Download Journey the Music Song for Free the 10 Best Journey Songs

Total Page:16

File Type:pdf, Size:1020Kb

Download Journey the Music Song for Free the 10 Best Journey Songs download journey the music song for free The 10 best Journey songs. For many, Journey are the band who define AOR better than anyone else. Their catalogue glitters with unforgettable anthems, which not only contain massive choruses, but also the sort of musicianship you might expect from a band who began life as jazz rock instrumentalists before embracing the melodic rock style for which they’re renowned. We've gone through the band's back catalogue and hand-picked their 10 finest moments. 10. Girl Can’t Help It (1986) After taking a break from the band to work on his solo album Street Talk , vocalist Steve Perry was persuaded to return to the fold for 1986's Raised On Radio album. While the production shows a clear-cut influence of the times, Perry’s vocals shine as brightly as ever, while Jonathan Cain’s smooth keyboards complement Neal Schon’s edgy guitar stride. 9. Faithfully (1983) This is the way Journey explained the problems of trying to carry on a relationship while out on the road touring. One of the stand-out tracks from 1983's Frontiers , Faithfully has a soft lilt that exposes an emptiness. However, this is augmented by the lush rhythm and the way that Steve Perry croons his way through without ever wallowing in over emotional hyperbole. A power ballad in the best Journey tradition. 8. Lovin, Touchin’, Squeezin’ (1979) Anyone who thinks that Journey aren’t capable of anything other than slushy ballads really should check out Lovin, Touchin’, Squeezin’ from 1979's Evolution album. It has a funk groove, and while the tempo is very much of the balladic kind, Neal Schon stabs through with some electrifying moments. What’s more, Steve Perry’s vocals soar impressively to ensure maximum dramatic impact. One of the highlights on Evolution . 7. Lights (1978) The opening song from 1978's Infinity record – the album that introduced Steve Perry to the world, and also put the band’s new-found melodic style on display for the very first time. It’s easy to tell why American radio fell in love with Journey at this point in time. The music is filled with commercial astuteness, the harmonies are sublime and the whole timbre of Lights is evocative and stylish. This oozes the sort of class that would become the norm for Journey in the coming years. 6. Who’s Cryin’ Now (1981) Who’s Cryin’ Now begins with an unvarnished piano piece from Jonathan Cain, on which Steve Perry builds his rich tone. And Ross Vallory provides some tasteful bass lines, to underline the whole feel of the song. This is the type of track that accentuates Perry’s love for great soul singers, while it also showcases the way in which Journey stood apart from all the huge selling AOR masters, and why Escape is regarded as the classic Journey album. 5. Stone In Love (1981) The fact this song opens up with shards of Neal Schon's guitar riffing proves that Journey were always prepared to give full weight to the heavier side of their talent. And Steve Perry also comes across with a lot more power than you might expect. This is a song where Journey never forget about the melody, but also give free rein to a rocky vibe. It also accentuates that Escape was always far more than just a collection of power ballads. 4. Any Way You Want It (1980) It may seem odd, but this song was actually inspired by Thin Lizzy, with whom Journey had toured a couple of years before recording the Departure album in 1980. But when you dig down and analyse the way in which the vocals are constructed, and the interchange between the instruments, then the influence becomes a lot clearer. There’s a gliding feel to the guitar parts that does feel like it is Thin Lizzy influenced, and Steve Perry adopts a storytelling style that is close to the Phil Lynott approach – and the whole feel suits Journey superbly. 3. Wheel In The Sky (1978) Wheel In The Sky was co-written by Robert Fleischman, the band’s original choice of vocalist when they moved into a more commercial direction. However, when Fleischman didn’t work out and was replaced by Steve Perry, the song was thankfully retained. It starts with a flashing guitar groove, through which Perry cuts with a vibrant performance. In some ways, this is a basic live performance from the band, bringing a heavier dynamic to bear, but this fitted right into the whole feel of Infinity , and showed Journey could pound with the best. 2. Separate Ways (Worlds Apart) (1983) After the enormous success of the Escape album, how did the band choose to open up their next album Frontiers ? With a powerhouse rocker than fitted right into an era where AOR was beginning to become a little less reliant on studio technology and celebrated talent. Of course, the rich production is evident here, but what makes the song work superbly is that way Jonathan Cain, Steve Perry and Neal Schon intertwine. There’s a buoyancy in Separate Ways (Worlds Apart) that tells of a band who are really playing off of each other’s strengths. The result is undeniably passionate. 