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Museos Y Género

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Museos Y Género 2019 ESPAÑA REVISTA DEL COMITE ESPAÑOL DE ICOM Nº14 MUSEOS Y GÉNERO: ¿y los hombres? (HOMO)SEXUALIDAD INDUMENTARIA SUMARIO MASCULINA MASCULINA REVISTA DEL COMITÉ ESPAÑOL DE ICOM HELLO SAILOR! EXHIBITING VOYAGE OF THE Director 2019 Luis Grau Lobo 42 THE QUEER MASCULINITY OF 116 MATERIAL MAN: FLOATING HEAVENS, MERSEYSIDE DECONSTRUCTING REVISTA DEL COMITE ESPAÑOL DE ICOM Nº14 Coordinadora del presente número MASCULINITIES Liliane Cuesta Davignon MARITIME MUSEUM, UK Jo Stanley INTERVIEW WITH Editoras GIANNINO MALOSSI, Judith Ara Lázaro Liliane Cuesta Davignon HIDDEN HISTORIES: 20TH THE MAN BEHIND THE Nuria Rivero 52 CENTURY MALE SAME SEX MATERIAL MAN María San Sebastián LOVERS IN THE VISUAL ARTS AN Gianinno Malossi Comité de Redacción EXHIBITION AND BOOK Judith Ara Lázaro TRADITIONAL TO Mª Dolores Baena Alcántara Michael Petry Koré Escobar Zamora 130 EXTREME: TWO Luis Grau Lobo WATER CLOSET WISDOM: QUEER MENSWEAR EXHIBITIONS Teresa Reyes i Bellmunt 60 SEXUALITY AND HISTORICAL AT THE PHILADELPHIA Rafael Rodríguez Obando Mónica Ruiz Bremón HOUSE MUSEUMS MUSEUM María San Sebastián Joshua G. Adair OF ART Joan Seguí Seguí MUSEOS Y GÉNERO: Kristina Haugland Gerencia de ICOM España ¿y los hombres? Nuria Rivero Barajas ARTIST/REBEL/DANDY: Diseño y Maquetación LA MASCULINIDAD 144 MEN OF FASHION Miján Industrias Gráfi cas PRESENTACIONES CUESTIONADA Kate Irvin Imagen de portada: Laurie Brewer Ilse Haider, Mr. Big, installation in the STRONGER AND WEAKER SEXES: courtyard of the MuseumsQuartier. Luis Grau Lobo REIGNING MEN:FOCUSING Walk-in sculpture, digital print on wood, 72 REMARKS ON AN EXHIBITION AT 900 x 300 x 420 cm. Courtesy Galerie 04 KUNSTMUSEUM BERN 156 ON MENSWEAR AT THE Steinek, Wien / Vienna Liliane Cuesta Davignon Kathleen Bühler LOS ANGELES COUNTY 06 MUSEUM OF ART (LACMA) (EN)CLAVE MASCULINO Sharon Takeda LECTURA DE LA COLECCIÓN DEL ISSN 2173 - 9250 80 MUSEO NACIONAL DE BELLAS Desde 1946, el Consejo International de INTRODUCCIÓN ARTES, SANTIAGO DE CHILE Museos representa a los museos y sus A MODO DE EPÍLOGO: profesionales. La organización acompaña LOS MUSEOS Gloria Cortés a los actores de la comunidad museística EL MUSEO COMO en su misión de preservar, conservar y 08 Y EL “OTRO” GÉNERO transmitir los bienes culturales MAN UP! MASCULINITY Liliane Cuesta Davignon “CAMPO DE COLABORADORES: 90 IN QUESTION Roman Stollenwerk BATALLA” DEL GÉNERO HOMBRES. ENTRE DOS SIGLOS EL DESNUDO XIX-XX. EXPOSICIÓN TEMPORAL LA IMAGEN DEL HOMBRE ICOM España no se hace responsable de 102 las opiniones vertidas por los autores en sus MASCULINO EN EL Y NUEVA PUBLICACIÓN. 170 A TRAVÉS DEL CONCEPTO artículos. ARTE MUSEO HISTÓRICO NACIONAL DE CLÁSICO DE BELLEZA CHILE FEMENINA. EL PROYECTO NUDE MEN FROM 1800 TO Fernando Imas B. V DE ADRIÁN PINO 28 THE PRESENT DAY OLIVERA Mario Rojas T. Klaus Pokorny Isabel Justo Distribución exclusiva por Internet [ 4 ] CE DIGITAL PRESENTACIÓN LUIS GRAU LOBO [ 5 ] ue las cuestiones de a veces con el azogue desgastado por género se hallen en el ojo falta de uso, a veces con su superfi cie del huracán, como sucede fragmentada en pedazos, cada uno de los con todo debate candente, cuales logra proporcionarnos, sin embargo, Qse convierte en un arma de una imagen completa por minúsculo que doble fi lo. Por una parte se benefi cian sea su tamaño. Ese carácter literalmente de los aspectos positivos de la apertura de especulativo les confi ere unas facultades diálogos sobre temas de actualidad en que hemos de ser capaces de aprovechar. absoluto cerrados, destinados a obtener nuevas visiones y recientes certezas acerca ICOM España, que ya ofreció a la de cuestiones de siempre, a menudo comunidad museística en anteriores desdeñadas o simplemente ignoradas. Por números de su publicación de cabecera otro, sin embargo, dan ocasión a polémicas refl exiones al hilo del género desde a menudo estériles o espoleadas por otros otras perspectivas, lo hace ahora con la intereses, y a la extensión de actitudes mirada puesta en los hombres, habituales hostiles en estos tiempos trémulos donde protagonistas del vetusto discurso se diría que hay que explicar asuntos dados cultural y hoy, quizás, víctimas también por sabidos hace tiempo y que regresan de la institucionalización de este y de los en ciertos ámbitos a posiciones de gran estereotipos; acartonados personajes de sí intransigencia, cuando no profundamente mismos. reaccionarias. El cuestionamiento de No quiero terminar, por supuesto, sin conceptos y políticas igualitarias admitidas reconocer y felicitar en nombre del y sancionadas socialmente hace tanto ya, supone, más que un retroceso ideológico Consejo que presido y de los miembros de –que también–, un fracaso socio-cultural nuestra organización a los autores y, muy incuestionable. Y un peligro. en