Muziek Voor Volwassenen 2021 Week 06
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Pat Paxton in PHOENIX Airplay Leaders the Interview Page 3 Page 17 Page 33
POWER Entercom’s IS FORTY 31 PAT PAXTON IN PHOENIX Airplay Leaders The Interview PAGE 3 PAGE 17 PAGE 33 SEPTEMBER 2008 Guitar Heroes: Tim Hattrick (l) and Willy D. Loon (r) don the KNIX logo suits and bookend PD Alan Sledge. KNIX IS 4 In Phoenix hen Buck Owens bought KNIX-FM in Phoenix for $75,000, few could have imagined the extent to which his station’s commitment to country and to its listeners would succeed. At its peak, the station Wwas beyond dominant and, more important, perhaps the most influential and trendsetting Country station ever on the FM dial. As KNIX celebrates its 40th anniversary, Country Aircheck contacted several current and former executives for their favorite recollections of the station Buck built. and 30 Dolly Parton look-alike contestants paraded onstage Michael Owens, KNIX GM 1978-1999: before more than 1,000 listeners who had jammed into the Sometime in early 1979 – about a year after I became General club. Unfortunately, another 500 couldn’t get in because the Manager of KNIX-AM/FM – we were struggling with ratings place was filled! We had a couple people from RCA/Nashville and revenue. We were 10th or 12th at the time, trying hard to (Dolly’s label at the time) as judges, along with local newspaper break through to become a player in this big Phoenix market. We and TV celebrities. Local TV stations covered it live and the came up with an idea for a promotion and teamed with a local Phoenix Gazette newspaper ran a front-page photo plus a two- independent gasoline company to sell gas at 10 cents per gallon. -
THE STAGING of the FEMALE BODY in University of Stavanger COUNTRY MUSIC [email protected]
MÜZİKTE TEMSİL & MÜZİKSEL TEMSİL II ‘STAND BY YOUR MAN’ Lise K. Özgen THE STAGING OF THE FEMALE BODY IN University of Stavanger COUNTRY MUSIC [email protected] I am going to look at performativity and expressions of femininity in popular music; more specifically in country music. An interesting example can be the Canadian singer d.lang, where the transition between women/man dynamic to a more ambiguous gender construction is fundamental in how lang represents herself through her songs. Performativity The connection between gender and performance has been discussed in many cultural theoretical settings, using the term ‘masquerade’. The term has become an important and nuanced theoretical aspect of femininity and its representation. Joan Riviere’s ‘Womanliness as a Masquerade’ from 1929 holds a key place in discussion of female sexuality in psychoanalysis. Riviere argued that femininity was a performance where there was no genuine femininity separate from the masquerade; there is no distinction between authentic womanliness and its masquerade. “Womanliness ... could be assumed and worn as a mask, both to hide the possession of masculinity and to avert the reprisals expected if she was found to possess it…” (Riviere 1929:213). According to this, gendered identities are produced and performed in everything one does, and there is no gendered identity separate from performance. Performance demands the idea of an act, where the performer constructs a fabricated or invented identity. In this context we can also include Judith Butler’s ideas about performativity. We as individuals create ourselves through activities. Performance is not something passive which carries in it an inherent meaning; instead we are created by active actions that confirm meaning. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Pg0140 Layout 1
