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INFORMATION to USERS the Most Advanced Technology Has Been INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or17" as x a23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ■UMIAccessing the World’s Information since 1938 300 North Z eeb Road, Ann Arbor. Ml 48106-1346 USA Order Number 8804104 The concept of love in the poetry of An n a Axmatova Seog, Youngjoong, Ph.D. The Ohio State University, 1987 Copyright ©1987 by Seog, Youngjoong. AH rights reserved. UM-I 300 N. Zeeb Rd. Ann Arbor, MI 48106 THE CONCEPT OF LOVE IN THE POETRY OF ANNA AXMATOVA DISSERTATION Presented in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Youngjoong Seog/ B.A., M.A. * * * * * The Ohio State University 1987 Dissertation Committee: Approved By Dr. Mateja Matejic Dr. Hongor Oulanoff Dr. Frank Silbajoris and Literatures Copyright by Youngjoong Seog 1987 To My Mother 11 ACKNOWLEDGMENTS I should like to express my deepest gratitude to my adviser Dr. Frank Silbajoris, without whose critical suggestions and personal encouragements this dissertation could not have been written. He has read the manuscript at every stage of its preparation from the very inception to the completion and has given me extremely valuable, detailed criticism. Especially during the most difficult periods of writing, I was greatly encouraged by his unshakable faith in me. Thanks go to the other members of my reading committee, Drs. Mateja Matejic and Hongor Oulanoff, for their suggestions and ideas. I also thank Dr. Anelya Rugaleva for her encouragements and serious interest in my topic. I owe a great deal to my colleague Mr. Jim Philips who proofread part of the manuscript, and to Mrs. Elena Duzs who helped my translation of the original texts. To the Slavic bibliographer Mr. George Klim, I give special thanks for his help during the period of my research. iii VITA March 24, 1959 ........... Born-Seoul, Korea 1981 ....................... B.A., Korea University, Seoul, Korea 1981-1982................... University Fellow, Department of Slavic Languages and Literatures, The Ohio State University, Columbus, Ohio 1983 ....................... M.A., Russian Literature and Linguistics, The Ohio State University 1983 ....................... Intensive Russian Language Workshop, Indiana University Bloomington, Indiana 1985 ....................... Graduate Research Associate For Individualized Serbo- Croatian Project, The Ohio State University 1982- ................... Graduate Teaching Associate, Department of Slavic Languages and Literatures, The Ohio State University FIELDS OF STUDY Major Field: Russian Literature Studies in Russian Poetry and Poetics Dr. Frank Silbajoris, Dr. Mateja Matejic TABLE OF CONTENTS ACKNOWLEDGMENTS .................................... iii V I T A .................................................. iv INTRODUCTION .......................................... 1 NOTES TO INTRODUCTION ................................ 5 CHAPTER PAGE I. THE CONCEPT OF LOVE AS A "DOMINANTA" ......... 6 NOTES TO CHAPTER I .......................... 35 II. THE "I" AND THE WORLD... ...................... 39 NOTES TO CHAPTER II 7 3 III. PROBLEMS OF DISCOURSE ...................... 76 NOTES TO CHAPTER III ....................... 119 IV. SOME ASPECTS OF TIME ....................... 12 3 NOTES TO CHAPTER I V ........................ 154 V. POEMA BEZ GEROJA: THE 'ACME* OF CREATION . 157 NOTES TO CHAPTER V ......................... 187 CONCLUSION .......................................... 191 NOTES TO CONCLUSION ................................ 193 APPENDIX ............................................ 194 BIBLIOGRAPHY ...... 