Smith-V-SHN-Class-Action-Complaint
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“Kiss Today Goodbye, and Point Me Toward Tomorrow”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape. -
United States Theatre Programs Collection O-016
http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items. -
Download Press Release
FOR IMMEDIATE RELEASE SHN IS NOW BroadwaySF 2019-2020 Mini-Plan Memberships On Sale Now (San Francisco, CA October 1, 2019) – The preeminent theatrical entertainment company in the Bay Area announced its next Act. As of October 1st, 2019, SHN has changed its name to BroadwaySF. The new name projects a clear and simple promise to live theater lovers around the Bay Area - BroadwaySF will continue to bring Broadway blockbusters and one-of-a-kind theatrical experiences to the Orpheum and Golden Gate Theatres in San Francisco. BroadwaySF’s new website is broadwaysf.com. BroadwaySF 2019-2020 mini-plan memberships are now available. Members receive guaranteed seats and other exclusive benefits to four blockbuster musicals: THE LAST SHIP, starring rock superstar Sting; The Best Musical Tony Award-winning THE BAND’S VISIT; Tina Fey’s hit musical MEAN GIRLS; and the Lincoln Center revival of MY FAIR LADY. Mini-plan members also get first access to THE BOOK OF MORMON and THE SPONGEBOB MUSICAL. The current lineup of productions on sale now at the Orpheum Theatre and Golden Gate Theatre include: HAMILTON - Tickets on sale through January 5, 2020 Orpheum Theatre MADONNA: “Madame X” tour – October 31 – November 4, 2019 Golden Gate Theatre THE SIMON AND GARFUNKEL STORY – October 11-12, 2019 Golden Gate Theatre AN EVENING WITH NEIL DEGRASSE TYSON – October 14, 2019 NOTE: Davies Symphony Hall JONSI AND ALEX SOMERS – “Riceboy Sleeps” – October 14, 2019 Golden Gate Theatre CHAMPIONS OF MAGIC – November 27 – December 1, 2019 Golden Gate Theatre SUMMER: THE DONNA SUMMER MUSICAL – December 3 – December 29, 2019 Golden Gate Theatre SHIN LIM – January 18, 2020 Golden Gate Theatre For more information on all BroadwaySF productions, visit broadwaysf.com Connect with BroadwaySF: broadwaysf.com facebook.com/BroadwaySF/ twitter.com/broadwaysf www.instagram.com/broadwaysf The Magazine About BroadwaySF: BroadwaySF is the preeminent theater entertainment company in the Bay Area, bringing live theatrical experiences to the Orpheum and Golden Gate Theatres in San Francisco. -
Um Compositor Brasileiro Na Broadway: a Contribuição De Heitor Villa-Lobos Ao Teatro Musical Americano
UNIVERSIDADE FEDERAL DE MINAS GERAIS ESCOLA DE MÚSICA PÓS-GRADUAÇÃO EM MÚSICA - MESTRADO UM COMPOSITOR BRASILEIRO NA BROADWAY: A CONTRIBUIÇÃO DE HEITOR VILLA-LOBOS AO TEATRO MUSICAL AMERICANO ROSANE VIANA BELO HORIZONTE 2007 ROSANE VIANA UM COMPOSITOR BRASILEIRO NA BROADWAY: A CONTRIBUIÇÃO DE HEITOR VILLA-LOBOS AO TEATRO MUSICAL AMERICANO Dissertação apresentada ao Curso de Mestrado da Escola de Música da Universidade Federal de Minas Gerais, como requisito parcial à obtenção do título de Mestre em Música. Área de Concentração: Estudo das Práticas Musicais Sub-área: Análise Musical Orientador: Lucas Bretas Belo Horizonte Escola de Música da UFMG 2007 Dedico o presente trabalho ao meu pai, Sebastião Vianna. AGRADECIMENTOS Ao meu orientador, por ter aceitado o desafio de desbravar "terras incógnitas" sem medo de se arriscar e pela sua grande capacidade. A Mônica Mansur Brandão, pela ajuda inestimável e imprescindível no pré-projeto. A Maria Eugênia Albinatti, pelo seu "ouvido paciente" nesses dois anos e sua colaboração. A David Peterson, meu "dicionário vivo" em momentos cruciais. A Rita Lopes Moreira, pela sua generosidade, sem a qual eu não poderia sequer ter iniciado o Curso de Mestrado. Ao meu pai, pelas informações preciosas e inéditas sobre Magdalena e tantas outras sobre Villa-Lobos. Agradeço também pela sua ajuda financeira durante esse período. A minha saudosa mãezinha, Rosa Nalterelli Viana, pelo seu entusiasmo e incentivo quando descobri a obra em 2000. A Sandra Loureiro, pelas palavras sábias em momentos difíceis e por compartilhar comigo a alegria de escrever sobre Magdalena. A André Cavazotti, por ter carinhosamente me acolhido na sub-área Análise Musical e por ter sempre respondido aos meus e-mails e retornado meus telefonemas. -