New Releases HILLSONG UNITED: LIVE IN MIAMI Table of Contents Giving voice to a generation pas- Accompaniment Tracks . .14, 15 sionate about God, the modern Bargains . .20, 21, 38 rock praise & worship band shares 22 tracks recorded live on their Collections . .2–4, 18, 19, 22–27, sold-out Aftermath Tour. Includes 31–33, 35, 36, 38, 39 the radio single “Search My Heart,” “Break Free,” “Mighty to Save,” Contemporary & Pop . .6–9, back cover “Rhythms of Grace,” “From the Folios & Songbooks . .16, 17 Inside Out,” “Your Name High,” “Take It All,” “With Everything,” and the Gifts . .back cover tour theme song. Two CDs. Hymns . .26, 27 $ 99 KTCD23395 Retail $14.99 . .CBD Price12 Inspirational . .22, 23 Also available: Instrumental . .24, 25 KTCD28897 Deluxe CD . 19.99 15.99 KT623598 DVD . 14.99 12.99 Kids’ Music . .18, 19 Movie DVDs . .A1–A36 he spring and summer months are often New Releases . .2–5 Tpacked with holidays, graduations, celebra- Praise & Worship . .32–37 tions—you name it! So we had you and all your upcoming gift-giving needs in mind when we Rock & Alternative . .10–13 picked the products to feature on these pages. Southern Gospel, Country & Bluegrass . .28–31 You’ll find $5 bargains on many of our best-sell- WOW . .39 ing albums (pages 20 & 21) and 2-CD sets (page Search our entire music and film inventory 38). Give the special grad in yourConGRADulations! life something unique and enjoyable with the by artist, title, or topic at Christianbook.com! Class of 2012 gift set on the back cover. -
'Dolly Celebrates 25 Years of Dollywood' Talent Bios
‘DOLLY CELEBRATES 25 YEARS OF DOLLYWOOD’ TALENT BIOS DOLLY PARTON - "I've always been a writer. My songs are the door to every dream I've ever had and every success I've ever achieved," says Dolly Parton of her incredible career, which has spanned nearly five decades and is showing no signs of slowing down. An internationally renowned superstar, the iconic and irrepressible Parton has contributed countless treasures to the world of music entertainment, penning classic songs such as "Jolene," "Coat of Many Colors," and her mega-hit "I Will Always Love You." With 1977's crossover hit "Here You Come Again," she successfully erased the line between country and pop music without noticeably altering either her music or her image. "I'm not leaving country," she said at the time, "I'm just taking it with me." Making her film debut in the 1980 hit comedy “9 to 5,” Parton earned rave reviews for her performance and an Oscar nomination for writing the title tune, along with her second and third Grammy Awards. Roles in “Steel Magnolias,” “Best Little Whorehouse in Texas,” “Rhinestone,” and “Straight Talk” followed, along with two network television series, made for television movies, network and HBO specials, and guest-starring roles in series television. In 2006, Parton earned her second Oscar nomination for "Travelin' Thru," which she wrote for the film “Transamerica.” Dolly Parton's remarkable life began very humbly. Born January 19, 1946 on a farm in Sevier County, Tennessee, Parton is the fourth of twelve children. Her parents, Robert Lee and Avie Lee Parton struggled to make ends meet in the impoverished East Tennessee hills. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Backwoods Girl
Backwoods Girl 36 Count, 4 Wall, Improver Web site: www.linedancermagazine.com Choreographer: Chris Hodgson (UK) June 2008 Choreographed to: Backwoods Barbie by E-mail: [email protected] Dolly Parton, CD: Backwoods Barbie Start on Vocals 1-8 TOUCH HEEL-TOE / GRAPEVINE RIGHT-TOUCH / TOUCH HEEL-TOE 1-2 Touch Right Heel Forward, Touch Right Toe Next To Left Foot 3-4 Step Right To Right Side, Cross Left Behind Right 5-6 Step Right To Right Side, Touch Left Foot Next To Right 7-8 Touch Left Heel Forward, Touch Left Toe Next To Right Foot (12 o’clock) 9-16 GRAPEVINE LEFT With 1/2 TURN RIGHT-BRUSH / STEP FWD-TAP / STEP BACK-TAP 1-2 Step Left To Left Side, Cross Right Behind Left 3-4 Step Left 1/4 Turn Left, Turn 1/4 Left On Left Foot Brushing Right Foot Forward 5-6 Step Forward On Right, Tap Left Next To Right 7-8 Step Back On Left, Tap Right Next To Left (6 