 42 in. An Elvis Presley “Comeback Special” $700 - 900 advertising standee Promotional standee that folds horizontally at the center, advertising 1321 Elvis’s famous 1968 “Comeback Special” on NBC. A landmark A banner for Elvis at the Las Vegas Hilton television event, the show did in fact reboot Elvis’s career, leading to Blue, silver, and red Mylar banner promoting Elvis’s appearances at lucrative new contracts in Las Vegas and national tours for the singer. the Las Vegas Hilton as well as his RCA recordings. 21 3/4 x 27 7/8 in. 90 1/2 x 21 in. $800 - 1,200 $1,000 - 1,500

Entertainment Memorabilia including Animation Art | 101 1322 1323

1322 1323 A Peter Lindbergh photograph of A Mick Jagger handwritten set list Mick Jagger Handwritten list of fifteen songs in black ink, on the verso of a piece of Continental Airlines A black and white head-and-shoulders stationery, the set list for ’ November 7, 1969 concert at Colorado State portrait of the Rolling Stones front man, University in Fort Collins. This set list is mentioned in the “The Rolling Stones Discover wearing a black velvet jacket, matted and America” by Michael Lydon, in which he writes, “On the way to Fort Collins, Mick and Keith set framed. Stamped on the verso, “(C) Peter the basic format, scribbling the names of 14 tunes (out of 30 rehearsed) on airplane stationery” Lindbergh,” and inscribed, “(C) Peter (Berkeley: 1970, p. 22). Lindbergh - All rights reserved- / Rolling Stone/ Dec. 1995- / #M. Jagger - M323- The Fort Collins show was the first of the Stones’ 1969 American tour. They had previously 4696-#724.” A version of this image appeared toured the U.S. in 1966 but had grown vastly more popular in the intervening years and were on the magazine’s cover that month. now selling out arenas across the country. The tour’s supporting acts included B.B. King and Overall: 15 x 17 1/4 in.: Within mat: 7 1/2 x Chuck Berry, both of whom had been major inspirations for the Stones. This set list even 9 3/4 in. includes two Chuck Berry covers, “Carol” and “Little Queenie.” The remainder of the list is $800 - 1,200 made up of their hits from Let it Bleed and earlier albums as well as “Sympathy for the Devil,” “Stray Cat Blues,” “Street Fighting Man,” and “Prodigal Son” from the yet-to-be-released album Beggars Banquet.

In addition to its cultural impact, the tour also represented a financial innovation in the music business. The tour’s producer Ronnie Schneider arranged for the band to receive a piece of the box office gross as well as a 50% advance, allowing them to fund the tour. He also centralized sales of merchandise and licensing, greatly increasing the band’s income. Robert Christgau has called the Stones’ 1969 American tour “history’s first mythic rock and roll tour.” It spawned the Stones’ 1970 live album Get Yer Ya-Yas Out! as well as the Maysles Brothers’ classic documentary Gimme Shelter, best known for its coverage of the infamous Altamont concert, the last date on the Stones’ tour. 7 1/8 x 10 in. $6,000 - 8,000

102 | BONHAMS 1324 1325

1324 A negative of the Sex Pistols’ Johnny Rotten The negative for a promotional photograph of Rotten, depicting him in his trademark “Destroy” t-shirt, with cutout logos for Warner/ Reprise and the Sex Pistols, and text with the singer’s name to be laid into the margin. 8 x 10 in. $200 - 300

1325 A negative of the Sex Pistols A negative for promotional use, featuring a photograph of the band, with their logo and the Warner/Reprise logo cut out and adhered to the lower margin. 8 x 10 in. $200 - 300

1326 A Bruce Springsteen signed electric guitar Fender Squier telecaster signed in blue ink on the pickguard by Bruce Springsteen. Provenance: RR Auctions, Marvels of Modern Music, January 26, 2012, lot 678. $500 - 700

1327 An inscribed and signed electric guitar White Stedman Pro single cutaway electric guitar inscribed blue ink, “Schools out” and signed (“Alice Cooper.”) $400 - 600

1326 1327

Entertainment Memorabilia including Animation Art | 103 1328 A Liberace denim jacket and pants Denim jacket with wide lapels and two patch pockets at chest, with beaded and embroidered oil well motif on front and back, bearing a label from Neiman Marcus Trophy Room. Together with a pair of pale denim trousers, size 38, with a label from Faded Glory by Appendagez. Provenance: Christie’s and Butterfield & Butterfield, The Liberace Collection, April 9-12, 1988, lot 963 (partial).

