Unit 6: Knitting
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Trafalgar Square Books 2018-2019 Craft Titles
Trafalgar Square Books 2018-2019 Craft Titles trafalgarbooks.com New Titles Knitting for the Fun of It Over 40 Projects for the Color-Loving Crafter Frida Pontén Knitting’s never been so colorful—or so much fun! Enter the strikingly vivid world of designer Frida Pontén, with over 40 patterns coming together in a brilliant, exciting celebration of all things handcrafted. Whether you’re seeking an airy summer jacket, a cozy poncho for cool days, a warm striped scarf, enchanting wrist warmers, or fun and funky blankets, look forward to a breathtaking collection full of endless possibilities (and a little crochet, too): play with texture, color, and pattern, and make each design your own! 136 pp • 8 x 10 • 108 color photos, 109 illustrations and diagrams 978 1 57076 882 8 • hc • $23.95 • July 2018 Favorite Scandinavian Projects to Weave 45 Stylish Designs for the Modern Home Tina Ignell What could be more wonderful than surrounding yourself with gorgeous handwoven textiles? Weaving them yourself! These 45 unique projects, developed and tested by professional weavers, were specially chosen for this collection from the popular Scandinavian weaving magazine Vävmagasinet. You’ll enjoy: step-by-step instructions, charts, illustrations, and color photos; featured fibers, including linen, half-linen, cottolin, wool, paper, and piassava; versatile ideas for pillows, throws, rugs, curtains, table linens, and more, all easily adjusted to suit your own individual style; and a special section on textile care and handling. 128 pp • 8 x 10 • 90 color photos, 80 charts 978 1 57076 898 9 • Now in paperback • $22.95 • August 2018 Easy Cable & Aran Knits 26 Projects with a Modern Twist Martin Storey If you’re ready to take the plunge into cable knitting, then this book is for you! This stunning collection features 26 beautifully traditional cable and Aran knitting patterns, with a modern twist: luxurious designs with all the delight of classic textured cable patterns and Martin Storey’s trademark contemporary appeal. -
K2TOG NL Sept2018
THE OFFICIAL NEWSLETTER OF THE K2TOG KNITTING GUILD ASSOCIATION CONTENTS 1 September 2018 2 Program News 3 The Word on Fall Fashion 4 Knitting Outside the Box 5 Accurately Measure Gauge 6 A Guild Knit-Along - Up the Learning Curve 7 Chunky Fall Headband September 2018 9 Pantone Top 10 Color Palette September 2018 Get Ready For Fall Knitting! !1 Program News • Design approval for Level 3 projects that may deviate 2018 Master Hand Knitting from the directions. I Have A Question! The program includes many exercises other than just At some point in working the MHK program, you may knitting. These show your ability to read the directions and also find you have a question. What do you do? Where can you find find materials that meet the requirements. We are testing your the answer? ability to not only knit well but also your ability to: September There are several methods to get the answer you need. • Find resources that can be recommended to other You’ll need to decide if it’s the topic you don’t understand or knitters the wording of the instructions that is causing your confusion. • Find and evaluate resources for techniques that are K2TOG Other questions may concern materials for projects. If it’s the unfamiliar to you topic you are not understanding, you need to step back and • Succinctly and clearly write directions for techniques that research the topic. We’ve discussed the many ways to research another knitter can understand and follow for this program in this newsletter, on Ravelry, and in the On • Gather information on topics related to knitting. -
Casting on a Seam Stitch
WOOLWIND/INTARSIA This technique is used to knit blocks of different colours, avoiding the extra bulk of Fair Isle knitting. When using this method, you will need a separate ball for each section of colour. The colour twist method involves twisting the different coloured yarns over each other to prevent holes. Twist the colour to be used underneath and to the right of the colour just used. Always change colours on the wrong side of the work so colour change does not show on right side. CASTINGCASTING ON A ONSEAM A SEAM STITCH STITCH CASTING ON A SEAM ST When casting on a seam st, do not inc by knitting into front and back of stitch. Make a loop with yarn as shown and slip onto left hand needle as indicated by arrows, pulling up stitch firmly, then work as first stitch of next row. KNITTING UP STITCHES 1 2 3 4 Insert needle through One stitch knitted up. Repeat step 1 as many All stitches knitted up fabric one whole stitch times as required, ready to begin 1st row in from the edge, wrap spacing the number of or round. yarn around needle (as stitches evenly along the for knitting) and draw piece of knitting. through fabric. FRINGES Wind yarn round a piece of cardboard of required width and cut along one edge. With right side facing, using crochet hook and two or more strands of yarn (diagrams show three strands), fold yarn in half and draw loop through a stitch on item (diagrams A and B), draw ends through this loop (diagram C) and pull tightly to form knot. -
