DOUBLETOE.COM April / May 2010 Cougar Clogging Classic
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Pat Paxton in PHOENIX Airplay Leaders the Interview Page 3 Page 17 Page 33
POWER Entercom’s IS FORTY 31 PAT PAXTON IN PHOENIX Airplay Leaders The Interview PAGE 3 PAGE 17 PAGE 33 SEPTEMBER 2008 Guitar Heroes: Tim Hattrick (l) and Willy D. Loon (r) don the KNIX logo suits and bookend PD Alan Sledge. KNIX IS 4 In Phoenix hen Buck Owens bought KNIX-FM in Phoenix for $75,000, few could have imagined the extent to which his station’s commitment to country and to its listeners would succeed. At its peak, the station Wwas beyond dominant and, more important, perhaps the most influential and trendsetting Country station ever on the FM dial. As KNIX celebrates its 40th anniversary, Country Aircheck contacted several current and former executives for their favorite recollections of the station Buck built. and 30 Dolly Parton look-alike contestants paraded onstage Michael Owens, KNIX GM 1978-1999: before more than 1,000 listeners who had jammed into the Sometime in early 1979 – about a year after I became General club. Unfortunately, another 500 couldn’t get in because the Manager of KNIX-AM/FM – we were struggling with ratings place was filled! We had a couple people from RCA/Nashville and revenue. We were 10th or 12th at the time, trying hard to (Dolly’s label at the time) as judges, along with local newspaper break through to become a player in this big Phoenix market. We and TV celebrities. Local TV stations covered it live and the came up with an idea for a promotion and teamed with a local Phoenix Gazette newspaper ran a front-page photo plus a two- independent gasoline company to sell gas at 10 cents per gallon. -
THE STAGING of the FEMALE BODY in University of Stavanger COUNTRY MUSIC [email protected]
MÜZİKTE TEMSİL & MÜZİKSEL TEMSİL II ‘STAND BY YOUR MAN’ Lise K. Özgen THE STAGING OF THE FEMALE BODY IN University of Stavanger COUNTRY MUSIC [email protected] I am going to look at performativity and expressions of femininity in popular music; more specifically in country music. An interesting example can be the Canadian singer d.lang, where the transition between women/man dynamic to a more ambiguous gender construction is fundamental in how lang represents herself through her songs. Performativity The connection between gender and performance has been discussed in many cultural theoretical settings, using the term ‘masquerade’. The term has become an important and nuanced theoretical aspect of femininity and its representation. Joan Riviere’s ‘Womanliness as a Masquerade’ from 1929 holds a key place in discussion of female sexuality in psychoanalysis. Riviere argued that femininity was a performance where there was no genuine femininity separate from the masquerade; there is no distinction between authentic womanliness and its masquerade. “Womanliness ... could be assumed and worn as a mask, both to hide the possession of masculinity and to avert the reprisals expected if she was found to possess it…” (Riviere 1929:213). According to this, gendered identities are produced and performed in everything one does, and there is no gendered identity separate from performance. Performance demands the idea of an act, where the performer constructs a fabricated or invented identity. In this context we can also include Judith Butler’s ideas about performativity. We as individuals create ourselves through activities. Performance is not something passive which carries in it an inherent meaning; instead we are created by active actions that confirm meaning. -
1236 Culture Bridge Brochure AW.Indd
