On the Laws Governing Free Spirits and Philosophers of the Future: a Response to Nonet's "What Is Positive Law?"
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Nietzsche's Comparative Religion: an Analysis of the Anti-Christ
Nietzsche's Comparative Religion: An Analysis of The Anti-Christ t. I Gary Wilson Submitted in partial fulfilment of the requirements for the degree of Master of Arts The University of Cape Town 1994 University of Cape Town The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town i f f I I SUMMARY OF TIIESIS ! r ' This thesis explores the argument that Nietzsche's aim in his book The Anti-Christ is to reveal what he regards as the truth about Christianity, and that he uses detailed comparisons to prove this. Many forms of comparison are used by Nietzsche in The Anti-Christ. One is the comparison between Christianity and other religions such as Hinduism, Buddhism, Judaism, and Islam. Another is the comparison between different forms or even levels of Christianity. And yet another is the comparison between Christianity, science, and Buddhism, based on their degree of contact with reality. As these comparisons are traced in this thesis, a number of contradictions are encountered, and it would appear that these are due to Nietzsche's attempt to address two groups of readers - Christi~ readers, and those readers who are prepared for Nietzsche's radical philosophy. The contradictions arise when Nietzsche tries to i.' please both groups of readers, to be both blunt and sophisticated at the same time. -
Nietzsche's Aristocratic Radicalism
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2012 Nietzsche's Aristocratic Radicalism Jonathan James Michalski Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the Arts and Humanities Commons Repository Citation Michalski, Jonathan James, "Nietzsche's Aristocratic Radicalism" (2012). Browse all Theses and Dissertations. 584. https://corescholar.libraries.wright.edu/etd_all/584 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. Nietzsche’s Aristocratic Radicalism A thesis submitted in partial fulfillment of the requirements for the degree of Master of Humanities By Jonathan Michalski B.A. Wright State University, 2008. 2012 Wright State University Wright State University School of Graduate Studies June 4, 2012 I hereby recommend that the thesis prepared under my supervision by Jonathan Michalski entitled Nietzsche’s Aristocratic Radicalism be accepted in partial fulfillment of the requirements for the degree of Master of Humanities. _____________________________ Donovan Miyasaki, Ph.D. Project Director _____________________________ Ava Chamberlain, Ph.D. Director, Master of Humanities Program College of Liberal Arts Committee on Final Examination: __________________________________________ Donovan Miyasaki, Ph.D. __________________________________________ Sean Wilson, Ph.D __________________________________________ Linda Farmer, Ph.D. __________________________________________ Andrew T. Hsu, Ph.D. Dean, School of Graduate Studies Abstract Michalski, Jonathan. M.H. Department of the Humanities, Wright State University, 2012. Nietzsche’s Aristocratic Radicalism. My thesis is that Nietzsche’s political philosophy is a form of aristocratic radicalism, which means that society should be ruled by the few. -
6 X 10 Long.P65
Cambridge University Press 0521854229 - Nietzsche’s Philosophy of Religion Julian Young Index More information Index Aeschylus, 15, 28, 161 Aristotle, 75, 161, 175 amor fati, 138, 174 Arndt, Ernst Moritz, 205 analytic moral philosophy, Nietzsche as Arnim, Achim von, 205 contributor to, 3–4 art. See also Apollonianism; Dionysianism animism, 63, 71, 151 as critiqued in Human, all-too-Human, 74–6, Ansell-Pearson, Keith, 145, 148 80, 87 anti-Semitism. See Judaism function of, in Twilight of the Idols, 167 The Antichrist. See also Christianity positive attributes emerging from critique in audience for, 94 The Wagner Case, 