Golden Gate Theatre Technical Information Packet
GOLDEN GATE THEATRE TECHNICAL INFORMATION PACKET as of February 14, 2020 ♦ GOLDEN GATE THEATRE TECHNICAL SPECIFICATIONS ♦ ♦ Page 1♦ Broadway San Francisco, LLC 1182 Market Street, Suite 200 San Francisco, California 94102 Toll Free Number: (888) 746-1799 Executive Offices Main Line: (415) 551-2075 Executive Office Fax: (415) 431-5052 Audience Services Fax: (415) 581-2121 www.broadwaysf.com Staff Position Telephone Greg Holland Chief Executive Officer (415) 551-2075 Joe Coleman Chief Financial Officer (415) 551-2075 Scott Kane Chief Marketing Officer (415) 551-2075 Regina Guggenheim Vice President, Production & Theatre Operations (415) 551-2054 David Cushing Vice President, Ticketing (415) 551-2069 Brett Baker Vice President, Sales (415) 551-2080 Sean Ray Director of Operations (415) 551-2085 Scott Walton Director of Communications (415) 551-2052 Geoffrey Washburn Director of Administrative Services (415) 551-2060 Caron Dawson Golden Gate House Manager (415) 581-1250 Aaron Lake Golden Gate Asst. House Manager (415) 581-1250 ALL STAFF PHONE NUMBERS ARE PRIVATE AND CONFIDENTIAL. FOR GOLDEN GATE THEATRICAL STAFF AND PRODUCTION CONTACT INFORMATION, PLEASE SEE THE PHONE NUMBERS LISTED BELOW. ♦ GOLDEN GATE THEATRE TECHNICAL SPECIFICATIONS ♦ ♦ Page 2♦ Golden Gate Theatre, 1 Taylor Street, San Francisco, CA 94102 ALL PHONE NUMBERS LISTED ARE PRIVATE AND CONFIDENTIAL THEATRE/HOUSE MANAGERS Area Code (415) – Caron Dawson, House Manager – [email protected] 581-1250 Aaron Lake, Assistant House Manager – [email protected] 581-1250 FAX 775-5677 -
Hollywood Pantages Theatre Los Angeles, California
® ® HOLLYWOODTHEATRE PANTAGES NAME THEATRE LOS ANGELES, CALIFORNIA 03-277.16-8.11 Charlie Miss Cover.indd Saigon Pantages.indd 1 1 7/2/193/6/19 10:05 3:15 PMAM HOLLYWOOD PANTAGES THEATRE CAMERON MACKINTOSH PRESENTS BOUBLIL & SCHÖNBERG’S Starring RED CONCEPCIÓN EMILY BAUTISTA ANTHONY FESTA and STACIE BONO J.DAUGHTRY JINWOO JUNG at certain performances EYMARD CABLING plays the role The Engineer and MYRA MOLLOY plays the role of Kim. Music by CLAUDE-MICHEL SCHÖNBERG Lyrics by RICHARD MALTBY, JR. & ALAIN BOUBLIL Adapted from the Original French text by ALAIN BOUBLIL Additional lyrics by MICHAEL MAHLER Orchestrations by WILLIAM DAVID BROHN Musical Supervision by STEPHEN BROOKER Lighting Designed by BRUNO POET Projections by LUKE HALLS Sound Designed by MICK POTTER Costumes Designed by ANDREANE NEOFITOU Design Concept by ADRIAN VAUX Production Designed by TOTIE DRIVER & MATT KINLEY Additional Choreography by GEOFFREY GARRATT Musical Staging and Choreography by BOB AVIAN Directed by LAURENCE CONNOR For MISS SAIGON National Tour Casting by General Management TARA RUBIN CASTING GREGORY VANDER PLOEG MERRI SUGARMAN, CSA & CLAIRE BURKE, CSA for Gentry & Associates Executive Producers Executive Producer NICHOLAS ALLOTT & SETH SKLAR-HEYN SETH WENIG for Cameron Mackintosh Inc. for NETworks Presentations Associate Sound Designer Associate Costume Designer Associate Lighting Designers Associate Set Designer ADAM FISHER DARYL A. STONE WARREN LETTON & JOHN VIESTA CHRISTINE PETERS Resident Director Music Director Musical Supervisor Associate Choreographer Associate Director RYAN EMMONS WILL CURRY JAMES MOORE JESSE ROBB SETH SKLAR-HEYN A CAMERON MACKINTOSH and NETWORKS Presentation 4 PLAYBILL 7.16-8.11 Miss Saigon Pantages.indd 2 7/2/19 10:05 AM CAST (in order of appearance) ACT I SAIGON—1975 The Engineer ...................................................................................................RED CONCEPCIÓN Kim .................................................................................................................. -
Stand Up, Fight Back!
