LAND ACKNOWLEDGMENT We acknowledge that the land on which we gather is the traditional territory of the Haudenosaunee and, most recently, the territory of the Mississaugas of the New Credit First Nation. The territory was the subject of the Dish With One Spoon Wampum Belt Covenant, an agreement among the Iroquois Confederacy and the Ojibwe and allied nations to peaceably share and care for the resources around the Great Lakes. This territory is also covered by the Upper Canada Treaties. Today, the meeting place of Toronto (from the Haudenosaunee word Tkaronto) is still the home to many Indigenous people from across Turtle Island and we are grateful to have the opportunity to work in the community, on this territory. What is a Land Acknowledgment? A Land Acknowledgment is a formal statement that recognizes and respects Indigenous Peoples as traditional stewards of this land and the enduring relationship that exists between Indigenous Peoples and their traditional territories. Why do we recognize the land? To recognize the land is an expression of gratitude and appreciation to those whose territory you reside on, and a way of honoring the Indigenous people who have been living and working on the land from time immemorial. It is important to understand the longstanding history that has brought you to reside on the land, and to seek to understand your place within that history. Land acknowledgments do not exist in a past tense, or outside historical context: colonialism is an ongoing process, and we need to build our mindfulness of our present participation. It is also worth noting that acknowledging the land is Indigenous protocol. http://www.lspirg.org/knowtheland
SCMS asks all panel chairs to please read this statement aloud at the beginning of each session: To begin, we wish to acknowledge this land on which the SCMS conference is taking place. For thousands of years it has been the traditional land of the Huron-Wendat, the Seneca, and, most recently, the Mississaugas of the Credit River. Today, this meeting place is still the home to many Indigenous people from across Turtle Island, and we are grateful to have the opportunity to work on this land. SCMS 2018 CONFERENCE PROGRAM
SHERATON CENTRE TORONTO TORONTO, ONTARIO, CANADA March 14–18
1 Letter from the President
Dear 2018 SCMS Conference Attendees, On behalf of the Board of Directors, the Program Committee, the Host Committee, and the staff of the Society for Cinema and Media Studies housed in beautiful downtown Norman, Oklahoma, I welcome you to Toronto! This is the first time the conference is meeting in Toronto, but I am sure that with the fabulous Host Committee and universities that have helped us shape the conference, and the terrific restaurants and amenities—not least the Toronto International Film Festival Lightbox!— this will not be our last. SCMS continues to grow. This year, there will be almost 1900 unique participants in workshops, roundtables, and panels, plus another 350 or so taking part in seminars. The conference has representatives from 599 institutions, located across 40 states in the United States and eight Canadian provinces, plus 33 other countries on five continents. We have added a new Scholarly Interest Group (SIG) on Libraries and Archives and now have a total of 35 SIGs. Our Program Chair Nick Davis and our Executive Director Jill Simpson will each fill you in on many of the special events happening this year. I will just highlight a few. The annual Members Business Meeting will be held Thursday at 9:00 am. This year, we have sent out materials in advance, so that rather than just come hear us talk, we want you to bring us your concerns and questions. Also on Thursday, our Awards ceremony will be at 6:45 pm, with the reception preceding the awards at 5:45 pm, so you can bring your drink to the awards. Please join us to celebrate all our award winners, and to hear our Distinguished Career Achievement Award Winner, Jane Gaines. Friday, we invite chairs from our Institutional Member departments to join us for a special breakfast at 8:30 am. At 10:00 am, we invite everyone to attend a special session with representatives from the National Endowment for the Humanities, the American Council of Learned Societies, and the Social Sciences and Humanities Research Council of Canada as they share Best Practices in Applying for Funds to Support Scholarship. This year, the conference launches its experimental program of seminars. From the wonderful roster of submissions we received and the speed with which the seminars filled, we believe and hope this new format will be a success. Please stick around after the seminars for a coffee break where we hope to get your feedback. After serving as President Elect for two years, this is my first year as President. I am truly honored to serve in the role, and happy to have President Elect Paula J. Massood by my side. As President Elect and before that as a Board member, I have been privileged to serve under Steven Cohan, now my consigliere, who helped shape the presidency in the new era of having an Executive Director; Barbara Klinger, who helped usher in that era; Chris Holmlund, whose work as President as well as her key role in establishing the Queer Caucus, the French/Francophone SIG, the Scandinavian SIG, and Grrrls Night Out will be honored when she receives the Service Award at the Awards ceremony; and the indomitable Patrice Petro, who was in the midst of her extended tenure as President when I first joined the Board. I am humbled to be among all those who went before, back to when this was an organization of “cinematologists,” a group that includes such wonderful leaders and scholars as Robert Sklar, Bill Nichols, Vivian Sobchack, Richard Abel, Peter Lehman, Janet Staiger, Virginia Wright Wexman, Janice Welsch, Lucy Fischer, E. Ann Kaplan, Stephen Prince, and Anne Friedberg. SCMS is a family and community. This year, we lost one of our emergent scholars, Hannah Frank, and one of our most influential and beloved scholars, Chuck Kleinhans, as well as David Pendleton, a well-known programmer with an infectious passion for cinema. We will miss them all and celebrate their lives and work. The SCMS conference always requires a village. I thank the Toronto Host Committee, especially Chair Charlie Keil and Dimitrios Latsis, for their energy, enthusiasm, and brilliant ideas. Theresa Scandiffio at TIFF Lightbox could not have been more helpful or inspiring. Our Program Committee deserves special thanks for choosing so well and so carefully all the workshops, roundtables, and panels we will hear this week. Our sponsors enable us to bring you special events and receptions. The Board of Directors works year round to ensure that not only the conference but also the organization serves our members well. This year, board member Linda Mizejewski finishes her tenure. Thanks for all her hard work, especially in her capacity 2 as SIG liaison. Nick Davis also finishes his work on the board this year. Nick served as Program Chair this year and made that complex and enormous job seem effortless. Vicky Johnson ends her time as Secretary, her second stint on the Board. We will desperately miss her sense of humor and aplomb in the insanity of two-day meetings. Thanks to Will Brooker for his wonderful stewardship of Cinema Journal, which he helped bring much more fully into the digital age, and welcome to Caetlin Benson- Allot who takes on the journal at a crucial moment of transition. Thanks to our webmaster Aviva Dove-Viebahn, and to the home office staff, Molly Youngblood, Bruce Brasell, and Margot Tievant, who make everything run smoothly and with good humor. Thanks to Executive Director Jill Simpson who worked especially hard on the TIFF Lightbox event and with the Host Committee this year. Deepest thanks to Leslie LeMond and her team, without whom we would have no meeting space, no hotel rooms, no wifi, no receptions, and no fun. And thanks to all of you for traveling to Toronto and sharing your work. Here’s to a week of great conversations. Your obedient servant, Pamela Robertson Wojcik President
3 Letter from Program Chair
I am delighted to help welcome all of you to the 59th annual conference of the Society for Cinema and Media Studies. When our organization, then called the Society of Cinematologists, convened its first two conferences in 1960, the total membership comprised 37 people. Today, nearly that many served on the Program Committee alone, evaluating more than 1,300 proposals of work to be shared here in Toronto. Even compared to our 2008 conference in Philadelphia, that figure represents more than a 150% uptick in the number of submissions we received. Overall conference attendance has surged by a similar ratio. These statistics tell so many stories about the tremendous expansion of SCMS, the intellectual diversity and vitality of our members, and the escalating challenges of managing such a grand event. In these pages, you’ll see many people recognized for essential contributions toward that effort. My own debts start with the Program Committee members who thoughtfully weighed every proposal that appears in this booklet and many others that don’t: Peter Alilunas, Tim Anderson, Miranda Banks, Grant Bollmer, Marta Boni, Chris Cagle, Catherine Clepper, Steven Cohan, Michael Curtin, Michael DeAngelis, Elizabeth Ellcessor, Grégoire Halbout, Rebecca Harrison, Kristen Hatch, Tanya Horeck, Eric Hoyt, Aleksandra Kaminska, Carly Kocurek, Derek Kompare, Michele Leigh, Cynthia Lucia, Alice Leppert, Alfred Martin, Paula J. Massood, Linda Mizejewski, Miriam Petty, Justin Rawlins, Amy Rust, Barbara Selznick, and Pamela Robertson Wojcik. I am grateful also to the software and support teams at Open Water, who devised our much-improved submissions portal, easing every stage of proposing and reviewing work for SCMS. Mentors who preceded me in this position—especially Steve Cohan, Barb Klinger, Neepa Majumdar, and Pam Wojcik—alerted me to how illuminating and frankly moving it would be to witness the huge array of subfields, methods, and lines of inquiry unfolding within our eclectic, increasingly international field. So many panels and individual papers go out of their way to link critical and creative legacies, identity positions, historical periods, and national contexts that only appear divergent. Such splendid syncretism means that it gets harder every year to ensure that sessions with adjacent concerns never overlap, but Bruce Brasell in the SCMS Office and I worked as hard as we could to avoid such conflicts. Wherever we succeeded, credit goes to Bruce. Wherever we didn’t, I take the blame. Another invigorating experience was reading the details of why and how teams of scholars chose to collaborate, with what formats, audiences, and goals in mind. This year, for the first time, we distinguished roundtables, where brief comments by a band of experts open quickly into conversation with an entire room, from workshops, where facilitators and attendees co-author documents, codify best practices, impart relevant skills, or otherwise co-create an object or experience in real time. An even grander innovation is our pilot program in seminars, allowing for intensive discussions of pre-circulated work among brand-new graduate students, full professors, and interlocutors at every other stage of their careers. Given how quickly seminar registrations filled this fall, we detect lively interest in this new format. All of us on the Board and in the SCMS Office look forward to reading in your post-conference surveys about how these seminars go, and whether to sustain or even expand this initiative next year. Those surveys can be easy to overlook amid the flood of e-mails we all confront after the conference, but the input they provide has direct, far-reaching effects on how the Society and the conference evolve. So please do fill them out, in as much detail as you can. In scheduling this year’s Program, we coordinated daytime sessions with evening events on related topics, so members could sustain conversations across the day. For example, the Wednesday-night discussions of global television and of Toronto’s built environment and the Thursday-night screenings of silent films from local archives are all preceded by panels pertinent to those subjects. Thursday sessions on queer Asian and transpacific media augur that evening’s audience with Toronto- based multimedia pioneer Richard Fung; Friday afternoon sessions on ecology and indigenous identity set the scene for that night’s OCAD-hosted event focused on indigenous film and environmental justice; and you can hear a paper on Guy Maddin’s Keyhole on Saturday, mere hours before Maddin showcases his work to SCMS members at TIFF Bell Lightbox. (Thanks again to the Host Committee, chaired by Charlie Keil, and to Theresa Scandiffio and Keith Bennie at TIFF for making this extraordinary opportunity possible.) 4 These special events, each tied in some way to Canadian history, media, and culture, reflect how thrilled SCMS is to convene for the first time in Toronto. We appreciate the generosity of so many nearby campuses and institutions that have enabled these events and, indeed, the entire conference. We also extend our gratitude, respect, and humility to the Haudenosaunee, the Huron-Wendat, the Seneca, the Mississaugas of the New Credit, and other First Nations on whose land we gather. If I thanked everyone else who deserves thanking, I’d never stop. Know this, though: when Marvel makes a movie about Pam Wojcik, Jill Simpson, Bruce Brasell, Leslie and Del LeMond, Margot Tievant, and Molly Youngblood, all of them noted superhumans, I will finally get interested in one of their franchises. Despite everything our team has already tackled together, the hardest part of serving as Program Chair comes now—having to choose, as you do, where to place myself at every hour of every day, with so many tantalizing options at each given moment. So I’ll end with some words to my fellow SCMS members. Reading your ideas, collating your panels, and answering as many of your concerns as possible this year has only increased my admiration for the work you do, and deepened my grasp of the intellectual, logistical, and material obstacles you repeatedly overcome to perform it. I wish you all safe travels and a rewarding experience this week. Nick Davis Program Chair
5 Letter from the Executive Director
