The Newsletter of the London Guild of Weavers, Spinners and Dyers Issue 237 March 2010 Warp and Weft Issue 237 March 2010

Total Page:16

File Type:pdf, Size:1020Kb

The Newsletter of the London Guild of Weavers, Spinners and Dyers Issue 237 March 2010 Warp and Weft Issue 237 March 2010 Warp&Weft Contents Contact details 2 Editorial 3 Meetings: December - Competitions 18 February - Lucy Norris 5 Future Meetings 24 Features: Introducing: Prick Your Finger 7 Postcard from Downunder 13 Wetlands Wallhanging 15 Snow and Tell 16 Guild Summer Holiday 23 Regulars: Weave Study Group 10 Spinning Skills-sharing 11 Library News 20 Membership News 21 Guild News 25 AGM 2010 Agenda 28 What's On in Textiles 29 The Newsletter of the London Guild of Weavers, Spinners and Dyers Issue 237 March 2010 Warp and Weft Issue 237 March 2010 London Guild of Weavers, Spinners and Dyers Editorial feature on this London textile artist. And our ‘postcard’ this time comes www.londonguildofweavers.org.uk Today I pulled out the boxes of old from the antipodes, from a recent trip W&Ws that lie stashed in the depths Sonia Tindale made to Australia and President of my cupboard and searched through New Zealand. their yellowing pages for the March Now that winter might finally be Daphne Ratcliffe - [email protected] 020 8997 0291 1963 edition. I was curious about nearly over, there are exhibitions how the Guild coped with that other to entice us on the road again, for Vice Presidents memorable winter. I must confess I example ‘Kaleidoscope’ opening in was also hoping to find that they’d Mansfield on 17 April (details p. 30) Aileen Kennedy had to cancel a meeting too, that and the exciting prospect of a Guild Nancy Lee Child we weren’t just 21st century softies. Summer School in Norfolk (p. 23). Mary Smith Sorry folks, we are! And should we get a freak snowstorm Melanie Venes I quote: 12 January 1963 or two in the coming months, then “In spite of the Siberian weather, a there’s always our exhibition in October Executive Committee: Officers large number packed themselves into and the December competitions (p.26) Room 4 in Church House…” to start working on. Chair - Jenifer Midgley - [email protected] 020 8892 4708 Of course, another explanation may But let’s finish this editorial with the Treasurer - Lola McDowell - [email protected] 020 8749 0923 be that in those days it was just too opening paragraph of the editorial of Secretary - Jane Rutt - [email protected] 0207 580 8583 boring to stay in….no internet, no box W&W March 1963: sets of DVDs and no central heating. “Last quarter, doubtless under the Committee members Trudging through snow was probably benign influence of pre-Christmas preferable to huddling in front of a gas festivities, we tended to wax slightly David Armstrong - [email protected] 020 8399 4832 fire listening to the light programme. lyrical over the signs and portents of Penny Brazier - [email protected] 020 7630 9093 - Fortunately, we will still be able to approaching winter. Alas, the ‘eager Membership Secretary hear the speaker booked for January, nip’ we regarded with such benevolent Roberto Campana - [email protected] 07730 284 258 - as Helga Matos is able to speak at expectancy proved to be a gargantuan Exhibitions Officer our March meeting instead (see p. 24 bite and as we write we are still Brenda Gibson - [email protected] 020 8673 4914 - for details of her forthcoming talk). surrounded by piled –up evidence Webmaster, Design & Layout of Warp & Weft, Publicity And our February meeting was very of the Ice-age conditions we have all Sharen McGrail - [email protected] 020 8446 3418 well attended. If you missed Lucy had to endure. We freely admit that Theresa Munford - [email protected] 020 8748 3737 - Norris’ fascinating talk, you can read we take an even more jaundiced view Editor of Warp & Weft all about it in this issue and learn of owing to our car having had a slight Jan Slater - [email protected] 020 8870 3854 - the long and convoluted journey we brush with an ice-berg deposited on Librarian launch our old clothes on when we our doorstep by the snow-plough Sonia Tindale - [email protected] 020 7722 9343 - toss them into a recycling bin. which our local Council, thoughtfully Programme Secretary The profligacy of our attitude making amends after piously awaiting to clothing in the West is one of a thaw for a couple of weeks, sent the motivations behind Rachael around to clear a way to civilisation.” Matthew’s yarn adventures based in Plus ca change? her shop ‘Prick Your Finger’. W&W Front cover: The Wetlands wallhanging in development - see article pae 15 brings you the first of a two-part Theresa Munford Page 2 Page 3 March 2010 February 2010: at a special port in India