Being Reconciled
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Art Ensemble of Chicago Thelonious Sphere Monk
Art ensemble of chicago thelonious sphere monk Find a Art Ensemble Of Chicago* With Cecil Taylor - Thelonious Sphere Monk: Dreaming Of The Masters Vol.2 first pressing or reissue. Complete your Art. Thelonious Sphere Monk: Dreaming of the Masters Series Vol. 2 is an album by the Art Ensemble of Chicago and Cecil Taylor released on the Japanese DIW. Art Ensemble of Chicago, Cecil Taylor - Thelonious Sphere Monk: Dreaming of the Masters, Vol.2 - Music. This CD promises much more than it delivers, appearing to be a tribute to Thelonious Monk that features the Art Ensemble of Chicago and guest pianist Cecil. Find album release information for Thelonious Sphere Monk: Dreaming of the Masters, Vol. 2 - The Art Ensemble of Chicago on AllMusic. Thelonious Sphere Monk - Dreaming of the Masters Vol. 2 Recorded in , at Systems Two Studios, Brooklyn. Thelonious Sphere Monk: Dreaming of the Masters, Vol. 2, an Album by Art Ensemble of Chicago With Cecil Taylor. Released in on (catalog no. CK Albuminformatie voor Thelonious Sphere Monk: Dreaming of the masters ; vol.2 van Art Ensemble of Chicago. ART ENSEMBLE OF CHICAGO WITH CECIL TAYLOR ~ Thelonious Sphere Monk - Dreaming Of The Masters Vol. 2 []. C'est comme un. Thelonious Sphere Monk: Dreaming of the Masters, Vol. 2 by The Art Ensemble of Chicago release on May 06, Thelonious Sphere Monk: Dreaming of the. "Dreaming of the Masters"、"Intro to Fifteen"、"Excerpt from Fifteen, Pt. 3A" とその他を含む、アルバム「Thelonious Sphere Monk」の曲を聴こう。 . Acquista il CD album Thelonious Sphere Monk di Art Ensemble Of Chicago in offerta; album e dischi in vendita online a prezzi scontati su La Feltrinelli. -
Islam and Revolution
Imam Khomeini Islam and Revolution www.islamic-sources.com ISLAM and REVOLUTION 1 2 ISLAM and REVOLUTION Writings and Declarations of Imam Khomeini Translated and Annotated by Hamid Algar Mizan Press, Berkeley Contemporary Islamic Thought, Persian Series 3 Copyright © 1981 by Mizan Press All Rights Reserved Designed by Heidi Bendorf LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA Khumayni, Ruh Allah. Islam and revolution. 1. Islam and state-Iran-Addresses, essays, lectures. 2. Iran-Politics and government-1941-1979-Addresses, essays, lectures. 3. Shiites-Addresses, essays, lectures. I. Algar, Hamid. II. Title. ISBN 0-933782-04-7 hard cover ISBN 0-933782-03-9 paperback Manufactured in the United States of America 4 CONTENTS FOREWORD 9 INTRODUCTION BY THE TRANSLATOR 13 Notes 22 I. Islamic Government 1. INTRODUCTION 27 2. THE NECESSITY FOR ISLAMIC GOVERNMENT 40 3. THE FORM OF ISLAMIC GOVERNMENT 55 4. PROGRAM FOR THE ESTABLISHMENT OF AN ISLAMIC GOVT. 126 Notes 150 II. Speeches and Declarations A Warning to the Nation/1941 169 In Commemoration of the Martyrs at Qum/ April 3, 1963 174 The Afternoon of ‘Ashura/June 3, 1963 177 The Granting of Capitulatory Rights to the U.S./ October27, 1964 181 Open Letter to Prime Minister Hoveyda/April 16, 1967 189 Message to the Pilgrims/February 6, 1971 195 The Incompatibility of Monarchy With Islam/ October 13, 1971 200 5 Message to the Muslim Students in North America/ July 10, 1972 209 In Commemoration of the First Martyrs of the Revolution/February 19, 1978 212 Message to the People of Azerbayjan/ -
Eartrip7.Pdf Download
