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JOBNAME: Morgan Stanley/Case PAGE: 1 SESS: 36 OUTPUT: Tue May 28 16:10:55 2002 − /joshuawanda 0/fin/nyork/51043/cov V NEW ISSUE — BOOK ENTRY ONLY In the opinion of Squire, Sanders & Dempsey L.L.P., Bond Counsel, under existing law, (i) assuming compliance with certain covenants and the accuracy of certain representations, interest on the Bonds is excluded from gross income for federal income tax purposes, and is not an item of tax preference for purposes of the federal alternative minimum tax imposed on individuals and corporations and (ii) interest on, and any profit made on the sale, exchange or other disposition of, the Bonds are exempt from the Ohio personal income tax, the net income base of the Ohio corporate franchise tax, and municipal and school district income taxes in Ohio. Interest on the Bonds may be subject to certain federal taxes imposed only on certain corporations, including the corporate alternative minimum tax on a portion of that interest. For a more complete discussion of the tax aspects, see ‘‘Tax Matters’’ herein. $100,000,000 STATE OF OHIO HIGHER EDUCATIONAL FACILITY REVENUE BONDS (CASE WESTERN RESERVE UNIVERSITY 2002 PROJECT) $64,875,000 Series A $35,125,000 Series B (Variable Rate) (Fixed Rate) The Series A Bonds and Series B Bonds, when, as and if issued, will be special obligations of the State of Ohio issued by the Ohio Higher Educational Facility Commission (the ‘‘Commission’’) pursuant to two separate Trust Agreements, dated as of May 15, 2002 (the ‘‘Series A Trust Agreement’’ and ‘‘Series B Trust Agreement’’, respectively), between the Commission and J.P. -
S:\OHP\Tames, George Oral History\Tamespreface.Wpd
George Tames Washington Photographer for the New York Times PREFACE In 1846, an unknown cameraman took the first photograph of the United States Capitol, a view of the East Front. Thereafter the Capitol, from all angles, became the subject of countless amateur and professional photographers. During the nineteenth century and well into the twentieth most photography took place outside the building, due both to its dimly lit interior and to the antipathy many committee chairmen felt about the distractions of flash powder and bulbs. Eventually, photographers moved into the building, shooting everywhere at will, except within the Senate and House chambers. By the 1980s, television cameras penetrated even this haven. Nearly a century after that first photo, George Tames began photographing the people and events of Capitol Hill, first for Time-Life and later for the New York Times. During the course of a long career that ranged from the 1940s through the 1980s, Tames developed access to, and captured the likenesses of more significant members of Congress, and had his work reproduced more widely in influential publications than any other photographer in American political history. He developed a style contrary to the "herd instinct" that led other photographers to group together outside a closed door waiting for a standard shot. Instead, his pictures demonstrate an artistic eye, an intense sense of place, and a special intimacy with his subjects. George Tames was born in the shadow of the Capitol Dome, in a Washington alley house on January 21, 1919, into a Greek-Albanian immigrant family, and "born into the Democratic party" as well. -
Qq Rr Sstt Utivvwwxxyyzz1234567890&/`Ea.$4(EV?( )[]
Aa Bh CA- Dd EeFf Gg Flu Ii Jj Kk LI Mm No Oo Pp Qq Rr SsTt UtiVvWwXxYyZz1234567890&/`Ea.$4(EV?( )[] UPPER AND LOWER CASE.THE INTERNATIONAL JOURNAL OF TYPOG PUBLISHED BY INTERNATIONALTYPEFACE CORPORATION,VOI.UME SEVEN. NUMBER FOUR, DEC. 1980 5741 (1981) VOLUME SEVEN, NUMBER FOUR, DECEMBER. 1980 HERB Lt./SALIN, EDITORIAL Sr DESIGN DIRECTOR AARON BURNS. EDITORIAL DIRECTOR EDWARD RON DTHALER. EDITORIAL DIRECTOR EDWARD GOTTSCHALL. EDITORIAL DIRECTOR MARION MULLER. ASSOCIATE EDITOR JASON CALM. JUREK WAJDOWICZ, DESIGN IS PRODUCTION EDITORS MICHAEL ARON. CLAUDIA CLAY. TONY DISPIGNA. JOE FEIGENBAUM. ART AND PRODUCTION R HODA SPARSER. RESEARCH DIRECTOR JOHN PRENTKI, BUSINESS MANAGER NANCY PORTER. EDITORIAL TRAFFIC COORDINATOR HELENA WALLSCH LAG. ADVERTISING/PRODUCTION MANAGER 0 INTERNATIONAL TYPEFACE CORPORATION 1980 PUBLISHED FOUR TIMES A YEAR IN MARCH, JUNE, SEPTEMBER AND DECEMBER BY INTERNATIONAL TYPEFACE CORPORATION 2 HAMMARSKJOLD PLAZA. NEW YORK. N.Y.10017 A JOINTLY OWNED SUBSIDIARY OF PHOTO-LETTERING. INC. AND LUBALIN. BURNS & CO., INC. CONTROLLED CIRCULATION POSTAGE PAID AT NEW YORK. N.Y. AND AT FARMINGDALE. N.Y. USTS PURL 073990 PUBLISHED IN U.S.A. ITC OFFICERS New career directions EDWARD RONDTHALER,CHAIRMAN AARON BURNS. PRESIDENT HERB LUSALIN, EXECUTIVE VICE PRESIDENT challenge everyone JOHN PRENTKI.VICE PRESIDENT, GENERAL MANAGER BOB FARBER, SENIOR VICE PRESIDENT ED BENGUIAT,VICE PRESIDENT STEPHEN KOPEC. VICE PRESIDENT involved with graphic U.S. SINGLE COPIES $1.50 ELSEWHERE. SINGLE COPIES 52.50 TO QUALIFY FOR FREE SUBSCRIPTION COMPLETE AND RETURN communications, THE SUBSCRIPTION FORM IN THIS ISSUE TO ITC OR WRITE TO THE ITC EXECUTIVE OFFICE. 2 HAMMARSKJOLD PLAZA. NEW YORK. N.Y. 10017 including students In this issue: and educators. -
