Québec & Montréal
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Hudson River School
Hudson River School 1796 1800 1801 1805 1810 Asher 1811 Brown 1815 1816 Durand 1820 Thomas 1820 1821 Cole 1823 1823 1825 John 1826 Frederick 1827 1827 1827 1830 Kensett 1830 Robert 1835 John S Sanford William Duncanson David 1840 Gifford Casilear Johnson Jasper 1845 1848 Francis Frederic Thomas 1850 Cropsey Edwin Moran Worthington Church Thomas 1855 Whittredge Hill 1860 Albert 1865 Bierstadt 1870 1872 1875 1872 1880 1880 1885 1886 1910 1890 1893 1908 1900 1900 1908 1908 1902 Compiled by Malcolm A Moore Ph.D. IM Rocky Cliff (1857) Reynolds House Museum of American Art The Beeches (1845) Metropolitan Museum of Art Asher Brown Durand (1796-1886) Kindred Spirits (1862) Crystal Bridges Museum of American Art The Fountain of Vaucluse (1841) Dallas Museum of Art View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm - the Oxbow. (1836) Metropolitan Museum of Art Thomas Cole (1801-48) Distant View of Niagara Falls (1836) Art Institute of Chicago Temple of Segesta with the Artist Sketching (1836) Museum of Fine Arts, Boston John William Casilear (1811-1893) John Frederick Kensett (1816-72) Lake George (1857) Metropolitan Museum of Art View of the Beach at Beverly, Massachusetts (1869) Santa Barbara Museum of Art David Johnson (1827-1908) Natural Bridge, Virginia (1860) Reynolda House Museum of American Art Lake George (1869) Metropolitan Museum of Art Worthington Whittredge (1820-1910) Jasper Francis Cropsey (1823-1900) Indian Encampment (1870-76) Terra Foundation for American Art Starrucca Viaduct, Pennsylvania (1865) Toledo Museum of Art Sanford Robinson Gifford (1823-1880) Robert S Duncanson (1821-1902) Whiteface Mountain from Lake Placid (1866) Smithsonian American Art Museum On the St. -
Course and Attractions of the Grand Prix Cycliste De Québec
Course and attractions of the PARCOURSGrand Prix Cycliste de Québec Côte de la Potass e Saint-Vallier Est s Côte de la 28 30 Canoterie 31 27 Des Glaci Fabrique Remparts Saint-Jean De la 29 De 26 4 47 32 s 3 45 33 25 1 7 43 41 Buad 2 46 42 34 Port 24 e Dauphin 9 Grande Allée Oues A t Ta Grande Allée Es venue t Saint-Louis 23 ch Côte de la Du Fort 10 é 35 Montagne 4 6 36 BATTLEFIELDS Avenue Geo 44 rge-V 48 22 11 PARK I 37 De Laun 38 Dalhousie 20 19 e Avenue 39 40 E Ont 5 Gilmou ario 17 r 9 18 16 8 14 21 BOIS DE 15 COULONG N Boulevard Champlain 12 Start 13 Finish ST . LAWRENCE RIVER 1 Grande Allée 5 Battlefields Park 9 Citadelle/Royal 22e Regiment The street that never sleeps! Day or Created in 1908, Battlefields Park was Museum night its sidewalks are always teeming commemorating the 250th anniversary The star-shaped Citadelle de Québec with people, from families out for a of Battle of Sainte-Foy in 2010. Once is an actual part of the city’s walls. Its stroll to party-goers enjoying a night on the site of clashes between the armies layout is typical of fortifications desig- the town. It is home to a host of restau- of Wolfe and Montcalm (1759) and ned by Vauban. Construction began rants, bars, and buildings with stunning Murray and Lévis (1760), the Plains of in 1820 and lasted over 30 years. -
A Call to the Wild
Q UESTROYAL F INE A RT, LLC A Call to the Wild Thomas Moran John Frederick Kensett Evening Clouds, 1902 New England Coastal Scene with Figures, 1864 Oil on canvas Oil on canvas 141/8 x 20 inches 141/4 x 243/16 inches Monogrammed, inscribed, and dated Monogrammed and dated lower right: JF.K. / ’64. lower left: TMORAN / N.A. / 1902” March 8 – 30, 2019 An Exhibition and Sale A Call to the Wild Louis M. Salerno, Owner Brent L. Salerno, Co-Owner Chloe Heins, Director Nina Sangimino, Assistant Director Ally Chapel, Senior Administrator Megan Gatton, Gallery Coordinator Pavla Berghen-Wolf, Research Associate Will Asencio, Art Handler Rita J. Walker, Controller Photography by Timothy Pyle, Light Blue Studio and Ally Chapel Q UESTROYAL F INE A RT, LLC 903 Park Avenue (at 79th Street), Third Floor, New York, NY 