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Copy of Copy of Copy of Streetwear Creative Wide Presentation
"Life's most persistent and urgent question is; what are you doing for others?" -MLK OUR VISION For over a decade, MDC has helped establish rewarding relationships between thousands of individuals, businesses and charities who care deeply about the well-being of others and the community. Through our work (video production, event planning & consulting) we want to share stories that matter, organize events that build bridges, highlight extraordinary individuals, create simple and effective ways of giving back, and act as professional matchmakers. Our mission has always been to connect the people who want to help with the people who need help the most. From the start, we've witnessed heartbreaking scenarios where trauma and hardship causes a child or family to feel isolated and hopeless. Despite what we're taught, time is more precious than gold and we strive to make every day, hour and minute count. The world does not stop when tragedy strikes; but good people can and do. We enlist the help of caregivers across every business sector around the globe and rely on them to help us create special moments in time that bring hope and joy to those suffering through hardship. We've created an Active Response Team; an unofficial team of do-gooders who are willing to step up to the plate when needed. And just like the word "team" signifies, together everyone achieves more. MDC works by cause, not by client -- and in doing so, it allows us to foster collaboration and look after the interests of all involved. The impact we make by working together is more powerful and far-reaching than most individuals can achieve on their own. -
INTRODUCTION Fatal Attraction and Scarface
1 introduction Fatal Attraction and Scarface How We Think about Movies People respond to movies in different ways, and there are many reasons for this. We have all stood in the lobby of a theater and heard conflicting opin- ions from people who have just seen the same film. Some loved it, some were annoyed by it, some found it just OK. Perhaps we’ve thought, “Well, what do they know? Maybe they just didn’t get it.” So we go to the reviewers whose business it is to “get it.” But often they do not agree. One reviewer will love it, the next will tell us to save our money. What thrills one person may bore or even offend another. Disagreements and controversies, however, can reveal a great deal about the assumptions underlying these varying responses. If we explore these assumptions, we can ask questions about how sound they are. Questioning our assumptions and those of others is a good way to start think- ing about movies. We will soon see that there are many productive ways of thinking about movies and many approaches that we can use to analyze them. In Dragon: The Bruce Lee Story (1992), the actor playing Bruce Lee sits in an American movie theater (figure 1.1) and watches a scene from Breakfast at Tiffany’s (1961) in which Audrey Hepburn’s glamorous character awakens her upstairs neighbor, Mr Yunioshi. Half awake, he jumps up, bangs his head on a low-hanging, “Oriental”-style lamp, and stumbles around his apart- ment crashing into things. -
Download Films / Movies Card Game (PDF)