Dear SCMS Colleagues, We are delighted you have joined us for SCMS’s 2018 Toronto Conference! Toronto is home to four institutions with highly- regarded film and media programs: the University of Toronto, Ryerson University, York University, and OCAD University. It is also home to a thriving entertainment district and plays host to several film festivals each year that attract participants from around the globe, including the Toronto International Film Festival (TIFF), ImagineNative Film and Media Festival, and Hot Docs. Beyond its enviable institutions and programs, Toronto’s environment is strengthened by its people. The city is home to an impressive roster of scholars, artists, filmmakers, and designers of various disciplines who have chosen to remain here and play an active role in shaping its future. Toronto’s cultural richness has no doubt influenced this year’s well-considered array of conference events. Each has been creatively imagined and painstakingly curated for you by your peers, in some cases in collaboration with our amazing 2018 Host Committee, the wonderfully collaborative team from the TIFF Bell Lightbox, and our generous Toronto-area universities. Our first special event at 7 pm on Wednesday night at the Sheraton Centre is Toronto: Global Television Production Center, a roundtable discussion on the significant growth in the local television sector over the last ten years; amazingly production spending surged past $2 billion in 2017. The roundtable features participants from Toronto-based production companies and the Canadian Broadcasting Company and is moderated by Serra Tinic, a Canadian television scholar from the University of Alberta. Film, Media, and Toronto’s Built Environment is slated for Wednesday at 7pm at the University of Toronto’s Innis Town Hall, a short walk from the Sheraton Centre. The panel discussion and clips screening feature Toronto artists, architects, and filmmaker/scholars brought together to discuss the role of film and media in influencing urban imagery. Among the illustrious panelists are landscape architect/filmmaker Joseph Clement and internationally renowned filmmaker/artist, Atom Egoyan. Unlimited Animation: A Tribute to Hannah Frank begins at 7pm on Wednesday at the Sheraton Centre Toronto. The two-hour tribute to Hannah, a young and promising scholar lost too soon in 2017, celebrates her many accomplishments and inspiring career. Thursday evening, we encourage all of you to join us at 5:45 pm for a toast at this year’s Awards Reception in the Grand Ballroom, West and Centre of the Sheraton Centre. The Awards Ceremony follows directly afterwards, beginning at 6:45 pm. It will conclude by 8:00 pm, allowing you time to make it to one of the two other events scheduled for later Thursday evening. Silent Gems of Toronto’s Archives: ‘Another Day’ and ‘Secrets of the Night’ kicks off at 8:30 pm at the University of Toronto’s Innis Town Hall and includes a conversation between Alicia Fletcher of Ryerson University and Christina Stewart of the University of Toronto’s Media Commons Archives. The discussion of local film and media collections will be followed by the screening of two rare films. Re:Orientations: Richard Fung on Queer Asian-Canada will screen at 8:30 pm at Ryerson University School of Image Arts. Mr. Fung’s work delves into struggles experienced throughout recent decades that remain unchanged today. The screening will be followed by a dance performance by Sze-yang Ade-Lam, who appears in the film, and a Q&A with Fung and Lam. On Friday night, OCAD University is the site of Mediated Belongings: Indigenous Film and Environmental Justice. The catered screening and Q & A feature the short films of rising indigenous filmmakers Michelle Latimer, Elle-Máijá Tailfeathers, and Yaasib Vázquez Colmenares. Latimer’s film, Nuuca (2017), was selected for screening at the 2018 Sundance Film Festival. On Saturday night, the Host Committee, in partnership with the TIFF Bell Lightbox, will host An Evening with Guy Maddin beginning at 7 pm at the Lightbox. This exciting event features a screening of My Winnipeg (named 2007 Best Canadian Film by the Toronto Film Critics Association) along with the added treat of Maddin’s live narration. My Winnipeg is described as “a docu-fantasia that combines fiction and stranger-than-fiction to create a dizzying portrait of the director’s hometown.” A 6 reception open to all badge-holders will follow at the nearby Design Exchange. This year, we are pleased to offer badge-holders guided tours of three nearby Toronto libraries. On Thursday, the University of Toronto’s Thomas Fisher Rare Book Library offers a guided tour at 10:30 am. It features some specially selected print and manuscript materials of particular interest to SCMS members. At 11:30 am, you can segue to a tour the University of Toronto Media Commons, the premier film and broadcast library archive for media-related studies in Canada. Don’t miss its amazing playback / digitization lab and the only cold vault in any Canadian university dedicated solely to film. On Friday, the TIFF Bell Lightbox will be offering tours of its impressive Resource Library, comprising of thousands of files, books, film and television titles, scripts, still images, and special collections. Tours are by reservation and available at either 10:00 am or 11:00 am. I hope you will join me in thanking the 2018 Host Committee members, Charlie Keil, Dimitrios Latsis, Mike Zryd, Patrick Keilty, Kass Banning, and Janine Marchessault. They have been generous in offering other SCMS members their time and resources helping to create a truly special roster of events. The Host Guide provides tips on all things Toronto in an effort to make your stay more enjoyable. Finally, the Host Committee and Theresa Scandiffio and Keith Bennie of the TIFF Bell Lightbox collaborated seamlessly to create a very special Host Event this year. A special note of thanks goes out to Guy Maddin for traveling to this year’s conference to share his work with us. We are so fortunate he will be joining us! I realize much gratitude has been conveyed by Pam and Nick, but I would be remiss to not include mine. I offer my sincere appreciation to those who gave of your time through committee service this year. Thank you to the Board of Directors led by our President Pamela Wojcik for your spirit of cooperation and unwavering commitment to SCMS. Hats off to this year’s Program Chair Nick Davis and our fearless Program Scheduler, Bruce Brasell, for your great work in creating a conference program that is not only thoughtfully assembled but practical. Last but not least, I owe a debt of gratitude to SCMS’s talented and tireless staff: Bruce, Molly Youngblood, Margot Tievant, Leslie LeMond, Aviva Dove-Viebahn, and Del LeMond. You move mountains every single day and, importantly, you do it with a smile. I appreciate you and the talent and dedication you bring to SCMS. Have a wonderful conference! Jill Simpson Executive Director
7 Presidents of the Society for Cinema & Media Studies
From the Society of Cinematologists . . . 1959 – 1961 Robert Gessner 1991 – 1993 Janet Staiger 1961 – 1963 Gerald Noxon 1993 – 1995 Virginia Wright Wexman 1963 – 1964 Richard Griffith 1995 – 1996 Dana Polan 1964 – 1965 Erik Barnouw 1996 – 1999 Janice Welsch 1965 – 1966 Robert Steele 1999 – 2001 Robert Kolker 1966 – 1968 John B. Kuiper 2001 – 2003 Lucy Fischer 1968 – 1970 George Amberg 2003 – 2005 E. Ann Kaplan 1970 – 1972 Jack C. Ellis 2005 – 2007 Stephen Prince 1972 – 1974 Raymond Fielding 2007 – 2011 Patrice Petro 1974 – 1975 Donald E. Staples 2009 – 2011 Anne Friedberg 1975 – 1977 Howard Suber 2011 – 2013 Chris Holmlund 1977 – 1979 Timothy J. Lyons 2013 – 2015 Barbara Klinger 1979 – 1981 Robert Sklar 2015 – 2017 Steven Cohan 1981 – 1983 John L. Fell 2017 – 2019 Pamela Robertson Wojcik 1983 – 1985 William Nichols 2019 – 2021 Paula J. Massood, 1985 – 1987 Vivian Sobchack President-elect 1987 – 1989 Richard Abel . . . to the Society for Cinema & Media Studies 1989 – 1991 Peter Lehman
8 Society for Cinema and Media Studies Founded in 1959, SCMS is a professional organization of college and university educators, filmmakers, historians, critics, scholars, and others devoted to the study of the moving image. Activities of the Society include an annual conference, Cinema Journal which becomes JCMS: Journal of Cinema and Media Studies this fall, the SCMS website, awards for excellence in film and media studies, and various other initiatives related to media research, education, and policy. SCMS Executive Council OFFICERS Pamela Robertson Wojcik, University of Notre Dame, Victoria Johnson, University of California, Irvine, Secretary President Bambi Haggins, University of California, Irvine, Treasurer Paula J. Massood, Brooklyn College, CUNY, President-Elect BOARD OF DIRECTORS Miranda Banks, Emerson College Derek Kompare, Southern Methodist University Michael Curtin, University of California, Santa Barbara Linda Mizejewski, Ohio State University Nick Davis, Northwestern University Miriam J. Petty, Northwestern University Amber Hodge, University of Mississippi, Graduate Student Representative NON-VOTING MEMBERS Steven Cohan, Syracuse University, Past President Leslie LeMond, SCMS, Director of Conferences and Events Caetlin Benson-Allott, Georgetown University, Joshua Nelson, University of Oklahoma, Director of Film Editor, Cinema Journal and Media Studies Aviva Dove-Viebahn, Arizona State University, Jill Simpson, SCMS, Executive Director Web Content Manager Conference Organization 2018 CONFERENCE PROGRAM COMMITTEE Nick Davis, Northwestern University, Chair Peter Alilunas, University of Oregon Eric Hoyt, University of Wisconsin, Madison Tim Anderson, Old Dominion University Aleksandra Kaminska, University of Montreal Miranda Banks, Emerson College Carly Kocurek, Illinois Institute of Technology Grant Bollmer, North Carolina State University Derek Kompare, Southern Methodist University Marta Boni, University of Montreal Michele Leigh, Southern Illinois University Carbondale Chris Cagle, Temple University Alice Leppert, Ursinus College Catherine Clepper, University of Washington, Seattle Cynthia Lucia, Rider University Michael Curtin, University of California, Santa Barbara Alfred Martin, University of Colorado, Denver Michael DeAngelis, DePaul University Paula J. Massood, Brooklyn College, CUNY Elizabeth Ellcessor, University of Virginia Linda Mizejewski, Ohio State University Grégoire Halbout, François Rabelais University Miriam Petty, Northwestern University Rebecca Harrison, University of Glasgow Justin Rawlins, University of Tulsa Kristen Hatch, University of California, Irvine Amy Rust, University of South Florida Tanya Horeck, Anglia Ruskin University Barbara Selznick, University of Arizona 9 2018 HOST COMMITTEE Charlie Keil, University of Toronto, Chair TIFF STAFF Kass Banning, University of Toronto Theresa Scandiffio Patrick Keilty, University of Toronto Keith Bennie Dimitrios Latsis, Ryerson University Jessica Lam Janine Marchessault, York University Mike Zryd, York University CONFERENCE STAFF EXECUTIVE DIRECTOR: Jill Simpson DIRECTOR OF CONFERENCES & EVENTS: Leslie LeMond PROGRAM SCHEDULE COORDINATOR AND FINANCIAL ANALYST: Bruce Brasell ASSISTANT CONFERENCE MANAGER: Ginger Leigh PROGRAM COORDINATOR: Molly Youngblood PROGRAM DESIGNER, TYPESETTER & GRAPHICS DESIGNER: Del LeMond PROGRAM ASSISTANT: Margot Tievant GRAPHICS & CONFERENCE ASSISTANT: Sherrie Reyna COPY EDITOR: Mark Hain CONFERENCE ASSISTANT: Bob Derryberry WEBSITE MANAGEMENT AND COORDINATION: Aviva Dove-Viebahn CONFERENCE PHOTOGRAPHER: Michael Kackman MULTIMEDIA FIELD PRODUCER: Maile Hetherington
Special Thanks A special thanks to the following for their support and assistance with the 2018 conference: Joel Neville Anderson Margot Tievant PSAV Christine Becker Maitri Vosko Lindsay Codling Bruce Brasell Haidee Wasson Punit Shetty Stephanie Brown Pamela Wojcik Sheraton Steven Cohan Molly Youngblood Heather Kirwin Nick Davis Michael Zryd Sharon Lim Aviva Dove-Viebahn Color House Stephen Taylor Matthew Gartner Phil Knight Michael Kackman Tagboard Gary Nyenhuis Bryce Dickerson Charlie Keil Stacey Snider Bill Kirkpatrick TIFF Dimitrios Latsis Freeman Keith Bennie Guy Maddin Dianne Castanheiro Theresa Scandiffio Patrice Petro North American Logistics Sofia Stern Maria Bava Todd Thompson Eric Chou Please Note Replacement conference programs are available at Registration for $20 (subject to availability). Prices are in USD and can only be paid by credit card. Your credit card provider will automatically convert the USD amount into your local currency. Unless otherwise noted, all meetings, panels, workshops, and events will take place at the conference hotel— Sheraton Centre Toronto, 123 Queen Street West, Toronto, Ontario M5H 2M9, Canada.
10 Schedule of Events at a Glance
Wednesday, March 14 Friday, March 16 9:00 – 10:45 am Session A 8:30 – 10:00 am Institutional Members Chairs’ 11:00 am – 12:45 pm Session B Breakfast 1:00 – 2:45 pm Session C 10:00 – 11:00 am SPECIAL SESSION: Best Practices in Applying for Funds to Support 3:00 – 4:45 pm Session D Scholarship 5:00 – 6:45 pm Session E 11:15 am – 1:00 pm Session J 7:00 – 9:00 pm SPECIAL EVENT: Toronto: Global 1:15 – 3:00 pm Session K Television Production Center 3:15 – 5:00 pm Session L 7:00 – 9:00 pm SPECIAL EVENT: Film, Media, and Toronto’s Built Environment 5:00 – 6:00 pm SPECIAL EVENT: Graduate Student Reception 7:00 – 9:00 pm SPECIAL EVENT: Unlimited Animation: A Tribute to Hannah Frank 7:00 – 9:30 pm SPECIAL EVENT: Mediated Belongings: Indigenous Film and Thursday, March 15 Environmental Justice 9:00 – 10:00 am MEMBERS’ BUSINESS MEETING 7:30 – 9:30 pm SPECIAL EVENT: Tribute to 10:00 – 11:45 am Session F Chuck Kleinhans 12:00 – 1:45 pm Session G Saturday, March 17 2:00 – 3:45 pm Session H 9:00 – 10:45 am Session M 4:00 – 5:45 pm Session I 11:00 am – 12:45 pm Session N 5:45 – 6:45 pm RECEPTION 1:00 – 2:45 pm Session O 6:45 – 8:00 pm AWARDS CEREMONY 3:00 – 4:45 pm Session P 8:30 – 10:30 pm SPECIAL EVENT: Re:Orientations: 5:00 – 6:45 pm Session Q Richard Fung on Queer Asian-Canada 7:00 – 8:40 pm HOST COMMITTEE EVENT: 8:30 – 10:30 pm SPECIAL EVENT: Silent Gems of An Evening with Guy Maddin Toronto’s Archives: Another Day and 9:00 – 11:00 pm HOST COMMITTEE EVENT: Reception Secrets of the Night Sunday, March 18 9:00 – 10:45 am Session R—Seminars 10:45 – 11:30 am COFFEE BREAK 11:30 am – 1:15 pm Session S 1:30 – 3:15 pm Session T SCMS Social Media & Mobile App Follow us on Twitter (@SCMStudies) and Instagram (@scmstudies). Use #SCMS18 to post about your experiences during the conference. Find us on Facebook: facebook.com/SCMStudies and keep up to date on conference events via our mobile app. Access information about the conference from your mobile device including the conference schedule, directory of speakers and exhibiting vendors, sponsors and more! Registered conference goers, please refer to previously sent instructions on downloading the app.
