John Italos Seen by Anna Komnene
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St. Michael and Attis
St. Michael and Attis Cyril MANGO Δελτίον XAE 12 (1984), Περίοδος Δ'. Στην εκατονταετηρίδα της Χριστιανικής Αρχαιολογικής Εταιρείας (1884-1984)• Σελ. 39-62 ΑΘΗΝΑ 1986 ST. MICHAEL AND ATTIS Twenty years ago, when I was working on the apse mosaics of St. Sophia at Constantinople, I had ample opportunity to contemplate what is surely one of the most beautiful works of Byzantine art, I mean the image of the archangel Gabriel, who stands next to the enthroned Theotokos (Fig. 1). Gabriel is dressed in court costume; indeed, one can affirm that his costume is imperial, since he is wearing red buskins and holding a globe, the symbol of universal dominion. Yet neither the Bible nor orthodox doctrine as defined by the Fathers provides any justification for portraying an archangel in this guise; no matter how great was his dignity in heaven, he remained a minister and a messenger1. Only God could be described as the equivalent of the emperor. How was it then that Byzantine art, which showed extreme reluctance to give to Christ, the pambasileus, any visible attributes of royalty other than the throne, granted these very attributes to archangels, who had no claim to them? An enquiry I undertook at the time (and left unpublished) suggested the following conclusions: 1. The Byzantines themselves, I mean the medieval Byzantines, could offer no reasonable explanation of the iconography of archangels and seemed to be unaware of its meaning. On the subject of the globe I found only two texts. One was an unedited opuscule by Michael Psellos, who, quite absurdly, considered it to denote the angels' rapidity of movement; "for", he says, "the sphere is such an object that, touching as it does only a tiny portion of the ground, is able in less than an instant to travel in any direction"2. -
Michael Psellos and Byzantine Astrology in the Eleventh Century, Culture and Cosmos , Vol
CULTURE AND COSMOS A Journal of the History of Astrology and Cultural Astronomy Vol. 13 no. 1, Spring/Summer 2009 Published by Culture and Cosmos and the Sophia Centre Press, in partnership with the University of Wales Trinity Saint David, in association with the Sophia Centre for the Study of Cosmology in Culture, University of Wales Trinity Saint David, Faculty of Humanities and the Performing Arts Lampeter, Ceredigion, Wales, SA48 7ED, UK. www.cultureandcosmos.org Cite this paper as: Andrew Vladimirou, Michael Psellos and Byzantine Astrology in the Eleventh Century, Culture and Cosmos , Vol. 13 no 1, Spring/Summer 2009, pp. 24-61. British Library Cataloguing in Publication Data A catalogue card for this book is available from the British Library All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the Publishers. ISSN 1368-6534 Printed in Great Britain by Lightning Source Copyright 2018 Culture and Cosmos All rights reserved Michael Psellos and Byzantine Astrology in the Eleventh Century ________________________________________________________________ Andrew Vladimirou Abstract. The following work uses the writing of one of the most outstanding personalities of the Byzantine Empire, Michael Psellos (1018–1078?), as a conduit into the world of Byzantine astrology. The focus of the article is his celebrated chronicle, The Chronographia, which documents his life and experiences as an influential courtier at the Byzantine court in the eleventh century. Psellos was at the forefront of political life in the Empire and its fluctuating fortunes but somehow managed to combine these duties with a prodigious scholarly vocation. -
Cry Havoc Règles Fr 05/01/14 17:46 Page1 Guiscarduiscard
maquette historique UK v2_cry havoc règles fr 05/01/14 17:46 Page1 Guiscarduiscard HISTORY & SCENARIOS maquette historique UK v2_cry havoc règles fr 05/01/14 17:46 Page2 © Buxeria & Historic’One éditions - 2014 - v1.1 maquette historique UK v2_cry havoc règles fr 05/01/14 17:46 Page1 History Normans in Southern Italy and Sicily in the 11th Century 1 - The historical context 1.1 - Southern Italy and Sicily at the beginning of the 11th Century Byzantium had conquered Southern Italy and Sicily in the first half of the 6th century. But by the end of that century, Lombards coming from Northern Italy had conquered most of the peninsula, with Byzantium retaining only Calabria and Sicily. From the middle of the 9th century, the Aghlabid Dynasty of Ifrîquya (the original name of Eastern Maghreb) raided Sicily to take possession of the island. A new Byzantine offensive at the end of the century took back most of the lost territories in Apulia and Calabria and established Bari as the new provincial capital. Lombard territories further north were broken down between three cities led by princes: Capua, Salerno, and Benevento. Further east, Italian duchies of Naples, Amalfi, and Gaeta tried to keep their autonomy through successive alliances with the various regional powers to try and maintain their commercial interests. Ethnic struggles in Sicily between Arabs and Berbers on the one side, and various dynasties on the other side, led to power fragmentation: The island is divided between four rival military factions at the beginning of the 11th century. Beyond its natural boundaries, Southern Italy had to cope with two external powers which were looking to expel Byzantium from what they considered was part of their area of influence: the Papacy and the Holy Roman Empire. -
