I. Outlines Qf Kuhlmann's Messianic Career 1. Erudite Poetry And

Total Page:16

File Type:pdf, Size:1020Kb

I. Outlines Qf Kuhlmann's Messianic Career 1. Erudite Poetry And SALVATION THROUGH PHILOLOGY: THE POETICAL MESSIANISM OF QUIRINUS KUHLMANN (1651-1689) WILHELM SCHMIDT-BIGGEMANN I. Outlines qf Kuhlmann's Messianic Career 1. Erudite Poetry and Juvenile Melancholy Sometimes, the most radical figures in history are the most char­ acteristic ones as well. This seems to be the case with Quirinus Kuhlmann, a seventeenth century philologist, mystic, and philoso­ pher who, in his lifetime, had a very particular reputation as a mil­ lenarian mystic and poet between London and Moscow. 1 Quirinus Kuhlmann was born in Breslau on February 26th 1651. His par­ ents were merchands; his father died only two or three years after Quirinus' birth, his mother survived her son more than 30 years. In the first years of his life, young Quirinus suffered from a speech impediment, he was-as he described it later-often mocked for this desease. This may be one of the reasons why he begun to study very early in the libraries of his native town. Seventeenth century Breslau in Silesia was one of the most cultivated towns in the for­ mer Reich; Silesia was famous for the erudite poetry of Martin Opitz, Andreas Gryphius, Hofmann von Hofmannswaldau and Daniel Casper von Lohenstein; they formed the "Schlesische Dichterschule". The Breslau educational institutions were excellent, there were two Lutheran gymnasia, the Elisabeth and the Magdalena school. The Lutheran 1 For Kuhlmann cf. esp.: Walter Dietze: Q_uirinus Kuhlmann. Ketzer und Poet. Versuch einer monographischen Darstellung von Leben und Werk. Berlin 1963. Neue Beitrage zur Literaturwissenschaft, vol. I 7. L. Parker and A.A. Forster: "Quirinus Kuhlmann and the Poetry of St. John of the Cross". Bulletin for Hispanic Studies XXV, 1958, pp. 1-23. Claus Victor Bock: Qyirinus Kuhlmann. Ein Beitrag zur Charakteristik des Ekstatikers. Bern 1957 (Basler Studien zur deutschen Sprache und Literatur, Heft 18). Heinrich Erk: Qffenbarung und heilige Sprache im Kuhlpsalter Qyirinus Kuhlmanns. Diss. (Masch.) Gi:ittingen 1953. The outstanding recent interpretation, including critical remarks on the secondary sources of Kuhlmann is the essay of Sibylle Rusterholz: "Klarlichte Dunkelheiten. Quirinus Kuhlmanns 62. Kiihlpsalm". In: Martin Bircher und Alois M. Haas (eds.): Deutsche Barockfyrik. Gedichtinterpretationen von Spee bis Haller. Bern and Munique 1973, pp. 225-264. 260 WILHELM SCHMIDT-BIGGEMANN erudite public schools competed with a Jesuit gymnasium. Erudite and pious theater and poetry, both Latin and German, were per­ formed regularly, declamations and rhetoric displays were common on every school term. The fame of these performances and their poetical results was so wide-spread, that Gianbattista Vico reported in his Scienzia Nuova, some 80 years later, that Silesia's peasants were born poets. 2 Quirinus did not grow up in a wealthy situation; since his mother was a widow, he needed a scholarship for his education at school. In 1661 he indeed received a stipend for the "Ratsgymnasium bei Maria Magdalena". When he left this Gymnasium nine years later he had become a famous man, widely known for his erudition and his vers. In these years he wrote a song of praise to the German language3-this item of the peculiar commission of the German lan­ guage will be of some importance in his later poetical representa­ tion of his own revelations. In 16 71, he began his studies at the university of Jena, then 20 years of age, again supported by a stipend donated by the Breslau burgher Georg Schabel. After Kuhlmann's messianic conversions, Schabel became one of Kuhlmann's closest disciples. In his first year at Jena Kuhlman began to study jurisprudence. It was in Jena, too, that Quirinus systematically began his career as a poet and poly­ math. This intensive life as an erudite poet did not leave much time for a serious study of jurisprudence. Instead of a juridic dissertation he finished two collections of poems: "Himmlische Liebesktisse", a col­ lection of poems in the spirit of the biblical Song of Songs, and an anthology entitled "Sonnenblumen", which embodied poems on the particular commitment of the German language4 and a reedition of 2 Vico: La Scuienza nuova secondo l'edi;:,ione de! MDCCXllV. (Introduzione e note di Paolo Rossi) Milano 1982, p. 332: Abbiam veduto i primi scrittori nelle novelle lingue d'Europa essere stati verseggiatori; e nella Silesia, provincia quasi tutta di contadino, nascon poeti. Libro secondo. Della sapienza poetica II Della Logica Poetica, 5. Corollari d'intomo all' origini della locuzion poetica, degli episodi, de! tomo, de! numero, de! canto e de! verso. Corresponds 3d ed. No. 4 71. 3 Dietze, p. 30. 4 Dietze, pp. 71 f. Der Teutsche hat noch mehr / als dort <las Grichen Land. Auf Teutsche! Teutsche auf! ihr konnt den Welt-kreis lehren! Der Teutschen Erdreich tragt / was fremden unbekand. Auf Heiden! pflanzet fort di WeiBheit-dattel-Friichte! Ein steter Nach-ruf ist der schonste Ehren-lohn .