11 2018 Conference Sponsors SCMS would like to extend special thanks for the generous support from our sponsors. Platinum Sponsorship University of Toronto Libraries, St. George campus (including Media Commons) LIBRARIES St. George campus, Cinema Studies Institute Cinema Studies Institute St. George campus, Faculty of Arts & Sciences Scarborough campus, Department of English English Mississauga campus, Department of Visual Studies St. George campus, Book and Media Program at St. Michael’s College St. George campus, McLuhan Center FACULTY OF INFORMATION Mississauga campus, McLuhan Centre for Culture & Technology Institute of Communication, Culture, Institute of Communication, Culture, Information & Technology Information & Technology
Gold Sponsorship Ryerson University Office of the Vice President for Research Faculty of Communication and Design School of Image Arts Toronto International Film Festival (TIFF) Silver Sponsorship York University School of Arts, Media, Performance, & Design (AMPD) Department of Cinema & Media Arts Graduate Program in Film Graduate Program in Communication 12 & Culture Event Sponsorship Brock University Department of Communication, Popular Culture and Film
Concordia University Mel Hoppenheim School of Cinema
New York University Tisch School of the Arts, Cinema Studies Department
Northwestern University Department of Radio/Television/Film Department of Radio/Television/Film Northwestern University Gender & Sexuality Studies Program
OCAD University Indigenous Visual Culture Program and Culture Shifts Documentary Series
University of California, Los Angeles School of Theater, Film and Television
University of Chicago Department of Cinema and Media Studies
University of Cincinnati Niehoff Center for Film and Media Studies University of Iowa Department of Communication Studies
University of Notre Dame College of Arts and Letters
University of Toronto Innis College INNIS COLLEGE University of Toronto Women and Gender Studies Institute Women and Gender Studies Institute
13 Registration Hours
ROOM Registration Area, Concourse Level TUESDAY, MARCH 13 FRIDAY, MARCH 16 4:00 – 6:00 pm 8:00 am – 5:00 pm Tuesday hours for name badge and conference SATURDAY, MARCH 17 program pick-up only (pre-registered attendees) 8:00 am – 6:00 pm WEDNESDAY, MARCH 14 SUNDAY, MARCH 18 8:00 am – 6:00 pm 8:30 am – 3:00 pm THURSDAY, MARCH 15 8:00 am – 5:30 pm Reminder: Please keep your name badge with you at all times. Replacement name badges will only be printed during registration hours above.
Conference FAQs How Are Panels Structured? Panels typically feature 3-4 speakers giving a 20-minute paper. The chair may or may not be one of the speakers. Presenters may need to limit presentations to less than 20 minutes, especially if the panel also includes a formal respondent, or to accommodate more time for Q&A with the audience. How Do Workshops Differ From Panels? Workshops are interactive discussions led by one or two facilitators, who may speak for 5-10 minutes at the start. They are intended to be dialogical, interactive, and productive workspaces. Topics typically focus on pedagogy, research strategies, and methodologies but may also explore major intellectual issues or trends in the discipline. Workshops may include additional speakers but should emphasize participation by all session attendees, involved together in sharing best practices, working on a text together, role-playing an interview, demonstrating a technique, or any other productive interaction. How Do Roundtables Differ From Panels? Roundtables have 4-6 programmed participants, including the chair. Participants do not read papers but make very brief opening remarks, of no more than five minutes each. Following these statements, roundtables open up discussion among the panelists, followed by open discussion with the audience. What Are Seminars? Seminars are sessions in which nobody presents. Participants will have submitted short papers in advance, so everyone can read each other’s papers before the conference. The seminars will therefore function as a colloquium. In the seminar, leaders should ensure that all eight participants speak but should not go around the room and solicit summaries of each essay.
14 Conference Hotel Amenities
Thanks for staying at the Sheraton Centre Toronto—If you booked a room at the Sheraton Centre Toronto under the SCMS room block (online or by phone), your guest room rate includes the following: • Complimentary internet access in all group guest rooms (valued at $14.95 CAD per day) • 10% discount in hotel restaurant BnB (alcohol excluded); must be a registered guest at hotel to utilize the discount Wireless Internet Access—Standard in all meeting space at SCMS 2018. This includes the Exhibit Area (Sheraton Hall E & F, Lower Concourse) and the SCMS Lounge/Recharge Area (Osgoode Ballroom, Lower Concourse). You will need to obtain a password at Conference Registration (Registration Area, Concourse Level). The Front Desk will provide details of how to log on to the Internet in your guest room so that it is taken care of on your final bill. Lost and Found—Lost and found items can be turned in at Registration during the conference. Any items not claimed by the end of the conference will be left at the hotel front desk.
SCMS Lounge/Recharge Area with Computer/Printer Access ROOM Osgoode Ballroom, Lower Concourse Feel free to hang out in this area, network, hold informal meetings, charge your devices, work on your computer/tablet. All registered attendees of SCMS 2018 may use this area free of charge. Terms and conditions: you agree to use these computers at your own risk. They are public terminals and SCMS cannot be held responsible for results of usage.
Wellness Nursing Area—You are welcome to nurse wherever you feel comfortable feeding your child. If you are looking for a more private space, you can use the SCMS nursing area. At the time the program went to press, the room number for the Nursing Area was not available. Please stop by Conference Registration to find out location information. Quiet Room—During the conference, persons who desire a quiet place to prepare for a presentation may visit the SCMS Quiet Room. At the time the program went to press, the room number for the Quiet Room was not available. Please stop by Conference Registration to find out location information. Spa—Relax and recharge at Senses Spa, a full-service salon and spa located in Sheraton Centre Toronto Hotel. They offer soothing facials, massage, revitalizing body treatments and much more. Fitness Centre—The hotel’s fitness center is located on the 3rd floor of the Queen Tower, and is open 24 hours a day. It offers an extensive selection of state-of-the-art fitness equipment featuring the newest individual integrated LCD touch screen cardio equipment that feature an abundance of entertainment options, such as internet connectivity, entertainment apps, TV, interactive courses, and more. We also offer complimentary ear buds and cold towels for your convenience. Indoor-Outdoor Heated Pool—Sheraton Centre Toronto is proud to offer you the opportunity to swim and relax in the largest indoor-outdoor heated pool in downtown Toronto. Simply swim under the protective glass wall, and whether it’s a winter wonderland or a summer’s day, the water is always perfect. 6:00 am–10:00 pm (Monday—Friday); 7:00 am–10:00 pm (Saturday - Sunday). Pool access is complimentary to hotel guests.
15 Inclusion
Pronoun Stickers—As a show of SCMS’s commitment to diversity and inclusion, we will provide pronoun stickers for your name badge. Stickers will be available for pickup at registration and can easily be worn as a show of solidarity and a means of making our annual conference a friendly and safe environment for all. All-Gender Restrooms—SCMS is committed to making the conference accessible and welcoming to all of our community. Gender-neutral bathrooms are an important part of making the annual conference more inclusive. All-person, all-access restrooms are available at the Sheraton Centre Toronto on the Lower Concourse (close to the Vide Office) and on the Mezzanine Floor (one in the Birchwood Foyer and one in the Mezzanine Foyer). All-Gender Restrooms will be clearly marked with signs outside of the restroom entrances and are also designated on the maps in the program book. To find other safe restrooms in Toronto, visit Refuge
17 SCMS Caucus & Scholarly Interest Group Meeting Schedule All SCMS members are welcome to attend. Kent and Simcoe/Dufferin are located on the 2nd floor. York, Maple West, Cedar, and Willow West are located on the Mezzazine.
Wednesday, March 14 9:00 – 10:45 am Television Studies Scholarly Interest Group Kent 9:00 – 10:45 am Adult Film History Scholarly Interest Group Simcoe/Dufferin 11:00 am – 12:45 pm Sound and Music Studies Scholarly Interest Group Kent Topics and agenda items include: Claudia Gorbman Student Writing Prize; our bibliography of members’ research; other future initiatives for members 11:00 am – 12:45 pm Transnational Cinemas Scholarly Interest Group Simcoe/Dufferin Topics and agenda items include: survey results; name change consideration; meet & greet among attendees 1:00 – 2:45 pm Children’s and Youth Media and Culture Scholarly Interest Group Kent Topics and agenda items include: build scholarly collaborations and connections, as well as plan for SCMS 2019, including future events and how we might best use our SIG funds in the future 1:00 – 2:45 pm Media, Science, and Technology Scholarly Interest Group Simcoe/Dufferin 3:00 – 4:45 pm Experimental Film and Media Scholarly Interest Group Kent 3:00 – 4:45 pm Documentary Studies Scholarly Interest Group Simcoe/Dufferin Topics and agenda items include: venues for documentary scholarship; promoting online scholarly discussion of documentary; possible events for SCMS 2019 5:00 – 6:45 pm Film and Media Festivals Scholarly Interest Group Kent 5:00 – 6:45 pm Animated Media Scholarly Interest Group Simcoe/Dufferin Thursday, March 15 10:00 – 11:45 am Central/East/South European Cinemas Scholarly Interest Group Kent 10:00 – 11:45 am Video Game Studies Scholarly Interest Group Simcoe/Dufferin 12:00 – 1:45 pm Latino/a Caucus Kent Topics and agenda items include: discussion of the caucus mission statement and outreach; revamping of the mentorship program; 2018 special event; bibliography project 12:00 – 1:45 pm Classical Hollywood Scholarly Interest Group Simcoe/Dufferin Topics and agenda items include: new mentorship program; elections for the co-chair and grad student representative; events and ways to engage members throughout the year, before the 2019 Seattle conference 2:00 – 3:45 pm French/Francophone Scholarly Interest Group Kent 2:00 – 3:45 pm Queer Caucus Simcoe/Dufferin 4:00 – 5:45 pm Middle East Caucus Kent Topics and agenda items include: collaborative panels and workshops; film programming opportunities for 2019; oral history initiatives 4:00 – 5:45 pm Women’s Caucus Simcoe/Dufferin Topics and agenda items include: presentation of Graduate Student Writing Prize; panel titled “Gendered Realities in Today’s Early Career Environments”
18 Friday, March 16 11:15 am – 1:00 pm Comedy and Humor Studies Scholarly Interest Group Kent 11:15 am – 1:00 pm Scholarly Interest Group Coordinating Committee Simcoe/Dufferin Mission: for SIGs to discuss issues affecting their members and the Society at large. Representatives from the SCMS Board will be present at the meeting. All members are welcome, but this meeting will be of particular interest to SIG co-chairs and other representatives. 1:15 – 3:00 pm Caucus Coordinating Committee Kent Mission: for Caucus co-chairs or their representatives to update the Committee about caucus activities, events, programs, and potential collaborations. Caucus representatives will also receive updates from the SCMS Board liaison and can raise any questions, concerns, or ideas for Board consideration 1:15 – 3:00 pm Film Philosophy Scholarly Interest Group Simcoe/Dufferin 3:15 – 5:00 pm Caucus on Class Kent Topics and agenda items include: upcoming Caucus elections; plans to network and organize around the amalgam of crises surrounding academic labor 3:15 – 5:00 pm Fan and Audience Studies Scholarly Interest Group Simcoe/Dufferin Topics and agenda items include: breakout sessions on various research, graduate student, and career queries, in conjunction with the Comics Studies SIG 6:00 – 7:45 pm Television Studies Scholarly Interest Group York 6:00 – 7:45 pm Video Game Studies Scholarly Interest Group Maple West 6:00 – 7:45 pm Libraries & Archives Scholarly Interest Group Cedar 8:00 – 9:45 pm Black Caucus Willow West Saturday, March 17 9:00 – 10:45 am Scandinavian Scholarly Interest Group Kent Topics and agenda items include: areas of special interest in current and recent scholarship; opportunities for interdisciplinary collaboration inside and outside our SIG 9:00 – 10:45 am Radio Studies Scholarly Interest Group Simcoe/Dufferin 11:00 am – 12:45 pm CinemArts Scholarly Interest Group Kent 11:00 am – 12:45 pm Comics Studies Scholarly Interest Group Simcoe/Dufferin Topics and agenda items include: breakout sessions on various research, graduate student, and career queries, in conjunction with the Fan and Audience Studies SIG 1:00 – 2:45 pm War and Media Studies Scholarly Interest Group Kent Topics and agenda items include: vote for new co-chair, discussion on a new book series and of ways to increase participation in the blog: warandmediastudies.org 1:00 – 2:45 pm Horror Studies Scholarly Interest Group Simcoe/Dufferin Topics and agenda items include: potential future events; panel selection at subsequent conferences; the possibility of a student essay award 3:00 – 4:45 pm Silent Cinema Cultures Scholarly Interest Group Kent Topics and agenda items include: updates on Domitor, Women and the Silent Screen, and the Media History Digital Library (MHDL); SIG events and elections for the coming year 3:00 – 4:45 pm Media Industries Scholarly Interest Group Simcoe/Dufferin 5:00 – 6:45 pm Urbanism/Geography/Architecture Scholarly Interest Group Kent Topics and agenda items include: outreach to other scholarly groups, our mentoring program, and Mediapolis journal 5:00 – 6:45 pm Digital Humanities and Videographic Criticism Scholarly Interest Group Simcoe/Dufferin 19 SCMS Caucus & Scholarly Interest Group Meeting Schedule (cont’d) All SCMS members are welcome to attend. Kent and Simcoe/Dufferin are located on the 2nd floor.