without any tariffs. It then heads up the Mutilated hosiery and romantic-sounding Grand Trunk the Indian shoddy Road (romantic to those of us brought up on Kipling) to the unromantic 350 industry – Lucy Norris shoddy mills in Panipat, about 80 The February lecture came at us from kilometres north of Delhi. all directions - textiles, recycling, First, a myriad of Indian men and anthropology and a bit of philosophy, women do the hard, fiddly work by and gave us a lot to think about. hand before it gets to the machinery Dr Lucy Norris is an anthropologist stage. Taking everything out of at University College London, pockets - coins, badges, business currently working on the textile cards; cutting out zips and metal recycling industry in India - the buttons which can be resold. As Dr aptly named ’shoddy industry’. She Norris said, it is fascinating to see has spent a lot of time in India and all the business cards and shop labels it was whilst living in Delhi that she from Essex to Texas all intermingling came across this subject and started on the floor. As, of course, it is not researching it. In 2005, she returned just British unwanted textiles they are to India with a photographer and dealing with, but goods from all over subsequently they had an exhibition at the world. the Horniman Museum. Many of the The old jackets, trousers etc are slides in the lecture came from this then sliced up, with lethal-looking time. vegetable cutters, removing cuffs, We all know of the over- interlining - anything that will not go consumption of clothes in the West through the shredder. Colours are and how we blithely chuck them out, sorted into colour families with over usually to a charity shop. We are also 80 names, but grey, black and sludgy aware that a great deal of what we brown predominate. chuck out is not worth re-selling, but what happens after that, I for one had Photo: Tim Mitchell only a vague idea. The piles of old textiles collected by the large rag companies are sorted, in the north of England, into re-sellable stuff going to, say, Africa, and the rest is mutilated in huge machines before being re-baled and sailing off to north India, the biggest textile recycling centre in the world. In theory the mutilated textiles cannot be resold as garments and can therefore arrive Page 5 Warp and Weft Issue 237 March 2010 Whole families are involved, with conditions and the pollution. young children playing around the This recycling industry first began Introducing: Prick piles of old clothes. Dr Norris asked in Yorkshire in the early 19th century Your Finger the women why they thought all these and gave us the term ‘shoddy’. As clothes had arrived in India and got a the industry declined in Yorkshire it Welcome to the first most surprising answer. “In the West resurfaced in India and now there is in the new W&W series, there is a water shortage, and they the likelihood that it might shift to ‘Introducing’, and what can’t afford to wash the clothes and Africa. But meanwhile there is much a smashing two- part have to throw them away.” that Dr Norris wants to research in interview we have for The piles of shredded, colour- India with the effects of our profligacy you to kick off this new coded cloth are then put through on the economy, health and way of feature! I have been teasing machines, carding machines life of all the people involved. chatting to Rachael and eventually spinning machines Altogether an extremely, interesting, Matthews, co-founder and then onto bobbins made out and thought-provoking lecture on a of the Prick Your Finger of recycled paper. No re-dyeing is little-known subject. haberdashery in East involved. The yarn is then spun into London about their hand blankets selling for a £1 or less and, Jan Slater spinning activities. with a neat twist, some are bought by First of all Rachael told Western charities (who would have The cut-up clothing is fed through a me a little bit about the sold the unwanted textiles originally) ‘teaser’ to shred it, and then carded Prick Your Finger manifesto, and the the sheep and this is where it lives, to be used as ‘aid blankets’. and spun to make recycled shoddy experiences that had inspired it. this is who farms it and so on.” We then veered off to learn about yarn. Photos: Tim Mitchell “Before we established Prick Your As well as stocking hand and mill the acrylic side of the recycling, with www.timmitchellphotography.co.uk Finger, Louise worked a lot in fashion spun yarns by textile artists and yarn the usual cutting up and shredding and she knew a lot about knitwear producers from around the British etc but this time the yarn was over- manufacture in this country and how Isles, Rachael and Louise stock their dyed.
