Robert B. Sinclair Teleplays Collection, 1957-1962
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University of Florida Thesis Or Dissertation Formatting
THE TELEVISED SOUTH: AN ANALYSIS OF THE DOMINANT READINGS OF SELECT PRIME-TIME PROGRAMS FROM THE REGION By COLIN PATRICK KEARNEY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2020 © 2020 Colin P. Kearney To my family ACKNOWLEDGMENTS A Doctor of Philosophy signals another rite of passage in a career of educational learning. With that thought in mind, I must first thank the individuals who made this rite possible. Over the past 23 years, I have been most fortunate to be a student of the following teachers: Lori Hocker, Linda Franke, Dandridge Penick, Vickie Hickman, Amy Henson, Karen Hull, Sonya Cauley, Eileen Head, Anice Machado, Teresa Torrence, Rosemary Powell, Becky Hill, Nellie Reynolds, Mike Gibson, Jane Mortenson, Nancy Badertscher, Susan Harvey, Julie Lipscomb, Linda Wood, Kim Pollock, Elizabeth Hellmuth, Vicki Black, Jeff Melton, Daniel DeVier, Rusty Ford, Bryan Tolley, Jennifer Hall, Casey Wineman, Elaine Shanks, Paulette Morant, Cat Tobin, Brian Freeland, Cindy Jones, Lee McLaughlin, Phyllis Parker, Sue Seaman, Amanda Evans, David Smith, Greer Stene, Davina Copsy, Brian Baker, Laura Shull, Elizabeth Ramsey, Joann Blouin, Linda Fort, Judah Brownstein, Beth Lollis, Dennis Moore, Nathan Unroe, Bob Csongei, Troy Bogino, Christine Haynes, Rebecca Scales, Robert Sims, Ian Ward, Emily Watson-Adams, Marek Sojka, Paula Nadler, Marlene Cohen, Sheryl Friedley, James Gardner, Peter Becker, Rebecca Ericsson, -
Televising the South: Race, Gender, and Region in Primetime, 1955-1980
TELEVISING THE SOUTH: RACE, GENDER, AND REGION IN PRIMETIME, 1955-1980 by PHOEBE M. BRONSTEIN A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Phoebe M. Bronstein Title: Televising the South: Race, Gender, and Region in Primetime, 1955-1980 This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Carol Stabile Chairperson Priscilla Ovalle Core Member Courtney Thorsson Core Member Meslissa Stuckey Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Phoebe M. Bronstein This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License iii DISSERTATION ABSTRACT Phoebe Bronstein Doctor of Philosophy Department of English September 2013 Title: Televising the South: Race, Gender, and Region in Primetime, 1955-1980 This dissertation traces the emergence of the U.S. South and the region’s role in primetime television, from the post-World War II era through Reagan’s election in 1980. These early years defined, as Herman Gray suggests in Watching Race, all subsequent representations of blackness on television. This defining moment, I argue, is one inextricably tethered to the South and the region’s anxiety ridden and complicated relationship with television. This anxiety was rooted in the progress and increasing visibility of the Civil Rights Movement, concern over growing white southern audiences in the wake of the FCC freeze (ended in 1952), and the fear and threat of a southern backlash against racially progressive programming. -
Aleuts: an Outline of the Ethnic History
i Aleuts: An Outline of the Ethnic History Roza G. Lyapunova Translated by Richard L. Bland ii As the nation’s principal conservation agency, the Department of the Interior has re- sponsibility for most of our nationally owned public lands and natural and cultural resources. This includes fostering the wisest use of our land and water resources, protecting our fish and wildlife, preserving the environmental and cultural values of our national parks and historical places, and providing for enjoyment of life through outdoor recreation. The Shared Beringian Heritage Program at the National Park Service is an international program that rec- ognizes and celebrates the natural resources and cultural heritage shared by the United States and Russia on both sides of the Bering Strait. The program seeks local, national, and international participation in the preservation and understanding of natural resources and protected lands and works to sustain and protect the cultural traditions and subsistence lifestyle of the Native peoples of the Beringia region. Aleuts: An Outline of the Ethnic History Author: Roza G. Lyapunova English translation by Richard L. Bland 2017 ISBN-13: 978-0-9965837-1-8 This book’s publication and translations were funded by the National Park Service, Shared Beringian Heritage Program. The book is provided without charge by the National Park Service. To order additional copies, please contact the Shared Beringian Heritage Program ([email protected]). National Park Service Shared Beringian Heritage Program © The Russian text of Aleuts: An Outline of the Ethnic History by Roza G. Lyapunova (Leningrad: Izdatel’stvo “Nauka” leningradskoe otdelenie, 1987), was translated into English by Richard L. -