Sunday, March 18 11:30 am – 1:15 pm Critical Media Pedagogy Scholarly Interest Group Kent Topics and agenda items include: interactive workshop on tools and skills for critical media literacy in the age of participatory media—plus snacks! 11:30 am – 1:15 pm Nontheatrical Film and Media Scholarly Interest Group Simcoe/Dufferin Topics and agenda items include: elections, discussion of SIG sponsorship process, SIG events in 2019, and nontheatrical film and media publishing initiative 1:30 – 3:15 pm Media and the Environment Scholarly Interest Group Kent Topics and agenda items include: new elections; the student essay prize; a workshop on environmental justice and pedagogy 1:30 – 3:15 pm Transmedia Studies Scholarly Interest Group Simcoe/Dufferin 2018 Audio Visual Policy The following equipment will be standard in all panel/workshop rooms at the conference: • LCD projector (and audio) • VGA cable (if you have a Mac, bring an adapter—mini display port to VGA, thunderbolt to VGA, etc.) • Mini audio jack • Power strip • Wireless Internet access (you will obtain the password at conference registration) Because the cost of equipping rooms with computers is prohibitively expensive, we must ask you to bring your own laptop if you plan to use projection. In addition to your own laptop, please be sure to bring your power cord and any proprietary cords required for your computer. Mac users, please bring your own VGA adapter. Wireless Internet access will be provided in the panel/workshop rooms and conference space. We will not be offering computers, DVD players, overhead projectors, slide projectors, CD players, and/or additional audio components. Best Practices: Panels and workshops with multiple presentations using projection are encouraged to coordinate before their session time to have all presentations on a single computer or flash drive. Designate one person’s laptop for use during the session, load all presentations onto the laptop before the session, and test the presentation to make sure they will work with the software on the designated laptop. We cannot accommodate changes or requests for AV equipment onsite. SCMS is not responsible for the safety and security of attendee computers. Thank you for your cooperation. Assistance with AV during the Conference If your room’s equipment is malfunctioning or you are having difficulty, please contact one of the technicians from PSAV. The direct number for the on duty floor manager is 416-717-8034. There is a house phone in every room in which any department can be paged—dial extension 4496 for the AV Office. State you would like a PSAV technician to come to the room and tell them the issue you are experiencing. You may also use this to page a PSAV technician to come speak with you if you have extensive questions to ask before your presentation. Thank you. 20 Exhibit Hours*
ROOM Sheraton Hall E & F, Lower Concourse THURSDAY, MARCH 15 FRIDAY, MARCH 16 SATURDAY, MARCH 17 10:30 am – 5:30 pm 9:30 am – 5:30 pm 9:00 am – 5:00 pm *hours subject to change Thanks to Advertisers & Exhibitors We gratefully acknowledge the following advertisers and exhibitors for their support of this year’s conference. ADVERTISERS Berghahn Books Routledge, Taylor and Francis Group University of Michigan, Deptartment Canadian Journal of Film Studies Rutgers University Press of Screen Arts & Cultures College of Staten Island Ryerson University, Faculty of University of Minnesota Press Columbia University Press Communication and Design University of Oklahoma, Film and Cornell University Press Sonoma State University, School Media Studies Duke University Press of Extended and International University of Tennessee Press Duke University Press Journals Education University Press of Mississippi Edinburgh University Press SUNY Press University of Washington, Department Indiana University Press Toronto International Film Festival of Comparative Literature, Cinema Indiana University, The Media School University of California Press & Media Muhlenberg College University of California Press Journals University of Wisconsin-Milwaukee, New York University, Tisch School University of Illinois Press Department of English of the Arts, Cinema Studies University of Iowa Press Villa Maria College Department University of Iowa, Department of Walter de Gruyter GmbH NYU Press Communication Studies Wayne State University Press Oxford University Press University of Michigan Press EXHIBITORS Berghahn Books Intellect Syracuse University Press Bloomsbury Academic MIT Press University of California Press Canyon Cinema Foundation Moving Images Distribution Society University of Chicago Press Canadian Filmmakers Distribution NYU Press University of Illinois Press Centre - Toronto Oxford University Press University of Iowa Press Cinemasias Editions | NANG Palgrave Macmillan University of Michigan Press Columbia University Press Polity University of Minnesota Press The Criterion Collection Routledge, Taylor and Francis Group University of Texas Press Duke University Press Rutgers University Press University of Toronto Press Edinburgh University Press Ryerson University, Faculty of University Press of Mississippi I.B.Tauris Publishers Communication and Design Wayne State University Press Indiana University Press SUNY Press Wilfrid Laurier University Press
21 Thanks to Our 2017–2018 Institutional Members Academy of Motion Picture Arts and Sciences, Margaret University of California, Los Angeles, Film, Television and Herrick Library Digital Media The American University in Cairo, Film Program, University of California, Santa Barbara, Film & Media Studies Department of the Arts University of Chicago, Cinema and Media Studies British Film Institute University of Colorado Boulder, Department of Critical Brooklyn College, Barry R. Feirstein Graduate School of Media Practices Cinema University of Colorado Boulder, Film Studies Program Brown University, Department of Modern Culture and University of Iowa, Department of Cinematic Arts Media University of Michigan, Ann Arbor, Department of Screen College of Staten Island, CUNY, Department of Media Arts and Culture Culture University of Minnesota, Department of Cultural Studies & Concordia University, Mel Hoppenheim School of Cinema Comparative Literature Drew University, Media and Communications University of North Carolina Charlotte, Film Studies Program Florida Atlantic University, School of Communication & University of Notre Dame, Film, TV and Theatre Department Multimedia Studies University of Nottingham Ningbo China, School of Georgia State University, School of Film, Media & Theatre International Communication Harvard University, Film and Visual Studies University of Oklahoma, Film and Media Studies Indiana University, The Media School University of Oregon, Cinema Studies Muhlenberg College, Film Studies Program University of Pittsburgh, Film and Media Studies New York University, Tisch School of the Arts, Cinema University of Texas at Austin, Department of Radio- Studies Department Television-Film Northwestern University, RTVF Screen Cultures University of Toronto, Cinema Studies Institute Ryerson University, School of Image Arts University of Wisconsin-Milwaukee, Film Studies Program Seattle University, Department of English Vanderbilt University, Cinema & Media Arts Southern Methodist University, Film and Media Arts Villa Maria College, Digital Filmmaking Srishti Institute of Art, Design and Technology Washington University in St. Louis, Film and Media Studies Syracuse University, English Department Yale University, Film and Media Studies Program Toronto International Film Festival York University, Department of Cinema and Media Arts University of California, Irvine, Program in Visual Studies
22 Become an Institutional Member
Institutional membership represents a significant engagement with current scholarship, theory, criticism, education, and practice in the study of cinema and media. Allow us to help you increase exposure and heighten awareness of your organization with our audience of highly motivated cinema and media faculty, undergraduate and graduate students, precollege teachers, postdocs, and professionals in media and film studies. Why SCMS? • Our society comprises over 3,000 members, representing more than 500 institutions and 38 nations. • We serve as a resource for scholars, teachers, administrators, and the public at large. Benefits • Four issues of Cinema Journal (soon to become the JCMS: Journal of Cinema and Media Studies) • Access to members’ area of the SCMS website, monthly News Briefs, announcements, and profile page • Unlimited access to SCMS’ online career center, enabling departments and programs to post and view job applications and to identify cinema/media scholars looking for full and/or part-time employment. • Free job postings • Free website ad accessible via the institutional membership list on cmstudies.org • Featured in the Programs/Schools area of the SCMS website • Logos and homepage link inclusion on the SCMS website to showcase programs and activities • Listing in conference program • Free ad within the conference app • 50% discount on an ad in the conference program —OR— 10% discount on up to ten (10) student memberships • Networking opportunities via the annual conference and the SCMS website • JSTOR access to the journal • Online resources for department chairs, including data about the discipline • Guidelines for Program Review and other assessment resources • Discounted rates on books Sign Up Today Sign up your department, program, or office for SCMS institutional membership and ensure that you and your colleagues have timely access to valuable resources. http://www.cmstudies.org/?page=institut_membership
23 Thanks to Our 2017–2018 Donors Many thanks to those who generously donated to the Award, General, Travel, and SCMS-U Funds: AWARD FUND James Cahill Karla Oeler Haidee Wasson Martin Marks Michael Renov GENERAL FUND Steven Cohan Victoria Johnson Michele Pierson Sarah Cooper Bill Kirkpatrick Steven Ross Nick Davis Leslie LeMond Jill Simpson Mary Desjardins Livia Monnet Pamela Wojcik James Frasier Paul Moore Theodore Xenophontos Priya Jaikumar Denise O’Malley SCMS-U FUND Catherine Benamou Jonathan Kahana Shawn Shimpach Nicolas Guezennec-Fouche Pete Kunze TRAVEL GRANT FUND Scott Balcerzak Jennifer Horne Kathleen McHugh Sarah Barrow Ted Hovet Tara McPherson Rebecca Bell-Metereau Dale Hudson Linda Mizejewski Matthew Bernstein Brian Jacobson Constance Penley Scott Curtis Jonathan Kahana Karen Ritzenhoff Michael Dwyer Mary Celeste Kearney Gohar Siddiqui Robert Eberwein Nicole Keating Yannis Tzioumakis Ken Feil Sarah Keller Alyxandra Vesey Kate Fortmueller Robert Kilker Charles Wolfe Bambi Haggins Barbara Klinger Molly Youngblood Joan Hawkins Derek Kompare Patricia Zimmermann Reem Hilu Paula J. Massood Michael Zryd
Nominations for Pedagogy & Distinguished Career Achievement Awards All SCMS members—graduate students, part‑ and full‑time faculty, and independent scholars—are warmly encouraged to nominate scholars they consider deserving of the Distinguished Career Achievement and Pedagogy awards. A short nominating statement, submitted via an online form, is required by August 1 in each case. For further information, including additional criteria required for each award, please visit the Awards section of the SCMS website: cmstudies.org.
24 Meeting Space at at Glance
Roosevelt Mackenzie Churchill 2nd Floor Churchill Foyer North Queen Tower Elevators oom Waterfall Garden Foyer er y City Hall o Garden Court Meeting Rooms North North W Stairs to BallCivicr Provincial entw Simcoe Mezzanine K Duff oom F Elgin Hur K Ballroom & Lobby enor ent oom Dominion Ballr erin South on South Ballr orth South a Richmond Tower Elevators
Caucus / SIG Meeting Rooms Members’ Business Meeting Institutional Members Chairs’ Breakfast Graduate Student Reception
All-Gender Restrooms Chestnut West Chestnut East Willow Centre Willow East Willow Foyer Willow West Mezzanine Spruce North Waterfall Gardens Spruce South Oak Pine West Pine East
eet Birchwood Carlet tr Peel Mezzanine Foyer
Oxford Ballroom Linden Cedar ork S on Y York NorfolkRic Rhmondoom Tower Elevators Norfolk Maple West Maple East
Queen Street West Lobby Queen Tower Elevators Queen St. Doors
Front Desk Link @ Lobby eet Bay Street tr Bell Desk Sheraton Café Doors ork S Y Lobby ance Pond Arrival Court Stairs to Waterfall Concourse & Mezzanine Main Entr Richmond Tower Elevators Richmond St. Doors Richmond Street West
25 Meeting Space at at Glance
Concourse Queen Tower Elevators Food Court Underground To The Bay & Eaton Centre
Elevators Stairs to Osgoode Ballroom Security Sheraton Shops Richmond Tower Elevators Underground Registration Area
All-Gender Restroom SCMS Lounge Reception Sheraton Hall Osgoode Ballroom Lower Concourse Grand Ballroom Foyer A B C D Grand Ballroom Elevators West Centre East Vide E F Vide Office Elevator
Awards Ceremony Exhibit Area Best Practices in Applying for Funds to Support Scholarship
26 2018
TorontoHOST COMMITTEE RECOMMENDATIONS NEED TO KNOW Most common credit cards are widely accepted. Automated bank machines are widespread across the city in bank offices, convenience stores, and pharmacies. Further tourist information is available online at Toronto Tourism’s official website, seetorontonow.com. Further information on restaurants, events, and Toronto news is available at the very useful blogto.com. FROM PEARSON AND BILLY BISHOP INTERNATIONAL AIRPORTS TO THE CONFERENCE HOTEL PEARSON AIRPORT (YYZ) Union Pearson (UP) Express Train: upexpress.com This is the quickest and most direct means of transportation between the city’s main airport and downtown Toronto. The UP Express runs between Pearson Airport and Union Station, Toronto’s transit hub. The full trip lasts 25 minutes, and the cost of a one-way ticket is $12.35 (all prices in Canadian dollars). Tickets can be purchased online, or in person at the UP Express platform. Trains run from 5:30 am to 1 am daily. For other travel options (taxis, public transit, limousines) between Pearson International and the city, see the airport’s website: torontopearson.com/en/toandfrom. BILLY BISHOP TORONTO CITY AIRPORT (YTZ) This smaller airport may be an option for those able to travel on Porter Airlines—generally, from closer locations like Chicago (Midway), Montreal, New York (Newark), Washington (Dulles), or Boston. Billy Bishop Toronto City Airport is closer to downtown Toronto than Pearson International, situated on an island in Lake Ontario, just south of downtown. To get to the mainland, passengers can either walk through a pedestrian tunnel, or take the complimentary ferry. A free shuttle, which departs from the ferry terminal, connects passengers to Union Station in downtown Toronto. FROM UNION STATION TO THE CONFERENCE HOTEL The Sheraton Centre is a 10–15 minute walk from Union Station. Walk west on Front Street, head north on York Street, and turn east onto Queen Street, where you will find the Sheraton Centre. Other options for traveling between Union Station and the Conference Hotel include the subway, taxis, and Uber. The TTC (Toronto Transit Commission) subway runs through Union Station. The closest stop to the Conference Hotel is the Osgoode Station, a three- minute ride from Union Station. Taxis are available on Front Street, in front of Union Station, and Uber rides are available for booking.
27 Getting around Town
WALKING Toronto’s downtown is very walkable, and full of noteworthy sights. Many of Toronto’s most prominent features are within walking distance of the conference venue: the CN Tower, the Entertainment District, Yonge Dundas Square, the Queen Street West neighborhood, the Toronto Harbourfront, Nathan Phillips Square, the Eaton Centre, the Financial District, and St. Lawrence Market. The areas around the Conference Hotel are well-populated pedestrian routes, and these main corridors are safe walking areas. Toronto’s mid-March weather is comparable to cities like Chicago, New York, or Detroit: many types of temperature and precipitation are possible, so pack accordingly with suitable walking shoes. TTC (TORONTO TRANSIT COMMISSION): TTC.CA Operating subway trains, streetcars, and buses, the TTC is the third-largest public transit system in North America. For travel outside of the downtown area, as well as short trips within downtown, the subway network is the ideal transportation option. Despite the size of the transit network, there are just four subway lines in the city, allowing for very streamlined route planning from downtown. The Yonge-University subway line (the “1” line) is a U-shaped route that scoops through Toronto’s downtown core, before branching out into other neighborhoods. The closest subway stations to the Conference Hotel are the Osgoode Station (Queen Street and University Avenue) and the Queen Station (Queen Street and Yonge Street). This line connects with Toronto’s other main subway route, the Bloor-Danforth line (the “2” line). TTC streetcars run throughout downtown and the surrounding areas, and are generally a great way to move east and west as a compliment to the north/south Yonge-University subway line. The Queen streetcar route runs along Queen Street, adjacent to the conference venue. Most streetcars in Toronto run 24 hours a day, seven days a week. See the following site for more information: ttc. ca/Routes/Streetcars.jsp. TTC bus routes operate all over the city of Toronto, with many of these routes designed to complement the subway network. While regular bus service stops at 1 am, night bus routes are in effect in the early hours of the morning. See the following site for more information: ttc.ca/Routes/Buses.jsp. The most cost-efficient way to travel on a single fare is to use TTC tokens, which can be purchased at any subway station (some stations have token machines, and all stations have booths with associates that sell tokens). The cost of a single token is $3, which is cheaper than the cash amount for a single fare ($3.25). Tokens can be purchased in various quantities (minimum of three). Daily passes are also available, and cost $12.50. Weekly passes, valid from Monday to Sunday, cost $43.75. Transfers are available at all subway stations, as well as on streetcars and buses. These allow for the continuation of a one-way trip without any additional fare. It is a good idea to collect a transfer when using any of these transit vehicles. TAXIS Hailing a cab is very easy in the area around the conference venue, as well as throughout all of downtown Toronto. The most common Toronto taxis are orange in color with turquoise hoods (Beck Taxis), and available cabs will have their roof lights illuminated. All cabs should have photo identification and proof of taxi licensing on display. Cash, debit, and credit cards are accepted. BECK TAXI: BECKTAXI.COM, (416) 751–5555 Beck is the most widely used cab company in Toronto, and the majority of taxis on Toronto streets are Beck vehicles. Their app, which can be downloaded from the App Store or Google Play, will allow you to order a taxi in advance, estimate your fare, and track your cab as it approaches.