In Liberace’s book The Things I Love (NY: 1976), this jacket is pictured twice, and also described: “When the denim craze was at its height ... I bought a beaded, handpainted and jeweled denim jacket in Dallas which had been made from recycled pieces of prisoners’ denim. It was decorated with Texas oil wells and even had a hole (for the oil well) in it. Typically, I forgot to ask how much it was. When I was told it cost $595 I had a fit. I complained about the hole, but they said, ‘Why? That makes it look really authentic!’ Anyway, I bought it” (p. 126). $700 - 900

1329 An Elton John Versus Gianni Versace ensemble Comprising a pair of lavender cotton Versus jeans with label inscribed “Mod. Jeans / Art. 5Tasche / x Elton John”; a Versus cotton shirt with lavender leopard pattern, size 36; a matching Versus cotton vest with label inscribed, “Mod. Gilet / x Elton John,” with five silver metal leopard buttons; and a matching Versus cotton blazer with purple leopard pattern, four silver metal Medusa buttons down the front and two at each cuff. Provenance: Accompanied by a letter of provenance from the consignor stating that she purchased this suit in a silent auction at a fundraiser held by Sharon Osbourne at the Green Valley Ranch in Las Vegas in 2005. Elton John donated this suit as well as pair of tickets to his Red Piano tour. $2,000 - 3,000 1328 1330 A Stevie Ray Vaughan and Double Trouble signed poster for Live Alive Promotional poster for the album released in July 1986, signed by Stevie Ray Vaughan, Tommy Shannon, Reese Wynan and Chris Layton, framed. Overall: 23 1/4 x 22 3/4 in. $500 - 700

1331 A Stevie Ray Vaughan signed concert poster Poster advertising a concert at the Dallas County Convention Center Arena on September 26, 1987, featuring the Fabulous Thunderbirds (which included Vaughan’s brother Jimmie) and the Charlie Daniels Band, framed. Signatures 1329 include Stevie Ray Vaughan, Charlie Daniels, Jimmie Vaughan, Fran Christina, Kim Wilson, and Preston Hubbard. Overall: 25 x 36 in. $700 - 900

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1332 1333

1332 1333 A Stevie Ray Vaughan inscribed and signed A Stevie Ray Vaughan inscribed and signed poster Tokai advertisement for A Legend in the Making Advertisement with a photograph of Vaughan, reading “Tokai / Electric Rare poster for Stevie Ray Vaughan and Double Trouble’s promotional- Guitars 1985-1986 Edition,” Vaughn has crossed out the Tokai logo, only recording of their performance at El Mocambo in Toronto in 1983, written “I use Fender!” and signed (“Stevie Ray Vaughan”). The ad has also featuring a black silhouette of Vaughan and his guitar against a silver been signed by Tommy Shannon. Framed with a photograph of Tommy background, framed. Vaughan has inscribed and signed the poster in Shannon and a Japanese Tokai promotional poster featuring Vaughan and silver ink, “To Big Kahoona, / All My Best, / S.R. Vaughan.” Shannon. Vaughan appears on the cover of Texas Flood holding a Tokai Overall: 25 x 37 1/4 in. Stratocaster replica; the logo on the headstock was removed from the $600 - 800 album art but appears on promotional material for the album. Overall: 33 3/4 x 31 1/2 in.; Signed ad: 7 1/2 x 10 1/2 in. $500 - 700

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1334 1336 1337 A Stevie Ray Vaughan signed copy A large archive of photographs A Kurt Cobain Nirvana set list of Texas Flood of Guns N’ Roses Inscribed in pencil on the verso of an order Album signed by Vaughan (“Stevie Ray 725 color transparencies of the band taken by form for records by 1980s rock artist Reesa (of Vaughan”) at upper right, framed with a photographer Robert John during the height Reesa & the Rooters and the Suburban Wives promotional poster for the album. of their fame in the early-mid 1990s. John met Club), listing twelve song titles (an additional Overall: 33 1/2 x 41 3/4 in. the band through guitarist Izzy Stradlin and two songs were also played at the concert), $500 - 700 began accompanying them on tour as their the set list for Nirvana’s concert at JC Dobbs official photographer. He has since published a in Philadelphia on July 12, 1989. This was the 1335 book of his photographs, Guns N’ Roses: The band’s first show in Philadelphia and their first A Stevie Ray Vaughan gold record Photographic History (1993). Photographs in national tour, with the original lineup of Cobain, award for Texas Flood this lot include behind-the-scenes images from Krist Novoselic, Chad Channing on drums, Comprising a gold 12” record and a cassette, the filming of music videos “Estranged,” “Don’t and Jason Everman on guitar. This concert an image of the and an RIAA Cry,” “November Rain,” and “Since I Don’t was less than a month after the release of logo, with a plaque reading, “Presented to / Have You”; the band’s performance during the their debut studio album, Bleach on Sub Pop Stevie Ray Vaughan / to Commemorate the 1992 MTV Video Music Awards; on and off- Records. Memorabilia from this early stage of Sale of More Than / 500,000 Copies of the stage during the “Use Your Illusion” tour; and Nirvana’s career is exceedingly rare at auction. / Epic Records / Album, Cassette, and C.D. many images from promotional shoots. Other Provenance: Accompanied by a letter of / ‘Texas Flood.’” Texas Flood was the debut celebrities featured in the photographs include provenance from the consignor, describing the album of Stevie Ray Vaughan and Double Steven Tyler and Joe Perry of Aerosmith, concert and his removal of the set list from the Trouble, released in June of 1983. , Lenny Kravitz, stage after its conclusion. The consignor also 17 x 21 in. , and . describes where he can be seen in the videos of $3,000 - 5,000 Provenance: Given by Robert John to Simon the concert available on YouTube. Also included Kenton of IDOLS, the band’s European publicist; are two photographs of Cobain taken by the Collection of Doug Pope, a sound engineer who consignor’s brother at the same concert. toured with Guns N’ Roses from 1990 to 1993. 4 1/4 x 8 1/2 in. $6,000 - 8,000 $6,000 - 8,000