Woman War Correspondent,” 1846-1945
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository CONDITIONS OF ACCEPTANCE: THE UNITED STATES MILITARY, THE PRESS, AND THE “WOMAN WAR CORRESPONDENT,” 1846-1945 Carolyn M. Edy A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Journalism and Mass Communication. Chapel Hill 2012 Approved by: Jean Folkerts W. Fitzhugh Brundage Jacquelyn Dowd Hall Frank E. Fee, Jr. Barbara Friedman ©2012 Carolyn Martindale Edy ALL RIGHTS RESERVED ii Abstract CAROLYN M. EDY: Conditions of Acceptance: The United States Military, the Press, and the “Woman War Correspondent,” 1846-1945 (Under the direction of Jean Folkerts) This dissertation chronicles the history of American women who worked as war correspondents through the end of World War II, demonstrating the ways the military, the press, and women themselves constructed categories for war reporting that promoted and prevented women’s access to war: the “war correspondent,” who covered war-related news, and the “woman war correspondent,” who covered the woman’s angle of war. As the first study to examine these concepts, from their emergence in the press through their use in military directives, this dissertation relies upon a variety of sources to consider the roles and influences, not only of the women who worked as war correspondents but of the individuals and institutions surrounding their work. Nineteenth and early 20th century newspapers continually featured the woman war correspondent—often as the first or only of her kind, even as they wrote about more than sixty such women by 1914. -
Not for Immediate Release
Contact: Name Dan Gaydou Email [email protected] Phone 616-222-5818 DIGITAL NEWS AND INFORMATION COMPANY, MLIVE MEDIA GROUP ANNOUNCED TODAY New Company to Serve Communities Across Michigan with Innovative Digital and Print Media Products. Key Support Services to be provided by Advance Central Services Michigan. Grand Rapids, Michigan – Nov. 2, 2011 – Two new companies – MLive Media Group and Advance Central Services Michigan – will take over the operations of Booth Newspapers and MLive.com, it was announced today by Dan Gaydou, president of MLive Media Group. The Michigan-based entities, which will begin operating on February 2, 2012, will serve the changing news and information needs of communities across Michigan. MLive Media Group will be a digital-first media company that encompasses all content, sales and marketing operations for its digital and print properties in Michigan, including all current newspapers (The Grand Rapids Press, The Muskegon Chronicle, The Jackson Citizen Patriot, The Flint Journal, The Bay City Times, The Saginaw News, Kalamazoo Gazette, AnnArbor.com, Advance Weeklies) and the MLive.com and AnnArbor.com web sites. “The news and advertising landscape is changing fast, but we are well-positioned to use our talented team and our long record of journalistic excellence to create a dynamic, competitive, digitally oriented news operation,” Gaydou said. “We will be highly responsive to the changing needs of our audiences, and deliver effective options for our advertisers and business partners. We are excited about our future and confident this new company will allow us to provide superior news coverage to our readers – online, on their phone or tablet, and in print. -
The Pulitzer Prizes for International Reporting in the Third Phase of Their Development, 1963-1977
INTRODUCTION THE PULITZER PRIZES FOR INTERNATIONAL REPORTING IN THE THIRD PHASE OF THEIR DEVELOPMENT, 1963-1977 Heinz-Dietrich Fischer The rivalry between the U.S.A. and the U.S.S.R. having shifted, in part, to predomi- nance in the fields of space-travel and satellites in the upcoming space age, thus opening a new dimension in the Cold War,1 there were still existing other controversial issues in policy and journalism. "While the colorful space competition held the forefront of public atten- tion," Hohenberg remarks, "the trained diplomatic correspondents of the major newspa- pers and wire services in the West carried on almost alone the difficult and unpopular East- West negotiations to achieve atomic control and regulation and reduction of armaments. The public seemed to want to ignore the hard fact that rockets capable of boosting people into orbit for prolonged periods could also deliver atomic warheads to any part of the earth. It continued, therefore, to be the task of the responsible press to assign competent and highly trained correspondents to this forbidding subject. They did not have the glamor of TV or the excitement of a space shot to focus public attention on their work. Theirs was the responsibility of obliging editors to publish material that was complicated and not at all easy for an indifferent public to grasp. It had to be done by abandoning the familiar cliches of journalism in favor of the care and the art of the superior historian .. On such an assignment, no correspondent was a 'foreign' correspondent. The term was outdated. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
