The Complete Works of Friedrich Nietzsche VOL
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Eternal Recurrence and the Categorical Imperative Philip J
Santa Clara University Scholar Commons Philosophy College of Arts & Sciences 3-2007 Eternal Recurrence and the Categorical Imperative Philip J. Kain Santa Clara University, [email protected] Follow this and additional works at: http://scholarcommons.scu.edu/phi Part of the Philosophy Commons Recommended Citation Kain, P. J. "Eternal Recurrence and the Categorical Imperative," The outheS rn Journal of Philosophy, 45 (2007): 105-116. This is the peer reviewed version of the following article: Kain, P. J. "Eternal Recurrence and the Categorical Imperative," The outheS rn Journal of Philosophy, 45 (2007): 105-116., which has been published in final form at http://doi.org/10.1111/j.2041-6962.2007.tb00044.x. This article may be used for non-commercial purposes in accordance With Wiley Terms and Conditions for self-archiving. https://www.pdcnet.org/collection/ authorizedshow?id=southernjphil_2007_0045_0001_0105_0116&pdfname=southernjphil_2007_0045_0001_0109_0120.pdf&file_type=pdf This Article is brought to you for free and open access by the College of Arts & Sciences at Scholar Commons. It has been accepted for inclusion in Philosophy by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Eternal Recurrence and the Categorical Imperative Philip J. Kain Santa Clara University I Nietzsche embraces the doctrine of eternal recurrence for the first time at Gay Science §341:1 The greatest weight.—What, if some day or night a demon were to steal after you into your loneliest loneliness and say to you: "This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence—even this spider and this moonlight between the trees, and even this moment and I myself. -
Philosophy and Critical Theory
STANFORD UNIVERSITY PRESS PHILOSOPHY AND CRITICAL THEORY 20% DISCOUNT ON ALL TITLES 2021 TABLE OF CONTENTS The Complete Works of Friedrich Nietzsche .......... 2-3 Political Philosophy ................ 3-5 Ethics and Moral Philosophy ..................................5-6 Phenomenology and Critical Theory ..........................6-8 Meridian: Crossing Aesthetics ...................................8-9 Cultural Memory in the Present .................................9-11 Now in Paperback ....................... 11 Examination Copy Policy ........ 11 The Case of Wagner / Unpublished Fragments ORDERING Twilight of the Idols / from the Period of Human, Use code S21PHIL to receive a 20% discount on all ISBNs The Antichrist / Ecce Homo All Too Human I (Winter listed in this catalog. / Dionysus Dithyrambs / 1874/75–Winter 1877/78) Visit sup.org to order online. Visit Nietzsche Contra Wagner Volume 12 sup.org/help/orderingbyphone/ Volume 9 Friedrich Nietzsche for information on phone Translated, with an Afterword, orders. Books not yet published Friedrich Nietzsche Edited by Alan D. Schrift, by Gary Handwerk or temporarily out of stock will be Translated by Adrian Del Caro, Carol charged to your credit card when This volume presents the first English Diethe, Duncan Large, George H. they become available and are in Leiner, Paul S. Loeb, Alan D. Schrift, translations of Nietzsche’s unpublished the process of being shipped. David F. Tinsley, and Mirko Wittwar notebooks from the years in which he developed the mixed aphoristic- The year 1888 marked the last year EXAMINATION COPY POLICY essayistic mode that continued across of Friedrich Nietzsche’s intellectual the rest of his career. These notebooks Examination copies of select titles career and the culmination of his comprise a range of materials, includ- are available on sup.org. -
Ex Oriente Tenebrae!
