Helen Scott Production Designer

Total Page:16

File Type:pdf, Size:1020Kb

Helen Scott Production Designer Helen Scott Production Designer Agents Silvia Llaguno Associate Agent Shannon Black [email protected] +44 (0) 20 3214 0889 Credits Drama Production Company Notes LIVING Number 9 Films / Film4 / Ingenious / Dir: Oliver Hermanus FEATURE FILM Kurosawa Productions Prods: Elizabeth Karlsen, Stephen 2021 Woolley STATE OF THE See-Saw Films / Sundance TV Dir: Stephen Frears UNION 2 Prod: Sophie Reynolds 2021 MOTHERING Number 9 Films / BFI / Film4 Dir: Eva Husson SUNDAY Prod: Elizabeth Karlsen, Stephen FEATURE FILM Woolley 2021 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes SMALL AXE Turbine Studios / Lammas Park / BBC / Dir: Steve McQueen 2020 Amazon Studios Prods: Michael Elliott, Anita Overland * Official Selection (Mangrove, Lovers Rock), Cannes Film Festival 2020 * Opening Night Film (Lovers Rock), New York Film Festival 2020 * Official Selection (Mangrove, Red, White And Blue), New York Film Festival 2020 * Opening Night Film ( Mangrove), London Film Festival 2020 * Official Selection (Lovers Rock ), London Film Festival 2020 * Won: Best Production Design, BAFTA Craft Awards 2021 BAGHDAD CENTRAL Euston Films / Channel 4 Dirs: Alice Troughton, Ben Williams 2020 Prod: Jonathan Curling A VERY ENGLISH Blueprint Pictures / BBC / Amazon Dir: Stephen Frears SCANDAL Prime Prod: Dan Winch 2018 * Nominated: Best Television Limited Series or Motion Picture Made for Television, Golden Globes 2019 * Nominated: Best Mini-Series, BAFTA TV Awards 2019 * Nominated: Best Mini-Series, RTS Television Awards 2019 * Won: Best TV Drama, South Bank Sky Arts Awards * Nominated: Best Production Design, BAFTA Television Craft Awards 2019 STRIKE Bronte Film and TV / BBC One / Dirs: Michael Keillor, Charles The Cuckoo's Calling Cinemax Sturridge , Career of Evil Prod: Jackie Larkin 2017 DARK RIVER BFI / Film4 / Left Bank Pictures / Dir: Clio Barnard FEATURE FILM Moonspun Films Prod: Tracie O'Riordan 2017 * Official Selection - Platform Programme, Toronto International Film Festival 2017 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes HOW TO TALK TO See-Saw Films / Delish Films / Little Dir: John Cameron Mitchell GIRLS AT PARTIES Punk Prods: Iain Canning, Howard FEATURE FILM Gertler, John Cameron Mitchell, 2016 Emile Sherman * Out of Competition, Cannes Film Festival 2017 DOCTOR FOSTER Drama Republic / BBC1 Dir: Tom Vaughan 2015 Prod: Grainne Marmion * Nominated: Best Mini-Series, BAFTA TV Awards 2016 * Won: Best TV Drama, outh Bank Sky Arts Awards 2016 THE LOST HONOUR Carnival Film & Television / ITV Dir: Roger Michell OF Prod: Kevin Loader CHRISTOPHER *Nominee: Best Production JEFFERIES Design - Drama, RTS Craft & 2014 Design Awards 2015 *Won: Best Mini-Series, BAFTA TV Awards 2015 THE SUSPICIONS OF Hat Trick Productions / BBC Dirs: David Blair, Geoff Sax MR WHICHER Prod: David Boulter Episodes 3 & 4 2014 THE GREAT TRAIN World Productions / BBC Dirs: