DOCSLIB.ORG

The British Monarchy on Screen

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The British Monarchy on Screen The British monarchy on screen oving images of the British monarchy, in fact and fiction, are almost as M old as the moving image itself, dating back to an 1895 dramatic vignette, The Execution of Mary Queen of Scots. Led by Queen Victoria, British monarchs themselves appeared in the new ‘animated photography’ from 1896. Half a The British century later, the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century’s end, Princess Diana’s funeral was viewed by 2.5 billion worldwide. monarchy Historians have argued that the power of the image has bolstered the British monarchy as its political power has waned, but media scholars have been slow to examine how that power has been secured by royal self-promotion, entrepreneurial on screen deference, narrative sympathy, reportorial discretion and spectacular exhibition. In the first book-length examination of film and television representations of this enduring institution, distinguished scholars of media and political history analyse the screen representations of royalty from Henry VIII to ‘William and Kate’. Among their concerns are the commercial value of royal representations, the convergence of the monarch and the movie star, and the historical use of the moving image to maintain the Crown’s legitimacy. Seventeen essays by international commentators examine the portrayal of royalty in the ‘actuality’ picture, the early extended feature, amateur cinema, Edited by Mandy Merck the movie melodrama, the Commonwealth documentary, New Queer Cinema, TV current affairs, the big screen ceremonial and the post-historical boxed set. These contributors include Ian Christie, Elisabeth Bronfen, Andrew Higson, Steven Fielding, Karen Lury, Glyn Davis, Ann Gray, Jane Landman,Victoria Duckett, Jude Cowan Montague, James Downs, Barbara Straumann, Deirdre Gilfedder, Jo Stephenson, Ruth Adams, Erin Bell, Basil Glynn, Nicola Rehling and Mandy Merck. Merck A long over-due contribution to film and television studies, this collection will (ed.) become an essential resource for scholars and students of British media and political history. Mandy Merck is Professor of Media Arts at Royal Holloway, University of London Front cover: Spectators in London’s Trafalgar Square view the royal couple’s post-nuptial kiss on the big screen, 2011. AP Archive www.manchesteruniversitypress.co.uk ISBN 978-0-7190-9956-4 9 780719 099564 The British monarchy on screen The British monarchy on screen Edited by Mandy Merck Manchester University Press Copyright © Manchester University Press 2016 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors. This electronic version has been made freely available under a Creative Commons (CC-BY-NC-ND) licence, which permits non-commercial use, distribution and reproduction provided the author(s) and Manchester University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/licenses/by-nc-nd/3.0/ Published by Manchester University Press Altrincham Street, Manchester M1 7JA www.manchesteruniversitypress.co.uk British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for ISBN 978 07190 9956 4 hardback First published 2016 The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Typeset by Out of House Publishing CONTENTS List of fi gures vii Contributors x Acknowledgements xv Introduction 1 Mandy Merck Part I: Victorian inventions 1 ‘A very wonderful process’: Queen Victoria, photography and fi lm at the fi n de siècle 2 3 Ian Christie 2 Sixty Years a Queen (1913): a lost epic of the reign of Victoria 47 Jude Cowan Montague 3 The heart of a heartless political