Duncan Large Ex oriente tenebrae! Orientalism and Anti-Semitism in Oscar Levy’s Nietzsche 1 Introduction: Oscar Levy on Nietzsche’s Ecce Homo As general editor of the first Complete Works of Friedrich Nietzsche in English translation,1 Oscar Levy (1867–1946) played a vital part in the first wave of Nie- tzsche reception in England. Patrick Bridgwater argues: “rarely can a translation of a modern œuvre have exercised such powerful influence on so many important writers”.2 None of the translations in Levy’s English Nietzsche edition is by Levy himself (although he was translating two of Benjamin Disraeli’s novels into Ger- man at the same time);3 instead, in addition to negotiating the rights, corralling the translators and financing the edition, he proselytised for Nietzsche in his own writings through introductions and other essays. These certainly had the desired effect of winning readers for Nietzsche and raising awareness of the recently de- ceased German philosopher at an otherwise highly sensitive period of Anglo-Ger- man relations in the lead-up to the First World War. At the same time as Levy was promoting Nietzsche, though, he was not doing him any favours in the longer term by aligning him with various other causes which were dear to him person- ally, attaching Nietzsche’s name to his own dubious political programme. In this essay I want to examine Levy’s Nietzsche more closely by focussing on one of the less prominent – but none the less symptomatic – among his Nietzsche essays, his introduction to Nietzsche’s late autobiographical text Ecce homo. -
Traces of Friedrich Nietzsche's Philosophy
Traces of Friedrich Nietzsche’s Philosophy in Scandinavian Literature Crina LEON* Key-words: Scandinavian literature, Nietzschean philosophy, Georg Brandes, August Strindberg, Knut Hamsun 1. Introduction. The Role of the Danish Critic Georg Brandes The age of Friedrich Nietzsche in Scandinavia came after the age of Émile Zola, to whom Scandinavian writers such as Henrik Ibsen and August Strindberg were indebted with a view to naturalistic ideas and attitudes. Friedrich Nietzsche appears to me the most interesting writer in German literature at the present time. Though little known even in his own country, he is a thinker of a high order, who fully deserves to be studied, discussed, contested and mastered (Brandes 1915: 1). This is what the Danish critic Georg Brandes asserted in his long Essay on Aristocratic Radicalism, which was published in August 1889 in the periodical Tilskueren from Copenhagen, and this is the moment when Nietzsche became to be known not only in Scandinavia but also in other European countries. The Essay on Aristocratic Radicalism was the first study of any length to be devoted, in the whole of Europe, to this man, whose name has since flown round the world and is at this moment one of the most famous among our contemporaries (Ibidem: 59), wrote Brandes ten years later. The term Aristocratic Radicalism had been previously used by the Danish critic in a letter he wrote to Nietzsche himself, from Copenhagen on 26 November 1887: …a new and original spirit breathes to me from your books […] I find much that harmonizes with my own ideas and sympathies, the depreciation of the ascetic ideals and the profound disgust with democratic mediocrity, your aristocratic radicalism […] In spite of your universality you are very German in your mode of thinking and writing (Ibidem: 63). -
Nietzsche and Wagner: Their Influence on National Socialism
NIETZSCHE AND WAGNER: THEIR INFLUENCE ON NATIONAL SOCIALISM By Ethel Celeste Johnston Submitted as an Honors Paper In the Department of History TIE WOMAN'S COLLEGE OF THE UNIVERSITY OF NORTH CAROLINA GREENSBORO, NORTH CAROLINA 19U9 TABLE OF CONTENTS Page I. THE ACCUSATION 1 Connecting "Links" Heresay and Proof II. THE FATE OF GERMAN LIBERALISM. 3 The Revolution of 18U8 in Germany The Final Defeat of the German Liberals III. NIETZSCHE 5 The Prematurity of his Thought Biographical Sketch The Scope of his Work The Philosophy of the Superman Possible Perversion of his Thought Leading German nationalists of his Century 17. WAGNER 23 Gobineau's Influence on Wagner's Political Thought Wagner's Ideas on Nation and Race Biographical Sketch His Nationalistic Music His Part in the Revolution of 18U8 His Theories of Volk and Fuehrer His Anti-Semitism V. NIETZSCHE AND WAGNER: THEIR FRIENDSHIP AND PARTING.... 