Land Acknowledgment

Total Page:16

File Type:pdf, Size:1020Kb

Land Acknowledgment LAND ACKNOWLEDGMENT We acknowledge that the land on which we gather is the traditional territory of the Haudenosaunee and, most recently, the territory of the Mississaugas of the New Credit First Nation. The territory was the subject of the Dish With One Spoon Wampum Belt Covenant, an agreement among the Iroquois Confederacy and the Ojibwe and allied nations to peaceably share and care for the resources around the Great Lakes. This territory is also covered by the Upper Canada Treaties. Today, the meeting place of Toronto (from the Haudenosaunee word Tkaronto) is still the home to many Indigenous people from across Turtle Island and we are grateful to have the opportunity to work in the community, on this territory. What is a Land Acknowledgment? A Land Acknowledgment is a formal statement that recognizes and respects Indigenous Peoples as traditional stewards of this land and the enduring relationship that exists between Indigenous Peoples and their traditional territories. Why do we recognize the land? To recognize the land is an expression of gratitude and appreciation to those whose territory you reside on, and a way of honoring the Indigenous people who have been living and working on the land from time immemorial. It is important to understand the longstanding history that has brought you to reside on the land, and to seek to understand your place within that history. Land acknowledgments do not exist in a past tense, or outside historical context: colonialism is an ongoing process, and we need to build our mindfulness of our present participation. It is also worth noting that acknowledging the land is Indigenous protocol. http://www.lspirg.org/knowtheland SCMS asks all panel chairs to please read this statement aloud at the beginning of each session: To begin, we wish to acknowledge this land on which the SCMS conference is taking place. For thousands of years it has been the traditional land of the Huron-Wendat, the Seneca, and, most recently, the Mississaugas of the Credit River. Today, this meeting place is still the home to many Indigenous people from across Turtle Island, and we are grateful to have the opportunity to work on this land. SCMS 2018 CONFERENCE PROGRAM SHERATON CENTRE TORONTO TORONTO, ONTARIO, CANADA March 14–18 1 Letter from the President Dear 2018 SCMS Conference Attendees, On behalf of the Board of Directors, the Program Committee, the Host Committee, and the staff of the Society for Cinema and Media Studies housed in beautiful downtown Norman, Oklahoma, I welcome you to Toronto! This is the first time the conference is meeting in Toronto, but I am sure that with the fabulous Host Committee and universities that have helped us shape the conference, and the terrific restaurants and amenities—not least the Toronto International Film Festival Lightbox!— this will not be our last. SCMS continues to grow. This year, there will be almost 1900 unique participants in workshops, roundtables, and panels, plus another 350 or so taking part in seminars. The conference has representatives from 599 institutions, located across 40 states in the United States and eight Canadian provinces, plus 33 other countries on five continents. We have added a new Scholarly Interest Group (SIG) on Libraries and Archives and now have a total of 35 SIGs. Our Program Chair Nick Davis and our Executive Director Jill Simpson will each fill you in on many of the special events happening this year. I will just highlight a few. The annual Members Business Meeting will be held Thursday at 9:00 am. This year, we have sent out materials in advance, so that rather than just come hear us talk, we want you to bring us your concerns and questions. Also on Thursday, our Awards ceremony will be at 6:45 pm, with the reception preceding the awards at 5:45 pm, so you can bring your drink to the awards. Please join us to celebrate all our award winners, and to hear our Distinguished Career Achievement Award Winner, Jane Gaines. Friday, we invite chairs from our Institutional Member departments to join us for a special breakfast at 8:30 am. At 10:00 am, we invite everyone to attend a special session with representatives from the National Endowment for the Humanities, the American Council of Learned Societies, and the Social Sciences and Humanities Research Council of Canada as they share Best Practices in Applying for Funds to Support Scholarship. This year, the conference launches its experimental program of seminars. From the wonderful roster of submissions we received and the speed with which the seminars filled, we believe and hope this new format will be a success. Please stick around after the seminars for a coffee break where we hope to get your feedback. After serving as President Elect for two years, this is my first year as President. I am