Stanley Kramer Papers LSC.0161
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La Construcción Histórica En La Cinematografía Norteamericana
Tesis doctoral Luis Laborda Oribes La construcción histórica en la cinematografía norteamericana Dirigida por Dr. Javier Antón Pelayo Facultad de Filosofía y Letras Departamento de Historia Moderna Universidad Autónoma de Barcelona 2007 La historia en la cinematografía norteamericana Luis Laborda Oribes Agradecimientos Transcurridos ya casi seis años desde que inicié esta aventura de conocimiento que ha supuesto el programa de doctorado en Humanidades, debo agradecer a todos aquellos que, en tan tortuoso y apasionante camino, me han acompañado con la mirada serena y una palabra de ánimo siempre que la situación la requiriera. En el ámbito estrictamente universitario, di mis primeros pasos hacia el trabajo de investigación que hoy les presento en la Universidad Pompeu Fabra, donde cursé, entre las calles Balmes y Ramon Trias Fargas, la licenciatura en Humanidades. El hado o mi más discreta voluntad quisieron que iniciara los cursos de doctorado en la Universidad Autónoma de Barcelona, donde hoy concluyo felizmente un camino repleto de encuentros. Entre la gente que he encontrado están aquellos que apenas cruzaron un amable saludo conmigo y aquellos otros que hicieron un alto en su camino y conversaron, apaciblemente, con el modesto autor de estas líneas. A todos ellos les agradezco cuanto me ofrecieron y confío en haber podido ofrecerles yo, a mi vez, algo más que hueros e intrascendentes vocablos o, como escribiera el gran bardo inglés, palabras, palabras, palabras,... Entre aquellos que me ayudaron a hacer camino se encuentra en lugar destacado el profesor Javier Antón Pelayo que siempre me atendió y escuchó serenamente mis propuestas, por muy extrañas que resultaran. -
GREENGRASS, Paul 791 BOURN Gre ALFREDSON, Daniel 791 DJEVO
POINT Software Varaždin Str. 1 791 BOURN gre GREENGRASS, Paul (086.82)791 The Bourne ultimatum [Videosnimka] = [Bourneov ultimatum] / directed by Paul Greengrass ; screenplay by Tony Gilroy and Scott Z. Burns and George Nolfi ; based on the Novel by Robert Ludlum ; director of photography Oliver Wood ; music by J Zagreb : Continental Film, 2007. - 1 video DVD (110 min) : u bojama, sa zvukom (Dolby Digital) ; 12 cm Stv. nasl. i pod. o odg. sa špice. - Podnasl. na hrv. i drugim jez. ISBN 3856002123646 Svijet tajnih špijuna, vladinih tajnih programa i profi-ubojica, natjerivanje uzduž i poprijeko Globusa i jedan nepoznati identitet… Trči, Bourne, trči! Najtraženiji vladin super-špijun vraća se treći i posljednji put kako bi napokon odgovorio na pitanja o vlastitome identitetu te pronašao razloge koji su ga doveli u poziciju u kojoj je sad. A situacija u kojoj se našao Jason Bourne (Matt Damon) nije nimalo zavidna – CIA je upotrijebio svoje najsposobnije ekipe kako bi locirali njegov položaj, a na njega su nahuškali i najbolje profi-ubojice. Nakon što je ostao bez voljene Marie (Franka Potente), Bourne je još odlučniji u pronalaženju odgovora o vlastitoj prošlosti, ali i odlučan u namjeri da se osveti krivcima. Ishod njegova pothvata u mnogočemu ovisi o britanskome novinaru Simonu Rossu (Paddy Considine) koji od tajanstvenog izvora dobiva informacije o Vladinu tajnome programu 'Blackbriar' koji ima veze s Bourneovom prošlosti. Prvi Bourneov zadatak bit će doći do Rossa prije Vladinih operativaca, a ono što slijedi je još jedna potjera diljem zemaljskoga globusa – od Moskve, Londona i Pariza pa sve do tijesnih prolaza Tangiera i krovova New Yorka. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