Julian Jarrold, James Strong ROBBERY Prod: Julia Stannard 2013 * Nominated: Best Mini-Series, BAFTA TV Awards 2014 THE POLITICIAN'S Daybreak Pictures / BBC Dir: Simon Cellan Jones HUSBAND Prod: Hal Vogel 2013 THE SELFISH GIANT BFI / Film4 / Moonspun Films Dir: Clio Barnard 2013 Prod: Tracy O'Riordan * Won: Europa Cinemas Awards, Directors' Fortnight, Cannes Film Festival 2013 * Nominated: Best Film, London Film Festival 2013 * Nominated: Best British Independent Film, British Independent Film Awards 2013 * Nominated: Alexander Korda Award for Best British Film, BAFTA Awards 2014 *Won: British Film of the Year, London Critics Circle Film Awards 2014 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes PUBLIC ENEMIES Tiger Aspect / BBC Dir: Dearbhla Walsh 2012 Prod: Julia Stannard WUTHERING Ecosse Films / Film4 / UK Film Council Dir: Andrea Arnold HEIGHTS Prods: Robert Bernstein, Kevin FEATURE FILM Loader, Douglas Rae 2011 * Nominated: Golden Lion, Venice Film Festival 2011 SOME DOGS BITE Kindle Entertainment for BBC3 Dir: Marc Munden 2010 Prod: Sarah Feilden FISH TANK BBC Films / UK Film Council / Dir: Andrea Arnold FEATURE FILM Kassander Film Company Prods: Kees Kasander, Nick Laws 2009 * Won: Jury Prize, Cannes Film Festival 2009 * Nominated: Best Film, European Film Awards 2009 * Won: Alexander Korda Award for Best British Film, BAFTA Awards 2010 * Won: Best Film, Evening Standard British Film Awards 2010 * Won: British Film of the Year, London Critics Circle Film Awards 2010 * Nominated: Best European Film, European Film Awards 2009 RED ROAD UK Film Council / Scottish Screen / Dir: Andrea Arnold FEATURE FILM Glasgow Film Office / BBC Films / Prod: Carrie Comerford 2006 Zoma Films / Verve Pictures / Sigma * Won: Jury Prize, Cannes Film Films / Zentropa Entertainment Festival 2006 * Nominated: Best British Independent Film, British Independent Film Awards 2006 * Nominated: British Film of the Year, London Critics Circle Film Awards 2007 WASP Cowboy Films / Film4 / UK Film Council Dir: Andrea Arnold SHORT FILM Prod: Natasha Marsh 2005 * Won: Best Short Film, Live Action, Academy Awards 2005 DOG Zephyr Films Short film SHORT FILM Dir: Andrea Arnold 2001 Prod: Nick Laws United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ARTHUR'S DYKE Quirky Films (As Art Director) 2001 Dir: Gerry Poulson Prod: Steve Sheen/Ron Bareham TOPSY TURVY Thin Man Films / Goldwyn Films (As Art Director) 1999 Dir: Mike Leigh Prod: Simon Channing Williams Production Designer: Eve Stewart DEJA VU Jagtoria Films / Revere Entertainment Dir: Henry Jaglom 1998 / The Rainbow Film Company Prod: John Goldstone CAREER GIRLS Thin Man Films (As Art Director) 1997 Dir: Mike Leigh Prod: Simon Channing Williams Production Designer: Eve Stewart AUGUST Granada (As Assistant Art Director) 1996 Dir: Sir Anthony Hopkins Prod: June Wyndham Davies Commercials Production Company Notes SPORT ENGLAND Somesuch & Co Dir: Kim Gerhig 2014 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].