especial, a Liliane Cuesta , coordinadora de este interesantísimo volumen, que, Como institución cultural de referencia de nuevo, generosa y fructíferamente, y de pensamiento, los museos son uno nos permite refl exionar a todos con la de los ámbitos destinados a sosegar y autoridad de quienes han dedicado centrar dichos debates y situarlos en tiempo, esfuerzo y perspicacia a temas tan su justa medida merced a su anhelo novedosos como indispensables. Gracias. de comprensión y a la exposición de procesos creativos e históricos, siempre tan reveladores y efi caces a la hora de Luis Grau Lobo entendernos a nosotros mismos. Los museos se comportan como un espejo, Presidente de ICOM España PRESENTACIÓN Figura 1. Carnival in Sciacca. Sicily. Photo byFranco Zecchin © Fair Use [ 6 ] CE DIGITAL PRESENTACIÓN LILIANE CUESTA [ 7 ] n 2013, esta misma a la obtención más o menos queer masculinas. Como punto de vista, es que se trata de interesante de esta aportación es, PRE revista publicó el difi cultosa de contribuciones que hemos dicho, las movimientos una relectura de la exposición bajo nuestro punto de vista, no número especial ilustren el panorama museal en reivindicativos de gays y lesbianas permanente del museo, centrada sólo la disolución de las fronteras “Museos, género el ámbito de la masculinidad. contribuyeron al desarrollo de los en el análisis de la representación entre lo femenino y lo masculino, SEN y sexualidad”. En Ello explica también la extensión estudios sobre la masculinidad (cf. del hombre a través de las sino el uso del museo como Ela presentación del mismo, desigual de cada apartado. En p. 9) y a la visibilización de dichos obras de la colección, y un “campo de batalla” del género. No aludíamos al interés del hombre otros términos, la estructura colectivos. Los tres ejemplos cuestionamiento del museo como es la primera vez que un artista, TA como objeto de estudio pero y contenidos distan mucho proceden de ámbitos muy mantenedor de unos estereotipos en connivencia o no, como en el número no contaba con de ser los ideales. Por ello diversos: la contribución de y modelos de género promovidos el caso de Adrián Pino, con los ninguna contribución referida presentaremos brevemente Jo Stanley se centra en la por el arte. responsables de la institución, CIÓN historia secreta de los marineros a la representación del género los distintos apartados que El cuarto apartado está dedicado interviene el museo para hablar masculino en los museos. Con conforman la revista aludiendo gays en una época en que la Liliane Inés a la moda e indumentaria de género y, en defi nitiva, de este número, motivado por la igualmente a las ausencias y homosexualidad estaba prohibida masculinas como marcadores de cómo los museos, como lugares Cuesta Davignon multiplicación de exposiciones lagunas. en Inglaterra; Michael Petry género. El proyecto desarrollado patrimoniales, ayudan a perpetuar temporales dedicadas al presenta el proyecto “Hidden Conservadora de museo. La inclusión de un primer por Gianinno Malossi, aunque estereotipos y desigualdades hombre y la masculinidad en los histories” sobre la homosexualidad 2 MUSEO NACIONAL apartado dedicado a la no se exhibiera en un museo, de género . Este interés por el últimos años, se pretende suplir masculina en las artes visuales del DE CERÁMICA Y ARTES representación del desnudo presenta el interés de analizar museo por parte de artistas esta defi ciencia y explorar las siglo XX, y Joshua Adair analiza la SUNTUARIAS masculino en el arte (occidental) las representaciones de la de claro perfi l reivindicativo y iniciativas y experiencias llevadas invisibilización de la sexualidad está motivada por la existencia de masculinidad en el campo de la activista demuestra el poder de “GONZÁLEZ MARTÍ” a cabo en este campo desde los queer de los hombres a los cuales numerosos estudios al respecto cultura visual en general (arte, las instituciones museales como museos1. se ha dedicado una casa museo. (cf. p. 14) y la organización en cine, publicidad, moda). Le siguen receptáculos de un discurso de Antes de abordar la estructura de En las dos últimas décadas y la presente década de varias tres exposiciones recientes corte heteropatriarcal. este número, hemos de advertir especialmente en el campo de la exposiciones sobre el tema (cf. centradas en la indumentaria Aún estando representadas que se encuentra supeditada creación contemporánea, se han p. 17-19). Integrado por la sola masculina (Kristina Haugland del diversas disciplinas (historia celebrado un número importante contribución de Klaus Pokorny, Philadelphia Museum of Art, Kate Desde estas líneas agradecemos a del arte, arte contemporáneo, de exposiciones que analizan la Luis Grau, presidente de ICOM España, debido a los motivos aludidos Irvin y Laurie Brewer del museo historia, indumentaria…),
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