Recommended publications
  • 1984 the Digital Conversion of This Burns Chronicle Was Sponsored by Alexandria Burns Club
    Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1984 The digital conversion of this Burns Chronicle was sponsored by Alexandria Burns Club The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com BURNS CHRONICLE 1984 BURNS CHRONICLE AND CLUB DIRECTORY INSTITUTED 1891 FOURTH SERIES: VOLUME IX PRICE: Paper £3.50, Cloth £4.25, (Members £2.50 and £3.00 respectively). CONTENTS George Anderson 4 From the Editor 6 Obituaries 8 Heritage James S. Adam 13 Book Reviews 14 Facts are Cheels that winna Ding J.A.M. 17 Burns Quiz 21 Afore ye go ... remember the Houses! John Riddell 22 Bi-Centenary of Kilmarnock Edition 23 Personality Parade 24 John Paul Jones and Robert Burns James Urquhart 29 Junior Chronicle 34 Mossgiel William Graham 46 Sixteen Poems of Burns Professor G. Ross Roy 48 Broughton House, Kirkcudbright 58 'Manners-Painting': Burns and Folklore Jennifer J. Connor 59 A Greetin' Roon the Warl' 63 Henryson's 'The Tail! of the Uponlandis Mous and the Burges Mous' and Burns's 'The Twa Dogs' Dietrich Strauss 64 Anecdotal Evidence R. Peel 74 Nannie's Awa' J. L. Hempstead 77 The Heart of Robert Burns Johnstone G. Patrick 78 Rob Mossgiel, Bard of Humanity Pauline E. Donnelly 81 The Lost Art of saying 'Thank you' David Blyth 89 Answers to the Quiz 91 The Burns Federation Office Bearers 92 List of Districts 97 Annual Conference Reports, 1982 101 Club Notes 114 Numerical List of Clubs on the Roll 211 Alphabetical List of Clubs on the Roll 257 The title photograph is from the Nasmyth portrait of Burns and is reproduced by courtesy of the Scottish National Portrait Gallery.
    [Show full text]
  • Chapman, Roslyn (2015) the History of the Fine Lace Knitting Industry in Nineteenth and Early Twentieth Century Shetland
    Chapman, Roslyn (2015) The history of the fine lace knitting industry in nineteenth and early twentieth century Shetland. PhD thesis. https://theses.gla.ac.uk/6763/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] The history of the fine lace knitting industry in nineteenth and early twentieth century Shetland Roslyn Chapman MA (Hons), MLitt Submitted for the Degree of Doctor of Philosophy History School of Humanities College of Arts University of Glasgow April 2015 Abstract This thesis tells the story of Shetland knitted lace. It is a history that comprises more than a series of chronological events which illustrate the development of a domestic craft industry; it is also the story of a landscape and the people who inhabited it and the story of the emergence of a distinctive textile product which achieved global recognition Focusing on the material culture of Shetland lace opens up questions about the relationships between the women who produce it, the men and women who sell it and the women who consume and wear it.
