MUN 1XXX African Popular Music Ensemble
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WS 305 – La Kossa Fitness (Ariane Fritzsche)
S e i t e | 1 _______________________________________________________________________________ WS 305 – La Kossa Fitness (Ariane Fritzsche) Was ist La Kossa® La Kossa ist „School of Dance and Sport with African Mood“. Das Motto dieser Schule ist: Tanzen, Trainieren, Glücklich Sein. Die Schule bietet La Kossa Fitness, La Kossa Tanzworkshops und La Kossa Juniors (Tanzkurse für Kids und Teenies). Gründerin der Schule: Dipl-Ing. Inf. Ariane Fritzsche. Das Sportkonzept La Kossa Fitness wurde im Sportverein TV Feldkirchen 1903 Ende 2015 ins Leben gerufen. Ariane Fritzsche ist Informatikerin, Tänzerin, und Trainerin C Breitensport. Sie ist in Kamerun geboren und lebt seit 2001 in Deutschland. Die Sportart hilft ihr in einer tiefen Phase ihres Lebens und mit dem Tanzen wirkt sie auch dem Heimweh entgegen. Das Wort „Kossa“ kommt aus der Kamerunischen Sprache Duala und wird verwendet mit der Bedeutung: Tanzen. Zusammen gesetzt mit dem französischem Artikel „La“ bedeutet „La Kossa“: Das Tanzen. La Kossa ist eine eingetragene Marke. In einer La Kossa Fitnessstunde erlernt man Schritt für Schritt Bewegungen aus modern afrikanischen Tänzen. Dabei trainiert man Koordination, Beweglichkeit, Schnelligkeit und Balance zudem wird auch das Selbstbewusstsein gefördert. Die Teilnehmer sollen Spaß an der Bewegung haben und so Abstand vom Alltagsstress gewinnen. Die Muskulatur wird gekräftigt in Beinen, Schultern und Bauch. Ebenfalls kann die Ausdauer in einer La Kossa Fitnessstunde trainiert und verbessert werden. Die Musik in La Kossa bewegt sich in einem Intervall -
Pérez Art Museum Miami Celebrates 35Th Anniversary During 2018 Miami Art Week
Pérez Art Museum Miami Celebrates 35th Anniversary During 2018 Miami Art Week PAMM Welcomed Visitors For Events Including Christian Louboutin’s Supper Party For Ebony G. Patterson, Impact Fund Dinner Honoring Christo, and PAMM Presents (MIAMI, FL – December 8, 2018) – Pérez Art Museum Miami (PAMM) welcomed thousands of visitors from the worlds of art, business, fashion, philanthropy, and more during Miami Art Week. Guests enjoyed PAMM’s dynamic lineup of events, exhibitions, and programming that highlighted the institution’s history as a leading international modern and contemporary art museum, and celebrated the kick off of PAMM’s 35th anniversary. “We are grateful for the opportunity to open our doors and it is always particularly nice to welcome the international community of contemporary art to our museum at this time every year,” said PAMM Director Franklin Sirmans. “The wide range of exhibitions on view this year are representative of our museum in the juxtaposition of the historical and the current; the local and the global, and an anchoring from the vantage point of our unique Miami lens on the world. We are also thankful for the chance to celebrate with our supporters and partners. Particularly moving is our ongoing collaboration with South Florida Cares, an organization focused on mentoring youth.” HIGHLIGHTS FROM MIAMI ART WEEK 2018 PAMM PRESENTS: 35th ANNIVERSARY Left: Antibalas band. Right: Kilo Kish. Photos by World Red Eye. Photo by World Red Eye. On Thursday night, PAMM Presents brought nearly 4,500 guests from Miami and beyond for the museum’s signature art week bash, which kicked off PAMM's 35th Anniversary. -
“Which Way Nigeria?”
