The Ukrainian Weekly 1993, No.8
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CISCCONTENTONTENT:CONTENRTRREPORTEPORTEPORT CC ReviewОбзорОбзор of новостейaudiovisualновостей рынка content производства production and ии дистрибуциидистрибуции distribution аудиовизуальногоаудиовизуальногоin the CIS countries контента контента Media«»«MediaМ«»ÌЕДИÅÄÈ ResourcesА ResourcesÀРЕСУРСЫÐÅÑÓÐÑÛ МManagement ÌManagementЕНЕДЖМЕНТÅÍÅÄÆÌÅÍÒ» №21,№ №2№121(9) December №2 13 1April января, April, 1 April, 30, 20142012 20132011 2012 тема FOCUSномераfocUs DEARсловоDEAR CCOLLEAGUES редакциOLLEAgUESи УжеWeWe areareв первые happy to дни presentpresent нового you you the годаthe December Aprilнам, issue редак issue of цthe иofи andПервыйLast seriesautumn номер you’ll members alsoContent find of Russian theReport detailed association выходит report of вon televiк ануthe н- EgorКИНОТЕАТРАЛЬНЫ BorschEvsky:Й ContentCIS:the CIS:Content Report, Content Report сразу Report whereстало where понятно,we we tried tried toчто to gathergather в 2011 theм recentСтарогоsion and deals movie Нового of producers international года, который chose distributors Red (наконецто) Square with Screen the за - mostmost interesting interesting up-to-date up-to-date information information about about rapidly rap- CIS-partners.ings as the most important industry event of the season. РЫН О К В КРАИН Е все мы будем усердно и неустанно трудиться. За вершает череду праздников, поэтому еще раз “TodayTV MARKETS: Ukrainian У visual : нимаясьdevelopingidly developing подготовкой content content production первого production andвыпуска distributionand обзораdistribution mar -
A Microhistory of Ukraine's Generation of Cultural Rebels
This article was downloaded by: [Selcuk Universitesi] On: 07 February 2015, At: 17:31 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Nationalities Papers: The Journal of Nationalism and Ethnicity Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/cnap20 The early 1960s as a cultural space: a microhistory of Ukraine's generation of cultural rebels Serhy Yekelchyka a Department of Germanic and Slavic Studies, University of Victoria, Victoria, Canada Published online: 10 Oct 2014. Click for updates To cite this article: Serhy Yekelchyk (2015) The early 1960s as a cultural space: a microhistory of Ukraine's generation of cultural rebels, Nationalities Papers: The Journal of Nationalism and Ethnicity, 43:1, 45-62, DOI: 10.1080/00905992.2014.954103 To link to this article: http://dx.doi.org/10.1080/00905992.2014.954103 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Harvard Historical Studies • 173
HARVARD HISTORICAL STUDIES • 173 Published under the auspices of the Department of History from the income of the Paul Revere Frothingham Bequest Robert Louis Stroock Fund Henry Warren Torrey Fund Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM WILLIAM JAY RISCH The Ukrainian West Culture and the Fate of Empire in Soviet Lviv HARVARD UNIVERSITY PRESS Cambridge, Massachusetts London, En gland 2011 Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM Copyright © 2011 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Library of Congress Cataloging- in- Publication Data Risch, William Jay. The Ukrainian West : culture and the fate of empire in Soviet Lviv / William Jay Risch. p. cm.—(Harvard historical studies ; 173) Includes bibliographical references and index. I S B N 9 7 8 - 0 - 6 7 4 - 0 5 0 0 1 - 3 ( a l k . p a p e r ) 1 . L ’ v i v ( U k r a i n e ) — H i s t o r y — 2 0 t h c e n t u r y . 2 . L ’ v i v ( U k r a i n e ) — P o l i t i c s a n d government— 20th century. 3. L’viv (Ukraine)— Social conditions— 20th century 4. Nationalism— Ukraine—L’viv—History—20th century. 5. Ethnicity— Ukraine—L’viv— History—20th century. -
BP 2019-1 Na
BIBLIOTEKARZ PODLASKI 1/2019 (XLII) https://doi.org/10.36770/bp.38 ISSN 2544-8900 (online) http://bibliotekarzpodlaski.ksiaznicapodlaska.pl/ TRANSFERY Olesia Medynska* Department of Journalism Ternopil Volodymyr Hnatiuk National Pedagogical University (Ukraine) https://orcid.org/0000-0002-3769-163X Markiian Medynskyy** Medical department I. Horbachevskyi Ternopil State Medical University (Ukraine) https://orcid.org/0000-0002-0290-9053 Historical discourse of the сhronicle novel „The Vanishing Shadows. A Family Chronicle Shadows” by Valeriy Shevchuk Summary: The article presents a study of the historical foundations of the chronicle novel ”The Vanishing Shadows. A Family Chronicle” by Vale- riy Shevchuk. The attention is focused on the writer’s interpretation of historical events in the late 18th century. The social and ideological, discursive processes of the reproduced historical period are analyzed. An integral perception of the history of our country is presented in an inseparable connection between the past and the present. The critical moments in Ukrainian history were outlined as the background against which some urgent, vital problems of either a