    [Show full text]
  • Knitting in COLOR Rochester Knitting Guild December 10
    Knitting in COLOR Rochester Knitting Guild December 10. 2018 A rose, by any other name, would smell as sweet Knitting with TWO or more colors in any given row is known the world over and by many, many names. Fair Isle Norwegian (Lithuanian, Latvian, Swedish, or any other Scandinavian or Baltic nation) Stranded Andean etcetera, etcetera, etcetera Charts • Graphs • Charts are read right to left on knit side rows • Left to right on purl side rows Get out your markers & colored pencils! Make the chart easy to follow by making a copy or two and coloring the squares to represent the colors of yarn you’re planning to use. Color Even the same colors make a project look very different when you switch MC and CC from the first hat to the second. Lineate Hat Pattern by Elizabeth Doherty, available for purchase on Ravelry Knit in the Round or Knit Flat • Depends on project • In the Round – • Always looking at the right side of the project • More likely to have consistent gauge • Easier to follow pattern chart • Knit Flat (back and forth) • Keep in mind that purling back in pattern means reading the chart differently If you are knitting this chart in the round, it’s easy to see how each row fits into the pattern. If you’re knitting it flat you have to be careful to knit every other row on the chart from Left to Right. The 2nd dark blue row: 6 blue, 2 white, 9 blue The next row is red and white (and would be the Purl side row) needs to be knit 3 red, 2 white, 5 red, 1 white, 3 red, 2 white, 1 red.
    [Show full text]
  • Download Traditional Fair Isle Knitting Free Ebook
    TRADITIONAL FAIR ISLE KNITTING DOWNLOAD FREE BOOK Sheila McGregor | 144 pages | 19 Sep 2003 | Dover Publications Inc. | 9780486431079 | English | New York, United States Fair Isle: 297 Free Patterns Tommy — you are a STAR!!!!! This free men's Traditional Fair Isle Knitting pattern uses bulky-weight yarn. Looks like a fun project! Submit a Pattern. December, Dear Reader, I put together this blog to document all of the information I found to be useful when I first learned how to knit with 2 colors in the round Fair Isle, Norwegian, Scandinavian etc. Although we have the right to include your Materials in the Service or in any Media, we do not have the obligation to do so. Meg is a joy to learn from. Love the design but don't want to tackle a sweater? You can use letters, numbers and white space. Anonymous 14 November at Northway This free men's knitting pattern uses aran-weight yarn. Others use the term "stranded colourwork" for the generic technique, and reserve the term "Fair Isle" Traditional Fair Isle Knitting the characteristic patterns of the Shetland Islands. Cascade Christmas Stocking This free knitting pattern uses worsted-weight yarn. Doing so will give you a chance to practice your technical skills and see how some of your color choices work. Lisa " This appears to be a dead link, when you click on it, you receive message that the page on this blog does not exist. Starmore, Alice Click the button above or drag and drop images onto the button. If in doubt, test first! Wikimedia Commons.
    [Show full text]
  • Handlist of Sheila Mcgregor Collection at Shetland Museum and Archives
    Handlist of Sheila McGregor Collection at Shetland Museum and Archives I. Research documents TEX 2014.363 a. Knitting History, General and Shetland. Typed and hand-written notes from published sources about knitting history from earliest evidence. Main focus is on Shetland and Fair Isle. Includes drafts of history chapters for Fair Isle book. Also includes non-knitting techniques, such as nålbinding, taatit rugs, etc. b. Scottish knitting, various. A collection of photographs, patterns and historical information related to Scottish knitting, including ganseys, Sanquhar and Dent (Yorkshire) knitting, kilt hose, and bonnets. c. Scottish-English patterned knitting. A collection of photographs, patterns, and historical information related to the patterned knitting of Sanquhar, Dumfriesshire and Dent, Yorkshire. d. Victoria and Albert Museum Collection. Historical information, photographs of knitting from the V&A collection dating from late medieval to 19th century, including Shetland lace. e. Scandinavian knitting. Historical information about the history and design of Scandinavian knitting, including motifs related to Shetland knitting. f. Bibliographical lists; comprises hand- and typewritten lists of books and articles as well as photocopies of bibliographies from published works, especially Scandinavian. Covers knitting history, as well as flora, folklore, Shetland and Scandinavian history and culture. Applies to all three McGregor titles. Includes a photocopy of Elsa Guðjónsson’s Bibliography of Icelandic Historic Textiles and Costumes, 1977. II. Images TEX 2014.361 a. Photographs and slides of Shetland knitwear, knitters and wearers from research in Shetland 1975-1976, Royal Highland Show 1974, collections at National Museums Scotland, Victoria and Albert Museum London, and private collections. b. Photographs and slides of Scandinavian knitwear.