Back to the Future Blade Runner ET 1985 / sci-fi 1982 / sci-fi 1982 / sci-fi Robert Zemeckis (director) Ridley Scott (director) Steven Spielberg (director) Michael J Fox Harrison Ford Dee Wallace Christopher Lloyd The Godfather Harry Potter and the The Exorcist 1972 / crime thriller Philosopher's Stone 1973 / horror Francis Ford Coppola (director) 2001 / fantasy William Friedkin (director) Maron Brando Chris Columbus (director) Ellen Burstyn Al Pacino Daniel Radcliffe Jaws Raiders of the Lost Ark Goldfinger 1975 / thriller 1981 / action / adventure 1964 / spy thriller Steven Spielberg (director) Steven Spielberg (director) Guy Hamilton (director) Roy Scheider Harrison Ford Sean Connery Robert Shaw Jurassic Park Mad Max The Lion King 1993 / sci-fi 1979 / action 1994 / cartoon / musical Steven Spielberg (director) George Miller (director) Roger Allers / Rob Minkoff Sam Neill Mel Gibson (directors) Laura Dern Joanne Samuel Mission Impossible Pirates of the Caribbean: 1996 / spy / action Pinocchio Dead Man's Chest Brian De Palma (director) 1940 2006 / fantasy adventure Tom Cruise cartoon / musical / fantasy Gore Verbinski (director) Paula Wagner Johnny Depp Apocalypse Now Schindler's List The Matrix 1979 / war film 1993 / historical drama 1999 / sci-fi / action Francis Ford Coppola (director) Steven Spielberg (director) The Wachowskis (directors) Marlon Brando Liam Neeson Keanu Reeves Martin Sheen Ralph Fiennes Carrie-Anne Moss Titanic Crazy Rich Asians The Lord of the Rings: The 1997 / disaster / romance 2018 / romantic comedy Fellowship of the Ring James Cameron (director) Jon M. Chu (director) 2001 / fantasy / adventure Leonardo DiCaprio Constance Wu Peter Jackson (director) Kate Winslet Gemma Chan Elijah Wood Ian McKellen Toy Story The Sound of Music The Dark Knight 1995 1965 / musical / drama 2008 / superhero computer-animated comedy Robert Wise (director) Christopher Nolan (director) John Lasseter (director) Julie Andrews Christian Bale Tom Hanks (voice) Christopher Plummer Michael Caine © ELTbase.com 2019. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros. -
Neil Jordan's Michael Collins and an Anti
Études irlandaises 38-1 | 2013 Varia “When you have Shakespeare, why do you need movies?”: Neil Jordan’s Michael Collins and an anti-Hamletian Hamlet Jane Steel Electronic version URL: http://journals.openedition.org/etudesirlandaises/3327 DOI: 10.4000/etudesirlandaises.3327 ISSN: 2259-8863 Publisher Presses universitaires de Rennes Printed version Date of publication: 30 July 2013 ISBN: 978-2-7535-2673-0 ISSN: 0183-973X Electronic reference Jane Steel, « “When you have Shakespeare, why do you need movies?”: Neil Jordan’s Michael Collins and an anti-Hamletian Hamlet », Études irlandaises [Online], 38-1 | 2013, Online since 30 June 2015, connection on 05 May 2019. URL : http://journals.openedition.org/etudesirlandaises/3327 ; DOI : 10.4000/etudesirlandaises.3327 © Presses universitaires de Rennes “When you have Shakespeare, why do you need movies?”: Neil Jordan’s Michael Collins and an anti-Hamletian Hamlet Jane Steel Lancaster University Abstract Neil Jordan has suggested that “when you have Shakespeare, why do you need movies?” This article seeks to highlight the analogies between some key themes from Shakespeare’s Hamlet and Jordan’s Michael Collins in order to suggest how Jordan’s question is, perhaps, ironic. Importantly, recourse to Hamlet is shown to supply an alternative method for the analy- sis of Jordan’s film and, in turn, demonstrate how literature per se can be deployed as a critical tool. An important aspect of this discussion includes a psychoanalytical framework that draws upon the work of Slavoj Žižek and a concept termed “extimacy”. Keywords: Extimacy, Hamlet, terrorist, film, Žižek, Michael Collins , Neil Jordan. Shake- speare, Gerry Adams, Peace Process. -
XXXI:9) Joffé, the MISSION (1986, 125 Min)