1. Don’t Stop Believin’ (1981) Is there anyone on the planet who does not know this song? It has got to be one of the most exposed tracks over the past two decades or so. And, because it’s so well known, it’s very easy to lose sight of just why this is so popular. Because Don’t Stop Believin’ is a peerless example of musical genius. Everything about it is simply perfect – the musicality, the vocals, the simple structure, the insistent melody… hell, this is not just Journey’s best song, it’s one of the truly landmark moments of the 80s. Top 10 Journey Songs. The top Journey songs demonstrate quite clearly how the band, one of the early progenitors of what rock critics like to dismiss as "arena rock," achieved such popularity in the '70s and '80s. Journey were undoubtedly ahead of their time in terms of PR, and especially in terms of professionalizing their live shows, pioneering elements of live production that are standard procedure today. But while the group took a great deal of flack for the skill with which they were marketed, it is the music they created – an interesting blend of guitar-driven hard rock and vocal-oriented pop – that has endured across the decades, connecting with several subsequent generations. The group's earliest musical origins featured an elaborate mix of rock and progressive fusion, but it wasn't until they later shifted in a more commercial direction that they began their long, slow climb to superstardom. Though they were often critically derided, Journey's best work boasted a level of instrumental and vocal ability far beyond that of most of their peers and covered a wide array of styles – as you'll see in our list of the Top 10 Journey Songs. "Lovin,' Touchin,' Squeezin'" Steve Perry reportedly drew inspiration from one of his biggest influences, Sam Cooke, for this track from Journey's fifth album. The singer borrowed from "Nothing Can Change This Love" for the song, which struck a perfect balance between his soulful pop vocals and Neal Schon's heavy rock guitars to become the group's first Top 20 hit, reaching No. 16 and helping Evolution to become a triple-platinum hit. "Stone In Love" This hard rock track from Journey's seventh studio album helped introduce the writing talents of newcomer keyboardist Jonathan Cain, who wrote the song with Perry and Schon. The song's infectious marriage of heavy riffing, blazing guitar solos and an alluring melody – all topped off by an undeniable Steve Perry vocal performance – helped it became a rock radio staple, easily earning its spot in our Top 10 Journey Songs. "Lights" Perry wasted no time making himself at home as a writer after he joined for Journey's fourth album. This soulful rock track pairs a Schon riff with a lyric Perry had originally written about Los Angeles, which he changed to fit after joining the San Francisco-based Journey. "Lights" originally charted at just No. 68, but went on to become a rock radio staple and an important part of Journey's live shows. "Separate Ways (Worlds Apart)" Another in a long string of Journey classics penned by the duo of Cain and Perry, this song came together in a backstage writing session in which the singer was playing bass and the keyboardist was playing guitar. It marries Perry's Motown influence with hard rock for a track that hit No. 8 in the Mainstream Rock chart and has become an all-time classic rock track. The single release was accompanied by a much-lampooned video in which the band members mime to the track without their actual instruments. "Feeling That Way" "Feeling That Way" was initially an instrumental titled "Velvet Curtain," written by keyboardist Gregg Rolie with drummer Aynsley Dunbar before he added words and re-titled it "Please Let Me Stay." It wasn't until Perry joined Journey and wrote some additional material that the band recorded the track. He and Rolie shared the lead vocal duties on this song, which is almost always paired with "Anytime" both on the radio and in concert. 'Wheel in the Sky" One of the earliest Journey songs to find traction at rock radio, "Wheel in the Sky" began as a poem titled "Wheels in My Mind" by Diane Valory, the wife of Journey bassist Ross Valory.