159–60 on breeding of men, 168 Wagner’s views on, 207 (See also Wagner, Genealogy of Morals foreshadowing, 154 Richard, and Bayreuth Festival) on ‘healthy’ or noble vs. unhealthy Ascona, 210 gods, 177–9 Ass Festival or Feast of Fools in Zarathustra, Manu’s Lawbook 114–17, 143 idealized vs. critical portrayal of, 185–8 Assorted Opinions and Maxims, 58, 81. See also and Nietzsche’s vision of the state, 179–85 Human, all-too-Human purpose and themes of, 177 atheism Antigone, Sophocles, 27, 117 Nietzsche regarded as propounder of, 2 antiquarian history, 38–62 Nietzsche’s opposition to, 141 apocalyptic tone of Ecce Homo, 195 psychology of, 152–3 Apollonianism, 16–19 Atwood, Margaret, 24 classical revival in art and, 74–7, 80 audience for Nietzsche’s works and critique of modernity, 29–31 The Antichrist, 94 Dionysianism Beyond Good and Evil, 127–8 contrasted with, 2, 16, 19, 20, 76, 144, 197 The Genealogy of Morals, 148 unified with, -
Heaven and Hell.Pmd
50 Copyright © 2002 The Center for Christian Ethics at Baylor University This photo is available in the print version of Heaven and Hell. Though Auguste Rodin struggled over twenty years to express through sculpture the desperation of souls that are falling from Grace, he never finished his magnificent obsession. Auguste Rodin (1840-1917), THE GATES OF HELL, 1880-1900, Bronze, 250-3/4 x 158 x 33-3/8 in. Posthumous cast authorized by Musée Rodin, 1981. Iris & B. Gerald Cantor Center for Visual Arts at Stanford University; gift of the B. Gerald Cantor Collection. Photograph by Frank Wing. The Final Judgment in Christian Art 51 Falling BY HEIDI J. HORNIK uguste Rodin accepted his first major commission, The Gates of Hell, when he was forty years old. This sculpture was to be the door- Away for the École des Arts Dècoratifs in Paris. Though the muse- um of decorative arts was not built, Rodin struggled over twenty years to depict the damned as they approach the entrance into hell. He never finished. The sculpture was cast in bronze after the artist’s death, using plaster casts taken from his clay models. The Gates of Hell, like Michelangelo’s Last Judgment, lays out its mean- ing through a turbulent and multi-figured design. The identities of many figures in the composition are not immediately apparent. Instead Rodin challenges us to make sense of the whole work by dissecting its elements and recalling its artistic influences.† The Three Shades at the very top, for example, derives from Greek thought about Hades. -
Originality Statement
PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Hosseinabadi First name: Sanaz Other name/s: Abbreviation for degree as given in the University calendar: PhD School: School of Architecture Faculty: Built Environment Title: Residual Meaning in Architectural Geometry: Tracing Spiritual and Religious Origins in Contemporary European Architectural Geometry Abstract 350 words maximum: (PLEASE TYPE) Architects design for more than the instrumental use of a buildings. Geometry is fundamental in architectural design and geometries carry embodied meanings as demonstrated through the long history of discursive uses of geometry in design. The meanings embedded in some geometric shapes are spiritual but this dimension of architectural form is largely neglected in architectural theory. This thesis argues that firstly, these spiritual meanings, although seldom recognised, are important to architectural theory because they add a meaningful dimension to practice and production in the field; they generate inspiration, awareness, and creativity in design. Secondly it will also show that today’s architects subconsciously use inherited geometric patterns without understanding their spiritual origins. The hypothesis was tested in two ways: 1) A scholarly analysis was made of a number of case studies of buildings drawn from different eras and regions. The sampled buildings were selected on the basis of the significance of their geometrical composition, representational symbolism of embedded meaning, and historical importance. The analysis clearly traces the transformation, adaptation or representation of a particular geometrical form, or the meaning attached to it, from its historical precedents to today. 2) A scholarly analysis was also made of a selection of written theoretical works that describe the design process of selected architects. -