Entertainment Memorabilia including Animation Art | 107 Property from the Collection of Desiree Smith

1338 A pair of photographs of Tupac Shakur One closeup photograph of Tupac’s famous “Thug Life” tattoo across his stomach; and a second Polaroid photograph of Tupac standing in a living room with a piece of fake dog excrement in his mouth, with the margin inscribed by him, “They say I talk shit.” 4 7/8 x 3 1/2 in.; 3 1/2 x 4 1/4 in. 1338 $1,000 - 1,500

1339 A collection of four Polaroid photographs of Tupac Shakur One depicts him alone, making a “W” symbol with his right hand, annotated by Shakur, “Aug 6”; two depict him posing with Desiree Smith; and a third depicts him with Desiree Smith and another woman, and is annotated by Shakur, “Pure Joy Oct, 1, 1995.” The photographs were taken in the visiting area of Clinton Correctional Facility in Dannemora, New York, where Shakur imprisoned from February 14 to October 10, 1995. 3 1/2 x 4 1/4 in. $600 - 800

1340 A Tupac Shakur inscribed and signed greeting card A handmade greeting card (likely made by another inmate at the Clinton Correctional Facility), inscribed and signed (“2PAC”), Dannemora, New York, postmarked August 15, 1995. Accompanied by the original transmittal envelope in Tupac’s hand. The front of the card is made of pink construction paper with red and white foam hearts and “I Love You” in purple Mylar letters, inscribed, “To ‘Desiree’ / And ‘Daddy’ is...” The interior bears an illustration of Tupac having sex with a woman and is inscribed in the artist’s hand, “Missing you deeply! / ‘forever with love” On the opposite page, Tupac has written, “Just A Lil [sic] / Something 2 / get U Hot / & Make U Reminisse! [sic].” 8 1/2 x 11 in. $600 - 800 1339 1341 A Tupac Shakur handwritten letter Autograph letter signed (“2PAC”), 1 p, Dannemora, New York, postmarked September 1, 1995, to Desiree Smith. Accompanied by original transmittal envelope, also in Tupac’s hand. Tupac writes to Desiree, asking her to find work for his friends Jahad, Rashid, and Jamie. Multiple sources have written about the pressure Tupac felt being in prison, because he had become a source of financial support for so many members of his extended family and friends, and he was unable to provide for them while incarcerated. This is believed to have led to his decision to sign with Suge Knight and Death Row Records, in exchange for their paying the bond to release him from prison. 8 x 10 1/2 in. $1,500 - 2,000

1340

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1342 A Tupac Shakur handwritten statement regarding 1342 Death Row Records Autograph letter signed (“Tupac A Shakur”), 1 p, n.p. [but Dannemora, New York], July 30, 1995, additionally signed (“Desiree Smith”) by Desiree Smith. In this statement, Tupac authorizes David Kenner, the attorney for Death Row Records, to “receive copies of my / contracts and royalty statements” and gives him “permission to negotiate / on my behalf.” Tupac formally signed his infamous three-page handwritten contract with Suge Knight of Death Row Records on September 16, 1995, but this document shows that their negotiations had started almost two months prior. In that contract, Tupac would authorize Knight to act as his manager and Kenner as his lawyer, an arrangement which Tupac’s mother, Afeni Shakur would criticize as a conflict of interest in her lawsuit against the label after Tupac’s death. 5 7/8 x 8 7/8 in. $1,200 - 1,800

1343 A Tupac Shakur handwritten letter Autograph letter signed (“2PAC”), 1 p, Dannemora, New York, postmarked August 15, 1995, to Desiree Smith. Accompanied by the original transmittal envelope, also in Tupac’s hand. Tupac writes to Desiree that he is divorcing his wife Keisha: “This time it’s final ... I’m / not depressed I’m happy almost. The jealousy / and immaturity was too much.” Their divorce would not be finalized until the following year.

Tupac ends the letter, “Be / Careful!!! / The Walking Dead / Jack Agnant R.I.P. / Tut R.I.P. / Jimmy Ace R.I.P.” In this list, Tupac names the people he felt were behind the shooting at Quad Studios, “Haitian Jack” Agnant, Walter “King Tut” Johnson, and James “Jimmy Ace” Rosemond. Tupac later publicized these beliefs in his song “Against All Odds” on his posthumous album The Don Killuminati: The 7 Day Theory. 8 x 10 1/2 in. $1,500 - 2,000 1343

Entertainment Memorabilia including Animation Art | 109 1345

1344 1344 A Tupac Shakur-received letter from Yafeu Fula Autograph letter signed (“YF”), 2 pp, n.p., n.d. Fula writes to Shakur of his discussions with Minute, Big Syke, Mopreme Shakur (Tupac’s stepbrother) and Tupac’s New York attorney David Ogletree about an unknown legal case and an impending visit to Tupac in prison. Like Tupac, Fula’s mother was also a member of the Black Panther Party and the two grew up together. Also known by his stage name Yaki Kadafi, Fula was a member of Dramacydal and Tupac’s later group Outlawz, which he formed after leaving prison and joining Death Row Records. Yafeu Fula was also with Tupac the night he was killed, traveling in the car behind him. He claimed that he could identify the shooter but was never thoroughly questioned by the Las Vegas Police and was himself was killed a month later at the age of 19. 7 1/2 x 10 1/2 in. $1,000 - 1,500

1345 A Tupac Shakur handwritten letter Autograph letter signed (“2PAC”), 2 pp, Dannemora, New York, postmarked July 5, 1995, to Desiree Smith. Accompanied by original transmittal envelope, also in Tupac’s hand.