single individual or the whole ethnic group were shown. Particular characters are correlated with the historical figures, with historical truth being confirmed both in * Olesia Medynska – doktor nauk filologicznych, wykładowca Katedry Dziennikarstwa (Tarnopolski Narodowy Uniwersytet Pedagogiczny im. Włodzimierza Hnatiuka, Tarnopol, Ukraina). Zainteresowania badawcze: historia literatury ukraińskiej XX wieku, mitologia, my- ślenie krytyczne i technologie jego kształtowania. Publikacje: Znaki kultury książki w powie- ści-kronice Wałerija Szewczuka „Znikające cienie” (Brno 2015); Gatunkowo-kompozycyjne inwarianty powieści-kroniki Wałerija Szewczuka „Znikające cienie” (Tarnopol 2013); Problem ludzkiej egzystencji w refleksjach filozoficznych W. Szewczuka i T. -
Canadian and Russian Animation on Northern Aboriginal Folklore
Canadian and Russian Animation on Northern Aboriginal Folklore Elena Korniakova A Thesis in The Individualized Program of The School of Graduate Studies Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Fine Arts) at Concordia University Montreal, Quebec, Canada September 2014 Elena Korniakova, 2014 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Elena Korniakova Entitled: Canadian and Russian Animation on Northern Aboriginal Folklore and submitted in partial fulfillment of the requirement for the degree of Master of Arts (Fine Arts) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: _________________________________Chair Chair's name _________________________________Examiner Examiner's name _________________________________Examiner Examiner's name _________________________________Supervisor Supervisor's name Approved by ______________________________________________________ Chair of Department or Graduate Program Director _____________2014 ____________________________________________________ Dean of Faculty -iii- ABSTRACT Canadian and Russian Animation on Northern Aboriginal Folklore Elena Korniakova Aboriginal legends depict the relationships between humans and nature as deeply symbolic and intertwined. When adapted to films by non-Aboriginal filmmakers, these legends are often interpreted in ways which modify human-nature relationships experienced by Aboriginal peoples. I explore such modifications by looking at Canadian and Russian ethnographic animation based on Northern Aboriginal folklore of the two countries. In my thesis, I concentrate on the analysis of ethno-historical and cinematic traditions of Canada and Russia. I also explore the Canadian and Russian conventions of animated folktales and compare ethnographic animation produced by the National Film Board of Canada and Russian animation studio Soyuzmultfilm. -
Association for Slavic, East European, & Eurasian Studies
1 Association for Slavic, East European, & Eurasian Studies 46th Annual Convention • November 20-23, 2014 San Antonio Marriott Rivercenter • San Antonio, TX “25 Years After the Fall of the Berlin Wall: Historical Legacies and New Beginnings” Stephen E. Hanson, College of William and Mary ASEEES Board President We are most grateful to our sponsors for their generous support. GOLD SPONSOR: East View Information Services BRONZE SPONSORS: College of William and Mary Reves Center for International Studies National Research University Higher School of Economics Indiana University Russian and East European Institute • University of Texas, Austin Center for Russian, Eastern European and Eurasian Studies and Department of Slavic and Eurasian Studies 2 Contents Convention Schedule Overview ..................................................................................................... 2 List of the Meeting Rooms at the Marriott Rivercenter .............................................................. 3 Visual Anthropology Film Series ................................................................................................4-5 Diagram of Meeting Rooms ............................................................................................................ 6 Exhibit Hall Diagram ....................................................................................................................... 7 Index of Exhibitors, Alphabetical ................................................................................................... 8 -
Luhansk Taras Shevchenko National University Council of Young Scientists