31 Nietzsche's Early Misinterpretation of Wagner's Purpose in Music The Effect of the Bayreuth Festival on Nietzsche's Idealism Reasons for their Parting VI. NIETZSCHE AND WAGNER AMONG THE NAZIS 35 Nietzsche as a Nazi National Hero Contrast of the Thinker's principles with Those of Hitler Wagner's Place in the Hierarchy of Nazi Heroes Comparison of Wagner's and Hitler's Ideas Influence of Wagner's Music on the Masses NIETZSCHE AND WACKIER: THEIR INFLUENCE ON NATIONAL SOCIALISM In 19U3 during the blackest days of World War II the United States Department of State issued a booklet on National Socialism— a summary of our enemy's ideology, its background, and its present application. -
1 Introduction the Empire at the End of Decadence the Social, Scientific
1 Introduction The Empire at the End of Decadence The social, scientific and industrial revolutions of the later nineteenth century brought with them a ferment of new artistic visions. An emphasis on scientific determinism and the depiction of reality led to the aesthetic movement known as Naturalism, which allowed the human condition to be presented in detached, objective terms, often with a minimum of moral judgment. This in turn was counterbalanced by more metaphorical modes of expression such as Symbolism, Decadence, and Aestheticism, which flourished in both literature and the visual arts, and tended to exalt subjective individual experience at the expense of straightforward depictions of nature and reality. Dismay at the fast pace of social and technological innovation led many adherents of these less realistic movements to reject faith in the new beginnings proclaimed by the voices of progress, and instead focus in an almost perverse way on the imagery of degeneration, artificiality, and ruin. By the 1890s, the provocative, anti-traditionalist attitudes of those writers and artists who had come to be called Decadents, combined with their often bizarre personal habits, had inspired the name for an age that was fascinated by the contemplation of both sumptuousness and demise: the fin de siècle. These artistic and social visions of degeneration and death derived from a variety of inspirations. The pessimistic philosophy of Arthur Schopenhauer (1788-1860), who had envisioned human existence as a miserable round of unsatisfied needs and desires that might only be alleviated by the contemplation of works of art or the annihilation of the self, contributed much to fin-de-siècle consciousness.1 Another significant influence may be found in the numerous writers and artists whose works served to link the themes and imagery of Romanticism 2 with those of Symbolism and the fin-de-siècle evocations of Decadence, such as William Blake, Edgar Allen Poe, Eugène Delacroix, the Pre-Raphaelite Brotherhood, Charles Baudelaire, and Gustave Flaubert. -
Nietzsche's Orientalism
Duncan Large Nietzsche’s Orientalism Abstract: Edward Said may omit the German tradition from his ground-breaking study of Orientalism (1978), but it is clearly appropriate to describe Nietzsche as Orientalist in outlook. Without ever having left Western Europe, or even having read very widely on the subject, he indulges in a series of undiscriminating stereotypes about “Asia” and “the Orient”, borrowing from a range of contemporary sources. His is an uncom- mon Orientalism, though, for his evaluation of supposedly “Oriental” characteristics is generally positive, and they are used as a means to critique European decadence and degeneration. Because he defines the type “Oriental” reactively in opposition to the “European”, though, it is contradictory. Furthermore, on Nietzsche’s analysis “Europe” itself is less a type or a geographical designation than an agonal process of repeated self-overcoming. He reverses the received evaluation of the Europe-Orient opposition only in turn to deconstruct the opposition itself. Europe first emerged out of Asia in Ancient Greece, Nietzsche claims, and it has remained a precarious achieve- ment ever since, repeatedly liable to “re-orientalisation”. He argues that “Oriental” Christianity has held Europe in its sway for too long, but his preferred antidote is a further instance of European “re-orientalisation”, at the hands of the Jews, whose productive self-difference under a unified will he views as the best model for the “good Europeans” of the future. Keywords: Orientalism, Edward Said, Asia, Europe, Christianity, Jews, good Europeans. Zusammenfassung: Auch wenn in Edward Saids bahnbrechender Studie Orienta- lismus (1978) die deutsche Tradition nicht vorkommt, lässt sich Nietzsches Haltung doch als ‚orientalistisch‘ beschreiben. -
