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The Nightingale
SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy -
Voices of Aboriginal Tasmania Ningina Tunapri Education
voices of aboriginal tasmania ningenneh tunapry education guide Written by Andy Baird © Tasmanian Museum and Art Gallery 2008 voices of aboriginal tasmania ningenneh tunapry A guide for students and teachers visiting curricula guide ningenneh tunapry, the Tasmanian Aboriginal A separate document outlining the curricula links for exhibition at the Tasmanian Museum and the ningenneh tunapry exhibition and this guide is Art Gallery available online at www.tmag.tas.gov.au/education/ Suitable for middle and secondary school resources Years 5 to 10, (students aged 10–17) suggested focus areas across the The guide is ideal for teachers and students of History and Society, Science, English and the Arts, curricula: and encompasses many areas of the National Primary Statements of Learning for Civics and Citizenship, as well as the Tasmanian Curriculum. Oral Stories: past and present (Creation stories, contemporary poetry, music) Traditional Life Continuing Culture: necklace making, basket weaving, mutton-birding Secondary Historical perspectives Repatriation of Aboriginal remains Recognition: Stolen Generation stories: the apology, land rights Art: contemporary and traditional Indigenous land management Activities in this guide that can be done at school or as research are indicated as *classroom Activites based within the TMAG are indicated as *museum Above: Brendon ‘Buck’ Brown on the bark canoe 1 voices of aboriginal tasmania contents This guide, and the new ningenneh tunapry exhibition in the Tasmanian Museum and Art Gallery, looks at the following -
The Man and the Woman and the Edison Phonograph: Race, History and Technology Through Song
AJE: Australasian Journal of Ecocriticism and Cultural Ecology, Vol. 1, 2011/2012 ASLEC-ANZ The Man and the Woman and the Edison Phonograph: Race, History and Technology Through Song BRUCE WATSON, Songwriter Victoria As a child I was fascinated by this photograph. The elderly, dignified Aboriginal woman singing into a large brass horn attached to an Edison phonograph, while a distinguished gentleman dusts the loose wax off the cylinder with a fine brush. The photo was taken on 10 October 1903 at Barton Hall in Sandy Bay, a suburb of Hobart, Tasmania. The woman is Fanny Cochrane Smith. The man is Horace Watson. Fig. 1 Fanny Cochrane Smith and Horace Watson Source: Personal collection, Bruce Watson But it wasn’t until, as an adult, I saw the photo in the Tasmanian Museum and Art Gallery that I realised just how extraordinary it is. Tasmania’s and Australia’s history reverberate through it. It is the story of cultural contact, genocide and reconciliation, of tradition and modernity. And it is the act of folklore collection at its most poignant. This is the story of these two people, their lives and their legacies. It is also the story of the legacy of the event depicted in the photograph and its meanings beyond these two people. The woman in the photo is Fanny Cochrane, born in Wybalenna on Flinders Island in early December 1834. The Aboriginal settlement (originally ‘Pea Jacket Point’) was renamed Wybalenna, meaning ‘Black Man’s houses’ (Plomley 65), and by 1834 there was an indigenous population of ‘about one hundred and thirty men, women and children’ (Plomley 75). -
Tasmanian Aboriginality at the Tasmanian Museum and Art Gallery
Article Type: Original Article Corresponding author mail-id: [email protected] “THIS EXHIBITION IS ABOUT NOW”: Tasmanian Aboriginality at the Tasmanian Museum and Art Gallery Christopher Berk UNIVERSITY OF MICHIGAN ABSTRACT This article focuses on the design and execution of two exhibits about Tasmanian Aboriginality at the Tasmanian Museum and Art Gallery. The first is a Tasmanian Aboriginal group exhibit from 1931, which was heavily informed by ideologies of Tasmanian primitivity and extinction. The second is the 2008 tayenebe, a celebration of the resurgence of fiber work among Tasmanian Aboriginal women. In each instance, the Tasmanian Aboriginal people are on display, but the level of community control and subtext is notably different. This article builds on discussions of cultural revitalization and reclamation by showing the process and how it is depicted for public consumption. [cultural revitalization, representation, indigeneity, Tasmania, Australia] Australia’s Aboriginal peoples have been central to how anthropologists have historically thought about progress and difference. Tasmania’s Aboriginal peoples receive less attention, both in Australia and in discussions of global indigenous movements. Before