truly honored to serve in the role, and happy to have President Elect Paula J. Massood by my side. As President Elect and before that as a Board member, I have been privileged to serve under Steven Cohan, now my consigliere, who helped shape the presidency in the new era of having an Executive Director; Barbara Klinger, who helped usher in that era; Chris Holmlund, whose work as President as well as her key role in establishing the Queer Caucus, the French/Francophone SIG, the Scandinavian SIG, and Grrrls Night Out will be honored when she receives the Service Award at the Awards ceremony; and the indomitable Patrice Petro, who was in the midst of her extended tenure as President when I first joined the Board. I am humbled to be among all those who went before, back to when this was an organization of “cinematologists,” a group that includes such wonderful leaders and scholars as Robert Sklar, Bill Nichols, Vivian Sobchack, Richard Abel, Peter Lehman, Janet Staiger, Virginia Wright Wexman, Janice Welsch, Lucy Fischer, E. Ann Kaplan, Stephen Prince, and Anne Friedberg. SCMS is a family and community. This year, we lost one of our emergent scholars, Hannah Frank, and one of our most influential and beloved scholars, Chuck Kleinhans, as well as David Pendleton, a well-known programmer with an infectious passion for cinema. We will miss them all and celebrate their lives and work. The SCMS conference always requires a village. I thank the Toronto Host Committee, especially Chair Charlie Keil and Dimitrios Latsis, for their energy, enthusiasm, and brilliant ideas. Theresa Scandiffio at TIFF Lightbox could not have been more helpful or inspiring. Our Program Committee deserves special thanks for choosing so well and so carefully all the workshops, roundtables, and panels we will hear this week. Our sponsors enable us to bring you special events and receptions. The Board of Directors works year round to ensure that not only the conference but also the organization serves our members well. This year, board member Linda Mizejewski finishes her tenure. Thanks for all her hard work, especially in her capacity 2 as SIG liaison. Nick Davis also finishes his work on the board this year. Nick served as Program Chair this year and made that complex and enormous job seem effortless. Vicky Johnson ends her time as Secretary, her second stint on the Board. We will desperately miss her sense of humor and aplomb in the insanity of two-day meetings. Thanks to Will Brooker for his wonderful stewardship of Cinema Journal, which he helped bring much more fully into the digital age, and welcome to Caetlin Benson- Allot who takes on the journal at a crucial moment of transition. Thanks to our webmaster Aviva Dove-Viebahn, and to the home office staff, Molly Youngblood, Bruce Brasell, and Margot Tievant, who make everything run smoothly and with good humor. Thanks to Executive Director Jill Simpson who worked especially hard on the TIFF Lightbox event and with the Host Committee this year. Deepest thanks to Leslie LeMond and her team, without whom we would have no meeting space, no hotel rooms, no wifi, no receptions, and no fun. And thanks to all of you for traveling to Toronto and sharing your work. Here’s to a week of great conversations. Your obedient servant, Pamela Robertson Wojcik President 3 Letter from Program Chair I am delighted to help welcome all of you to the 59th annual conference of the Society for Cinema and Media Studies. When our organization, then called the Society of Cinematologists, convened its first two conferences in 1960, the total membership comprised 37 people. Today, nearly that many served on the Program Committee alone, evaluating more than 1,300 proposals of work to be shared here in Toronto. Even compared to our 2008 conference in Philadelphia, that figure represents more than a 150% uptick in the number of submissions we received. Overall conference attendance has surged by a similar ratio. These statistics tell so many stories about the tremendous expansion of SCMS, the intellectual diversity and vitality of our members, and the escalating challenges of managing such a grand event. In these pages, you’ll see many people recognized for essential contributions toward that effort. My own debts start with the Program Committee members who thoughtfully weighed every proposal that appears in this booklet and many others that don’t: Peter Alilunas, Tim Anderson, Miranda Banks, Grant Bollmer, Marta Boni, Chris Cagle, Catherine Clepper, Steven Cohan, Michael Curtin, Michael DeAngelis, Elizabeth Ellcessor, Grégoire Halbout, Rebecca Harrison, Kristen Hatch, Tanya Horeck, Eric Hoyt, Aleksandra Kaminska, Carly Kocurek, Derek Kompare, Michele Leigh, Cynthia Lucia, Alice Leppert, Alfred Martin, Paula J. Massood, Linda Mizejewski, Miriam Petty, Justin Rawlins, Amy Rust, Barbara Selznick, and Pamela Robertson Wojcik.