Nietzsche's Comparative Religion: an Analysis of the Anti-Christ
Nietzsche's Comparative Religion: An Analysis of The Anti-Christ t. I Gary Wilson Submitted in partial fulfilment of the requirements for the degree of Master of Arts The University of Cape Town 1994 University of Cape Town The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town i f f I I SUMMARY OF TIIESIS ! r ' This thesis explores the argument that Nietzsche's aim in his book The Anti-Christ is to reveal what he regards as the truth about Christianity, and that he uses detailed comparisons to prove this. Many forms of comparison are used by Nietzsche in The Anti-Christ. One is the comparison between Christianity and other religions such as Hinduism, Buddhism, Judaism, and Islam. Another is the comparison between different forms or even levels of Christianity. And yet another is the comparison between Christianity, science, and Buddhism, based on their degree of contact with reality. As these comparisons are traced in this thesis, a number of contradictions are encountered, and it would appear that these are due to Nietzsche's attempt to address two groups of readers - Christi~ readers, and those readers who are prepared for Nietzsche's radical philosophy. The contradictions arise when Nietzsche tries to i.' please both groups of readers, to be both blunt and sophisticated at the same time. -
Nietzsche's Aristocratic Radicalism
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2012 Nietzsche's Aristocratic Radicalism Jonathan James Michalski Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the Arts and Humanities Commons Repository Citation Michalski, Jonathan James, "Nietzsche's Aristocratic Radicalism" (2012). Browse all Theses and Dissertations. 584. https://corescholar.libraries.wright.edu/etd_all/584 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. Nietzsche’s Aristocratic Radicalism A thesis submitted in partial fulfillment of the requirements for the degree of Master of Humanities By Jonathan Michalski B.A. Wright State University, 2008. 2012 Wright State University Wright State University School of Graduate Studies June 4, 2012 I hereby recommend that the thesis prepared under my supervision by Jonathan Michalski entitled Nietzsche’s Aristocratic Radicalism be accepted in partial fulfillment of the requirements for the degree of Master of Humanities. _____________________________ Donovan Miyasaki, Ph.D. Project Director _____________________________ Ava Chamberlain, Ph.D. Director, Master of Humanities Program College of Liberal Arts Committee on Final Examination: __________________________________________ Donovan Miyasaki, Ph.D. __________________________________________ Sean Wilson, Ph.D __________________________________________ Linda Farmer, Ph.D. __________________________________________ Andrew T. Hsu, Ph.D. Dean, School of Graduate Studies Abstract Michalski, Jonathan. M.H. Department of the Humanities, Wright State University, 2012. Nietzsche’s Aristocratic Radicalism. My thesis is that Nietzsche’s political philosophy is a form of aristocratic radicalism, which means that society should be ruled by the few. -
