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About the Artistic and Performing Features of Violin Works Gara Garayev About the Artistic and Performing Features of Violin Works of Gara Garayev
CEYLA GANİOĞLU CEYLA ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV OF VIOLIN WORKS GARA AND PERFORMING FEATURES ARTISTIC THE ABOUT ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV Art Proficiency Thesis by CEYLA GANİOĞLU Department of Bilkent University 2019 Music İhsan Doğramacı Bilkent University Ankara May 2019 ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV The Graduate School of Economics and Social Sciences of İhsan Doğramacı Bilkent University by CEYLA GANİOĞLU In Partial Fulfillment of the Requirements for the Degree of ART PROFICIENCY IN MUSIC THE DEPARTMENT OF MUSIC İHSAN DOĞRAMACI BİLKENT UNIVERSITY ANKARA May 2019 ABSTRACT ABOUT THE ARTISTIC AND PERFORMING FEATURES OF VIOLIN WORKS OF GARA GARAYEV Ganioğlu, Ceyla Proficiency in Music, Department of Music Supervisor: Prof. Gürer Aykal May 2019 Garayev’s unique talents of music opened a new page in Azerbaijan’s music of 20th century. He adapted an untypical way of making music in which he was able to combine the traditional and the modern type. There are several substances that were brought in music of Azerbaijan by Garayev such as new themes, new images, and new means of composing. He achieved success not only in the areas of the national ballet, choral, and chamber music but also panned out well considering sonata for violin and piano and the violin concerto. These works represents main aspects and characteristics of Garayev’s music like implementation of national traditions while applying new methods of the 20th century, specifically neo-classicism and serial technique. In both sonata for violin and piano and the violin concerto, he reflects a perspective of synthesis of the two musical systems that are the Eastern and the Western. -
Research and Tradition
RESEARCH AND TRADITION Article received on February 23rd 2017 Article accepted on 10th March 2017 UDC: 78.071.1:929 Денисов E. B. Bogumila Mika * University of Silesia, Katowice, Poland Department of Fine Art and Music Institute of Music ‘BENEATH THE SHADOW OF POLITICS’. RECEPTION OF THE MUSIC OF EDISON DENISOV IN POLAND Abstract: The music of Russian composer Edison Denisov was frequently presented in the Warsaw Autumn festival. Between 1964 and 2005, Polish audiences heard his pieces 21 times, including three world premieres. This music was widely received, especially in the 1960s and the 1970s, when Polish culture was strongly influenced by politics. The following decades brought changes in the context of politics and style in the arts, but Denisov’s compositions continued to be performed in Warsaw. The aim of this paper is to present the opinions formulated by Polish music critics as evidence about the reception of Denisov’s music. Key words: Edison Denisov, reception, the Warsaw Autumn festival, critics, avant-garde, Russian music. * Author contact information: [email protected] 139 New Sound 49,1/2017 The political context in post-war Poland After the Second World War, all culture in Poland, including musical culture, was rigorously controlled by politics. The communist authorities imposed their doctrine of art, so-called ‘socialist realism’. The infamous conference in Lagôw Lubuski in Western Poland in 1949 officially condemned ‘musical formalism’ and proclaimed that only socialist realistic music could be written. Political pressure prohibited artistic contacts with the West, including coop eration with foreign artists. Polish culture gradually became isolated from West ern culture and art. -
Land of Music Festivals
Following tradition Azerbaijan – land of music festivals Lala HUSEYNOVA PhD in Arts THE LAND OF FIRE… AZERBAIJAN HAS BEEN KNOWN AS SUCH FROM TIME IMMEMORIAL, AND THERE ARE MANY REASONS FOR THAT. BUT WE WILL TALK ABOUT A COMPLETELY DIFFERENT FAME THAT THIS DEVELOPING AND FASCINATING LAND IS GRADUALLY EARNING ITSELF. THE LAND OF MUSIC FESTIVALS – tHIS IS HOW AZERBAIJAn’S CURRENT MUSICAL AND CUL- TURAL REALITIES CAN BE DESCRIBED IF WE WERE TO PARAPHRASE THE WELL-KNOWN PHRASE. least one traditional mu- sic festival is conducted in AtAzerbaijan every season. The participants and guests of the second “Space of Mugham” interna- tional festival, held over the spring holidays of Novruz (the first was held in 2009), are convinced that it was one of the most successful international projects on the traditional music of the East. This has largely been pos- sible thanks to the initiator and main sponsor of the festival, the Heydar Aliyev Foundation led by its President, the Goodwill Ambassador of UNESCO and ISESCO, Mehriban Aliyeva. As was the case during the first festival, the 34 www.irs-az.com Azerbaijan – land of music festivals capital Baku became a venue for a re- The festival was joined by vocalists the energy of life, but also the blos- cord number of music events for the and instrumentalists from Azerbaijan som of art and creative inspiration. eight days (14-21 March) of the festi- and foreign countries, including the The upcoming summer season is val. Art enthusiasts had the opportu- USA, Canada, France, Peru, Ecuador, promising to be no less interesting in nity to see the world’s first Mugham Turkey, Uzbekistan, Iran, Iraq, Egypt, terms of music events. -
