DOCSLIB.ORG

[Edit]History [Edit]Themes [Edit]Awards and Festivals

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

The Indian animation industry encompasses both 2D traditional, and 3D animation, as well as visual effects for feature films. Although India's film industry has a long history, it is a relatively newcomer to the field of animation. Contents [hide] 1 History 2 Themes 3 Awards and festivals 4 Societies and organizations 5 Market o 5.1 Comparison with the global scenario o 5.2 Ventures 6 Animation studios/companies in India 7 List of Indian animated movies 8 List of animated TV series produced in India 9 See also 10 References 11 Further study [edit]History The first animated film from India is considered to be "Ek Anek Aur Ekta", a short traditionally animated short educational film released in 1974[1][2] from Doordarshan's Film Division. Doordarshan is a government run public television service in India. The film is presented as a fable meant to teach children the value of unity. After its success, more shorts were produced by Doordarshan. This was the first time that original animated films from India were broadcast on national television in Hindi. The first Indian animated television series is Ghayab Aaya, aired in 1986 and directed by Suddhasattwa Basu. The First Indian 3D + VFX was done for television series "CAPTAIN VYOM" by Animation" The first Indian 3D animated film is Roadside Romeo, which was a joint venture between Yash Raj Films and the Indian division of the Walt Disney Company. It was written and directed by Jugal Hansraj.[3] [edit]Themes Although still in infancy, the Indian animation industry has explored a variety of topics. Hindu mythological stories being the most common of them. [edit]Awards and festivals 24FPS Animation Awards is a celebration of animation excellence and recognition of the best animation talent in India. Organized with the aim of creating a platform that motivates, hones and showcases Indian animation and student talent. Annually held 24FPS Animation Awards is amongst the premier animation competitions in the country. It is organized by Maya Academy of Advanced Cinematic (MAAC).[4] The 24 FPS Animation Award 2005-06 had more than 250 students that participated from across India. 24 FPS acts as a catalyst to bring the students & studios at one platform wherein the students showcase their skills in front of the top industry professionals & studios, which in turn acts as a placement platform for the students. Anifest India is an annually held animation festival with an education track. The focus is on technical and hands-on presentations with case studies from top professionals across holistic disciplines of art, animation and filmmaking. On the education side, premier schools and educators from all over India and overseas present their approach and viewpoints. The best student, faculty and professional films get showcased at the TASI Viewers Choice Awards (TVCA), an audience award which for many attendees is their first taste of attending a film festival and voting. Over three thousand people attend the festival which in recent years has spanned three entire days. [edit]Societies and organizations The Animation Society of India (TASI) is a non-profit organization with its head-office in Mumbai. It aims to educate about the emerging animation technologies and at the same time provide a platform for exchange of creative and technical information within the existing art and animation fraternity in India. It also hosts Anifest India, the biggest annual animation festival in the Indian subcontinent, which features the TASI Viewer's Choice Awards. It also hold technical and in-depth workshops and sessions nearly every month. [edit]Market The Indian animation industry was estimated at $354 million in 2006 and was forecast to reach $869 million by 2010.[5] Animation in India is currently riding on two key factors - a large base of highly skilled labour, and low cost of production. While the industry is gaining prominence steadily, several important factors such as the government's role in supporting the animation industry, and producing original content locally. In 2009, the state of the animation industry in India, was growing at a CAGR of 30%, is estimated to reach US$ 1.5 billion by 2015.[citation needed] Some of the other estimates of the NASSCOM report on animation indicate the following: The global entertainment market will generate a demand for animation production services of the order of US$ 37 billion by 2003 In the non-entertainment segment the demand for animation production services will touch US$ 14.7 billion by 2015 The global film/TV program production market will create a US $ 17.5 billion revenue opportunity for animation production houses The Indian gaming industry was estimated at nearly $48 million in 2006 and is expected to cross $424 million by 2010.