10075 :(212) 744-3586 :(212) 585-3828 : Monday–Friday 10–6, Saturday 10–5 and by appointment : gallery@questroyalfineart.com www.questroyalfineart.com A Call to the Wild Those of us who acquire Hudson River School paintings will of composition, in the application of brushstroke, in texture, in possess something more than great works of art. Each is a perspective, in tone and color, each artist creates a unique visual glimpse of our native land, untouched by man. These paintings language. They have left us a painted poetry that required a compel us to contemplate, they draw us beyond the boundaries combination of imagination and extraordinary technical ability. of a time and space that define our present lives so that we may The magnitude of the artistic achievement of this first American consider eternal truths. -
The Hudson River School at the New-York Historical Society: Nature and the American Vision
The Hudson River School at the New-York Historical Society: Nature and the American Vision Marie-François-Régis Gignoux (1814–1882) Mammoth Cave, Kentucky , ca. 1843 Oil on canvas Gift of an Anonymous Donor, X.21 After training at the French École des Beaux-Arts , Gignoux immigrated to the United States, where he soon established himself as a landscape specialist. He was drawn to a vast underground system of corridors and chambers in Kentucky known as Mammoth Cave. The site portrayed has been identified as the Rotunda—so named because its grand, uninterrupted interior space recalls that of the Pantheon in Rome. Gignoux created a romantic image rooted in fact and emotion. In contrast to the bright daylight glimpsed through the cavern mouth, the blazing fire impresses a hellish vision that contemporaneous viewers may have associated with the manufacture of gunpowder made from the bat guano harvested and rendered in vats in that very space since the War of 1812. William Trost Richards (1833–1905) June Woods (Germantown) , 1864 Oil on linen The Robert L. Stuart Collection, S–127 Richards followed the stylistic trajectory of the Hudson River School early in his career, except for a brief time in the early 1860s, when he altered his technique and compositional approach in response to the Pre-Raphaelite aesthetics of the English critic John Ruskin. Ruskin’s call for absolute fidelity to nature manifested itself in the United States in a radical 1 group of artists who formed the membership of the Association for the Advancement of Truth in Art, to which Richards was elected in 1863. -
A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art VOLUME I THE CORCORAN GALLERY OF ART WASHINGTON, D.C. A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 1 PAINTERS BORN BEFORE 1850 THE CORCORAN GALLERY OF ART WASHINGTON, D.C Copyright © 1966 By The Corcoran Gallery of Art, Washington, D.C. 20006 The Board of Trustees of The Corcoran Gallery of Art George E. Hamilton, Jr., President Robert V. Fleming Charles C. Glover, Jr. Corcoran Thorn, Jr. Katherine Morris Hall Frederick M. Bradley David E. Finley Gordon Gray David Lloyd Kreeger William Wilson Corcoran 69.1 A cknowledgments While the need for a catalogue of the collection has been apparent for some time, the preparation of this publication did not actually begin until June, 1965. Since that time a great many individuals and institutions have assisted in com- pleting the information contained herein. It is impossible to mention each indi- vidual and institution who has contributed to this project. But we take particular pleasure in recording our indebtedness to the staffs of the following institutions for their invaluable assistance: The Frick Art Reference Library, The District of Columbia Public Library, The Library of the National Gallery of Art, The Prints and Photographs Division, The Library of Congress. For assistance with particular research problems, and in compiling biographi- cal information on many of the artists included in this volume, special thanks are due to Mrs. Philip W. Amram, Miss Nancy Berman, Mrs. Christopher Bever, Mrs. Carter Burns, Professor Francis W. -