Byzantine Missionaries, Foreign Rulers, and Christian Narratives (Ca
Conversion and Empire: Byzantine Missionaries, Foreign Rulers, and Christian Narratives (ca. 300-900) by Alexander Borislavov Angelov A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2011 Doctoral Committee: Professor John V.A. Fine, Jr., Chair Professor Emeritus H. Don Cameron Professor Paul Christopher Johnson Professor Raymond H. Van Dam Associate Professor Diane Owen Hughes © Alexander Borislavov Angelov 2011 To my mother Irina with all my love and gratitude ii Acknowledgements To put in words deepest feelings of gratitude to so many people and for so many things is to reflect on various encounters and influences. In a sense, it is to sketch out a singular narrative but of many personal “conversions.” So now, being here, I am looking back, and it all seems so clear and obvious. But, it is the historian in me that realizes best the numerous situations, emotions, and dilemmas that brought me where I am. I feel so profoundly thankful for a journey that even I, obsessed with planning, could not have fully anticipated. In a final analysis, as my dissertation grew so did I, but neither could have become better without the presence of the people or the institutions that I feel so fortunate to be able to acknowledge here. At the University of Michigan, I first thank my mentor John Fine for his tremendous academic support over the years, for his friendship always present when most needed, and for best illustrating to me how true knowledge does in fact produce better humanity. -
ROGER II of SICILY a Ruler Between East and West
. ROGER II OF SICILY A ruler between east and west . HUBERT HOUBEN Translated by Graham A. Loud and Diane Milburn published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge cb2 1rp, United Kingdom cambridge university press The Edinburgh Building, Cambridge, cb2 2ru,UK 40 West 20th Street, New York, ny 10011-4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org Originally published in German as Roger II. von Sizilien by Wissenschaftliche Buchgesellschaft, Darmstadt, 1997 and C Wissenschaftliche Buchgesellschaft, Darmstadt, 1997 First published in English by Cambridge University Press 2002 as Roger II of Sicily English translation C Cambridge University Press 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. Printed in the United Kingdom at the University Press, Cambridge Typeface Bembo 10/11.5 pt. System LATEX 2ε [TB] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Houben, Hubert. [Roger II. von Sizilien. English] Roger II of Sicily: a ruler between east and west / Hubert Houben; translated by Graham A. Loud and Diane Milburn. p. cm. Translation of: Roger II. von Sizilien. Includes bibliographical references and index. isbn 0 521 65208 1 (hardback) isbn 0 521 65573 0 (paperback) 1. Roger II, King of Sicily, d. -
Byzantine Narratives of Gender Identity Eamon H.R
Introduction ix Roger Scott xv Ann Moffatt (Australian National University) List of 11 lustrations xix KEYNOTE PAPERS Novelisation in Byzantium: Narrative after the Revival of 1 Fiction Margaret Mullett (The Queen 's University Belfast) Narrating Justinian: From Malalas to Manasses 29 Roger Scott (University of Melbourne) NARRATIVE IN HISTORIANS, CHRONICLES & FICTION To Narrate the Events of the Past: On Byzantine 47 Historians, and Historians on Byzantium Ingela Nilsson (Uppsala University) Tradition and Originality in Photius' Historical Reading 59 Brian Crake (Sydney) Narrating the Trials and Death in Exile of Pope Martin I 71 and Maxim us the Confessor Bronwen Neil (Australian Catholic University) The Use of Metaphor in Michael Psellos' Chronographia 84 Elizabeth McCartney (University of Melbourne) War and Peace in the Alexiad 92 Penelope Buckley (University of Melbourne) Moralising History: the Synopsis Historiarum of John 110 Skylitzes Theoni Sklavos (University of Melbourne) The Representation of Augustae in John Skylitzes' 120 Synopsis Historiarum Emma Strugnell (University of Melbourne) The Madrid Skylitzes as an Audio-Visual Experiment 137 John Burke (University of Melbourne) The Goths and the Bees in Jordanes: A Narrative of No 149 Return Andrew Gillett (Macquarie University) From 'Fallen Woman' to Theotokos: Music, Women's 164 Voices and Byzantine Narratives of Gender Identity Eamon H.R. Kelly (St Cross College, Oxford) How the Entertaining Tale of Quadrupeds became a Tale: 182 Grafting Narrative Nick Nicholas (University of -
