Moorish Pilgrimage to Ireland
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World Heritage Ireland
WORLD HERITAGE – IRELAND Ireland – A Country of Rich Heritage and Culture Front Cover photograph: Brú na Bóinne, Newgrange, Co. Meath Back Cover photograph: Skellig Michael 3 CONTENTS Heritage – What is it? 4 World Heritage and Ireland 4 How a property is nominated for World Heritage List status 5 Ireland’s World Heritage sites 6 Brú na Bóinne - The Archaeological Ensemble of the Bend of the Boyne 6 Skellig Michael 8 World Heritage Tentative List 9 Gallery of Tentative List Properties 12 Further information 14 4 HERITage – WHAT IS IT? Heritage is described by the United Nations Educational, Scientific and Cultural Organisation (UNESCO) as “our legacy from the past, what we live with today and what we pass on to future generations”. Ireland is a country rich in heritage and culture and has long recognised the importance of preserving this for future generations. Our Irish culture and heritage has created the spirit and identity of our people throughout the world and makes us what we are today with our distinctive characteristics. WORLD HERITAGE AND IRELAND Ireland signed the UNESCO World Heritage Convention in 1991. This brings with it both opportunities and obligations; Ireland as the “State Party” commits to nominating examples of exceptional heritage sites to the World Heritage List and to manage and protect these sites sustainably into the future. A World Heritage Site is a property that has been inscribed onto the World Heritage List by the World Heritage Committee of UNESCO. Properties can be either of cultural or natural significance or a combination of the two (mixed). Cultural heritage refers to monuments, groups of buildings and sites with historical, aesthetic, archaeological, scientific, ethnological or anthropological value. -
The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
The Atlantean Irish: Irelands Oriental and Maritime Heritage Free
FREE THE ATLANTEAN IRISH: IRELANDS ORIENTAL AND MARITIME HERITAGE PDF Bob Quinn | 256 pages | 15 Jan 2006 | The Lilliput Press Ltd | 9781843510246 | English | Dublin, Ireland Atlantean | Irish identity is best understood from a maritime perspective. For eight millennia the island has been a haven for explorers, settlers, colonists, navigators, pirates and traders, absorbing goods and peoples from all points of the compass. Over the past twenty years Bob Quinn has traced archaeological, linguistic, religious and economic connections from Egypt to Arann, from Morocco to Newgrange, from Cairo and Compostela to Carraroe. Taking Conamara sean-nos singing and its Arabic equivalents, and a North African linguistic stratum under the Irish tongue, Quinn marshalls evidence from field archaeology, boat-types, manuscript illuminations, weaving patterns, mythology, literature, art and artefacts to support a challenging thesis that cites, among The Atlantean Irish: Irelands Oriental and Maritime Heritage recent studies of the Irish genome, new mitochondrial DNA analysis in the Atlantic zone from north Iberia to west Scandinavia. The Atlantean Irish is a sumptuously illustrated, exciting, intervention in Irish cultural history. Forcefully debated, and wholly persuasive, it opens up a past beyond Europe, linking Orient to Occident. What began as a personal quest-narrative becomes a category-dissolving intellectual adventure of universal significance. It is a book whose time has arrived. Lilliput Press — July 18, This book revises and expands his thesis. Bob Quinn confronts received knowledge and upends the status quo. Living in a Conamara gaeltacht sincehis adopted locale inspired him to ask two questions that impelled the saga adapted in this update Dublin: The Lilliput Press,20 euro to his work, Atlantean. -
Aerial Investigation and Mapping of the Newgrange Landscape, Brú Na Bóinne, Co
