Ficci Baf Awards 2017 Winners List

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FICCI BAF AWARDS 2017 WINNERS LIST ANIMATION CATEGORY ENTRANT ENTRY TITLE Short Film - Student MoPA Garden Party [International] Short Film - Student DSK International Campus - Pune Little Love Bites [Indian] Riki Production Center LLC, Art Pictures Kikoriki. Legend of the Golden Promo Film [International] Studio LLC | Smeshariki LLC Dragon Nestle India | Paperboat Design Studios Promo Film [Indian] Superbabies Pvt Ltd Ad Film [Indian] Vivi5 Animation Art Design Studio YK Organic Myntra Short Film - Professional Studio Eeksaurus Productions Pvt. Ltd. Tokri The Basket [International] Short Film - Professional [Indian] Studio Eeksaurus Productions Pvt. Ltd. Tokri The Basket Episode [International] Aum Animation Studios Pvt LTD Ande Pirki Episode [Indian] Aum Animation Studios Pvt LTD Ande Pirki The Shonku Diaries- A Unicorn Film [International] Turtle In Motion Studios Pvt Ltd Adventure The Shonku Diaries- A Unicorn Film [Indian] Turtle In Motion Studios Pvt Ltd Adventure GAMING CATEGORY ENTRANT ENTRY TITLE Mobile and Tablet Game: Sports Cosi Games Pvt Ltd Pele Soccer Legend [Indian] Mobile and Tablet Game: Puzzle Reliance Games The BFG Game [International] Mobile and Tablet Game: Puzzle Xigma Games Rubek [Indian] Mobile and Tablet Game: Action / Glu Mobile Deer Hunter Classic Adventure [International] Mobile and Tablet Game: Action / Glu Mobile Deer Hunter Classic Adventure [Indian] Mobile and Tablet Game: Arcade Love Handle Developers LLP Twisty Board / Casual [International] Mobile and Tablet Game: Arcade Love Handle Developers LLP Twisty Board / Casual [Indian] Mobile and Tablet Game: Other Holy Cow Productions Bad Dream Brigade Genres [International] FICCI BAF AWARDS 2017 WINNERS LIST GAMING CATEGORY ENTRANT ENTRY TITLE Mobile and Tablet Game: Other Csharks Games Pulimurugan Genres [Indian] PC, Console & Hand-held Game Apar Games Scribbled Arena [Indian] Student Game [International] DSK International Campus Pune Tremor Student Game [Indian] DSK International Campus Pune Tremor VFX CATEGORY ENTRANT ENTRY TITLE Short Film - Student ISART Digital Invasion Day [International] Short Film - Student [Indian] Jain University Unbelieveable Tutting Ad Film [International] Nomad Films | FutureWorks Media Dano Milk Whitescript | Famous Digital Studios Pvt. Ad Film [Indian] Finolex Fan Ltd. Zee Format Factory | Paperboat Design Promo Film [Indian] Phantasmagoria Studios Pvt Ltd Episode [Indian] Swastik Productions | One Life Studios Karamphaldata Shani Film [International] Marvel Studios | Framestore Doctor Strange Film [Indian] Redchillies.VFX Fan Shot of the Year [Film] Cinestaan Film Company|Rakeysh Miryza [Indian] Omprakash Mehra Pictures|Prana Studios CRITICS AWARDS New Entry in Animation Astra Force - Graphic India New Character of the Year Gaju Bhai - Toonz Animation India Pvt Ltd Most Popular Show of the Year Motu Patlu - Maya Digital Studios Pvt Ltd Animated Character Voice of the Mrs. Meghna Joshi Year Case Study of the Year Lamput - Vaibhav Studios Ravi Velhal, Intel Special Contribution to the AVGC Sector Prasad Phadke, Autodesk.