Recommended publications
  • The Key to Staying Committed
    THE KEY TO STAYING COMMIttED Special thanks to the Simply Music team, Stephanie Iadanza, Jose Rivera and Cheri Schulzke for their brilliant work on project management, design and editing. © 2018 Neil Moore, for The Piano Coach, LLC. No part of this work may be reproduced in any form or by any means whatsoever, without written permission from Neil Moore, except in the case of brief quotations embodied in articles and reviews. ISBN: 978-0-9800326-2-8 If you would like more information about the Simply Music Piano program or other Simply Music programs & services please visit: simplymusic.com or call +1 800 746 7597 Contents I - Foreword 7 II - Introduction 11 1 - Sticking with Music Lessons 15 2 - Challenging Our Assumptions 19 3 - Our Objective: Establishing a Foundation 25 4 - Distinguishing the Method from the Relationship 31 5 - The Six Components of All Long-Term Relationships 35 6 - Recognizing the Long-Term Relationship 41 7 - What Seems Wrong is Actually Right! 45 8 - The Opportunity 53 9 - Why Music? 59 10 - About Parents Being Involved 63 11 - Method Coach & Life Coach 67 12 - Being Aligned 71 13 - Your Long-Term Relationship 75 14 - The Choice 77 I have been closely connected with Simply Music since its inception in 1998, and have known Neil Moore as a friend for much longer. In this long association with teachers, students and others impacted by Neil’s work, I have listened to countless stories of the ways its influence stretches far beyond the realm of music. Over and over, people find that the things they learn from Simply Music affect their broader lives in numerous ways, some surprising and profound.
    [Show full text]
  • March 3, 2021
    1 The Ferris State Torch NINETY YEARS OF ILLUMINATING THE TRUTH Big Rapids, Michigan Week of March 3 - 9, 2021 www.fsutorch.com Thomas Brennan announces Warrants out for firing on Twitter racist stalker After three months of investigation, professor officially fired 57-year-old white man banned Cora Hall led to requests by human resourc- ment of Professor Brennan.” Bacon from campus for stalking Editor in Chief es for a fitness for duty evaluation clarified to the Torch in an email Rebecca VanderKooi in 2019. The university became Saturday that the email mentioned News Reporter Thomas Brennan has been offi- aware of his migraine pain and in Brennan’s statement had “noth- cially fired from Ferris, according to alleged emf sensitivity on Nov. 8, ing to do with his current situation,” A Big Rapids resident is being accused of misdemeanor a Saturday morning tweet from the 2019, when Brennan called the but offered no other comments. stalking and harassment with an anti-Black bias. former physics professor. Mecosta County Sheriff to report al- In the fall of 2019, Brennan The suspect, Terry Lee Carlson, is a 57-year-old white man. “I’ve been officially fired from leged break-ins to his home. Bren- said he turned to Twitter as “a re- He has been reported following at least one Ferris student on Ferris. Here’s the defense state- nan was on campus at the time sult of my frustration at not being multiple occasions, both on and off campus, since October of ment that I gave to the admin- of the call, so a Ferris DPS officer able to stop what was happening 2020.
    [Show full text]
  • Journey Don't Stop Believin' / the Journey Story (An Audio Biography) Mp3, Flac, Wma
    Journey Don't Stop Believin' / The Journey Story (An Audio Biography) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Non Music Album: Don't Stop Believin' / The Journey Story (An Audio Biography) Country: UK Released: 1982 Style: Pop Rock, Spoken Word, Classic Rock MP3 version RAR size: 1303 mb FLAC version RAR size: 1911 mb WMA version RAR size: 1118 mb Rating: 4.6 Votes: 412 Other Formats: MOD MP4 MP1 AAC MIDI TTA XM Tracklist Hide Credits Don't Stop Believin' A Producer – Kevin Elson, Mike StoneWritten-By – J. Cain*, N. Schon*, S. 4:08 Perry* The Journey Story (An Audio Biography) In The Morning B1 Written-By – G. Rolie*, R. Valory* To Play Some Music B2 Written-By – G. Rolie*, N. Schon* Saturday Nite B3 Written-By – Gregg Rolie Wheel In The Sky B4 Written-By – D. Valory*, Schon*, Fleischman* Feeling That Way B5 Written-By – Dunbar*, Rolie*, Perry* Anytime B6 Written-By – Rolie*, N. Schon*, Fleischman*, Silver*, R. Valory* Lovin' Touchin' Squeezin' B7 Written-By – S. Perry* When You're Alone (It Ain't Easy) B8 Written-By – N. Schon*, S. Perry* Someday Soon B9 Written-By – G. Rolie*, N. Schon*, S. Perry* Any Way You Want It B10 Written-By – N. Schon*, S. Perry* Stone In Love B11 Written-By – J. Cain*, N. Schon*, S. Perry* Who's Crying Now B12 Written-By – J. Cain*, S. Perry* Mother Father B13 Written-By – J. Cain*, N. Schon*, S. Perry* Don't Stop Believin' B14 Written-By – J. Cain*, N. Schon*, S. Perry* Companies, etc. Phonographic Copyright (p) – CBS Records Copyright (c) – CBS Records Pressed By – Orlake Records Published By – Screen Gems-EMI Music Ltd.