The Nephew of Michael Cerularios , Greek, Roman and Byzantine Studies, 22:1 (1981:Spring) P.89
SNIPES, KENNETH, A Letter of Michael Psellus to Constantine the Nephew of Michael Cerularios , Greek, Roman and Byzantine Studies, 22:1 (1981:Spring) p.89 A Letter of Michael Psellos to Constantine the Nephew of Michael Cerularios Kenneth Snipes N AN ARTICLE listing the unpublished letters of Michael Psellos, I Jean Darrouzes noted that a small group of six letters attrib uted to Psellos is found in three manuscripts: Athas, Mov~ Meyiar17c; Aavpac; 1721 (M 30) fols. 86-98; Bucharest, Academia Republicii Socialiste Romania 737 (587) fols. 214-49; and Cam bridge, Trinity College 1485 (0.10.33) fols. 192-203v. 1 In addi tion to the three manuscripts known to Darrouzes, these six letters are found also in Paris, Bibliotheque Nationale, Supplement grec 1334 fols. 108-23v.2 Three of the six (the first, fourth, and sixth) were correctly identified by Darrouzes as letters already published by Sathas or Kurtz-Drexl. 3 Darrouzes, followed by Paul Canart in a later, more comprehensive list of the unpublished letters of Psellos, 4 believed that the other three letters (the second, third, and fifth) had not yet been published. In the case of the third and fifth letters, however, both scholars have been misled by slight differ ences between the word order of their incipits and the incipits of letters 1 and 84 in the large collection of Psellos' letters edited by Sathas. 5 The fifth letter, for example, begins 'Eyw be qJf.11'/V, lepd Kai rpzn6(}1Jre Kerpa).lj, rather than 'Eyw tliv, w lepa Kai rpzn6()17re Kerpa).,~ as in the version in Parisinus gr. -
Anna Komnene's Narrative of the War Against The
GRAECO-LATINA BRUNENSIA 19, 2014, 2 MAREK MEŠKO (MASARYK UNIVERSITY, BRNO) ANNA KOMNENE’S NARRATIVE OF THE WAR AGAINST THE SCYTHIANS* The Alexiad by Anna Komnene is well-known. At times it raises controversial issues (e.g. concerning “full” authorship of the Byzantine princess), but all in all it represents a very valuable source of information. In this paper the author strives to examine just how precise and valuable the pieces of information she gives us in connection with the war of her father emperor Alexios Komnenos (1081–1118) against the Scythians (the Pechenegs) are. He also mentions chronological issues which at times are able to “darken” the course of events and render their putting back into the right context difficult. There are many inconsistencies of this type in Anna Komnene’s narrative and for these reasons it is important to reestablish clear chronological order of events. Finally the author presents a concise description of the war against the Pechenegs based on the findings in the previous parts of his paper. Key words: Byzantium, Pechenegs, medieval, nomads, Alexiad, warfare The Alexiad by Anna Komnene1 is well-known to most of the Byzan- tine history scholars. At times it raised controversial issues (e.g. concerning “full” or “partial” authorship of the Byzantine princess),2 but all in all it represents a valuable written source. Regardless of these issues most of the scholars involved agree that it will always remain a unique piece, a special case, of Byzantine literature,3 despite the obvious fact that Anna Komnene’s * This work was supported by the Program of „Employment of Newly Graduated Doc- tors of Science for Scientific Excellence“ (grant number CZ.1.07/2.3.00/30.0009) co-financed from European Social Fund and the state budget of the Czech Republic. -
Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-1992 Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance Leon Stratikis University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Modern Languages Commons Recommended Citation Stratikis, Leon, "Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance. " PhD diss., University of Tennessee, 1992. https://trace.tennessee.edu/utk_graddiss/2521 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Leon Stratikis entitled "Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages. Paul Barrette, Major Professor We have read this dissertation and recommend its acceptance: James E. Shelton, Patrick Brady, Bryant Creel, Thomas Heffernan Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation by Leon Stratikis entitled Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance. -
Defining and Perceiving Peoples in the Chronicles of Norman Italy" (2011)