Recommended publications
  • WORDS MADE FLESH Code, Culture, Imagination Florian Cramer
    WORDS MADE FLESH Code, Culture, Imagination Florian Cramer Me dia De s ign Re s e arch Pie t Z w art Ins titute ins titute for pos tgraduate s tudie s and re s e arch W ille m de Kooning Acade m y H oge s ch ool Rotte rdam 3 ABSTRACT: Executable code existed centuries before the invention of the computer in magic, Kabbalah, musical composition and exper- imental poetry. These practices are often neglected as a historical pretext of contemporary software culture and electronic arts. Above all, they link computations to a vast speculative imagination that en- compasses art, language, technology, philosophy and religion. These speculations in turn inscribe themselves into the technology. Since even the most simple formalism requires symbols with which it can be expressed, and symbols have cultural connotations, any code is loaded with meaning. This booklet writes a small cultural history of imaginative computation, reconstructing both the obsessive persis- tence and contradictory mutations of the phantasm that symbols turn physical, and words are made flesh. Media Design Research Piet Zwart Institute institute for postgraduate studies and research Willem de Kooning Academy Hogeschool Rotterdam http://www.pzwart.wdka.hro.nl The author wishes to thank Piet Zwart Institute Media Design Research for the fellowship on which this book was written. Editor: Matthew Fuller, additional corrections: T. Peal Typeset by Florian Cramer with LaTeX using the amsbook document class and the Bitstream Charter typeface. Front illustration: Permutation table for the pronounciation of God’s name, from Abraham Abulafia’s Or HaSeichel (The Light of the Intellect), 13th century c 2005 Florian Cramer, Piet Zwart Institute Permission is granted to copy, distribute and/or modify this document under the terms of any of the following licenses: (1) the GNU General Public License as published by the Free Software Foun- dation; either version 2 of the License, or any later version.
    [Show full text]
  • Core Reading List for M.A. in German Period Author Genre Examples
    Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774)
    [Show full text]
  • University of California, San Diego
    UNIVERSITY OF CALIFORNIA, SAN DIEGO THE SCIENCE OF THE STARS IN DANZIG FROM RHETICUS TO HEVELIUS A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History (Science Studies) by Derek Jensen Committee in charge: Professor Robert S. Westman, Chair Professor Luce Giard Professor John Marino Professor Naomi Oreskes Professor Donald Rutherford 2006 The dissertation of Derek Jensen is approved, and it is acceptable in quality and form for publication on microfilm: _________________________________________ _________________________________________ _________________________________________ _________________________________________ _________________________________________ Chair University of California, San Diego 2006 iii FOR SARA iv TABLE OF CONTENTS Signature Page........................................................................................................... iii Dedication ................................................................................................................. iv Table of Contents ...................................................................................................... v List of Figures ........................................................................................................... vi Acknowledgments..................................................................................................... vii Vita, Publications and Fields of Study...................................................................... x A Note on Dating
    [Show full text]
  • The Awareness of Time and Eternity in the German Lyrics of Andreas
    THE AWARENESS 01 TIME AND ETEINITY IT THE GERMkN LYRICS OF ANDREAS CRYPHIUS by Edith Katherine Evenhuis B.A. Honours, submittea in fulfilment of the requirements for the degree of Doctor of Philosophy, University of Tasmania, NovPmber 1975. T MKS ^ Record Copy STATEMENT I, the undersigned, herewith declare that the following thesis contains no material which has been accepted for the award of any other degree or diploma in any university, and that, to the best of my knowledge and belief, the thesis contains no copy or paraphrase of material previously published or written by another person, except when due reference is made in the text of the thesis. PC• v. 44111444- 5 TABLE OF COT:TENTS: INTRODUCTION. Page 1. CHAPTER I. The life and Background of Andreas Gryphius. Page 3. CHAPTER II. The Awareness of Time and Eternity in Gryphius' Works. Page 15. CHAPTER III. The Awareness of Transience. Page 29. CHAPTER IV. The Awareness of Human Transience. Page CHAPTER V. The Transience of Human Values. Page 14. CHAPTER VI. The Concept of Human Life. Page 1;9. CHAPTER VII. The Uonquest of Time. Page 167. CHAPTER VIII. The Awareness of Time and Eternity as refle:tted in Structure and Imagery. Page 1814.. CHAPTER IX. The Awareness of Time and Eternity reflected In Gryph's Uf3e of Allegory and Emblem. Page 229. CONCLUSION. Page 24..S. Selective Bibliography in Alphabetical Order. Page 2!!.9. Bibliography of Primarv Sources. Page 260„ THE AWARENESS OF TIME AND ETERNITY IN THE GERMAN LYRICS OF ANDREAS GRYPHIUS Abstract of Thesis submitted by Edith Katherine Evenhuis B.A.
