FINAL Envisioning China Press Release 2
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Renovation Moves Forward
oi.uchicago.edu THE ORIENTAL INSTITUTE & NOTES NO. 150 SUMMER 1996 @THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICA REN OVATION MOVES FORWARD By Emily Teeter, Ph.D., Assistant Curator, Oriental Institute Museum The renovation of the Oriental Insti On February 5, 1996 the Egyptian tute Museum is a reality. For the frrst Gallery closed to the public. Small ob time in over sixty years, the galleries jects were packed, but the oversize ob will be completely refurbished and jects such as large stelae required brought up to modern museum stan special treatment. The firm of Belding dards with the installation of climate Walbridge was contracted to move control. It is a mammoth undertaking those items. The really oversized ob that leaves no one happy for the jects-the Assyrian winged bull and time-being, but it will have tremen the statue of Tutankhamun-were dous rewards when the museum sheathed in plastic, and protective bar reOpens in the spring of 1998. riers were built in front of them. Mu The project calls for the con seum Curator Karen L. Wilson struction of a 14,000 square foot ensured the safety of the winged bull wing on the southern side of the Ori by posting a copy of an ancient curse ental Institute building that will on the bull's protective box. Finally, house artifact storage, the museum the alcove walls were demolished. * It archives (photograph and paper was an amazing sight to see the Egyp records), a new conservation labora tian gallery virtually empty. tory, and book stack areas for the Re April 1, 1996 marked the next search Archives. -
Uchicagomag-Spring20.Pdf
Is it possible to feel nostalgic the first time you visit a place? KIAWAH GETS YOU COVID-19 … BRENT STAPLES … RECESSION LIT … IMPROVING MEDICAL IMAGING … COACH OF COACHES A Curated Collection of Homes and Homesites with Club Memberships in the Heart of the South Carolina Lowcountry. kiawahisland.com/ivyleague | 866.312.1791 SPRING 2020 Obtain the Property Report required by Federal Law and read it before signing anything. No Federal or State agency has endorsed or judged the merits of value, if any, of this property. This is not intended to be an offer to sell nor a solicitation of offer to buy real estate in any jurisdiction where prohibited by law. This offer is made pursuant to the New York State Department of Law’s Simplified Procedure for Homeowners Associations with a De Minimis Cooperative Interest (CPS-7). The CPS-7 application (File No. HO16-0007) and related documents may be obtained from the sponsor. This project is registered with the State of New Jersey Department of Banking and Insurance Real Estate Commission. Obtain and read the NJ Public Offering Statement before signing anything (NJ Reg#16-15-0011 and 0012). An affiliate of Kiawah Partners. SPRING 2020, VOLUME 112, NUMBER 3 UCH_Spring2020 cover and spine_v1.indd 1 5/15/20 11:46 AM 200319_Kiawah_Chicago.indd 1 1/30/20 8:54 AM UCH_ADS_v1.indd 2 5/13/20 1:16 PM EDITORˆS NOTES VOLUME 112, NUMBER 3, SPRING 2020 EDITOR Laura Demanski, AM’94 SENIOR EDITOR Mary Ruth Yoe FROM A DISTANCE ASSOCIATE EDITOR Susie Allen, AB’09 MANAGING EDITOR Rhonda L. -
This Is Chicago
“You have the right to A global city. do things in Chicago. A world-class university. If you want to start The University of Chicago and its a business, a theater, namesake city are intrinsically linked. In the 1890s, the world’s fair brought millions a newspaper, you can of international visitors to the doorstep of find the space, the our brand new university. The landmark event celebrated diverse perspectives, backing, the audience.” curiosity, and innovation—values advanced Bernie Sahlins, AB’43, by UChicago ever since. co-founder of Today Chicago is a center of global The Second City cultures, worldwide organizations, international commerce, and fine arts. Like UChicago, it’s an intellectual destination, drawing top scholars, companies, entrepre- neurs, and artists who enhance the academic experience of our students. Chicago is our classroom, our gallery, and our home. Welcome to Chicago. Chicago is the sum of its many great parts: 77 