28 CO-OP CABS: CO-OPCABS.COM, (416) 504–2667 This 24-hour cab service operates throughout Toronto, and accepts American Express. An app, available in the App Store and Google Play, allows customers to track their vehicle with GPS, view their cab number and driver’s name, and receive electronic receipts that include a map of the fare route. City Taxi: citytaxitoronto.com, (416) 740–2222 City Taxi Toronto allows you to book a cab online or in their app, only available through the App Store (but not Google Play). OTHER APPS Many other apps can be used to map out traveling routes and supplement transit experiences in Toronto: Google Maps, Transit, Rocketman, City Mapper, Transit Now, Moovit, and Triplinx. UBER Uber is available throughout the Greater Toronto Area, and offers competitive rates for travel around the city.
Dining Near the Conference
IN THE HOTEL BnB Restaurant Quinn’s Steakhouse and Irish Bar 123 Queen St. W. 96 Richmond St. W. (416) 361–1000 (416) 367–8466 bnbtoronto.com quinnssteakhouse.com Contemporary bistro and bar Irish-themed pub, including surf ‘n’ turf Average entrée: $15–30 menu Average entrée: $20–30
Breakfast or Brunch Near the Hotel Eggspectation Café Crepe 20 Albert St. 246 Queen St. W. (416) 979–3447 (416) 260–1611 eggspectation.com cafecrepe.com Average entrée: $15–20 Average entrée: $10 Over Easy Le Marche 56 Yonge St. 0181 Bay St. (416) 862–0110 (647) 350–6999 overeasyrestaurants.com marche-restaurants.com Average entrée: $10–20 Average entrée: $15–20
Lunch or Dinner Near the Hotel The Gabardine Drake One Fifty VOLOS 372 Bay St. 150 York St. 133 Richmond St. W. (647) 352–3211 (416) 363–6150 (416) 861–1211 thegabardine.com drakeonefifty.ca volos.ca Comfort food; serves breakfast, lunch, Canadian cuisine, with weekend brunch, Greek cuisine; serves lunch and dinner and dinner lunch, dinner Average entrée: $25–30 Average entrée: $20–25 Average entrée: $25–35 29 Bannock JOEY Eaton Centre Nota Bene 401 Bay St. 1 Dundas St. W. 180 Queen St. W. (416) 861–6996 (647) 352–5639 (416) 977–6400 bannockrestaurant.com joeyrestaurants.com notabenerestaurant.com Canadian comfort food with lunch and Eclectic Canadian; serves lunch and Seasonal cuisine; serves lunch and dinner dinner dinner Average entrée: $20–25 Average entrée: $20–30 Average entrée: $30–40 Momofuku Noodle Bar Richmond Station Locale Mercato 190 University Ave. 1 Richmond St. W. 330 Bay St. (647) 253–8000 (647) 748–1444 (416) 306–0467 noodlebar-toronto.momofuku.com richmondstation.ca localemercatto.ca Asian fusion; serves lunch and dinner Seasonal cuisine; serves lunch and Italian; serves lunch and dinner Average entrée: $15 dinner Average entrée: $20 Average entrée: $25–30
Fast Food and Pubs Near the Hotel Elephant and Castle iQ Food Hero Certified Burgers 212 King St. W. 178 Bay St. 100 Wellington St. W. (416) 598–4455 (647) 346–0789 (416) 642–1395 elephantcastle.com iqfoodco.com heroburgers.com Burgers and pub food, including poutine Health food, serving local food Beef, chicken, salmon, turkey, and Average entrée: $10–15 Average entrée: $10–15 vegetarian burgers 3 Brewers Adelaide Poke Guys Average entrée: $5–10 120 Adelaide St. W. 109 Elizabeth St. The Burger’s Priest (647) 689–2898 (416) 506–7650 212 Adelaide St. W. les3brasseurs.ca pokeguys.ca (647) 347–7757 Brewery with burgers, sandwiches Hawaiian bowls with rice, sashimi, theburgerspriest.com Average entrée: $10–15 veggies Classic cheeseburger joint Queen Street Warehouse Average entrée: $10–15 Average entrée: $10 232 Queen St. W. Paramount Fine Foods (647) 344–7326 253 Yonge St. warehousegroup.ca (416) 533–8377 $4.95 menu serving lunch, dinner, drinks paramountfinefoods.com Average entrée: $5 Middle Eastern food chain Druxy’s Famous Deli Average entrée: $5–15 40 King St. W. Aroma Espresso Bar (416) 306–1954 121 King St. W. druxys.com (416) 362–7662 Create your own sandwiches aroma.ca Average entrée: $7–10 Salads, sandwiches, soups, pastries, Duke of Richmond and coffee 20 Queen St. W. Average entrée: $5–10 (416) 340–7887 dukepubs.ca Bar with British dishes and house-made curries Average entrée: $15 30 VEGAN AND VEGETARIAN Awai Kupfert & Kim Planta 2277 Bloor St. W. (at Runnymede) 140 Spadina Ave. (at Richmond) 1221 Bay St. (647) 643–3132 (416) 504–2206 (647) 348–7000 awai.ca kupfertandkim.com plantarestaurants.com The finest plant-based dining Local chain of vegetarian/gluten-free Eclectic plant-based menu in upscale experience in Toronto; innovative and eateries; only the Spadina location has Yorkville; recently opened and ever-changing tasting menu seating immediately popular PWYC (pay what you can) Average entrée: $15 Average entrée: $20–25 Fresh Live Woodlot 147 Spadina Ave. 264 Dupont St. 293 Palmerston Ave. (416) 599–4442 (416) 515–2002 (647) 342–6307 freshrestaurants.ca liveorganicfood.ca woodlottoronto.com Local mini-chain of vegan restaurants; The purest food there is, with raw and Offers a parallel vegetarian menu so that most don’t take reservations cooked vegan fare available both non-meat-eaters and carnivores Average entrée: $15–20 Average entrée: $15 will be satisfied Average entrée: $25–30
Good Places in the Area Pai Khao San Road Frascati Restaurant 18 Duncan St. 11 Charlotte St. 33 Elm St. (416) 901–4724 (647) 352–5773 (416) 977–4338 paitoronto.com khaosanroad.ca adegarestaurante.ca Northern Thai kitchen Thai curries Seafood, Portuguese, Mediterranean Average entrée: $15 Average entrée: $15 Average entrée: $20–25 Banh Mi Boys Canoe Restaurant and Bar Golden Thai Restaurant 392 Queen St. W. 66 Wellington St. W. 105 Church St. (416) 363–0588 (416) 364–0054 (416) 868–6668 banhmiboys.com canoerestaurant.com goldenthai.ca Asian-fusion sandwiches Inventive Canadian cuisine Average entrée: $25–30 Average entrée: $10 Average entrée: $30–40 Vagabondo Italian Ristorante & Byblos George Restaurant Lounge 11 Duncan St. 111C Queen St. E. 32 Wellingston St. E. (647) 660–0909 (647) 496–8275 (416) 862–1999 byblostoronto.com georgeonqueen.ca vagabondo.ca Mediterranean Inventive tasting menus with local Pizza and house-made pasta Average entrée: $20 ingredients Average entrée: $20–30 Average entrée: $30 Rickhaw Bar Bangkok Garden 685 Queen St. W. Bodega 18 Elm St. (647) 352–1227 30 Baldwin St. (416) 977–6748 rickshawbar.com (416) 977–1287 bangkokgarden.ca South and Southeast Asia-inspired bodegarestaurant.com Thai cuisine cuisine French inspired bistro Average entrée: $20 Average entrée: $15–20 Average entrée: $25–30
31 Carisma Terroni Oliver & Bonacini Café Grill 73 King St. E. 57 Adelaide St. E. 33 Yonge St. (416) 864–7373 (416) 203–3093 (647) 260–2070 carismarestaurant.com terroni.com obcafegrill.com 1920s-inspired destination for traditional Italian Pastas, wood-fired pizzas, and Italian cuisine Average entrée: $15–20 international dishes Average entrée: $20–30 Average entrée: $20–30
Restaurants Further Away but Worth a Trip
ENTERTAINMENT DISTRICT El Caballito Patria Le Select Bistro 220 King St. W. 478 King St. W. 432 Wellington St. W. (416) 628–9838 (416) 367–0505 (416) 596–6405 elcaballito.ca patriatoronto.com leselect.com Mexican taco and tequila bar Classic Spanish cuisine, wine, and Classic French food and extensive wine Average entrée: $15 cocktails list TOCA Average entrée: $20 Average entrée: $20–30 181 Wellington St. W. Lee (416) 572–8008 601 King St. W. tocarestaurant.com (416) 504–7867 Seasonal, local-sourced Italian cuisine susur.com/lee Average entrée: $25–35 Small-plate dishes with modern Asian and French influences Average entrée: $30–40 YORKVILLE Sassafraz Buca Yorkville 100 Cumberland St. 53 Scollard St. (416) 964–2222 (416) 962–2822 sassafraz.ca buca.ca/yorkville French-inspired Canadian cuisine Inventive and traditional Italian fare and Average entrée: $25–35 wine Trattoria Nervosa Average entrée: $35 75 Yorkville Ave. Joso’s (416) 961–4642 202 Davenport Rd. eatnervosa.com (416) 925–1903 Classic Italian dishes and drinks josos.com Average entrée: $20–30 Upscale seafood eatery Wish Average entrée $30–40 3 Charles St. E. (416) 935–0240 wishintoronto.com Eclectic menu with popular weekend brunch Average entrée: $20–30
32 THE ANNEX Big Crow Rasa El Trompo 176 Dupont St. 196 Robert St. 277 Augusta Ave. (647) 748–3287 (647) 350–8221 (416) 260–0097 roseandsonsbigcrow.com rasabar.ca eltrompotoronto.ca Algonquin-inspired backyard campfire Global-inspired snacks and entrées Classic Mexican fare and margaritas cookouts Average entrée: $25–35 Average entrée: $10 Average entrée: $25–35 Playa Cabana Hibiscus Bar Begonia 111 Dupont St. 238 Augusta Ave. 252 Dupont St. (416) 929–3911 (416) 364–6138 (647) 352–3337 playacabana.ca hibiscuscafe.ca barbegonia.com Relaxed spot for tacos and burritos, with Gluten-free, organic, vegan and Stylish lounge serving classic French house-made tortillas and salsa vegetarian, with sweet and savory comfort food Average entrée: $15–20 crepes, salads, and non-dairy ice cream Average entrée: $15–20 Kensington Market Average entrée: $10–15 Piano Piano King’s Café 88 Harbord St. Seven Lives 192 Augusta Ave. (416) 929–7788 69 Kensington Ave. (416) 591–1340 pianopianotherestaurant.com (416) 803–1086 kingscafe.com Wood-fired pizza, pasta, and traditional Baja-style tacos and seafood Vegetarian eatery serving Chinese Italian entrées Average entrée: $10–15 cuisine Average entrée: $20–30 New Sky Average entrée: $10–15 353 Spadina Ave. (416) 596–8787 newskyrestaurant.ca Chinese bistro Average entrée: $15 LIBERTY VILLAGE Mildred’s Temple Kitchen Maizal Merci Mon Ami 85 Hanna Ave. 133 Jefferson Ave. 171 Liberty St. E. (416) 588–5695 (647) 351–0133 (647) 436–3832 templekitchen.com maizal.ca mercimonami.ca International fare, serving brunch on Cozy Mexican café Modern bistro with specialty baguette- weekends Average entrée: $10–15 style sandwiches Average entrée: $20–25 Raaw Average entrée: $15 School 171 Liberty St. E. 70 Fraser Ave. (647) 347–8082 (416) 588–0005 raawsushitoronto.com schooltoronto.com Japanese cuisine with extensive menu Chic eatery serving creative brunch, of sushi, traditional plates, teriyakis, and lunch, and dinner noodles Average entrée: $15–20 Average entrée: $20
33 Bars/Hangouts Cactus Club Café WVRST Beerbistro 77 Adelaide St. W. 609 King St. W. 18 King St. E. (647) 748–2025 (416) 703–7775 (416) 861–9872 cactusclubcafe.com wvrst.com beerbistro.com Casual fine dining Modern beer hall that specializes in High ceilings and a long list of brews in Earls artisan sausages and craft beer a lively, elegant spot with a varied, beer- 150 King St. W. The Bier Markt tinged menu (416) 916–0227 600 King St. W. Bar Hop earls.ca (416) 862–1175 391 King St. W. Burgers, global comfort food, cocktails, thebiermarkt.com (647) 352–7476 wines, and beers Brasserie with over 150 brands of beer, barhopbar.com SPiN Toronto plus live music and a Belgian menu of Intimate tavern serving a large variety 461 King St. W. seasonal fare of craft and bottled beers, plus upscale (416) 599–7746 Brassaii bar chow toronto.wearespin.com 461 King St. W. Cibo Wine Bar Rec-room themed hangout featuring (416) 598–4730 522 King St. W. ping pong, global food, cocktails and DJs brassaii.com (416) 504–3939 Loft-like restaurant/lounge with cibowinebar.com Mediterranean-inspired fare and drinks Rustic Italian flare blended with a vibrant nightlife
Clubs The Drake Hotel The Ballroom Bowl The Citizen 1150 Queen St. W. 145 John St. 522 King St. W. (416) 531–5042 (416) 597–2695 (416) 703–2800 thedrakehotel.ca theballroom.ca thecitizento.com Sleek café, two bars, and a nightclub Large entertainment venue with 10-pin Home-cooked classics and craft The Fifth Social Club bowling, dozens of TVs, a rooftop patio, cocktails inspired by the restaurant/bars 225 Richmond St. W. and pub fare of the 1930s (416) 979–3000 Early Mercy Spice Route thefifth.com 540 King St. W. 499 King St. W. Stylish former loft hosting private (416) 507–0777 (416) 849–1808 events, DJs, and dancing crowds earlymercy.com spiceroute.ca A rustic yet chic bar with a spacious A luxe nightclub-style setting for a patio menu of Indo-Chinese small plates and signature alcoholic teas
Karaoke Bar + Karaoke Lounge The Office Pub B-Boss KTV 360 Yonge St. 117 John St. 283 Spadina Ave., Suite 201 (416) 340–7154 (416) 977–1900 (647) 350–8589 bar-plus.com theofficepub.ca bbossktv.com
34 LGBTQ Woody’s Black Eagle The Steady 476 Church St. 457 Church St. 1051 Bloor St. W. (416) 972–0887 (416) 413–1219 thesteadycafe.com Crews & Tangos blackeagletoronto.com El Convento Rico 508 Church St. Buddies in Bad Times 750 College St. (416) 972–0887 12 Alexander St. (416) 588–7800 crewsandtangos.com (416) 975–8555 elconventorico.com Fly 2.0 buddiesinbadtimes.com 6 Gloucester St. O’Grady’s (416) 925–6222 518 Church St. flyyyz.com (416) 323–2822