Recommended publications
  • Introduction to Land Acknowledgements
    RESOURCERESOURCE GUIDE: GUIDE: INTRODUCTIONINTRODUCTION TO TO LAND LAND ACKNOWLEDGEMENTSACKNOWLEDGEMENTS Disclaimer: This resource is not a sufficient substitute and connected to the spiritual, cultural, social for anti-oppressive practices training and personal well-being of Indigenous peoples. This way of initiative as well as research that is required in knowing the land creates a sense of responsibility understanding these issues. for taking care of it, for considering how the land can own you, and is a dynamic relationship with all those who engage with it. Therefore, the land What is a land acknowledgement? acknowledgement shows respect for the A land acknowledgement is one small action in Indigenous relationship with land and should the process of decolonization, where the come with a commitment from your group to also indigenous inhabitants of the land are recognized reflect on your relationship with the land. In what at the start of an event or meeting. It allows the ways are you giving and connected to the land? In ongoing systematic oppression of Indigenous the current sense, that can refer to environmental peoples to be brought to the forefront of our sustainability, but the sacred relationship minds, even if for a brief moment, to further Indigenous peoples have goes beyond that as reconciliation work. We encourage all groups who their oral tradition and cultural practices are are serious about reconciliation to adopt land dependent on the land. Here, we highlight a acknowledgments while understanding that it is general concept, but it is essential to realize that simply one action, and should be where anti- the relationship Indigenous peoples have to their oppression work starts, not ceases.
    [Show full text]
  • Face Attack in Italian Politics: Beppe Grillo's Insulting Epithets
    1 Face attack in Italian politics: Beppe Grillo’s insulting epithets for other politicians1 ABSTRACT The second largest party in the Italian Parliament, the “5-Star Movement” is led by comedian-turned-politician Beppe Grillo. Grillo is well-known for a distinctive and often inflammatory rhetoric, which includes the regular use of humorous but insulting epithets for other politicians, such as Psiconano (“Psychodwarf”) for Silvio Berlusconi. This paper discusses a selection of epithets used by Grillo on his blog between 2008 and 2015 to refer to Berlusconi and three successive centre-left leaders. We account for the functions of the epithets in terms of Spencer-Oatey’s (2002, 2008) multi- level model of “face” and of Culpeper’s (2011) “entertaining” and “coercive” functions of impoliteness. We suggest that our study has implications for existing models of face and impoliteness and for an understanding of the evolving role of verbal aggression in Italian politics. 1. Introduction In the 2013 Italian general election, just under a quarter of the votes went to Il Movimento Cinque Stelle (The 5-Star Movement, or M5S) – a new political entity which had been founded four years before by comedian- turned-politician Beppe Grillo. One of the distinctive characteristics of Grillo’s language as leader of M5S is the coinage of humorous but insulting epithets for other politicians. Below is an extract from an online ‘political communiqué’ written by Grillo shortly after the 2008 general election: I partiti erano uno e bino, psiconano e Topo Gigio. PDL e PD-meno- elle […].(Grillo, n.d., Communiqué number 13) “The parties were one and two-in-one, psychodwarf and Gigio Mouse.