community areas and more than 100 neighborhoods. Each block is made up CHicaGO of distinct personalities, local flavors, and vibrant cultures. Woven together by an MOSAIC OF extensive public transportation system, all of Chicago’s wonders are easily accessible PROMONTORY POINT NEIGHBORHOODS to UChicago students. LAKEFRONT HYDE PARK E JACKSON PARK MUSEUM CAMPUS N S BRONZEVILLE OAK STREET BEACH W WASHINGTON PARK WOODLAWN THEATRE DISTRICT MAGNIFICENT MILE CHINATOWN BRIDGEPORT LAKEVIEW LINCOLN PARK HISTORIC STOCKYARDS GREEK TOWN PILSEN WRIGLEYVILLE UKRAINIAN VILLAGE LOGAN SQUARE LITTLE VILLAGE MIDWAY AIRPORT O’HARE AIRPORT OAK PARK PICTURED Seven miles UChicago’s home on the South Where to Go UChicago Connections south of downtown Chicago, Side combines the best aspects n Bookstores: 57th Street, Powell’s, n Nearly 60 percent of Hyde Park features renowned architecture of a world-class city and a Seminary Co-op UChicago faculty and graduate alongside expansive vibrant college town. -
Museum Oi.Uchicago.Edu
oi.uchicago.edu MUSEUM oi.uchicago.edu Overleaf: Strainer jug; ceramic. Iron I period, 1200–975 B.C. Megiddo, Israel. Photo by Anna Ressman oi.uchicago.edu MUSEUM MUSEUM Geoff Emberling The Museum has had a another successful year in the midst of these difficult economic times. We continue to welcome about 50,000 visitors annually to the Oriental Institute to introduce them to the history, written traditions, and art of the ancient cultures of the Middle East. We generate widespread publicity and interest in the Oriental Institute at the same time as we work to improve access to our amazing collection. The Museum also contributes in many ways to the financial support of the Institute, through donations at the front desk, sales in the Suq, a wide range of grants, and by serving as a venue for a variety of events. As you will see in the sections that follow, our special exhibits, education programs, and docent tours have had great success this past year, and we have taken some significant steps in publicity and marketing that we hope will lead to greater attendance in the future. Our collections staff has also made numerous improvements to cataloging and storage that enhanced our ability to facilitate use of the collection for research, teaching, and exhibits. As usual, the successes of the Museum are inevitably joint projects relying on cooperation of many staff members, and I would like to express my thanks to everyone who has made it such a pleasure to work in the Oriental Institute over the past year. -
2001 Future of the Arts Report
2001 Future of the Arts Report 1 The Future of the Arts at the University of Chicago August 2001 Table of Contents Introduction Page 2 Study Recommendations Page 4 Role of the Arts Page 5 The Arts Curriculum Page 7 Student Arts Page 9 Professional Arts Organizations Page 11 Arts in the City Page 13 Organization and Process Recommendations Page 15 Facilities Needs and Objectives Page 17 Facilities Recommendations Page 23 Conclusion Page 29 Appendices Page 30 Introduction Introduction Experiencing the creative arts is a fundamental part of knowing ourselves as humans and of understanding those different from ourselves. Whether painting or poetry, film or theater, music or dance, artistic creation addresses the deepest questions of the human condition. A great research university should nurture the unique and powerful role of the arts in the education of the whole person. University President Ernest DeWitt Burton recognized this when he wrote in 1925: “We need to supplement science and the scientific study of all branches of knowledge with the finer arts of music and painting, of sculpture and architecture. We owe it to our students, to whom it is our ambition to give the best possible education. We owe it to our professors, that they not become dry-as- dust investigators and lecturers but symmetrically developed and cultivated personalities. We owe it to our community.” Today, more students, faculty, staff, and general audiences engage with the arts on our campus than ever before. This increased participation has been paralleled by growth in the quality and diversity of our arts programs and activities. -
There's Even More to Explore!