world: screening Victoria 64 Steven Fielding 4 Walbrook’s royal waltzes 86 James Downs Part II: The Elizabethan diva 5 Her Majesty moves: Sarah Bernhardt, Queen Elizabeth and the development of motion pictures 111 Victoria Duckett 6 Elizabeth I: the cinematic afterlife of an early modern political diva 132 Elisabeth Bronfen and Barbara Straumann 7 Queens and queenliness: Quentin Crisp as Orlando ’s Elizabeth I 155 Glyn Davis v Contents Part III: Images of empire 8 Renewing imperial ties: The Queen in Australia 181 Jane Landman 9 The King’s Speech : an allegory of imperial rapport 205 Deirdre Gilfedder Part IV: Popular participation in royal representation 10 The Queen has two bodies: amateur fi lm, civic culture and the rehearsal of monarchy 225 Karen Lury 11 The regal catwalk: royal weddings and the media promotion of British fashion 243 Jo Stephenson 12 The Queen on the big screen(s): outdoor screens and public congregations 264 Ruth Adams Part V: Television’s contested histories 13 Television’s royal family: continuity and change 291 Erin Bell and Ann Gray 1 4 The Tudors and the post-national, post-historical Henry VIII 309 Basil Glynn Part VI: Monarchy in contemporary anglophone cinema 15 From political power to the power of the image: contemporary ‘British’ cinema and the nation’s monarchs 339 Andrew Higson 16 Melodrama, celebrity, The Queen 363 Mandy Merck 17 When words fail: The King’s Speech as melodrama 384 Nicola Rehling Index 406 vi FIGURES 1 Elizabeth II is escorted to the 2012 London Olympics by James Bond (Daniel Craig), as fi lmed for the BBC by Danny Boyle. 2 2 An early image from the royal collection: Queen Victoria with four of her children, photographed by Roger Fenton in February 1854. 25 3 The Diamond Jubilee procession on 22 June 1897 provided an unprecedented spectacle for crowds lining the route, and for the many fi lm companies who had secured vantage points. 33 4 Queen Victoria (Ina Kastner) proposes to Prince Albert in a photographic illustration from the May Wynne book accompanying Sixty Years a Queen (William Barker, 1913). 52 5 A poster for Victoria the Great (Herbert Wilcox, 1937). 71 6 A poster for The Young Victoria (Jean-Marc Vallée, 2009). 77 7 Anton Walbrook as Prince Albert at the piano in Victoria the Great (Herbert Wilcox, 1937). Copyright © STUDIOCANAL Films Ltd. 93 8 Anton Walbrook and Anna Neagle as the royal couple in Victoria the Great (Herbert Wilcox, 1937). Copyright © STUDIOCANAL Films Ltd. 97 9 Sarah Bernhardt as Elizabeth I in the fi nal scene of the fi lm version of Queen Elizabeth . National Film and Sound Archive of Australia. 113 10 The Earl of Essex (Lou Tellegen) kneels before Elizabeth I (Sarah Bernhardt) in Queen Elizabeth ( Les Amours de la Reine Elisabeth , Henri Desfontaines and Louis Mercanton, 1912). National Film and Sound Archive of Australia. 120 11 Sarah Bernhardt as Elizabeth I in the fi nal scene of the 1912 stage production of Les Amours de la Reine Elisabeth . Bibliothèque national de France. 124 vii List of fi gures 12 Flora Robson as Elizabeth I addressing her people aboard ship in The Sea Hawk (Michael Curtiz, 1940). 140 13 Bette Davis as the isolated Queen in The Private Lives of Elizabeth and Essex (Michael Curtiz, 1939). 142 14 Jean Simmons as Elizabeth I in Young Bess (George Sidney, 1953). 144 15 Bette Davis as the ageing Elizabeth I in The Virgin Queen (Henry Koster, 1955). 146 16 Cate Blanchett as the iconic Queen in Elizabeth: The Golden Age (Shekhar Kapur, 2007). 151 17 Cate Blanchett as the Queen astride a map of Europe in Elizabeth: The Golden Age . 151 18 Elizabeth I (Quentin Crisp) is accompanied by Orlando (Tilda Swinton) on a walk in Orlando (Sally Potter, 1993). 