Beginning to Knit
Beginning To Knit This Lesson is reprinted by permission Pull down on both ends of the yarn to tighten the knot. of TNNA and contains portions of the Diagram 21. “How to Knit” book published by The Diagram 21 National NeedleArts Association (www. TNNA.org). Find full details for the new knitter in the complete “How to Knit” book available at your local yarn shop. Casting On - Double Cast On Method Measure off a length of yarn allowing one inch for each stitch you will cast on. Your pattern instructions will To cast on the second stitch, and all subsequent stitches, indicate this number. Make a slip-knot, it will be your hold the needle with the slip-knot in your right hand. first stitch. To make a slip-knot, make a pretzel shape Drape the short end of yarn over the thumb and the with the yarn and slip the needle into the pretzel as yarn from the ball over the index finger. Gently pull the shown. Diagrams 19 & 20. two ends of yarn apart to tighten the loop. Take care not to tighten it too much. The stitch should glide easily over the needle. Both strands of yarn should rest Diagram 19 in the palm of the left hand, with the last two fingers holding them down. Diagram 22. Diagram 22 Diagram 20 How To Knit Pull the needle downward, then insert the point of the Drop the thumb loop, then pull on the short end of needle up through the loop that is on your thumb. yarn with your thumb. -
Senior Textile Artist Badge Workshop
Senior Textile Artist Badge Workshop An At-Home Program GSCCC Senior Textile Artist Badge Workshop (At-Home) • When you see fabrics, yarn, or string off all colors and textures what do you think of? Do you envision all of the things you could create? Let’s turn those visions into reality! Program Outline Materials: - Computer - Internet access - Materials for craft of choice Step 1: Choose your textile art There are a number of textile arts in the world from macramé to crocheting to quilting and much more. In this step you will be doing some research to learn about a textile art that you find interesting and that you would like to learn. Some of the most common textile arts are macramé, embroidery, cross-stitch, needlework, knitting, crocheting, weaving, and quilting. Do some research to find out about these or other textile arts. Below are some helpful links to start with. Here are a few links to get your search started – crochet, macramé, embroidery, weaving. Click here to see what some current textile artists are doing. Step 2: Find your tools and materials Now that you have chosen your art, you need to gather materials. Crocheting needs crochet hooks and yarn. Embroidery needs needles, embroidery floss, hoops, and fabric. Do some research about what you will need for your chosen textile art form. What all is involved? Do you know anyone who already has the supplies? Would they be willing to lend you some materials? Below are some great resources to learn about materials needed for the most common textile arts. -
The Newsletter of the London Guild of Weavers, Spinners and Dyers Issue 237 March 2010 Warp and Weft Issue 237 March 2010
Warp&Weft Contents Contact details 2 Editorial 3 Meetings: December - Competitions 18 February - Lucy Norris 5 Future Meetings 24 Features: Introducing: Prick Your Finger 7 Postcard from Downunder 13 Wetlands Wallhanging 15 Snow and Tell 16 Guild Summer Holiday 23 Regulars: Weave Study Group 10 Spinning Skills-sharing 11 Library News 20 Membership News 21 Guild News 25 AGM 2010 Agenda 28 What's On in Textiles 29 The Newsletter of the London Guild of Weavers, Spinners and Dyers Issue 237 March 2010 Warp and Weft Issue 237 March 2010 London Guild of Weavers, Spinners and Dyers Editorial feature on this London textile artist. And our ‘postcard’ this time comes www.londonguildofweavers.org.uk Today I pulled out the boxes of old from the antipodes, from a recent trip W&Ws that lie stashed in the depths Sonia Tindale made to Australia and President of my