[6] Pune, is competing with Hyderabad and Mumbai to be the country's animation hub. With the sector facing severe human resources shortage, more and more studios are increasingly venturing into animation training. Chetan Deshmukh, an animator and special effects expert, recently shifted his base to Pune from US. He has worked on Hollywood movies like Chicago and Shanghai Knights. The Mahratta Chamber of Commerce, Industries and Agriculture (MCCIA), a premier body of industries in and around Pune region has launched a programme to catapult Pune as a global hub for animation and gaming. It has recently formed a group of professionals, training institutes and celebrities to implement the initiative, with filmmaker Amol Palekar has as their brand ambassador.[7] [edit]Comparison with the global scenario The total global animation production figures, according to the NASSCOM Animation report, range between US$ 16-31.5 billion for the year 2000. Statistics for 2001 stand anywhere between US$ 25 billion and US$ 38 billion. Analysts estimate that the global animation production rose to about US$ 45 billion in 2002.[8] [edit]Ventures Continuing its impressive financial run, Chennai-based Media Technology Company Sanraa media,has signed a £ 2 million deal with the global production company Endemol, UK for the production of the animated series The 99, which is based on the illustrated comic The 99. The 99, a 3D animation series, will comprise 26 episodes will be done by Sanraa Media and day-to-day production will be overseen by Endemol. The co-production deal also entitles Sanraa Media to the rights of distributing the series in India, Indonesia, Malaysia, Pakistan, Sri Lanka and Thailand. [edit]Animation studios/companies in India Animation studios in India including television channels and production studios. Arena Animation Again Studios Buena Vista International India Cartoon Network (India) Digitales Studios Future Thought Productions Reliance MediaWorks Ltd Tata Elxsi Toonz Animation India Pvt Ltd DQ Entertainment Ltd Wireframe Animation aark.a animations Animation Bugs,SCO-1-12,PPR Mall,4th Floor, Mithapur Road, Jalandhar, Punjab : Ph: 09855551177 [edit]List of Indian animated movies Ek Anek Aur Ekta (1974) Ramayana: The Legend of Prince Rama (1992) Pandavas - The Five Warriors (2000) - National Award in the category of Best Feature Film in English 2000 & Second Best Animated Feature Film Award in Vancouver Effects & Animation Festival, 2001. Hanuman (2005) The legend of Lord Buddha (animated film) (2005) Kittu (2006) Krishna (2006) Inimey Nangathan (2007) Return of Hanuman (2007) Roadside Romeo (2008) Dashavatar (2008) Ghatothkach (2008) Cheenti Cheenti Bang Bang (2008) Jumbo (2008) Arjun – The Warrior Prince (2009) Bal Ganesh (2009) Lav Kush - The Warrior Twins (2010) Toonpur Ka Superrhero (2010) Ramayana: The Epic (2010) Koochie Koochie Hota Hain (2011) Alibaba Aur 41 Chor (2011) Delhi Safari (2012) My home is Green (2011) Sons of Ram (2012) Once upon a Time (malayalam) (2012) [edit]List of animated TV series produced in India Akbar and Birbal was aired on Hungama TV. It showed the wisdom of Mughal Emperor Akbar's minister Birbal. The Adventures of Tenali Raman:The Adventures of Tenali Raman (26 X 11 min) is India's first animated 2D television series by Toonz Animation India. Little Krishna: 13 episodes 3D animated series produced for global audience by BIG Animation (I) Pvt. Ltd. and The Indian Heritage Foundation in both languages Hindi and English. Aired on Nickelodeon on May 2009. Chhota Bheem:Super hit series on Pogo 'Chhota Bheem' produced by Green Gold(co-production with Turner International). It started as a 13- episode TV series, and based on the popularity it got extended and till date more than 60 episodes were delivered and work is underway on more episodes. Krishna Balram: 26 stories, of 22 minutes duration each, follow through the capers of Krishna, Balram and Radha. Once again by Green Gold Animation. This series aired on Cartoon Network. Shaktimaan Animated: It is the animated version of the hugely successful Shaktimaan series of the 1990s. The animated series is aired on SONIC. SINGH SOORME - ANIMATED MOVIE (10-08-2008 Motu Patlu:It is a huge successful 3d cartoon bradcasted by nicklodian india. It is based on LotPot comics. [edit]See also Animation portal India portal History of Disney in India Buena Vista International India [edit]References 1. ^ [User Rating:9.1/10] 2. ^ "Board Message". Hamaraforums.com. Retrieved 2010-12-31. 3. ^ "Official Website: Roadside Romeo". Disney.in. 2008-10-24. Retrieved 2010-12-31. 4. ^ "Times Of India coverage of 24FPS". Retrieved 2010-12-31. 5. ^ "Under Creative Commons License: Attribution". Articlesbase.com. Retrieved
Recommended publications
  • Indian Entertainment and Media Outlook 2010 2 Indian Entertainment and Media Outlook 2010 Message