“READ YOU MUTT!” the Life and Times of Tom Burns, the Most Arrested Man in Portland
OHS digital no. bb OHS digital no. OREGON VOICES 007 “READ YOU MUTT!” 24 The Life and Times of Tom Burns, the Most Arrested Man in Portland by Peter Sleeth TOM BURNS BURST onto the Port- of Liverpool to his death in Southeast land scene in 10, out of curiosity, Portland, Burns lived a life devoted and stayed, he said, for the weather.1 A to improving the lives of the working loner and iconoclast, Burns found his class. way into virtually every major orga- Historians frequently mention nized social movement in his time. Burns’s involvement in Portland’s In his eighty-one years, from England labor movement, but his life has never to Oregon, Burns lived the life of a been explored in detail. From his free-wheeling radical, a colorful street- friendships with lawyer and author corner exhorter whose concern for the C.E.S. Wood to his alliance with femi- working stiff animated his life. His nist and anarchist Dr. Marie Equi, his story is full of contradictions. Burns name runs through the currents of noted having been a friend to famous the city’s labor history. Newspapers communist John Reed prior to the of the day — as well as Burns himself Russian Revolution, but he despised — called him The Most Arrested Man the Communist Party.2 Although in Portland, the Mayor of Burnside, he described himself as a Socialist, and Burns of Burnside. His watch and was what we could call a secular shop on the 200 block of W. Burnside Reporter Fred Lockley dropped by Tom Burns’s book shop on a winter’s night in humanist today, Burns was also briefly was a focal point for radical meetings 1914: “The air was blue with tobacco smoke and vibrant with the earnest voices of involved in a publishing venture with that included luminaries of Portland’s several men discussing the conspiracies of capital” (Oregon Journal, February 22, the former Grand Dragon of the literary, political, and labor landscape. -
Comments of Communications Workers of America the Newspaper Guild/CWA National Association of Broadcast Employees and Technicians/CWA
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In the Matter of ) ) 2010 Quadrennial Regulatory Review- ) MB Docket No. 09-192 Review of the Commission’s Broadcast ) Ownership Rules and Other Rules Adopted ) Pursuant to Section 202 of the ) Telecommunications Act of 1996 ) ) RFQ for Media Ownership Studies ) MB Docket No. 09-182 ) Comments of Communications Workers of America The Newspaper Guild/CWA National Association of Broadcast Employees and Technicians/CWA Eric D. Geist 501 Third St. N.W. Washington, D.C. 20001 (202) 434-1193 (phone) (202) 434-1201 (fax) [email protected] Dated: July 12, 2010 SUMMARY The Commission’s broadcast media ownership rules are based on the First Amendment principle that the widest possible dissemination of information from diverse and antagonistic sources is essential to public welfare. As the Commission has repeatedly stated and as the Courts have consistently confirmed, common ownership of media reduces viewpoint diversity and competition. In 2004, the Third Circuit Court of Appeals (“Third Circuit Court”) in Prometheus v FCC affirmed the authority of the Commission to regulate media ownership to foster viewpoint diversity, local identity, and prevent undue concentration of economic power. The Third Circuit Court acknowledged that structural rules limiting concentrated ownership of the media are necessary to protect and promote the free and vibrant press that is so vital to our democracy. The Commission adopted new language in 2008 that weakened the rules for limits on the newspaper/television ownership in the top 20 DMAs. It also provided an exception for the cross- media ownership ban for failed or failing properties that applies outside the top 20 DMAs. -
After a Sold-Out Run at East to Edinburgh, the WAITING GAME Returns to 59E59 Theaters