Recommended publications
  • Appendix Wuthering Heights Screen Adaptations
    Appendix Wuthering Heights Screen Adaptations Abismos de Pasión (1953) Directed by Luis Buñuel [Film]. Mexico: Producciones Tepeyac. Arashi Ga Oka (1988) Directed by Kiju Yoshida [Film]. Japan: Mediactuel, Saison Group, Seiyu Production, Toho. Cime Tempestose (2004) Directed by Fabrizio Costa [Television serial]. Italy: Titanus. Cumbres Borrascosas (1979) Directed by Ernesto Alonso and Karlos Velázquez [Telenovela]. Mexico: Televisa S. A. de C. V. Dil Diya Dard Liya (1966) Directed by Abdul Rashid Kardar [Film]. India: Kary Productions. Emily Brontë’s Wuthering Heights (1992) Directed by Peter Kosminsky [Film]. UK/USA: Paramount Pictures. Emily Brontë’s Wuthering Heights (1998) Directed by David Skynner [Television serial]. UK: ITV, Masterpiece Theatre, PBS. Hihintayin Kita Sa Langit (1991) Directed by Carlos Siguion-Reyna [Film]. Philippines: Reynafilms. Hurlevent (1985) Directed by Jacques Rivette [Film]. France: La Cécilia, Renn Productions, Ministère de la Culture de la Republique Française. Ölmeyen Ask (1966) Directed by Metin Erksan [Film]. Turkey: Arzu Film. ‘The Spanish Inquisition’ [episode 15] (1970). Monty Python’s Flying Circus [Television series]. Directed by Ian MacNaughton. UK: BBC. Wuthering Heights (1920) Directed by A. V. Bramble [Film]. UK: Ideal Films Ltd. Wuthering Heights (1939) Directed by William Wyler [Film]. USA: United Artists/ MGM. Wuthering Heights (1948) Directed by George More O’Ferrall [Television serial]. UK: BBC. Wuthering Heights (1953) Directed by Rudolph Cartier [Television serial]. UK: BBC. Wuthering Heights (1962) Directed by Rudolph Cartier [Television serial]. UK: BBC. Wuthering Heights (1967) Directed by Peter Sasdy [Television serial]. UK: BBC. Wuthering Heights (1970) Directed by Robert Fuest [Film]. UK: American International Pictures. Wuthering Heights (1978) Directed by Peter Hammond [Television serial].
    [Show full text]
  • CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
    5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now.
    [Show full text]
  • Space, Vision, Power, by Sean Carter and Klaus Dodds. Wallflower, 2014, 126 Pp
    Alphaville: Journal of Film and Screen Media no. 21, 2021, pp. 228–234 DOI: https://doi.org/10.33178/alpha.21.19 International Politics and Film: Space, Vision, Power, by Sean Carter and Klaus Dodds. Wallflower, 2014, 126 pp. Juneko J. Robinson Once, there were comparatively few books that focused on the relationship between international politics and film. Happily, this is no longer the case. Sean Carter and Klaus Dodd’s International Politics and Film: Space, Vision, Power is an exciting addition to the growing body of literature on the political ontology of art and aesthetics. As scholars in geopolitics and human geography, their love for film is evident, as is their command of the interdisciplinary literature. Despite its brevity, this well-argued and thought-provoking book covers an impressive 102 films from around the world, albeit some in far greater detail than others. Still, despite its compactness, it is a satisfying read that will undoubtedly attract casual readers unfamiliar with scholarship in either discipline but with enough substance to delight specialists in both film and international relations. Carter and Dodds successfully bring international relations (IR) and critical geopolitics into closer alignment with visual studies in general and film studies in particular. Their thesis is simple: first, the traditional emphasis of IR on macro-level players such as heads of state, diplomats, the intelligence community, and intergovernmental organisations such as the United Nations have created a biased perception of what constitutes the practice of international politics. Second, this bias is problematic because concepts such as the state and the homeland, amongst others, are abstract entities whose ontological statuses do not exist apart from the practices of people.
    [Show full text]
  • Lista Distribuidores Correccion