156 19 Cross-gender casting for the Queen (Quentin Crisp) in Orlando . 161 20 An Elizabethan progress: poster for The Queen in Australia (produced by Stanley Hawes, 1954). 182 21 Colonial mimicry? Australian speech therapist Lionel Logue (Geoff rey Rush) dares to sit on King Edward’s Chair in The King’s Speech (Tom Hooper, 2010). 214 22 The crowning of the ‘Queen of the South’ on Guid Nychburris Day 1952 in Dumfries, Scotland. 233 23 The wedding dress of Lady Alice Scott, British Pathé, 1935. British Royal Weddings of the 20th Century DVD (British Pathé, 2011). 251 24 The wedding dress of Kate Middleton, 2011. The Royal Wedding DVD (Formative Productions, 2011). 256 25 Spectators in London’s Trafalgar Square view the royal couple’s post-nuptial kiss on the big screen, 2011 (AP Archive). 265 26 The wistful senior relative? Prince Charles views Windsor home movies in A Jubilee Tribute to the Queen by the Prince of Wales (BBC, 2012). 296 27 Henry VIII (Jonathan Rhys Meyers) as a ‘punk-rock’ ruler in The Tudors (Showtime, 2007–10). 322 28 Creating the myth of Holbein’s Henry in The Tudors . 326 29 The mythologised pre-modern monarch: Henry V (Kenneth Branagh) in the Shakespeare adaptation directed by Branagh in 1989. 342 30 The ornamentalised early modern monarch: Henry VIII (Eric Bana) with Anne Boleyn (Natalie Portman) in The Other Boleyn Girl (Justin Chadwick, 2008) 344 viii List of fi gures 31 The domesticated late modern monarch: King George III (Nigel Hawthorne) and Queen Charlotte (Helen Mirren) in The Madness of King George (Nicholas Hytner, 1994). 345 32 ‘Queen of a Nation, Queen of Hearts’: the DVD cover image for The Queen (Stephen Frears, 2006). 367 33 The monarch as the virtuous victim of melodrama: Colin Firth as George VI in The King’s Speech (Tom Hooper, 2010). 393 The images in this book are reproduced here under the fair dealing guidelines relating to criticism and review, as suggested by the Intellectual Property Offi ce (published 12 June 2014).
Load more

Recommended publications
  • The Leveson Inquiry Into the Cultures, Practices And
    For Distribution to CPs THE LEVESON INQUIRY INTO THE CULTURES, PRACTICES AND ETHICS OE THE PRESS WITNESS STATEMENT OE JAMES HANNING I, JAMES HANNING of Independent Print Limited, 2 Derry Street, London, W8 SHF, WILL SAY; My name is James Hanning. I am deputy editor of the Independent on Sunday and, with Francis Elliott of The Times, co-author of a biography of David Cameron. In the course of co-writing and updating our book we spoke to a large number of people, but equally I am very conscious that I, at least, dipped into areas in which I can claim very little specialist knowledge, so I would emphasise that in several respects there are a great many people better placed to comment and much of what follows is impressionistic. I hope that what follows is germane to some of the relationships that Lord Justice Leveson has asked witnesses to discuss. I hesitate to try to draw a broader picture, but I hope that some conclusions about the disproportionate influence of a particular sector of the media can be drawn from my experience. My interest in the area under discussion in the Third Module stems from two topics. One is in David Cameron, on whose biography we began work in late 2005, soon after Cameron became Tory leader. The second is an interest in phone hacking at the News of the World. Tory relations with Murdoch Since early 2007, the Conservative leadership has been extremely keen to ingratiate itself with the Murdoch empire. It is striking how it had become axiomatic that the support of the Murdoch papers was essential for winning a general election.