After a sold-out run at East to Edinburgh, THE WAITING GAME returns to 59E59 Theaters New York, New York January 2, 2019 —59E59 Theaters (Val Day, Artistic Director; Brian Beirne, Managing Director) is thrilled to welcome THE WAITING GAME, written by Charles Gershman and directed by Nathan Wright. Produced by Snowy Owl, THE WAITING GAME begins performances on Wednesday, February 6 for a limited engagement through Sunday, February 23. Press Opening is Tuesday, February 12 at 7:30 PM. The performance schedule is Tuesday – Saturday at 7:30 PM; and Sunday at 2:30 PM. Performances are at 59E59 Theaters (59 East 59th Street, between Park and Madison). Single tickets are $25 ($20 for 59E59 Members). Tickets are available by calling the 59E59 Box Office on 646-892-7999 or by visiting www.59e59.org. Sam's in a coma. Paolo's doing his best. When Geoff reveals a secret, reality and fantasy blur. This NYC premiere from critically acclaimed Snowy Owl follows a sold-out, award-winning run in the Edinburgh Fringe (Best Overseas Play, Derek Awards) and explores relationships in the digital age. After selling out at 59E59 Theaters’ East to Edinburgh festival, THE WAITING GAME went on to the 2017 Edinburgh Fringe where it was called "one of the Top 5 LGBTQ Shows to see in the Edinburgh Fringe" by Huffington Post. The cast features Joshua Bouchard (Séance on a Wet Afternoon at Lincoln Center/New York City Opera); Julian Joseph (Bluebloods on CBS); Ibsen Santos (Inside The Wild Heart with Group.BR); and Marc Sinoway (LOGO’s Hunting Season). -
Article the Empire Strikes Back: Brexit, the Irish Peace Process, and The
ARTICLE THE EMPIRE STRIKES BACK: BREXIT, THE IRISH PEACE PROCESS, AND THE LIMITATIONS OF LAW Kieran McEvoy, Anna Bryson, & Amanda Kramer* I. INTRODUCTION ..........................................................610 II. BREXIT, EMPIRE NOSTALGIA, AND THE PEACE PROCESS .......................................................................615 III. ANGLO-IRISH RELATIONS AND THE EUROPEAN UNION ...........................................................................624 IV. THE EU AND THE NORTHERN IRELAND PEACE PROCESS .......................................................................633 V. BREXIT, POLITICAL RELATIONSHIPS AND IDENTITY POLITICS IN NORTHERN IRELAND ....637 VI. BREXIT AND THE “MAINSTREAMING” OF IRISH REUNIFICATION .........................................................643 VII. BREXIT, POLITICAL VIOLENCE AND THE GOVERNANCE OF SECURITY ..................................646 VIII. CONCLUSION: BREXIT AND THE LIMITATIONS OF LAW ...............................................................................657 * The Authors are respectively Professor of Law and Transitional Justice, Senior Lecturer and Lecturer in Law, Queens University Belfast. We would like to acknowledge the comments and advice of a number of colleagues including Colin Harvey, Brian Gormally, Daniel Holder, Rory O’Connell, Gordon Anthony, John Morison, and Chris McCrudden. We would like to thank Alina Utrata, Kevin Hearty, Ashleigh McFeeters, and Órlaith McEvoy for their research assistance. As is detailed below, we would also like to thank the Economic -
The Oregon Journal of Orthopaedics
OJO The Oregon Journal of Orthopaedics Volume II May 2013 JUST WHEN YOU THOUGHT BIOMET KNEE IMPLANTS COULDN’T GET ANY BETTER. THE INDUSTRY’S ONLY LIFETIME KNEE IMPLANT REPLACEMENT WARRANTY† IN THE U.S. This’ll make you feel good. Every Oxford® Partial Knee used with Signature™* technology now comes with Biomet’s Lifetime Knee Implant Replacement Warranty.† It’s the first knee replacement warranty† of its kind in the U.S. – and just one more reason to choose a partial knee from Biomet. Other reasons include a faster recovery with less pain and more natural motion.** And now, the Oxford® is available with Signature™ personalized implant positioning for a solution that’s just for you. Who knew a partial knee could offer so much? ® 800.851.1661 I oxfordknee.com Risk Information: Not all patients are candidates for partial knee replacement. Only your orthopedic surgeon can tell you if you’re a candidate for joint replacement surgery, and if so, which implant is right for your specific needs. You should discuss your condition and treatment options with your surgeon. The Oxford® Meniscal Partial Knee is intended for use in individuals with osteoarthritis or avascular necrosis limited to the medial compartment of the knee and is intended to be implanted with bone cement. Potential risks include, but are not limited to, loosening, dislocation, fracture, wear, and infection, any of which can require additional surgery. For additional information on the Oxford® knee and the Signature™ system, including risks and warnings, talk to your surgeon and see the full patient risk information on oxfordknee.com and http://www.biomet.com/orthopedics/getFile.cfm?id=2287&rt=inline or call 1-800-851-1661.