cupboard and searched through New Zealand. their yellowing pages for the March Now that winter might finally be Daphne Ratcliffe - [email protected] 020 8997 0291 1963 edition. I was curious about nearly over, there are exhibitions how the Guild coped with that other to entice us on the road again, for Vice Presidents memorable winter. I must confess I example ‘Kaleidoscope’ opening in was also hoping to find that they’d Mansfield on 17 April (details p. 30) Aileen Kennedy had to cancel a meeting too, that and the exciting prospect of a Guild Nancy Lee Child we weren’t just 21st century softies. Summer School in Norfolk (p. 23). Mary Smith Sorry folks, we are! And should we get a freak snowstorm Melanie Venes I quote: 12 January 1963 or two in the coming months, then “In spite of the Siberian weather, a there’s always our exhibition in October Executive Committee: Officers large number packed themselves into and the December competitions (p.26) Room 4 in Church House…” to start working on. -
STITCH AWAY SCARF Pattern 1: “Quaker Ridging” (40 Sts) Row 1: Knit
STITCH AWAY SCARF Pattern 1: “Quaker Ridging” (40 sts) Row 1: Knit. Chicago Yarn Crawl Pattern 2019 Row 2: Purl. Row 3: Knit. This scarf was inspired by Barbara Walker’s Row 4: Purl. A Treasury of Knitting Patterns. There are seven Row 5: Knit. different stitch patterns used in this scarf, starting Row 6: Knit. out with easy and becoming more difficult. At Row 7: Knit. times you may need to increase or decrease the Row 8: Purl. number of stitches on your needles in order to Row 9: Knit. Row 10: Purl. accommodate the various stitch patterns. So, cast Row 11: Knit. on and “stitch away”! Row 12: Knit. Row 13: Purl. YARN: Kelbourne Woolens Germantown, 2 Row 14: Knit. skeins Repeat rows 1-14 until pattern 1 measures 8”. Needles: U.S. 8 Knit 5 rows. Knit 1 more row, increasing 1 after the initial K4. Cast on 40 stitches and knit every row for 6 rows. The first 4 stitches and last 4 stitches are knit Pattern 2: “Broken Rib” (41 sts) every row (garter stitch). You should place a Row 1: Knit th marker after the 4 stitch and before the last 4 Row 2: Purl stitches to “remind” you to work these stitches in Row 3: (K1, P1) repeat, end with K1. garter. The following stitch patterns are worked in Row 4: (P1, K1) repeat, end with P1. between these markers. Repeat these 4 rows until you have worked 8” in Pattern 2. Source: Walker, Barbara G., A Treasury of Knitting Patterns, published by Charles Scriber’s Knit for 6 rows. -
Knitting Needles Plus Bonus Knitting Needle Conversion Chart
FREE GUIDE TO Knitting Needles Plus Bonus Knitting Needle Conversion Chart ® ©Interweave | Not to be reprinted | All rights reserved | interweaveknits.com Free Guide to Knitting Needles PLUS BONUS KNITTING NEEDLE CONVERSION CHART When a project and knitter find their perfect needle match, stitches slip by effortlessly. Like knitters, needles come in all shapes and sizes, and somewhere on that wall of needles at your local yarn store, there’s FREE GUIDE TO KNITTING a set perfect for you. But is it wood? Metal? Plastic? NEEDLES PLUS BONUS KNITTING Straight or circular? Fixed or interchangeable? Short NEEDLE CONVERSION CHART An Interweave Knits eBook edited by of buying every pair and trying them all out, how do the Interweave Knits Staff you find your needles, the ones that create a seamless EDITORIAL STAFF transition between your hands and your project? EDITOR, INTERWEAVE KNITS Eunny Jang We tested dozens of needles to help you find your EDITOR, KNITTING DAILY Kathleen Cubley knitting soulmate. CREATIVE SERVICES DESIGNER Charlene Tiedemann PHOTOGRAPHY Amanda Williams PRODUCTION Dean Howes Cheers, Eunny Jang Editor, Interweave Knits ©Interweave | Not to be reprinted | All rights reserved | interweaveknits.com i b e without exception, a pleasure to hold and c f to behold. a Pros: Good-looking, warm to the touch, d g quiet, light (especially bamboo) Cons: Can be delicate; smaller sizes vulner- able to breaking or warping under stress Good for: Lace knitters and beginning knitters, who will appreciate the way Wood Needles stitches stay put; -
Classes & Events Weaving Classes Knitting Classes