Luhansk Taras Shevchenko National University Council of Young Scientists Scientific Youth Education * Science III International Scientific-Practical Internet-Conference 2013 S c i e n t i f i c Y o u t h S c i e n t i f i c Y o u t h UDC [001.891-053.81] (082) of college serves as: preparation of first-year students to BBK 72 I 43 N 34 the new terms of studies, establishment and support of Editorial Board: social status of freshmen in a new collective, forming for Elena Klimochkina – Doctor of Medical Sciences, Professor, Vice-Rector of the freshmen of positive educational reasons, prevention Scientific and Pedagogical Work, Luhansk Taras Shevchenko National University and removal for the freshmen of the psychological and Vladimir Proshkin – Candidate of Pedagogical Sciences, Associate Professor, Head of Postgraduate Studies Department,f Luhansk Taras Shevchenko National University. physical discomfort related to the new educational Yuri Dragnev – Candidate of Pedagogical Sciences, Associate Professor, Doc- environment. torate student of Theory and Methodology of Physical Education Chair, Chairperson of the Council of Young Scientists, Luhansk Taras Shevchenko National University References: N 34 Scientific Youth: Education and Science. Book of Abstracts of the III Inter- national Scientific-Practical Internet-Conference. February, 18, 2013. - Luhansk : 1. Zdanevich L. V. As live to the student? SI “LNU”, 2013. - 277 p. Book of abstracts of the III International scientific-practical Internet-conference Humanity/pls. – 2005. – № 2. – p. 174 – 179. ‘Scientific Youth: Education and Science’ is served in the published version and con- sists of various scientific directions: social humanities (history, culture studies, political science, legal science, economic science); physical culture, sports, health, physical re- habilitation; philological sciences; psychological and pedagogical science; natural-geo- graphical, mathematical and technical science. -
Death Penalty Stirs Debate in Colorado Faith Strong in Former Soviet Union
Vol. LXXm No. 40 Ninety-seven years of service to the Gospel October 15, 1997 Death penalty Design unveiled for new Holy Family High School stirs debate in Colorado BY LISA BENOIT Editor’s note: The Denver Catholic Register went to press Monday afternoon, prior to the time scheduled for the execu tion of Gary Davis. hirteen panelists gathered ‘ v-‘" TOct. 10 in the University of Denver auditorium to debate A % fit the impact of the death penalty on Colorado. As they discussed the issue, Gary Davis sat in his cell in Canon City awaiting his execution, scheduled for Mon day at 8 p.m. Continued on Page 2 Faith strong in former THE design of the new $12 million Holy Family High School was unveiled during the Seeds of Hope leadership dinner, Oct. 7 at the John Paul II Center. Archbishop Charles Chaput will celebrate Mass tomorrow (Thursday) at 7 p.m. at Holy Family Church in recognition of the high school’s 75th anniversary. Soviet Union BY PETER DROEGE “The Ukraine is covered with moun Church of the Risen Christ gives tains of corpses and rivers of blood” — Cardinal Joseph Slipyj, imprisoned by Communists for 18 years, in an address $100,000 boost to Seeds of Hope to the Second Vatican Council. three-day conference de BY PETER DROEGE the community,” she said. Archbishop Charles Chaput, O.F.M. Cap., cel A signed to highlight the ister LaVonne Guidoni was once a “voice ebrated Mass and keynoted the dinner, attended by need for spiritual and mate some 75 community and business leaders. -
Kiev-Mohyla Academy»
THE UNIVERSITY OF «KIEV-MOHYLA ACADEMY» Ukrhainan Literature of the XX Century: Run into the Accident of the Totalitarism Doc. Serhiy Ivanyuk Office 117, 3-d corp. 2, Skovoroda St. Course Objectives: Ukrhainan Literature of the XX Century:Run into the Accident of the Totalitarianismis an introductory course on one of the most dramatic period of the history of Ukrainian Literature, i.e. the XX century. The course explores the features of Ukrainian modernism, totalitarian literature, oeuvres of shistdesyatnyks (generation of the 60-s), and high modernism of the 80-90-ies. Learning Outcomes: By the end of the course, students will be able to: - identify and compare the features of modernism in the Ukrainian literature of the 20-ies of the XX century; - measure totalitarian character of the Ukrainian literature in the 30- ies – 70-ies; - identify and analyze the features of totalitarian discourse in the modern world literature and arts; - identify and discuss the postcolonial discourse of the modern Ukrainian literature. Lectures and Readings Lectures will run for 1 hour 20 minutes every day. In order to see the connection between different arts (painting, sculpture, architecture) some lecture hours will be devoted to visiting the museums and tours around the city. Reading materials for this course will be copied by a professor. It will be the texts by the prominent Ukrainian writers of each period of the XX century: modernist poems of the 20-ies, samples of the social realism and high modernism of the 60-ies and the 80-ies. 1 Course description It is hard to find Ukrainian literature on the world literature map. -
On the Topics and Style of Soviet Animated Films