October 27, 2015 (XXXI:9) Joffé, THE MISSION (1986, 125 min) (The version of this handout on the website has color images and hot urls.) Winner of the 1987 Oscar for Best Cinematography for Chris Menges. Directed by Roland Joffé Original story & screenplay by Robert Bolt Produced by Fernando Ghia & David Puttnam Music by Ennio Morricone Cinematography by Chris Menges Film Editing by Jim Clark Costume Design by Enrico Sabbatini Armorer…Simon Atherton Supervising rock climber…Joe Brown Robert De Niro…Rodrigo Mendoza Jeremy Irons...Father Gabriel Ray McAnally …Cardinal Altamirano nominated for two Oscars for Best Director in 1987 for The Aidan Quinn…Felipe Mendoza Mission (1986) and in 1985 for The Killing Fields (1984). He has Cherie Lunghi…Carlotta directed 24 films and TV shows including, The Lovers (2015), Ronald Pickup…Hontar There Be Dragons (2011), You and I (2011), Captivity (2007), Chuck Low…Cabeza Undressed (2002, TV Series, 1 episode), Vatel (2000), Goodbye Liam Neeson…Fielding Lover (1998), The Scarlet Letter (1995), City of Joy (1992), Fat Bercelio Moya …Indian Boy Man and Little Boy (1989), The Mission (1986), The Killing Fields Sigifredo Ismare…Witch Doctor (1984), 'Tis Pity She's a Whore (1980, TV Movie), Headmaster Asuncion Ontiveros…Indian Chief (TV Series) (1977, 3 episodes), Sam (TV Series) (1974-1975, 4 Alejandrino Moya…Chief's Lieutenant episodes), and Coronation Street (1973-1974, TV Series, 4 Daniel Berrigan…Sebastian episodes). Rolf Gray…Young Jesuit Álvaro Guerrero…Jesuit Robert Bolt (writer) (b. August 15, 1924 in Sale, Cheshire, Tony Lawn…Father Provincial England, UK—d. February 20, 1995, age 70, in Petersfield, Joe Daly…Nobleman Hampshire, England, UK) won two Oscars for Best Writing, Carlos Duplat…Portuguese Commander Screenplay Based on Material from Another Medium for A Man Rafael Camerano…Spanish Commander for All Seasons (1966) in 1967 and for Doctor Zhivago (1965) in Monirak Sisowath…Ibaye 1966. -
Named After a Chelsea Street Sign in 1958. Led A
NAMED AFTER A CHELSEA STREET SIGN IN 1958. LED A REVOLUTION IN BRITISH CINEMA WOODFALL FILMS the original indie film house was hellbent on revolutionising the conservative and comfortable arts scene and establishing a brave new face for British Film. As the 1950s closed and the new dawn of the 1960s broke, London’s heartbeat became the pulse of a global creative revolution. Three monumental filmmakers – Tony Richardson, Karel Reisz and Lindsay Anderson set the pace. At the forefront Richardson, John Osborne and producer Harry Saltzman’s prolific company Woodfall. Its founders and collaborators including Albert Finney, Rita Tushingham and Richard Lester created one breakthrough commercial and critical success after another. The Woodfall Films legacy began with Look Back in Anger, but went on to produce some of the most well-regarded films of its time: Tom Jones, The Knack ...And How to Get It, A Taste of Honey, Saturday Night and Sunday Morning, Kes and The Loneliness of the Long Distance Runner. 2 “NO OTHER INDIVIDUAL INDEPENDENT PRODUCTION COMPANY COMES CLOSE TO BEING AT FOREFRONT OF THE NEW WAVE, THE TRANSITION FROM SWINGING LONDON AND BEYOND TO A NEW POLITICAL RADICALISM, WHILE ALSO EMBODYING THE IMPACT OF HOLLYWOOD FUNDING AND THE DEVELOPMENT OF ANGLO-CONTINENTAL CO-PRODUCTION. THAT’S BEFORE ONE GETS TO THE ICONIC AND EPOCH MAKING TALENTS OF THE INDIVIDUALS ON BOTH SIDES OF THE CAMERA.” PROFESSOR DUNCAN PETRIE, DEPARTMENT OF THEATRE, FILM AND TELEVISION, UNIVERSITY OF YORK 3 AWARDS ACADEMY AWARDS 11 NOMINATIONS AWARDS Between 1959 and 1976, Woodfall Films 4 WINS was nominated by 19 awards panels for 126 awards, and won 58 of them. -
Press Kitexample Ann Breyne Film 1 Period 3
PRESS KITEXAMPLE ANN BREYNE FILM 1 PERIOD 3 As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test when her husband, a notorious gun-slinger, announces his arrival. TABLE OF CONTENTS Pitch ………………….……1 Synopsis …………….……1 Reviews/Awards …….…..1 Cast ………………….…… 2 The Influential Film ….. 