    [Show full text]
  • Anti-Zionism and Antisemitism Cosmopolitan Reflections
    Anti-Zionism and Antisemitism Cosmopolitan Reflections David Hirsh Department of Sociology, Goldsmiths, University of London, New Cross, London SE14 6NW, UK The Working Papers Series is intended to initiate discussion, debate and discourse on a wide variety of issues as it pertains to the analysis of antisemitism, and to further the study of this subject matter. Please feel free to submit papers to the ISGAP working paper series. Contact the ISGAP Coordinator or the Editor of the Working Paper Series, Charles Asher Small. Working Paper Hirsh 2007 ISSN: 1940-610X © Institute for the Study of Global Antisemitism and Policy ISGAP 165 East 56th Street, Second floor New York, NY 10022 United States Office Telephone: 212-230-1840 www.isgap.org ABSTRACT This paper aims to disentangle the difficult relationship between anti-Zionism and antisemitism. On one side, antisemitism appears as a pressing contemporary problem, intimately connected to an intensification of hostility to Israel. Opposing accounts downplay the fact of antisemitism and tend to treat the charge as an instrumental attempt to de-legitimize criticism of Israel. I address the central relationship both conceptually and through a number of empirical case studies which lie in the disputed territory between criticism and demonization. The paper focuses on current debates in the British public sphere and in particular on the campaign to boycott Israeli academia. Sociologically the paper seeks to develop a cosmopolitan framework to confront the methodological nationalism of both Zionism and anti-Zionism. It does not assume that exaggerated hostility to Israel is caused by underlying antisemitism but it explores the possibility that antisemitism may be an effect even of some antiracist forms of anti- Zionism.
    [Show full text]
  • 2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
    Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p.
    [Show full text]
  • To Play the King Ebook
    TO PLAY THE KING PDF, EPUB, EBOOK Michael Dobbs | 356 pages | 03 Jun 2014 | Sourcebooks Landmark | 9781492606642 | English | Naperville, United States To Play the King PDF Book Mycroft eventually decides to come out to the King's press corps, at the same time announcing his resignation. The King, however, refuses to be blackmailed. External Reviews. Male Secretary 1 episode, David Neville A very good one, perhaps the best from the entire book Read more Choir 1 episode, The Best Horror Movies on Netflix. Trailers and Videos. David Mycroft 4 episodes, Editor 1 episode, Add episode. Where is my magnificent bastard? BBC Official 1 episode, The Lady 4 episodes, Both the PM and HRH have their own ideas as to how the United Kingdom ought to forge ahead, neither seeing the other one's position as viable. Ending reminded me of "Omen" and it's sequel. Yeah, you read it completely right that this book is the highest ever rating I have given to any Fiction book and yet I would say that this book deserved it at its best. Average rating 3. In the USA he attended the Fletcher School of Law and Diplomacy at Tufts University in Medford, Massachusetts, which he funded by a job as feature writer for the Boston Globe, where he worked as an editorial assistant and political feature writer from to Waitress 1 episode, Declan Skeete Francis Urquhart 4 episodes, Michael Kitchen Prostitute 1 episode, Everything in this book series so beautifully weaved that it stands apart from the rest. Second, there is a failing in the treatment of the woman Francis was having an affair with.
    [Show full text]
  • King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
    2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice
    [Show full text]
  • Translation Rights List Non-Fiction May 2019
    Translation Rights List Including Non-Fiction May 2019 Contents • Rights Department p.3 • Little, Brown Imprints p.4 • General p.5 • Culture p.13 • Business & Management p.19 • History p.22 • Music p.28 • Memoirs & Biography p.34 • Sport p.39 • Travel & Nature p.41 • Health, Self-Help & Popular Psychology p.42 • Parenting p.48 • Food & Cookery p.53 • Overcoming Series p.56 • Rights Representatives p.59 Key • Rights sold displayed in parentheses indicates that we do not control the rights • An asterisk indicates a new title since previous Rights list • Titles in italics were not published by Little, Brown Book Group 2 Rights Department ANDY HINE Rights Director Brazil, Germany, Italy, Poland, Scandinavia, Latin America and the Baltic States [email protected] +44 (0) 20 3122 6545 KATE HIBBERT Rights Director USA, Spain, Portugal, Far East, the Netherlands, Flemish Belgium and the Indian Subcontinent [email protected] +44 (0) 20 3122 6619 HELENA DOREE Senior Rights Manager France, French Belgium, Turkey, Arab States, Israel, Greece, Bulgaria, Czech Republic, Slovak Republic, Hungary, Romania, Russia, Serbia and Macedonia [email protected] +44 (0) 20 3122 6598 HENA BRYAN Rights Trainee [email protected] +44 (0) 20 3122 0693 Little, Brown Book Group Follow us on Twitter: Carmelite House @LBBGRights 50 Victoria Embankment London EC4Y 0DZ UNITED KINGDOM 3 Little, Brown Imprints 4 General Highlights WHEN THE CLOUDS FELL FROM THE SKY THE ADVENTURES OF AZUKI 5 THE ADVENTURES OF AZUKI THE MINIATURE HEDGEHOG Humour| Robinson | 112pp |60 colour photographs| September 2019 A full-colour collection of photographs of the adorable Azuki, the miniature hedgehog, enjoying some of his favourite adventures, from camping to baking Riding on the popularity of everyone's favourite Insta-famous miniature hedgehog (400,000 followers on Instagram and counting), this adorable illustrated book stands out as a gem of originality among the glut of dog and cat books.