BALTIC SCREEN MEDIA REVIEW 2016 / VOLUME 4 / ARTICLE Article On the Topics and Style of Soviet Animated Films ÜLO PIKKOV, Estonian Academy of Arts; email: [email protected] 16 DOI: 10.1515/bsmr-2017-0002 BALTIC SCREEN MEDIA REVIEW 2016 / VOLUME 4 / ARTICLE ABSTRACT This article provides a survey of Soviet animation and analyses the thematic and stylistic course of its develop- ment. Soviet animated film emerged and materialised in synch with the fluctuations of the region’s political climate and was directly shaped by it. A number of trends and currents of Soviet animation also pertain to other Eastern European countries. After all, Eastern Europe constituted an integrated cultural space that functioned as a single market for the films produced across it by filmmakers who interacted in a professional regional network of film education, events, festivals, publications etc. Initially experimental, post-revolutionary Russian ani- mation soon fell under the sway of the Socialist Realist discourse, along with the rest of Soviet art, and quickly crystallised as a didactic genre for children. Disney’s para- digm became its major source of inspiration both in terms of visual style and thematic scope, despite the fact that Soviet Union was regarded as the ideological opposite of the Western way of life and mindset. The Soviet animation industry was spread across different studios and republics that adopted slightly varied production practices and tolerated different degrees of artistic freedom. Studios in the smaller republics, such as Estonia, Latvia and Lithuania in particular, stood out for making films that were more ideologically complicated than those produced in Moscow. -
Maria Valtorta Was Born in Caserta, Italy on March 14, 1897
In Response to Various Questions Regarding “The Poem of the Man-God" Published on April 15, 2006 by Dr. Mark Miravalle, Professor of theology and Mariology at Franciscan University of Steubenville. [Note: The Poem of the Man God has since been published under the title The Gospel as Revealed to Me, but they are the same book.] Maria Valtorta was born in Caserta, Italy on March 14, 1897. Deeply pious, Maria was strongly attracted to God from early childhood, but it was as a young woman that she started reporting mystical experiences. In 1920 she was randomly attacked by a young man who hit her in the back with an iron bar. Badly injured, she was bedridden for three months and her health began its gradual decline. In the years to follow she made a personal offering of her sufferings to the two Divine attributes of Love and Justice, and by April, 1934, she was permanently confined to her bed. It was in 1943 that Valtorta began to write down in her notebooks the “dictations,” the mystical visions and messages she reported receiving from Jesus and Mary, and the years between 1943 and 1947 were the period of her greatest output. She wrote almost 15000 pages of dictation, a little less than two-thirds of which comprised The Poem of the Man-God, a substantial work on the life of Jesus Christ beginning from the birth of Our Lady and ending at her Assumption. Maria Valtorta died on October 12, 1961. In 1973 her remains were moved to Florence and entombed in the Capitular Chapel in the Grand Cloister of the Basilica of the Most Holy Annunciation in Florence. -
The Russian Idea in the Soviet and Post-Soviet Fantastika Film Adaptation
UNIVERSITY OF CALIFORNIA Los Angeles Searching for Identity: The Russian Idea in the Soviet and Post-Soviet Fantastika Film Adaptation A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Slavic, East European and Eurasian Languages and Cultures by Jesse Brown O’Dell 2019 © Copyright by Jesse Brown O’Dell 2019 ABSTRACT OF THE DISSERTATION Searching for Identity: The Russian Idea in the Soviet and Post-Soviet Fantastika Film Adaptation by Jesse Brown O’Dell Doctor of Philosophy in Slavic, East European and Eurasian Languages and Cultures University of California, Los Angeles, 2019 Professor Ronald W. Vroon, Chair What is the role of sociocultural history in the evolution of national identity? How is the worldview of Russian citizens reflected in contemporary art and popular culture? My dissertation, which examines narratives of national identity in the twentieth and twenty-first centuries, approaches these questions and others through an historical analysis of Russian fantastika film adaptations and the literary works upon which they are based. Illustrating transitions in perceptions of Russian identity as they are reflected in over thirty examples of Soviet and post-Soviet fantastika, this project provides a critical reconsideration of historical theories on the “Russian idea” and offers new perspectives on what it means to be Russian in the twenty-first century. My study employs a synthesis of approaches from the fields of cultural history, literature, film, and gender studies. The primary hypothesis is that it is possible, through an historical ii analysis of fantastika film adaptations (and their corresponding literary sources), to obtain a fundamental understanding of post-Soviet culture by examining crucial transformations in the Russian worldview over the course of a century; namely, from 1917 to 2017.