    [Show full text]
  • TKGA Master Hand Knitting Program Bibliography
    TKGA Master Hand Knitting Program Bibliography Purpose and Introduction This bibliography serves as a guide to published books for fulfilling the research required for the Master Hand Knitting program. Participants are not required to buy these books. Many of the books are available at local libraries and through interlibrary loan. Not all information in these books is guaranteed to be correct. Many books have valuable information, and while most of the information will be accurate and presented well, some incorrect material may also be included. Where possible, research a subject in more than one source to confirm accuracy. Research is the foundation of the Master Hand Knitting Program. The program directions are designed as a guide for independent study. The more research you do for each item in the packet, the more you will benefit from the program. This bibliography should serve as a starting point in your research. Participants are encouraged to seek out other resources as well. Every book or source you use will have its own resource list. This is a great place to start branching out when researching a topic. Each level will require more resources than the previous level. As you use a resource, place it in your own resource list. This list should be included in your notebook and sent with your submission. See The General Welcome and Information packet for further information on composing your Resource list. All items in the submission, except for your personal opinion, should include a reference with a notation that refers to your resource list. The notation should give enough information so the reviewers can find the resource in your list.
    [Show full text]
  • Library List.Pages
    WAIRARAPA SPINNERS AND WEAVERS LIBRARY LIST Crochet Broomstick crochet fashions / by Margaret Helen Wilkes Crochet inspiration / by Saha Kagan Crocheted afghans / Rita Weiss (ed) Crocheted patchwork afghans 1980 Finishing techniques for crochet / by Pauline Turner Mon Tricot 1300 pattern stitches, advice hints and knitting dictionary Mon Tricot knit and crochet [2 issues 1981] 1981 The crochet workbook / by Sylvia Cosh and James Walters Dyeing A dictionary of dyes and dyeing / by KC Ponting Are you ready to dye / by Sandra Dain 2009 Dye from plants / by Joyce Lloyd 1950 Dyeing for fibres and fabrics Dyeing for fibres and fabrics / Janet de Boer (ed) nd Dyes and dyeing / by Max Simmons nd Dyes from plants of Australia and New Zealand / by Joyce Lloyd 1971 Growing herb and plants for dyeing / by Betty E M Jacobs Natural dyes, Fast or fugitive / by Gill Dalby 1985 Natural wool dyes and recipes / by Ann Milner Natures colours: dyes from plants / by Ida Grae Plant dyeing / by Amy Hadfield Hutchinson Step by step spinning and dyeing / by Eunice Svinicki The use of vegetable dyes / by Violetta Thurston The book of dyeing / by Ann Milner Felting A New Zealand guide to handmade felt / by Marianne Ekert Felted knits / by Beverly Galeskas Feltmaking / by Deborah McGavrock and Christine Lewis How to make felt / by Anne Belgrave Needle felting book no. 2 The art of the feltmaker / by M E Burkett The wonderful world of felt: complete with full instruction and patterns / by Molly Pickering Knitting A second treasury of knitting patterns / by Barbara Walker
    [Show full text]
  • Woolly Thoughts: Unlock Your Creative Genius with Modular Knitting Pdf