    • 12 Yard Productions • Alex Bowen Producciones • 2929 Entertainment • All3media International • 3DD Enterteinment • Allegro Pictures • 9 Story Enterprises • Alley Cat Films • A&E Channel Home Video • Alliance Atlantos Releasing • Aardman • Alphablocks Limited • Abduction Films • Altadena Film • Acacia • AMC Networks (Walking Dead Only) • ACC Action Concept Cinema • American Cinema Independent • ACI • American Portrait Films • Acorn Group • Andrea Films • Acorn Media • Andres Wood Producciones • Actaeon Films • Anglia Television • Action Concept • Animal Planet Video • Action Concept • Animalia Productions • Action Concept Film and Stuntproduktion • Annapurna Productions • Action Image • Apollo Media Filmmanagement • Adness Entertainment • Arte France • After Dark Films • Artemis Films • Ager Film • Associated Television • AIM Group • Athena • Akkord Film Produktion • Atlantic 2000 • Alain Siritzky Productions • Atlantic Productions • Alameda Films • August Entertaiment • Alcine Pictures • AV Pictures • Alcon Entertainment • AWOL Animation • Berlin Amimation Film • Best Film and Video • Best Picture Show • Betty TV • B & B Company • Beyond International • Baby Cow Productions • Big Bright House of Tunes • Bandai Visual • Big Idea Entertainment • Banjiay Internartional • Big Light Productions • Bankside Films • Big Talk Productions • Bard Entertainment • Billy Graham Evangelistic Association / World Wide • Bardel Distribution • Pictures • BBC Worldwide • Bio Channel • BBL Distribution • BKN International • BBP Music Publishing c/o Black
    [Show full text]
  • The Revenant Nominations List Achievement in Cinematography 1
    The Revenant nominations list Achievement in cinematography 1 Achievement in costume design 2 Achievement in directing 3 Achievement in film editing 4 Achievement in makeup and hairstyling 5 Achievement in production design 6 Achievement in sound editing 7 Achievement in sound mixing 8 Achievement in visual effects 9 Best motion picture of the year 10 Performance by an actor in a leading role 11 Performance by an actor in a supporting role 12 Oscars® 2016 Movie Checklist 13 Academy of Motion Picture Arts and Sciences Page 1 1. NOMINATIONS BY CATEGORY - 88TH AWARDS Performance by an actor in a leading role Bryan Cranston in “Trumbo” (Bleecker Street) Matt Damon in “The Martian” (20th Century Fox) Leonardo DiCaprio in “The Revenant” (20th Century Fox) Michael Fassbender in “Steve Jobs” (Universal) Eddie Redmayne in “The Danish Girl” (Focus Features) Performance by an actor in a supporting role Christian Bale in “The Big Short” (Paramount) Tom Hardy in “The Revenant” (20th Century Fox) Mark Ruffalo in “Spotlight” (Open Road Films) Mark Rylance in “Bridge of Spies” (Walt Disney and 20th Century Fox) Sylvester Stallone in “Creed” (Warner Bros.) Performance by an actress in a leading role Cate Blanchett in “Carol” (The Weinstein Company) Brie Larson in “Room” (A24) Jennifer Lawrence in “Joy” (20th Century Fox) Charlotte Rampling in “45 Years” (Sundance Selects) Saoirse Ronan in “Brooklyn” (Fox Searchlight) Performance by an actress in a supporting role Jennifer Jason Leigh in “The Hateful Eight” (The Weinstein Company) Rooney Mara in “Carol” (The Weinstein Company) Rachel McAdams in “Spotlight” (Open Road Films) Alicia Vikander in “The Danish Girl” (Focus Features) Kate Winslet in “Steve Jobs” (Universal) Academy of Motion Picture Arts and Sciences PagePage 2 2.
    [Show full text]
  • Curriculum Vitae