Background artwork: SPECIAL COLLECTIONS UCHICAGO LIBRARY Kaplan and Fridkin, Agit No. 2 MUSIC THEATER ART MUSIC THEATER LECTURE / CLASS MUSIC MUSIC MUSIC / FILM LECTURE / CLASS MUSIC University of Chicago Presents University Theater/Theater and Performance Studies The University of Chicago Library Symphony Center Presents Goodman Theatre University of Chicago Presents Roosevelt University Rockefeller Chapel University of Chicago Presents TOKYO STRING QUARTET THEATER 24 PLAY SERIES: GULAG ART Orchestra Series CHEKHOv’S THE SEAGULL LECTURE / DEmoNSTRATioN PAciFicA QUARTET: 19TH ANNUAL SILENT FiLM LECTURE / DEmoNSTRATioN BY MARiiNskY ORCHESTRA FRIDAY, OCTOBER 1, 2010 A CLOUD WITH TROUSERS THROUGH DECEMBER 2010 OCTOber 16 – NOVEMBER 14, 2010 BY PACIFICA QUARTET SHOSTAKOVICH CYCLE WITH ORGAN AccomPANimENT: MAsumi RosTAD, VioLA, AND (FORMERLY KIROV ORCHESTRA) Mandel Hall, 1131 East 57th Street SATURDAY, OCTOBER 2, 2010, 8 PM The Joseph Regenstein Library, 170 North Dearborn Street SATURDAY, OCTOBER 16, 2 PM SUNDAY OCTOBER 17, 2010, 2 AND 7 PM AELITA: QUEEN OF MARS AMY BRIGGS, PIANO th nd chicagopresents.uchicago.edu, 773.702.8068 First Floor Theater, Reynolds Club, 1100 East 57 Street, 2 Floor Reading Room Valery Gergiev, conductor Goodmantheatre.org, 312.443.3800 Fulton Recital Hall, 1010 East 59th Street SUNDAY OCTOBER 31, 2010, 2 AND 7 PM Jay Warren, organ SATURDAY, OCTOBER 30, 2 PM 5706 South University Avenue Lib.uchicago.edu Denis Matsuev, piano Chicagopresents.uchicago.edu, 773.702.8068 FRIDAY, OCTOBER 29, 2010, 8 PM Fulton Recital Hall, 1010 East 59th Street Mozart: Quartet in C Major, K. 575 As imperialist Russia was falling apart, playwright Anton SUNDAY JANUARY 30, 2011, 2 AND 7 PM ut.uchicago.edu TUESDAY, OCTOBER 12, 2010, 8 PM Rockefeller Chapel, 5850 South Woodlawn Avenue Chicagopresents.uchicago.edu, 773.702.8068 Lera Auerbach: Quartet No. -
Mulan (1998), Mulan Joins the Army (1939), and a Millennium-Long Intertextual Metamorphosis
arts Article Cultural “Authenticity” as a Conflict-Ridden Hypotext: Mulan (1998), Mulan Joins the Army (1939), and a Millennium-Long Intertextual Metamorphosis Zhuoyi Wang Department of East Asian Languages and Literatures, Hamilton College, Clinton, NY 13323, USA; [email protected] Received: 6 June 2020; Accepted: 7 July 2020; Published: 10 July 2020 Abstract: Disney’s Mulan (1998) has generated much scholarly interest in comparing the film with its hypotext: the Chinese legend of Mulan. While this comparison has produced meaningful criticism of the Orientalism inherent in Disney’s cultural appropriation, it often ironically perpetuates the Orientalist paradigm by reducing the legend into a unified, static entity of the “authentic” Chinese “original”. This paper argues that the Chinese hypotext is an accumulation of dramatically conflicting representations of Mulan with no clear point of origin. It analyzes the Republican-era film adaptation Mulan Joins the Army (1939) as a cultural palimpsest revealing attributes associated with different stages of the legendary figure’s millennium-long intertextual metamorphosis, including a possibly nomadic woman warrior outside China proper, a Confucian role model of loyalty and filial piety, a Sinitic deity in the Sino-Barbarian