THE PRESS Friday, December 13, 1963 TELEVISION LOG for the WEEK FRIDAY SATURDAY SUNDAY
A-8—THE PRESS Friday, December 13, 1963 TELEVISION LOG FOR THE WEEK FRIDAY SATURDAY SUNDAY. MONDAY WEDNESDAY THURSDAY DECEMBER 16 DECEMBER 13 DECEMBER 14 DECEMBER 15 DECEMBER 18 DECEMBER 19 12:00 ( 2) Burns and Alien 11:00 ( 7) AFL Game 12:00 ( 2) Burns and Alien ( 4) People Will Talk 11:00 ( 2) NFL Game ( 4) People Will Talk 12:00 ( 2) Burns and Alien 12:00 ( 2) Burns and Alien ( 5) Dateline Europe 12:00 ( 2) Sky KKing 12:00 ( 2) Insight ( 5) Cross Current ( 4) People Will Talk ( 4) People Will Talk ( 7) Tennessee ^rme ( 4) Exploring ( 4) Jr. Rose bowl ( 7) Tennessee Ernie ( 5) Overseas Adventure ( 5) Overseas Adventure ( 9) Hour of St. Francis ( 9) Searchlight on ( "<) Ernie Ford (11) Sheriff John (13) Cartoons ( 7) Press Conference Delinquency ( 7) Tennessee Ernie 9) Books and Ideaa (13) Oral Roberts ( 9) Dr. Spock 12:30 ( 2) As World Turns 12:30 ( 2) Do You Know (11) Sheriff John (11) Sheriff John ( 5) TV Bingo (13) Movie (11) Sheriff John (13) Movie ( 7) Father Knows Best ( 5) Movie 12:30 ( 5) Movie ( 9) Mr. D.A. "Tonight We Raid Calali" 12:30 ( 2) As World Turn* (13) Movie 12:30 ( 2) As World Turns 1:00 (2) News Lee J. Cohb (4 ) The Doctors ( 4) The Doctors 12:45 ( 5) Dateline Europe ( 7) Discovery 12:30 ( 2) As World Turns 1:00 ( 2) Password ( 4) Ornamental World ( 5) TV Bingo ( 5) TV Bingo (13) Social Security ( 7) Father Knows Best (4 ) The Doctors ( 7) Father Knows Best ( 4) Loretta Young ( 5) Movie ( 5) TV Bingo ( 5) Douglas Fairbanks ( 9) Mr. -
Introduction to the Complete Directory to Prime Time Network and Cable TV Shows
Broo_9780345497734_2p_fm_r1.qxp 7/31/07 10:32 AM Page ix INTRODUCTION In the following pages we present, in a sin- eral headings. For example, newscasts are gle volume, a lifetime (or several lifetimes) of summarized under News, movie series under television series, from the brash new medium Movies and sports coverage under Football, of the 1940s to the explosion of choice in the Boxing, Wrestling, etc. All other series are 2000s. More than 6,500 series can be found arranged by title in alphabetical order. There here, from I Love Lucy to Everybody Loves is a comprehensive index at the back to every Raymond, The Arthur Murray [Dance] Party cast member, plus appendixes showing an- to Dancing with the Stars, E/R to ER (both nual network schedules at a glance, the top with George Clooney!), Lost in Space to Lost 30 rated series each season, Emmy Awards on Earth to Lost Civilizations to simply Lost. and other information. Since the listings are alphabetical, Milton Network series are defined as those fed out Berle and The Mind of Mencia are next-door by broadcast or cable networks and seen si- neighbors, as are Gilligan’s Island and The multaneously across most of the country. Gilmore Girls. There’s also proof that good Broadcast networks covered are ABC, CBS, ideas don’t fade away, they just keep coming NBC, Fox, CW, MyNetworkTV, ION (for- back in new duds. American Idol, meet merly PAX) and the dear, departed DuMont, Arthur Godfrey’s Talent Scouts. UPN and WB. We both work, or have worked, in the TV Original cable series are listed in two dif- industry, care about its history, and have ferent ways. -
Alaska Subsistence: a National Park Service Management History
National Park Service U.S. Department of the Interior r»l BM vf3<Cfiiiia Kl M>WJ A National Park Service Management History • JreJTTl ^Kc fS^Tvul Katie John near her Copper River fish wheel. For more than a decade, she fought state and federal officials for the right to fish at Batzulnetas village. Four years after a landmark lawsuit reaffirmed her fishing rights, manage ment authority over many of Alaska's navigable waters shifted from state to federal jurisdiction. Erik Hill photo, Anchorage Daily News Alaska Subsistence A National Park Service Management History Produced by the Alaska Support Office, National Park Service U.S. Department of the Interior Anchorage, Alaska Author: Frank Norris September 2002 Cover photo: Inupiat woman at Shishmaref boiling walrus flip pers. This photo was taken in 1974 by the late Robert Belous, who was one of the primary ar chitects of the National Park Service's policy