    Indian Entertainment and Media Outlook 2010 2 Indian Entertainment and Media Outlook 2010 Message

    Indian entertainment and media outlook 2010 2 Indian entertainment and media outlook 2010 Message To our clients and friends both in and beyond the entertainment and media industry : Welcome to the 2010 edition of PricewaterhouseCoopers’ Indian Entertainment and Media (E&M) Outlook, covering the forecast period of 2010–2014. Our forecasts and analysis for this edition focus on eight major E&M industry segments and one emerging segment. Each segment details out the key trends observed and challenges faced apart from providing the prospects for the segment. In the industry overview section, we have highlighted the key theme observed during 2009 and what we perceive as future trends in the coming years. We have a chapter on the tax and regulatory impact on the various E&M segments and for the very first time we have included a chapter on how technology can be leveraged in the E&M industry. In 2009, the economy severely impacted the world, translating into steep declines in advertisement as well as consumer spending. India though impacted, did manage to show growth with increased consumer spending as well as innovative action on the part of the industry. Against this backdrop, across the world, except certain markets, speed of digital spending increased due to changing consumer behavior as well as technology available to deliver the same. In India, while the spend on digital media is likely to grow, it is unlikely that it will dominate in the forecast period. This is largely due to the relative unavailability as well as unaffordability of the broadband and mobile infrastructure.
  • Ficci Baf Awards 2015 - Nomination List

    Ficci Baf Awards 2015 - Nomination List

    FICCI BAF AWARDS 2015 - NOMINATION LIST CATEGORY ENTRANT ENTRY TITLE COUNTRY Hochschule Luzern - Design & Kunst The Sound of Crickets Switzerland Communication University of China Fly China Animated Short Film - Student Communication University of China My Daddy China [International] Communication University of China HideSeek China The Arts University at Bournemouth Do Us Part United Kingdom The Arts University at Bournemouth The Shipping Forecast United Kingdom National Institute of Design Her long nails India National Institute of Design Horn Ok Scream India Animated Short Film - Student [Indian] DSK Supinfocom International Campus Magarwasi India National Institute of Design Death of a Mosquito India Thought Cloud Studio Rise of the Valiant INDRAJEET India Animated Promos [International] Climb Media India Pvt Ltd Jugnoo India 19th Day Pictures Vincent the Artist USA | India Thought Cloud Studio Rise of the Valiant INDRAJEET India Animated Promos [Indian] Climb Media India Pvt Ltd Jugnoo India Nestle | Paperboat Design Studios Pvt Ltd Superbabies India Climb Media India Pvt Ltd BSE Fishing India Animated Ad Film Mit Institute of Design ICRC India [International] Syu Design BSE APP India Studio Eeksaurus Productions Pvt Ltd Rotary Lifeline India Studio Eeksaurus Productions Pvt Ltd Rotary Heartline India Animated Ad Film [Indian] Studio Eeksaurus Productions Pvt Ltd Rotary Fateline India FutureWorks Integrated Advertising | Welspun-world of hygrocotton India Futureworks Media Ltd Studio Eeksaurus Productions Pvt Ltd Fisherwoman and Tuk Tuk India Animated Short Film - Professional Mud n Water Production Pvt Ltd Talking Walls India [International] Aroop Dwivedi Aai India Studio Eeksaurus Productions Pvt Ltd Fisherwoman and Tuk Tuk India Animated Short Film - Professional Figment Films Sonali Pakhi India [Indian] Mud n Water Production Pvt Ltd Talking Walls India Bluepixels Animation Studios Pvt Ltd Ande Pirki India Studio 100 | Visual Computing Labs - Tata Heidi Belgium | India Animated TV Episode Elxsi Ltd.
  • The Uses of Animation 1