Museums Aga Khan Museum Bata Shoe Museum 77 Wynford Dr. 327 Bloor St. W. (416) 646–4677 (416) 979–7799 agakhanmuseum.org batashoemuseum.ca The Aga Khan Museum offers visitors a window into worlds Discover the treasures of North America’s charming and unknown or unfamiliar: the artistic, intellectual, and scientific surprising shoe museum. The BSM has over a thousand shoes heritage of Muslim civilizations across the centuries from the and related artifacts (from a collection numbering over 13,000) Iberian Peninsula to China. in architect Raymond Moriyama’s award-winning five-floor (Descriptive text adapted from the Aga Khan Museum’s structure. website: https://www.agakhanmuseum.org/about/mission) (Descriptive text adapted from the Bata Shoe Museum’s Art Gallery of Ontario website: http://www.batashoemuseum.ca/about-us/) 317 Dundas St. W. Campbell House (416) 979–6648 160 Queen St. W. ago.ca (416) 597–0227 With a collection of more than 90,000 works of art, the cambellhousemuseum.ca Art Gallery of Ontario is among the most distinguished art Campbell House Museum is a vibrant public space where museums in North America. From the vast body of Group of members of Toronto’s diverse communities gather to Seven and other signature Canadian works, to the African art (Descriptive text adapted from the Campbell House’s website: gallery, cutting-edge contemporary art, and Peter Paul Rubens’s http://www.campbellhousemuseum.ca/?page_id=10) masterpiece “The Massacre of the Innocents,” the AGO offers Casa Loma an incredible art experience with each visit. 1 Austin Terrace (Descriptive text adapted from the Art Gallery of Ontario’s (416) 923–1171 website: http://www.ago.net/about-the-ago) casaloma.ca Casa Loma is the former estate of Sir Henry Mill Pellatt, a prominent Toronto financier, industrialist and military man. An unabashed romantic, Sir Henry engaged the noted architect E.J. Lennox to help him realize a life-long dream—the creation of a “medieval” castle on the brow of a hill overlooking Toronto. (Descriptive text adapted from Casa Loma’s website: http:// casaloma.ca/grounds.html)
35 Design Exchange Royal Ontario Museum 234 Bay St. 100 Queens Park (416) 363–6121 (416) 586–8000 dx.org rom.on.ca Design Exchange, a not-for-profit museum, is Canada’s only Opened in 1914, the Royal Ontario Museum (ROM) showcases museum dedicated exclusively to the pursuit of design art, culture, and nature from around the globe and across the excellence and preservation of design heritage. ages. As the country’s preeminent field research institute and an (Descriptive text adapted from the Design Exchange’s website: international leader in new and original findings in biodiversity, http://casaloma.ca/grounds.html) paleontology, earth sciences, the visual arts, material culture, Gardiner Museum and archaeology, the ROM plays a vital role in advancing our 111 Queens Park global understanding of the artistic, cultural, and natural world. (416) 586–8080 (Descriptive text adapted from the Royal Ontario Museum’s gardinermuseum.on.ca website: https://www.rom.on.ca/en/about-us/rom/our-history) The Gardiner Museum is an inviting destination that inspires Ryerson Image Centre and connects people, art, and ideas through clay, one of the 33 Gould St. world’s oldest art forms. Year-round the Museum mounts (416) 979–5164 special exhibitions, events, lectures, and clay classes to ryersonimagecentre.ca complement its permanent collection. The Ryerson Image Centre (RIC) exists for the research, (Descriptive text adapted from the Gardiner Museum’s teaching, and exhibition of photography and related media. website: https://www.gardinermuseum.on.ca/the-museum/ RIC is an active partner within the academic fabric of Ryerson about-the-museum/) University, the cultural network of greater Toronto, and the The Power Plant national and international artistic community. 231 Queens Quay W. (Descriptive text adapted from the Ryerson Image Centre’s (416) 973–4949 website: http://ryersonimagecentre.ca/) thepowerplant.org Spadina Museum Founded in 1987, the Power Plant is Canada’s leading public art 285 Spadina Rd. gallery devoted to the presentation of contemporary art, artists, (416) 392–6910 and ideas through exhibitions, publications, talks, and events. Spadina Museum: Historic House and Gardens, sometimes (Descriptive text adapted from the Power Plant’s website: called Spadina House, is a historic manor that is now a museum http://www.thepowerplant.org/AboutUs/History.aspx) operated by the City of Toronto’s Economic Development and Culture division. (Descriptive text adapted from the Spadina Museum’s website: https://www.toronto.ca/explore-enjoy/history-art- culture/museums/spadina-museum/)
Specialty Film Venues TIFF Bell Lightbox Hot Docs Ted Rogers Cinema Revue Cinema 350 King St. W. 506 Bloor St. W. 400 Roncesvalles Ave. (416) 599–8433 (416) 637–3123 (416) 531–9950 tiff.net hotdocscinema.ca revuecinema.net The headquarters of the Toronto Screening venue for first-run Canadian Toronto’s oldest standing film theater International Film Festival, with year- and international documentaries, as Royal Cinema round screenings, a reference library, a well as cult screenings and showcases 608 College St. gift shop, and exhibitions CineCycle (416) 466–4400 129 Spadina Ave. A second-run indie/art house theater (416) 971–4273 that also functions as a post-production Underground screening venue housed studio in a bicycle repair shop 36 Carlton Cinema Regent Theatre 20 Carlton St. 551 Mt. Pleasant Rd. (416) 598–5454 (416) 480–9884 Theater with contemporary and regenttoronto.com nostalgic screenings, as well as special Two-tiered cinema venue, screening deals for students recent festival hits
Theater and Performance Spaces Toronto Centre for the Arts Lower Ossington Theatre Ed Mirvish Theatre 5040 Yonge St. 100 Ossington Ave. 244 Victoria St. (416) 733–9388 (416) 915–6747 (416) 872–1212 tocentre.com lowerossingtontheatre.com mirvish.com/theatres Berkeley Street Theatre Second City Panasonic Theatre 26 Berkeley St. 51 Mercer St. 651 Yonge St. (416) 368–3110 secondcity.com/shows/toronto (416) 872–1212 canadianstage.com Yuk Yuk’s mirvish.com/theatres Sony Centre for the Performing 224 Richmond St. W. Royal Alexandra Theatre Arts (416) 967–6425 260 King St. W. 1 Front St. E. yukyuks.com/toronto (416) 872–1212 sonycentre.ca Comedy Bar mirvish.com/theatres Massey Hall 945 Bloor St. W. Tarragon Theatre 178 Victoria St. (416) 551–6540 30 Bridgman Ave. (416) 872–4255 comedybar.ca (416) 531–1827 masseyhall.com Princess of Wales Theatre tarragontheatre.com Queen Elizabeth Theatre 300 King St. W. Elgin and Winter Garden Theatres 190 Princes’ Blvd. (416) 872–1212 189 Yonge St. queenelizabeththeatre.ca mirvish.com/theatres (416) 314–2901
Life’s Necessities
GROCERY STORES Independent City Market The Market by Longo’s 111 Peter St. 100 King St. W. (416) 977–2515 (416) 304–1147 independentcitymarket.ca longos.com Chain of smaller grocery stores Toronto chain of full-service grocery Loblaw’s stores 585 Queen St. W. Rabba Fine Foods (416) 703–3419 126 Simcoe St. loblaws.ca (416) 977–5463 Large grocery chain rabba.com Toronto chain of urban markets; open 24 Hours
37 LIQUOR STORES The Beer Store LCBO Wine Rack 10 Dundas St. E. 100 King St. W. 242 Queen St. W. (416) 585–8041 (416) 594–9040 (416) 260–1610 thebeerstore.ca lcbo.com winerack.com Wide array of liquor, beer, and spirits OFFICE SUPPLIES Staples 375 University Ave. (416) 598–4818 staples.ca DRY CLEANERS PHARMACIES Shoppers Drug Mart 260 Queen St. W. Express Dry Cleaners Rexall Pharmacy (416) 979–3903 (In the Sheraton Centre) 250 University Ave. shoppersdrugmart.ca 123 Queen St. W. (416) 591–6493 Open until midnight (416) 203–8035 rexall.ca Open 24 hours
Beyond Necessities (Books, Comics, Records) Ben McNally Books Rotate This Type Books 366 Bay St. 186 Ossington Ave. 883 Queen St. W. (416) 361–0032 (416) 504–8447 (416) 366–8973 benmcnallybooks.com rotate.com typebooks.ca BMV Books Silver Snail 471 Bloor St. 329 Yonge St. (416) 967–5757 (416) 593–0889 bmvbooks.com silversnail.com Kops Records Sonic Boom 229 Queen St. W. 215 Spadina Ave. (416) 593–8523 (416) 532–0334 kopsrecords.ca sonicboommusic.com
Fitness 24-hour fitness center at Sheraton 123 Queen St. W. Good Life Fitness 483 Bay St. (416) 408–4856 goodlifefitness.com Free trial passes available: Three sessions over seven days
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7 TIFF Bell Lightbox Jarvis Street An Evening with Guy Maddin Hosted Tours
Bathurst Street College Street Gerrard Street West Bay Street 5
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Front Street West St r et een's Quay East West Qu rd S treet our S Spad ore Boulevat Harb Lake Sh Please see http://bit.ly/SCMS2018Map for the Google map. 39 TO ALL SCMS MEMBERS YOU’RE INVITED! Members’ Business Meeting
Thursday, March 15 G 9:00 – 10:00 am ROOM Civic Ballroom (North & South), 2nd Floor All SCMS members are encouraged to attend the annual Members’ Business Meeting to learn more about SCMS and current strategic processes. This year’s meeting will include a listening session regarding the shortened schedule for the 2019 Seattle Conference and the Cinema Journal name change and cover redesign. Members will also meet the officers and Board members, and the leadership of the SCMS Caucuses and Scholarly Interest Groups.
HOSTED TOUR— University of Toronto Thomas Fisher Rare Book Library
Thursday, March 15 G 10:30 – 11:15 am LOCATION Thomas Fisher Rare Book Library, 120 St. George Street Join us for a tour of the Thomas Fisher Rare Book Library, the largest publicly accessible collection of rare material in Canada. On display will be some rare and unusual material from the Fisher’s print and manuscript collections specially selected for Cinema Studies conference attendees. Meet in the Fisher Library exhibit area accessible through the second floor of Robarts Library. You may take the outside steps to the second floor and enter through the revolving door to the library, or you may use the ground floor entrance and take the escalator or elevator up to the 2nd floor and enter Fisher via the revolving doors.
NOTE: Please arrive a few minutes before 10:30 to hang up coats and stow bags in lockers as they are not allowed in the library.
TOUR GUIDE Liz Ridolfo G Cataloguer
HOSTED TOUR— University of Toronto Media Commons
Thursday, March 15 G 11:30 am – 12:15 pm LOCATION Robarts Library, 3rd Floor, 130 St. George Street Come for a tour of the premier film and broadcast library and archive for media-related studies in Canada. Learn about the largest circulating film library in the country and the best equipped playback/digitization lab. Also, visit the only cold vault in any Canadian university dedicated just to film. On display, will be a sampling of rare and interesting materials from the holdings. Meet at the Media Commons Service Desk. TOUR GUIDE Brock Silversides G Director, Media Commons 40 Reception
Thursday, March 15 G 5:45 – 6:45 pm ROOM Grand Ballroom East & Foyer, Lower Concourse Celebrate this year’s award recipients, outgoing SCMS Board members, and others who have served the Society this past year while catching up with old friends and meeting new acquaintances.
Awards Ceremony
Thursday, March 15 G 6:45 – 8:00 pm ROOM Grand Ballroom West & Centre, Lower Concourse Please join us in acknowledging and honoring this year’s award recipients.
Best Practices in Applying for Funds to Support Scholarship
Friday, March 16 G 10:00 – 11:00 am ROOM Grand Ballroom East, Lower Concourse If you ever worried that these organizations do not support cinema and media studies, or you are unsure how to frame your topic for grant proposals, please come meet their representatives, who will tell you about funding opportunities, and best practices for applying for funds in support of scholarship in media studies.
HOSTED TOUR— TIFF Bell Lightbox Reference Library
Friday, March 16 G 10:00 – 10:30 am and 11:00 – 11:30 am LOCATION TIFF Bell Lightbox, 350 King Street West, 4th Floor The Film Reference Library is the ultimate free resource for film-lovers, scholars, teachers, and film and television professionals. A proud affiliate member of the International Federation of Film Archives (FIAF), the library promotes Canadian and global film scholarship by collecting, preserving, and providing access to a comprehensive collection of film, and film- related reference resources. Find out more about reference and special collections at tiff.net/library. To reserve space in a tour, please visit http://bit.ly/2H4jDSt When you arrive at TIFF Bell Lightbox, please take the elevators up to the 4th floor reception desk where you will check in for your tour.