220 v INTRODUCTION The King of Heaven healed my soul With icy peace of non-love. Axmatova This study is intended to focus on the significance of the topic of love as a dominant poetic mode in Axmatova's poetry. As has been repeatedly suggested by the majority of scholars, the concept of love is the single, most pervasive poetic principle which lies at the very heart of Axmatova's entire opus. Speaking of her early poetry, thus, Leonid Grossman singles out love as "dominanta": l)Tvorcestvo Axmatovoj, o kotorom neredko govorili, kak o sliSkom tesno o££er£Sennom, uzkom kruge motivov s pristrastiem k odnoj dominante "nerazdelennoj ljubvi," javljaet Sirokoe mnogoobrazie liriceskix tem i pofeticeskix priemov...Dominanta ljubvi tol'ko uglubljaet &tot ton, i kazetsja, cto golos Ifigenii ili Fedry snova zvucit v korotkix strokax etix lirifieskix fragmentov. Similarly, Aleksej Pavlovskij, in the concluding remarks of his study of Axmatova's poetry, considers her love lyrics as the major achievemant: 1 2 2)Titulovannaja kogda-to zvaniem "Safo XX stoletija", ona dejstvitel'no vpisala v velikuju Knigu Ljubvi novye stranicy. Ee xudozestvennym otkrytiem byla pre^de vsego ljubovnaja lirika. Although these and other similar statements clearly point to the significance of the concept of love, precisely in what respect this particular concept dominates the poetic system of the axmatovian text has not been sufficiently elaborated. In most studies, the topic of love as such has been rather overlooked or at best touched upon merely as one of the universal themes of poetry in general. The goal of the present study is to closely examine this important but often overlooked aspect of her poetry and to demonstrate its function and significance by analysis of her major poems. First, we will define in concrete terms the concept of love as a principal structural modality rather than a theme through examining individual texts with divergent themes and motifs. After establishing the concept of love as a dominant mode, we will investigate several structural traits of Axmatova's poetry which have immediate bearing upon that mode. This means that this study will be in principle an investigation of the constituent elements of Axmatova1s poetic work in terms of their relationship with each other and with the artistic whole of her poetry in the context of love as 3 the dominant modality. By selecting and examining the distinctive features of those constituent elements, we intend to answer two fundamental questions: "how Axmatova's poetic work is constructed and why it is constructed in such a fashion." In this respect, the best term for the methodology of our approach would be structural in the sense that structural poetics involves to a greater or lesser extent the consideration of a literary text in terms of the functions of its constituent elements. The objects of our investigation will be as follows. 1) We will re-examine the notion of the poetic "I" and her various voices in connection with the poet's integral vision of life as manifested in the principal mode of love. Then, we will determine what all the different voices of the "I" taken together amount to, in other words, what the total picture of the poetic reality created by the multi-voiced "I" is. 2) We will discuss issues pertaining to discourse: the nature of the recurrent pattern of discourse in general and that of dialogue in particular, and the interrelationship between the unique pattern of discourse and the poet's notion of love. Here, the focus will be given to the problem of human communication as a fundamental aspect of love. 4 3) Finally, we will investigate the spatial and temporal scheme of the text as one of the structural factors which serve to realize the concept of love as a dominant modality. These are basically the three major categories under which we will develop our initial contention that the topic of love is of primary import in Axmatova's poetics. There can be other factors which are relevant to the present topic but they will fall beyond the scope of this study. We do not claim that our investigation will be a fundamentally new discovery but we do hope that it will contribute some new perspectives to understanding, what Valerian (Sudovskij calls, "the narrow, but tangled 3 labyrinth" of Axmatova's poetic world. NOTES TO INTRODUCTION Leonid Grossman, "Anna Axmatova," in Bor'ba stil1 fMoskva; Nikitinskie Subbotniki, 1927), pp. 231-39. A Aloksej Pavlovskij, Anna Axmatova i ocerk tvor£estva (Leningrad: Lenizdat, 1966), p. 189. 3 s/ Valerian Cudovskij, "Po Povodu Stixov Anny Axmatovoj,11 Apollon. No. 5 (1912), p. 48. CHAPTER I. THE CONCEPT OF LOVE AS A "DOMINANTA" Love is the final purpose of world history— the amen of the universe. Novalis It has often been pointed out that the theme of love dominates the poetry of Axmatova, especially in the early period.1 The word
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