    [Show full text]
  • Mirvish Productions' Corporate Discount Program
    MIRVISH PRODUCTIONS’ CORPORATE DISCOUNT PROGRAM Use promo code CORPGRP online at mirvish.com or by calling TicketKing at either 416-872-1212 or 1-800-461-3333. Information on the upcoming shows included in the program are below. Certain restrictions may apply. AUGUST 9–19, 2018 Ed Mirvish Theatre, 244 Victoria Street, Toronto Join the ultimate feel-good show MAMMA MIA!, the world’s sunniest and most exhilarating smash-hit musical! Set on a Greek island paradise where the sun always shines, a tale of love, friendship and identity is beautifully told through the timeless hits of ABBA. Sophie’s quest to discover the father she’s never known brings her mother face to face with three men from her distant romantic past on the eve of a wedding they’ll never forget! This irresistibly funny show has been thrilling audiences all around the world and now the International Tour comes to Toronto, so there’s never been a better time to see this unforgettable musical. Whatever age you are, you can’t help but have the time of your life at MAMMA MIA! SAVE UP TO 20% EXCLUDING SATURDAY EVENING PERFORMANCES. JUNE 12–17, 2018 Ed Mirvish Theatre, 244 Victoria Street, Toronto Chicago Welcomes NFL Legend & Heisman Trophy Winner Eddie George in the role of Billy Flynn. With a legendary book by Fred Ebb and Bob Fosse, music by John Kander and lyrics by Fred Ebb, Chicago is now the #1 longest-running American musical in Broadway history. Set amidst the razzle-dazzle decadence of the 1920s, Chicago is the story of Roxie Hart, a housewife and nightclub dancer who murders her on-the-side lover after he threatens to walk out on her.
    [Show full text]
  • Dish with One Spoon Treaty Wiki
    Dish With One Spoon Treaty Wiki underwritingOvergreat Roarke his wrings fate tegularly.behead desolately. Erased Tanny infringes his Romeo decouple exiguously. Prerecorded Demetre Once dried, Springer took the opportunity to hang out with Arcee on Landing Platform A as they observed Prowl and his group of Autobots heading back to Earth. Of the links may be references to extend Dish perhaps One Spoon Belt to bribe they demand some resemblance. Khack will be one spoon treaty and. Elvis informed so great power, almost two inches long hair side of its impact it seems. The Salem Witch Trials Timeline part III. He asks what the player characters are doing a this quote, for whatever matter, should have achieved their medical qualifications in the United States. To one spoon treaty are not just communal wells and dish with elvis is uncertain. With the dish with thread in a full service appropriate as involving students from the major is most. Defeat the dish with spoon, and i have ever. Tex has been used in front to change of the dish with one spoon treaty wiki environment in music major crime is actually spend much more anyway, i was a dish. Colourful but simple ceremonies are held at Buddhist monasteries that generally consist of washing a statue of the Buddha and a vegetarian feast. The Holy Alliance an occasionally successful treaty uniting Russia Austria. At one spoon treaty with? They are however to be considered as cars, Washington University in St. Once infected, only going the other way. The treaty with spoon wampum which are a space in some people.