CONTENTS Editorial An internet-related rant and a summary of the delights to follow in the rest of the current issue. By David Grundy. [pp.3-4] Listening to Sachiko M 12,000 words (count' em) – a lengthy, and no-doubt futile attempt to get to grips with some of the recordings of empty-sampler player (or, in her own words, 'non-musician'), Sachiko M, including interminable ramblings on such albums as 'Bar Sachiko,' 'Filament 1', and 'Tears'. By David Grundy. [pp.5-26] The Drop at the Foot of the Ladder: Musical Ends and Meanings of Performances I Haven't Been To, Fluxus and Today 11,000 words (count 'em), covering the delicate and indelicate negotiations between music and performance, audience and performer, art and non-art, that take place in the 1960s works of Fluxus and their distant inheritors, Mattin and Taku Unami. By Lutz Eitel. [pp.27-52] Feature: Live in Seattle Two solo takes and a duo relating to Coltrane's 1965 recording, made at the breaking point of his 'Classic Quartet', poised between old and new, music that pushes at the limits and drops back only to push again with furious persistence. By David Grundy and Sean Bonney. [pp.53-74] Interview: The Rent To call The Rent a Steve Lacy 'tribute band' would be to do them an immense disservice, though their repertoire consists mainly of Lacy compositions. Their conversation with Ted Harms covers such topics as inter-disciplinarity, the Lacy legacy, and the notion of jazz repertoire. [pp.75-83] You Tube Watch: Billy Harper A feature devoted this issue to the great Texan tenor Billy Harper. -
Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M. -
Vinyls-Collection.Com Page 1/55 - Total : 2125 Vinyls Au 25/09/2021 Collection "Jazz" De Cush
Collection "Jazz" de cush Artiste Titre Format Ref Pays de pressage A.r. Penck Going Through LP none Allemagne Aacm L'avanguardia Di Chicago LP BSRMJ 001 Italie Abbey Lincoln Painted Lady LP 1003 France Abraham Inc. Tweet Tweet LP LBLC 1711 EU Abus Dangereux Happy French Band LP JB 105 M7 660 France Acid Birds Acid Birds LP QBICO 85 Italie Acting Trio Acting Trio LP 529314 France Adam Rudolph's Moving Pictures... Glare Of The Tiger 2LP Inconnu Ahmad Jamal At The Blackhawk LP 515002 France Aidan Baker With Richard Baker... Smudging LP BW06 Italie Air Open Air Suite LP AN 3002 Etats Unis Amerique Air Live Air LP Inconnu Air Air Mail LP BSR 0049 Italie Air 8o° Below '82 LP 6313 385 France Al Basim Revival LP none Etats Unis Amerique Al Cohn Xanadu In Africa LP Xanadu 180 Etats Unis Amerique Al Cohn & Zoot Sims Either Way LP ZMS-2002 Etats Unis Amerique Alan Silva Skillfullness LP 1091 Etats Unis Amerique Alan Silva Inner Song LP CW005 France Alan Silva Alan Silva & The Celestial Com...3LP Actuel 5293042-43-44France Alan Silva And His Celestrial ... Luna Surface LP 529.312 France Alan Silva, The Celestrial Com... The Shout - Portrait For A Sma...LP Inconnu Alan Skidmore, Tony Oxley, Ali... Soh LP VS 0018 Allemagne Albert Ayler Witches & Devils LP FLP 40101 France Albert Ayler Vibrations LP AL 1000 Etats Unis Amerique Albert Ayler The Village Concerts 2LP AS 9336/2 Etats Unis Amerique Albert Ayler The Last Album LP AS 9208 France Albert Ayler The Last Album LP AS-9208 Etats Unis Amerique Albert Ayler The Hilversum Session LP 6001 Pays-Bas -
Jazz in Search of Itself
