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Dark Council of the Sith Empire
The Force Shall Free Me Dark Council of the Sith Empire “Peace is a lie; there is only passion. Through passion, I gain strength. Through strength, I gain power. Through power, I gain victory. Through victory, my chains are broken. The Force shall free me.” —The Sith Code Contents Letter from the Director ................................................................................................... 4 Mandate .......................................................................................................................... 5 Background ...................................................................................................................... 6 History .................................................................................................................. 6 Imperial Government Structure ............................................................................. 8 Key Planets to Know ............................................................................................. 8 Topics for Discussion ..................................................................................................... 10 Imperial Alliances ................................................................................................ 10 Sith and Non-Sith ................................................................................................ 12 Corruption .......................................................................................................... 14 Positions ....................................................................................................................... -
Star Wars: the Fascism Awakens Representation and Its Failure from the Weimar Republic to the Galactic Senate Chapman Rackaway University of West Georgia
STAR WARS: THE FASCISM AWAKENS 7 Star Wars: The Fascism Awakens Representation and its Failure from the Weimar Republic to the Galactic Senate Chapman Rackaway University of West Georgia Whether in science fiction or the establishment of an earthly democracy, constitutional design matters especially in the realm of representation. Democracies, no matter how strong or fragile, can fail under the influence of a poorly constructed representation plan. Two strong examples of representational failure emerge from the post-WWI Weimar Republic and the Galactic Republic’s Senate from the Star Wars saga. Both legislatures featured a combination of overbroad representation without minimum thresholds for minor parties to be elected to the legislature and multiple non- citizen constituencies represented in the body. As a result both the Weimar Reichstag and the Galactic Senate fell prey to a power-hungry manipulating zealot who used the divisions within their legislature to accumulate power. As a result, both democracies failed and became tyrannical governments under despotic leaders who eventually would be removed but only after wars of massive casualties. Representation matters, and both the Weimer legislature and Galactic Senate show the problems in designing democratic governments to fairly represent diverse populations while simultaneously limiting the ability of fringe groups to emerge. “The only thing necessary for the triumph of representative democracies. A poor evil is for good men to do nothing.” constitutional design can even lead to tyranny. – Edmund Burke (1848) Among the flaws most potentially damaging to a republic is a faulty representational “So this is how liberty dies … with structure. Republics can actually build too thunderous applause.” - Padme Amidala (Star much representation into their structures, the Wars: Episode III Revenge of the Sith, 2005) result of which is tyranny as a byproduct of democratic failure. -
JCC Star Wars: the Republic Background Guide
The Cornell International Affairs Society Proudly Presents CIAC VIII Cornell International Affairs Conference VIII JCC Star Wars: The Republic Background Guide November 2nd - 5th Cornell University, Ithaca, NY Letter from the Chair Dear Delegates of the Galactic Republic, Throughout the history of our fair republic, it is in times of great crisis that even greater heroes arise. Now, that responsibility falls on all of you, as the very fabric of our society is torn by an insidious darkness. However, in a galaxy far far away... It is my pleasure to welcome you all to Cornell International Affairs Conference (CIAC) 2017. My name is Jenniston Francis and I am very excited to serve as your chair for the simulation of the Star Wars JCC. I am currently a junior at Cornell University in Ithaca, New York, where I am majoring in finance in the Dyson School of Applied Economics and Management. My involvement with Model UN began much like your own: I was a delegate throughout high school, where I learned a lot from the debate and simulation in Model UN. This simulation will run as a joint crisis committee, with a particular focus on creating policies and responses that directly respond to both the actions of our rival committee and of the universe at large. These crisis committees offer a heightened delegate experience, revolving around fast-paced and dynamic debate. In order to be fully be prepared for this committee, please be prepared with exhaustive research, an open mind, and intellectual interest in debating and resolving the pressing issues you will be faced with. -