Musical and Dramatic Features of Choral Scenes in the Operas of Azerbaijani Composers
Journal of Critical Reviews ISSN-2394-5125 Vol 7, Issue 7, 2020 MUSICAL AND DRAMATIC FEATURES OF CHORAL SCENES IN THE OPERAS OF AZERBAIJANI COMPOSERS Ayten Babaeva Baku Music Academy named after Uzeyir Hajibayli Azerbaijan, Baku [email protected] Received: 11.02.2020 Revised: 03.03.2020 Accepted: 17.04.2020 Abstract The presented article is devoted to the musical and dramatic features of choral scenes in the operas of Azerbaijani composers. The paper considers the long-term development of Azerbaijani national operas from operas of mugamat the beginning of the 19th to the 20th century some aspects are found in the context of European and national traditions. Also, the domestic operas of Azerbaijan paid attention to the features of choral scenes, some principles of development, and the richness of the musical language. In particular, the law of updating the dramaturgy of choral scenes in Azerbaijani operas at the level of content and musical language was emphasized. The article classifies Azerbaijani operas by content and considers drama, the principle of structure, features of the musical style, the artistic character of images in the analysis of choral scenes in lyric-dramatic, literary-historical, satirical and patriotic operas. The unique qualities and role of choral scenes in Azerbaijani national operas were also presented. Keywords: Azerbaijan National Opera, musical and dramatic features of choral scenes, mugam opera, lyrical and tragic opera, satirical opera, patriotic opera, musical and exciting art. © 2020 by Advance Scientific Research. This is an open-access article under the CC BY license (http://creativecommons.org/licenses/by/4.0/) DOI: http://dx.doi.org/10.31838/jcr.07.07.87 INTRODUCTION. -
Bibliographie Der Filmmusik: Ergänzungen II (2014–2020)
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Bibliographie der Filmmusik: Ergänzungen II (2014– 2020) 2020 https://doi.org/10.25969/mediarep/14981 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Bibliographie der Filmmusik: Ergänzungen II (2014–2020). Westerkappeln: DerWulff.de 2020 (Medienwissenschaft: Berichte und Papiere 197). DOI: https://doi.org/10.25969/mediarep/14981. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0197_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 197, 2020: Filmmusik: Ergänzungen II (2014–2020). Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0197_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: 19.10.2020. Bibliographie der Filmmusik: Ergänzungen II (2014–2020) Zusammengestell !on "ans #$ %ul& und 'udger (aczmarek Mit der folgenden Bibliographie stellen wir unseren Leser_innen die zweite Fortschrei- bung der „Bibliographie der Filmmusik“ vor die wir !""# in Medienwissenschaft: Berichte und Papiere $#% !""#& 'rgänzung )* +,% !"+-. begr/ndet haben. 1owohl dieser s2noptische 3berblick wie auch diverse Bibliographien und Filmographien zu 1pezialproblemen der Filmmusikforschung zeigen, wie zentral das Feld inzwischen als 4eildisziplin der Musik- wissenscha5 am 6ande der Medienwissenschaft mit 3bergängen in ein eigenes Feld der Sound Studies geworden ist. -
Presentation Scrolable Compressed
Welcome to Baku, Azerbaijan Country is the part of Silk Road, situated at the crossroads of Southwest Asia and Southeastern Europe. Land Area: 82,629 km2 Water Area: 3,971 km2 Total Area: 86,600km2 (#111) World Heritage Sites in Azerbaijan ATESHGAH FIRE TEMPLE (6th c.) State Historical Architectural Reserve Burning natural gas outlets Ancient Persian Temple for re worshipers ICHERISHEHER (Old City) Maiden Tower, Karvan Saray Ukhara, Karvan Saray Multani Baku Khan's Residence Shirvan Shahs' Palace, Aga-Mikhail bath house Double Gates, Old Mosques GOBUSTAN 6,000 Rock engraving Dated between 5,000 and 40,000 years ago. Caves, Settlements, Mud Volcanoes Baku Multicultural City MUSEUMS AND CULTURE CENTERS: Heydar Aliyev Cultural Centre Museum of Azerbaijan History Mugam Centre Carpet Museum Opera and Ballet Theater Museum of Modern Art CITY SIGHTS: Flame Towers Crystal Hall Flag Square Baku Eye Baku Boulevard ENTERTAINMENT: Art Galleries, IMAX cinema National and International Restaurants/Cafes/Bars SHOPPING: Port Baku Mall, Ganjlik Mall 28 Mall, Park Bulvar Mall Neftchilar Avenue, Metropark Mall Azerbaijani Cuisine MEAT: Kebab, Dolma, Levengi, Gutab, Piti FISH: Sturgeon, Black Caviar, Trout SOUPS: Doushbara, Dovgha, Bozbash PLOV: 40 Different types VEGETERIAN: Kuku (egg), Gutab (greens) Pumpkin rice, vegetable kebab SWEETS: Shekerbura, Pakhlava, Sheker Chorek FRUITS: Pomegranate, Persimmon Flame Towers • FAIRMONT BAKU brings 299 guest rooms, suites and 19 serviced apartments including Fairmont Gold • BUSINESS TOWER with 35 000 m2 working -
Azerbaijan/Azerbaïdjan
