Celebrando El Legado De Rory Gallagher

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Celebrando El Legado De Rory Gallagher | RUTA 66 encuentros margen de la música, había que saber entre- tener. Conocía ese lado. Pero no por eso te- PESE A QUE MURIÓ EN 1995, LOS SEGUIDORES DE RORY nía que vestir con ropa plateada. Lo hacía a Band Of Friends su modo. GALLAGHER NO HAN OLVIDADO A UN MÚSICO QUE EXUDABA AUTENTICIDAD, PASIÓN POR Tú también eres muy energético. Eres muy pasional en tu trabajo. EL BLUES Y EL FOLK, EN CADA UNOS DE SUS GESTOS. SU LEGADO SIGUE MUY VIVO. Aprecio que lo digas. Muchas gracias. ¿Qué aportabas a las canciones de Rory? ¿Cómo eran los esqueletos de las canciones? Rory traía las canciones en su primera SERGIO MARTOS lectura, yo las interiorizaba y me imaginaba CELEBRANDO EL LEGADO DE RORY GALLagHER como debían sonar, e intentaba que mis lí- neas encajasen dentro de lo que él tenía en uede que os suenen los nombres de pero sobre todo ya en los setenta. Por culpa su cabeza. Muchas otras veces él llegaba con T E X T O : Gerry McAvoy y Ted McKenna. O de esa situación, todo se volvió oscuro, com- melodías, y directamente nos po- quizás no os llame la atención nin- plicado. Era difícil conseguir actuaciones, el níamos a tocar. A lo mejor pasa- P ] guno de los dos. No importa, siempre hay simple hecho de tocar un instrumento se ba media hora, y seguíamos to- tiempo para todo. Hablamos de dos ilustres convirtió en un problema. Por eso, muchos cando en la misma base, hasta secundarios de la historia del rock. El segun- músicos emigraron a Inglaterra, y eso es lo que progresivamente Rory in- do ha dado ritmo y swing desde sus baque- que yo hice con mi banda en ese momento, troducía algunos cambios, y nos tas, a Rory Gallagher y a la Sensational Alex Deep Joy: mudarnos a Londres. Estando ahí quedábamos con ellos. Harvey Band, entre otros. Gerry, bajista, fue hicimos muchísimos conciertos con Taste, Siempre os negasteis a traba- la mano derecha de Rory durante más de la banda de Rory. Le había conocido en jar con productores externos e veinte años. Era aquel tipo con cara simpá- Belfast, en 1968, en una tienda de instru- incluso a pensar en un single, tica, que siempre transmitía energía y on- mentos donde él llevaba sus guitarras para aunque los discos se vendieron das positivas, aquel que siempre imagina- que fuesen quintadas. Siempre había sido relativamente bien. bas al lado del genial guitarrista irlandés. encantador, un tipo muy majo. Definitiva- Rory odiaba la simple idea Ambos han decidido celebrar la obra y mi- mente, nos conocimos mejor el uno al otro de trabajar en un single, y creo lagros de Gallagher, y el binomio ha bautiza- en Inglaterra. que había un par de bandas do a esta aventura como Band Of Friends. ¿Te gustaban Taste? que operaban del mismo Este no es un tributo cualquiera; este es ‘’El Oh, sí. Los adoraba, eran una banda fan- modo; una de ellas era Led Tributo’’. Al habla Gerry McAvoy. tástica. Siempre que tocaban en Belfast iba Zeppelin. A principios de los a verles. setenta, la progresión de la música nos ha- ¿Cómo se forma Band Of Friends? Antes de enrolarte con Rory hiciste algunos bía llevado a pensar en nosotros como Conocí a Marcel Scherpenzeel en un fes- bolos con el legendario Champion Jack Du- ‘’banda de álbum’’. La creación de un single tival en Holanda, hace un par de años. Él es pree. era algo sólo para los artistas de pop. Así es de Ámsterdam. Hicimos algunas canciones Fue una gran experiencia. Hice varias como lo veíamos, aunque las compañías de Rory Gallagher y la respuesta fue genial. actuaciones con él en 1970, por toda Euro- discográficas agradecían el intento de escri- Por otro lado, había estado tocando durante pa. Nunca ensayábamos, simplemente salía- bir un single de éxito. varios años con Nine Below Zero, y decidí mos al escenario y él decía: “Esta va en Si- Parece que uno de los pocos álbumes que que tenía que hacer otra cosa. Volví a tocar Bemol, o en Do”. Eso era todo. [Risas] hicisteis con la pretensión de agradar a la dis- con Ted McKenna hace un año en Escocia, Es gracioso, toda esa gente que ha tocado cográfica, fue precisamente el que acaba de y la química seguía estando ahí. Así que alguna vez con cualquiera de estos bluesmen editarse bajo el nombre de Notes from San decidimos formar la banda, y este año esta- históricos, suelen contar lo mismo. Francisco, aunque ha aparecido treinta y tres remos de gira por todo el mundo. Ellos esperaban que tú supieses como años más tarde. ¿Sólo tocáis música de Rory? tocar blues. Te formaban en experiencia; Fue