    [Show full text]
  • HOW the OTHER HALF VOTES HOW the OTHER Big Brother Viewers and the 2005 General Election HALF VOTES
    HOW THE OTHER HALF VOTES HOW THE OTHER Big Brother Viewers and the 2005 General Election HALF VOTES Stephen Coleman Big Brother Viewers and the 2005 General Election Why is it that the experience of taking part in Big Brother is so much more compelling for some people than the routines and rituals of electoral politics? How the Other Half Votes raises radical questions about the condition of contemporary democracy, the Stephen Coleman borders between the political and the popular and the case for thinking creatively about what it means to be politically engaged. May 2006 Price £10 Hansard Society ISBN 0 900432 18 7 www.hansardsociety.org.uk The views expressed in this report are those of the authors and the Hansard Society, as an independent non-party organisation, is neither for nor against. The Society is, however, happy to publish these views and to invite analysis and discussion of them. HOW THE OTHER HALF VOTES Big Brother Viewers and the 2005 General Election Stephen Coleman Stephen Coleman is Professor of Political © Hansard Society 2006 Communication at Leeds University All rights reserved. No part of this publication and also senior research associate may be reproduced, stored in a retrieval system, or with the Hansard Society transmitted in any form or by any means, without the prior permission of the Hansard Society. Published by The Hansard Society is an independent, Hansard Society non-partisan educational charity, which exists 40-43 Chancery Lane to promote effective parliamentary democracy. London WC2A 1JA For further information
    [Show full text]
  • DAVID CAMERON LIKES MY ART. Eva Weinmayr
    HELP! DAVID CAMERON LIKES MY ART. Eva Weinmayr This is the preprint version of the chapter published in "Distributed", edited by David Blamey and Brad Haylock, London, Open Editions, 2018. http://www.openeditions.com/index.php/distributed.html 1 My Work Received Approval From the Wrong Audience They saw the work on a gallery website. Looking for another artist’s work, they stumbled across the Today’s Question series that I had exhibited in a group show in the same gallery. They expressed an interest in acquiring the works for the UK Government Art Collection. This collection, they explained, purchases works of art for display in British government buildings around the world to promote British art and culture. However, they said the price I was asking was too high. But I was reluctant to let them strike a cheap deal and the board eventually decided to acquire only two works from the seven-piece series. The choice, it was later argued, reflected not just the limited budget, but also the fact that some pieces in the series were not really appropriate for the Government collection. Apparently the content was considered politically controversial and raised eyebrows in some quarters. The works they selected read: ‘How should we fight foot and mouth? – Kill or Vaccinate – Please tick’ and ‘31mph – A Crime? Yes or No. Please tick’. The large text works were based on questionnaires that had been jamming my fax machine for many months in the early 2000s. The faxes had been sent out by a company pretending to poll opinion on different subjects: it was claimed the poll results would be presented to important politicians and institutions, in order to influence their decision-making.