January 27, 2009 (XVIII:3) Samuel Fuller PICKUP on SOUTH STREET (1953, 80 Min)
January 27, 2009 (XVIII:3) Samuel Fuller PICKUP ON SOUTH STREET (1953, 80 min) Directed and written by Samuel Fuller Based on a story by Dwight Taylor Produced by Jules Schermer Original Music by Leigh Harline Cinematography by Joseph MacDonald Richard Widmark...Skip McCoy Jean Peters...Candy Thelma Ritter...Moe Williams Murvyn Vye...Captain Dan Tiger Richard Kiley...Joey Willis Bouchey...Zara Milburn Stone...Detective Winoki Parley Baer...Headquarters Communist in chair SAMUEL FULLER (August 12, 1912, Worcester, Massachusetts— October 30, 1997, Hollywood, California) has 53 writing credits and 32 directing credits. Some of the films and tv episodes he directed were Street of No Return (1989), Les Voleurs de la nuit/Thieves After Dark (1984), White Dog (1982), The Big Red One (1980), "The Iron Horse" (1966-1967), The Naked Kiss True Story of Jesse James (1957), Hilda Crane (1956), The View (1964), Shock Corridor (1963), "The Virginian" (1962), "The from Pompey's Head (1955), Broken Lance (1954), Hell and High Dick Powell Show" (1962), Merrill's Marauders (1962), Water (1954), How to Marry a Millionaire (1953), Pickup on Underworld U.S.A. (1961), The Crimson Kimono (1959), South Street (1953), Titanic (1953), Niagara (1953), What Price Verboten! (1959), Forty Guns (1957), Run of the Arrow (1957), Glory (1952), O. Henry's Full House (1952), Viva Zapata! (1952), China Gate (1957), House of Bamboo (1955), Hell and High Panic in the Streets (1950), Pinky (1949), It Happens Every Water (1954), Pickup on South Street (1953), Park Row (1952), Spring (1949), Down to the Sea in Ships (1949), Yellow Sky Fixed Bayonets! (1951), The Steel Helmet (1951), The Baron of (1948), The Street with No Name (1948), Call Northside 777 Arizona (1950), and I Shot Jesse James (1949). -
Volume 19, No. 3, June 1958
Vol. 19, No. 3 Published by the SOCIALIST WORKERS PARTY .June, 1958 116 UNIVERSITY PLACE ~;m~m~~i! ::::::::::::: ::::mmm NEW YORK 3, N EW YORK. :::: :: :: ::~:. 11111111111111111111111111111111111111111111111111111 CONTENTS 1. WEISS ARTICLE ON CLARK -- Letter to the Political and National Committee -- by Sam Marcy 1 2. HOWARD FAST -- Letter to the Political Comm itr,ee -- by Gross 11 3. A FOOTNOTE ON R EGR OUPI~ T -- by V. Grey 14 4. Letter to the Political Co mm ittee -- by Milton Alvi n 16 25¢ 1\1\11\1\1\~ll l llII11!1!!!I!1111 ~: The material in tilis bulletin has been previously circulated to members of the National Corami ttea as part of the discussion on the regroupment policy_ It is now published for the information of the party rr.embership. Tom Kerry Organization Secretary { September 25, 1957 Political Committee National Committee BgJ Weiss .4xticle on Clark Dear Comrade s: I note with satisfaction the proposal of the Secretariat to initiate a discussion in the PC on the regroupment develop ments, and to follow it up with a Plenum. This letter is intended to be a preli~inary contribution to the PC discussion. I ".Tant to protest most vigorously arainst the political line of the article by Comrade Murry 11eiss in the September 16th issue of the MILITANT regarding the resignation of Joseph Clark from the CP and as foreign editor of the DAILY tJuHKER. Comrade Weiss makes the following important points reE;arding Clark's letter of resignation. Clark has attacked the Stalinist versi)n of oroletarian internationalism as expressed by the Duclos ietter to the recent CP convention, and expressed solidarity with the Hungarian insurrection. -
The Night of the Hunter: Noirish Or Film Noir?