and after their supposed extinction in 1876, they were considered the most “primitive” culture ever documented (Darwin 2004; Stocking 1987; Tylor 1894; among many others). Ideologies of primitivism have historically been perpetuated and disseminated by cultural institutions around the world. James Clifford (1997) recounts a 1989 community consultation meeting with Tlingit representatives at the Portland Museum of Art during which the Tlingit Author Manuscript people told politically motivated tales about community concerns like land rights. The story of This is the author manuscript accepted for publication and has undergone full peer review but has not been through the copyediting, typesetting, pagination and proofreading process, which may lead to differences between this version and the Version of Record. -
Tasmanian Aboriginal Place Names
palawa kani Language Program Tasmanian Aboriginal Centre June 2020 Tasmanian Aboriginal place names There are no living speakers of the original Tasmanian languages. Spoken records of the original sounds are limited to a few sounds that can only just be heard when Fanny Cochrane Smith spoke on the wax records of her songs in 1899. So to attempt to recover the original sounds and meanings, we have to start from written records made by early Europeans of the sounds they heard, and the meanings they thought they understood when they heard our ancestors speak. Those Europeans are the recorders of our original Tasmanian languages, and there are over 20 of them, including convict labourers, published scientists, sailors, soldiers, farmers, doctors, writers and clergymen. They were Scottish, Polish, French, Danish and mostly Englishmen, from different regions and social classes. Each one of them used the familiar spelling of their own language to write down something that approximated to the unfamiliar sounds they were hearing in our Aboriginal languages. Their spellings are what we call ‘recordings’ and ‘spelling variants’. Different recorders gave different spellings for the same word, and one recorder can even give several different spellings for the same word, if he heard it on different occasions and from different people. Those spellings of words made by the recorders, which have become familiar through repeated use in publications by Plomley, Ryan, and other historians and writers, are not Aboriginal words. They are a part of the smorgasbord of recordings from European scribes of many nationalities, writing down what they heard spoken by Aborigines, and attempting to capture unfamiliar Aboriginal sounds in their own European spellings. -
December 2020
Community News VOL 11 NO 11 DECEMBER 2020 www.brightoncommunitynews.com.au A PLACE OF PRIDE Survey sets community PARKLAND PROJECT MILESTONE aspirations BRIGHTON Municipality should be a place to feel proud of, that is clean and tidy with great local services and liveable neighbourhoods and housing. Those are some of the key findings of a recent community survey conducted by Brighton Council as part of a goal to develop a 30-year vision. The online survey, held August 27 to September 18, attracted more than 600 responses from every suburb in the municipality, particularly from residents and property owners. Asked how the municipality should be different in 2050, almost one in five called for more parks, trees, footpaths and bike and walking tracks. Other desires included more shopping and food options (16%), better transport (19%), opportunities for children and young people (11%), better planning and design (11%), a safer place to live (9%) and action on climate change and sus- tainability (9%). More than 60% of those who responded were positive or very positive about the forecast 34% growth of the municipality over the next 30 years. Mayor Tony Foster, Senator Claire Chandler and Brighton Council senior project engineer The community felt or hoped this Callum Pearce-Rasmussen check out the Bridgewater Parkland Master Plan. growth would deliver more services and facilities (22%), more infrastructure THE second phase of Brighton Plan 2016-2026 was endorsed by ago. Senator Claire Chandler along joined by Brighton Council’s senior (15%) and more businesses and jobs Council’s Bridgewater Parkland Brighton Council following extensive with Brighton Mayor Tony Foster project engineer Callum Pearce- (17%) while attracting people of diverse project is expected to be completed stakeholder and community recently viewed progress on the Rasmussen, right, with construction cultures and ages (10%). -
Download the Paper