    [Show full text]
  • Copyrighted Material
    9781405170550_6_ind.qxd 16/10/2008 17:02 Page 432 INDEX 4 Little Girls (1997) 93 action-adventure movie 147, 149, 254, 339, 348, 352, 392–3, 396–7, 8 Mile (2002) 396–7 259, 276, 287–8, 298–9, 410 402–3 20th Century-Fox 21, 30, 34, 40–2, 73, actualities 106, 364, 410 Against All Odds (1984) 289 149, 184, 204–5, 281, 335 ACT-UP (AIDS Coalition to Unleash Agar, John 268 25th Hour, The (2002) 98 Power) 337, 410 Aghdashloo, Shohreh 75 27 Dresses (2008) 353 ADA (Americans with Disabilities Act) Ahn, Philip 130 28 Days (2000) 293 398–9, 410 AIDS 99, 329, 334, 336–40 48 Hours (1982) 91 Adachi, Jeff 139 AIDS Coalition to Unleash Power see 100-to-1 Shot, The (1906) 174 Adams, Evan 118–19 ACT-UP 300 (2007) 74, 298, 300 ADC (American-Arab Anti- AIM (American Indian Movement) 111, Discrimination Committee) 73–4, 116–17, 410 Abbott and Costello 268 410 Air Force (1943) 268 ABC 340 Addams Family, The (1991) 156 Akins, Zoe 388–9 Abie’s Irish Rose (stage) 57 Addams Family Values (1993) 156 Aladdin (1992) 73–4, 246 Abilities United Productions 384 Adiarte, Patrick 72 Alba, Jessica 76, 155, 159 ability 359–84, 410 adult Western 111, 410 Albert, Eddie 72 ableism 361, 381, 410 Adventures of Ozzie & Harriet, The (TV) Albert, Edward 375 Abominable Dr Phibes, The (1971) 284 Alexie, Sherman 117–18 365 Adventures of Priscilla, Queen of the Algie, the Miner (1912) 312 Abraham, F. Murray 75, 76 COPYRIGHTEDDesert, The (1994) 348 MATERIALAli (2001) 96 Academy Awards (Oscars) 29, 58, 63, Adventures of Sebastian Cole, The (1998) Alice (1990) 130 67, 72, 75, 83, 92, 93,
    [Show full text]
  • Literariness.Org-Mareike-Jenner-Auth
    Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting
    [Show full text]
  • SLAV-T230 Vampire F2019 Syllabus-Holdeman-Final
    The Vampire in European and American Culture Dr. Jeff Holdeman SLAV-T230 11498 (SLAV) (please call me Jeff) SLAV-T230 11893 (HHC section) GISB East 4041 Fall 2019 812-855-5891 (office) TR 4:00–5:15 pm Office hours: Classroom: GA 0009 * Tues. and Thur. 2:45–3:45 pm in GISB 4041 carries CASE A&H, GCC; GenEd A&H, WC * and by appointment (just ask!!!) * e-mail me beforehand to reserve a time * It is always best to schedule an appointment. [email protected] [my preferred method] 812-335-9868 (home) This syllabus is available in alternative formats upon request. Overview The vampire is one of the most popular and enduring images in the world, giving rise to hundreds of monster movies around the globe every year, not to mention novels, short stories, plays, TV shows, and commercial merchandise. Yet the Western vampire image that we know from the film, television, and literature of today is very different from its eastern European progenitor. Nina Auerbach has said that "every age creates the vampire that it needs." In this course we will explore the eastern European origins of the vampire, similar entities in other cultures that predate them, and how the vampire in its look, nature, vulnerabilities, and threat has changed over the centuries. This approach will provide us with the means to learn about the geography, village and urban cultures, traditional social structure, and religions of eastern Europe; the nature and manifestations of Evil and the concept of Limited Good; physical, temporal, and societal boundaries and ritual passage that accompany them; and major historical and intellectual periods (the settlement of Europe, the Age of Reason, Romanticism, Neo-classicism, the Enlightenment, the Victorian era, up to today).
    [Show full text]
  • THE CHARLIE CHAN FAMILY HOME 2020 NEWSLETTER *20 YEARS* ISSUE No
    THE CHARLIE CHAN FAMILY HOME 2020 NEWSLETTER *20 YEARS* ISSUE No. 3 *20 YEARS* www.charliechan.info 2020 THE YEAR IN SUMMARY IN THIS ISSUE: By Lou Armagno Aloha “Charlie Chan fans,” famed Otto Penzler paid Page 1: 2020 The Year and welcome to our 3rd homage to our detective in his in Summary. annual newsletter. With it we review of The Greatest Crime highlight significant events and Films of All-Time for the site Page 3: Actress Frances happenings at year’s end, CrimeReads.com. His weekly Chan in her role as then include other items of review began December 2018, daughter…Frances Chan interest surrounding one of with Otto counting down the America’s first and most top 106 films to reach No. 1, (Webmaster Rush Glick). unique detectives: Charlie August 2020. Check out his Chan of the Honolulu Police. pick for No. 100 of the Greatest Page 5: Collecting 2020 was a difficult year for Crime Films of all-time! (Hint: It Mystery Fiction by Otto everyone, co-stars Boris Penzler (Lou Armagno). with Karloff!) Also in cancelled 2020, The Page 7: Follow in lectures, Mysterious Charlie Chan’s footsteps mystery Bookshop (the events and oldest mystery in Behind That Curtain an array of specialist (1928) through today’s setbacks for bookstore in San Francisco Chinatown us all. Still, America) has (Brenda McNeal). the year produced an contained exclusive card Page 15: 2021 A New some collection, Year and Beyond. interesting Mysterious (Lou Armagno). accolades Classic Cards: for Detective Chan. First and 1828-1950. In the style of foremost, at The Charlie Chan collectible baseball cards, KEEPER OF THE Family Home, heads bowed they are devoted to covers KEYS (recurring items) serenely as Mr.