    [Show full text]
  • Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
    Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory.
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • “The Stories Behind the Songs”
    “The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992.
    [Show full text]
  • A Journey Thanksgiving
    Early A.M. Thursday morning and Steve had wandered out to the mailbox to get the mail and as Steve shuffled through it he noticed the usual smatterings of bills, ads, a letter addressed to occupant and various magazines but then he saw something new. An envelope. Tan in color and the texture of the paper suggested that no expense was spared and as Steve turned it over and saw the return address his eyes widen. Steve stared at it a little longer then he closed the lid to the mailbox and walked back to the house. Steve walked through the living room and back into the kitchen where Robin was pouring two cups of coffee. Steve sat the mail on the counter as Robin handed Steve a cup of coffee and as Robin picked up a magazine and as she watched Steve looking at the envelope. "Looks like the usual stuff." Robin says. "Yeah except for this." Steve said as he held up the envelope up to the light trying to look through it but the envelope was too thick. Robin laughed as she watched Steve turning it this way and that. "Why don’t you just open it Steve?" "Oh I already know who sent it. I recognize the address." Steve said as he looked at her and tossed it back onto the counter. "Neal?" Robin asked. "Oh no! It’s much worse than that!!" Steve replied as he took a sip of his coffee and looked over the rim of his cup at her. "Oh!" Robin says.
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
    [Show full text]
  • Read Ebook {PDF EPUB} Black Steel by Steve Perry Steve Lombard
    Read Ebook {PDF EPUB} Black Steel by Steve Perry Steve Lombard. Formerly a jock who served a brief, undistinguished career in the NFL, Steve Lombard was able to leverage his sports background into obtaining a position as a sports journalist in the Daily Planet. [1] He is infamous for using his experience and pulling power there to flirt with the younger female workers there, usually unsuccessfully. [2] Kryptonian invasion. When General Dru-Zod sent a menacing message to the people of Earth, Steve and his co-workers saw it from the Daily Planet, much to their dismay. Shortly before the Black Zero Event, as General Zod attempted to terraform Earth with the World Engine, Steve was at the Daily Planet with many of his co-workers. Perry promptly had them evacuate the building, as more and more nearby buildings began to collapse. In the ensuing chaos, Steve and Perry attempted to help Jenny Jurwich, one of their co-workers, and get her out from under the wreckage of a building. The power from Zod's World Engine was right about to crush Steve, Perry, and Jenny, but they were all indirectly saved by Superman just in time, as he destroyed the World Engine on the other side of the planet in the Indian Ocean where it resided. Steve, Perry, and Jenny all saw the Black Zero starship as it was sucked back into the Phantom Zone, as well as Superman returning to Metropolis and passionately kissing Lois, before heading off to fight General Zod, whom he subsequently defeated and killed after a long and fierce duel.