Tupac writes of the sexual abuse charge which led to his prison sentence, “I got set up by Stretch and / some niggaz to take this rape charge / then when I caught on they tried 2 kill me / but u know I’m hard 2 kill so I’m still here ... I thought Stretch was / my man but when the shit got hot he / dissed me & let me get shot up!” Stretch (Randy Williams) was another up-and-coming New York rapper who performed with Tupac in the Live Squad. He was with Tupac during the shooting at Quad Studios on November 30, 1994, and Stretch himself was shot on the same day a year later. Some believe that Stretch’s killing was in retaliation for the attack on Tupac.

Tupac also discusses the problems in his relationship with Keisha Morris, who he had married on April 29 of that year (while in prison). He writes, “I got married cuz I thought / it would bring me happiness but right now / all I feel is pain.” 8 x 10 1/2 in. 1346 $3,000 - 5,000

110 | BONHAMS 1346 A Tupac Shakur handwritten letter and note Autograph letter signed (“2PAC”), 1 p, Dannemora, New York, postmarked July 16, 1995, to Desiree Smith. Accompanied by the original transmittal envelope, also in Tupac’s hand. Together with an autograph note, 2 pp, on Beverly Hills Hotel stationery.

Tupac writes to Desiree, “I hope U R doing well out there w [sic] / the world of fakes, snakes, & snitchez [sic]. As 4 / me, shit I’m still me til they kill me.” He writes that he has resolved his problems with his wife and that she knows about his relationship with Desiree. He asks Desiree to visit him in prison that 1347 weekend, saying that she can call Keisha for help with the arrangements.

The note on Beverly Hills Hotel stationery is inscribed on the verso, “Desiree,” and on the recto, “2 Dez / A small gift / 4 being there / 4 this thug / nigga here! / [smiley face].” This note may date from Tupac’s time in Los Angeles after his release from prison, though he was staying at the Peninsula at that time. Letter: 8 x 10 3/8 in.; Note: 4 x 5 1/2 in. $1,500 - 2,000

1347 A Tupac Shakur handwritten letter Autograph letter signed (“2PAC”), 2 p, Dannemora, New York, August 8, 1995, postmarked August 9, 1995, to Desiree Smith. Accompanied by the original transmittal envelope, also in Tupac’s hand. Together with a page with two designs by Tupac in red ink, reading “‘Ask / ? / 2PAC’, and “property / of / 2PAC.” In the letter, Tupac writes, “The next time I C U there better be a place on your / body with 2PAC on it.”

Tupac writes to Desiree about their relationship and his desire to see her and meet her mother. Of his release, he writes, “When I touchdown [sic] if u have / followed all the guidelines u & I have layed [sic] out / then I’ll get an apartment in L.A. 4 U & I / to stay at. I told Keisha already. She’s mad / but she knowz how I feel about u.” 8 x 10 1/2 in. $2,500 - 3,000

1348 A Tupac Shakur notebook Clothbound notebook with printed covers, the upper cover inscribed in pencil, “2PAC,” “KARI,” “THUGLIFE.” Five interior pages contain letters from Shakur to Desiree Smith, including an inscription, “Karidad / Krystal / Amaru / ‘Can’t No Man, Woman / or child compare / 2 me & me love / 4 u, so don’t ever / forget who breathed / life into your lungz!’ / 2PAC.” 3 3/8 x 5 7/8 in. $2,500 - 3,500 1348