admin.iatse-intl.org/BulletinRegister.aspx Stand Up, Fight Back! The Stand Up, Fight Back campaign is a way for Help Support Candidates Who Stand With Us! the IATSE to stand up to attacks on our members from For our collective voice to be heard, IATSE’s members anti-worker politicians. The mission of the Stand Up, must become more involved in shaping the federal legisla- Fight Back campaign is to increase IATSE-PAC con- tive and administrative agenda. Our concerns and inter- tributions so that the IATSE can support those politi- ests must be heard and considered by federal lawmakers. cians who fight for working people and stand behind But labor unions (like corporations) cannot contribute the policies important to our membership, while to the campaigns of candidates for federal office. Most fighting politicians and policies that do not benefit our prominent labor organizations have established PAC’s members. which may make voluntary campaign contributions to The IATSE, along with every other union and guild federal candidates and seek contributions to the PAC from across the country, has come under attack. Everywhere from Wisconsin to Washington, DC, anti-worker poli- union members. To give you a voice in Washington, the ticians are trying to silence the voices of American IATSE has its own PAC, the IATSE Political Action Com- workers by taking away their collective bargaining mittee (“IATSE-PAC”), a federal political action commit- rights, stripping their healthcare coverage, and doing tee designed to support candidates for federal office who away with defined pension plans. promote the interests of working men and women. -
Bay Guardian
THE SAN FRANCISCO B A Y OCTOBER 17, 1990/VOL 25/NO. 2 ^AY AREA'S BEST. .. EVERY WEEK ON THE COVER: UNKNOWN NO MORE After five years of struggle, SFs Faith No More is on its way, with a Grammy nomination, an MTV video award and an album that's gone platinum (p. 23) ARTS ^ MILLION PG&EiOVER-UP For two years, ArtAgnos has had a study on his desk showing that the city would make as much as $500 million by buying out PG&E. Why has he kept it secret? (p. 17) DARK PASSAGES It's anomie again in America as the literary world rediscovers the hard-boiled noir fiction style of the '40s. ►P/us: Lesbian detective fiction. The SF Book Festival, reviews and more. Our quarterly literary supplement ESSL'i". MONSTER LECTRONICS UNCLE WHO?? Uncle Ralph’s is the East Bay’s largest independent audio/video specialist, with some of the best prices in the country, in 8 years we’ve grown at an incredible rate, and our reputation has spread far and wide. Our customers come from as far away as New York, Tokyo, an even Minsk! This is your big chance to gobble up hundreds of amazing buys from our gargantuan inventory. WHArS GOING ON?? Our warehouse is stocked to the gills with top name merchandise, and it’s gotta go! Every¬ thing is new, in the box, with the manufac¬ turer’s warranty. But shop early, because the sale is limited to stock on hand! There are ac¬ tually hundred of items on sale. -
September 4 at 6PM