The Art of the Metropolitan Museum of New York
tCbe Hrt of tbe flftetiopoUtan fIDuseum 3Bg tbe Same Butbor 2L XTbe art of tbe IRetberlanb (Balleriea Being a History of the Dutch School of Painting Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in the many Galleries With 48 Illustrations. Price, $2.00 net £ L. C. PAGE & COMPANY New England Building, Boston, Mass. GIBBS - C HANNING PORTRAIT OF GEORGE WASHINGTON. By Gilbert Stuart. (See page 287) fje gtrt of iWetcopolitany 3*1 it scnut of 3Ul” Motfe & Giving a descriptive and critical account of its treasures, which represent the arts and crafts from remote antiquity to the present time. ^ By David C. Preyer, M. A. Author of “ The Art of the Netherland Galleries,” etc. Illustrated Boston L. C. Page & Company MDCCCC1 X Copyright, 1909 By L. C. Page & Company (incorporated) All rights reservea First Impression, November, 1909 Electrotyped and Printed at THE COLONIAL PRESS C.H . Simonas Sr Co., Boston U.S.A. , preface A visit to a museum with a guide book is not inspiring. Works of art when viewed should con- vey their own message, and leave their own im- pression. And yet, the deeper this impression, the more inspiring this message, the more anxious we will be for some further information than that conveyed by the attached tablet, or the catalogue reference. The aim of this book is to gratify this desire, to enable us to have a better understanding of the works of art exhibited in the Metropolitan Museum, to point out their corelation, and thus increase our appreciation of the treasures we have seen and admired. -
Rodin's Album Fenaille Drawings for Dante's Divine Comedy
Geng to the Gates of Hell: Rodin's Album Fenaille Drawings for Dante's Divine Comedy The National Museum of Western Art, Tokyo Saturday, ARTIST 21 October 2017 – Sunday, TITLE 28 January 2018 DATE MEDIUM AND SUPPORT INV.NO. Prints and Drawings Gallery The Drawings of Auguste Rodin (Album Fenaille), Jean Boussod, Manzi, Joyant & Cie (successor of Goupil & Cie), No.1 ~ 1897; no.99, Photogravure, Matsukata Collecon No.129 Research Library of the Naonal Museum of Western Art (0218626) No. Title No. Title No. Title 1 One of the Three Furies 44 Dante and Virgil on a Chimeral Horse 87 Shades of Woman and Child 2 Shade 45 Demon Indicang a Shade Fallen into the Pitch 88 Shades Dante and Virgil Frightened by Demons that Overhang 3 the Circle's Descent 46 Minos on his Throne 89 Woman and Child 4 Shades of Three Warriors 47 Prometheus 90 Woman Standing, a Child in Her Arms 5 Francesca da Rimini Group 48 Mask of Minos 91 Woman and Child 6 Shade 49 Centaur 92 Shade 7 Centaur and Faun 50 Ugolino Imprisoned 93 Shades of a Woman and Two Children 8 Shades 51 Ugolino Interrupts His Cruel Meal to Tell Dante His Story 94 Shade Crossing the Flame 9 Shade 52 Ugolino Imprisoned 95 Woman and Child 10 Herecs 53 Cerberus 96 Dante and Beatrice 11 Shade on a Rock 54 Demon in the Air 97 Shades Entwined 12 Lust 55 Damned 98 Shade of a Seated Man 13 Rider 56 Mohammed in the Circle of Heresy 99 The Prodigal Son 14 One of the Furies 57 Group of the Damned Suspended by Their Arms 100 Shades of Woman and Child 15 Figure of the Damned 58 Circle of Love 101 Shades of Woman -
Collegiate Novice 4
