RW the WALL Extended.Indd
28 • TPi APRIL 2011 AT THE BEGINNING OF APRIL, MARK CUNNINGHAM SPENT FIVE DAYS IN MILAN WITH THE PRODUCTION TEAM ON ROGER WATERS’ THE WALL LIVE — A STUNNING, REIMAGINED TOURING VERSION OF THE PINK FLOYD CO-FOUNDER’S CLASSIC ‘ROCK OPERA’. (And he still hasn’t come back down to Earth yet...) Is it a rock concert, performance art or a cannot fail to be moved by the sheer dynamic Sean Evans, and Tyler Kisera of Tait Towers theatre show? The truth is, it straddles all of energy and unprecedented creative content in whose youthful energy and vision proved to be these genres but the end result is in a field of this new presentation. an inspiration for all. Sensible Events’ Andrew its own. Introduced by a soundtrack clip from Zweck leads as tour director and Chris Kansy Whereas the original Pink Floyd shows Spartacus, signifying the judgement of a (Van Morrison, Janet Jackson, Mary J. Blige) is in of 1980 preceded moving lights, line arrays, man who stood up to the Establishment, The the production management hot seat. hi-def video and sophisticated automation, Wall Live is separated into two Acts, each “There are plenty of artists touring with 25 this new live production of Roger Waters’ approximately 55 minutes long, with images trucks of equipment and doing their ‘froth and magnum opus, The Wall, harnesses all of of victims of conflict projected on to the bricks bubble’ shows, but nobody’s doing a production today’s advanced technologies to deliver an during the 20 minute intermission. with such intensity, depth and integrity,” said uncompromised assault on the senses.
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