3-7 Bibliography ……………..7 SETH MOVIE AWARDS MCFARLANE, DIRECTOR Razzies: Worst Director: Seth MacFarlane PITCH Worst Actress: While Seth McFarlane started behind the scenes, directing and voicing Charlize Theron “Family Guy” in 1999, he didn’t gain infamy in pop culture until the Worst Actor: Seth release of “Ted” in 2012. His graphic use of language and over-the-top MacFarlane innuendos set him apart from comedians like Seth Rogan, Judd Apatow and Tina Fey. Americans respond surprisingly well to his Worst Screen tasteless jokes, making potty-humor more accessible for audiences to Combo: Charlize Theron, Seth use in everyday life. MacFarlane Thanks to his layered characters, riveting plot and classic humor, “A Million Ways to Die in the West,” is MacFarlane’s greatest WHY THIS advancements in the Hollywood film industry. FILM MATTERS SYNOPSIS “A Million Ways to Set in 1882 in the American West, Albert is a lowly farmer with a nice Die in the West” is a girlfriend. But when she leaves him for the more successful and great case study for handsome owner of a moustachery store, Albert returns to his lonely parody and daily life of trying to avoid death at all turns. Then the mysterious Anna innovative, unique rides into town and captures Albert's interest and heart, but with her humor. -
Sexism and the Academy Awards
Tripodos, number 48 | 2020 | 85-102 Rebut / Received: 28/03/20 ISSN: 1138-3305 Acceptat / Accepted: 30/06/20 85 Oscar Is a Man: Sexism and the Academy Awards Kenneth Grout Owen Eagan Emerson College (USA) TRIPODOS 2020 | 48 This study analyzes the implicit bias of an to be nominated for a supporting the Academy Awards and Oscar’s his- performance in a Best Picture winner. toric lack of gender equity. While there This research considers these factors, are awards for Best Actor and Actress, identifies potential reasons for them, a comparative analysis of these awards and draws conclusions regarding the and the Best Picture prize reveals that decades of gender bias in the Academy a man is more than twice as likely as a Awards. Further, this study investigates woman to receive an Oscar for leading the dissolution of the Hollywood stu- work in a Best Picture. A man is also dio system and how, though brought nearly twice as likely to be nominated on in part by two of the film industry’s as a leading performer in a Best Pic- leading ladies, the crumbling of that ture winner. Supporting women in Best system ultimately hurt the industry’s Pictures fare a bit better with actual women more than its men. trophies, but, when considering nom- inations, a man is still more than one- Keywords: Oscars, Academy Awards, and-a-half times as likely as a wom- sexism, gender inequity, Best Picture. he Academy Awards have been given out annually for 92 years to, among others, the top actor and actress as voted on by the members of the film T academy. -
Breakfast on Pluto
Pathé Pictures and Sony Pictures Classics present Breakfast on Pluto A Neil Jordan Film Running Time : 129 minutes “Oh, serious, serious, serious!” --Patrick “Kitten” Braden East Coast Publicity West Coast Publicity Distributor International House of Publicity Block Korenbrot Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Ziggy Kozlowski Angela Gresham. 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 212-247-2948 fax 323-634-7030 fax 212-833-8844 fax Visit the Sony Pictures Classics website at www.sonyclassics.com BREAKFAST ON PLUTO Cast PATRICK CILLIAN MURPHY FATHER BERNARD LIAM NEESON CHARLIE RUTH NEGGA IRWIN LAURENCE KINLAN BERTIE STEPHEN REA UNCLE BULGARIA BRENDAN GLEESON PATRICK (10) CONOR McEVOY BILLY HATCHET GAVIN FRIDAY PC WALLIS IAN HART EILY BERGIN EVA BIRTHISTLE MA BRADEN RUTH MCCABE INSP ROUTLEDGE STEVEN WADDINGTON RUNNING BEAR MARK DOHERTY EILY'S BOY SID YOUNG HORSE KILLANE CIARAN NOLAN JACKIE TIMLIN EAMONN OWENS WHITE DOVE TONY DEVLIN MR SILKY STRING BRYAN FERRY LAURENCE (10) SEAMUS REILLY CHARLIE (10) BIANCA O'CONNOR CAROLINE BRADEN CHARLENE McKENNA SQUADDIE (DISCO) JO JO FINN SOLDIER NEIL JACKSON BENNY FEELY PARAIC BREATHNACH BIKER 1 JAMES MCHALE MOSHER LIAM CUNNINGHAM DEAN OWEN ROE HOUSEKEEPER MARY COUGHLAN MRS FEELY MARY REGAN PEEPERS EGAN PAT McCABE MRS HENDERSON CATHERINE POGSON PUNTER 1 GERRY O'BRIEN PUNTER 2 CHRIS McHALLUM BROTHER BARNABAS PETER GOWAN STRIPPER ANTONIA -