Quebec: the City That Wood Built │
│ QUEBEC: THE CITY THAT WOOD BUILT │ CREDITS Project initiated by the Quebec Forest industry Council (QFIC) Funding Partners: Design: Ministère des Ressources naturelles et de la Faune du Québec Centre de transfert de technologie en foresterie (CERFO) Conférence régionale des élus de la Capitale Nationale Guy Lessard, inf.g., M.Sc. (Programme de participation régionale à la mise en valeur des Emmanuelle Boulfroy, M.Sc. forêts) David Poulin, Trainee Quebec Forest Industries Council (QFIC) Quebec Forest History Society (QFHS) Conseil de transfert de technologie en foresterie (CERFO) Patrick Blanchet, Managing Director Quebec Forest History Society (QFHS) Research and writing: Centre de transfert de technologie en foresterie (CERFO) Guy Lessard, ing.f., M.Sc. Suggested Citation: Emanuelle Boulfroy, M.Sc. David Poulin, Trainee, Forest and Environmental Management Lessard, G.1.1, E. Boulfroy1.2, P. Blanchet1.3 et D. Poulin, Quebec Forest History Society (QFHS) Patrick Blanchet, Managing Director 2008. Quebec: The City That Wood Built. Centre collégial Cyrille Gélinas, Historian (Scientific Forestry) de transfert de technologie en foresterie de Sainte-Foy Editing: (CERFO) and Quebec Forest History Society (QFHS). Louise Côté, Specialist, History of Quebec City, Parks Canada Quebec, 77 p. Yvon Desloges, Specialist, French Regime, Université Laval Marc Vallières, Specialist, English Regime Conseil de l’industrie forestière du Québec (CIFQ) Florent Boivin, Forestry Advisor Nadia Boutin, B.A. Jacques Gauvin, ing.f., M.B.A. Jean Maltais, Biologist, -
Quebec City's Literary Heritage
QUEBEC CITY’S LITERARY HERITAGE A BIBLIOGRAPHY Volume I: Fiction, Journals, Memoirs, Travel Writing, Childrens’ Literature BY PATRICK DONOVAN QUEBEC CITY’S LITERARY HERITAGE A BIBLIOGRAPHY Volume I: Fiction, Journals, Memoirs, Travel Writing, Childrens’ Literature BY PATRICK DONOVAN Literary & Historical Society of Quebec Quebec (Quebec) Literary & Historical Society of Quebec 44, chaussée des Écossais Quebec, Quebec G1R 4H3 © Literary & Historical Society of Quebec, 2007 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. FIRST EDITION Printed in Canada Donovan, Patrick Quebec City’s Literary Heritage: A Bibliography Volume I: Fiction, Journals, Memoirs, Travel Writing, Childrens’ Literature ISBN 978-0-919282-00-1 Published with the financial assistance of the Department of Canadian Heritage QUEBEC CITY’S LITERARY HERITAGE: A BIBLIOGRAPHY Volume I: Fiction, Journals, Memoirs, Travel Writing, Childrens’ Literature Table of contents 1. Introduction.............................................................................................................1 1.1. Context..........................................................................................................1 1.2. Definition of the Problem .............................................................................1 1.3. Objectives.....................................................................................................1 -
July 1, 2015–June 30, 2016 FY16: a LOOK BACK
Georgia Museum of Art Annual Report July 1, 2015–June 30, 2016 FY16: A LOOK BACK This fiscal year, running from July 1, 2015, a dramatic uptick in attendance during the to June 30, 2016, was, as usual, packed with course of the show. Heather Foster, an MFA activities at the Georgia Museum of Art. The student at UGA in painting and an intern in exhibition El Taller de Gráfica Popular: Vida y our education department, created a series of Arte kicked off our fiscal year, providing the Pokemon-inspired cards highlighting different inspiration for our summer Art Adventures objects in the exhibition. We also embarked programming in 2015 as well as lectures, upon our first Georgia Funder, using UGA’s films, family programs and much more. We crowd-funding platform to raise money for the engaged in large amounts of Spanish-language