    The Uses of Animation 1

    The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator.
  • Interactive Television for Young Children

    Interactive Television for Young Children

    Interactive Television for Young Children: Developing Design Principles Ana Vitoria Joly Hulshof A thesis submitted in partial fulfilment of the requirements of the University of Brighton for the degree of Doctor of Philosophy September 2010 University of Brighton Abstract The research reported in this thesis investigates preschoolers‟ interactions with interactive television applications. The study involved the development of an electronic programme guide prototype and the empirical evaluation thereof. There were three main aims. The first aim was to analyse children‟s interactions and illustrate them in a framework to further understanding of the way preschoolers interact with the television. The second aim was to contribute design principles for preschool interactive television and the third aim was to refine methods and add to the knowledge of design and evaluation techniques involving young children. This research, which involved design and evaluation phases, was carried out with children in Brazil and in the United Kingdom aged between three and four. Children participated actively as informants and were asked for input at various stages of the project. Their participation during design activities and evaluation sessions was crucial to the constitution of the framework, the development of design principles and the refinement of methods for working with preschoolers. The results revealed that young children‟s interactions with interactive television are influenced by: the children‟s age, motor skills, country context, media and device use and knowledge. These factors along with the input device used for interaction and characteristics of the interactive television application determine the number of accomplishable tasks, the time taken to accomplish the tasks, the complexity of the tasks that can be accomplished, the hints and assistance as well as interactions needed to accomplish the tasks.
  • Jobs and Education

    Jobs and Education

    Vol. 3 Issue 3 JuneJune1998 1998 J OBS AND E DUCATION ¥ Animation on the Internet ¥ Glenn VilppuÕs Life Drawing ¥ CanadaÕs Golden Age? ¥ Below the Radar WHO IS JARED? Plus: Jerry BeckÕs Essential Library, ASIFA and Festivals TABLE OF CONTENTS JUNE 1998 VOL.3 NO.3 4 Editor’s Notebook It’s the drawing stupid! 6 Letters: [email protected] 7 Dig This! 1001 Nights: An Animation Symphony EDUCATION & TRAINING 8 The Essential Animation Reference Library Animation historian Jerry Beck describes the ideal library of “essential” books on animation. 10 Whose Golden Age?: Canadian Animation In The 1990s Art vs. industry and the future of the independent filmmaker: Chris Robinson investigates this tricky bal- ance in the current Canadian animation climate. 15 Here’s A How de do Diary: March The first installment of Barry Purves’ production diary as he chronicles producing a series of animated shorts for Channel 4. An Animation World Magazine exclusive. 20 Survey: It Takes Three to Tango Through a series of pointed questions we take a look at the relationship between educators, industry representatives and students. School profiles are included. 1998 33 What’s In Your LunchBox? Kellie-Bea Rainey tests out Animation Toolworks’ Video LunchBox, an innovative frame-grabbing tool for animators, students, seven year-olds and potato farmers alike! INTERNETINTERNET ANIMATIONANIMATION 38 Who The Heck is Jared? Well, do you know? Wendy Jackson introduces us to this very funny little yellow fellow. 39 Below The Digital Radar Kit Laybourne muses about the evolution of independent animation and looks “below the radar” for the growth of new emerging domains of digital animation.
  • Entertainment