If you would like to unsubscribe The BAVPA Beacon newsletter, please contact RON MANGUM ( [email protected]) or RUSSELL LINK at ([email protected]). This letter is a great way to keep everyone informed about what’s happening in our lives; please help us to keep it going. LATEST BAVPA ALUMNI NEWS AND UPDATES Educator, Actor and Magician CONNOR GRAHAM (2011) is a Graduate Teaching Assistant/Graduate Student at Ohio State University’s ( https://theatre.osu.edu/ ) Department of Theatre. GRACE STUMBERG (2007) performs at Liberty Hound, 1 Naval Park Cove, Buffalo August 24 at 2PM and Colter Bay, 561 Delaware Avenue, Buffalo September 4 at 6PM:https://gracestumberg.com/. Educator, Saxophonist and Composer JAMES BRANDON LEWIS (2001), performs at Internationales Jazzfestival Saalfelden in Saalfelden Am Steinernen Meer, AT August 24 and Jazz Festival Willisau with Chad Taylor & JBL in Willisau, SUI September 1:http://www.jblewis.com/. Lewis’ CD, An Unruly Manifesto ( https://jamesbrandonlewis.bandcamp.com/releases ), is available for purchase. Beyonce portrayed The Lion King’s Nala Superstar singer/actress Beyonce personal and celebrity makeup artist SIR JOHN BARNETT's (2000) Luminess Cosmetic’s Limited Edition Disney The Lion King Make Up Collection commercial:https://www.youtube.com/watch?v=EatnkK1hNek. GoodMorningAmerica.com article, Celebrity makeup artist Sir John gave us the ultimate Lion King-inspired makeovers: https://www.goodmorningamerica.com/style/story/celebrity-makeup-artist-sir-john-gave-us-ultimate-64372697. WashingtonPost.com article, The true story behind ‘The Lion King’:https://www.washingtonpost.com/outlook/2019/07/17/true-story-behind- lion-king/?fbclid=IwAR0YPPO34yen9c2CHfoPDJhLYK1a3ZaZGqA_tGjbsw51RHThy87R3Hru1_8&noredirect=on&utm_term=.7b8b2fd3a40c. -
Complete and Authentic Advance Vaudeville Routes
COMPLETE AND AUTHENTIC A DVANCE VAUDEVILLE ROUTES — ~- „ • The St. Louis Theatre, St. Louis, one ¦ "1 ' ***~v l}4r>± v l' •%¦ =o/ the world's most beautiful theatres "f J ;r : ' ' ' j, ; ::- :-^: ^¦'^¦. ¦: * ¦ ^^" x ' • :; which opened its doors November 23; •. '„-; \\ Vt< " ' ^ '^' < 1925, is the.largest playhouse in the y l-v Orpheum Circuit chain, seating 4,100 .. - ~" \ , ^\ '' ' ^f persons. This magnificent theatre f eat ' ' K£?\ '' '\\jr ¦ ~ ) _ arcs DE MILLE-METROPOLITAN H*$»V^ ' ' PICTURES as the backbone o/ its ^jflfflll1 "' -JJ^ii entertainment fm>jjram. *^. ^V .xdttfflvJL^^^^^ : ^^^^P MV^^T y^_ \ *ShV A magnificent IBM entertainment ideal realized 1^»^»M» rp ^^ the the "a.'t^ pVo^ X he finest motion pictures in finest theatres—this is ideal ^^s~~ that has now been realized through the magic linking of DE MILLE* JJHF^ METROPOLITAN PICTURES with KEITH-ALBEE-ORPHEUM w THEATRES. (mM mt Cecil ^ESjBn ^m/ B. De Mille's name needs no introduction to the public The ^5i2 ^^ man who made "The Volga Boatman", "The Ten Commandments" toH&MMth&bif cMi and now "Tne Km8 of Kings" has blazed a trail of glory which glows ,—-^^r~=-\ more brightly with each of his new productions. wn to ¦W^T 111 The Keith-Albee-Orpheum Theatres are kno from coast coast. HKpfflj Their size and beauty and number are symbolic of the place that good in the of the Hffli^H entertainment holds heart American public, and De Mille* Metropolitan Pictures fulfill the promise of the splendid motion pio MAR„d nt.o,ph,CUS HEIMAN Prt t Umcu cUit ture entertainment offered therein. -
SHORENSTEIN HAYS- § NEDERLANDER THEATRES § LLC APPEALS § Nos