dichotomy, a focus of male sexual fantasy, a Neo-Confucian exemplar of chastity, and modern models for women established for antagonistic political agendas. Similar to the previous layers of adaptation constituting the hypotext, Disney’s Mulan is simply another hypertext continuing Mulan’s metamorphosis, and it by no means contains the most dramatic intertextual change. Productive criticism of Orientalist cultural appropriations, therefore, should move beyond the dichotomy of the static East versus the change-making West, taking full account of the immense hybridity and fluidity pulsing beneath the fallacy of a monolithic cultural “authenticity”. -
Könyv-11:Elrendezés 1.Qxd
International Yearbook of Aesthetics Volume 19, 2017 RETRACING THE PAST Historical continuity in aesthetics from a global perspective Edited by Zoltán Somhegyi International Association for Aesthetics Association Internationale d’Esthétique RETRACING THE PAST Historical continuity in aesthetics from a global perspective Edited by Zoltán Somhegyi The selection of essays in the 19th Yearbook of the International Association for Aesthetics aims to analyse the phenomenon of retracing the past, i.e. of identifying the signs, details and processes of the creative re-interpretation of long-lasting traditions both in actual works of art and in aesthetic thought, hence where the historical interconnectedness and the influence of earlier sources can appear. ISBN: 978-0-692-04826-9 INTERNATIONAL ASSOCIATION FOR AESTHETICS Retracing the past INTERNATIONAL YEARBOOK OF AESTHETICS Volume 19, 2017 INTERNATIONAL YEARBOOK OF AESTHETICS Volume 19, 2017 Edited by Zoltán Somhegyi RETRACING THE PAST Historical continuity in aesthetics from a global perspective International Association for Aesthetics Association Internationale d’Esthétique Copyright: the Authors and the International Association for Aesthetics Acknowledgement: The Publication Committee of the International Association for Aesthetics, Tyrus Miller, Curtis Carter and Ales Erjavec, for reviewing the essays. Every effort has been made to obtain permissions to use all copyrighted illustrations reproduced in this book. Cover design: Ahmad Manar Laham Editor: Zoltán Somhegyi Published by the International Association for Aesthetics http://www.iaaesthetics.org/ Santa Cruz, California, 2017 ISBN: 978-0-692-04826-9 CONTENTS Introduction 7 Zoltán Somhegyi 1. The paradox of mimesis 9 In connection with Aristotle Béla Bacsó 2. Reflections on the subject of Antiquity and the future 23 Raffaele Milani 3. -
Summer Fun & Learning
Summer Fun and Learning: Ways to Keep High Ability Kids Busy this Summer IAGC Virtual Parent Round Table: May 10, 2021 Resources to Explore *Note: Please note that the resources and programs for summer enrichment included on this page are for informational purposes and do not necessarily reflect an endorsement by the IAGC. If you have a suggestion to add to this list, please email [email protected] Chicago Attractions and Activities The Field Museum - Games, Projects, and More & The Brain Scoop Museum of Science and Industry - Science at Home Art Institute of Chicago - Get Creative at Home Adler Planetarium - Online Resources Chicago Children’s Museum - Recipes for Play