toward subsis tence management during the critical, nine-year period between the passage of the Alaska Native Claims Settlement Act and the Alaska National Interest Lands Conservation Act. NPS (Alaska Task Force Box 8), Photo 4467-5 Norris, Alaska Subsistence - Errata sheet Front cover - the photo subject is Fannie Kigrook Barr of Shishmaref. Title page - Frank Broderick of Archgraphics was responsible for graphics and layout, Angelika Lynch (also of Archgraphics) prepared the maps, and A.T. Publishing Co. of Anchorage printed the volume under a Government Printing Office contract, page 2 - The source for Map 1-2 is: Federal Field Committee for Development Planning in Alaska, Alaska Natives and the Land (1968), p. -
Discussion About Henry Kuttner and C.L. Moore
Science Fiction Book Club Interview with Allen Mueller August 2019 Allen Mueller is an expert on Henry Kuttner and C.L. Moore. He wrote his MA thesis on them and has published several articles about them. Øyvind Strømsvåg: What was the reason for using so many different pseudonyms as Kuttner did? As with many authors, the Kuttners started using pseudonyms in situations where they had more than one story in a given publication (in a few cases, the Kuttners had up to 4 stories in a given magazine) and also as a way of distancing themselves from weaker stories published in less prestigious magazines. In a letter to August Derleth, Kuttner spoke quite frankly about, “sending (Leo) Margulies my W. T. duds.” Sam Moskowitz claimed that Kuttner was forced to publishing under pseudonyms for a time due to the negative criticism he received for publishing “The Time Trap,” with its (tame by today’s standard) sexual content. I also believe that, after a time, the pseudonyms took on a life of their own, in a sense. Fritz Leiber relates an appropriate anecdote after Kuttner’s death, “(Kuttner) and Bob (Bloch) had just been amusing themselves by formulating the personalities of a few pen names. As I recall a few of them, Lewis Padgett was a retired accountant who liked to water the lawn of an evening and then mosey down to the corner drugstore to pick up a quart of ice cream and whose wife collected recipes to surprise her bridge club. Lawrence O’Donnell was a wild Irishman who lived in Greenwich Village with a malicious black cat who had an infallible instinct for check letters and generally managed to chew up their contents before his master had shaken loose from his latest hangover. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
ABC Television Center Studios (Name Circa 1960)
ESTUDIOS DE CINEMA QUE VIRARAM ESTUDIOS DE TV Antigos estúdios de Hollywood http://www.retroweb.com/tv_studios_and_ranches.html ABC Television Center Studios (name circa 1960) Formerly: Vitagraph Studios Currently: The Prospect Studios (aka ABC Television Center West) Location: 4151 Prospect Avenue, Hollywood, California opened in 1912 as Vitagraph Studios, making it one of the oldest studios in Hollywood. eventually purchased by Warner Bros in 1925 ABC Television acquired the studio property in 1949, and opened the world's largest, state-of-the-art television center. "The old Vitagraph lot, then ABC, now Disney in East Hollywood, once had a large backlot, but by the time of television, the backlot was gone. For an early live western tv show, the side of one of the sound stages was painted to look like a western town or desert scene or something, and the show was show live from in front of that painted building." - Jerry S. "I've been told that all the scenes [in 42nd STREET] inside the theater were shot at Prospect on [what was known as] the Vitaphone theater stage. That stage later became Studio E at ABC, (now Stage 5). Eventually, the auditorium end of the stage was demolished to make way for a new studio now called Stage 4. The Vitaphone stage was sort of like the Phantom stage at Universal in that a portion of it had a permanent auditorium set with seats and boxes. It was removed once ABC took over. The old TV series SPACE PATROL was shot on those combined stages." - Richard P. -
Pictures' Loss on Its Telemeter Pay -TV System Last