Moreau's Materiality: Polymorphic Subjects, Degeneration, and Physicality Mary C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 Moreau's Materiality: Polymorphic Subjects, Degeneration, and Physicality Mary C. Slavkin Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE MOREAU’S MATERIALITY: POLYMORPHIC SUBJECTS, DEGENERATION, AND PHYSICALITY By MARY C. SLAVKIN A Thesis submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Masters of Arts Degree Awarded: Spring Semester, 2009 The Members of the Committee approve the Thesis of Mary Slavkin defended on March 30, 2009. ___________________________ Lauren Weingarden Professor Directing Thesis ___________________________ Richard Emmerson Committee Member ___________________________ Adam Jolles Committee Member Approved: _______________________________________________ Richard Emmerson, Chair, Department of Art History _______________________________________________ Sally McRorie, Dean, College of Visual Arts, Theatre and Dance The Graduate School has verified and approved the above named committee members. ii For David. Thanks for all the tea. iii TABLE OF CONTENTS LIST OF FIGURES..........................................................................................................v ABSTRACT.....................................................................................................................ix CHAPTER 1: Introduction...............................................................................................1 -
6 X 10 Long.P65
Cambridge University Press 0521854229 - Nietzsche’s Philosophy of Religion Julian Young Index More information Index Aeschylus, 15, 28, 161 Aristotle, 75, 161, 175 amor fati, 138, 174 Arndt, Ernst Moritz, 205 analytic moral philosophy, Nietzsche as Arnim, Achim von, 205 contributor to, 3–4 art. See also Apollonianism; Dionysianism animism, 63, 71, 151 as critiqued in Human, all-too-Human, 74–6, Ansell-Pearson, Keith, 145, 148 80, 87 anti-Semitism. See Judaism function of, in Twilight of the Idols, 167 The Antichrist. See also Christianity positive attributes emerging from critique in audience for, 94 The Wagner Case, 159–60 on breeding of men, 168 Wagner’s views on, 207 (See also Wagner, Genealogy of Morals foreshadowing, 154 Richard, and Bayreuth Festival) on ‘healthy’ or noble vs. unhealthy Ascona, 210 gods, 177–9 Ass Festival or Feast of Fools in Zarathustra, Manu’s Lawbook 114–17, 143 idealized vs. critical portrayal of, 185–8 Assorted Opinions and Maxims, 58, 81. See also and Nietzsche’s vision of the state, 179–85 Human, all-too-Human purpose and themes of, 177 atheism Antigone, Sophocles, 27, 117 Nietzsche regarded as propounder of, 2 antiquarian history, 38–62 Nietzsche’s opposition to, 141 apocalyptic tone of Ecce Homo, 195 psychology of, 152–3 Apollonianism, 16–19 Atwood, Margaret, 24 classical revival in art and, 74–7, 80 audience for Nietzsche’s works and critique of modernity, 29–31 The Antichrist, 94 Dionysianism Beyond Good and Evil, 127–8 contrasted with, 2, 16, 19, 20, 76, 144, 197 The Genealogy of Morals, 148 unified with, -
Nietzsche's Epistemic Perspectivism
Chapter 2 Nietzsche’s Epistemic Perspectivism Steven D. Hales Abstract Nietzsche offers a positive epistemology, and those who interpret him as a skeptic or a mere pragmatist are mistaken. Instead he supports what he calls per- spectivism. This is a familiar take on Nietzsche, as perspectivism has been analyzed by many previous interpreters. The present paper presents a sketch of the textually best supported and logically most consistent treatment of perspectivism as a first- order epistemic theory. What’s original in the present paper is an argument that Nietzsche also offers a second-order methodological perspectivism aimed at enhancing understanding, an epistemic state distinct from knowledge. Just as Descartes considers and rejects radical skepticism while at the same time adopting methodological skepticism, one could consistently reject perspectivism as a theory of knowledge while accepting it as contributing to our understanding. It is argued that Nietzsche’s perspectivism is in fact two-tiered: knowledge is perspectival because truth itself is, and in addition there is a methodological perspectivism in which distinct ways of knowing are utilized to produce understanding. A review of the manner in which understanding is conceptualized in contemporary epistemol- ogy and philosophy of science serves to illuminate how Nietzsche was tackling these ideas. Keywords Nietzsche · Perspectivism · Understanding · Knowledge 2.1 Introduction In this paper I will argue that Nietzsche offers a positive epistemology, and that those who interpret him as a sceptic or a mere pragmatist are mistaken. Instead he supports what he calls perspectivism. So far this is not a new take on Nietzsche, as perspectivism has been analyzed by many previous interpreters.