IN THE SUPREME COURT OF THE STATE OF DELAWARE IN RE: SHORENSTEIN HAYS- § NEDERLANDER THEATRES § LLC APPEALS § Nos. 596, 2018 and 620, 2018 § § CONSOLIDATED § § Court Below: § Court of Chancery § of the State of Delaware § § C.A. Nos. 9380-VCMR and § 2018-0701-TMR Submitted: May 8, 2019 Decided: June 20, 2019 Before VALIHURA, SEITZ, and TRAYNOR, Justices. Upon appeal from the Court of Chancery. AFFIRMED in part, REVERSED in part, and REMANDED. Tammy L. Mercer, Esquire, Jack B. Jacobs, Esquire, Martin S. Lessner, Esquire, and M. Paige Valeski, Esquire, Young Conaway Stargatt & Taylor, LLP, Wilmington, Delaware. Of Counsel: Matthew L. Larrabee, Esquire (argued), Benjamin M. Rose, Esquire, Dechert LLP, New York, New York; Michael S. Doluisio, Esquire, Dechert LLP, Philadelphia, Pennsylvania for Appellant/Cross-Appellee Nederlander of San Francisco Associates. Raymond J. DiCamillo, Esquire, Susan M. Hannigan, Esquire, and Sarah T. Andrade, Esquire, Richards, Layton & Finger, P.A., Wilmington, Delaware. Of Counsel: David B. Tulchin, Esquire (argued), Brian T. Frawley, Esquire, and Andrew J. Finn, Esquire, Sullivan & Cromwell LLP, New York, New York for Appellees/Cross-Appellants CSH Theatres LLC, CSH Curran LLC, CSH Productions, Curran Live, LLC, Carole Shorenstein Hays, Dr. Jeffrey Hays and Thomas Hart. VALIHURA, Justice: This is a consolidated appeal of two separate actions, both of which arise from a dispute involving a theater partnership.1 Robert E. Nederlander, Sr. (“Robert”)2 controls Nederlander of San Francisco Associates (“Nederlander”), a California general partnership. Carole Shorenstein Hays (“Carole”) and her family control CSH Theatres L.L.C. (“CSH”), a Delaware LLC.3 Nederlander and CSH each own a fifty-percent membership interest in Shorenstein Hays-Nederlander Theatres LLC (“SHN”), a Delaware LLC that operates theaters in San Francisco under SHN’s Plan of Conversion and Operating Agreement of the Company (the “LLC Agreement”). -
2016Fallpreview Final.Pdf
THEATRE BAY AREA 2016 TABLE OF CONTENTS San Francisco - p. 1 East Bay - p. 9 South Bay - p. 15 North Bay - p. 20 Beyond the Bay - p. 23 World Premiere Children’s Show SAN FRANCISCO 3Girls Theatre Company 13th Floor Z Below 470 Florida St. Joe Goode Annex Entanglement 401 Alabama St. (By AJ Baker; dir. Louis Parnell) 11/17-12/17 Next Time, I’ll Take the Stairs 12/8-18 42nd Street Moon Eureka Theatre 215 Jackson St. Marines’ Memorial Theatre 609 Sutter St. Baker Street Rotimi Agbabiaka in Brava Theatre (By M. Grudeff, R. Jessel & J. Coopersmith; Center’s production of Type/Caste. Photo: Shot in the City Eureka Theatre 11/2-20 The Hard Problem Described in the press as “Brilliantly (By Tom Stoppard; dir. Carey Perloff) written and choreographed, often Scrooge in Love 10/19-11/13 brain-achingly funny, this Alice and (By L. Grossman, K. Blair & D. Poole; dir. Wonderland journey is a whirlwind of Dyan McBride & Dave Dobrusky) A Christmas Carol mischievous non sequiturs - marvelous Marines’ Memorial Theatre (By Carey Perloff & Paul Walsh; adptd. and memorable.” Next Time, I’ll Take 12/7-24 from Charles Dickens; dir. Domenique The Stairs follows the multi-storied Lozano) adventures of Otis, Ivy, Norris, Arthur 11/25-12/24 and Rabbit as they tumble down the American Conservatory Theater elevator shaft into a world where down A Thousand Splendid Suns is up, up is nowhere, and long-forgotten Geary Theater (By Ursula Rani Sarma; adptd. from childhood monsters are waiting with 415 Geary St. Khaled Hosseini; dir.