Today something happened amazingin school... NORTH EAST ...and it happened with Arts Award Dear Teacher, n this brochure you will find a list of great arts and cultural organisations across the INorth East region that all have something amazing to offer your school. All of these organisations can help support your pupils to achieve Arts Award! This brochure is designed to be used as a resource for your school, to support your short, medium and long‑term planning, help you identify new partnerships and opportunities for your pupils and find out how these organisations can help. Circus Central Image provided by Circus Central, circuscentral.co.uk 02 03 Contents 06 Who are we? 07 What is Arts Award? 08 The different levels of Arts Award 10 Who is in this brochure? 12 Northumberland 18 Tyne & Wear 38 County Durham 44 Tees Valley 52 Training agencies and practitioners Beamish Image provided by Beamish Museum 04 05 What is Who Arts Award? great way for children Through Arts Award young people gain and young people to a nationally recognised qualification A be inspired by and enjoy enabling them to progress into further are we? arts and culture. Arts Award is... education and employment. Arts Award has five levels, four of which (Explore, • Offered at five levels, four accredited Bronze, Silver, Gold) are accredited and one introductory award qualifications on the Qualifications and his brochure is produced by theatres, arts and dance companies, A framework for learning Credit Framework (QCF). Arts Award Culture Bridge North East. cinemas, heritage sites, galleries new skills and sharing them Discover is an introductory level. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
'Dolly Celebrates 25 Years of Dollywood' Talent Bios
‘DOLLY CELEBRATES 25 YEARS OF DOLLYWOOD’ TALENT BIOS DOLLY PARTON - "I've always been a writer. My songs are the door to every dream I've ever had and every success I've ever achieved," says Dolly Parton of her incredible career, which has spanned nearly five decades and is showing no signs of slowing down. An internationally renowned superstar, the iconic and irrepressible Parton has contributed countless treasures to the world of music entertainment, penning classic songs such as "Jolene," "Coat of Many Colors," and her mega-hit "I Will Always Love You." With 1977's crossover hit "Here You Come Again," she successfully erased the line between country and pop music without noticeably altering either her music or her image. "I'm not leaving country," she said at the time, "I'm just taking it with me." Making her film debut in the 1980 hit comedy “9 to 5,” Parton earned rave reviews for her performance and an Oscar nomination for writing the title tune, along with her second and third Grammy Awards. Roles in “Steel Magnolias,” “Best Little Whorehouse in Texas,” “Rhinestone,” and “Straight Talk” followed, along with two network television series, made for television movies, network and HBO specials, and guest-starring roles in series television. In 2006, Parton earned her second Oscar nomination for "Travelin' Thru," which she wrote for the film “Transamerica.” Dolly Parton's remarkable life began very humbly. Born January 19, 1946 on a farm in Sevier County, Tennessee, Parton is the fourth of twelve children. Her parents, Robert Lee and Avie Lee Parton struggled to make ends meet in the impoverished East Tennessee hills. -
Fedextra Winter/Spring 2019
www.morrisfed.org.uk fedThe quarterly newsletterextr of The Morris Federationa Winter/Spring 2019 Inside this issue... Becoming a Clog Maker (Pt 4) Simon Brock explains what's next for his clogs Brighton Morris looking back over 50 years and the secrets of their success North West Morris a brief history www.morrisfed.org.uk www.morrisfed.org.uk fed www.morrisfed.org.uk fed Winter/Springextra 2019 Winter/Springextra 2019 fedextra inside Winter/Spring 2019 this issue Winter/Spring 2019 Malmesbury Morris' Mayor with bells on North West 20 Morris 10 AGM Day Brighton Slubbing Making TradMad 12 clogs 14 of Dance 17 Morris 23 Billy's 26 Welcome to the Winter North West Morris: a brief AGM Day of Dance, London: Brighton Morrismen: Cover Stars issue & how to contact history of this traditonal pics of the day hosted by 50 years of dancing in 04your committee 10dance 17New Esperance Morris 23 Brighton and beyond 24 Chiltern Hundreds at The Morris Federation AGM Day of Dance, President's prologue: JMO TradMad: mixed gender team Birthdays: Danegeld Morris John Bacon Gold Badge London 2018 Day of Dance, AGM, and promoting the art of rapper turn 30 and Chip Off the Old Award: citation from Barry Photograph: Sam Ross 05could you be president? 12 dancing to a new generation 18 celebrate ther 40th 24 Goodman Do you have a great action picture of your team that Malkin Morris: Heritage 25 years of Green Dragons: Malmesbury Morris: Being Slubbing Billy's: open could feature on the cover Lottery Grant for local NW looking back and looking the Mayor with bells -