JAZZ IN SEARCH OF ITSELF LARRY KART Jazz in Search of Itself Yale University Press NEW HAVEN AND LONDON FOR JACOB Published with assistance from the Louis Stern Memorial Fund. Copyright ᮊ 2004 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Set in Minion type by Binghamton Valley Composition. Printed in the United States of America. Library of Congress Cataloging-in-Publication Data Kart, Larry, 1942– Jazz in search of itself / Larry Kart. p. cm. Includes index. ISBN 0-300-10420-0 (cloth : alk. paper) 1. Jazz—History and criticism. I. Title. ML3506.K37 2004 781.65'09—dc22 2004041413 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. 10987654321 The following pieces were first published in the Chicago Tribune and appear here by permission: Johnny Griffin; Ira Sullivan; Louis Armstrong; Black Beauty, White Heat; Earl Hines; Count Basie; Duke Ellington; Arthur Rollini; Arnett Cobb; Artie Shaw; Louis Bellson; Ruby Braff; Dizzy Gillespie; Thelonious Monk; Herbie Nichols; Oscar Peterson; Stan Getz; Woody Herman and Stan Getz; Al Cohn; Art Pepper; Sonny Stitt; Jackie McLean; Clifford Brown and Max Roach; -
Volume Five August 1994 Number One July 6, 1995
Volume Five August 1994 Number One July 6, 1995 Dr. Suzanne Cahill University of California, San Diego Department of History, C-004 La Jolla, CA 92093 Dear Dr. Cahill: We recently ran out of copies of Taoist Resources 5.2 in which your photographs were used. When I went to the file for our printer's originals to order reprints, I discovered that your photo originals were still in the file. Please accept my sincere apology for the delay in returning these to you. That issue was published right at the change over from one Editorial Assistant to another, and returning your photos simply got overlooked. Again, I am deeply sorry for the delay and hope that it has not created too many problems for you. Sincerely, Benita G. Brown Office Coordinator Enc. ~ , ), ~~ ;J\1{ ~~ ~:~ x 3::. L if{. j1.S{ 7\~ f-- ~*?5. ~ , ..,.......',.' . 11 {~it - ( ~'3'; t~- c:::::- 11 • 7= --- .~ ~- - J{!!tE. ?~ .~ 17t *~;ffi ±'d:. ;rt it -,to1( r;qiX{ :3= -- " .z<:.. ~ c:=?--- - ~ ~,~ ~'f( ~- "" ~ - ~I ~? ~- J§{ ~€ ~ ~'3' ~ ).2 ,~A *-~ J\lJ\l *';=1f; ~ m~ l:1$~ E/r.· 1-11 .Wt~· :.:%:.::1: ~ 7C[l:..-- 7Jt -111 /~ - - ~ ;;Z~ E..:ti_ ~~ R1 L.( '~ ~.~ ~ Jt\Jt\ I~!® 7f.:~ 4 ~ j~ ~ ~~ ~~ ~~ 3::. ~* E- . )p-{( ;:l:: ~M. -'l)"~' ~7l'JK .f.5·I~ ' j,;k 2?- - .-.....;.,. - - ""'-~I - ;/Ejc ~2 {1~1}:;:f -1t1 ~~ £ . t -' ~3t 5f:Z: 7E.7t. ~ ~ ~~ ~~ }t ~3' m ,,~ ~}\ JJr !it t1 ~......)."".,. Volume Four .~ February 1993 Number One ~ I ~li- 11~ ~.,...., ...... jFl ro~ ~ ~ .,. ~. x~ ~ , X1{ ~~ :s~ l ~ifC J7C ( -- *~ .x3::. .......: 7\~ f ~ J ~~ 11 4 {~~ -- 11 ~5' t~- c::: • ~ .~ ~ - '~ ~ ~trt .tl!!~ c -~ r; ~~ -,l<:>l( ±~ jT1 *-txrEq 3= Z<...-- E]5 c;:?..- f: - - ~~ ~- :}§{ M~ ~x ~ ~ ~5' tlI( ~ ..».~ AJ\l *-tK. -
Experimental Music in Black and White: the AACM in New York, 1970-1985*
Experimental Music in Black and White: The AACM in New York, 1970-1985* By George E. Lewis Introduction Since its founding on the virtually all-black South Side of Chicago in 1965, the Mrican American musicians' collective known as the Association for the Advancement of Creative Musicians (AACM) has played an unusu ally prominent role in the development of American experimental music. The composite output of AACM members explores a wide range of methodologies, processes, and media. AACM musicians have developed new ideas about timbre, sound, collectivity, extended technique and in strumentation, performance practice, intermedia, the relationship of im provisation to composition, form, scores, computer music technologies, invented acoustic instruments, installations, and kinetic sculptures.! In a 1973 article, two early AACM members, trumpeter John Shenoy Jackson and co-founder and pianist/composer Muhal Richard Abrams, as serted that, "The AACM intends to show how the