Complete Catalogue of the Musical Themes Of
COMPLETE CATALOGUE OF THE MUSICAL THEMES OF CATALOGUE CONTENTS I. Leitmotifs (Distinctive recurring musical ideas prone to development, creating meaning, & absorbing symbolism) A. Original Trilogy A New Hope (1977) | The Empire Strikes Back (1980) | The Return of the Jedi (1983) B. Prequel Trilogy The Phantom Menace (1999) | Attack of the Clones (2002) | Revenge of the Sith (2005) C. Sequel Trilogy The Force Awakens (2015) | The Last Jedi (2017) | The Rise of Skywalker (2019) D. Anthology Films & Misc. Rogue One (2016) | Solo (2018) | Galaxy's Edge (2018) II. Non-Leitmotivic Themes A. Incidental Motifs (Musical ideas that occur in multiple cues but lack substantial development or symbolism) B. Set-Piece Themes (Distinctive musical ideas restricted to a single cue) III. Source Music (Music that is performed or heard from within the film world) IV. Thematic Relationships (Connections and similarities between separate themes and theme families) A. Associative Progressions B. Thematic Interconnections C. Thematic Transformations [ coming soon ] V. Concert Arrangements & Suites (Stand-alone pieces composed & arranged specifically by Williams for performance) A. Concert Arrangements B. End Credits VI. Appendix This catalogue is adapted from a more thorough and detailed investigation published in JOHN WILLIAMS: MUSIC FOR FILMS, TELEVISION, AND CONCERT STAGE (edited by Emilio Audissino, Brepols, 2018) Materials herein are based on research and transcriptions of the author, Frank Lehman ([email protected]) Associate Professor of Music, Tufts -
Copy of Copy of Copy of Streetwear Creative Wide Presentation
"Life's most persistent and urgent question is; what are you doing for others?" -MLK OUR VISION For over a decade, MDC has helped establish rewarding relationships between thousands of individuals, businesses and charities who care deeply about the well-being of others and the community. Through our work (video production, event planning & consulting) we want to share stories that matter, organize events that build bridges, highlight extraordinary individuals, create simple and effective ways of giving back, and act as professional matchmakers. Our mission has always been to connect the people who want to help with the people who need help the most. From the start, we've witnessed heartbreaking scenarios where trauma and hardship causes a child or family to feel isolated and hopeless. Despite what we're taught, time is more precious than gold and we strive to make every day, hour and minute count. The world does not stop when tragedy strikes; but good people can and do. We enlist the help of caregivers across every business sector around the globe and rely on them to help us create special moments in time that bring hope and joy to those suffering through hardship. We've created an Active Response Team; an unofficial team of do-gooders who are willing to step up to the plate when needed. And just like the word "team" signifies, together everyone achieves more. MDC works by cause, not by client -- and in doing so, it allows us to foster collaboration and look after the interests of all involved. The impact we make by working together is more powerful and far-reaching than most individuals can achieve on their own. -
Rise of the Empire 1000 Bby-0 Bby (2653 Atc -3653 Atc)
RISE OF THE EMPIRE 1003-980 B.B.Y. (2653-2653 A.T.C.) The Battle of Ruusan 1,000 B.B.Y.-0 B.B.Y. and the Rule of Two (2653 A.T.C. -3653 A.T.C.) 1000 B.B.Y. (2653 A.T.C.) “DARKNESS SHARED” Bill Slavicsek Star Wars Gamer #1 Six months prior to the Battle of Ruusan. Between chapters 20 and 21 of Darth Bane: Path of Destruction. 996 B.B.Y. (2657 A.T.C.) “ALL FOR YOU” Adam Gallardo Tales #17 Volume 5 The sequence here is intentional. Though I am keeping the given date, this story would seem to make more sense placed prior to the Battle of Ruusan and the fall of the Sith. 18 PATH OF DESTRUCTION with the Sith). This was an issue dealt with in the Ruusan Reformations, marking the Darth Bane beginning of the Rule of Two for the Sith, and Drew Karpyshyn the reformation of the Republic and the Jedi Order. This has also been borne out by the fact that in The Clone Wars, the members of the current Galactic Republic still refer to the former era as “The Old Republic” (an error that in this case works in the favor of retcons, I The date of this novel has been shifted around believe). The events of this graphic novel were somewhat. The comic Jedi vs. Sith, off of which adapted and overwritten by Chapters 26- it is based, has been dated 1032 B.B.Y and Epilogue of Darth Bane: Path of Destruction 1000 B.B.Y. -