    [Show full text]
  • BBC TV\S Panorama, Conflict Coverage and the Μwestminster
    %%&79¶VPanorama, conflict coverage and WKHµ:HVWPLQVWHU FRQVHQVXV¶ David McQueen This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. %%&79¶VPanorama, conflict coverage and the µ:HVWPLQVWHUFRQVHQVXV¶ David Adrian McQueen A thesis in partial fulfilment of the requirements of Bournemouth University for the degree of Doctor of Philosophy August 2010 µLet nation speak peace unto nation¶ RIILFLDO%%&PRWWRXQWLO) µQuaecunque¶>:KDWVRHYHU@(official BBC motto from 1934) 2 Abstract %%&79¶VPanoramaFRQIOLFWFRYHUDJHDQGWKHµ:HVWPLQVWHUFRQVHQVXV¶ David Adrian McQueen 7KH%%&¶VµIODJVKLS¶FXUUHQWDIIDLUVVHULHVPanorama, occupies a central place in %ULWDLQ¶VWHOHYLVLRQKLVWRU\DQG\HWVXUSULVLQJO\LWLVUHODWLYHO\QHJOHFWHGLQDFDGHPLF studies of the medium. Much that has been written focuses on Panorama¶VFRYHUDJHRI armed conflicts (notably Suez, Northern Ireland and the Falklands) and deals, primarily, with programmes which met with Government disapproval and censure. However, little has been written on Panorama¶VOHVVFRQWURYHUVLDOPRUHURXWLQHZDUUeporting, or on WKHSURJUDPPH¶VPRUHUHFHQWKLVWRU\LWVHYROYLQJMRXUQDOLVWLFSUDFWLFHVDQGSODFHZLWKLQ the current affairs form. This thesis explores these areas and examines the framing of war narratives within Panorama¶VFRYHUDJHRIWKH*XOIFRQIOLFWV of 1991 and 2003. One accusation in studies looking beyond Panorama¶VPRUHFRQWHQWLRXVHSLVRGHVLVWKDW
    [Show full text]
  • British Acting Heavyweights Michael Sheen and David Tennant Cast in Upcoming Amazon Original Comedy-Horror Good Omens
    British acting heavyweights Michael Sheen and David Tennant cast in upcoming Amazon Original comedy-horror Good Omens August 15, 2017 Terry Pratchett and Neil Gaiman’s internationally best-selling novel will be brought to life by BBC Studios for Amazon Prime members globally; the 6-part drama will launch in 2019 Along with access to thousands of popular movies and TV episodes through Prime Video, Prime members across the UK benefit from unlimited One-Day Delivery, Prime Music, Prime Live Events, Prime Reading, Prime Photos, early access to Lightning Deals and more London, Tuesday 15 August 2017 – Amazon today announced that multi-award-winning actors Michael Sheen, OBE (Masters of Sex, Passengers) and David Tennant (Broadchurch, Doctor Who) are to star in Good Omens, the six-part humorous fantasy drama which will launch globally on Prime Video in 2019. It will launch in the UK on Prime Video before going on to BBC Two at a later date. The 6 x 1-hour equal parts comedy and horror series, which was greenlit in January 2017, is written by Neil Gaiman (American Gods), who will also serve as Showrunner. It is based on the well-loved and internationally bestselling novel ‘Good Omens’ by Terry Pratchett ( Hogfather) and Gaiman, and is being produced by BBC Studios, the BBC’s commercial production arm, Narrativa and The Blank Corporation, in association with BBC Worldwide. Sheen will star as the somewhat fussy angel and rare book dealer Aziraphale, and Tennant will play his opposite number, the fast living demon Crowley, both of whom have lived amongst Earth’s mortals since The Beginning and have grown rather fond of the lifestyle and of each other.