J EAN-CHRISTOPHE S ERVANT “Which way Nigeria?” MUSIC UNDER THREAT: A QUESTION OF MONEY, MORALITY, SELF-CENSORSHIP AND THE SHARIA “WHICH WAY NIGERIA?” Music under Threat: A Question of Money, Morality, Self-Censorship and the Sharia by JEAN-CHRISTOPHE SERVANT Published by Freemuse Editor in Chief: Marie Korpe Translated from French by Daniel Brown ISSN 1601-2127 Layout: Sigrún Gudbrandsdóttir Cover illustration: Ali Bature Printed in Denmark 2003 by Handy-Print © Freemuse 2003 The views in the report do not necessarily represent the views of Freemuse. Report no. 04/2003 Freemuse Wilders Plads 8 H · 1403 Copenhagen K. · Denmark tel: +45 32 69 89 20 · fax: +45 32 69 89 01 e-mail: [email protected] web: www.freemuse.org OTHER PUBLICATIONS BY FREEMUSE: 1st World Conference on Music and Censorship (2001, ISBN: 87-988163-0-6) “Can you stop the birds singing?” – The Censorship of Music in Afghanistan, by John Baily (2001, ISSN: 1601-2127) “A Little Bit Special” – Censorship and the Gypsy Musicians of Romania, by Garth Cartwright (2001, ISSN: 1601-2127) Playing With Fire – Fear and Self-Censorship in Zimbabwean Music, by Banning Eyre (2001, ISSN: 1601-2127) TABLE OF CONTENTS PREFACE 5 ABSTRACT 7 5 CASE STUDY: FEMI KUTI - ABOUT THE AUTHOR 8 the banning of "Bang, Bang, Bang" MAP 9 5.1 Biography of Femi Kuti 56 INTRODUCTION 11 5.1.1 NBC vs. Femi Kuti 59 1 THE YEARS OF DEMOCRAZY: 6 GANGSTA RAP AND MAKOSSA 1999-2002 15 6.1 High moral grounds versus 65 the "Music of the Devil" 2 GENERAL BACKGROUND ON NIGERIA 2.1 Religion 17 7 SHARIAPHRENIA 2.2 -
Summerstage Season Announcement June 3 2021 Press Release
Capital One City Parks Foundation SummerStage Announces 2021 Season Lineup Free In-Person Shows Return June 17 in Central Park Featuring the Jazz at Lincoln Center Orchestra with Wynton Marsalis Followed By Summer Of Soul Juneteenth Celebration with Questlove in Marcus Garvey Park This Season will Feature New York-Centric Artists, Including Patti Smith and Her Band; Sun Ra Arkestra; Antibalas; Tito Nieves; Marc Rebillet; Armand Hammer & The Alchemist featuring Moor Mother, Fielded, and KAYANA; Complexions Contemporary Ballet and Parsons Dance; The Dom Salvador Samba Jazz Sestet; Erica Campbell; The Metropolitan Opera & More to be Announced Benefit Concerts Include Machine Gun Kelly, Dawes, Lake Street Dive, Indigo Girls with Ani DiFranco and Blue Note at SummerStage featuring George Clinton, Chris Botti and Galactic SummerStage in Coney Island Returns Featuring Gloria Gaynor, La India, Ginuwine, Funk Flex, A Michael Jackson Tribute & More Charlie Parker Jazz Festival Returns to Harlem this August Tickets will be Required for All Free & Benefit Show Performances NEW YORK, NY - June 3, 2021 – City Parks Foundation is thrilled to return to live, in-person performances this summer with the announcement of the shows planned for the 2021 season of Capital One City Parks Foundation SummerStage, New York City’s largest free outdoor performing arts festival. This year’s festival will showcase renowned artists and rising stars with an important tie to New York City. SummerStage shows will be returning to Rumsey Playfield in Central Park, Marcus Garvey Park in Harlem, Flushing Meadows-Corona Park in Queens, and The Coney Island Amphitheater, presenting distinctly New York genres including hip-hop, Latin, indie rock, contemporary dance, jazz, and global music. -
June-Oct 2021
JUNE-OCT FREE & BENEFIT 2021 PERFORMANCES SUMMERSTAGE.ORG SUMMERSTAGE NYCSUMMERSTAGE SUMMERSTAGENYC SUMMERSTAGE IS BACK More than a year after the first lockdown order, SummerStage is back, ready to once again use our city’s parks as gathering spaces to bring diverse and thriving communities together to find common ground through world-class arts and culture. We are committed to presenting a festival fully representing the city we serve - a roster of diverse artists, focused on gender equity and presenting distinct New York genres. This year, more than ever before, our festival will focus on renewal and resilience, reflective of our city and its continued evolution, featuring artists that are NYC-born, based, or inextricably linked to the city itself. Performers like SummerStage veteran Patti Smith, an icon of the city’s resilient rebelliousness, Brooklyn’s Antibalas, who have married afrobeat with New York City’s Latin soul, and hip hop duo Armand Hammer, two of today’s most important leaders of New York’s rap underground. And, as a perfect symbol of rebirth, Sun Ra’s Arkestra returns to our stage in this year of reopening, 35 years after they performed our very first concert, bringing their ethereal afro-futurist cosmic jazz vibes back to remind us of our ongoing mission and purpose. Our festival art this year also reflects our outlook -- bold, bright, powerful -- and was created by New Yorker Lyne Lucien, an award-winning Haitian artist based in Brooklyn. Lucien is an American Illustration Award Winner and a finalist for the Artbridge - Not a Monolith Residency. She has worked as a photo editor and art director at various publications including New York Magazine, The Daily Beast and Architectural Digest. -