exhibition’s programming. Caroline Maddox, programming, and the community responded our director of development, left for a position positively. at the Los Angeles County Museum of Art, and Laura Valeri, associate curator, for Georgetown In July, the Friends of the Georgia Museum University Press. of Art kicked off a three-month campaign to boost membership by 100 households. Through In November, we focused attention on three carefully crafted marketing emails and the first major gifts from the George and Helen Segal in a series of limited-edition mugs available only Foundation, devoting an entire exhibition to through membership, they did just that and them. Other major acquisitions included a more. painting by Frederick Carl Frieseke (due to the generosity of the Chu Family Foundation), one In August, with the beginning of the university’s by Anthony Van Dyck and studio (from Mr. -
2002 Program
WELCOME to the FIRST JOINT INTERNATIONAL MEETING As an attendee of the American Dairy Science Association (ADSA), American Society of Animal Sci- ence (ASAS), and the Canadian Society of Animal Science (CSAS) joint meeting, you will be partici- pating in the first joint meeting of CSAS with ADSA or ASAS and the first joint meeting of ADSA and ASAS outside the United States. We could not have selected a more charming place than Québec City with its culture, architecture, and history to embark on these “firsts.” Like the other firsts, the scientific program is second to none. There were over 800 abstracts submit- ted for oral presentation (over 280 hours) in either scientific sessions or symposia. When you get tired of listening, you can continue learning by reading the more than 800 poster abstracts that will be displayed and visit the commercial exhibits. Thus, beginning on Saturday with the Joint EAAP- ASAS Workshop on Biology of Lactation in Farm Animals and ending with abstracts at 11:45 AM on Thursday, there are 124 total hours of time in which you can participate in over 280 hours of presen- tations, read hundreds of scientific abstracts, enjoy the charm of Québec City, and get a few hours of sleep. To highlight any symposia, invited papers, or particular scientific sessions is an injustice to all of the other cutting-edge, knowledge-leading opportunities available at this year’s meetings. Check out all of the latest information on symposia, scientific oral and poster sessions, plus the schedule of events on the website: www.fass.org/quebec02. -
The Intendant's Palace Archaeological Site in Québec City. Over 35 Years
Camille Lapointe Allison Bain Réginald Auger THE INTENDANT’S PALACE ARCHAEOLOGICAL SITE IN QUÉBEC CITY Over 35 years of discoveries Students and professors of the first field school held by Université Laval in 1982, Université Laval photo; top row: Maurice Binette, Marcel Moussette, Paul-Gaston L’Anglais, Luc Coudé, Isabelle Robert, Robert Bilo- deau, Jean-Louis Roy, Michel Beaumont, Marie-Claire Robitaille, Philippe Slater, Daniel Arseneault, Danielle Fournier, Daniel Gendron, Michel Fortin; bottom row: Danielle Lefebvre, Esther Laforte, Louise Pothier, Fabienne Savard, Michelle Perron, Francine Boulet, Marie Légaré, Katherine Tremblay. THE INTENDANT’S PALACE ARCHAEOLOGICAL SITE IN QUÉBEC CITY Camille Lapointe Allison Bain Réginald Auger THE INTENDANT’S PALACE ARCHAEOLOGICAL SITE IN QUÉBEC CITY Over 35 years of discoveries Septentrion To do a search by keyword in this book, visit our website at www.septentrion.qc.ca Les éditions du Septentrion would like to thank the Canada Council for the Arts and the Société de développement des entreprises culturelles du Québec (SODEC) for their support for its publishing program, as well as the Gouvernement du Québec for its book publishing tax credit program. Funded by the Government of Canada Cover page illustrations: Detail of an engraving by Richard Short, A View of the Intendants Palace, September 1, 1761, Library and Archives Canada/ Richard Short Collection/c000360k; Four-sols coin bearing the likeness of Louis XIV, button of the Royal Regiment of Artillery, bone button, Boswell beer cap, Université Laval photos; Allison Bain and Frédéric Dussault excavating the flagstone pavement in front of the Intendant’s palace, Université Laval photo. Back cover illustration: Detail of Intersection de la côte du Palais et de la rue De Saint-Vallier, 1941, Archives de la Ville de Québec, N001590. -