Coffee Break
Sunday, March 18 G 10:45 – 11:30 AM ROOM Mezzanine Foyer, Mezzanine
41 Instructions FOR PANEL AND WORKSHOP CHAIRS
1. Please keep panel presentations to 20 minutes and workshop and roundtable presentations to 5-10 minutes. Panels with more than 3 presenters will need to reduce presentation times to fit the 105‑minute sessions. • When one panelist goes over time, other panelists or workshop participants are deprived of a fair opportunity to present their research/comments. • Audience members are rightfully upset when there is no time to ask questions. 2. SCMS asks all panel chairs to please read this statement aloud at the beginning of each session: To begin, we wish to acknowledge this land on which the SCMS conference is taking place. For thousands of years it has been the traditional land of the Huron-Wendat, the Seneca, and most recently, the Mississaugas of the Credit River. Today, this meeting place is still the home to many Indigenous people from across Turtle Island and we are grateful to have the opportunity to work on this land. 3. Technology problems cut into panel times. Please have panelists check their technology (DVDs, laptops, flash drives) in advance. 4. Please check that all visuals and audio are functional before your session begins. 5. All papers must be presented in person by the author. Skype or other teleconference presentations are not allowed at SCMS conferences. 6. Chairs should give their panelists signals for 5 minutes left, 2 minutes left, and “please wrap up” at the 20-minute mark. 7. Chairs who are presenting papers should designate one of the panelists to time their paper when they are presenting. 8. Please end your panel or workshop promptly at 15 minutes before the hour to allow participants and audience members enough time to get to the next panel or workshop. 42 WEDNESDAY
session MARCH A 14 9:00 – 10:45 am WEDNESDAY I MARCH 14, 2018
A1 Mediating Fan Labor A2 Sound and Noise Bodies, Identities, Environments , CHAIR Annemarie Navar-Gill G University of , Michigan CHAIR Gábor Gergely G University of Lincoln Li Cornfeld G AmherstA College G “Sexy Work: Booth Gábor Gergely G University of Lincoln G “Sonority, Babes as Media Labor” Difference, and the Schwarzenegger Star Body” Anne Gilbert G University of Georgia G “Being There?: Junting Huang G Cornell University G “‘Chinoise, Chi- Liveness and Mediation at San Diego Comic-Con” noise?’: The Sonic Avant-Garde in China” Annemarie Navar-Gill G University of Michigan G “‘No Ben Ogrodnik G University of Pittsburgh G “Listening to One Wants to Be the Next 100’: Social Media and the the ‘Multi-Voiced’ Found-Footage Film: Aspects of Sonic Puncturing of Hollywood’s (Un)Progressive Bubble” Collage, Female Stardom, and Audio-Visual Pleasure in Margaret Steinhauer G University of Texas at Austin G Stephanie Beroes’ The Dream Screen (1986)” “#Save: Reality Competition Programming & Twitter Arzu Karaduman G Georgia State University G “The Integration on Broadcast Television” ‘Crystal-Sounds’ of Moonlight and Nénette et Boni” SPONSOR Sound and Music Studies Scholarly Interest Group
43 SESSION A 9:00–10:45 am A3 Playing the Other? A5 Gender and Exploring Identity and Agency in Contemporary Television Contemporary Narrative Games
WEDNESDAY , MARCH , CHAIR Amanda Konkle G Armstrong State University CHAIR Anastasia Salter G University of Central Florida 14 Amanda Konkle G Armstrong State University G CO-CHAIR Bridget Blodgett G University of Baltimore “Postfeminism, The Musical: The CW’s Crazy Ex- Anastasia Salter G University of Central Florida G Girlfriend” “Lookin’ Good, Daddy: Dating Dream Daddies and Julia Havas G University of East Anglia G “From Subverting Toxic Masculinity Through Play” the Ivory Tower to the Small Screen: The ‘Feminist Bridget Blodgett G University of Baltimore G “Strange Academic’ as Character Type in Prestige Television” Families, Stranger Houses: What Remains of Edith Finch Katherine Morrissey G University of Kentucky G “Seen and Expectation for Women’s Grief” and Unseen: Female Nudity on HBO’s Girls and John Murray G University of California, Santa Cruz G Insecure” “Disarming Grendel: Playing at Ethics in Telltale’s The Bailey Moorhead G University of Mississippi G “The Wolf Among Us, Episode 1” Lost Cause of Masculinity: Gender Polarization and Eric Murnane G University of Central Florida G “Stay Modern Confederate Ideation in True Detective” a While and Listen: Player Journaling and the SPONSOR Women’s Caucus Representation of Play” SPONSOR Video Game Studies Scholarly Interest Group
A6 Media and Health Discourse A4 Hailing the Nation through , Social Media CHAIR Stephanie Lam G Harvard University Stephanie Lam G Harvard University G “A Cinema of , Exposure: Environmental Health Debates and Forms of CHAIR Tilottama Karlekar G Colorado College Evidence in [SAFE] and Erin Brockovich” Tilottama Karlekar G Colorado College G “Reimagining Belinda Kong G Bowdoin College G “SARS, Hong Kong Protest: Mediating Contemporary Student Movements Cinema, and Epidemic Camp” in India” Mikki Kressbach G University of Chicago G “Feeling Andrew O. McLaughlin G University of Oregon G “War Healthy in the Age of Self-Quantification: Wearable Porn: A Political Economic Case Study of Funker530 and Fitness Trackers and Optimizing the Ordinary” Its Partners” Madita Oeming G University of Paderborn G “New Stephen Monteiro G Concordia University G “‘This Is Media Junkies: The ‘Porn Addict’ in Contemporary U.S. My Self’: Photography, Agency, and Identity in Indian Cinema” Mobile Media” Lin Sun G University of Iowa G “Meme Produsage as New Means to Organize Online: A Case Study of Huang Zitao, the ‘Patriotic’ Celebrity”
44 WEDNESDAY 9:00–10:45 am SESSION A A7 Sites and Sights A9 Performance of Memory Making Actors, Bodies, Faces , , G CHAIR Eszter Zimanyi G University of Southern CHAIR Kevin McDonald California State University, MARCH California Northridge 14 Hannah Goodwin G Brown University G “Eclipsing Kevin McDonald G California State University, Northridge Borders: Ephemeral Topographies and Collective G “In the Pass between Friends and Rivals, or Film Memories of Astrophotographic Events” Philosophy in Clouds of Sils Maria” Simran Bhalla G Northwestern University G “Mediating Marissa Spada G University of Michigan G “Calibrating the Memorial: Cinematic Disruptions at Teen Murti the Hollywood Face: Contemporary Beauty Culture and Bhavan” Max Factor’s Beauty Micrometer” Sasha Crawford-Holland G University of Southern Matthew Gartner G University of Toronto G “Cast in California G “On Trees and Techne: The Sylvan Stone: Acting Presence, Multi-Role Performance, and Infrastructure of Canada Park” Keaton’s The Playhouse” Eszter Zimanyi G University of Southern California G Ulrike Hanstein G Friedrich-Schiller-Universität Jena G “Migratory Wars: Tracing the Routes and Roots of “Floor Pieces: Crawling as Painting in Video Works by Europe’s Migrant / Refugee Crisis” Paul McCarthy and William Wegman” SPONSOR Media and the Environment Scholarly Interest Group
A10 European Cinemas in A8 Cultural Discourses in Recent Geopolitical Context Asian Media , CHAIR G , Dorota Ostrowska Birkbeck University of London CHAIR Dennis Lo G James Madison University Dorota Ostrowska G Birkbeck University of London G Dennis Lo G James Madison University G “Beyond “The Migrant Gaze: Programming the Refugee Crisis the Tourist Gaze: Film Authorship and Rural Location at European Human Rights and Documentary Film Shooting in the New Chinese Cinemas” Festivals” Seungyeon Gabrielle Jung G Brown University G Alexander Greenhough G Stanford University G “Real “Tensions of Reading: The Handmaiden” Movements: Geopolitics and Cinematographic Style in Jing Jamie Zhao G University of Warwick G “A Queer The Passenger” Talk Show for the Straight Audience?: Trans Eye for a James Morrison G Claremont McKenna College G “‘A Cosmopolitan China in The Jinxing Show” Clarifying Distance’: Michael Haneke’s Code Unknown, Jinsook Kim G University of Texas at Austin G “No Global Art Cinema, and the European Union” Democracy without Feminism: Feminist Critiques of Sean O’Sullivan G Ohio State University G “Space, Misogynistic Discourses Surrounding President Park Story, Brexit: T2 Trainspotting and the Logics of Geun-hye’s Impeachment” Sequelization” SPONSOR Asian/Pacific American Caucus SPONSOR Central/East/South European Cinemas Scholarly Interest Group
45 SESSION A 9:00–10:45 am A11 The Art and Craft A13 Precarity and of Media Labor Post-Truth Politics , , WEDNESDAY MARCH CHAIR Katie Bird G University of Pittsburgh CHAIR Catherine Harrington G Northwestern 14 Katie Bird G University of Pittsburgh G “Ready 1, Take 1. University Ready 2, Take 2: The Dual Performance of Live-Action Catherine Harrington G Northwestern University G Sports Directing” “Everyday Apocalypse: Doomsday Preppers in These Hiaw Khim Tan G University of Chicago G “Securing Uncertain Times” the Image: The Role of Production Sketches in the Scott MacKenzie G Queen’s University G “Climate Hollywood Studio System” Change, Science Deniers, and ‘Fake News’” Jennifer Kang G University of Texas at Austin G Linda Liu G University of Massachusetts, Boston G “Engaging with the Vernacular: Korean Web Dramas “Nothing to Lose: Unpropertied Fear and the and Independent Productions” Post-recessionary Horror Imaginary in Martha Marcy May Marlene” Steven Malcic G Dickinson College G “Discriminating Tastes: Judging the Judges in Reality Television and Recent Political Discourse” A12 Hegemony, Precarity, SPONSOR Caucus on Class and Gender in Recent Global Cinema , CHAIR Alfredo Martínez-Expósito G University of A14 Feminism / Labor / Melbourne Documentary Alfredo Martínez-Expósito G University of Melbourne G “Southern Hegemonies and Metaphors of the Global , South in También la lluvia” CHAIR Shilyh Warren G University of Texas at Dallas Samanta Ordonez G Wake Forest University G Shilyh Warren G University of Texas at Dallas G “Ethical “Globalizing Mexican Homosociality in Te prometo Listening and Feminist Documentary Interviews: Mireia anarquía (2015) by Julio Hernández” Sallarès’s Las Muertes chiquitas (2015)” Jonah Jeng G University of Pittsburgh G “Narrating Todd Jurgess G University of South Florida G “ The Labor: Holy Motors and the Form of the Modern Measures, Conceptual Personae, and Intersubjectivity Working Day” in Cinema Authorship” Zosha Winegar-Schultz G University of Minnesota G Begoña González-Cuesta G IE University G “Filmic “Loveless: Нелюбовь’s Critique of Post-Soviet Russia” Representations of Marginal Realities: Thresholds in Chantal Akerman’s No Home Movie” Mike Meneghetti G University of Toronto G “Observational Documentaries Today: The Specter of ‘Creative Labor’”
46 WEDNESDAY 9:00–10:45 am SESSION A A15 Rewriting Canons A18 Posthuman Media in Film Culture , , CHAIR Brenton Malin G University of Pittsburgh CHAIR Anna Cooper G University of Arizona Brenton Malin G University of Pittsburgh G “What MARCH Anna Cooper G University of Arizona G “A New Is It like to Be a Methamphetamine Crystal?: 14 Feminist Critique of Film Canon in the Digital Age” The Object-oriented Aesthetics of Breaking Bad” Lisa Patti G Hobart and William Smith Colleges G Sabrina Jaromin G Northwestern University G “Searching for Women’s Cinema” “Shooting Animals-Shooting Film, or On the Visual Economies of Desire” Alicia Kozma G Washington College G “Women of the Art House World, Unite!” Jennifer Pranolo G Amherst College G “Katja Novitskova’s Ambiguous Objects” Björn Nordfjörd G St. Olaf College G “Birds, Horses, Fishes, and Sheep: Icelandic Cinema Returns to the Fold” A17 Race Matters Histories, Technics, Aesthetics
, CHAIR Tisha Dejmanee G Central Michigan A19 Digging into the Archives of University Midcentury Media Tisha Dejmanee G Central Michigan University G “Racial Foundations: Digital Commentary on Race, , Makeup, and the Commodification of Difference” CHAIR Kathy Newman G Carnegie Mellon University Inna Arzumanova G University of San Francisco G Kathy Newman G Carnegie Mellon University G and “‘Knowing Who You Really Are’: The Visual Rubrics of Steven Gotzler G Carnegie Mellon University G Racial Identity in DIY Genetic Testing” “Using the Television ‘Mega-text’ to Find Social Class in Carol Siegel G Washington State University Vancouver G 1950s Television” “Before American Jews Were White: Fictional Histories David Pratt G College of William and Mary G of Jewish Sexual / Racial Identities” “‘Everything you always wanted. . . . and less’: The New Franklin Cason G North Carolina State University Temperance Movement, Neoliberalism, and Mickey G “Don’t Look Away! Political Visions and Black Spillane’s Miller Lite Commercials” Cinematographers” Suzanne Langlois G York University / Glendon College G “On Distant Shelves: The Sounds and Images of the Filmstrip UNRRA Goes into Action (1945)”