Tasmanian Shadow Cabinet July 2021 On 13 July 2021, the Tasmanian State Labor Party announced their new Shadow Cabinet, led by Labor leader, Rebecca White MP along with Deputy Labor leader, Anita Dow MP. Key Changes • Rebecca White will now serve as Labor leader, previously held by David O’Byrne • Shane Broad will take on White’s role as Shadow Treasurer • Jen Butler will enter this Shadow Cabinet as the Shadow Minister for ICT, Science and Technology; Shadow Minister for Building and Consumer Affairs and Shadow Minister for Veterans Affairs • Janie Finlay will now hold extra responsibilities, serving as the Shadow Minister for Primary Industries and Water; Shadow Minister for Small Business and the Shadow Minister for Start Ups The full Shadow Cabinet can be found on the next page. Title Shadow Minister Labor Leader Rebecca White Shadow Minister for Climate Change Shadow Minister for Tourism, Hospitality & Events Shadow Minister for Infrastructure Deputy Labor Leader Anita Dow Shadow Minister for Housing & Construction Shadow Minister for Local Government & Planning Shadow Minister for Advanced Manufacturing & Defence Industries Shadow Treasurer Shane Broad Shadow Minister for Resources Shadow Minister for Trade Shadow Minister for ICT, Science and Technology Jen Butler Shadow Minister for Building and Consumer Affairs Shadow Minister for Veterans Affairs Shadow Minister for Primary Industries & Water Janie Finlay Shadow Minister for Small Business Shadow Minister for Start Ups Shadow Attorney-General Ella Haddad Shadow Minister for -
Labor's Plan for Jobs 98.09 72.17 64.33 61.16 Labor Net Operating Balance -1,198.34 -337.67 -36.42 -29.96 -200
Labor’s COVID-19 Labor’sRecovery PlanPackage for CREATING JOBSWORKING FOR TASMANIA November 2020 JOBSREBUILDING A BETTER & FAIRER TASMANIA Labor’s Plan for Jobs Working for Tasmania COVID-19 has forced us to reflect on the things that A Labor Government will deliver a Jobs Plan that connects education, skills and training, are most important in life: health, family, a secure job private sector investment, government spending and infrastructure development to and our freedom. achieve a common goal of getting more Tasmanians into work. And it has challenged us to think about how we can use the upheaval of this catastrophic global event as a positive force for change. We should not rush to return to “normal” after the pandemic because “normal” wasn’t great for far too Creating more jobs and getting more many Tasmanians before this virus, with one in four “ people into secure and stable jobs is “ people living in poverty. If we think a “return to normal” is the best we can Labor’s number one priority. aspire to upon recovery, we are selling Rebecca White ourselves short. LABOR LEADER Tasmania’s biggest economic challenge before COVID-19 was job creation. The pandemic has only compounded the problem. Creating jobs and getting more people into secure and stable jobs is Labor’s number one priority. But they must be good jobs. COVID-19 exposed the weaknesses in our economy: an over reliance on certain industries, high rates of casualisation and underemployment. We need to address these issues in our recovery or we will remain exposed to repeating the mistakes of the past. -
Working with Aboriginal Protocols in a Documentary Film About Colonisation and Growing up White in Tasmania a Cine-Essay and Exegesis
Island Home Country ‘Subversive Mourning’ Working with Aboriginal protocols in a documentary film about colonisation and growing up white in Tasmania A cine-essay and exegesis Doctorate of Creative Arts (DCA) Jennifer Thornley Faculty of Arts & Social Sciences University of Technology, Sydney 2010 Certificate of Authorship/Originality I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. __________________________________ Signature of Student ii Acknowledgments I acknowledge and pay respects to the ancestors and elders, the traditional owners: palawa, cadigal, garigal, wurrunjerri, boonawrung, yorta yorta, pitjantjatjara whose countries I have lived in and filmed in – and whose community members and ancestors appear, or are spoken of, in this film and exegesis. A heart felt thank you to the many individuals who have so generously contributed their insight, guidance and support to this project during 2004-2010. Filmmaking is a collaborative endeavour and without their spirited involvement this project would not have been realised. I offer my sincerest thanks to all who appeared in the film – strangers, friends, family, and members of -
Isolated Children's Parents' Association of Australia