'The Force' As Law: Mythology, Ideology and Order in George Lucas's Star Wars
'The Force' as Law: Mythology, Ideology and Order in George Lucas's Star Wars Author Peters, Timothy Published 2012 Journal Title Australian Feminist Law Journal Copyright Statement © 2012 Socio-Legal Research Centre, Griffith Law School. The attached file is reproduced here in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/48301 Link to published version https://www.tandfonline.com/doi/abs/10.1080/13200968.2012.10854471 Griffith Research Online https://research-repository.griffith.edu.au ‘THE FORCE’ AS LAW: MYTHOLOGY, IDEOLOGY AND ORDER IN GEORGE LUCAS’S STAR WARS Timothy D. Peters Abstract. Where is the Law in Star Wars? Why in films so resonant with our current times, saturated with technology, enmeshed in political turmoil and structured by international—or, rather, intergalactic—commerce has the law been jettisoned like space trash from an Imperial Cruiser? My argument is that despite the lack of any overt references to law and legality, the Star Wars franchise in its mythological creation, as well as its capitalist construction, is in fact saturated with law. This law can be found in both the mythology and legality of ‘the Force’—that mystical energy field that supposedly binds the galaxy together, desires a sense of universal order and balance and seeks to regulate destiny itself. This is not simply to read ‘the Force’ in its mythical trappings as a form of natural law that seeks to provide balance to the universe, but, rather, as a representation of modern law and its concern with the defence and preservation of order. -
Any Gods out There? Perceptions of Religion from Star Wars and Star Trek
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 3 October 2003 Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek John S. Schultes Vanderbilt University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Schultes, John S. (2003) "Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek Abstract Hollywood films and eligionr have an ongoing rocky relationship, especially in the realm of science fiction. A brief comparison study of the two giants of mainstream sci-fi, Star Wars and Star Trek reveals the differing attitudes toward religion expressed in the genre. Star Trek presents an evolving perspective, from critical secular humanism to begrudging personalized faith, while Star Wars presents an ambiguous mythological foundation for mystical experience that is in more ways universal. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 Schultes: Any Gods Out There? Science Fiction has come of age in the 21st century. From its humble beginnings, "Sci- Fi" has been used to express the desires and dreams of those generations who looked up at the stars and imagined life on other planets and space travel, those who actually saw the beginning of the space age, and those who still dare to imagine a universe with wonders beyond what we have today. -
Return of the Jedi Novelisation Free
FREE RETURN OF THE JEDI NOVELISATION PDF Scholastic | 188 pages | 31 Oct 2004 | Scholastic US | 9780439681261 | English | New York City, United States Star Wars Episode VI: Return of the Jedi (junior novelization) | Wookieepedia | Fandom It is based on the script of the film of the same name. According to Publishers Weeklyit was the bestselling novel of that year. From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. A Guide to the Star Wars Universe 2nd ed. Del Rey. This section is empty. You can help by adding to it. January Star Wars Legends novels — Full list of Star Wars books. Hidden categories: Articles needing additional references from March All articles needing additional references Use mdy dates from December Wikipedia articles needing clarification from June Articles to be expanded from January All articles Return of the Jedi Novelisation be expanded Articles with Return of the Jedi Novelisation sections from January All articles with empty sections Articles using small message boxes. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Italiano Edit links. Star Wars Novelizations Canon G. Hard Merchandise. The Truce at Bakura. Warrick Yoda. Return of the Jedi (novel) - Wikipedia Leia as a bounty hunter, Chewie driving an AT-ST, and the greatest shock of all, warmth from the coldest villain in the galaxy. Try again, youngling. Wicket W. Warrick was mostly brave and courageous, but when it came to unidentified objects like crashed princesses and Rebel trooper hats, his bark was bigger than his bite. -
INTRODUCTION Fatal Attraction and Scarface
