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BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
Us Presse-Schau
Media Information im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] US PRESSE-SCHAU http://www.rollingstone.com/music/news/beach-boys-to-officially-release-long-incomplete-album-smile-this- year-20110311 Beach Boys to Officially Release Long-Incomplete Album 'Smile' This Year Recordings will be sold as double CD and box set Kent Gavin/Hulton Archive/Getty Capitol Records have announced that they will be releasing the Beach Boys' lost, incomplete album Smile later this year. Smile was originally planned as the follow-up to the band's 1966 classic Pet Sounds, but the material was mostly abandoned due to creative mastermind Brian Wilson's fragile mental health at the time. Though no release date has been set, the official release of Smile will be sold as a two-CD set and as a deluxe box set including four CDs, two vinyl LPs, two vinyl singles and a 60-page hardbound book penned by Beach Boys historian Dominic Priore. The final track listing has not been announced, but disc one of the CD set and the first three sides of the vinyl edition will contain a close approximation of the Smile album, with the remainder collecting outtakes and alternate versions from the sessions. The Smile sessions have been widely bootlegged among fans for decades, but the proper track listing for the album has never been established, largely due to the fact that the record was never completed as intended. According to engineer Mark Linett, Brian Wilson's 2004 version of Smile has been used as the template for this project, though it could turn out a bit different depending on input from Wilson and the surviving members of the group. -
Pacific Ocean Blue Bambu
Dennis Wilson - Pacific Ocean Blue Produced by Dennis Wilson & Gregg Jakobson Released August 22, 1977 - Caribou PZ 34354 (CBS) Pacific Ocean Blue - Legacy Edition Originial Recordings Produced by Dennis Wilson & Gregg Jakobson Bonus Tracks Produced by Dennis Wilson, John Hanlon & Gregg Jakobson Executive Producer: James William Guercio Released June 17, 2008 - Caribou/Epic/Legacy 88697-07916-2 (Sony/BMG) Disc One Dennis Wilson had always been considered the quintessential "Beach Boy": not in a musical sense (that, of course, was Brian), but in a lifestyle sense. His love of surfing inspired the others to adopt the image that launched the band, and his further adventures in the worlds of fast cars, fast bikes, and fast women continued to fuel the imagination and song catalog of his older brother and cousin. But in the first five or six years of their career, his musical contributions were limited to drumming and singing backup (and sometimes not even that), with an occasional lead vocal opportunity (either covers of other artists or new songs that Brian and Mike would throw his way). However, with Brian Wilson's retreat from full artistic control of the band in 1967, the other members (Dennis included) began to be relied upon more and more for compositional and production efforts. Dennis' first contributions in this respect appear on the 1968 Friends album, and would continue over the next five years; tunes like "Little Bird", "Be With Me", "Celebrate The News", and "Forever" were highlights of the late '60s-early '70s Beach Boys era. In order for Dennis to evolve musically into something more than "just the fun-loving playboy drummer", he needed to master a melodic/chordal instrument well enough to compose on it. -
RSD List 2020
Artist Title Label Format Format details/ Reason behind release 3 Pieces, The Iwishcan William Rogue Cat Resounds12" Full printed sleeve - black 12" vinyl remastered reissue of this rare cosmic, funked out go-go boogie bomb, full of rapping gold from Washington D.C's The 3 Pieces.Includes remixes from Dan Idjut / The Idjut Boys & LEXX Aashid Himons The Gods And I Music For Dreams /12" Fyraften Musik Aashid Himons classic 1984 Electonic/Reggae/Boogie-Funk track finally gets a well deserved re-issue.Taken from the very rare sought after album 'Kosmik Gypsy.The EP includes the original mix, a lovingly remastered Fyraften 2019 version.Also includes 'In a Figga of Speech' track from Kosmik Gypsy. Ace Of Base The Sign !K7 Records 7" picture disc """The Sign"" is a song by the Swedish band Ace of Base, which was released on 29 October 1993 in Europe. It was an international hit, reaching number two in the United Kingdom and spending six non-consecutive weeks at number one on the Billboard Hot 100 chart in the United States. More prominently, it became the top song on Billboard's 1994 Year End Chart. It appeared on the band's album Happy Nation (titled The Sign in North America). This exclusive Record Store Day version is pressed on 7"" picture disc." Acid Mothers Temple Nam Myo Ho Ren Ge Kyo (Title t.b.c.)Space Age RecordingsDouble LP Pink coloured heavyweight 180 gram audiophile double vinyl LP Not previously released on vinyl Al Green Green Is Blues Fat Possum 12" Al Green's first record for Hi Records, celebrating it's 50th anniversary.Tip-on Jacket, 180 gram vinyl, insert with liner notes.Split green & blue vinyl Acid Mothers Temple & the Melting Paraiso U.F.O.are a Japanese psychedelic rock band, the core of which formed in 1995.The band is led by guitarist Kawabata Makoto and early in their career featured many musicians, but by 2004 the line-up had coalesced with only a few core members and frequent guest vocalists. -