School of Architecture 2001–2002
School of Architecture 2001–2002 bulletin of yale university Series 97 Number 3 June 30, 2001 Bulletin of Yale University Postmaster: Send address changes to Bulletin of Yale University, PO Box 208227, New Haven ct 06520-8227 PO Box 208230, New Haven ct 06520-8230 Periodicals postage paid at New Haven, Connecticut Issued sixteen times a year: one time a year in May, October, and November; two times a year in June and September; three times a year in July; six times a year in August Managing Editor: Linda Koch Lorimer Editor: David J. Baker Editorial and Publishing Office: 175 Whitney Avenue, New Haven, Connecticut Publication number (usps 078-500) The closing date for material in this bulletin was June 20, 2001. The University reserves the right to withdraw or modify the courses of instruction or to change the instructors at any time. ©2001 by Yale University. All rights reserved. The material in this bulletin may not be repro- duced, in whole or in part, in any form, whether in print or electronic media, without written permission from Yale University. Open House All interested applicants are invited to attend the School’s Open House: Thursday, November 1, 2001. Inquiries Requests for additional information may be directed to the Registrar, Yale School of Architecture, PO Box 208242, 180 York Street, New Haven ct 06520-8242; telephone, 203.432.2296; fax, 203.432.7175. Web site: www.architecture.yale.edu/ Photo credits: John Jacobson, Sarah Lavery, Michael Marsland, Victoria Partridge, Alec Purves, Ezra Stoller Associates, Yale Office of Public Affairs School of Architecture 2001–2002 bulletin of yale university Series 97 Number 3 June 30, 2001 c yale university ce Pla Lake 102-8 Payne 90-6 Whitney — Gym south Ray York Square Place Tompkins New House Residence rkway er Pa Hall A Tow sh m u n S Central tree Whalley Avenue Ezra Power Stiles t Morse Plant north The Yale Bookstore > Elm Street Hall of Graduate Studies Mory’s Sterling St. -
Download Download
CHAIRMAN'S MESSAGE During my chairmanship of the Archives' Section for 1972-73 much original work and thinking was done in the areas of copyright and literary rights in unpublished manuscripts, business records, archives training especially for the course we sponsor with the Public Archives of Canada, microfilm reading equipment, oral his tory and the revision of the Union List of Manuscripts. There is no apparent lack of interested workers; the challenge rather is to articulate the concerns and needs of the increasing numbers of archivists, The Canadian community of archivists is increasing in num bers. Our archival establishments have grown considerably and have elaborated the need for detailed understanding of specialized re cords handling, attendant gadgetry and specialized conservation procedures including the use of computerization in our control and description activities. Because this is so, the work of our com mittees is important. I cannot be sure how typical I am of archivists in public archives but the demands on me have been such that there is little respite to reflect at length on the broad issues of the Section. A chairman, and indeed the Section as a whole, needs a supportive framework which spreads the load and compensates for the necessity to be immersed in the work of our home archives. As I said to the Prairie Archivists in May, at a formative stage it is fine to be informal but I believe we have to move on now and be a little more organized if there is to be output. It is heartening to see the natural development of regional archivist groups.