Forholdet Mellom Tradisjonell Musikk Og Moderne Afrikansk Popmusikk I N'gaoundéré, Kamerun
- forholdet mellom tradisjonell musikk og moderne afrikansk popmusikk i N'gaoundéré, Kamerun. Musikk, bruk og funksjon, holdninger. Masteroppgave i musikkvitenskap, Universitet i Oslo Jon Einar Hagen Våren 2008 1 Forord A desa desa betyr ”gå forsiktig, ikke ha hastverk” på haussa, i følge grioten Baba Sani, en av musikerne som omtales i denne oppgaven. Jeg synes dette er en god holdning, som kan gjelde både for musikklivet i byen N'gaoundéré i Nord-Kamerun og mitt arbeid med denne oppgaven. På den annen side ønsket nok noen musikere i N'gaoundéré at utviklingen skulle gått raskere, og det gjelder også mitt arbeid med denne oppgaven… Det er mange jeg skylder takk for deres bidrag til oppgaven; først og fremst mine samarbeidspartnere og informanter i de fem musikkgruppene jeg studerte. Dessverre er tre av de sentrale informantene døde. Magalie Robert gikk bort i mai 2003, og både Moussa Babanguida og Ousmanou Kereste i januar 2005. Denne oppgaven er også til minne om dem. Videre vil jeg takke Vakoté Dieudonné, hans bror Kodji Thomas og resten av familien for at jeg fikk bo hos dem i N'gaoundéré under feltarbeidet våren 2000. Vakoté var også, sammen med Waka Daniel og Vegard Nygård, med i teamet jeg jobbet med i Kamerun i 1996-97. Det var et flott år som ga meg lyst til å komme tilbake for å lære mer. Eric Christian Sam Dall’Epem II satte meg i kontakt med folk og hjalp meg med mange ting. Mai Pascal Nkemegni og Bello Theodore hjalp meg med Gospel Singers sin musikk. Det Norske Misjonsselskap hadde flere misjonærer i N'gaoundéré, og jeg vil spesielt takke Dag Tormod Milje, Janne Eide, Lise Tørnby, Stein Erik Febakke, Erik Sandvik og Ellen Eliassen. -
Université De Montréal Étude Du Syncrétisme De L'assiko À Travers Le
Université de Montréal Étude du syncrétisme de l’assiko à travers le geste et le foyer socioculturel d’un guitariste Bassa. par Luke Fowlie Département de Musicologie , Faculté de Musique. Mémoire présenté en vue de l’obtention du grade de Maitrise en musicologie, option ethnomusicologie. 21 Aout 2015 Copyright, Luke Fowlie, 2015. i Resumé This master’s thesis is concerned with the role of musical gesture in the development of musical styles that have become syncretic. It seeks to define in detail the popular guitar style of assiko, particular to the Bassa of Southern Cameroon, as represented internationally by the guitarist and traditionally initiated percussionist, Atna Njock. Through a dialogic and participative approach, the techniques that underlie assiko guitar playing are explored by comparison with European, African American, and African examples. The influences that define Atna’s playing are contextualized within Bassa culture, with its troubled history of colonial and missionary influence, and elaborated by an account of his particular musical philosophy (or spirituality) and background. The participatory approach provides an emic perspective, meaning internal to the culture, of assiko playing technique and structure while subjecting the musician’s statements to our own analytical scrutiny. The comparison with the various percussion instruments on which Atna was initiated demonstrates how these instruments shaped his guitar playing. His role as “guarantor” of Bassa musical tradition underlies his approach to music, which manifests as a particular concern for “authenticity” in the reproduction of the rhythms of a given musical “language”. His connection to Bassa culture is ultimately expressed through his reproduction of the playing style of his master, originator of modern assiko, Jean Bikoko “Aladin”. -
Society for Ethnomusicology Abstracts