    [Show full text]
  • Martin Opitz: Patria – Nation – Europäische Renaissance Neue Biographische Forschungen Zur Stellung Des 'Gekrönten' in Der Literaturgeschichte
    Digitale Bibliothek Braunschweig Martin Opitz: Patria – Nation – Europäische Renaissance Neue biographische Forschungen zur Stellung des 'Gekrönten' in der Literaturgeschichte Conermann, Klaus Veröffentlicht in: Abhandlungen der Braunschweigischen Wissenschaftlichen Gesellschaft Band 64, 2011, S.37-62 J. Cramer Verlag, Braunschweig http://www.digibib.tu-bs.de/?docid=00049020 Digitale Bibliothek Braunschweig Martin Opitz: Patria – Nation – Europäische Renaissance 37 Martin Opitz: Patria – Nation – Europäische Renaissance Neue biographische Forschungen zur Stellung des 'Gekrönten' in der Literaturgeschichte* KLAUS CONERMANN Schlossplatz 18, D-38304 Wolfenbüttel Seine Zeitgenossen haben Martin Opitz von Boberfeld (1597–1639) nach sei- nem niederschlesischen Heimatfluß als Boberschwan tituliert, ihn als Stifter der neuen deutschen Kunstdichtung mit Vergil verglichen und als Vertreter der Renaissance gar als einen zweiten Phönix gepriesen. Im Sprachgebrauch des deutschen 17. Jahrhundert wurden die Verben dichten und opitzieren synonym verwendet. Die Fruchtbringende Gesellschaft verlieh Opitz durch dem Beina- men ,Der Gekrönte’ als Dichter, der „reimend vnsre sprach/ ob andern mehrt vnd ziert“,1 geradezu einen nationalen Rang. Als humanistischer Poeta rückte er auch durch lateinische Gedichte, einen weitgespannten Briefwechsel und durch gelehrte Arbeiten über das deutsche, polnische und siebenbürgische Altertum in einen europäischen Kontext. Es gab freilich auch schon im 17. Jahrhundert Kritiker; sie vermochten die Anerken- nung von Opitz’
    [Show full text]
  • [' 2. 0 0 7-] Poetics and Rhetorics in Early Modern Germany
    Early Modern German Literature 1350-1700 Edited by Max Reinhart Rochester, New York u.a. CAMDEN HOUSE [' 2. 0 0 7-] Poetics and Rhetorics in Early Modern Germany Joachim Knape ROM ANTIQUIIT ON, REFLECTION ON MEANS of communication - an texts Fin general and poetic texts in particular- brought about two distinct gen­ res of theoretical texts: rhetorics and poetics. Theoretical knowledge was sys­ tematized in these two genres for instructional purposes, and its practical applications were debated down to the eighteenth century. At the center of this discussion stood the communicator (or, text producer), armed with pro­ cedural options and obligations and with the text as his primary instrument of communication. Thus, poeto-rhetorical theory always derived its rules from and reflected the prevailing practice.1 This development began in the fourth century B.C. with Aristotle's Rhetoric and Poetics, which he based an the public communicative practices of the Greek polis in politics, theater, and poetic performance. In the Roman tra­ dition, rhetorics2 reflectcd the practice of law in thc forum (genus iudiciale), political counsel (genus deliberativum), and communal decisions regarding issues of praise and blame (genus demonstrativum). These comprise the three main speech situations, or cases (genera causarum). The most important the­ oreticians of rhetoric were Cicero and Quintilian, along with the now unknown author (presumed in the Middle Ages to have been Cicero) of the rhetorics addressed to Herennium. As for poetics, aside from the monumental Ars poet­ ica ofHorace, Roman literature did not have a particularly rich theoretical tra­ dition. The Hellenistic poetics On the Sublime by Pseudo-Longinus (first century A.D.) was rediscovered only in the seventeenth century in France and England; it became a key work for modern aesthetics.