The Night of the Hunter Noirish or film noir? Sigurd Enge A Thesis presented to the Department of Literature, Area Studies and European Languages, the University of Oslo, in Partial Fulfillment to the Requirements for the MA degree in North American Studies ENG4970 Masterspesialisering i engelsk, LAP Thesis advisor: Mark Luccarelli Autumn 2009 Table of Contents Introduction 3 Chapter 1: The Novel and the Film 6 A Short Synopsis of the Book 6 The Film as a Critical Text 7 The Film as Work of Art 11 Reception 13 Chapter 2: What Is Film Noir Anyway? 18 A Short Synopsis of the Film Noir Debate 20 The Noirish Aspects of the Night of the Hunter 25 The Malaise and Social Criticism of The Night of the Hunter 33 “A Faith Deformed” 35 Chapter 3: Further Analysis 44 The Stylistics of The Night of the Hunter 44 The Mixture of Expressionism and Realism in Hunter 53 Harry Powell – Urban psychopath, Frontiersman or Demon? 57 Conclusion 61 Bibliography 64 2 Introduction The first time I saw Charles Laughton’s The Night of the Hunter was at Riverside Studios in London in 2004. It was on a double bill with Jacques Tourneur’s acknowledged film noir classic Out of the Past, which I liked a lot more than Hunter. The latter seemed over acted and strange to me, and I found it much easier to enjoy a film about a private detective who was lured into violence and crime by a beautiful femme fatale. Out of the Past seemed more realistic and cooler, because it had people smoking cigarettes in dimly lit rooms and because it was full of banter with sexual innuendo. -
GRIT Program Schedule Listings in Eastern Time
GRIT Program Schedule Listings in Eastern Time Week Of 02-06-2017 Grit 2/6 Mon 2/7 Tue 2/8 Wed 2/9 Thu 2/10 Fri 2/11 Sat 2/12 Sun Grit 06:00A The Californians: TV-PG L, V; CC The Californians: TV-PG L, V; CC The Californians: TV-PG L, V; CC The Californians: TV-PG L, V; CC The Californians: TV-PG L, V; CC Movie: Outlaw Justice Movie: McLintock! 06:00A 06:30A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC TV-14 V; 1999 TV-PG V; 1963 06:30A CC CC 07:00A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:00A 07:30A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:30A 08:00A Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Movie: The Last Days Of Frank & Jesse 08:00A 08:30A Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; James 08:30A TV-PG D, L, S, V; 1986 09:00A Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Zane Grey Theatre: TV-PG L, V; Movie: Ten Wanted Men 09:00A CC 09:30A Zane Grey Theatre: -
Safety Last the POLITICS of E. GOLI and OTHER FOOD-BORNE KILLERS
Safety Last THE POLITICS OF E. GOLI AND OTHER FOOD-BORNE KILLERS THE CENTER FOR PUBLIC INTEGRITY About the Center for Public Integrity THE CENTER FOR PUBLIC INTEGRITY, founded in 1989 by a group of concerned Americans, is a nonprofit, nonpartisan, tax-exempt educational organization created so that important national issues can be investigated and analyzed over a period of months without the normal time or space limitations. Since its inception, the Center has investigated and disseminated a remarkably wide array of information in nearly thirty published Center Reports. The Center's books and studies are resources for journalists, academics, and the general public, with databases, backup files or government documents, and other information available as well. This report and the views expressed herein do not necessarily reflect the views of individual members of the Center for Public Integrity's Board of Directors or Advisory Board. THE CENTER FOR PUBLIC INTEGRITY 1634 I Street, N.W. Suite 902 Washington, B.C. 20006 Telephone: (202) 783-3900 Facsimile: (202) 783-3906 E-mail: [email protected] http://www.publicintegrity.org Copyright ©1998 The Center for Public Integrity All rights reserved. No part of this publication may be reproduced or trans- mitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information and retrieval system, with- out permission in writing from The Center for Public Integrity. ISBN: 1882583-09-4 Printed in the United States of America Contents Summary 1 1 Introduction 5 2 The Captive Congress 9 3 The Microbial Menace 23 4 Farms and Factories 31 5 Fewer and Bigger 45 6 R&R: Recall and Recovery 51 7 "Have a Cup of Coffee and Pray" 57 8 Conclusion 71 List of Tables 75 Notes 93 THE INVESTIGATIVE TEAM Executive Director Charles Lewis Director of Investigative Projects Bill Hogan Senior Editor William O'Sullivan Chief of Research Bill Allison Senior Researchers David Engel Adrianne Hari John Kruger Eric Wilson Writers Paul Cuadros Patrick J. -
THE STANLEY KRAMER COLLECTION at UCLA FILM & TELEVISION ARCHIVE As of July 2013