    Entertainment

    TVml August 28, 2020 National Stock Exchange of India Limited BSE Limited Exchange Plaza, Plot No. C/1, P J Towers G-Block Bandra-Kurla Complex, Dalal Street Bandra (E) Mumbai - 400051 Mumbai - 400 001 Trading Symbol: TV18BRDCST SCRIP CODE: 532800 Dear Sirs, Sub: Annual Report for the financial year 2019-20 including Notice of Annual General Meeting The Annual Report for the financial year 2019-20, including the Notice convening Annual General Meeting, being sent to the members through electronic mode, is attached. The Secretarial Audit Report of material unlisted subsidiary is also attached. The Annual Report including Notice is also uploaded on the Company's website www.nw18.com. This is for your information and records. Thanking you, Yours faithfully, For TV18 Broadcast Limited c ~~ ~"OrJ . )," ('.i/'. ~ . .-...e:--.-~ l \ I Ratnesh Rukhariyar Company Secretary Encl. As Above TV18 Broadcast Limited (eIN - L74300MH2005PLC281753) Regd. office: First Floor, Empire Complex, 414- Senopoti Sopot Marg, Lower Parel, Mumboi-400013 T +91 2240019000,66667777 W www.nw18.com E:[email protected] CONTENTS 01 - 11 Corporate Overview 01 Information. Entertainment. Impact TV18 is as unique as 02 Driven to Inform 04 Inspired to Involve it is impactful. It blends 06 Brands that Stimulate compelling and insightful 08 Letter to Shareholders news with inspiring and 09 Corporate Information stimulating entertainment; 10 Board of Directors an attribute that makes it 12 - 68 stand out amongst peers Statutory Reports regardless of size or vintage. 12 Management Discussion and Analysis 29 Board’s Report 40 Business Responsibility Report India’s largest News Broadcast network and the third 49 Corporate Governance Report largest player in the Television entertainment space, TV18 has infused into the Media and Entertainment industry a large dose of youthful dynamism.
  • In India, Gods Rule the 'Toon' Universe

    In India, Gods Rule the 'Toon' Universe

    In India, Gods Rule The 'Toon' Universe http://www.washingtonpost.com/wp-dyn/content/article/2008/01/08/AR... In India, Gods Rule The 'Toon' Universe Hindu Myth a Fount of Superheroes By Rama Lakshmi Washington Post Foreign Service Wednesday, January 9, 2008; A11 NEW DELHI -- Eight-year-old Tejas Vohra is used to spending most of his after-school hours watching "Power Rangers," "Transformers" and "Looney Tunes." But these days, one of his favorite superheroes is a cool cartoon version of Hanuman, the monkey-headed Hindu god. For thousands of years, Hindus have prayed to Hanuman in times of trouble, beseeching him to perform miraculous feats in their lives. Last week, the god was revealed to Tejas in a movie theater. In "The Return of Hanuman," the adored deity is reborn as a boy who goes to school in khaki shorts, uses a computer, combats pollution and, most important, smashes the bad guys to pulp. "I loved the film because Hanuman is a boy like me and saves planet Earth," said Tejas, a tall, wide-eyed second-grader. "It was awesome to see the gods laughing, singing and flying planes. The fights were really good, and in the end Hanuman sets everything right." A number of haloed Hindu gods and goddesses have debuted in the frenetic world of animation over the past five years. Their appearance marks a shift from a decades-long period in which Indian children grew up almost exclusively on American TV and movie characters, including Mickey Mouse, Tom and Jerry, and Spider-Man. To many parents, though, the "mytho-cartoons" are more than a novelty; they are a way to introduce the ancient tales to a generation that seems to be losing touch with its 5,000-year heritage.
  • Srijan Digital Arts