1 introduction Fatal Attraction and Scarface How We Think about Movies People respond to movies in different ways, and there are many reasons for this. We have all stood in the lobby of a theater and heard conflicting opin- ions from people who have just seen the same film. Some loved it, some were annoyed by it, some found it just OK. Perhaps we’ve thought, “Well, what do they know? Maybe they just didn’t get it.” So we go to the reviewers whose business it is to “get it.” But often they do not agree. One reviewer will love it, the next will tell us to save our money. What thrills one person may bore or even offend another. Disagreements and controversies, however, can reveal a great deal about the assumptions underlying these varying responses. If we explore these assumptions, we can ask questions about how sound they are. Questioning our assumptions and those of others is a good way to start think- ing about movies. We will soon see that there are many productive ways of thinking about movies and many approaches that we can use to analyze them. In Dragon: The Bruce Lee Story (1992), the actor playing Bruce Lee sits in an American movie theater (figure 1.1) and watches a scene from Breakfast at Tiffany’s (1961) in which Audrey Hepburn’s glamorous character awakens her upstairs neighbor, Mr Yunioshi. Half awake, he jumps up, bangs his head on a low-hanging, “Oriental”-style lamp, and stumbles around his apart- ment crashing into things. -
Ashley Eckstein One FASTPASS Ticket
Meet our Celebrity Hosts Autograph Sessions Using Star WarsTM Merchandise at Echo Lake Disney FASTPASS® Disney FASTPASS® Service will be utilized for all autograph Blast into Star Wars Weekends 2012 James Arnold Taylor with limited edition pins, artwork Meet the voice behind Obi-Wan sessions. FASTPASS for autographs will be distributed at Kenobi and Plo Koon in Star Disney’s Hollywood Studios® Main Entrance to the right of the and collectibles, plus limited release Wars: The Clone Wars. turnstiles. Distribution may begin prior to park opening based on apparel for the entire family! Autograph Session: demand. Authentic Star Wars Weekends collectibles, must-have merchandise, 9:45am • You must have a FASTPASS ticket to receive an autograph. and special artist signings and book • Your Theme Park admission ticket allows you to receive signings can be found at Darth’s Mall located in the courtyard Ashley Eckstein one FASTPASS ticket. Limited number available and are between Rock ‘n’ Roller Coaster® Starring Aerosmith and The voice behind Ahsoka Tano distributed on a first-come basis. The Twilight Zone Tower of Terror™. in Star Wars: The Clone Wars • One FASTPASS per person. will be hosting Clone Wars: • Each Guest must be present to receive a FASTPASS Behind the Force. ticket. You may not get FASTPASS tickets for other Autograph Sessions: members of your party. 4:30pm (at Darth’s Mall), • Pick up your FASTPASS ticket with a designated autograph 5:45pm return time starting after 9:45am. Until your designated return time you may experience other Star Wars Weekends activities. • At your designated time, return to the autograph location, Celebrity Autograph Location where you will have little or no wait time. -
Introducing Colgate's Galactic New Oral Care Line
Introducing Colgate's Galactic New Oral Care Line Star Wars And Star Wars: Episode I The Phantom Menace Oral Care Products Now In Stores New York, NEW YORK, May 25, 1999- In a galaxy not so far away, Colgate-Palmolive Company has been steadily shipping its premium line of Star Wars and Star Wars: Episode I The Phantom Menace oral care products to food, drug and toy stores across the country. The new line is sure to bring the fantasy of the movies into kids', teens' and adults' bathrooms across the nation. Colgate is proud to introduce its Star Wars toothpaste and toothbrushes for kids, teens and adults alike. Colgate offers a total of eight premium kids character toothbrushes designed with extra soft bristles to help protect children's gums and a diamond shaped head that fits into children's mouths comfortably for easy access to small back teeth. There are four Colgate Star Wars kids' character toothbrush designs: Darth Vader, Luke Skywalker, Princess Leia and R2-D2 with C-3PO. The four Colgate Star Wars: Episode I character toothbrushes consist of Anakin Skywalker, Jar Jar Binks, Darth Maul and Queen Amidala. In addition, special packs are available at select stores featuring Colgate Star Wars: Episode I kids' character toothbrush stands of Queen Amidala, Darth Maul, Jar Jar, Anakin and R2-D2. Look for new character stands soon. Colgate also offers eight Teen/Adult Star Wars toothbrushes. These toothbrushes are designed with triple action bristles that clean along the gum line, between teeth and on tooth surfaces. The four Colgate Star Wars character toothbrushes include Darth Vader, Luke Skywalker, Princess Leia and R2-D2 with C-3PO.