Aerial investigation and mapping of the Newgrange landscape, Brú na Bóinne, Co. Meath The Archaeology of the Brú na Bóinne World Heritage Site Interim Report, December 2018 This interim report has been prepared to make available the results of ongoing analysis, interpretation and mapping work in advance of full publication. The report has been produced for use on the internet. As such, the high-resolution imagery has been compressed to optimise downloading speeds. Interpretation and opinion expressed in the interim report are those of the authors. Printed copies of the report will be made available as soon as is practicable following the release of this digital version. Adjustments may be made to the final publication text subject to the availability of information at that time. NOTE Virtually all of the sites featured in this report are located on private land. These are working farms with both crops and livestock. There is no entry onto these lands without the express permission of the landowners. Furthermore, the sites are mostly subsurface and can only be seen as cropmarks. There are extensive views across the floodplain from Newgrange Passage Tomb, which can be accessed via the OPW Brú na Bóinne Visitor Centre. Details of on-line booking for the Brú na Bóinne Visitor Centre and guided tour of Newgrange are available at: http://www.heritageireland.ie/en/midlands-eastcoast/brunaboinnevisitorcentre/ Cover image: View across the Geometric Henge, looking north towards Newgrange Farm. © Department of Culture, Heritage and the Gaeltacht -
Ireland Through the Ages S Gustavus Adolphus College October 1 - 12, 2017Ire Ge Lan a College Ireland Through the Ages Hosted by Dr
Tour 4831 GAC Ireland Travel arrangements by Tour 4831 GAC Ireland Travel arrangements by Gustavus Adolphus College Ireland through the Ages I es Gustavus Adolphus College October 1 - 12, 2017re la g College Hosted by Dr. Kevin Byrne nd t e A us Ireland through the Ages hrough th ph , 2017 October 1 - 12, 2017 ol 1 - 12 Ad er Hosted by Dr. Kevin Byrne Sunday, October 1 MINNEAPOLIS-ST. PAUL DEPARTURE Gustavus tob Leave for Dublin via Atlanta on Delta Air Lines flight departing mid-afternoon . c O Sunday, October 1 MINNEAPOLIS-ST. PAUL DEPARTURE Leave for Dublin via Atlanta on Delta Air Lines flight departing mid-afternoon. Monday, October 2 DUBLIN ARRIVAL Tour 4831 GAC Ireland Morning arrival in Dublin. Welcome from awaiting IrishTravel tour arrangements manager by and a private motorcoach. Drive to North County Dublin for tea or coffee and homemade scones followed by a relaxing visit to Malahide Monday, October 2 DUBLIN ARRIVAL Morning arrival in Dublin. Welcome from awaiting Irish tour manager and a private motorcoach. Drive to Castle & Gardens, one of the oldest castles in Ireland. Enjoy a brief introduction to Ireland’s capital and a North County Dublin for tea or coffee and homemade scones followed by a relaxing visit to Malahide break for lunch on own en route to Ashling Hotel, for check-in and time to get settled for a three-night Castle & Gardens, one of the oldest castles in Ireland. Enjoy a brief introduction to Ireland’s capital and a stay. Group dinner at hotel. (D) Gustavus Adolphus College break for lunch on own en route to Ashling Hotel, for check-in and time to get settled for a three-night Ireland through the Ages stay. -
28Th GALWAY FILM FLEADH 5-10 JULY 2016
#filmfleadh 28th GALWAY FILM FLEADH 5-10 JULY 2016 TOWN HALL THEATRE, COURTHOUSE SQUARE, GALWAY www.galwayfilmfleadh.com · booking 091 569777 The Arts Council proudly supports film festivals to put audiences in the frame. 28th Galway Film Fleadh 5 – 10 July 2016 We would like to thank the following organisations for their support: Principal Funder Major Sponsors In Association with Supported by booking 091 569777 1 5 – 10 July 2016 Galway Film Fleadh From Sundance to the Galway Film Fleadh… Celebrating Irish Film all over the world A Date for Mad Mary Mom and Me Lost in France Crash and Burn The Young Offenders Bobby Sands: 66 Days Tiger Raid The Land of the Enlightened Moon Dogs www.irishfilmboard.ie 2 www.galwayfilmfleadh.com 28th Galway Film Fleadh 5 – 10 July 2016 Introduction Contents It’s that time of year again, and we are excited to once more showcase Galway as the beating heart of cinema in Ireland. or one week in the summer the entire Irish film industry descends on our Sponsors 1 “Cannes on the Corrib”, alongside filmmakers, talent, financiers and more Introduction 3 Ffrom every corner of the world. They share ideas, collaborate and watch Booking & Merchandise Info 5 films in the uniquely welcoming, intimate and informal atmosphere that only Galway Film Fleadh Map 5 a Galway festival experience could provide. More important, however, are our Day by Day Schedule 6 audiences which come from Galway, all over Ireland, and from almost every Panel Discussions 9 point of the globe, to see the best in new Irish and world cinema. -
Irish Film Institute What Happened After? 15