    Srijan Digital Arts

    REPORT ON PROMOTION AND AWARENESS OF STUDIO: SRIJAN DIGITAL ARTS Submitted in partial fulfillment of the requirement for the Award of the degree of BACHELOR OF BUSINESS ADMINISTRATION (2009-2012) SUBMITTED TO: - SUBMITTED BY:- EXECUTIVE SUMMARY The Business Administration Project has been undertaken to study the international market of Multimedia/Animation industry and to analyze comprehensively the Indian Market scenario. The research study was conducted to find out the factors which would influence the major developments taking place in this industry, at both the global as well as domestic level. With these objectives in mind, the information is collected from various publications related with this industry, websites, Government institutions and other secondary sources. Later on all this information was compiled in the form of presentable and highly comprehensible report. The important outcomes are: • The Multimedia/Animation industry is highly fragmented. • India is the fastest growing Multimedia/Animation industry. 2 ACKNOWLEDGEMENT Every work constitutes great deal of assistance and guidance from the people concerned and this particular project is of no exception. A project of the nature is surely a result of tremendous support, guidance, encouragement and help. Wish to place on record my sincere gratitude to Mr. XXXXXXXXXXXXXXXXXXX I thank him for constructive help and encouragement throughout the project. Without his support and guidance taking this would not have been possible. Also, wish to acknowledge enthusiastic encouragement and support extended to me by my family members. At last, I would like to thank all the faculty of business management to help me completing this project. Im also thankful to my friends who provided me their constant support and assistance.
  • Mauritius Times Epaper 5 March 2021

    Mauritius Times Epaper 5 March 2021

    66th Year -- No. 3657 Friday, March 5, 2021 www.mauritiustimes.com facebook.com/mauritius.times 18 Pages - ePaper MAURITIUS TIMES l A good leader is a person who takes a little more than his share of the blame and a little less than his share of the credit. - John Maxwell Interview: Rama Sithanen - Economist & Former MOF “The Bérenger-Duval coalition risks transforming an already divided country into a cleaved and a polarised one between two distinct groups competing for political power” * See Pages 7-8-9 Shedding the Dead Sea mentality Need to remain focused There was a time in this country when the focus was not so We owe it to the young and future generations to clear the much on power per se as on what positive changes that appalling mess and trigger the sea change necessary to power could bring about for the betterment of the citizenry establish a significantly better order Dr R Neerunjun Gopee * See Page 3 By Mrinal Roy * See Page 3 By Hanna Zagefka, Vaccine nationalism will block our Professor of Social Psychology, path out of the pandemic - so how Royal Holloway * See Page 2 do we resist our tribal instinct? Mauritius Times Friday, March 5, 2021 www.mauritiustimes.com Edit Page facebook.com/mauritius.times 2 The Political Cauldron: More Muddling The Conversation t is widely known that the leader of the him to establish his credentials as a potential Vaccine nationalism will block our MMM, Paul Berenger, has the knack to com- leader of the LP. Imit political blunders - and that is what has The question now is: What happens next?
  • Common Objective Paper Part-I

    Common Objective Paper Part-I

    PART-I (Hkkx-I) BOOKLET SERIES/ iqfLrdk lhjht+ A DO NOT OPEN THIS QUESTION BOOKLET UNTIL ASKED TO DO SO tc rd dgk u tk, bl iz'u iqfLrdk dks u [kksysaA Important: Please refer to your admit card while filling in details in this Question Booklet and in the OMR Answer Sheet. egRoiw.kZ% d`i;k vius izos'k i=k dks ns[kdj iz'u&iqfLrdk vkSj mÙkj i=kd esa fooj.k HkjsaA The written test structure is as given below: fyf[kr ijh{kk dh lajpuk uhps nh xbZ gS % Paper Test Components Question No. of Questions to be Answers to be isij ijh{k.k ?kVd Nos. Questions attempted marked/ iz'u&la[;k dqy iz'u (Marks) written on dqy iz'u gy mÙkj fdl ij djus gSa (vad) fy[kuk gS Part-I Section-A : Objective Type 30 OMR 1-30 30 Hkkx&I [k.M&A % oLrqfu"B Vkbi (30 marks/vad) mÙkj i=kd Question-cum- Part-II Section-B : Subjective Type 5 Answer booklet 1-7 7 Hkkx&II [k.M&B % vkRefu"B Vkbi (70 marks/vad) iz'u&lg mÙkj iqfLrdk PLEASE READ INSTRUCTIONS ON THE BACK COVER CAREFULLY. fiNys doj ij fn, x, vuqns'kksa dks è;ku ls if<+,A Use Blue/Black Ball Point pen to fill in the following particulars. Ñi;k fuEufyf[kr tkudkfj;ksa dks Hkjus ds fy, uhys@dkys ckWy ikWbaV isu dk iz;ksx djsaA Name / uke: …………………………………………………………………………………… Roll No / vuqØekad Signature/ gLrk{kj:……………………………………………………………………………. This Question Booklet and OMR Answer Sheet are to be returned on completion of the test.
  • Syllabus for the Bachelor in Animation