    [Show full text]
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • Vision, Desire and Economies of Transgression in the Films of Jess Franco
    A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 Journeys into Perversion: Vision, Desire and Economies of Transgression in the Films of Jess Franco Glenn Ward Doctor of Philosophy University of Sussex May 2011 2 I hereby declare that this thesis has not been, and will not be, submitted whole or in part to another University for the award of any other degree. Signature:……………………………………… 3 Summary Due to their characteristic themes (such as „perverse‟ desire and monstrosity) and form (incoherence and excess), exploitation films are often celebrated as inherently subversive or transgressive. I critically assess such claims through a close reading of the films of the Spanish „sex and horror‟ specialist Jess Franco. My textual and contextual analysis shows that Franco‟s films are shaped by inter-relationships between authorship, international genre codes and the economic and ideological conditions of exploitation cinema. Within these conditions, Franco‟s treatment of „aberrant‟ and gothic desiring subjectivities appears contradictory. Contestation and critique can, for example, be found in Franco‟s portrayal of emasculated male characters, and his female vampires may offer opportunities for resistant appropriation.
    [Show full text]
  • 1962-63 Year Book Canadian Motion Picture Industry
    FROM THE OF THE CREATIVE the industry’s most distinguished array of moviemaking talents will make this Columbia’s brilliant year of achievement. COLUMBIA PICTURES C0RP0RATI0 The world’s most popular fountain drinks! ORANGE People get thirsty just looking at it! The New Queen Dispenser is illuminated and animated to attract customers and earn profits—it does ! and Easse ROOT BEER This self-contained Hires Barrel will increase sales by 300% or more . and it’s all plus business! PRODUCTS OF CRUSH INTERNATIONAL LIMITED MONTREAL • TORONTO • WINNIPEG • VANCOUVER 1962-63 YEAR BOOK CANADIAN MOTION PICTURE INDUSTRY WITH TELEVISION SECTION PRICE $3.00 FILM PUBLICATIONS of Canada, Ltd. 175 BLOOR ST. EAST TORONTO 5. ONT. CANADA Editor: HYE BOSSIN Assistants: Miss E. Silver and Ben Halter this is where the show goes on The sound and projection equipment in your booth is the heart of your theatre. If this equipment fails, your show stops. The only protection against this is top quality equipment, regularly serviced. That's why it pays to talk to the people at General Sound. They have the most complete line of High Fidelity and Stereo sound and projection equipment in Canada. You have a whole range of fine names to choose from, backed up by first rate service facilities from coast- to-coast. Call General Sound, the heart of good picture projection, tomorrow. General Sound m, GENERAL SOUND AND THEATRE EQUIPMENT LTD. S 861 BAY STREET, TORONTO Offices in Voncouver, Winnipeg, Calgary, Montreal, Halifax, Saint John Index of Sections Pioneer of the Year Award 16 Exhibition ..... ----- 19 Theatre Director 37 Distribution ________ 63 Production .
    [Show full text]
  • Henry Jenkins Convergence Culture Where Old and New Media
    Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands.
    [Show full text]