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1352 1353 1354

Animation Art 1349 1351 1353 A Walt Disney Studios celluloid A Walt Disney Studios celluloid A Walt Disney Studios animation from One Hundred and One of Donald Duck drawing from Fantasia Dalmatians 1940s, gouache on trimmed celluloid, applied to 1940, graphite, red and green colored 1961, gouache on celluloid, applied to a a watercolor production background, inscribed pencil on animation paper, matted, depicting printed background, gold Disneyland label lower right on mat in a secretarial hand “To Paul Chernabog from “The Night on Bald on reverse, paint separation on Pongo’s Conrad//With Best Wishes//Walt Disney,” the Mountain” sequence. This sinister character leg, matted, depicting Pongo talking to one mat stamped original WDP and additionally was created by Vladimir Tytla. of the pups. inscribed “Walt Disney’s Donald Duck” in an Within mat: 9 1/2 x 12 1/2 in. Within mat: 8 x 10 in. unknown hand, matted and framed, depicting $400 - 600 $500 - 600 Donald Duck with shot gun in hand. Disney’s team of animators were often called upon to 1354 1350 inscribed books and cels on their boss’s behalf. A Walt Disney Studios animation A pair of Walt Disney Studios Diameter: 8 in. drawing from Pinocchio watercolors of Pluto $700 - 900 1940, graphite on 5-peghole 16 field Pen and ink and watercolor on paper, animation paper, inscribed lower right depicting Pluto attempting to ice skate, one 1352 “Come In 2” and lower left “Shamus drawing with discoloration on left border, Two Walt Disney Studios celluloids Culhane,” matted, depicting the sinister otherwise in good condition. Together with an from Lady and the Tramp Coachman reprimanding Foulfellow the fox animation drawing of steam roller and a rolling 1955, gouache on celluloid, matted, depicting and Gideon the cat. shower with facial features, colored pencil on a large image of Lady in profile and another Within mat: 12 1/4 x 15 1/2 in. animation paper. of the street wise mutt, Tramp, each with the $300 - 400 9 1/4 x 12 in.; 10 x 12 in. Disneyland gold label on the reverse. $800 - 1,200 Within mat: 7 1/2 x 11 in. $1,000 - 1,500

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1356 1358

1355 1357 Five Walt Disney Studios celluloids from Winnie the A pair of Walt Disney Studios celluloids featuring Pooh and Blustery Days dogs from One Hundred and One Dalmatians and 1968, gouache on celluloid, all applied to printed backgrounds, all with Mary Poppins gold Disneyland labels on reverse, depicting one cel of and four 1961 and 1964, gouache on celluloid, both matted, the first depicting cels of the (elephants) and Wozzles (weasels), characters the old English sheepdog, The Colonel, on the lookout, applied to a from Pooh’s nightmare who threaten to eat his honey supply. Together reproduction printed background, with the gold Disneyland label on with an unidentified cel of a man golfing, also with a gold Disneyland the reverse; the second depicting the hunting dogs in Mary Poppins, label on the reverse. with the gold Disneyland label on reverse. Various sizes 8 x 10 in. and 7 1/2 x 11 in. within mat $1,000 - 1,500 $200 - 300

1356 1358 A Walt Disney Studios celluloid from The Ugly A Walt Disney Studios celluloid from Alice in Duckling Wonderland 1939, gouache on multi-cel set-up, applied to a Courvoisier Galleries 1951, gouache on full celluloid, matted, depicting the Walrus sitting at airbrushed background, vintage Courvoisier Galleries label on the head of the table about to have a feast of oysters, who seem to reverse, mat inscribed “From The Ugly Duckling,” matted and framed, comprehend their destiny. depicting the mother swan with her cygnets in tow, with special effects Within mat: 8 3/4 x 12 in. cel of water ripples and reeds in pond. $500 - 700 Within mat: 9 x 11 1/2 in. $1,200 - 1,600

Entertainment Memorabilia including Animation Art | 113 1359 1360

1361 1362

1359 1361 A Walt Disney Studios celluloid from Robin Hood A Walt Disney Studios celluloid of 1973, gouache on full multi-cel set-up celluloid, matted, depicting Robin Hood with sword in Donald Duck signed by Walt Disney hand, applied to a watercolor production background, annotated at the bottom “0112//.006// 1940s, gouache on trimmed celluloid, matted, Sc. 563 and 564//Mimi//OK,” the cel with the grass annotated “Tint Craft//0112//.006//Sc. depicting Donald Duck holding an envelope, 563 and 564 C.L. 563.” stamped lower right on mat original WDP, Within mat: 12 1/2 x 16 in. signed (“Walt Disney”), paint chip on the $2,500 - 3,500 envelope, paint cracking though out, will need some restoration. 1360 Within mat: 5 1/2 x 5 1/2 in. An Oskar Fischinger preliminary concept drawing from Fantasia $1,000 - 1,500 1940, pastel on animation paper, depicting geometric patterns from the Toccata and Fugue sequence in the film. Together with a preliminary pencil drawing on animation paper 1362 that resembles the pastel. Three Walt Disney Studios animation drawings of German-American filmmaker Oskar Fischinger (1900-1967) was, inadvertently, one of the Mickey Mouse driving forces behind Fantasia. His series of short abstract films synchronized to classical Graphite on pencil on 5-peghole animation music were very popular in the 1930s and distributed worldwide to first-run theaters. In paper, the first drawing from On Ice, 1935, 1931, Fischinger made an abstract film synchronized to “The Sorcerer’s Apprentice,” and depicting Mickey Mouse on his tip of his skate he contacted conductor to clear rights to use his arrangement. In 1935, blade, inscribed 85 and two drawings from Fischinger published in a Berlin film trade paper his wish to create a concert-length film with Mickey’s Elephant, 1936, one with the initials abstract images and diverse music. After emigrating to Hollywood in 1936, Fischinger ran and inscribed HMJ 93//Reg to #160 and the across Stokowski while both were employed at Paramount. He spoke again of his idea to other 54 SW//BO. Stokowski, but unbeknownst to Fischinger, Stokowski pitched the idea to Walt Disney, who 9 1/2 x 12 in. hired him as his major collaborator on the “Concert Feature” project. Fischinger was offered a $400 - 600 low paid position on the film as a “motion picture cartoon effects animator.”