at Home National Museum of Mexican Art - At-Home with NMMA Chicago Symphony Orchestra - CSO for Kids Chicago Architecture Center - @Home Resources Museum of Contemporary Art Chicago - Learning Resources Chicago High School for the Arts - Online Summer Camps Frank Lloyd Wright Trust - Wright at Home Kids and Family Activities Chicago History Museum - Chicago History at Home Chicago Academy of Sciences Peggy Notebaert Nature Museum - The Nature Museum Comes to You! & Hybrid Summer Camp The University of Chicago Oriental Institute - Youth & Family Programs International Museum of Surgical Science - #MuseumFromHome Museum of Contemporary Photography - Digital Exhibitions The University of Chicago Smart Museum of Art - Smart at Home National Veterans Art Museum - Education Programs Summer Fun and Learning: Ways to Keep High Ability Kids Busy this Summer IAGC Virtual Parent Round Table: May 10, 2021 Resources to Explore *Note: Please note that the resources and programs for summer enrichment included on this page are for informational purposes and do not necessarily reflect an endorsement by the IAGC. -
Newsletter 65
季 童星.同戲 香港電影資料館 Hong Kong Film Archive Merry-Go-Movies: Star Kids 刊 爵士加鑼鼓─《追妻記》一二 Jazzing It Up with Gong and Drum: Musings on How to Get a Wife 尹海靈─謎樣的白衣女郎 Woman in White: Quarterly The Unbelievable Wan Hoi-ling 65 香港電影的古巴足跡 Hong Kong Cinema in Cuba Newsletter 08.2013 © Still of Back Door licensed by Celestial Pictures Limited. All rights reserved. 香港電影資料館 封面: 當「爸媽」的爐火純青,當「子 編者的話 Editorial@ChatRoom 女」的或精靈或乖巧,為電影帶來 館長 林覺聲 精彩的共冶一爐。 王愛明(《後門》劇照 ©版權由天映娛樂 部門主管 童星.同戲 有限公司全部擁有) 行政及場地管理組 孫毅思 Merry-Go-Movies: Star Kids Front cover: A kaleidoscope of family portraits: the seasoned veterans and their kids 資訊系統組 許錦全 爵士加鑼鼓─《追妻記》一二 onscreen make us laugh and cry. 搜集組 侯韻旋 Jazzing It Up with Gong and Drum: Wong Oi-ming (Still from Back Door ©Licensed by Celestial Pictures Limited. 修復組 勞啟明 Musings on How to Get a Wife All rights reserved.) 資源中心 周宇菁 尹海靈─謎樣的白衣女郎 封底: 《我們的子女》(1959)中的鄧小 研究組 蒲 鋒 Woman in White: 宇與梁寶珠 編輯組 郭靜寧 The Unbelievable Wan Hoi-ling Back cover: Peter Dunn & Leung Bo-chu in Our 節目組 傅慧儀 香港電影的古巴足跡 Beloved Son (1959) 王麗明 Hong Kong Cinema in Cuba 《通訊》 第65期(2013年8月) 編輯 郭靜寧 英文編輯 劉勤銳 助理編輯 單識君 杜蘊思 「機緣」這回事,實在奇妙得不可言傳,然後像漣漪一波又一波地蕩漾開去。本館繼數年 香港西灣河鯉景道50號 電話:2739 2139 前的中國早期電影歷史探索工作,去年得方創傑先生捐贈的一批三、四十年代的香港電影(見 傳真:2311 5229 第21頁),可說為上世紀中葉前的香港電影研究,打開無可比擬的一道門。畢竟,有電影可 電郵:[email protected] 看,才可確實地分析,分別從美學、工業、歷史等多個範疇去深入探討。 設計:Be Woks ~ 印刷:和記印刷有限公司 與此同時,竟也是不謀而合,對早期香港電影素有研究的法蘭賓先生,以他敏銳的觸覺, © 2013 香港電影資料館 版權所有,翻印必究。 展開了對三、四十年代女編導尹海靈的研究(見第10至15頁),大力搜羅中外文獻,誓要解開 「侯曜──尹海靈」二人組之謎。 www.filmarchive.gov.hk 各種各樣的交匯和交流,在在深感難得。資料館的電影院雖小,談從藝六十年的阮兆輝先 生、馮寶寶等各位影齡驕人的童星前輩、談修復希治閣默片工程的羅賓貝克先生……就有超越 Hong Kong Film Archive 時空的能耐,帶大家神馳,跨越時間國度。經過修復洗禮的珍藏,醇厚叫人迷醉。 Head Richie Lam 羅賓貝克先生有一段話發人深省,叫人對「修復」豈止要刮目相看─有些曾遭刪剪 Unit Heads 的電影,經從來源不同的多個拷貝對比,儘可能補足後,「足本」叫人對該片完全改觀! Admin & Alex Suen Venue Mgt [[email protected]] IT Systems Lawrence Hui Acquisition Wendy Hau It’s hardly possible to tell how serendipity works; it’s like ripples spreading far and wide. -
2017 Hyde Park Jazz Festival Venues