BIENNIAL MEMBERSHIP REPORT for the period 2010-2011 NATIONAL MUSIC COUNCILS for presentation to the 34th IMC General Assembly Tallinn, September 30 – October 1, 2011 You are kindly requested to complete and return this report to the Paris Secretariat not later than August 29, 2011. In order to facilitate the compilation of activity reports, we strongly recommend that the document does not exceed 6 pages. PART I: YOUR ORGANISATION 1. Name of organisation: The National Music Committee of Azerbaijan 2. Mission of the organisation: To promote music heritage and contemporary music of Azerbaijan within the country and worldwide 3. Board of Directors/Executive Committee: [name, role within Board, name of organization(s) that the Board member represents or is affiliated with] Board of Directors 1. Lala Kazimova, President Ph.D. in Musicology, The Institute of Art and Architecture, Azerbaijan National Academy of Sciences 2. Aida Huseynova, Secretary General Ph.D. in Musicology, Baku Music Academy 3. Murad Adigozalzade Pianist, Honored Artist of Azerbaijan, Director of the Azerbaijan State Philhamonic 4. Salman Gambarov Jazz pianist and composer, Honored Artist of Azerbaijan 5. Jahangir Selimkhanov Musicologist, Arts & Culture Program Director, Soros Foundation, member of the European Cultural Parliament 6. Elshan Mansurov Kamancha [traditional instrument] performer, the Azerbaijan National Conservatory, Honored Artist of Azerbaijan 4. Membership Total number of members: Composition of membership Number of institutional members: 12 Number of individual members: 41 Other members (specify): n/a As per your estimation, how many persons does your organisation reach? 3000 5. Activities carried out since the last IMC GA (October 2009) Please list your activities related to a) advocacy and policy making n/a b) presentation or production Number of • conferences 0 • recordings 0 • live performances 1 • festivals 1 • workshops 1 • competitions 0 • prizes and awards 0 Please describe the main events. -
Culture of Azerbaijan
Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y CULTURE OF AZERBAIJAN CONTENTS I. GENERAL INFORMATION............................................................................................................. 3 II. MATERIAL CULTURE ................................................................................................................... 5 III. MUSIC, NATIONAL MUSIC INSTRUMENTS .......................................................................... 7 Musical instruments ............................................................................................................................... 7 Performing Arts ....................................................................................................................................... 9 Percussion instruments ........................................................................................................................... 9 Wind instruments .................................................................................................................................. 12 Mugham as a national music of Azerbaijan ...................................................................................... 25 IV. FOLKLORE SONGS ..................................................................................................................... 26 Ashiqs of Azerbaijan ............................................................................................................................ 27 V. THEATRE, -
Introduction to Azerbaijan VALIDATION COPY 1.0 JUNE 2007
Introduction to Azerbaijan VALIDATION COPY 1.0 JUNE 2007 GEOGRAPHY Azerbaijan occupies the southeastern part of the Caucasus, descending to the Caspian Sea, between Iran and the Russian Federation (Dagestan). The country is located between Europe and Asia, as the Caucasus Mountains are the conventional border between the two continents. So, the northeast half is in Europe and the southwest half is in Asia. Bear this in mind when looking for Azerbaijan on a map or in a reference book since it may be classified under Europe or Asia. Azerbaijan is a member of the Council of Europe. Azeris like to describe the country as “shaped like an eagle”, with its “wings” spread on the Caucasus and its “head”, the Absheron Peninsula, over the Caspian Sea. Geographic co-ordinates: 40 30 N, 47 30 E (380 25"-410 55" of n.l. and 440 50"-500 52" e.l.) The time zone in Azerbaijan is GMT +4 Elevation extremes: -lowest point: Caspian Sea -28 m -highest point: Bazarduzu Dagi 4,466 m 1 CLIMATE Azerbaijan has a varied climate. It is subtropical and dry in central and eastern Azerbaijan, subtropical and humid in the southeast (Lenkoran lowlands), temperate along the shores of the Caspian Sea, and cold at the higher mountain elevations. In Baku the climate is cool in the winter, averaging 4°C (40 F) in January. Summers are hot (up to 40°C /112° F) and humid because of the sea. There are often strong winds, especially in winter. Snow rarely settles in the city. Spring and autumn are pleasant and there is a great deal of sunshine from April to October Because most of Azerbaijan receives scant rainfall - on average 152 (6”) to 254 (10”) millimeters annually - agricultural areas require irrigation. -