    FREE WOOLLY THOUGHTS: UNLOCK YOUR CREATIVE GENIUS WITH MODULAR KNITTING PDF Pat Ashforth,Steve Plummer | 128 pages | 31 Aug 2007 | Dover Publications Inc. | 9780486460840 | English | New York, United States Woolly Thoughts: Unlock Your Creative Genius with Modular Knitting Cookies are used to provide, analyse and improve our services; provide chat tools; and show you relevant content on advertising. You can learn more about our use of cookies here. Are you happy to accept all cookies? Accept all Manage Cookies Cookie Preferences We use cookies and similar tools, including those used by approved third parties collectively, "cookies" for the purposes described below. You can learn more about how we plus approved third parties use cookies and how to change your settings by visiting the Cookies notice. The choices you make here will apply to your interaction with this service on this device. Essential We use cookies to provide our servicesfor example, to keep track of items stored in your shopping basket, prevent fraudulent activity, improve the security of our services, keep track of your specific preferences e. These cookies are necessary to provide our site and services and therefore cannot be disabled. For example, we use cookies to conduct research and diagnostics to improve our content, products and services, and to measure and analyse the performance of our services. Show less Show more Advertising ON OFF We use cookies to serve you certain types of adsincluding ads relevant to your interests on Book Depository and to work with approved third parties in the process of delivering ad content, including ads relevant to your interests, to measure the effectiveness of their ads, and to perform services on behalf of Book Depository.
    [Show full text]
  • Reference Books
    TKGA MHK Bibliography You must be enrolled in the MHK program and a current member of TKGA to access the full bibliography. Comprehensive Knitting Reference Books Buss, Katharina. Big Book of Knitting. New York: Sterling Publishing Co., Inc., 2001. Hiatt Hemmons, June, and Hiatt, Jesse. The Principles of Knitting: Methods and Techniques of Hand Knitting. New York: Touchstone, 2012. Older Version:Hiatt Hemmons, June. The Principles of Knitting. New York: Simon and Schuster, 1988. Righetti, Maggie. Knitting in Plain English. New York: St Martin’s Press, 1986. Stanley, Montse. Reader’s Digest Knitter’s Handbook. Pleasantville, NY: The Reader’s Digest Association, 2001. Vogue Knitting: the Ultimate Knitting Book. New York: Sixth and Springs Books, 2002. Compact/Knitting Bag Reference Books Malcolm, Trisha. Vogue Knitting Quick Reference: the Ultimate Portable Knitting Compendium. New York: Soho Pub., 2002. Print. Mondragon, Rick, and Elaine Rowley. The Knitter’s Handbook: essential Skills & Helpful Hints from Knitter’s Magazine.. Sioux Falls, SD.: XRX, 2005. Print. Square, Vicki. The Knitter’s Companion. Loveland, Colo.: Interweave, 2006. Print. On Your Way to the Masters (OYWTTM) This is a continuing series of articles featured in Cast On Magazine. Recent articles (dating back to 2002 with one article from 1998) can be referenced by members at the TKGA website in the member’s bonus section. Finishing Techniques Szabo, Janet. The “I Hate to Finish Sweaters” Guide to Finishing Sweaters. Vol. 2. J. Szabo. Wiseman, Nancie M. The Knitter’s Book of Finishing Techniques. Woodinville: and Company, 2002. Stitch “Dictionaries” 220 Aran Stitches: Includes Diamonds, Cables, Twists, Honeycombs, Textures, Panels, Backgrounds.London: Collins & Brown, 1998.