Hdnet Movies January 2013 Program Highlights
January 2013 Programming Highlights *All times listed are Eastern Standard Time *Please check the complete Program Schedule or www.hdnetmovies.com for additional films, dates and times HDNet Movies Sneak Previews – Watch Now before It’s In Theaters! A Dark Truth Premieres Wednesday, January 2nd at 8:30pm followed by encore presentations at 10:30pm and 12:30am A former CIA operative-turned-political talk show host (Andy Garcia) is hired by a corporate whistle-blower (Eva Longoria) to expose her company's cover up of a massacre in a South American village. Starring Andy Garcia, Eva Longoria and forest Whitaker. Directed by Damian Lee. Storage 24 Premieres Wednesday, January 9th at 8:30pm followed by encore presentations at 10:00pm and 11:30pm A group of friends are stalked through a grueling maze of claustrophobic corridors by a terrifying tentacle- faced creature that eviscerates its victims one by one in this heart pounding, gory horror film. Starring Noel Clarke, Colin O'Donoghue and Antonia Campbell-Hughes. Directed by Johannes Roberts. Spotlight Features – Highlighted feature films airing throughout the month on HDNet Movies See program schedule or www.hdnetmovies.com for additional listings of dates and times Apollo 13 – Tuesday, January 1st at 6:30pm Starring Tom Hanks, Bill Paxton, Kevin Bacon. Directed by Ron Howard Academy Award winner for Best Sound and Best Film Editing Academy Award nominations for Best Picture, Best Writing, Best Art Direction-Set Decoration, Best Supporting Actor: Ed Harris, Best Music: Original Dramatic Score, Best Visual Effects, Best Supporting Actress: Kathleen Quinlan Golden Globe Award nominations for Best Motion Picture Drama, Best Director, Best Performance by an Actor in a Supporting Role: Ed Harris and Best Performance by an Actress in a Supporting Role: Kathleen Quinlan Clear & Present Danger – Saturday, January 5th at 6:30pm Starring Harrison Ford, Willem Dafoe, Anne Archer. -
Irish Movies: a Renaissance
There is the famously Irish instinct for dealing with human eccentricity as well as the whimsical and magical. Irish Movies: a Renaissance Name of the Father" and "Michael Collins," you're right. There is an "Irish spring" happening in the cin- ema, but it has nothing lo do with Colgate-Palmo- live or bath soap. These are just a few of the major Irish films that have been accessible to American audiences in theaters during the 199O's. Many are available on video, as are a score of other titles from the last decade, some familiar, some not. like "Cal," "Mona Lisa," "The Field," "Hear My Song," "The Playboys." "The Commitments," "The Snapper," "Widow's Peak," "Frankie Starlight," "Circle of Friends," "Into the West." They're all "Irish" in the sense that they're about the Irish, substantially pro- duced in Ireland, and/or (more and more common- ly) created by Irish companies and talent. "Frankie Starlight," for example, is produced by Irishman Noel Pearson but adapted from American Chet Raymo's novel. The Dork of Cork. It's abtuit a dwarf who grows up in lieland after World War II, the son of a Frenchwoman and an American G.I., discovers astronomy, becomes a famous author and finds true love. It was made mostly in Ireland with an international cast directed by Michael Lindsay- Hogg, who. although English, is the accomplished son (he directed the "Brideshead Revisited" minis- eries for British television) of the durable Irish-bom actress Géraldine Fitzgerald. Jim Sheridan's 1989 Irish film. My Left Foot, brought Another chaiacteristic of these films is that, for Academy Awards to Brenda Fricker (left), as the mother of the most part, they have a charm and humanity, an Christy Brown, who is played by Daniel Day-Lewis, winner infectious, "real people" quality that distinguishes of the Best Actor award.