2017 HYDE PARK JAZZ FESTIVAL VENUES: WAGNER STAGE Midway Plaisance at Woodlawn Enter/Exit 47TH ST Lake Shore Drive Metra WEST STAGE LITTLE BLACK Midway Plaisance at Ellis PEARL 48TH ST DREXEL BLVD ELLIS AVE GREENWOOD AVE DORCHESTER AVE CHICAGO BEACHExit DR Lake STORY SHARE BOOTH AND KENWOOD CORNELL AVE Shore Drive Southbound only MIDWAY ART INSTALLATIONS 49TH ST LOGAN CENTER FOR THE ARTS 915 East 60th Street 50TH ST EAST END ROCKEFELLER MEMORIAL CHAPEL CHICAGO LOOP P SOUTH LAKE SHORE DR EAST HYDE PARK BLVD 5850 South Woodlawn Avenue 5100 S Metra HAROLD 7 MILES CORNELL AVE WASHINGTON PARK SMART MUSEUM OF ART 52ND ST 5550 South Greenwood Avenue HYDE PARK BANK 52ND PL 53RD ST 1525 East 53rd Street Metra P 53RD ST HYDE PARK INTERNATIONAL HOUSE BANK 54TH ST SOUTH SHORE DR LAKE PARK AVE PARK LAKE DREXEL BLVD INGLESIDE AVE ELLIS AVE GREENWOOD AVE UNIVERSITY AVE KIMBARK AVE WOODLAWN AVE WOODLAWN KENWOOD AVE BLACKSTONE AVE HARPER AVE DORCHESTER AVE 1414 East 59th Street CORNELL AVE BLVD SOUTH HYDE PARK Metra Electric Metra HYDE PARK UNION CHURCH 54TH ST 5600 South Woodlawn WASHINGTON PROMONTORY LITTLE BLACK PEARL PARK POINT PARK 55TH ST 55TH ST 1060 East 47th Street 5500 S EVERETT AVE P P P DUSABLE MUSEUM PAYNE DR HYDE PARK 740 East 56th Place P 56TH ST 56TH ST DREXEL BLVD Metra DUSABLE 57th P SMART Street MUSEUM Enter/Exit Beach ORIENTAL INSTITUTE MUSEUM MUSEUM Lake Shore Drive OF ART 1155 East 58th Street HYDE PARK UNION CHURCH 57TH ST 57TH DRIVE COTTAGE GROVE AVE COTTAGE ELLIS AVE Metra STONY ISLAND AVE UNIVERSITY OF Metra Electric Metra JAZZ PASS ELIGIBLE VENUES INFO BOOTH CHICAGO ORIENTAL P INSTITUTE Enter/Exit Lake Shore Drive REFRESHMENTS: Light refreshments are offered at many 58TH ST venues. -
FEI Mu 費穆(1906.10.10–1951.1.30)
FEI Mu 費穆(1906.10.10–1951.1.30) Director, Screenwriter Fei Mu, a native of Jiangsu Province, was born in Shanghai. In 1916, Fei’s family moved to Beijing where he studied at French higher education school. He got acquainted with Zhu Shilin in 1922 and together they started a film magazine Hollywood, alongside young film enthusiasts He Mengfu and Zong Weigeng. In 1924, he took up a job in the accounting office of the Mining Department. In Lincheng In his spare time, he contributed film reviews to Zhu Shilin’s Zhenguang Ying Bao under the pseudonym Jing Lu. From 1927 onwards, he worked in Tianjin. Three years later, he quit and entered the film industry as a translator of English subtitles and synopses in Lo Ming-yau’s North China Amusement Company. In 1931, Fei started out as assistant director to Hou Yao and began to write scripts. A year later, he joined United Photoplay Service Limited as a director after returning from Tianjin to Shanghai. His debut film was Nights of the City (1932), followed by Life (1934) and Sea of the Fragrant Snow (1934), all three starring the legendary Ruan Lingyu. During the war years, he directed the anti-Japanese Bloodshed on Wolf Mountain (1936). In 1938, Fei fled to Hong Kong after Japanese forces overran much of the city of Shanghai. The following year, he returned to Shanghai and made Confucius (1940), the founding production of Ming Hwa Motion Picture Co. When the foreign concessions in Shanghai fell to the Japanese on 8 December 1941, he refused to collaborate with the Japanese and shifted to theatre work, staging plays such as Imperial Concubine Yang, Qiu Haitang and Six Chapters of a Floating Life.