The Land of Fire - Azerbaijan
Beat: Travel THE LAND OF FIRE - AZERBAIJAN AZERBAIJAN Baku, 14.02.2016, 20:08 Time USPA NEWS - Today, we would like to talk about a miraculous country of Azerbaijan with its unlimited natural resources, centuries- old culture, history and ancient people, whose lifestyle presents a unique and harmonious combination of the traditions and ceremonies of different cultures and civilizations. Azerbaijan is a geographical name. On the one hand this name is linked with the population, which lived in this region for thousand of years before our era, and who were mostly fire-worshippers. Local population considered that fire was their God and so they worshipped the fire. "Azer" means fire. The Turkic name "Azer" was used for this territory for a long time. The word "Azer" consists of two parts - "az" and "er". In Turkic languages, "az" means a good intention and a fate of success. Thus, the word "Azer" means "a brave man", "a brave boy", "the fire keeper". The word "Azerbaijan" originates from the name of an ancient Turkish tribe, who resided in those territories. Azerbaijan is one of the most ancient sites of humankind. The humankind was present here at every stage of their historical development. There were living settlements in Azerbaijan even at the earliest stages of humankind. Azerbaijan made its own contribution into the establishment of the current culture and civilization, progress and dialectics. The time kept a range of ancient archeological and architectural monuments for us. The ancient headstones, manuscripts and models of carpets, preserved to the present times from the ancient ages, can provide much information to those who can and want to read them. -
Azerbaijan's Journey Through Jazz
Art 40 www.irs-az.com 43, SPRING 2020 Ian PEART Saadat IBRAHIMOVA Azerbaijan’s journey through jazz - Another Sarabski Milestone - www.irs-az.com 41 Art Outstanding Azerbaijani composer Uzeyir Hajibeyov istory, geography and character have Azerbaijani was finally persuaded to take on the role of Leyli. As for people ideally placed to enrich their own cul- Majnun, the role proved to be the springboard for the Hture with the best of the many others that pass long and distinguished career of Huseyngulu Sarabski. this way. Cultural exchange was a feature of the ancient An operatic tenor, Sarabski was equally proficient at Silk Road and is likely to continue as the current Belt and singing mugham and in 1926 was a soloist with the Road Initiative progresses. This has been no one-way Eastern Orchestra entrancing Moscow audiences with process; spot the carpets from this region that found traditional songs and music1. Remember that family their way into Renaissance paintings. And over the last name, its reappearance 83 years later forms the second hundred years or so, Azerbaijan has made remarkable part of this story. contributions to cross-cultural exchanges of music. As if Uzeyir bey did not do enough in introducing Musical pioneer opera, promoting local culture and women’s eman- On 12 January 1908, an opera was staged in a Baku cipation among other more liberal social values in his theatre. Composed by the 22-year-old Uzeyir Hajibeyov, theatrical works, he was also instrumental in the found- it was the first opera in the Muslim East; the first to fea- ing of the Azerbaijan State Conservatoire in 1920 (since ture traditional Azerbaijani folk instruments alongside 1991 the Baku Academy of Music). -
Statesmen and Public-Political Figures
Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y CONTENTS STATESMEN, PUBLIC AND POLITICAL FIGURES ........................................................... 4 ALIYEV HEYDAR ..................................................................................................................... 4 ALIYEV ILHAM ........................................................................................................................ 6 MEHRIBAN ALIYEVA ............................................................................................................. 8 ALIYEV AZIZ ............................................................................................................................ 9 AKHUNDOV VALI ................................................................................................................. 10 ELCHIBEY ABULFAZ ............................................................................................................ 11 HUSEINGULU KHAN KADJAR ............................................................................................ 12 IBRAHIM-KHALIL KHAN ..................................................................................................... 13 KHOYSKI FATALI KHAN ..................................................................................................... 14 KHIABANI MOHAMMAD ..................................................................................................... 15 MEHDİYEV RAMİZ ...............................................................................................................