todo muy extraño. Entonces había En efecto, esta es una celebración de la luego podías tocar con cualquiera. un claro desacuerdo entre Rory y la banda, música de Rory. Creo que es una prueba Supongo que sí hubo un primer ensayo con es decir, con Lou Martin y Rod De’Ath. No para demostrar el tipo de músicos que so- Rory, ¿o no? importa, el álbum se hizo, pero Rory no es- mos Ted y yo, y además Marcel hace un Sí, sí. Y fue fantástico. Fuimos a una pe- taba feliz con el álbum, ni con las canciones, gran trabajo tocando las canciones de Rory. queña habitación que había en un sótano, ni con el sonido. Lo pasamos muy bien du- + INFO ¿No vas a volver a tocar con Nine Below en el oeste de Londres. Estábamos solo el rante las sesiones en San Francisco, pero al Zero? baterista Wilgar Campbell a la batería, yo al A tribute to Rory final se tuvo que deshacer de la banda, y fue He estado con ellos durante veinte años. bajo, y Rory. Ya ese día hubo un sentimiento Gallagher llega a cuando entró Ted McKenna. Rory y yo fui- Creo que es mucho tiempo. Es hora de ha- fantástico. nuestro país. El 31 mos a ver a los Sex Pistols en su última ac- cer algo diferente. ¿Hubo controversia con los antiguos segui- de mayo se estrena tuación, y decidió volver al sonido agresivo El último álbum que hiciste con ellos fue It’s dores de Taste? pero así es como era él. en el Teatro Cicca, Lynott; llegué a conocerle muy bien. La- llaje. Pero acabaron siendo muy famosos. Tras su larga estancia de una banda formada sólo por tres músi- Never Too Late!… La banda nunca había sona- Al principio fue difícil, pero eventual- Hubo algo en Taste que nunca me atrajo, Las Palmas. El 1 de mentablemente no está con nosotros, como Mira, cuando sales a un escenario siempre en Nine Below Zero, cos. do tan bien. mente, tan pronto como iban a nuestros especialmente en el álbum On the Boards, y es junio llegará a Ma- Gary Moore. Van Morrison era educado. va a haber gente a la que le guste y otra a la Gerry McAvoy vuelve Escribió la canción «Brute Force & Ignoran- al cancionero del Estoy de acuerdo. Es un gran álbum, tie- conciertos, la gente empezaba a disfrutar de ese sonido cercano al jazz de fusión. Creo que drid, Arena, y el 2 a Es interesante que de Irlanda emanen Phil y que no. Pero, bueno, cuando vimos a su ba- ce», después de esa actuación de los Pistols. ne grandes canciones. Pero todo tiene un esta nueva música, tanto como lo habían cuando dio comienzo a su carrera solista, ese Rory, dos de los tipos con los fans más dedica- tería caerse de la tarima voladora... [Risas] añorado guitarrista ¿Le gustaban realmente? Vitoria, Helldorado. punto y aparte. Estaba dispuesto a aceptar hecho con Taste. Pero sí, esos primeros días sonido se fue para siempre. dos del mundo. Siempre fuisteis sencillos en escena. Nada irlandés, con quien Le gustaba la energía que desprendía la Más fechas próxi- un cambio. fueron delicados. Rory era un enorme fan del jazz, especial- Eran únicos en lo suyo. que ver con Slade o The Sweet. tantos años trabajó banda, esa violencia casi militar y cuadricu- Me sorprende que ahora vivas en Francia. Rory Gallagher y Deuce, vuestros primeros mente de John Coltrane. John Wilson, el mamente. Estabais muy influenciados por la música Creo que todo forma parte de una cara lada del sonido. Nunca le gustaron sus Te imaginaba en Irlanda o Inglaterra. trabajos, estaban basados en una fórmula ad- baterista en Taste, también era un estudioso estadounidense. Me imagino que la primera del negocio del rock & roll. Una banda como canciones, tampoco a mí, pero entendía la Bueno, me enamoré de una joven france- herida al blues-rock de la época. del género. A Rory le gustaba moverse por vez que fuisteis a tocar allí, debió ser muy espe- Kiss podía estar influenciada por Elvis, energía primaria que desprendían. sa, y me vine aquí. Nunca tengo tiempo de Adoro esos discos, son muy frescos. Espe- diferentes estilos. cial. quien ya vestía con ropas glamurosas y des- Volviendo a las gira estadounidenses, hay añorar Inglaterra o Irlanda, porque siempre cialmente el primero, creo que es hermoso. Fuisteis una de las primeras bandas en tocar Era muy joven, solo tenía diecinueve pampanantes; lo cual está bien. Pero yo una gran historia sobre Bob Dylan acudiendo a estoy yendo a tocar allí. Taste venían de un sonido muy crudo, basa- en Belfast durante esos tiempos tumultuosos años. Volamos directo hacia Los Ángeles, y prefiero salir al escenario con mis tejanos. uno de vuestros shows, porque era un gran fan Naciste en Belfast.
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