    [Show full text]
  • Television Shows
    Libraries TELEVISION SHOWS The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 1950s TV's Greatest Shows DVD-6687 Age and Attitudes VHS-4872 24 Season 1 (Discs 1-3) DVD-2780 Discs Age of AIDS DVD-1721 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs Age of Kings, Volume 1 (Discs 1-3) DVD-6678 Discs 24 Season 1 (Discs 4-6) DVD-2780 Discs Age of Kings, Volume 2 (Discs 4-5) DVD-6679 Discs 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs Alfred Hitchcock Presents Season 1 DVD-7782 24 Season 2 (Discs 1-4) DVD-2282 Discs Alias Season 1 (Discs 1-3) DVD-6165 Discs 24 Season 2 (Discs 5-7) DVD-2282 Discs Alias Season 1 (Discs 4-6) DVD-6165 Discs 30 Days Season 1 DVD-4981 Alias Season 2 (Discs 1-3) DVD-6171 Discs 30 Days Season 2 DVD-4982 Alias Season 2 (Discs 4-6) DVD-6171 Discs 30 Days Season 3 DVD-3708 Alias Season 3 (Discs 1-4) DVD-7355 Discs 30 Rock Season 1 DVD-7976 Alias Season 3 (Discs 5-6) DVD-7355 Discs 90210 Season 1 (Discs 1-3) c.1 DVD-5583 Discs Alias Season 4 (Discs 1-3) DVD-6177 Discs 90210 Season 1 (Discs 1-3) c.2 DVD-5583 Discs Alias Season 4 (Discs 4-6) DVD-6177 Discs 90210 Season 1 (Discs 4-5) c.1 DVD-5583 Discs Alias Season 5 DVD-6183 90210 Season 1 (Discs 4-6) c.2 DVD-5583 Discs All American Girl DVD-3363 Abnormal and Clinical Psychology VHS-3068 All in the Family Season One DVD-2382 Abolitionists DVD-7362 Alternative Fix DVD-0793 Abraham and Mary Lincoln: A House
    [Show full text]
  • Cteea/S5/20/25/A Culture, Tourism, Europe And
    CTEEA/S5/20/25/A CULTURE, TOURISM, EUROPE AND EXTERNAL AFFAIRS COMMITTEE AGENDA 25th Meeting, 2020 (Session 5) Thursday 29 October 2020 The Committee will meet at 9.00 am in a virtual meeting and will be broadcast on www.scottishparliament.tv. 1. Decision on taking business in private: The Committee will decide whether to take item 6 in private. 2. Subordinate legislation: The Committee will take evidence on the Census (Scotland) Amendment Order 2020 [draft] from— Fiona Hyslop, Cabinet Secretary for Economy, Fair Work and Culture, and Jamie MacQueen, Lawyer, Scottish Government; Pete Whitehouse, Director of Statistical Services, National Records of Scotland. 3. Subordinate legislation: Fiona Hyslop (Cabinet Secretary for Economy, Fair Work and Culture) to move— S5M-22767—That the Culture, Tourism, Europe and External Affairs Committee recommends that the Census (Scotland) Amendment Order 2020 [draft] be approved. 4. BBC Annual Report and Accounts: The Committee will take evidence from— Steve Carson, Director, BBC Scotland; Glyn Isherwood, Chief Financial Officer, BBC. 5. Consideration of evidence (in private): The Committee will consider the evidence heard earlier in the meeting. 6. Pre-Budget Scrutiny: The Committee will consider correspondence. CTEEA/S5/20/25/A Stephen Herbert Clerk to the Culture, Tourism, Europe and External Affairs Committee Room T3.40 The Scottish Parliament Edinburgh Tel: 0131 348 5234 Email: [email protected] CTEEA/S5/20/25/A The papers for this meeting are as follows— Agenda item 2 Note by the Clerk CTEEA/S5/20/25/1 Agenda item 4 Note by the Clerk CTEEA/S5/20/25/2 PRIVATE PAPER CTEEA/S5/20/25/3 (P) Agenda item 6 PRIVATE PAPER CTEEA/S5/20/25/4 (P) CTEEA/S5/20/25/1 Culture, Tourism, Europe and External Affairs Committee 25th Meeting, 2020 (Session 5), Thursday 29 October 2020 Subordinate Legislation Note by the Clerk Overview of instrument 1.
    [Show full text]