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Ficci Baf Awards 2015 - Nomination List
FICCI BAF AWARDS 2015 - NOMINATION LIST CATEGORY ENTRANT ENTRY TITLE COUNTRY Hochschule Luzern - Design & Kunst The Sound of Crickets Switzerland Communication University of China Fly China Animated Short Film - Student Communication University of China My Daddy China [International] Communication University of China HideSeek China The Arts University at Bournemouth Do Us Part United Kingdom The Arts University at Bournemouth The Shipping Forecast United Kingdom National Institute of Design Her long nails India National Institute of Design Horn Ok Scream India Animated Short Film - Student [Indian] DSK Supinfocom International Campus Magarwasi India National Institute of Design Death of a Mosquito India Thought Cloud Studio Rise of the Valiant INDRAJEET India Animated Promos [International] Climb Media India Pvt Ltd Jugnoo India 19th Day Pictures Vincent the Artist USA | India Thought Cloud Studio Rise of the Valiant INDRAJEET India Animated Promos [Indian] Climb Media India Pvt Ltd Jugnoo India Nestle | Paperboat Design Studios Pvt Ltd Superbabies India Climb Media India Pvt Ltd BSE Fishing India Animated Ad Film Mit Institute of Design ICRC India [International] Syu Design BSE APP India Studio Eeksaurus Productions Pvt Ltd Rotary Lifeline India Studio Eeksaurus Productions Pvt Ltd Rotary Heartline India Animated Ad Film [Indian] Studio Eeksaurus Productions Pvt Ltd Rotary Fateline India FutureWorks Integrated Advertising | Welspun-world of hygrocotton India Futureworks Media Ltd Studio Eeksaurus Productions Pvt Ltd Fisherwoman and Tuk Tuk India Animated Short Film - Professional Mud n Water Production Pvt Ltd Talking Walls India [International] Aroop Dwivedi Aai India Studio Eeksaurus Productions Pvt Ltd Fisherwoman and Tuk Tuk India Animated Short Film - Professional Figment Films Sonali Pakhi India [Indian] Mud n Water Production Pvt Ltd Talking Walls India Bluepixels Animation Studios Pvt Ltd Ande Pirki India Studio 100 | Visual Computing Labs - Tata Heidi Belgium | India Animated TV Episode Elxsi Ltd.
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In India, Gods Rule the 'Toon' Universe
In India, Gods Rule The 'Toon' Universe http://www.washingtonpost.com/wp-dyn/content/article/2008/01/08/AR... In India, Gods Rule The 'Toon' Universe Hindu Myth a Fount of Superheroes By Rama Lakshmi Washington Post Foreign Service Wednesday, January 9, 2008; A11 NEW DELHI -- Eight-year-old Tejas Vohra is used to spending most of his after-school hours watching "Power Rangers," "Transformers" and "Looney Tunes." But these days, one of his favorite superheroes is a cool cartoon version of Hanuman, the monkey-headed Hindu god. For thousands of years, Hindus have prayed to Hanuman in times of trouble, beseeching him to perform miraculous feats in their lives. Last week, the god was revealed to Tejas in a movie theater. In "The Return of Hanuman," the adored deity is reborn as a boy who goes to school in khaki shorts, uses a computer, combats pollution and, most important, smashes the bad guys to pulp. "I loved the film because Hanuman is a boy like me and saves planet Earth," said Tejas, a tall, wide-eyed second-grader. "It was awesome to see the gods laughing, singing and flying planes. The fights were really good, and in the end Hanuman sets everything right." A number of haloed Hindu gods and goddesses have debuted in the frenetic world of animation over the past five years. Their appearance marks a shift from a decades-long period in which Indian children grew up almost exclusively on American TV and movie characters, including Mickey Mouse, Tom and Jerry, and Spider-Man. To many parents, though, the "mytho-cartoons" are more than a novelty; they are a way to introduce the ancient tales to a generation that seems to be losing touch with its 5,000-year heritage.
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Srijan Digital Arts
REPORT ON PROMOTION AND AWARENESS OF STUDIO: SRIJAN DIGITAL ARTS Submitted in partial fulfillment of the requirement for the Award of the degree of BACHELOR OF BUSINESS ADMINISTRATION (2009-2012) SUBMITTED TO: - SUBMITTED BY:- EXECUTIVE SUMMARY The Business Administration Project has been undertaken to study the international market of Multimedia/Animation industry and to analyze comprehensively the Indian Market scenario. The research study was conducted to find out the factors which would influence the major developments taking place in this industry, at both the global as well as domestic level. With these objectives in mind, the information is collected from various publications related with this industry, websites, Government institutions and other secondary sources. Later on all this information was compiled in the form of presentable and highly comprehensible report. The important outcomes are: • The Multimedia/Animation industry is highly fragmented. • India is the fastest growing Multimedia/Animation industry. 2 ACKNOWLEDGEMENT Every work constitutes great deal of assistance and guidance from the people concerned and this particular project is of no exception. A project of the nature is surely a result of tremendous support, guidance, encouragement and help. Wish to place on record my sincere gratitude to Mr. XXXXXXXXXXXXXXXXXXX I thank him for constructive help and encouragement throughout the project. Without his support and guidance taking this would not have been possible. Also, wish to acknowledge enthusiastic encouragement and support extended to me by my family members. At last, I would like to thank all the faculty of business management to help me completing this project. Im also thankful to my friends who provided me their constant support and assistance.