Fischinger’s previous abstract films synchronized to music were screened weekly to instruct the Disney animators, but his own ideas and designs for the film (mostly for the first segment) were constantly altered, simplified and made more representational. He finally left the project and requested that his name be removed from the credits. The Bach “Toccata and Fugue” sequence was adapted from many of his original designs, and his influence can be seen throughout Fantasia. 8 1/2 x 8 in.; 9 1/2 x 12 in. $1,000 - 2,000

114 | BONHAMS 1363 1364 1365

1366 1367 1368

1363 1365 1367 A Hanna-Barbera celluloid from A Warner Bros. drawing of Daffy A Walt Disney Studios celluloid Charlotte’s Web Duck and 6 partial drawings of from Alice in Wonderland 1973, gouache on multi-cel set-up, applied Bugs Bunny 1951, gouache on celluloid, matted, to its matching watercolor production 1950s, graphite on paper, the Daffy Duck depicting Alice’s sister, Prima, reading a background, annotated “97-4//Seq. 4//BG – drawing inscribed lower right “To my friend history lesson aloud, while Alice, bored 81,” pinholes in corners on the background, Mark-Daffy Duck and Hawley”; the six Bugs because the book has no pictures in it, depicting Wilbur and the farmyard animals Bunny drawings have been torn in half so that lounges in the tree above. looking up at Charlotte. only the images of Bugs Bunny remain. Within mat: 10 x 8 1/2 in. 10 1/2 x 14 in. 10 1/2 x 14 in. $400 - 600 $1,000 - 1,500 $200 - 300 1368 1364 1366 A Walt Disney Studios celluloid Six Hanna-Barbera celluloids of A pair of Warner Bros. celluloids from The Sword and the Stone various cartoon characters of Pepe Le Pew 1963, gouache on full celluloid, matted, Gouache on celluloid, each matted, 1950s, gouache on celluloid, each depicting depicting Madame Mim grasping the little bird. comprising The Flintstones, Yogi Bear, the amorous French skunk Pepe Le Pew Within mat: 12 1/2 x 16 in. Magilla Gorilla on a watercolor production embracing Penelope Pussycat, several paint $300 - 400 background, a cel for a Hanna-Barbera chips and paint separation. Pepe Le Pew was Christmas card, Muttley on a watercolor introduced by in 1945. production background; a cel with Droopy 10 1/2 x 12 in. Dog and three other characters. $500 - 700 Within mat: 7 x 9 in. $400 - 600

Entertainment Memorabilia including Animation Art | 115 1369

1370

1369 A Charles Schulz Peanuts daily United Features Syndicate, dated 3-15-1963, pen and ink on illustration board, signed by the artist lower right, depicting Snoopy unsuccessfully attempting to get a second helping of food, slight tanning to paper, 1371 crease at center, pinholes at corners. 7 x 28 in. $8,000 - 12,000

1370 A Charles Schulz Peanuts daily United Features Syndicate, dated 3-23-1963, pen and ink on illustration board, signed by the artist lower right, depicting Linus having a discussion with Snoopy about the loyalty of dogs, slight tanning to paper, crease at center, pinholes at corners. 7 x 28 in. $8,000 - 12,000

1372

116 | BONHAMS 1373 1374

1375 1376 1377

1371 1374 A printed Peanuts strip inscribed and signed by A Walt Disney Studios celluloid from Mary Poppins Charles Schulz 1964, gouache on celluloid, matted and framed, depicting two A print four-panel Peanuts strip from 1968, inscribed and signed in members of the Pearly Band, who provide back up when Mary sings black ink on the upper margin, “For Gene Patrick with friendship- Supercalifragilisticexpialidocious after she has won her prize in the race. Charles M. Schulz.” Framed. A politically themed cartoon inscribed by Within mat: 10 1/2 x 13 1/2 in. Schulz to his fellow cartoonist Gene Patrick who created the comic $300 - 400 strip “The Passing Scene” for the Lorain Journal, a newspaper in Ohio. Overall: 30 x 8 1/4 in. 1375 $400 - 600 A Walt Disney Studios celluloid from Lady and the Tramp 1372 1955, gouache on celluloid, matted, depicting the gracious and elegant A Gary Larson original comic artwork Cocker Spaniel, Lady, with the gold Disneyland label on the reverse. Universal Press Syndicate, April 8, 1989, pen and ink on board, signed Within mat: 6 1/4 x 9 1/2 in. lower right “Larson,” depicting two ladies whispering about their friend $500 - 700 entangled in the strings of a guitar, inscribed “Well, here we go again ... Of course, if Phyllis used D’Aquito Micro-flex strings, this would 1376 never happened.” Lot also includes two printed copies of the cartoon A Walt Disney Studios celluloid from Pinocchio along with a final cel of the cartoon. 1940, gouache on a trimmed celluloid, matted and framed, depicting 11 x 8 1/2 in. Figaro playing with a butterfly, applied to an airbrushed background, $2,000 - 2,500 inscribed in pencil on mat, “Figaro.” Within mat: 3 1/4 x 4 1/4 in. 1373 $600 - 800 Three preliminary Walt Disney studios character study drawings for Through Air Power 1377 1943, colored pencil on paper, each stamped Copyright Walt Disney A Walt Disney Studios celluloid from The Jungle Book Productions//Victory Unit, two stamped with the date 9/28/43, two 1967, gouache on celluloid, applied to a printed background, with a with initials lower right. The drawings depict a shy looking Hitler, gold Disneyland label on the reverse, matted, depicting the loveable a sad faced Hermann Goring, and an impish Rudolf Hess. Victory bear Baloo who is out to teach Mowgli the beauty of life. Through Air Power promoted the soundness of strategic aerial Within mat: 8 x 10 in. bombing in World War II. $400 - 600 10 ½ x 7 1/2 in. $1,000 - 1,500