Backwoods Girl
Backwoods Girl 36 Count, 4 Wall, Improver Web site: www.linedancermagazine.com Choreographer: Chris Hodgson (UK) June 2008 Choreographed to: Backwoods Barbie by E-mail: [email protected] Dolly Parton, CD: Backwoods Barbie Start on Vocals 1-8 TOUCH HEEL-TOE / GRAPEVINE RIGHT-TOUCH / TOUCH HEEL-TOE 1-2 Touch Right Heel Forward, Touch Right Toe Next To Left Foot 3-4 Step Right To Right Side, Cross Left Behind Right 5-6 Step Right To Right Side, Touch Left Foot Next To Right 7-8 Touch Left Heel Forward, Touch Left Toe Next To Right Foot (12 o’clock) 9-16 GRAPEVINE LEFT With 1/2 TURN RIGHT-BRUSH / STEP FWD-TAP / STEP BACK-TAP 1-2 Step Left To Left Side, Cross Right Behind Left 3-4 Step Left 1/4 Turn Left, Turn 1/4 Left On Left Foot Brushing Right Foot Forward 5-6 Step Forward On Right, Tap Left Next To Right 7-8 Step Back On Left, Tap Right Next To Left (6 o’clock) 17-24 WALK FWD x 3-KICK / WALK BACK x 3-TOUCH 1-2 Step Forward On Right, Step Forward On Left 3-4 Step Forward On Right, Kick Left Foot Forward (optional clap) 5-6 Step Back On Left, Step Back On Right 7-8 Step Back On Left, Touch Right Foot Next To Left (6 o’clock) 25-32 SIDE-TOG-SIDE-TOUCH / GRAPEVINE LEFT With 1/4 TURN LEFT-BRUSH 1-2 Step Right To Right Side, Step Left Next To Right 3-4 Step Right To Right Side, Touch Left Foot Next To Right 5-6 Step Left To Left Side, Cross Right Behind Left 7-8 Step Left 1/4 Turn Left, Brush Right Foot Forward (3 o’clock) 33-36 STEP PIVOT 1/4 LEFT x 2 1-2 Step Forward On Right, Pivot 1/4 Turn Left (weight now on Left) 3-4 Step Forward On Right, Pivot 1/4 Turn Left (weight now on Left) (9 o’clock) Linedancer Magazine, 166 Lord Street, Southport, United Kingdom, PR9 0QA Tel: +44 (0)1704 392300 Fax: +44 (0)1704 501678 . -
Wednesday, July 31 Thursday, August 1
Wednesday, July 31 7:00-8:45 p.m. Pearl (an opera) KJ Bradford Aud. Amy Scurria, Duke University Session Chair: Margaret Thickstun, Hamilton College Pearl is an opera in development by Amy Scurria, composer, Carol Gilligan, feminist psychologist and librettist, Jonathan Gilligan, professor, poet, and librettist, and Sara Jobin conductor and producer. This work draws on Hawthorne’s Scarlet Letter but seeks to tell a different story, not Hawthorne’s but one that uses Hawthorne’s characters and circumstances, and is informed by a 21st-century feminist worldview. Our opera is a retelling of the Scarlet Letter by Nathaniel Hawthorne from the perspective of the daughter, Pearl. Pearl is a grown woman, a writer, with a daughter of her own. She is looking back at the events that shaped her childhood, seeking to find the truth that she knew as a child, but could not tell. Our opera purposefully turns the operatic status quo on its head by refusing to have any women characters die, go mad, or commit suicide. Our project is a direct response to Catherine Clément’s revealing book Opera, or the Undoing of Women. We tell another story: one that sheds light on the ills of the patriarchy, the cruelty and political maneuvering that occur in attempting to fit within the patriarchal construct, and the damage that it causes to both men and women. We end our opera with a voice of hope, calling people to consider a “brighter day, a new union not founded on dusky grief, but on shared joy.” Pearl was workshopped in the Berkshires at Shakespeare and Company on August 13, 2012. -
The Faith of Dolly Parton by Dudley Delffs
Dudley’s book gives great insight into why so many people around the world love Dolly Parton. While Dolly is one of the biggest superstars, she has never forgotten who she is and where she came from and the faith that anchors her life. GOVERNOR OF TENNESSEE, Bill Haslam, and First Lady Crissy Haslam Three amazing strands of stories are woven into this fabu- lous book, The Faith of Dolly Parton by Dudley Delffs. The thread of biography speaks of a fascinating woman whom we tend to think we know, but whom I admire even more when seeing her through the lens of faith. The thread of memoir shared through the author’s blending of his own life story with Dolly’s is a gift of hope and connection. And the final thread, that of devotional, invites us to more. Faith- based questions at the end of each chapter