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Toonz Animation India Private Limited
Toonz Animation India Private Limited https://www.indiamart.com/toonz-animation/ Established in the year 1999, Toonz Animation India Pvt. Ltd is the state-of-the-art animation production facility of Toonz group. The 18,000 sq feet facility is nestled in Technopark, India's largest IT Park located in the South Indian state of ... About Us Established in the year 1999, Toonz Animation India Pvt. Ltd is the state-of-the-art animation production facility of Toonz group. The 18,000 sq feet facility is nestled in Technopark, India's largest IT Park located in the South Indian state of Kerala, one of the must see destinations of a lifetime as described by National Geographic Traveller. From the creation of India's first 2D animated TV series & 2D feature film, to India's first 3D stereoscopic theatrical, the studio boasts of an envious pedigree that saw many successful coproduction partnerships with the likes of Walt Disney, Turner, Nickelodeon, Sony, Universal, BBC, Paramount, Marvel and Hallmark. Today, the studio has emerged as the leader in the Indian animation industry with a host of successful productions for the domestic market and one of the most admired studios in South East Asia. The studio has been heralded by Animation Magazine as 'one of the top ten studios to watch'and also been chosen as one among India's top ten 'cool' companies to work for. For more information, please visit https://www.indiamart.com/toonz-animation/aboutus.html DISTRIBUTION P r o d u c t s & S e r v i c e s Co-Production Financing / Co-Financing Global Distribution OTHER SERVICES P r o d u c t s & S e r v i c e s 3D Animation 2D Animation Post Production Story Boarding Animatic OTHER SERVICES: P r o d u c t s & S e r v i c e s Film TV Production Visual Effects CGI1 Visual Effects CGI F a c t s h e e t Year of Establishment : 1999 Nature of Business : Service Provider CONTACT US Toonz Animation India Private Limited Contact Person: Ramesh Kannan 731-735 Nila, Technopark Campus Thiruvananthapuram - 695581, Kerala, India https://www.indiamart.com/toonz-animation/.
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Whether It Is Bollywood Or Hollywood, There Is No Doubt That Films Are the Dominant Story-Telling Medium Since the Late 20Th C
India’s Digital Dreams N Chandra Mohan Thanks to India’s software prowess, Hollywood has already begun sourcing creativity from the country in a big way. The advance of digital technologies has radically redefined the way animation and live-action movies are made, gradually blurring the distinction between the two genres in the 21st century. The marriage of movies and the computer has resulted in a division of labour in which film- making takes place on the sets with actors and camera crew while a computer graphics contingent often sits elsewhere, including places like India of late and Asia, to add digital effects to the movie. This computer graphics contingent – comprising digital compositors, rotoscope artists, animation technicians and suchlike – often has little or no contact with those on the sets. “They work from cartoon strips, hunched over computers in scattered cubicles. They are usually hired not by the director, the producers, or the studio but by a subcontractor who has usually submitted the lowest bid for a particular digital animation shot…. Cost, not consistency, tends to be the criterion in doling out this work”, according to Edward Jay Epstein’s insightful industry expose The Big Picture: Money and Power in Hollywood. A high point of sorts of India’s growing stature as a preferred outsourcing location for such activity was the making of The Chronicles of Narnia that incorporated the creativity of 50 Indians based in Mumbai. This film, which narrowly missed getting the best visual effects award at last years’ Academy Awards, had a major input from the Indian arm of Rhythm and Hues, the Hollywood visual effects studio, that clinched the $40 million subcontract for making animated characters like centaurs for Narnia.
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3-D Computer Animation Production Process On
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Libro Blanco Del Sector De La Animación En España 2012]
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