Irish Film Studyguide Tony Tracy Contents SECTION ONE A brief history of Irish film 3 Recurring Themes 6 SECTION TWO Inside I’m Dancing INTRODUCTION Cast & Synopsis 7 This studyguide has been devised to accompany the Irish film strand of our Transition Year Moving Image Module, the pilot project of the Story and Structure 7 Arts Council Working Group on Film and Young People. In keeping Key Scene Analysis I 7 with TY Guidelines which suggest a curriculum that relates to the Themes 8 world outside school, this strand offers students and teachers an opportunity to engage with and question various representations Key Scene Analysis II 9 of Ireland on screen. The guide commences with a brief history Student Worksheet 11 of the film industry in Ireland, highlighting recurrent themes and stories as well as mentioning key figures. Detailed analyses of two films – Bloody Sunday Inside I'm Dancing and Bloody Sunday – follow, along with student worksheets. Finally, Lenny Abrahamson, director of the highly Cast & Synopsis 12 successful Adam & Paul, gives an illuminating interview in which he Making & Filming History 12/13 outlines the background to the story, his approach as a filmmaker and Characters 13/14 his response to the film’s achievements. We hope you find this guide a useful and stimulating accompaniment to your teaching of Irish film. Key Scene Analysis 14 Alicia McGivern Style 15 Irish FIlm Institute What happened after? 15 References 16 WRITER – TONY TRACY Student Worksheet 17 Tony Tracy was former Senior Education Officer at the Irish Film Institute. During his time at IFI, he wrote the very popular Adam & Paul Introduction to Film Studies as well as notes for teachers on a range Interview with Lenny Abrahamson, director 18 of films including My Left Foot, The Third Man, and French Cinema. -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
Brú Na Bóinne) World Heritage Site
Communicating World Heritage: Newgrange and the Bend of the Boyne (Brú na Bóinne) World Heritage Site Gabriel Cooney, UCD School of Archaeology University College Dublin Disclosure Specialist area of archaeological research – Neolithic period Member of steering committee for BnaB WHS management plan since 2013- representing ICOMOS Ireland Chaired steering committee for BnaB WHS Research Framework, Heritage Council, 2008-2009 Member, team led by Bright 3D, Boyne Valley Masterplan Dowth Lands, major private land holding (20% of WHS), research partnership with UCD School of Archaeology Expert member, International Committee on Archaeological Heritage Management (ICAHM), ICOMOS PERSONAL VIEW… Why Newgrange and Brú na Bóinne WHS as a case study? PHOTOS:NMS, DCHG Knowth Outstanding Universal Value • Criterion (i): The Brú na Bóinne monuments represent the largest expression of prehistoric megalithic rock art in Europe. • Criterion (iii): The concentration of social, economic and funerary monuments at this site and the long continuity of occupation or use from prehistory to the late medieval period make this one of the most significant archaeological sites in Europe. • Criterion (iv): The passage grave, here brought to its finest expression, was a feature of outstanding importance in prehistoric Europe and beyond. European Context Links with other megalithic WHS… Stonehenge and Avebury, Heart of Neolithic Orkney, Antequara (Spain), ….Carnac (France), candidate site •In a European context Ireland could be seen as under- represented in terms of WHS, but recognised internationally for the high quality of preservation of archaeological monuments and historic landscape character Irish Context Brú na Bóinne is the key site in the Irish World Heritage programme, central to the development of the programme The Heart of Neolithic Orkney WHS WHS and Buffer Zones (Historic Scotland, 2014, 5). -
Annual Report 2011 Annual Report 2011
Annual Report 2011 Annual Report 2011 Mission, Vision and Core Values 3 TG4’s Commitments for 2011 5 Key TG4 Performance Highlights of 2011 11 The Board of Teilifís na Gaeilge and Other Information 23 Chairman’s Report 24 Director General’s Report 26 Corporate Governance 31 Finance Review 2011 33 Financial Statements 35 Mission, Vision and Core Values TG4’s mission is to provide an attractive and TG4 Core Values ‘‘TG4 has been innovative television and content service in arguably the finest Irish, that celebrates Irish creativity and Connection: Irish network since it identity — language, culture, music and sport, G To provide a daily link for the Irish language started up. Hand on packaged and presented to be accessible and to every household in the country. heart, I wrote appealing in order to connect to audiences in G To put our audiences at the centre of every- Ireland and worldwide. thing we do. negatively about it TG4’s vision is “to continue to promote G To offer an alternative viewpoint on national from the get-go successfully the Irish language and culture and international affairs. and was quite using television and web content so as to Quality and Value-for-Money: comprehensively ensure a central place in Irish people’s lives, G To provide a high quality programme proved wrong .’ ’ both in Ireland and abroad”. schedule. Irish Independent Review While TG4’s vision and mission set out what G To operate a cost effective and efficient 13/08/2011 the organisation will achieve and the strat- structure. egies it will use to deliver on its public service Creativity: objectives, TG4’s values influence the way in G which they will be achieved, the manner in To be creative in our output and everything which it works with its key stakeholders and we do. -
Leaving Cert Education Pack Cover Page
Leaving Certificate Art History Education Pack A teacher and student aid to interpreting the passage tombs, archaeology and landscape of Brú na Bóinne World Heritage Site Brú na Bóinne Introduction This education pack has been designed by the Brú na Bóinne guides as an aid for teachers and pupils of the Leaving Certificate Art History syllabus. Knowth Dowth Newgrange Visitor Centre Brú na Bóinne World Heritage Site Map showing the position of the monuments within the bend in the Boyne Brú na Bóinne Archaeological Complex Brú na Bóinne is about eight kilometres inland from Drogheda and describes an area where the river Boyne meanders into a dramatic loop or bend. Brú na Bóinne - The palace or mansion of the Boyne- is the name given to one of the world’s most important archaeological landscapes. Today about forty mounds can be seen within the complex, dominated by the three great passage tombs of Knowth, Dowth and Newgrange. In recognition of the international importance of this archaeological landscape, the United Nations Educational, Scientific and Cultural Organisation (UNESCO), has designated the Brú na Bóinne area a World Heritage Site. Sites selected for World Heritage listing are deemed to be of outstanding universal value to humanity and are approved on the basis of their merits as the best possible examples of cultural or natural heritage. The passage tombs, associated monuments and Visitor Centre at Brú na Bóinne are in the care of the Office of Public Works. Most of the information we have on the monuments at Brú na Bóinne is as a direct result of archaeological investigation. -
Discover Ireland's Rich Heritage!
Free Guide Discover Ireland’s rich heritage! FOR MORE INFORMATION GO TO WWW.DISCOVERIRELAND.IE/BOYNEVALLEY 1 To Belfast (120km from Drogheda) Discover Ireland’s Ardee rich heritage! N2 M1 Oldcastle 6 12 14 13 Slane 7 4 KELLS 8 M3 Brú na Bóinne 15 Newgrange NAVAN Athboy N2 9 11 10 TRIM M3 2 FOR MORE INFORMATION GO TO WWW.DISCOVERIRELAND.IE/BOYNEVALLEY KEY 01 Millmount Museum Royal Site 02 St Peter’s Church, Drogheda To Belfast (120km from Drogheda) Monastery 03 Beaulieu House Megalithic Tomb 04 Battle of the Boyne Church 05 Mellifont Abbey Battle Site 06 Monasterboice Castle Dunleer Slane Castle Tower 07 Period House 08 Brú na Bóinne (Newgrange) M1 09 Hill of Tara 10 Trim Castle 6 11 Trim Heritage Town 3 12 Kells Heritage Town Round Tower 5 2 DROGHEDA & High Crosses 16 13 Loughcrew Gardens 4 1 14 Loughcrew Cairns 15 Navan County Town Brú na Bóinne 16 Drogheda Walled Town Newgrange M1 Belfast N2 M1 The Boyne Area Dublin To Dublin (50km from Drogheda) 2 FOR MORE INFORMATION GO TO WWW.DISCOVERIRELAND.IE/BOYNEVALLEY Discover Ireland’s rich heritage! Map No. Page No. Introduction 04 Archaeological & Historical Timeline 06 01 Millmount Museum & Martello Tower 08 02 St. Peter’s Church (Shrine of St. Oliver Plunkett) 10 03 Beaulieu House 12 04 Battle of the Boyne Site 14 05 Old Mellifont Abbey 16 06 Monasterboice Round Tower & High Crosses 18 07 Slane Castle 22 08 Brú na Bóinne (Newgrange & Knowth) 24 09 Hill of Tara 26 10 Trim Castle 28 11 Trim (Heritage Town) 30 12 Kells Round Tower & High Crosses 32 13 14 Loughcrew Cairns & Garden 34 15 Navan (County Town) 36 16 Drogheda (Walled Town) 38 Myths & Legends 40 Suggested Itinerary 1,2 & 3 46 Your Road map 50 Every care has been taken to ensure accuracy in the completion of this brochure.