    Syllabus for the Bachelor in Animation

    UNIVERSITYU OF MUMBAI’S GARWARE INSTITUTE OF CAREER EDUCATION & DEVELOPMENT Syllabus for the Bachelor in Animation Credit Based Semester and Grading System with effect from the Academic Year (2017-2018) AC 11-05-2017 Item No. UNIVERSITYU OF MUMBAI’S SyllabusU for Approval Sr. No. Heading Particulars 1 Title of the Course Bachelor in Animation 10+2 pass – with minimum 45% 2 Eligibility for Admission marks Admissions on the basis of Written Test & Interview. 3 Passing Marks 50% passing marks Ordinances / 4 Regulations ( if any) 5 No. of Years / Semesters Three years full time/ 6 semester 6 Level Bachelor 7 Pattern Yearly / semester New 8 Status To be implemented from 9 From academic year 2017-18 Academic Year Date: 11/05/2017 Signature : Dr. Anil Karnik, I/C. Director, Garware Institute of Career Education & Development INTRODUCTIONU A sequence of images creates an illusion of a moving object is termed as Animation. India is one of the most preferred outsourcing countries. We not only do outsourcing services, we are also a creator of original animation. Some of the popular original contents are Chota bheem, Little Krishna, Delhi Safari, Arjun, Road side Romeo etc. Animation is a combination of entertainment and technology. It is composed of design, drawing, layout and production of graphically rich multimedia clips. Time and space are important in animation. Those who excel in drawing and creativity can choose animation as their career. An animator’s job is to analyze the script thoroughly and get into the skin of the character. Creating idea, storyboard, Character design, backgrounds, etc and using technical methodology to create stunning visuals short movies is the ideal steps in making a successful animation feature.
  • The Study of Indian Animation Industry

    The Study of Indian Animation Industry

    Suraj Punj Journal For Multidisciplinary Research ISSN NO: 2394-2886 The Study of Indian Animation Industry PradeepKumar Assistant Professor UIAM Abstract: This article is the study of the introduction of animation in India and the scope of animation in coming future. Animation is new field but it is practiced in other forms in India from ancient time . If we look at the present scenario the animation has its influence on almost every sector i.e. education, medical, engineering, aerospace, entertainment etc. there are more than 1000 animation studios (2d & 3d) are in India which are continuously working on animation. Which is increasing this industry every day. However, This industry is facing some challenges. Animation studios here are obviously great to give good quality animated films however is not thinking of unique film. Hollywood is outsourcing many projects from India which is continuously increasing the quality and confidence of Indian artists. Introduction: The demand for animation industry of global animation market is growing rapidly due to the increasing number of multinational studios, cable channel companies; TV broadcast companies, availability of low cost internet access, and penetration of mobile devices along with the growing popularity of streaming video. The fast changing technology has made animation, VFX & games available to the masses, and this industry has become one of the fastest growing sector in the global media and entertainment market. More and more global animation, VFX and games production taking place in a globally distributed mode. Factors like favorable government rules, multi-industrial applications, improvements in animation technologies and icreased aired time from cable operators are propelling the market growth.