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Come Together: An Ethnography of the Seattle Men’s Chorus Family Wendy K. Moy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2015 Reading Committee: Geoffrey Boers, Chair Cathy Madden Timothy Salzman Giselle Wyers Program Authorized to Offer Degree: Choral Conducting © Copyright 2015 Wendy K. Moy ! University of Washington Abstract Come Together: An Ethnography of the Seattle Men’s Chorus Family Wendy K. Moy Chair of the Supervisory Committee: Dr. Geoffrey Boers, Director of Choral Activities School of Music This ethnography of the Seattle Men’s chorus adds to the growing body of literature examining the culture of community choruses. The purpose of this ethnography was to examine the culture of a highly successful community men’s chorus with particular attention to the musical and social interactions of its members in rehearsal and in post-rehearsal gatherings. The shared attitudes, values, goals, and practices of the Seattle Men’s Chorus, the largest community chorus in North America and the largest gay men’s chorus in the world were explored. This research utilized ethnographic techniques in gathering information that encompasses participation in this chorus, including an account of aims, processes, rehearsal outcomes, concerts, and events. Weekly and production-week rehearsals, retreats, concerts, outreach events, post-rehearsal gatherings, general meetings, and other community events were carefully ! documented over a two-and-a-half year period. The data were coded, categorized, and analyzed for themes and relationships. The Seattle Men’s Chorus exhibited a complex network of relationships that may serve as a model for community choruses.
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