Entertainment Memorabilia including Animation Art | 117 1378 1379

1380 1381

1382 1383

1378 1381 A Walt Disney Studios celluloid from The Sword Three early Walt Disney Studios animation drawings and the Stone of Mickey Mouse 1963, gouache on full multi-cel set-up, matted, depicting Wart, the 1930s, graphite on pencil on 2-peghole animation paper, the first young man educated by Merlin who grows up to be King Arthur. drawing from Mickey’s Fire Brigade, 1935, depicting Mickey Mouse 12 x 15 in. slung over the top of a ladder, lower right inscribed “8.” The other two $400 - 500 drawing of Mickey Mouse with solid dot eyes, both inscribed “Top pegs,” with numbers “56,” and “80,” the latter with small triangular 1379 cut-outs on edge of paper near the peg holes. Five Walt Disney Studios animation drawings of 9 1/2 x 12 in. Donald Duck and his nephews $600 - 800 1940s, graphite on paper on 5-peghole animation paper, the lot comprises two drawings of a nephew inscribed with numbers “45” 1382 and “41” and three drawings of Donald Duck inscribed with numbers A collection of seven Walt Disney Studios “36, 59, 57.” Photostat model sheets from various films and a 10 x 12 in. preliminary pencil drawing from One Hundred and $400 - 600 One Dalmatians Various dates, comprising photostats from Bambi, Pinocchio, and The 1380 Three Little Pigs, and Peter Pan, the latter including one of Captain Six Walt Disney Studios animation drawings from Hook and two of Peter Pan; and one Photostat of rough suggestions Three Little Wolves of Mickey Mouse; together with a preliminary pencil drawing on 1936, graphite on pencil on 5-peghole animation paper, depicting four 3-peghole animation paper of multiple images of Pongo and Perdita, drawings of the pig (two of which are roughs of a pig blowing a horn) which could have been used for marketing/promotional material. and two rough drawings of the little wolves. From 10 1/2 x 19 in. to 19 x 24 in. 9 1/2 x 12 in. $600 - 800 $400 - 600

118 | BONHAMS 1384 1385

1386 1387

1383 1386 A pair of Warner Bros. celluloids of Pepe Le Pew A Walt Disney Studios animation drawing from 1950s, gouache on celluloid, each depicting the amorous French skunk Fantasia Pepe Le Pew embracing Penelope Pussycat, small paint separation to 1940, graphite and yellow colored pencil on animation paper, arm of both cels. Pepe Le Pew was introduced by Chuck Jones in 1945. depicting Mickey Mouse as the Sorcerer’s Apprentice from the 10 x 12 1/2 in. sequence of the same name. Leopold Stokowski conducted his $500 - 700 renowned symphony orchestra in his own interpretation of the famous descriptive score of this sequence. In accompaniment, Mickey 1384 conducts the stars in the heavens. The animator’s yellow colored A Walt Disney Studios celluloid from Snow White pencil indicates to the cel painters the location of the comet’s light and the Seven Dwarfs reflecting on Mickey. 1937, gouache on celluloid, multi-cel set-up, matted and framed, Within mat: 12 1/2 x 16 1/2 in. depicting Dopey looking up at fish surrounded by bubbles, applied to $500 - 700 an airbrushed background of a circle, paint chips on one fish. Within mat: 8 1/2 x 7 1/2 in. 1387 $1,000 - 1,500 A Walt Disney Studios animation celluloid from Alice in Wonderland 1385 1951, gouache on celluloid, matted and framed, depicting the Dodo Five Walt Disney Studios preliminary model floating down Alice’s sea of tears. drawings from Song of the South Provenance: Exhibition at the Muscarelle Museum at the College of 1946, pen and ink and graphite on paper, each drawing signed William & Mary in Williamsburg, VA. M. Davis, (Marc Davis was the animator for this film), comprising a Within mat: 8 1/2 x 11 in. drawing of Brer Wolf, of a stork, of the wolf, the turtle and Brer $300 - 400 with his family and a watercolor of Brer Rabbit. 15 1/2 x 12 1/2 in. $1,500 - 2,000