Desert Fever: an Overview of Mining History of the California Desert Conservation Area
Desert Fever: An Overview of Mining History of the California Desert Conservation Area DESERT FEVER: An Overview of Mining in the California Desert Conservation Area Contract No. CA·060·CT7·2776 Prepared For: DESERT PLANNING STAFF BUREAU OF LAND MANAGEMENT U.S. DEPARTMENT OF THE INTERIOR 3610 Central Avenue, Suite 402 Riverside, California 92506 Prepared By: Gary L. Shumway Larry Vredenburgh Russell Hartill February, 1980 1 Desert Fever: An Overview of Mining History of the California Desert Conservation Area Copyright © 1980 by Russ Hartill Larry Vredenburgh Gary Shumway 2 Desert Fever: An Overview of Mining History of the California Desert Conservation Area Table of Contents PREFACE .................................................................................................................................................. 7 INTRODUCTION ....................................................................................................................................... 9 IMPERIAL COUNTY................................................................................................................................. 12 CALIFORNIA'S FIRST SPANISH MINERS............................................................................................ 12 CARGO MUCHACHO MINE ............................................................................................................. 13 TUMCO MINE ................................................................................................................................ 13 PASADENA MINE -
Interim Concession Contract Glory Hole Concession Area
New Melones Lake Concession Prospectus Interim Concession Contract Glory Hole Concession Area Interim Concession Contract Glory Hole Concession Area New Melones Lake Part 7.20 – Interim Concessions Contract. Interim Concession Contract 1 New Melones Lake Concession Prospectus Interim Concession Contract Identification of The Parties Identification of The Parties This Interim Concession Contract is made and entered into by and between the United States of America, acting, through the Area Manager, Central California Area Office of the Mid Pacific Region, Bureau of Reclamation (as delegated), hereinafter referred to as “Reclamation” and Shasta Lake Resorts (SLR), a California limited partnership, hereinafter referred to as the “Concession Contractor”; together, Reclamation and the Concession Contractor to be referred to as “the Parties”. Witnesseth: Whereas, the United States has withdrawn and acquired certain lands for the New Melones Unit; Central Valley Project (New Melones Project), on the Stanislaus River, California, and Reclamation is operating the New Melones Project including said lands; and Whereas,, Reclamation has determined that certain New Melones Project facilities and services are necessary and appropriate for the public use and enjoyment, and has designated the Glory Hole Concession Area for this purpose, and the Concession Contractor is willing to provide such services; and Whereas,, the Concession Contractor wishes to utilize a portion of said lands within the Glory Hole Concession Area for the location, construction, -
Postmodernism and Rock Music As Countercultural
OUTSIDERS, OUTCASTS, AND OUTLAWS: POSTMODERNISM AND ROCK MUSIC AS COUNTERCULTURAL FORCES IN SALMAN RUSHDIE'S THE GROUND BENEATH HER FEET by DAN HUTT B.A., University of Nebraska-Lincoln, 1993 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Department of English College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2011 Approved by: Dr. Dean Hall ABSTRACT Salman Rushdie's 1999 novel The Ground Beneath Her Feet is ostensibly a rock 'n' roll novel, largely set in the 1960s, that traces the commercial rise of Indian rock star protagonists Vina Apsara and Ormus Cama. As their fame and wealth rise to global status and their stage show comes to entail a logistical complexity of military proportions, it becomes increasingly difficult to discern the couple's earlier countercultural