take us deeper into our own stories, while the prayers remind us that it was Dolly’s faith that has taken her to the heights she’s attained, as she humbly acknowledges. Reading this book reminded me of my own faith journey and the gift of story told through music, words, and life. I love this book! You will too! JANE KIRKPATRICK, award- winning author of All She Left Behind The Faith of Dolly Parton is a little book filled with big dreams! Dudley Delffs weaves together his unique spiritual journey with the wonder and wisdom of Dolly Parton’s with a heartwarming result. I was uplifted by the inspirational gifts of both and delighted by the author’s humor and the 9780310352921_FaithDollyParton_int_HC.indd 1 4/6/18 11:31 AM joy hidden in the stories of Dolly’s life. -
(615) 327-0100 Established Nashville Producer
1303 16th Ave. South Nashville, TN 37212 www.plamedia.com FOR IMMEDIATE RELEASE Contact: P.L.A. Media Phone: (615) 327-0100 Renowned Nashville Producer Adds Additional Credits to His Already Lengthy List of Achievements Established Nashville producer Kent Wells recently added another credit to his resume with the sole production on the newest Dolly Parton studio album, Better Day. As a producer, Kent has generated numerous projects for other country artists including Michael Peterson, Neal McCoy, 4Runner, among others. He also co-produced, co-wrote and played on Dolly’s critically acclaimed Backwoods Barbie album, which was the highest debuting Billboard Chart album release of her historic career. With Dolly’s new album, Kent is extremely pleased and excited about how it turned out. “Working with Dolly is always so fun, and her creativity and talent really shine on the new record, as is the case with all her records, I guess,” laughs Kent. In addition to working with the legendary Dolly Parton, Kent also formed a new label, Go Time Records (GTR). The idea for the label grew from an ever increasing demand for music and music related products for many of the artists Kent was already developing at his production company. Featuring artists from multiple genres including country, rock and pop, the new label provides a chance for new artists to be credible, have a label home and national/international distribution and other career services. From production, duplication, packaging, imaging and distribution and marketing, the label will assist artists with independent releases and guide them through the ever-changing landscape while they control their own pace and tempo. -
Reading Dolly Parton a Radiant Entertainer Finally Gets Her Due As a Composer and Lyricist—And Champion of Resilience Amid Troubles
This copy is for your personal, non-commercial use only. To order presentation-ready copies for distribution to your colleagues, clients or customers visit https://www.djreprints.com. https://www.wsj.com/articles/here-she-comes-again-reading-dolly-parton-11609433264 BOOKSHELF Here She Comes Again: Reading Dolly Parton A radiant entertainer finally gets her due as a composer and lyricist—and champion of resilience amid troubles. Dolly Parton in 1978. PHOTO: RICHARD E. AARONREDFERNS By Eddie Dean Dec. 31, 2020 1147 am ET Listen to this article 12 minutes In the late 1960s, Dolly Parton got her big break as the “girl singer” on “The Porter Wagoner Show,” a syndicated television program that brought hard-core honky-tonk and down-home humor into the living rooms of America. It may be hard to believe now, but back then Ms. Parton was only the second most flamboyant performer onstage. One of country music’s most magnetic stars, Wagoner had a peroxide pompadour and eye- popping, rhinestone-studded Nudie suits that defined Nashville glitz. Meanwhile, “Miss Dolly,” as he called her, was kept buttoned up in demure outfits despite her natural radiance and zest. Underpaid and underappreciated, Ms. Parton would later compare her seven-year stint with Wagoner to the time that indentured servants were required to work in order to earn their freedom. It was indeed a raw deal, but it was worth it. It gave her national exposure and performing experience with a peerless entertainer twice her age. It also allowed her to hone her songwriting talent, which had brought her to Nashville in 1964 as an 18-year- old from the Smoky Mountains.