o’clock) 17-24 WALK FWD x 3-KICK / WALK BACK x 3-TOUCH 1-2 Step Forward On Right, Step Forward On Left 3-4 Step Forward On Right, Kick Left Foot Forward (optional clap) 5-6 Step Back On Left, Step Back On Right 7-8 Step Back On Left, Touch Right Foot Next To Left (6 o’clock) 25-32 SIDE-TOG-SIDE-TOUCH / GRAPEVINE LEFT With 1/4 TURN LEFT-BRUSH 1-2 Step Right To Right Side, Step Left Next To Right 3-4 Step Right To Right Side, Touch Left Foot Next To Right 5-6 Step Left To Left Side, Cross Right Behind Left 7-8 Step Left 1/4 Turn Left, Brush Right Foot Forward (3 o’clock) 33-36 STEP PIVOT 1/4 LEFT x 2 1-2 Step Forward On Right, Pivot 1/4 Turn Left (weight now on Left) 3-4 Step Forward On Right, Pivot 1/4 Turn Left (weight now on Left) (9 o’clock) Linedancer Magazine, 166 Lord Street, Southport, United Kingdom, PR9 0QA Tel: +44 (0)1704 392300 Fax: +44 (0)1704 501678 . -
BBC Radio International Pop Docs Catalogue Contents
BBC Radio International Pop Docs Catalogue BBC Radio International brings you innovative music documentaries covering rock, pop, jazz, country, classical and much more. With access to both new and established artists and performers we provide your listeners with a special insight into their favourite artists' lives. Here you will find profiles of new bands, exclusive in-depth interviews with the biggest stars, unique material from the largest music archive in the world, plus original unreleased music and exclusive concert recordings as we celebrate music as a living and developing art form. You can easily search the BBC music documentaries by genre. Take a look through the options available and select from hundreds of hours of content spanning from present day back through the last twenty years. Most programmes are one hour in duration and you can pick and choose any titles that suit your listeners, including selecting individual episodes from a series. The catalogue is updated on a quarterly basis so look out for new and exciting programmes and feel free to get in touch with the team to find out more. All rights are cleared by the BBC and all relevant royalties and payaways will be originated by the BBC. The licensee only reports music to a relevant local collection society. Have a question or want to know more about a specific genre or programme? Contact: Larissa Abid, Ana Bastos or Laura Lawrence for more details. Contents Classic Pop and Rock ...............................................................................................................................................2 -
Entertainment Plus Karaoke by Title
Entertainment Plus Karaoke by Title #1 Crush 19 Somethin Garbage Wills, Mark (Can't Live Without Your) Love And 1901 Affection Phoenix Nelson 1969 (I Called Her) Tennessee Stegall, Keith Dugger, Tim 1979 (I Called Her) Tennessee Wvocal Smashing Pumpkins Dugger, Tim 1982 (I Just) Died In Your Arms Travis, Randy Cutting Crew 1985 (Kissed You) Good Night Bowling For Soup Gloriana 1994 0n The Way Down Aldean, Jason Cabrera, Ryan 1999 1 2 3 Prince Berry, Len Wilkinsons, The Estefan, Gloria 19th Nervous Breakdown 1 Thing Rolling Stones Amerie 2 Become 1 1,000 Faces Jewel Montana, Randy Spice Girls, The 1,000 Years, A (Title Screen 2 Becomes 1 Wrong) Spice Girls, The Perri, Christina 2 Faced 10 Days Late Louise Third Eye Blind 20 Little Angels 100 Chance Of Rain Griggs, Andy Morris, Gary 21 Questions 100 Pure Love 50 Cent and Nat Waters, Crystal Duets 50 Cent 100 Years 21st Century (Digital Boy) Five For Fighting Bad Religion 100 Years From Now 21st Century Girls Lewis, Huey & News, The 21st Century Girls 100% Chance Of Rain 22 Morris, Gary Swift, Taylor 100% Cowboy 24 Meadows, Jason Jem 100% Pure Love 24 7 Waters, Crystal Artful Dodger 10Th Ave Freeze Out Edmonds, Kevon Springsteen, Bruce 24 Hours From Tulsa 12:51 Pitney, Gene Strokes, The 24 Hours From You 1-2-3 Next Of Kin Berry, Len 24 K Magic Fm 1-2-3 Redlight Mars, Bruno 1910 Fruitgum Co. 2468 Motorway 1234 Robinson, Tom Estefan, Gloria 24-7 Feist Edmonds, Kevon 15 Minutes 25 Miles Atkins, Rodney Starr, Edwin 16th Avenue 25 Or 6 To 4 Dalton, Lacy J. -