ideals within their new established culture status. I argue that despite the change from countercultural to establishment-based values in the novel's protagonists, Rushdie does make a case in The Ground Beneath Her Feet for the possibility of countercultural efficacy against the commodifying culture of global capitalism (which I refer to as the "Frame"). His recipe for combating the exclusive hierarchies produced by the Frame is a combination of the non-totalizing politics of postmodernism and the subversive potential of uncommodified rock music. I pay close attention to establishing the historical templates--John Lennon of the Beatles and Brian Wilson of the Beach Boys--of the novel's protagonists in an effort to understand the sort of countercultural alternative Rushdie is proposing. I likewise focus on the novel's depiction of the Beach Boys' Smile album, which as a still commercially unreleased record, reinforces Rushdie's imperative in The Ground Beneath Her Feet for an uncommodifying counterculture and works in tandem with his portrayals of the artistic plights of several minor characters in the novel as well. -
Themessenger
December 2015 The MESSENGER To glorify God, we invite all to grow as faithful disciples and to share in the love, grace and ministry of Jesus Christ by serving the church, community and world. Bruce’s Babblings Moravian Unity Prayer Watch Brothers and Sisters in Christ: Once again this year we will have an op- I purchased the ticket probably two months ago. I had been making plans for a long time to take portunity to take part in the Unity Prayer Watch. a few days of vacation to travel to Michigan to go see Brian Wilson in concert. For those of you who This is an opportunity to be part of a continuous don’t know, Brian Wilson was a founding member of the Beach Boys and wrote or co-wrote many prayer chain where someone in some part of the of their hits. He is still releasing albums today but his songs today are much deeper than cars, and world is praying 24 hours a day 365 days a year. girls, and beaches. Brian Wilson is 73 years old so one never knows how much longer he will be This year our day to pray is Tuesday, December around and how much longer he will be touring. I have enjoyed his music for many years since I 8, and we are sharing the day with Watertown started playing my older brother’s records of Beach Boy songs. and Ebenezer Moravian Churches. We will I had heard earlier in the day of the concert about the terrible tragedy in Paris and to say that it have a sign-up sheet on the bulletin board by affected my excitement for the concert would be an understatement. -
Lending a Hand (Pdf)
tJANUARY 2010 www.encorekalamazoo.com ;T]SX]V P7P]S 1h:PhT1T]]Tcc >d^fk)lmmloqrkfqv+ I^pq vb^o t^p _ob^qeq^hfkd) _rq fqÒp vlro tb^iqe+ Lro `ifbkq*`bkqof` qb^j efpqlov+ Te^q j^qqbop qla^v ^ob qeb ^mmol^`etfiimolsfabvlrtfqe^ibsbi pqbmpvlrq^hbqljlsbclot^oa+Tefib lc^qqbkqflk)abq^fi^kaobpmlkpfsbkbpp qebvb^ofppqfiivlrkd)j^hb^obplir* qe^qÒp sfoqr^iiv rkeb^oa lc fk lro qflk ql `^ii qeb tb^iqe j^k^dbjbkq fkarpqovqebpba^vp+Pljr`epl)fkc^`q) qb^j ^q Dobbkib^c Qorpq+ TbÒii ebim qe^q fk lro jlpq ob`bkq `ifbkq prosbv) vlr k^sfd^qb qeb tloiaÒp fk`ob^pfkdiv lsbo 65" lc obpmlkabkqp p^fa qebvÒa `ljmibu ^ka bkqtfkba j^ohbqp tfqe ob`ljjbkarpqllqebop+Lmmloqrkfqv `i^ofqv ^ka ^ pfkdib jfkaba cl`rp7 fphkl`hfkd)^kaqe^qÒpdlla+@^iirp) qeb mobpbos^qflk ^ka doltqe lc ^katbÒiiebimvlrlmbkqeballo+ Cfk^k`f^iPb`rofqvcoljDbkbo^qflkqlDbkbo^qflk /..plrqeolpbpqobbqh^i^j^wll)jf16--4ttt+dobbkib^cqorpq+`lj/36+055+65--5--+1.3+1222 (+,(,!,"&%".&0%", ,+)*&"'-, !,/+',,!+,!0 &0!*,+,()) (*,-',%0,!(+*(-'&#-&)"',(,"(' **".,*('+(' /!*,(),&(*"+)"%"+,+)-,&0-,-*$"',(&(,"(' !*0+%,* /+-)'(-, %"' ,,*,!'&0(%+% '+0/",!*,"',0&0!*,/+"' ,!*" !,)%,!'++-*+","+,(0 0+('$'(/+,!, ,(( %+($'(/+,!,%% "+', ,,"' )+,& '0(-$'(//!, '",!*"+,!*+,(&0%" *('+('!%,! (& !*, TICKETS ON SALE NOW! FRIDAY–SUNDAY, JAN. 29–31 | TIMES VARY TUESDAY–THURSDAY, FEB. 23–25 @ 7 P.M. Menopause The Musical® is set in a department store, TALE AS OLD AS TIME, TRUE AS IT CAN BE. Disney’s where four women with seemingly nothing in common BEAUTY AND THE BEAST, the smash hit Broadway but a black lace bra meet by chance at a lingerie sale. musical, is coming back to Kalamazoo! Based on the The all-female cast makes fun of their woeful hot flashes, Academy Award-winning animated feature film, this forgetfulness, mood swings, wrinkles, night sweats and eye-popping spectacle has won the hearts of over 35 chocolate binges. -
Who Can Use the Band Name If the Band Breaks Up? by Kurt Dahl