1 ISOLATED CHILDREN’S PARENTS’ ASSOCIATION OF AUSTRALIA 49TH ANNUAL FEDERAL CONFERENCE HER EXCELLENCY PROFESSOR THE HONOURABLE KATE WARNER AC GOVERNOR OF TASMANIA WEDNESDAY 5TH AUGUST 2020 (web conference) Thank you so much for inviting me to open the 49th ICPA Federal Conference. I begin by paying my respects to the traditional and original owners of this land: the palawa people. I acknowledge the contemporary Tasmanian Aboriginal community, who have survived invasion and dispossession, and yet who continue to maintain their identity, culture and Indigenous rights. Can I also acknowledge the Honourable Vicki O’Halloran AO, Administrator of the Northern Territory and Patron of the Isolated Children’s Parents Association Northern Territory Branch. I am sorry that you are not all here in Tasmania meeting face-to-face. If you were, you would be looking out a refreshingly chilly Hobart with kunanyi-Mount Wellington blanketed in snow. The snow has in fact caused a number of school closures today including country schools in Bothwell, Campbell Town, Oatlands, Franklin and Lilydale. In preparing for this opening I have looked with interest at your ICPA website to gain a better understanding of the activities and advocacy role of ICPA. In the Tasmanian section, I read the report of the Tasmanian President, Emily Gardner to the National Conference a few years ago and was surprised to learn that at the state conference you were “entertained” by my daughter Meg, who sang and talked about her experiences of rural life as a child and a dairy farmer’s wife. I am sorry to say I won’t be nearly as entertaining as Meg. -
Tasmanian Politicians and Councils
DIRECTORY Tasmanian politicians and Councils EDITION 1 - SEPTEMBER 2020 Incorporating a guide to communicating with your elected representative TASMANIA King Island LOCALTASMANIA GOVERNMENT AREAS CURRIE LOCAL GOVERNMENT AREAS WHITEMARK Grassy Flinders Stanley SMITHTON WYNYARD BURNIE Bridport Dorset Circular Head Penguin George Town ULVERSTONE SCOTTSDALE Devonport Burnie Central Latrobe Coast EXETER ST HELENS SHEFFIELD West Tamar Launceston Waratah-Wynyard Kentish LAUNCESTON Break O‘Day Scamander Deloraine WESTBURY Meander Valley LONGFORD Fingal Rosebery Poatina Northern Midlands Bicheno ZEEHAN Campbell Town Ross Queenstown Swansea Strahan Central Highlands West Coast Glamorgan- Spring Bay OATLANDS Bothwell Southern Midlands Ouse TRIABUNNA Kempton HAMILTON Orford Brighton Maydena NEW NORFOLK Sorell Derwent Valley Clarence Dunalley GlenorchyHobart KINGSTON HUONVILLE Tasman Kingborough Nubeena Cygnet Geeveston Huon Valley Dover Alonnah Brighton Richmond Sorell Clarence ROSNY PARK Glenorchy Hobart KINGSTON Kingborough 2 Local Government Links Click on the following addresses to access each Tasmanian council’s website. Break O’Day | www.bodc.tas.gov.au Brighton | www.brighton.tas.gov.au Burnie | www.burnie.net Central Coast | www.centralcoast.tas.gov.au Central Highlands | www.centralhighlands.tas.gov.au Circular Head | www.circularhead.tas.gov.au Clarence City | www.ccc.tas.gov.au Derwent Valley | www.derwentvalley.tas.gov.au Devonport City | www.devonport.tas.gov.au Dorset | www.dorset.tas.gov.au Flinders | www.flinders.tas.gov.au George -
Tasmanian Aboriginal Place Names
palawa kani Language Program Tasmanian Aboriginal Centre 18/5/2017 Tasmanian Aboriginal place names There are no living speakers of the original Tasmanian languages. Spoken records of the original sounds are limited to a few sounds that can only just be heard when Fanny Cochrane Smith spoke on the wax records of her songs in 1899. So to attempt to recover the original sounds and meanings, we have to start from written records made by early Europeans of the sounds they heard, and the meanings they thought they understood when they heard our ancestors speak. Those Europeans are the recorders of our original Tasmanian languages, and there are over 20 of them, including convict labourers, published scientists, sailors, soldiers, farmers, doctors, writers and clergymen. They were Scottish, Polish, French, Danish and mostly Englishmen, from different regions and social classes. Each one of them used the familiar spelling of their own language to write down something that approximated to the unfamiliar sounds they were hearing in our Aboriginal languages. Their spellings are what we call ‘recordings’ and ‘spelling variants’. Different recorders give different spellings for the same word, and one recorder can even give several different spellings for the same word, if he heard it on different occasions and from different people. Those spellings of words made by the recorders, which have become familiar through repeated use in publications by Plomley, Ryan, and other historians and writers, are not Aboriginal words. They are part of the smorgasbord of recordings from European scribes of many nationalities, writing down what they heard spoken by Aborigines, and attempting to capture unfamiliar Aboriginal sounds in their own European spellings.