THE STANLEY KRAMER COLLECTION at UCLA FILM & TELEVISION ARCHIVE as of July 2013 For more information, please e-mail the Archive Research & Study Center [ARSC] at [email protected] TITLE YEAR INV # FORMAT TYPE 1989 SIMON WIESENTHAL CENTER ANNUAL BANQUET 1989 M160341 1/2 IN. VHS VIDEOCASSETTE #2: TWELVE (12) ORIGINAL COMMENTARIES SENT TO US BY KRAMER IN 1977 M159949 1/4 IN. AUDIO REEL EARLY OCTOBER 34TH ANNUAL ACADEMY AWARDS SHOW: STANLEY KRAMER RECEIVING M160350 1/2 IN. BETACAM SP THE THALBERG AWARD #4: TWO (2) ADDITIONAL COMMENTARIES RECEIVED BY NORMAN 1977 M160250 1/4 IN. AUDIO REEL GLADNEY ON DECEMBER 5, 1977 5,000 FINGERS OF DR. T. 1953 M14494 16 SAFETY 5000 FINGERS OF DR. T -- CLIP REEL M160356 1/2 IN. BETACAM SP A.M. AMERICA: LT. CALLEY SEGMENT, STANLEY KRAMER 1/8/1975 M159434 3/4 IN. VIDEOCASSETTE ABC LATE NIGHT: THE COMEDIANS 1974 M159426 3/4 IN. VIDEOCASSETTE AMERICAN MASTERS -- SIDNEY POITER: ONE BRIGHT LIGHT M160331 1/2 IN. VHS VIDEOCASSETTE BIRTHDAY SEGMENT: CNN 9/29/2000, SHOWBIZ TODAY, KCBS 2000 M160334 1/2 IN. VHS VIDEOCASSETTE ENTERTAINMENT TONIGHT BLESS THE BEASTS AND CHILDREN 1971 M6544 16 SAFETY BLESS THE BEASTS AND CHILDREN 1971 M6544 16 SAFETY BLESS THE BEASTS AND CHILDREN 1971 M19442 35 SAFETY [BLESS THE BEASTS AND CHILDREN -- EXCERPTS]. 1971 M14716 16 SAFETY [BLESS THE BEASTS AND CHILDREN -- TRAILER. TEASER NO. 2]. 1971 M48224 35 SAFETY CAINE MUTINY 1954 M6276 16 SAFETY CAMERA 4 REPORTS. STANLEY KRAMER, THE MOVIES, AND B.Y.U. 1972 T7412 2 IN. VIDEOREEL CARY GRANT: THE LEADING MAN M160347 1/2 IN. -
Sam Katzman's Switchblade Calypso Bop Reefer Madness Swamp Girl Or
Popular Music (2010) Volume 29/3. Copyright © Cambridge University Press 2010, pp. 437–455 doi:10.1017/S0261143010000255 Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ calypso, beatniks and rock ’n’ roll in 1950s teenpix PETER STANFIELD Film Studies, School of Arts, University of Kent, Canterbury, Kent CT2 7UG, UK E-mail: [email protected] Abstract This essay challenges the received wisdom that teenpix of the 1950s were dominated by a soundtrack of rock ’n’ roll. I argue that this cycle of film production was marked by a diversity of musical genres, styles and types. Not only rock ’n’ roll, but rhythm ’n’ blues, folk, rockabilly, swing, West Coast jazz, bebop, Latin music such as the mambo, the rhumba, the cha cha chá, and Caribbean calypsos were all heavily featured in these films. This study is carried out through a focus on the temporal arrange- ments – fads, cycles, trends – that govern serial production and consumption of movies and popular music. Following Philip Ennis’ thesis that rock ’n’ roll is best defined by its ability to ‘crossover’ musi- cal boundaries – to move, for example, across the pop, country, and rhythm ’n’ blues charts – I argue that the film industry chose not to overly limit the music it had on offer and instead provided a var- ied package, some of which, it expected, would crossover and appeal to diverse and capricious teenage tastes. Introduction ‘I’dsayitwasa‘mixed-up’ rhythm: blues, an’ Latin-American, an’ some hillbilly, a little spiritual, a little African, an’ a little West Indian calypso .. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
Pdgrave Yy^Urt II Houti
THE STAR, Washington, D. c. ** EVENIT'O '» C-6 rtIBAT. JILT M. 10SS Life With Lewis and Clark THE PASSING SHOW One Cliche After Another I *jrf By HARRY lUeAKTHUR good thing "THX VAR HORIZONS "a Part- Medicine Is X-rayed It is. or wm, of R oount picture, produced by WUUsn H \ >int ud WtllUm C. TboißMi dlriettd ¦PF for Merriwether Lewi* and BUI ir Rodelpb Mote. icrecDplxr by Win*ton Siller cod Edmund Hr North, from the Clark that the movie* had not lord, "SocSovco of the Shothonec." il DcllA Oould Emmoni. At tbo CopltU In an Exciting Film yet become popular entertain- 1 Tho on that Cut By JAY CARMODY ment when they set out Ifcrrlwothcr Lowlx Vrtd MirMnmy expedition. they had, it BUI Clerk Charlton Heaton Stranger.” top If ioenjnvcn Donna Reed "Not As A which shot ta the of the best-seller would been a dull trip for Julia Hancock Barbara Hale a nagnMi t < have -WW7 list as a novel, should be equally popular as a film, despite the B flk Everything that occurred Sertaant Can William Demareit them. ebaiboneon . Aim Rood fact of sturdier competition. given them the feel- Cameahwalt Eduardo Norleca Thompson’s by would have Wild Bade Larry Pennell Morton work has been translated to the screen s #-¦¦-. ing that they had been here be- Le Borne Ralph Moody Producer-Director Stanley Kramer with not merely fidelity to its ¦ - ?a« -^:;> fore. Prealdent Jeffcraon Herbert Herea original tart flavor but with a- '~TOri. listen, » *-- can, you ;; 1 You if hear post. Despite them, high-powered cast.