Who Can Use the Band Name if the Band Breaks Up? by Kurt Dahl Bands break up all the time. Sometimes one or more members want to continue using the band name, as was the case with Pink Floyd in the 1980s when both Roger Waters and David Gilmour were touring with two different bands under the name Pink Floyd. Who has the right to do so? The answer depends first on whether or not a Band Agreement exists that governs this situation. Read my post on Band Agreements for more. If a Band Agreement states that the exiting member has the right to use the name, then the remaining members likely have no claim against the leaving member. If the agreement states that the leaving member has no right to use the name, then the remaining members may be able to sue for breach of contract and possibly trademark infringement. It is a good idea for the remaining members to consult an entertainment lawyer in such a situation, to determine the extent of their rights and possible claims against the leaving member. If there is no Band Agreement in place, the waters go from muddy to muddier. It will likely involve the leaving member and remaining members hiring attorneys to litigate over the use of the band name. What does the case law say on the matter? The cases in this area demonstrate the default rule that trademark law will not prevent a former band member from making truthful representations of former affiliation with his or her former band, so long as the former member: i) does so in a manner that is not confusing; and ii) has not agreed to refrain from such representations. -
BROTHERLY LOVE in the '70S
TANGERINi E BOX T O iliBiMiniPiiiiJîîilîiii'jiiJiliy ,11:.! mm BROTHERLY LOVE IN T H E '70s he 24th of February 1971, Carnegie Hall, and The Beach Boys are about to play the longest gig of their career to a fuU house. A lot is riding on this set - a deep dive into their catalogue spanning their 10-year history. It's a new dawn for "America's Band". After four years of chaos dogged by declining record sales, lawsuits, mental breakdowns and worst of ail - irrelevance, this is their moment. Kicking off their two hour set with a Tdriving, kinetic 'Heroes And Villains' the hairy, funky-looking group are pretty much unrecognisable as the "Surfîng Doris Days" left behind by the counterculture back in '67. Leader Brian Wilson is absent, barely seen in public since he abandoned his opus SMiLE and abdicated his post as genius-in- residence. His brothers Cari and Dennis are here to avenge him, leading the charge of their formidable live assault. Even the lanky, balding figure of Mr 'California Girls' himself Mike Love has the bearing of a hip guru in his robes and beads. The gig is a triumph. With a new, hipper label behind them and a united front surely it was time for "America's Band" to shine, with or without their leader. This is the story of how, out of adversity The Beach Boys made their last great albums. " I dont see why I should lie and say the time the grab-bag 20/20 came out in wife Suzanne. Dennis at least succeeded in everything is rosy when it's not." February '69, it was clear that Brian was suppressing the tapes of the recordings Twenty-Seventh May 1969, and Brian barely involved, beyond chastising Cari made with Manson and his entourage he'd Wilson is talking to NME. -
This Disposition Is Not Appropriate for Publication and Is Not Precedent Except As Provided by 9Th Cir
FILED NOT FOR PUBLICATION JUL 08 2010 MOLLY C. DWYER, CLERK UNITED STATES COURT OF APPEALS U.S. COURT OF APPEALS FOR THE NINTH CIRCUIT MIKE LOVE, an individual, No. 08-55035 Plaintiff - Appellant, D.C. No. CV-06-06148-ABC v. * MEMORANDUM SANCTUARY RECORDS GROUP, LTD., a United Kingdom corporation; DAVID LEAF, an individual, Defendants - Appellees. MIKE LOVE, an individual, No. 08-55973 Plaintiff - Appellant, D.C. No. 2:06-cv-06148-ABC- PJW v. SANCTUARY RECORDS GROUP, LTD., a United Kingdom corporation; DAVID LEAF, an individual, Defendants - Appellees. Appeal from the United States District Court for the Central District of California Audrey B. Collins, Chief District Judge, Presiding * This disposition is not appropriate for publication and is not precedent except as provided by 9th Cir. R. 36-3. Argued and Submitted February 10, 2010 Pasadena, California ** Before: THOMAS and SILVERMAN, Circuit Judges, and FOGEL, District Judge. Founding Beach Boy Mike Love (“Love”) appeals dismissal of a derivative suit brought on behalf of Brother Records, Inc. (“BRI”), the corporation that owns the registered trademark The Beach Boys. Love also appeals the award of attorney’s fees to Sanctuary Records Group, Ltd. (“Sanctuary”).1 We have jurisdiction under 28 U.S.C. § 1291, and we affirm. I We review dismissals for failure to state a claim de novo. Miller v. Yokohama Tire Corp., 358 F.3d 616, 619 (9th Cir. 2004). We may affirm on any basis supported by the record, even if the district court did not rely on that basis. Shaw v. State of Cali. Dept. of Alcoholic Beverage Control, 788 F.2d 600, 603 (9th Cir.