    [Show full text]
  • 24 Sep – 2 Oct 2016
    24 SEP – 2 OcT 2016 www.shetlandwoolweek.com /shetlandwoolweek @ShetlandWoolWk /shetlandwoolweek WELCOME TO SHETLAND WOOL WEEK 2016 ince its birth seven years ago, PARTNERS AND SPONSORS S Shetland Wool Week has grown into an internationally acclaimed festival celebrating Shetland’s fantastic textile heritage. We are proud of our sheep, our textile industry and our pristine environment. Everyone behind Shetland Wool Week makes a real effort to celebrate all aspects of wool and textiles in Shetland – from the farm to the brokers, from the mill to yarn and cloth and beyond to design and creation; history, heritage, culture and education are all crucial too. This year there will be an extensive range of exhibitions, classes, workshops and lectures, covering many different subjects including weaving, spinning, dyeing, Fair Isle and lace knitting as well as lots of other fascinating subjects. Events will take place from Fair Isle right up to Shetland’s most northerly island of Unst, famous for its beautiful lacework, with many locations in between. The Shetland Wool Week committee and organisers bid a very warm welcome to everyone attending Shetland Wool Week 2016. For more detailed descriptions of events visit www.shetlandwoolweek.com Cover image: Alexander Mazurov 2 | SHETLAND WOOL WEEK 2016 A NOTE FROM THE SHETLAND WOOL WEEK 2016 PATRON PARTNERS AND SPONSORS was very proud and excited to be asked I to be Shetland Wool Week patron for 2016. I am extremely passionate about Shetland’s textile culture and heritage. I actually got my job at Jamieson and Smith by helping out at the second Shetland Wool Week, so I have seen the festival grow from strength to strength every year.
    [Show full text]
  • Unit 6: Knitting
    Sons of Norway's Cultural Skills Program Unit 6: KNITTING IN THIS UNIT Introduction |01 Part 1 Instructions & Forms |02 Part 2 Instructions & Forms |06 Part 3 Instructions & Forms |11 Elective Activities & Resources |14 Sample Knitting Pattern |16 About the Cultural Skills Program INTRODUCTION Sons of Norway's Cultural Skills Program provides a framework for learning about traditional and contemporary Norwegian culture. Knitting the Norwegian way is a very old tradition. In days gone by knit- Each unit consists of three levels of skill-specific activities to guide ting was a crucial household skill. Generations of Norwegians wore hats, you as you learn. You can complete the units on your own, through scarves, mittens, sweaters and more that had been knit at home, perhaps your lodge or through a special class or group. For each level, even made with wool raised on their own farm. Using just their time and you'll complete a few activities, email (or mail) them in to Sons of talent, Norwegians could create warm, dependable clothing for their family Norway Headquarters, get feedback, and earn a pin in recognition using locally available and cheap materials. Over time, native pragmatism of your accomplishments. As a benefit of membership, the Cultural merged with a sense for style, and knit garments began to take on a distinc- Skills program is available only to members of Sons of Norway. tive local, then national flair. When you complete part 1 of your first unit you'll receive a Cultural Today we don’t knit from necessity, but instead can take the luxury of bring- Skills pin, a skill bar, and a level 1 bar.
    [Show full text]
  • The Taxonomy of Sweater Structures and Their Origins. (Under the Direction of Dr
    ABSTRACT LAMBERT, GAIL ANN; The Taxonomy of Sweater Structures and Their Origins. (Under the direction of Dr. Cynthia Istook.) Evidence of knit apparel has been traced back to at least AD 1000-1200 when the remains of knit cotton stockings were uncovered in Egypt. Children’s socks from Antinöe Egypt have been dated back even earlier to AD 600. Due to the fragile nature of the materials used to produce a knitted garment, the earliest examples have long deteriorated, making the study of the origins of hand knitting difficult to trace with complete certainty. Adding to the challenge, written instructions for the earliest knit garments are not available. Ideas and patterns were originally handed down by word of mouth and often kept secret within families or other cultural institutions. The aim of this research is to gain a better understanding of the early foundations of sweater design, and to discuss it in regards to sweater construction. This thesis focuses solely on the construction of the hand knit sweater. There are many other facets to the art of garment knitting that have been set aside for the purpose of this study. An extensive literature research follows the line of sweater evolution from the earliest existing example of a completely intact knit sweater (the waistcoat of King Charles 1, 1649) to where the major branches of sweater design lead. In the data section of the paper, a series of schematics, graphs, and photographs, will lead you through the construction elements of individual sweater designs. The combination of these will show how variations from the earliest sweater designs evolved.
    [Show full text]