Collegiate Written by Ewan MacAulay, Grant Boggess, Austin Brownlow, Michael Chuber, Alex Dzurick, Joey Novice 4 Goldman, Nicholas Karas, Melanie Keating, Paul Kelson, Benjamin Johnson, Grace Liu, Brian Fall 2013 Mongilio, Itamar Naveh-Benjamin, Robert Pond, Victor Prieto, Jacob Reed, Graham Reid, Jihye Shin, Packet 5 Jonathan Tong Xu, Eric Xu, and Haohang Xu. Edited by Andrew Hart. 1. One poem from this country begins and ends with the same lines, “a willow of crystal, a poplar of water.” A stream-of-consciousness novel from this country features the deaths of the Indian Regina and Gonzalo Bernal. One author from this country wrote “Sunstone” and included “The Sons of La Malinche” in his The Labyrinth of Solitude. Another author from this country wrote about the last days of a PRI political boss in The Death of Artemio Cruz. For 10 points, name this home country of Octavio Paz and the author of The Old Gringo, Carlos Fuentes. ANSWER: Mexico [or United Mexican States; or Estados Unidos Mexicanos] 2. This team drafted Gerald Wallace, but lost him to the Bobcats in an expansion draft. In Game 6 of the 2002 Western Conference Finals, this team shot 15 fewer free throws than the Lakers. This team, which drafted Ben McLemore in 2013, traded the 2010 rookie of the year to the New Orleans Pelicans for Greivis Vasquez. This NBA team, which plays in Sleep Train Arena in a city whose mayor is Kevin Johnson, nearly moved to Seattle in 2013. For 10 points, DeMarcus Cousins plays for what NBA team that plays its home games in California’s capital? ANSWER: Sacramento Kings [accept either] 3. -
Introduction
Cambridge University Press 978-1-107-10903-2 — Nietzsche, Soloveitchik and Contemporary Jewish Philosophy Daniel Rynhold , Michael J. Harris Excerpt More Information Introduction The concept “God” invented as a counter-concept to life, – it makes a ter- rible unity of everything that is most harmful, poisonous, slanderous, the whole deadly hostility to life! (EH IV:8) Of all that has been done on earth against “the noble,” “the mighty,” “the lords,” “the power-holders,” nothing is worthy of mention in comparison with that which the Jews have done against them; the Jews, that priestly people who in the end were only able to obtain satisfaction from their ene- mies and conquerors through a radical revaluation of their values, that is, through an act of spiritual revenge. This was the only way that suited a priestly people, the people of the most suppressed priestly desire for revenge. (GM I:7) [T]he Jews are without a doubt the strongest, purest, most tenacious race living in Europe today. They know how to thrive in even the worst condi- tions (and actually do better than in favorable ones) due to some virtues that people today would like to see labeled as vices, – above all, thanks to a resolute faith that does not need to feel ashamed in the face of “modern ideas.” (BGE 251) In the popular mind, Friedrich Nietzsche’s notoriety is based, in large part, on his announcement of the “death of God,” and much of his career’s work forms a none too complimentary obituary. And then there are the Jews, striving, in the main over the course of their history,to keep that God alive, and responsible for inventing the façade behind which, Nietzsche believed, the traditional theistic God could take refuge – “slave morality” (even if it was Christianity that subsequently developed that morality into 1 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-10903-2 — Nietzsche, Soloveitchik and Contemporary Jewish Philosophy Daniel Rynhold , Michael J. -
An Inquiry Into the Yeşil Yurt Dream of Servet-I Fünun A
SPACES OF AN ESCAPIST UTOPIA: AN INQUIRY INTO THE YEŞİL YURT DREAM OF SERVET-I FÜNUN A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF NATURAL AND APPLIED SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY GÖNENÇ KURPINAR IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARCHITECTURE IN ARCHITECTURE JULY 2020 Approval of the thesis: SPACES OF AN ESCAPIST UTOPIA: AN INQUIRY INTO THE YEŞİL YURT DREAM OF SERVET-I FÜNUN submitted by Gönenç Kurpınar in partial fulfilment of the requirements for the degree of Master of Science in Architecture, Middle East Technical University by, Prof. Dr. Halil Kalıpçılar Dean, Graduate School of Natural and Applied