Entertainment Memorabilia including Animation Art | 119 1388

1389

1390

1391 1389

1388 1390 A Walt Disney Studios post-production celluloid A Walt Disney drawing from Skeleton Frolic from The Hunchback of Notre Dame 1937, graphite on 2-peg hole animation paper, animated by Ub 1996, gouache on celluloid, three cel set-up, two of which are Iwerks, depicting one of the skeletons who rises from the grave and production underlays, applied to a watercolor production background, begins a night of frolic with music and dancing. depicting Esmeralda and Djali the goat. Esmeralda and Djali bow to Within mat: 8 1/4 x 10 1/4 in. the cheering crowd before pulling a disappearance act. $300 - 400 Provenance: Sotheby’s, The Art of Disney’s The Hunchback of Notre Dame, June 21, 1997, lot 96. 1391 12 1/2 x 17 in. Three Walt Disney Studios animation drawings of $700 - 900 Pluto and a wolf 1940s, graphite on paper on 5-peghole animation paper, the lot 1389 comprises two drawings of Pluto, a layout drawing of the wolf with a A pair of Warner Bros. celluloids of Pepe Le Pew photographer, and a watercolor of a turtle. 1950s, gouache on celluloid, each depicting Pepe Le Pew embracing 10 x 12 in.; 10 x 24 in. Penelope Pussycat, one cel with paint chips on Le Pew’s stomach $400 - 600 and Penelope’s face. 10 x 12 1/2 in. $500 - 700

120 | BONHAMS 1392 1393

1394 1395

1392 1394 A Warner Bros. publicity celluloid of Marvin the A Warner Bros. celluloid of Wile E. Coyote from Hare-way to the Stars 1950s, gouache on celluloid, applied to a watercolor production 1958, gouache on celluloid, applied to a watercolor production background, annotated “SC-8-322,” matted, depicting Wile E. Coyote background, annotated “SC-44-1464,” matted. Depicting Marvin the on roller skates. Martian with ray gun in hand. He is trying to blow up earth with Illudium 10 1/2 x 12 1/2 in. PU-36 explosive space modulator, but in reality it is only a stick of dynamite. $1,500 - 2,000 10 1/2 x 12 1/2 in. $7,000 - 9,000 1395 A Warner Bros. celluloid of Wile E. Coyote 1393 1950s, gouache on celluloid, applied to a watercolor production A Warner Bros. celluloid of Bugs Bunny from Hare- background, annotated “SC-811-1322,” matted, depicting Wile E. Abian Nights Coyote with a bucket of paint. 1959, gouache on celluloid, applied to a watercolor production 10 1/2 x 12 1/2 in. background, annotated SC-25-1389, matted, depicting Bugs Bunny $1,500 - 2,000 at a slot machine and roulette wheel. A “Gong Show” is set up in an Arabian palace when Bugs Bunny is assigned the role of “Teller of Tales.” He proceeds to explain how ended up in the palace. 10 1/2 x 12 1/2 in. $1,500 - 2,000

Entertainment Memorabilia including Animation Art | 121 1396 1397

1398 1399

1396 1398 A Warner Bros. celluloid of Pepe Le Pew and An original illustration for The Jetsons Annual Penelope Pussy Cat Gouache on paper, matted, depicting George Jetson at the controls. 1950s, gouache on celluloid, applied to a watercolor production 17 x 12 in. background annotated S-41-1249, matted, depicting Pepe Le Pew $600 - 800 hugging Penelope Pussy Cat, the love of his life. 10 1/2 x 12 1/2 in. 1399 $1,000 - 1,500 A Hanna-Barbera celluloid of The Jetsons 1960s, gouache on celluloid, applied to a watercolor production 1397 background, annotated “00008-8407-BG35,” matted, depicting the A set of seven Warner Bros. celluloids of Foghorn George Jetson, Elroy, Astro the dog, and Mr. Spacely. and Henry the Hawk 10 1/2 x 12 1/2 in. 1960s, gouache on celluloid, all applied to watercolor production $500 - 700 backgrounds, presumably from a view reel, matted, depicting Henry the Hawk playing with a helium balloon when Foghorn gets brilliant idea. 10 x 12 in. $2,000 - 3,000

122 | BONHAMS 1400

1402 1401

1400 1402 A Warner Bros. celluloid of Sylvester and An original watercolor entitled Walt Disney Speedy Gonzales Comics and Stories 1950s, gouache on celluloid, applied to a watercolor production 1940s, watercolor on paper, signed lower right (“Rinaldi”), possibly a background, annotated “SC 6,” matted, depicting Sylvester reading a cover idea that was never published, matted, depicting Donald Duck sign in a small Mexican town. dressed as a drum major. Rinaldi was one of Disney’s great story 10 1/2 x 12 1/2 in. artist who worked on such films as Lady and the Tramp, Dumbo and $600 - 800 Sleeping Beauty. 11 x 8 1/2 in. 1401 $800 - 1,200 A pair of Chic Young Sunday pages from Blondie and Colonel Potterby and the Duchess 10-20-1963 for Colonel Sunday, King Features Syndicate, pen and ink on illustration board, matted, depicting Dagwood and Blondie having a quiet evening when suddenly a friend’s domestic dispute brings on unexpected END OF SALE excitement into the household; the second Sunday page depicts the Duchess saying good-bye only to be greeted by a group of sailors. Within frame: 29 1/2 x 23 in. $1,200 - 1,600

Entertainment Memorabilia including Animation Art | 123 Catalog Order Form

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