    [Show full text]
  • Cash Box NY Telex: 666123 Tists (Page 7)
    UA-LA958-I Featuring ^ “Days Gone Down On United Artists Records in .C 1979 LIBERTY UNITED RECORDS. INC . LOS ANGELES CALIFORNIA 90028 UNITED ARTISTS RECORDS IS A TRADING NAM.F VOLUME XLI — NUMBER 3 — JUNE 2, 1979 FHE INTERNATIONAL MUSIC RECORD WEEKLY C4SH GEORGE ALBERT President and Publisher ? 5 MEL ALBERT “An Apple A Day Vice President and General Manager EDITORML CHUCK MEYER value. billboard. Director of Marketing Records are your best entertainment DAVE FULTON With near unanimous agreement that the Considering that consumers are looking for the In Chief Editor aforementioned maxim is true, it is time to let others most for their money, the time is right to let them J.B. CARMICLE realize this secret. know the investment value of music. With minimal General Manager. East Coast And the great hook to this is that it can be done care, a consumer can spend $4-6and haveawork of JIM SHARP Director, Nashville without a costly advertising campaign which also re- art for a lifetime. East Coast Editorial quires executives from various labels to agree to a This simple program needs to be coordinated KEN TERRY East Coast Editor CHARLES PAIKERT budget and a creative approach. Quite simply, a through the RIAA or another industry organization LEO SACKS AARON FUCHS series of phone calls and verbal agreements are all that will take the initiative to promote the concept to West Coast Editorial that is needed. the manufacturers. In a matter of days, the plan ALAN SUTTON. West Coast Editor JOEY BERLIN — RAY TERRACE Whenever a manufacturer advertises his albums, could be instituted.
    [Show full text]
  • Leslie Costa | Waiting for Summer Preface
    Leslie Costa | Waiting for Summer Preface Unlike “Invisible Soul”, “Waiting For Summer’s” point of view is less reactive and more philosophical. Both records are about the journey but at different places on the time line. The songs here offer more hope for happiness as the colors and mood are in a dream state awaiting the light. The songs are about life, death and everything inbetween. This record was also a project I set out to do completely independent of any assistance from other musicians, producers and engineers. I have approached the booklet as I did with “Invisible Soul” in the way that I wanted to include the back story for each song from the songwriter perspective. Waiting For Summer The River I Know You can find the door The sun comes up on this day ahead You can fight this war Where it leads to I don’t know It’s only for a while Here I sit and wonder why You will be alright The river I know is a river that’s dry Voices in despair Wounds can heal but the scars still show “The River” is really This is one of two Echo everywhere You can hide your tears still your sadness flows my soul and spirit. older songs written a Wanting me to know And you’re reaching out when no one’s there I always look at couple of years ago There’s nowhere else to go To catch you falling in mid air every morning as a about depression Waiting for summer, waiting for love Why can’t I break free new opportunity to and anxiety.
    [Show full text]
  • Moira Cameron: Northern Balladeer
    Moira Cameron: Northern Balladeer Dave Gregory writes: I've never had the good fortune to hear Moira Cameron sing in person. A year or two ago I heard a beautiful rendition of a Child ballad on the radio, and I knew instantly that I had to fInd the recording, whatever it was. Although it took me a while to track them down, I eventually got hold of Moira's two solo CDs, One Evening As I Rambled and Lilies Among the Bushes. Sometimes when you buy a CD you fIIid that the track you heard on the radio was by far the best thing on the album. Not in this case. Both CDs are excellent, although One Evening, the earlier of the two, is a little short: it has only about thirty minutes of music (there is also a fourteen minute story, "Mr Fox"). Lilies (about an hour in length) is Moira's mature statement as a singer of traditional ballads, and you will fmd not only the singing to be fIrst class but also the choice of ballad texts and their interpretation interesting and, perhaps, controversial. Rosaleen, a ballad singer herself, has penned some critical thoughts on Moira's feminist approach to ballads in a review of Lilies. This could be the beginning of an interesting debate. Anyway, Moira is special, and when I agreed to take over as co-editor of CFMB, I knew that I should take the opportunity to fmd out more about her and spread the word. Not that she is exactly unknown in the folk community in Western Canada, but I doubt that very many of our readers in Ontario, Quebec and Atlantic Canada are familiar with her.
    [Show full text]