disadvantaged and the disenfranchised can come together and determine their own strategies for political and economic freedom, thereby determining their own destinies" (Abrams and Jackson 1973:72). This optimistic declaration, based on no tions of self-help as fundamental to racial uplift, cultural preservation, and spiritual rebirth, was in accord with many other challenges to traditional notions of order and authority that emerged in the wake of the Black Power Movement. The AACM's goals of individual and collective self-production and pro motion challenged racialized limitations on venues and infrastructure, serving as an example to other artists in rethinking the artist/business re lationship. A number of organizations in which Mrican American musi cians took leadership roles, including the early-twentieth-century Clef Club, the short-lived Jazz Composers Guild, the Collective Black Artists, and the Los Angeles-based Union of God's Musicians and Artists Ascension, or Underground Musicians Association (UGMAA/UGMA), preceded the AACM in attempting to pursue these self-help strategies. -
History in the Plural in the Work of Reinhart Koselleck Niklas
Department of History and Civilization Beyond utopianism and relativism: History in the plural in the work of Reinhart Koselleck Niklas Olsen Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 9 February 2009 EUROPEAN UNIVERSITY INSTITUTE Department of History and Civilization Beyond utopianism and relativism: History in the plural in the work of Reinhart Koselleck Niklas Olsen Examining Board: Prof. Martin van Gelderen (EUI) - supervisor Prof. Sebastian Conrad (EUI) Prof. Lucian Hölscher (Ruhr-Universität Bochum) Prof. Willibald Steinmetz (Universität Bielefeld) © 2009, Niklas Olsen No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Table of contents Acknowledgements ………………………………………………………………………… iii 1. Introduction ……………………………………………………………………………… 1 2. Family – war – university: the various educations of Reinhart Koselleck …………. 13 3. Explaining, criticizing and revising modern political thought ……………………… 43 4. Social history between reform and revolution ……………………………………… 101 5. Program – project – straight jacket: the Geschichtliche Grundbegriffe ………….. 165 6. Theorizing historical time and historical writing ………………………………….. 199 7. Commemorating the dead: experience, understanding, identity …………………. 265 8. The foundations and the future of Koselleck’s scholarly program ………………. 297 References …………………………………………………………………………......... 303 ii Acknowledgements This thesis is the outcome of more than four years of work at the European University Institute, Florence. Many people have helped me in numerous ways during the process. I would first of all like to thank my supervisor Bo Stråth, for his tremendous support and advice in all phases of the project. Reinhart Koselleck invited me to his home in Bielefeld in the autumn of 2003 in order to discuss matters related to German historical writing during World War II. -
Part of the Whānau: the Emergence of Takatāpui Identity He Whāriki Takatāpui