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-2011 "Videbantur Gens Effera": Defining and erP ceiving Peoples in the Chronicles of Norman Italy Jesse Hysell Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the European History Commons Recommended Citation Hysell, Jesse, ""Videbantur Gens Effera": Defining and Perceiving Peoples in the Chronicles of Norman Italy" (2011). Master's Theses. 394. https://scholarworks.wmich.edu/masters_theses/394 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "VIDEBANTUR GENS EFFERA": DEFINING AND PERCEIVING PEOPLES IN THE CHRONICLES OF NORMAN ITALY by Jesse Hysell A Thesis Submitted to the Faculty ofThe Graduate College in partial fulfillment ofthe requirements for the Degree of Master ofArts Department of History Advisor: Luigi Andrea Berto, Ph.D. Western Michigan University Kalamazoo, Michigan June 2011 "VIDEBANTUR GENS EFFERA": DEFINING AND PERCEIVING PEOPLES IN THE CHRONICLES OF NORMAN ITALY Jesse Hysell, M. A. Western Michigan University, 2011 The goal ofthis project is to analyze the ways different cultural groups in Sicily and southern Italy were depicted in a set ofhistorical texts associated with the Norman takeover ofthose regions in the eleventh and twelfth centuries. To achieve that aim, I consider social vocabulary applied to three distinct peoples (native Italians, Greeks, and Muslims) in five sources written by Amatus ofMontecassino, Geoffrey Malaterra, William ofApulia, Alexander ofTelese, and Hugo Falcandus. -
The Desperate Sally Background 1038
Scenario Basileus 3 The Desperate Sally Background 1038. 1038. Disputes oppose various emirs of Sicily. One of them, Abu Hafs, appealed to the Caliph of Kairouan against his brother al-Akhal. He finally asks for help. Emperor Michael IV Paphlogonian views this as a way to conquer the island formerly lost to the Arabs. So he sends an army led by the terrible George Maniakes, supported by the Varangian guard of Harald Hardrada. All strongholds give one after the other. In Syracuse, the defenders try a sally. Map Layout & Starting Positions The Arab infantry is deployed at the foot of the ramparts of Syracuse to a maximum depth of 5 hexes from the outside of the towers. The crossbowmen are positioned on the walls or towers. The Byzantines are deployed to a depth of five hexes on the left side of the map. They cannot enter the city for the duration of the game. Arabs play first. The game is played for 12 turns. The Slides The Byzantines The Arabs Bohemond Skylitzes As-Salih Al-Kamil Robert Katakalon Kilij Maarat Roussel Petros Hakim Geoffroy Thadeos Abaga Normans Tancrède Skutatoi Officers Royal El-Arish (on foot) Guillaume (on foot) Mamluks (on foot) Georges Vardan Gashan Jellal Liparit Kirakos Mehmet Shammin Bardas Hethoum Anwar Farhad Theokristos Gourgen Magid Mohammad Sembat Moshen Mustafa Kataphractoi Trapezitoi Fatimid Seljuk Bagrat Yasaffa Sadik (on foot) (on foot) infantry infantry Ahmed Ageel Hashmi Osewl Ibraham Alexander Alyatte Abdur Husseyin Artaxes Theophilos Fahrat Baysan Aristakes Isaac Junaid Mesut Midas Basile Nayeen Abdul Peltastoi Attaliates Psiloi Etienne Crossbows Jehangir Syrian Ali Diogene Germain Khaleed infantry Tossaun October 2011 – Version 1.0 – Scenario by Buxeria 1 Scenario Basileus 3 Victory Conditions At the end of the 12 turns, count the remaining fighters on each side (except missile shooters). -
Multicultural Exchange in the Norman Palaces of Twelfth
A Changing Mosaic: Multicultural Exchange in the Norman Palaces of Twelfth-Century Sicily by Dana Katz A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Art University of Toronto © Copyright by Dana Katz 2016 A Changing Mosaic: Multicultural Exchange in the Norman Palaces of Twelfth-Century Sicily by Dana Katz Doctor of Philosophy Graduate Department of Art University of Toronto 2016 Abstract This dissertation examines the twelfth-century residences associated with the Norman Hautevilles in the parklands that surrounded their capital at Palermo. One of the best-preserved ensembles of medieval secular architecture, the principal monuments are the palaces of La Zisa and La Cuba, the complexes of La Favara and Lo Scibene, the hunting lodge at Parco, and the palace at Monreale. The Norman conquest of Sicily in the previous century dramatically altered the local population’s religious and cultural identity. Nevertheless, an Islamic legacy persisted in the park architecture, arranged on axial plans with waterworks and ornamented with muqarnas vaults. By this time, the last Norman king, William II, and his court became aligned with contemporaries in the Latin West, and Muslims became marginalized in Sicily. Part One examines the modern “discovery” and reception of the twelfth-century palaces. As secular examples built in an Islamic mode, they did not fit preconceived paradigms of medieval Western architecture in the scholarly literature, greatly endangering their preservation. My examination reconstructs the vast landscape created by the Norman kings, who modified their surroundings on a monumental scale. Water in the parklands was harnessed to provide for ii artificial lakes and other waterscapes onto which the built environment was sited.