Society for Ethnomusicology Abstracts Musicianship in Exile: Afghan Refugee Musicians in Finland Facets of the Film Score: Synergy, Psyche, and Studio Lari Aaltonen, University of Tampere Jessica Abbazio, University of Maryland, College Park My presentation deals with the professional Afghan refugee musicians in The study of film music is an emerging area of research in ethnomusicology. Finland. As a displaced music culture, the music of these refugees Seminal publications by Gorbman (1987) and others present the Hollywood immediately raises questions of diaspora and the changes of cultural and film score as narrator, the primary conveyance of the message in the filmic professional identity. I argue that the concepts of displacement and forced image. The synergistic relationship between film and image communicates a migration could function as a key to understanding musicianship on a wider meaning to the viewer that is unintelligible when one element is taken scale. Adelaida Reyes (1999) discusses similar ideas in her book Songs of the without the other. This panel seeks to enrich ethnomusicology by broadening Caged, Songs of the Free. Music and the Vietnamese Refugee Experience. By perspectives on film music in an exploration of films of four diverse types. interacting and conducting interviews with Afghan musicians in Finland, I Existing on a continuum of concrete to abstract, these papers evaluate the have been researching the change of the lives of these music professionals. communicative role of music in relation to filmic image. The first paper The change takes place in a musical environment which is if not hostile, at presents iconic Hollywood Western films from the studio era, assessing the least unresponsive towards their music culture. -
File Type Pdf Music Program Guide.Pdf
MOOD:MEDIA 2020 MUSIC PROGRAM GUIDE 2 Pop Adult Contemporary Hitline* ‡ Current Adult Contemporary Hits Current Top Charting Hits Sample Artists: Bebe Rexha, Shawn Mendes, Maroon 5, Niall Sample Artists: Ariana Grande, Zedd, Bebe Rexha, Panic! Horan, Alice Merton, Portugal. The Man, Andy Grammer, Ellie At The Disco, Charlie Puth, Dua Lipa, Hailee Steinfeld, Lauv, Goulding, Michael Buble, Nick Jonas Shawn Mendes, Taylor Swift Hot FM ‡ Be-Tween Hot Adult Contemporary Hits Family-Friendly, Modern Pop Hits Sample Artists: Ed Sheeran, Alessia Cara, Maroon 5, Vance Sample Artists: 5 Seconds of Summer, Sabrina Carpenter, Joy, Imagine Dragons, Colbie Caillat, Andy Grammer, Shawn Alessia Cara, NOTD, Taylor Swift, The Vamps, Troye Sivan, R5, Mendes, Jess Glynne, Jason Mraz Shawn Mendes, Carly Rae Jepsen Metro ‡ Cashmere ‡ Chic Metropolitan Blend Warm Cosmopolitan Vocals Sample Artists: Little Dragon, Rhye, Disclosure, Jungle, Sample Artists: Emily King, Chaka Khan, Durand Jones & The Maggie Rogers, Roosevelt, Christine and The Queens, Flight Indications, Sam Smith, Maggie Rogers, The Teskey Brothers, Facilities, Maribou State, Poolside Diplomats of Solid Sound, Norah Jones, Jason Mraz, Cat Power Pop Style Youthful Pop Hits Divas Sample Artists: Justin Bieber, Taylor Swift, DNCE, Troye Sivan, Dynamic Female Vocals Ellie Goulding, Ariana Grande, Charlie Puth, Kygo, The Vamps, Sample Artists: Chaka Khan, Amy Winehouse, Aretha Franklin, Sabrina Carpenter Ariana Grande, Betty Wright, Madonna, Mary J. Blige, ZZ Ward, Diana Ross, Lizzo, Janelle Monae -
African Popular Music Ensemble Tuesdays (7:20 PM-9:10 PM) at the School of Music Dr
1 FALL 2021 MUN 1xxx - section TBA World Music Ensemble – African Popular Music Ensemble Tuesdays (7:20 PM-9:10 PM) at the School of Music Dr. Sarah Politz, [email protected] Office: Yon Hall 435 Office hours: TBA Credits: 1.0 credit hours The African Popular Music Ensemble will specialize in the popular music of the African continent, with a special focus on Afrobeat, highlife, soukous, African jazz, and the brass band traditions of Africa and the diaspora. Together we will listen to, perform, and arrange music from the works of Fela Kuti (Nigeria), Salif Keita (Mali), Hugh Masekela, Abdullah Ibrahim, Miriam Makeba (South Africa), Mulatu Astatke (Ethiopia), and the Gangbe Brass Band of Benin. Instrumentation will vary based on personnel each semester, and will typically include a rhythm section, horn section, and vocal soloists. The ensemble will also draw on the participation of faculty performers, as well as guest artists specializing in African popular music from the community and beyond. These collaborations will contribute to the diversity of musical and cultural experiences related to Africa that are available to students throughout the semester. Course Objectives The African Popular Music Ensemble is dedicated to learning African culture through musical performance. After completion of this course, students will be able to perform in a variety of African popular music styles on their instrument. These skills will be developed through a combination of listening to recordings, developing skills in listening and blending within the ensemble, and individual study and practice outside of rehearsals. Students who wish to develop their skills in improvisation will have many opportunities to do so. -