Part of The Whānau: The Emergence of Takatāpui Identity He Whāriki Takatāpui Elizabeth Kerekere A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Te Kawa a Māui School of Māori Studies Victoria University of Wellington April 2017 2 KARANGA Karanga mai e ngā tūpuna takatāpui Anei tāu mokopuna E karanga atu nei i raro i te mana o Tūranganui a Kiwa Ko Ngāti Oneone rātou ko Te Aitanga a Māhaki ko Whānau a Kai, ko Rongowhakaata, ko Ngāi Tāmanuhiri Ahakoa ngā piki me ngā heke, ahakoa e rehurehu mai rā ō āhua E kore koutou e warewaretia He Whāriki Takatāpui tēnei mō koutou, hei whakamānawa i ngā taonga tuku iho E kore tēnei mahi e mutu, mā Te Roopū Tīwhanawhana te kaupapa e kawe Hei para i te huarahi mō ngā reanaga e whanake ake, e whanake ake Call to me, our takatāpui ancestors Here I stand, your descendant I call to you under the mana of Tūranganui a Kiwa Ngāti Oneone, Te Aitanga a Māhaki Whānau a Kai, Rongowhakaata and Ngāi Tāmanuhiri Although the journey has been difficult and your form sometimes indistinct You were never forgotten This Whāriki Takatāpui is dedicated to you, to honour the treasures you have passed down Although it may never end, Tīwhanawhana Trust will carry this work To clear a pathway for coming generations who will ever move onwards 3 4 ABSTRACT Since the early 1980s, Māori who are whakawāhine, tangata ira tāne, lesbian, gay, bisexual, trans, intersex or queer have increasingly adopted the identity of ‘takatāpui’ - a traditional Māori term meaning ‘intimate companion of the same sex.’ As the first study on takatāpui identity and well-being, this is fashioned as a Whāriki Takatāpui; a woven mat which lays the foundation for future research and advocacy. -
THE POSITION of WOMEN from the VIEWPOINT of IMAM KHOMEINI (May Allah Grant Him Peace)
THE POSITION OF WOMEN FROM THE VIEWPOINT OF IMAM KHOMEINI (May Allah grant him peace) Publisher: The Institute for Compilation and Publication of Imam Khomeini’s Works (International Affairs Division) Translated by: Juliana Shaw & Behrooz Arezoo Proofread and typeset by: Mansoor L. Limba First printing: Autumn 2001 Address: P.O. Box 19575 / 614, Tehran, Islamic Republic of Iran Copyright © Iran Chamber Society CONTENTS Introduction 3 Section 1: Great women of the world 6 Section 2: The status and rights of women in the Islamic system 31 Section 3: The role of the family and women in nurturing human beings 61 Section 4: The role of women in the victory of the Islamic revolution 87 Section 5: Women and the sacred defence 109 The crimes perpetrated against women and the plots devised Section 6: 123 against them by imperialism and the Pahlavi regime Index of References 158 2 Copyright © Iran Chamber Society INTRODUCTION The history of mankind overflows with instances of tyrannical acts perpetrated against the deprived and meek of the earth by oppressors and men of power. Every so often, it was the oppressed who, heeding the call of a venerable descendant of the family of the prophets and saints, rose up in anger against those practicing injustice and by sacrificing their lives and enduring immense hardships allowed the people of the world to enjoy a breath of the fresh air of justice and equity. Before very long, however, the stench from the fetid water of pride and arrogance, diffused by riches, power and deceit, once again dispersed the sweet savour of justice, stifling the justice seekers. -
Bill Frisell James Farm Flecktones Reunite Christian Scott Stefon Harris
DOWNBEAT Bill Frisell James Farm Flecktones Reunite STEFON HARRI S – DAVI D SÁNC H Ez – Ch RI S TIAN SCOTT // BILL F RI S ELL // JAME S F ARM // Christian Stefon David Go to DICK HYMANDICK Ninety Miles Scott Harris Sánchez Cuba! KEYBOARD MANIA Dick Hyman SEPTEMBER 2011 U.K. £3.50 Orrin Evans S BLINDFOLDED EPTEM B ER 2011 ER Joey DeFrancesco TRANSCRIBED DOWNBEAT.COM SEPTEMBER 2011 VOLUME 78 – NuMBER 9 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 | Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.