CLASSES & EVENTS Monday – Saturday 10:00 – 5:30 January/February 2020 Thursdays 10:00-- 7:00 First Sunday of each month, 12:00—4:00 WEAVING CLASSES BEGINNING WEAVING ON A RIGID HEDDLE LOOM—This we’ll deduct the $20 from the purchase price of your loom. Looms class is a great introduction if you’ve ever been curious about need to be returned a week after your last class session. weaving. In this class you’ll learn the basics of warping the loom Prerequisites: None and weaving. You’ll complete two projects using plain weaving – Teacher: Julie Anne Bovenmyer a striped table runner and a houndstooth scarf. Don’t worry if you Saturday, Jan. 11 & 18, 9am-12noon, $40 don’t have a loom already, you can rent all the equipment from us Saturday, Feb. 22 & 29, 9am-12noon, $40 for $20. If you decide you love it and want a loom of your own, KNITTING CLASSES **IT’S BACK** FELTED CLOGS—Many of you requested it. Here itself nicely to a long color repeat in the yarn, but works with any it is! If you have been wanting to try a felting project, this is for you! color scheme. Learn the basics with this quick hat. The skill you’ll This fast and fun-to-knit pattern will show you short rows, seaming, need are simple decreases and you’ll get good at picking up and, of course, felting. There are multiple sizes so you can make stitches. them for gifts, too. Come see the sample in the store and you’ll **NOTE: There is pre-class homework for this class. -
Stranded Knitting Lesson by Arenda Holladay
STITCH ANATOMY Stranded Knitting Lesson by Arenda Holladay As with all articles in the Stitch Anatomy Series, the lesson discusses gian," or some name iden tifyi ng a geographic area. T hese names the stitch pattern in detail, any potential p roblems in working it and refer to areas where a specific trad ition of stranded knitting was tips for improving the appearance. For those interested, a pattern developed. Each tradition has its own rules and characteristics fo r a pillow using the stitch pattern follows. The pattern outlines the which make it unique. Fo r example, Fair Isle patterns have peeries steps involved in designing with the stitch pattern. Also included is and Norwegian patterns have "lice". Since the fabric has a double information for anyone who wants to try designing a similar pillow thickness it is not surprising that this technique flourished in 011 their own using different yarns, a different pillow size or a varia colder climates. The lesson will not discuss the history of stranded tion of the pattern. knitting or their cultural significance. An article on Fa ir Isle tradi tions ca n be found on page 10 and the bibliography foll owing this ABOUT STRANDED KNITTING article lists books that delve into history and culture. Stranded or jacquard knitting is a colorwork technique where rwo colors are used in one row. The color not being used is car Since the stitch pattern used fo r stranded kn itting is Stockinette, ried behind the work until it is needed. These are called fl oats. the knitting itself is not difficult but the process can be challeng Sometimes stranded knitting is referred to as "Fair Isle," "Norwe- ing. -
How to Read a Charted Knitting Pattern – Class by Tricia Ennis
How to Read a Charted Knitting Pattern – Class by Tricia Ennis A charted knitting pattern is simply a graphic representation of a written knitting pattern. It takes less room than a written pattern and gives a visual idea of what each motif piece should look like. Think of charts as maps rather than a list of directions. Working from a chart makes is easier to see where you are in a pattern and to identify errors more quickly. Charts are always written as though you are “looking” at the front of the work. After a bit of practice, most knitters find working from charts much more intuitive, quick, and simple than working from line-by-line text instructions. Charts are written in “motifs” so the chart is repeated X number of times across the knitting row/round. Charts are normally presented with a stitch legend or key so it is not necessary to understand all the knitting symbols on a chart to use it. There are many symbols which are common across charts but, sometimes, a specific designer may use a different symbol so it is important to check the key before you start to make sure you are aware of what the symbols mean for the chart you are working. Each square on a chart represents one stitch and each square offers a visual representation of what the completed stitch looks like (for example, a blank square usually represents a k stitch which is nice and smooth, a square with a dot in it usually represents a p stitch which has a little lump at the base, a square with a circle (O) in it usually represents a yo (yarn over) which results in a hole in the work, etc.) Note that these visuals are presented as RS stitches and, in actual fact, the blank square usually means k on RS, p on WS, whereas the square with the dot usually means purl on the RS, knit on WS. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m.