FEBRUARY 2020 Less Safe
SOUTHEAST EXAMINER Your Neighborhood News Source February 2020 Created and Powered by the Love of Community southeastexaminer.com Our 31st Year Vol 31 No 2 Portland, OR RIP Gains Traction Amid Calls for More Density BY MIDGE PIERCE ability, by allowing bonus units in lower income projects. Like it or not, quadplexes and possi- While elimination of single fam- bly six or eight plexes are likely coming ily neighborhoods is already mandated for soon to Portland’s single family neighbor- most Oregon cities, Portland’s proposal to hoods. allow quads, goes beyond state legislative That is the expectation following city allowance for duplexes. council testimony largely supportive of the After testimony, three of the four sit- long-simmering Residential Infill Proposal ting Commissioners signaled readiness to (RIP) to allow multiplex housing in resi- adopt RIP, possibly by the time you read Image courtesy of the Portland Water Bureau dential neighborhoods. this. Mayor Ted Wheeler said the longer At January’s two-day public hearing, Portland waits to implement upzoning, the PWB’s Pro-Filtration Position it was no longer a question of whether to longer neighborhoods remain exclusive. add multi-units, but how many. Commissioner Chloe Eudaly refer- A Deeper Affordability Bonus en- enced the need to end discriminatory zon- Examined dorsed by pro-densification groups calls ing. Commissioner Jo Ann Hardesty told for doubling the number of allowable units the chamber it was time to stop letting BY NANCY TANNLER Commissioner Fritz was initially op- from four to eight. Questions persist about income determine zip codes, despite an posed to building anything back in 2006 whether deep densification will improve earlier admission that RIP did not address Many people are not aware of the when the EPA first enforced the LT2 rul- affordability, slow demolition and lessen affordability. -
SLRAS Career Highlights
CAREER HIGHLIGHTS November, 2005 – Critically-acclaimed and multi-award winning documentary film Sierra Leone’s Refugee All Stars premiere’s at prestigious AFI Film Festival in Los Angeles, CA March, 2006 – SLRAS perform at SXSW in Austin, Texas marking their US debut performance June, 2006 – SLRAS perform at Bonnaroo music festival June, 2006 – SLRAS perform at Central Park SummerStage July, 2006 – SLRAS perform at Fuji Rock Festival in Japan September, 2006 – Debut album Living Like a Refugee released on Anti November, 2006 – SLRAS open for Aerosmith in Uncasville, CT December, 2006 – Major motion picture Blood Diamond starring Leonardo DiCaprio and featuring the song “Ankala” by SLRAS released December 15, 2006 – SLRAS appear on the Oprah Winfrey Show June, 2007 - SLRAS collaborate with Aerosmith on “Give Peace A Chance” for Amnesty International’s John Lennon tribute album - Instant Karma January, 2008 - SLRAS invited by United Nations High Commission for Refugees to perform at The World Economic Forum in Davos, Switzerland. April 1, 2008 - U2 tribute album In the Name of Love: Africa Celebrates U2 featuring SLRAS released March 23, 2010 – Second album, Rise & Shine, released on Cumbancha. The album was recorded in New Orleans and produced by Steve Berlin, a member of Los Lobos who has produced for Angélique Kidjo, Michelle Shocked, Jackie Green, Alex Ounsworth, Ozomatli, Rickie Lee Jones and many others. January 2011 - Rise & Shine selected as 2010 Album of the Year on the prestigious World Music Charts Europe. January, 2011 - SLRAS perform on Jam Cruise January, 2011 - CW’s Beverly Hills 90210 features SLRAS song “Respect The Dignity of Women” on episode titled “It’s Getting Hot in Here” May 31, 2011 – SLRAS featured on the song “Gimme Shelter” on Playing for Change 2: Songs Around the World June 4, 2011 – SLRAS open for Dispatch at Red Rocks Amphitheater in Colorado.