NEW SERIES VOL. 3, No. 23 TELEVISION DIGEST-5 PARAMOUNT'S TELEMETER PLANS: Paramount Syndication is lucrative sideline for Warner Bros., Pictures' loss on its Telemeter pay -TV system last whose track record in fall network program sales has not been so hot this season but whose off -network station -level year amounted to $1,361,000, but it now is running sales practically sizzle. WB averaged "more than a mil- at annual rate of $750-800,000, and recent devel- lion dollars a month" in sale of former network shows to opments should cut losses substantially this year. stations between March 15 and May 31, according to TV So said Paramount Pres. Barney Balaban & Treas. vp Joseph Kotler. Actual box score: 58 off -network TV James H. Richardson in answers to question at last week's shows (Cheyenne, Hawaiian Eye, Bronco, Surf side 6, Roar- stockholder meeting in N.Y. Balaban specifically pointed ing 20's, etc.) sold during period in 35 markets for gross to 9 -theater Eidophor closed-circuit sports network which of $2.6 million, with 34 of 58 shows sold to stations pre- will carry Toronto Maple Leafs' 35 away -from -home games viously buying one or more WB syndicated shows. De- at the same time as they are piped to Telemeter subscrib- fending itself against charge (largely by old-line syndi- ers' homes in Etobicoke, Canada (Vol. 3:22 p4). This, he cators of old -but -durable shows like Sea Hunt) that rat- said in his report to stockholders, "will enable us to reduce, ings of 60 -min. -
The Relationship of Various Audience Composition Factors to Television Program Types
This dissertation has been 63—4708 microfilmed exactly as received THAYER, John Richardson, 1929— THE RELATIONSHIP OF VARIOUS AUDIENCE COMPOSITION FACTORS TO TELEVISION PROGRAM TYPES. The Ohio State University, Ph.D., 1962 Speech—Theater University Microfilms, Inc., Ann Arbor. Michigan Copyright by John Richardson Thayer t h e relationship o f v a r i o u s a u d i e n c e composition f a c t o r s TO TELEVISION PROGRAM TYPES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By John Richardson Thayer, B.A., M.A. ■X-trk** * * * * The Ohio State University 1962 Approved by Adviser Department of Speech TABLE OF CONTENTS Page LIST OF T A B L E S ............................................... iv LIST OF F I G U R E S ............................................. vi Chapter I. A BRIEF HISTORY OF PROGRAM TYPES AND THEIR IMPORTANCE TO THE TELEVISION B R O A DCA STER....................... 1 The History of Program Types on Radio The History of Program Types on Television The Importance of Program Types The Hypotheses of the Study II. A REVIEW OF THE MOST POPULAR PROGRAM T Y P E S ............. 17 III. THE CATEGORIZING OF PROGRAMS INTO T Y P E S ............... 25 Difficulties Involved in Categorizing Programs Criteria Established in Assigning Programs to Specific Types Definitions of Program Types and Specific Programs Falling Within Those Types IV. DESCRIPTION OF DATA USED IN THE S T U D Y ................. 42 A Brief History of the Company ARB ’ s Measurement Technique ARB's Selection of Sample Homes Selecting the Diary Families Tabulating the Diary Results Final Preparations for Publication Computation Procedures Minimum Reporting Standards V. -
Open Cho YS Thesis.Pdf
The Pennsylvania State University The Graduate School College of Communications COMPETITION AND PROGRAM TYPE DIVERSITY IN THE OVER-THE-AIR TELEVISION INDUSTRY, 1943-2005 A Thesis in Mass Communications by Young Shin Cho © 2007 Young Shin Cho Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2007 The thesis of Young-Shin Cho was reviewed and approved* by the following: Richard Taylor Palmer Chair of Telecommunications Studies and Law Thesis Advisor Chair of Committee Matt Jackson Associate Professor of Communications Krishna Jayakar Associate Professor of Communications Lynette Kvasny Assistant Professor of Information Sciences and Technology John S. Nichols Professor of Communications Associate Dean for Graduates Studies and Research *Signatures are on file in the Graduate School ABSTRACT Competition and diversity are touchstones in media policy, but the relationship between them is not clear despite a great number of studies because even studies dealing with their relationship, did not measure the intensity of competition. This paper investigates the relationship between market competition and program type diversity in the over-the-air television industry. Specifically, market competition is divided into intra-network competition and intra-media competition, i.e. terrestrial television vs. cable TV. Also this paper uses a comprehensive model of program types, with 281 program type categories, which have never been used in previous studies. The results show that program type diversity keeps decreasing over time and intra-network competition has a negative effect on program type diversity. Also, intra- network competition is a more important factor on program type diversity than inter- media competition.