    CURRICULUM VITAE 3, The Fieldings London SE23 3QA 07890 185983 [email protected] www.jessalexander.co.uk GRAPHIC DESIGNER Sex and Drugs and Rock and Roll (Feature, 2009) (Director Mat Whitecross, Designer Rich Bullock) A Gert Lush Christmas (TV Movie, 2015) New Boots ltd (Director Al Campbell, Designer Brian Sykes) Avalon Motion Pictures Hotel Babylon- Series 4 (TV, 2008) (Directors Andy Hay/Jim Loach, Designer Karl Probert) Remainder (Feature, 2014) (Director Omer Fast, Designer Adrian Smith) Carnival films/BBC Tigerlily fims GRAPHIC ARTIST The Guilty (TV, 2013) (Director Ed Balzagette, Designer Brian Sykes) Hartswood films/ ITV Inbetweeners 2 (Feature, 2014) Directors Damon Beesley/Iain Morris, Designer Richard Common Ground (TV, 2012) Bullock) (Director Dave Lambert, Designer Brian Sykes/ Sarah Finlay) Bwark Productions Sky Atlantic/Baby Cow Cinderella (Feature, 2013) Way to Go (TV, 2012) (Director Kenneth Branagh, Designer Dante Ferretti) (Director Caroline Morshead, Designer Brian Sykes) Dark Forest Productions BBC Monsters- The Dark Continent (Feature, 2013) Them From That Thing (TV, 2012) (Director Tom Green, Designer Kristian Milsted) (Director Ben Palmer, Designer Brian Sykes) Vertigo films Channel 4 Trance (Feature, 2012) Psychoville- Series 2 (TV, 2010) (Director Danny Boyle, Designer Mark Tildesley) Fox Searchlight (Director Matt Lipsey, Designer Brian Sykes) BBC Spike Island (Feature, 2012) (Director Mat Whitecross, Designer Rich Bullock) Late Bloomers (Feature, 2010) Bankside films (Director Julie Gavras, Designer Eve Stewart)
    [Show full text]
  • NPR ISSUES/PROGRAMS (IP REPORT) - September 1, 2016 Through September 30, 2016 Subject Key No
    NPR ISSUES/PROGRAMS (IP REPORT) - September 1, 2016 through September 30, 2016 Subject Key No. of Stories per Subject AGING AND RETIREMENT 14 AGRICULTURE AND ENVIRONMENT 103 ARTS AND ENTERTAINMENT 187 includes Sports BUSINESS, ECONOMICS AND FINANCE 97 CRIME AND LAW ENFORCEMENT 153 EDUCATION 27 includes College IMMIGRATION AND REFUGEES 33 MEDICINE AND HEALTH 67 includes Health Care & Health Insurance MILITARY, WAR AND VETERANS 37 POLITICS AND GOVERNMENT 346 RACE, IDENTITY AND CULTURE 133 RELIGION 12 SCIENCE AND TECHNOLOGY 68 Total Story Count 1277 Total duration (hhh:mm:ss) 102:40:34 Program Codes (Pro) Code No. of Stories per Show All Things Considered AT 604 Fresh Air FA 35 Morning Edition ME 451 TED Radio Hour TED 8 Weekend Edition WE 179 Total Story Count 1277 Total duration (hhh:mm:ss) 102:40:34 AT, ME, WE: newsmagazine featuring news headlines, interviews, produced pieces, and analysis FA: interviews with newsmakers, authors, journalists, and people in the arts and entertainment industry TED: excerpts and interviews with TED Talk speakers centered around a common theme Key Pro Date Duration Segment Title Aging and Retirement ALL THINGS CONSIDERED 09/01/2016 0:03:53 Dallas Police Chief David Brown Announces Retirement Aging and Retirement MORNING EDITION 09/01/2016 0:02:35 In Visit With Seniors, This Boy Learned Lessons That Go Beyond The Classroom Aging and Retirement WEEKEND EDITION SATURDAY 09/03/2016 0:05:26 After Almost 30 Years As Covering American Politics, Ron Fournier Heads Home Aging and Retirement WEEKEND EDITION SATURDAY
    [Show full text]
  • South Africa: Afrikaans Film and the Imagined Boundaries of Afrikanerdom
    A new laager for a “new” South Africa: Afrikaans film and the imagined boundaries of Afrikanerdom Adriaan Stefanus Steyn Thesis presented in fulfilment of the requirements for the degree of Master of Arts in Social Anthropology in the faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr Bernard Dubbeld Faculty of Arts and Social Sciences Department of Sociology and Social Anthropology December 2016 Stellenbosch University https://scholar.sun.ac.za By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2016 Copyright © 2016 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract The Afrikaans film industry came into existence in 1916, with the commercial release of De Voortrekkers (Shaw), and, after 1948, flourished under the guardianship of the National Party. South Africa’s democratic transition, however, seemed to announce the death of the Afrikaans film. In 1998, the industry entered a nine-year slump during which not a single Afrikaans film was released on the commercial circuit. Yet, in 2007, the industry was revived and has been expanding rapidly ever since. This study is an attempt to explain the Afrikaans film industry’s recent success and also to consider some of its consequences. To do this, I situate the Afrikaans film industry within a larger – and equally flourishing – Afrikaans culture industry.