    [Show full text]
  • 9. Gundolf's Romanticism
    https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0.
    [Show full text]
  • Sacred German Music in the Thirty Years'
    Musical Offerings Volume 3 Number 1 Spring 2012 Article 1 2012 Sacred German Music in the Thirty Years’ War Brandi Hoffer Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/musicalofferings Part of the History Commons, and the Musicology Commons DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Recommended Citation Hoffer, Brandi (2012) "Sacred German Music in the Thirty Years’ War," Musical Offerings: Vol. 3 : No. 1 , Article 1. DOI: 10.15385/jmo.2012.3.1.1 Available at: https://digitalcommons.cedarville.edu/musicalofferings/vol3/iss1/1 Sacred German Music in the Thirty Years’ War Document Type Article Abstract The religious and political turmoil of the Thirty Years’ War significantly impacted the performance and preservation of sacred Baroque music in the German lands. Conflict between the Catholics and Protestants created an unstable social environment, which resulted in a myriad of responses from composers and performers. Leading composers including Heinrich Schütz, Michael Praetorius, Thomas Selle, and Heinrich Scheidemann, expressed their values either overtly or implicitly depending upon their occupational, geographical, political, and religious positions. Research indicates that the influences of the Thirty Years’ War created an ideal environment for the flourishing of the following German music in the late Baroque Era.
    [Show full text]
  • Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin
    Bard College Bard Digital Commons Senior Projects Spring 2013 Bard Undergraduate Senior Projects Spring 2013 Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin Sylvia Mae Gorelick Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2013 This work is licensed under a Creative Commons Attribution 3.0 License. Recommended Citation Gorelick, Sylvia Mae, "Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin" (2013). Senior Projects Spring 2013. 318. https://digitalcommons.bard.edu/senproj_s2013/318 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin Senior Project submitted to The Division of Social Studies of Bard College by Sylvia Mae Gorelick Annandale-on-Hudson, New York May 1, 2013 For Thomas Bartscherer, who agreed at a late moment to join in the struggle of this infinite project and who assisted me greatly, at times bringing me back to earth when I flew into the meteoric heights of Nietzsche and Hölderlin’s songs and at times allowing me to soar there.
    [Show full text]
  • The Petrine Instauration Aries Book Series
    The Petrine Instauration Aries Book Series Texts and Studies in Western Esotericism Editor Marco Pasi Editorial Board Jean-Pierre Brach Nicholas Goodrick-Clarke Wouter Hanegraafff Advisory Board Antoine Faivre – Olav Hammer Andreas Kilcher – Arthur McCalla Monika Neugebauer-Wölk – Mark Sedgwick Jan Snoek – György Szo ˝nyi Garry Trompf VOLUME 14 The titles published in this series are listed at brill.nl/arbs The Petrine Instauration Religion, Esotericism and Science at the Court of Peter the Great, 1689–1725 By Robert Collis LEIDEN • BOSTON 2012 Cover illustration: Detail of the lower section of the sixth sheet of the Bruce Calendars (1715). Photograph by Natal’ia Antonova and Inna Regentova. Reproduced with kind permission of the The State Hermitage Museum, St. Petersburg. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Collis, Robert. The Petrine instauration : religion, esotericism and science at the court of Peter the Great, 1689–1725 / by Robert Collis. p. cm. – (Aries book series: texts and studies in Western esotericism ; v. 14) ISBN 978-90-04-21567-2 (hardback : alkaline paper) 1. Russia – History – Peter I, 1689–1725. 2. Occultism – Russia – History – 18th century. 3. Mysticism – Russia – History – 18th century. 4. Occultism and science – Russia – History – 18th century. 5. Religion and science – Russia – History – 18th century. 6. Peter I, Emperor of Russia, 1672–1725 – Relations with occultists. 7. Brius, IA. V. (IAkov Vilimovich), graf, 1670–1735. 8. Erskine, Robert, 1677– 1718. 9. IAvors’kyi, Stefan, 1658–1722. 10. Feofan, Archbishop of Novgorod, 1681–1736. 11. Occultists – Russia – History – 18th century. 12. Scholars – Russia – History – 18th century.