Issue 6.2 Full
Bone Bouquet Volume 6 Issue 2 Fall 2015 Copyright © 2015 Bone Bouquet ISSN 2157-9199 ISSN online 1948-1896 To learn more about Bone Bouquet, visit us online at http://bonebouquet.org Subscriptions can be purchased via our website or by sending a check made out to Bone Bouquet to: 925 Bergen St, Suite 405 | Brooklyn, NY 11238 Single issues are $8.00 each plus $2.00 shipping; a one-year subscription may be purchased for $15.00 with free shipping; two-year subscriptions $26.00 with free shipping. To submit work to Bone Bouquet, visit our online submission manager at http://bonebouquet.submittable.com/submit. We read year round and only via Submittable. Queries may be directed to the editors at [email protected]. Bone Bouquet is: Editors: Krystal Languell, Trina Burke, Amy MacLennan, Allison Layfield, Rachelle Cruz, Youna Kwak Editorial Assistants: Emma Marshall, Emily Kaufman Reviews Editor: Jeanine Deibel cover art & cover design by Jana Vukovic www.janavukovic.com This publication is made possible with a regrant from the Community of Literary Magazines and Presses, supported by public funds from the New York State Council on the Arts, a state agency. The staff gratefully acknowledges the continued support of Rachel Levitsky, Liz Page Roberts, Tom White, Barbara Henning, Carmen Giménez Smith and Evan Lavender-Smith, as well as our subscribers. Contents Jennifer Givhan Alice in the Snow, 5 Brenda Mann Hammack Palaestra, 7 Grace Shuyi Liew from Publics, 9 Maximiliane Donicht Nighthour, 11 Sarah Gzemski Parables, 12 Simone Wolff Pick, 15 Meredith McDonough Princess Maru Becomes Dr. Poison, 16 Claire Trévien from Astéronymes, 17 Valerie Hsiung london bridge is falling down, 20 Amy Schrader Two poems, 21 Karen An-Hwei Lee Three poems, 27 Rachel Fogarty Green, 28 Samiya Bashir Upon Such Rocks, 29 Claire Marie Stancek Move, 31 Evie Shockley Two poems, 32 Tara Betts Two poems, 34 Leia Penina Wilson Two poems, 36 Lauren Elma Frament tamworth trail, 1:23 pm (how he shot the bitch dead right between the eyes), 38 Bonnie Roy from hieronymus heronyma, 39 Min K. -
Wednesday, July 31 Thursday, August 1
Wednesday, July 31 7:00-8:45 p.m. Pearl (an opera) KJ Bradford Aud. Amy Scurria, Duke University Session Chair: Margaret Thickstun, Hamilton College Pearl is an opera in development by Amy Scurria, composer, Carol Gilligan, feminist psychologist and librettist, Jonathan Gilligan, professor, poet, and librettist, and Sara Jobin conductor and producer. This work draws on Hawthorne’s Scarlet Letter but seeks to tell a different story, not Hawthorne’s but one that uses Hawthorne’s characters and circumstances, and is informed by a 21st-century feminist worldview. Our opera is a retelling of the Scarlet Letter by Nathaniel Hawthorne from the perspective of the daughter, Pearl. Pearl is a grown woman, a writer, with a daughter of her own. She is looking back at the events that shaped her childhood, seeking to find the truth that she knew as a child, but could not tell. Our opera purposefully turns the operatic status quo on its head by refusing to have any women characters die, go mad, or commit suicide. Our project is a direct response to Catherine Clément’s revealing book Opera, or the Undoing of Women. We tell another story: one that sheds light on the ills of the patriarchy, the cruelty and political maneuvering that occur in attempting to fit within the patriarchal construct, and the damage that it causes to both men and women. We end our opera with a voice of hope, calling people to consider a “brighter day, a new union not founded on dusky grief, but on shared joy.” Pearl was workshopped in the Berkshires at Shakespeare and Company on August 13, 2012.