Sciences Prof. Dr. Cana Bilsel Head of the Department, Architecture Assoc. Prof. Dr. M. Haluk Zelef Supervisor, Architecture Dept., METU Examining Committee Members: Prof. Dr. İnci Basa Architecture Dept., METU Assoc. Prof. Dr. M.Haluk Zelef Architecture Dept., METU Assoc. Prof. Ela Çil Architecture Dept., IYTE Date: 22.07.2020 I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Gönenç Kurpınar Signature: iii ABSTRACT SPACES OF AN ESCAPIST UTOPIA: AN INQUIRY INTO THE YEŞİL YURT DREAM OF SERVET-I FÜNUN Kurpınar, Gönenç Master of Architecture, Architecture Supervisor: Assoc. Prof. Dr. Mustafa Haluk Zelef July 2020, 101 Pages Throughout the history, humankind has created many utopias and has used the utopian vision to build the physical environment, govern the social life or just escape from the existing reality. -
A Twopart Curriculum Bulletin Pays Tribute to the Lite and Works of Dante Alighieri During the 700Th Annivarsary of His Birte
DOCUMENT RESUME ED 036 241 FL 001 644 AUTHOR CAVICCHIA, GIDA; CCSTADASI, VIRGINIA TITLE DANTE, SEVENTH CENTENNIAL, 1265-1965: RESOURCE MATERIALS FOR TEACHERS. CURRICULUM BULLETIN, 1965-66 SERIES, NUMBER 16. INSTITUTION NEW YORK CITY BOARD aF EDUCATION, BROOKLYNe N.Y. PUB DATE SEP 65 NOTE 111P. AVAILABLE FRCM BOARD OF-EDUCATION OF THE CITY OF NEW YORK, PUBLICATIONS SATES OFFICE, 110 LIVINGSTON STREET, BROOKLYN, NEW YORK 11201 ($1.50) EDRS PRICE EDRS PRICE MF-r$0.50 HC NOT AVAILABLE FROM EDRS. DESCRIPTORS AUTHORS, BIOGRAPHIES, CHORAL SPEAKING, CCMPOSITICN SKILLS {_LITERARY), *CURRICULUM GUIDES, FINE ARTS, INSTRUCTIONAL AIDS, INSTRUCTIONAL PROGRAM DIVISIONS, *INTERDISCIPLINARY APPROACH, *ITALIAN, LITERARY ANALYSIS, LITERARY STYLES, LITERATURE, MATHEMATICS, *POETS, READING COMPREHENSION, READING MATERIAL SELECTION, SOCIAL STUDIES, TEACHING GUIDES, VOCABULARY DEVELOPMENT IDENTIFIERS *DANTE ALIGHIERI, *DIVINE COMEDY ABSTRACT A TWOPART CURRICULUM BULLETIN PAYS TRIBUTE TO THE LITE AND WORKS OF DANTE ALIGHIERI DURING THE 700TH ANNIVARSARY OF HIS BIRTE. PART ONE INCLUDES HIS BIOGRAPHY, A DISCUSSION OF HIS MINOR WORKS, A SUMMARY OF "THE DIVINE COMEDY", DANTE'S IMPACT ON OTHER LANDS, AND DANTEAN THOUGHT. SUGGESTIONS FOR TEACHING A RESOURCE UNIT FOR ELEMENTARY AND JUNIOR HIGH SCHOOL GRADES ARE PROVIDED. OTHER LANGUAGE ARTS TOPICS ARE (1) A GUIDED READING LESSON, (2)A COMPOSITION LESSON FOR VOCABULA.RY ENRICHMENT,(3) CHORAL SPEAKING, (4) POETRY APPRECIATICN, AND (5) LITERATURE. MATERIALS RELATED TO DANTE IN SOCIAL STUDIES, MATHEMATICS, ASTRONOMY, MUSIC, THE DANCE, ART, AND GUIDANCE ARE OFFERED ALONG WITH A BIBLIOGRAPHY. AN ORIGINAL PLAY, "DANTE AND BEATRICE", IS FOUND IN THE APPENDIX. (EL) U.S.DEPARIZTOTIFEAiTH.,EDLTIIIiWELFARE THIS DOCUMENT HAS BEEN REPRODUCEDOFFICE OF EDUCATION EXACTLY AS RECEIVED FROM THE !PERSON!STATEDPOSITION elmosizageolowei DOOR OR EDONOT ORGANIZATIONmum NECESSARILY ORIGINATING362,41 REPRESENT IT. -
A Structural Analysis of Constantin Brancusi's
A STRUCTURAL ANALYSIS OF CONSTANTIN BRANCUSI'S STONE SCULPTURE by LESLIE ALLAN DAWN B.A., M.A., University of Victoria A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Art History We accept this thesis as conforming to the required standard © LESLIE ALLAN DAWN UNIVERSITY OF BRITISH COLUMBIA October 1982 All rights reserved. This thesis may not be reproduced in whole or in part3 by mimeograph or other means3 without the permission of the author. In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Ws>TQg.»? CF E)g.T The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 Date (3/81) i i ABSTRACT It has long been recognized by Sidney Geist and others that Constantin Brancusi's stone work, after 1907, forms a coherent totality in which each component depends on its relationship to the whole for its significance; in short, the oeuvre comprises a rigorous sculptural language. Up to the present, however, formalist approaches have proven insufficient for decodifying the clear design which can be intuited in the language.