    [Show full text]
  • Des Wassers Uberfluss Von Brunnen, Quellen Und Schönen Wassern Gedichte
    Des Wassers Uberfluss Von Brunnen, Quellen und schönen Wassern Gedichte Herausgegeben von Hermann Peter Piwitt und Susann Henschel SUB Hamburg A/529572 Philipp Reclam jun. Stuttgart Inhalt Vorwort n Vom Schwimmen in Seen und Flüssen NÄZIM HIKMET Ich badete in allen Springbrunnen Roms .... 15 EDUARD MÖRIKE Mein Fluß 16 GIUSEPPE UNGARETTI Die Flüsse 17 FRIEDRICH LEOPOLD GRAF ZU STOLBERG Lied auf dem Wasser zu singen 20 BERTOLT BRECHT Vom Schwimmen in Seen und Flüssen 21 CHARLES TOMLINSON Den See Chenango durchschwimmend 22 CHRISTIAN FRIEDRICH DANIEL SCHUBART Die Forelle 24 Hörst du nicht die Quellen gehen? HUGO VON HOFMANNSTHAL Reiselied 36 RAINER MARIA RILKE Römische Fontäne 26 WILHELM MÜLLER Wohin? 36 JOSEPH VON EICHENDORFF Halt! 37 Hörst du nicht die Quellen gehen 27 Danksagung an den Bach 38 HERMANN HESSE TED HUGHES Landstreicherherberge 28 Hochwasser 39 EDUARD MÖRIKE EUGENIO MONTALE Um Mitternacht 29 Boote auf der Marne 40 LULU VON STRAUSS UND TORNEY CONRAD FERDINAND MEYER Die Wasser 29 Am Wassersturz 41 CONRAD FERDINAND MEYER SEAMUS HEANEY Wasserrauschen 30 Sein Traum vom Wasser 42 HANS CAROSSA ANONYM Der alte Brunnen 31 Wenn alle Brünnlein fließen 43 WILHELM MÜLLER Der Lindenbaum 32 Ach, Bächlein, aber weißt du wie Liebe tut? CONRAD FERDINAND MEYER Der römische Brunnen 33 HEINRICH HEINE DerAsra 45 Vom Wasser haben wir's gelernt PETER HACKS Der Begas-Brunnen 46 SEAMUS HEANEY ANONYM Grotus und Coventina 34 Jetzt gang i ans Brünnele 46 JOHANN WOLFGANG GOETHE An der klaren Quelle 47 Auf dem See 35 HUGO VON HOFMANNSTHAL Südliche Mondnacht 48 ANONYM Des Menschen Seele gleicht dem Wasser Und in dem Schneegebirge 50 JOHANN WOLFGANG GOETHE TED HUGHES Gesang der Geister über den Wassern 67 Niedrigwasser 51 HUGO VON HOFMANNSTHAL PETER HACKS Weltgeheimnis 68 Sehnsucht r- 52 JOSEPH VON EICHENDORFF WILHELM MÜLLER Am Strom 69 Der Müller und der Bach.
    [Show full text]
  • Silesia – Issues of Language and Ethnicity in the Long 16Th Century
    Cezary Lipiński University of Zielona Góra Silesia – issues of language and ethnicity in the long 16th century Abstract: The primary issue considered in this paper is the question to what extent Silesia in the long 16th century can be considered a region cohesive in the ethnical and linguistic context. Available research materials indicate deepening bilingual tendencies in the region, however the extent of each of the languages and ethnic groups are impossible to adequately asses due to constant changes in the demographical situation of Silesia, changes brought about by various factors, including economic and political. It is true that humanism formed an integrating factor, which led to the formation of local patriotism. Due to this phenomenon there came to be a belief in the existence of „Silesian Nation” as well as the need to look for a factor binding the population together, something extending beyond the ius soli principle. Seeing as both „the love of Moth- erland – Silesia” and the spreading of the idea of the Silesian Nation were both constructs of groups of humanists and scholars, the first important bridge with the symbolical culture was Latin, quickly replaced by the solidified German-language culture. It dominated lay culture at the end of the 16th and beginning of the 17th century, paving the way for development in the following centuries. Keywords: ethnic structure, national minorities, cultural diversity, languages, multiculturalism Introduction A key focus of this paper is to determine to what extent Silesia in the 16th cen- tury may be regarded as a linguistically and ethnically coherent region. However, a crucial contradiction connected with the issue lies in the very question of the re- gion’s ethnic structure between the 16th and 17th centuries, for both the contempo- rary perception of the notion of nation, as well as the meaning which we com- monly attribute to this notion today, are connected with the processes of forming a nation-state starting from the second half of the 18th century.
    [Show full text]