    [Show full text]
  • American Honey D'andrea Arnorld
    Document generated on 10/05/2021 4:02 a.m. Spirale arts • lettres • sciences humaines American Honey d’Andrea Arnorld Alice Michaud-Lapointe Lectures et pratiques contemporaines du réel Number 259, Winter 2017 URI: https://id.erudit.org/iderudit/85005ac See table of contents Publisher(s) Spirale magazine culturel inc. ISSN 0225-9044 (print) 1923-3213 (digital) Explore this journal Cite this review Michaud-Lapointe, A. (2017). Review of [American Honey d’Andrea Arnorld]. Spirale, (259), 43–45. Tous droits réservés © Spirale magazine culturel inc., 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ DOSSIER Les lucioles du Midwest PAR ALICE MICHAUD-LAPOINTE AMERICAN HONEY Réalisation d’Andrea Arnold, 2016, 163 min. We are the new Americana High on legal marijuana Raised on Biggie and Nirvana We are the new Americana Photo : Holly Horner, courtoisie de A24 Souvent qualifié dans les médias par les termes elles, empreintes d’une légèreté poétique, lumi- vagues et communs de « brut », « authentique », neuse, qui évacue toute possibilité de lecture « immersif » ou « sans concession », le travail de la misérabiliste par le spectateur et laisse poindre la Britannique Andrea Arnold s’inscrit dans une veine vision d’un nouveau réalisme social – naturalistic particulière de réalisme social cinématographique style,pourrait-on aussi dire – peut-être plus impur, qui a rapidement été considérée par maints plus irrévérencieux, mais aussi plus libéré dans sa critiques comme un héritage contemporain des forme et ses choix esthétiques.
    [Show full text]
  • BABEL and the GLOBAL HOLLYWOOD GAZE Deborah Shaw
    02_shaw:SITUATIONS 10/16/11 12:40 PM Page 11 BABEL AND THE GLOBAL HOLLYWOOD GAZE Deborah Shaw BABEL AND THE GLOBAL HOLLYWOOD GAZE n popular imaginaries, “world cinema” and Hollywood commercial cinema appear to be two opposing forms of filmic production obeying Idiverse political and aesthetic laws. However, definitions of world cin- ema have been vague and often contradictory, while some leftist discourses have a simplistic take on the evils of reactionary Hollywood, seeing it in rather monolithic terms. In this article, I examine some of the ways in which the term “world cinema” has been used, and I explore the film Babel (2006), the last of the three films of the collaboration between the Mexicans Alejandro González Iñárritu and screenwriter Guillermo Arriaga.1 Babel sets out to be a new sort of film that attempts to create a “world cinema” gaze within a commercial Hollywood framework. I exam- ine how it approaches this and ask whether the film succeeds in this attempt. I explore the tensions between progressive and conservative political agendas, and pay particular attention to the ways “other” cul- tures are seen in a film with “Third World” pretensions and U.S money behind it. I frame my analysis around a key question: does the Iñárritu-led outfit successfully create a paradigmatic “transnational world cinema” text that de-centers U.S. hegemony, or is this a utopian project doomed to failure in a film funded predominantly by major U.S. studios?2 I examine the ways in which the film engages with the tourist gaze and ask whether the film replaces this gaze with a world cinema gaze or merely reproduces it in new ways.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • UK Film Council Group and Lottery Annual Report and Financial Statements for the Year Ended 31 March 2011
    UK Film Council Group and Lottery Annual Report and Financial Statements for the year ended 31 March 2011 HC 1391 SG/2011/142 £20.75 UK Film Council Group and Lottery Annual Report and Financial Statements for the year ended 31 March 2011 Presented to Parliament pursuant to Section 34(3) and 35(5) of the National Lottery etc. Act 1993 (as amended by the National Lottery Act 1998 and the National Lottery Act 2006) ORDERED BY THE HOUSE OF COMMONS TO BE PRINTED 14 JULY 2011 Presented to the Scottish Parliament pursuant to the Scotland Act 1998 Section 88 Company no: 3815052 London: The Stationery Office HC 1391 SG/2011/142 14 July 2011 £20.75 1 © UK Film Council (2011) The text of this document (this excludes, where present, the Royal Arms and all departmental and agency logos) may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context The material must be acknowledged as UK Film Councilcopyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. This publication is also for download at www.official-documents.gov.uk This document is also available from the Department for Culture, Media and Sport’s website at: http://www.transparency.culture.gov.uk/arms-length-bodies/ ISBN: 9780102974485 Printed in the UK by The Stationery Office Limited on behalf of the Controller of Her Majesty’s Stationery Office ID: 2441293 07/11 13762 19585 Printed on paper containing 75% recycled fibre
    [Show full text]