47 SESSION A 9:00–10:45 am A20 Digital Bodies in Blockbuster A22 Reimagining the Transnational Film and Television , 2 , CHAIR Andrew Burke G University of Winnipeg WEDNESDAY MARCH CHAIR Hye Jean Chung G Kyung Hee University Andrew Burke G University of Winnipeg G “Cinema 14 Hye Jean Chung G Kyung Hee University G “Cyborg and the Object World of Modernity: The Tetra Pak” Monsters and Reanimated Hybrid Bodies in The Tim Bell G Indiana University G “Native Industries: Mummy (2017)” Ethnographic Narratives in British Industrial Film and Rose Routh G Emory University G “These Violent Video” Delights Have Violent Ends: Traumatic Modes of Alia Ayman G New York University G “Arab Consciousness in Westworld” Documentaries and the Politics of Transnationalism, Peng-yi Tai G National Central University G “The New 1960s-Present” Mass Ornament: Crowd Simulation in World War Z” Robyn Citizen G University of British Columbia G “Constant Cravings: Culinary Nation Branding Through the Pleasures of K-Drama in Immortal Classic and The Cravings” SPONSOR Transnational Cinemas Scholarly Interest Group A21 Narrative Structures and Authorial Signatures , CHAIR Mark Betz G King’s College London A23 Conceptual Approaches to Mark Betz G King’s College London G “Roundelay, Recent Cinema Relay: Concept as Act” Tempo, Movement, Migration, Reflection Caroline Bem G Université de Montréal G “From Reboot to Playthrough: The Politics of Forms in Death Proof , 2 and The Hateful Eight” CHAIR David Johnson G Salisbury University Jinhee Choi G King’s College London G “Ozuesque as a David Johnson G Salisbury University G “Pensive Sensibility, or On the Notion of Influence” Spectators in Cinema: Reflection, Discovery, and Uncertainty in Recent Arthouse Cinema” Christina Wilkins G University of Winchester G “Recycling Machines: Adaptation, Remaking, and Dawn Hall G Western Kentucky University G “Haptic Translating in Westworld” Visuality: Experiencing the Experimental Short Films of Kelly Reichardt” Kaelan Doyle Myerscough G Massachusetts Institute of Technology G “If You Can’t Fix What’s Broken: The Redemptive Sensation of Movement in Mad Max: Fury Road” Clayton Dillard G Oklahoma State University G “Intertextual Migration and the Racial Unconscious in Aki Kaurismäki’s Le Havre”
48 WEDNESDAY 9:00–10:45 am SESSION A A24 Queer Spaces, Haptics, MEETING and Histories 9:00 – 10:45 am , 2 Television Studies CHAIR Natalie Goodman G University of Florida Scholarly Interest Group MARCH Natalie Goodman G University of Florida G 14 “Making Do in the Space of Flows: Tangerine and ROOM Kent, 2nd floor Queer Spaces / Non-Places” Steven Greenwood G McGill University G “Finding a Place for Us in Disney Films: Queer Fans, Disney, and the Broadway Musical” Sean Donovan G University of Michigan G “Kenneth MEETING Anger’s Fireworks and the Disruptive Work of the 9:00 – 10:45 am Queer Haptic” Jonathan Cicoski G Cornell University G “‘Tell the Tale, Adult Film History Save My Life’: Zero Patience, Queer Historicity, and the Scholarly Interest Group Bathroom” ROOM Simcoe/Dufferin, 2nd floor
A25 Old Texts in New Contexts , 2 CHAIR Pamela Krayenbuhl G Northwestern University in Qatar Pamela Krayenbuhl G Northwestern University in Qatar G “‘The Pelvis’ as Category Crisis: The Transgressive Screen Dances of Elvis Presley” Diana Norton G University of Texas at Austin G “‘And not one iota of Hayworth remains’: The Affective Shimmers of Heritage in the Star Discourse of Rita Hayworth in Spain” Malcolm Matthews G Brock University G “The Comedic Autistic: A Rhetorical Rethinking of the Human and the Humour Being” Jamie Hook G Indiana University G “‘I Think We Should Learn to View Our Bodies without Embarrassment’: Nature and Nudity as Metonyms in The Harrad Experiment’s Pedagogy of Sexual Liberation”
49 WEDNESDAY MARCH session 14 B 11:00 am–12:45 pm WEDNESDAY I MARCH 14, 2018
B1 New Dimensions B2 Drone Aesthetics, Aerial Views, of Media Activism and Inhuman Cameras , , CHAIR David Scott Diffrient G Colorado State CHAIR Drew Ayers G Eastern Washington University University B Andrew Utterson G Ithaca College G “Images of David Scott Diffrient G Colorado State University G an ‘Open City’: Paris by Air in Aleksandr Sokurov’s “‘Hamming It Up’ with Okja: Performative Distractions Francofonia (2015)” and the Trivializing of Activist Actions in a Transnational Benj Gerdes G Long Island University G “Weightless, Animal Rights Film” Smooth, Fluid: Capital and Territory in Amateur Drone Yoav Halperin G New York University G “Manipulated Flight” Visibilities: Affective Activism and Algorithmic Zoë Druick G Simon Fraser University G “The View Strategies on Social Media” from the Sky: Fly-Over Environmental Documentary as Arcelia Gutierrez G University of Michigan G “Fighting Capitalist Body Genre” the Invisibility of Latinxs: The National Hispanic Media Drew Ayers G Eastern Washington University G “Lions, Coalition’s Advocacy Campaigns” Tigers, and Drones: Intimacy and the Nonhuman Image Helle Kannik Haastrup G University of Copenhagen G Technology of Planet Earth II” “‘#imwithmeryl’: Celebrity Activism, Self-Presentation, SPONSOR Media, Science, and Technology and Social Media” Scholarly Interest Group SPONSOR Critical Media Pedagogy Scholarly Interest Group
50 WEDNESDAY 11:00 am – 12:45 pm SESSION B B3 Embodied Filmmaking Practices B5 New Lenses in Experimental Cinema on Masculinity in Media , , CHAIR Shira Segal G SUNY Albany CHAIR Christopher Russell G Northwestern MARCH RESPONDENT Joan Hawkins G Indiana University University 14 Oksana Chefranova G Yale University G “The Walking Christopher Russell G Northwestern University G Camera and Corporeal Aesthetics of Landscape in “It’s Like the Super Bowl for Nerds: Video Game Experimental Cinema” Speedrunning and Sports Masculinity” Matt Von Vogt G Indiana University G “Cinema as Timothy Shary G Independent Scholar G “Give Me the Anxious Object: Embodiment and Alterity in Pasolini’s Child after 9/11, and I’ll Show You Boyhood” Authorship” Evren Ozselcuk G University of South Carolina G Kalpana Subramanian G SUNY Buffalo G “The “Interiorizing the Provinces: Melancholic Masculinity in Materiality of Light and Breath: A Transcultural and Nuri Bilge Ceylan’s Cinema” Interdisciplinary Dialogue on Embodiment” Claire Henry G Massey University G “Fatherhood and SPONSOR Experimental Film and Media Scholarly Interest Group the Family Dog: Shaping Masculinity and Multispecies Kinship in American Family Films, 1992 – 2008”
B4 The Politics and Culture of Media Online B6 Global Images of Progress, Politics, and Protest , CHAIR Raven Maragh G University of Iowa , CHAIR Murat Akser G University of Ulster Raven Maragh G University of Iowa G “Toward a Raced Connective Media: Black Resistance Strategies and the Murat Akser G University of Ulster G “Towards a Global Logics of Social Media” Aesthetics of Protest: Cinema as Rebel Art of Occupy Gezi Protests” Mattias Frey G University of Kent G “Video on Demand, Curation, and the End of the Long Tail: The Case of Briana Barner G University of Texas at Austin G “Digital MUBI” (Awkward) Black Girls: Exploring Representation of Black Women on Netflix” Jaap Verheul G New York University G “The MultiCulti Farce: Film Policy and Cultural Diversity in Dutch Roger Hallas G Syracuse University G “Global Popular Cinema” Participatory Photography and the Moving Image” Amanda Landa G Independent Scholar G “ Death Note Nicholas Balaisis G University of Waterloo G “New and Netflix: Adaptation and Audience Pitfalls” Trajectories of Imperfect Cinema: Cuban Film Practices and Global Maker Culture” SPONSOR Film and Media Festivals Scholarly Interest Group
51 SESSION B 11:00 am – 12:45 pm B7 Machineries of Identity / B9 Central American Moving Cultures of Visuality Images and the Neoliberal Age , , WEDNESDAY MARCH CHAIR micha cárdenas G University of Washington CHAIR Vinodh Venkatesh G Virginia Tech 14 micha cárdenas G University of Washington G “The María del Carmen Caña Jiménez G Virginia Tech G Android Goddess Declaration: After Man(ifestos)” “Symptoms of a Civil War: Affect, Disease, and Urban Kirsty Dootson G Yale University G “‘Whitest of All on Violence in Arturo Menéndez’s Malacrianza” Color TV’: Minstrelsy at the BBC in 1967” Greg Severyn G Kenyon College G “‘It Sure Feels Right’: Allain Daigle G University of Wisconsin-Milwaukee G Contradictory Nationalism in Hernán Jiménez’s El “Fast Glass: WWI and the Americanization of Early Lens Regreso (2012)” Production” Kayla Watson G University of Maryland G “‘No puedo Rachael Ball G University of California, Santa Barbara G vivir con este miedo’: Extortion, Psychological Violence, “Dellamorte, Dellamore: De/constructing the Special and Migrancy in Arturo Menéndez’s Malacrianza Effects Body at the Limits of Taste” (2014)” Vinodh Venkatesh G Virginia Tech G “ Capitán Centroamérica: Televised and Web Incarnations of the Superhero Genre” B8 Mediating Love, Desire, and Lust , B10 Intersections CHAIR Stacey Weber-Feve G Iowa State University Japanese Media Fan Cultures Through a Stacey Weber-Feve G Iowa State University G “‘Free Fan Studies Lens Women?’: Sensuality and Embodied Spectatorship in , Małgorzata Szumowska’s Elles (2011)” CHAIR Lori Morimoto G Independent Scholar G G Ganga Rudraiah University of Toronto “When the RESPONDENT Douglas Schules G Rikkyo University Lights Go Off: Significations of the ‘First Night’ Scene in Tamil Cinema” Kathryn Hemmann G George Mason University G “The Next Big Thing: Charting Fan Cultures, Social Media, Scott St. Pierre G Bucknell University G “Dirty Old Man: and the Content Industry in Japan” Larry Clark’s Teen Lust” Lori Morimoto G Independent Scholar G “Yuri!! On John Alberti G Northern Kentucky University G (Thin) Ice: Convergence and Conflict in Transcultural “Addicted to Love: The Productive Pathology of the Media Fandom” Romantic Comedy in the Netflix Series Love” Miranda Ruth Larsen G University of Tokyo G “‘Oppa Fighting!’: Discursive Engagement of Japanese Fans with K-pop Idols’ Military Service” SPONSOR Fan and Audience Studies Scholarly Interest Group
52 WEDNESDAY 11:00 am – 12:45 pm SESSION B B11 Media Labor / Mediating Work B13 Putting the Music Back into , Music Television CHAIR Hannah Airriess G University of California, Reconsiderations of Popular Music and Berkeley Televisuality MARCH Hannah Airriess G University of California, Berkeley G , 14 “Corporate Cartographies: The Location of Work in CHAIR Kristen Galvin G Savannah College of Art and Japan’s Cinema of High Economic Growth” Design Ashleigh Curp-Goldfarb G Indiana University G “‘A Landon Palmer G University of Tampa G “Lust for whore’s eye view’: Hulu’s Harlots, Feminism, and the Licensing: Managing Iggy Pop for the Small Screen” Politics of Sex” Marta Kelleher G University of Georgia G “ True Trans Jennifer Gillan G Bentley University G “Gendered and with Laura Jane Grace and the Politics of Variant Generational Work: Lead Writer, Actor, and Brandcaster Gender Depiction in Mainstream Media” in Neoliberal Hollywood” Ben Kruger-Robbins G University of California, Irvine G Jason Buel G North Carolina Wesleyan College G “This “What Would You Do if I Sang Out of Tune?: Is What Documentary Looks Like: Digital Docmedia and Queer Sonics of Winnie Holzman’s ABC Shows” the Archive” Kristen Galvin G Savannah College of Art and Design G “Analog Teen Fantasy: Cultural Nostalgia and the Retro Cassette Revival in Netflix’s 13 Reasons Why” SPONSOR Sound and Music Studies Scholarly Interest Group B12 Tropes and Concepts in Screen Comedy , CHAIR John Bruns G College of Charleston Luke Holmaas G University of Wisconsin–Madison G “Of Gremlins and Popstars: Considering the Legacy of Vulgar Modernism” Stephanie Clayton G University of East Anglia G “Grindah’s Rise to Fame: Witnessing ‘Celebrity’ in BBC’s People Just Do Nothing” Ben Singer G University of Wisconsin–Madison G “Comedic Coincidence and the Synchronism Gag” Mackenzie Leadston G Ohio State University G “Happily Never After: The Visual Politics of Contemporary French Romantic Comedy” SPONSOR Comedy and Humor Studies Scholarly Interest Group
53 SESSION B 11:00 am – 12:45 pm
B14 ROUNDTABLE B16 Texture, Time, Out of the Classroom, and Sound in Cinema into the Theater , WEDNESDAY MARCH Enhancing the Teaching, Learning, CHAIR Kaitlynn Zigterman G University of California, 14 and Culture of Cinema through Industry Santa Barbara Collaboration Kaitlynn Zigterman G University of California, Santa , Barbara G “The Monumentality of the Contemporary CHAIR Andrew Douglas G Bryn Mawr Film Institute ‘Epic’ Film Score: The Case of Inception” CO-CHAIR Keith Bennie G Toronto International Film Michael Walsh G University of Hartford G “Durational Festival Documentary: Claude Lanzmann, Wang Bing, Lav Diaz” ROUNDTABLE PARTICIPANTS Christina Parker-Flynn G Florida State University G “Invented from Whole Cloth: Spike Jonze’s Tactile Keith Bennie G Toronto International Film Festival G Storytelling and Future Fabrication” “Audience First: Educational Film Programming” Andrew Douglas G Bryn Mawr Film Institute G “Your Local Arthouse: Partner in Education” Brendan Kredell G Oakland University G “University- Festival Collaboration: An Experiential Approach” B17 Foreign Exchanges Paul McEwan G Muhlenberg College G “Professors and Transnational Media Art Cinemas: True Collaboration” , Rebecca Meyers G Bucknell University G “Building Film CHAIR Sebnem Baran G University of Southern Culture, Movie by Movie” California SPONSOR Critical Media Pedagogy Scholarly Interest Group Sebnem Baran G University of Southern California G “Whose Quality Is It?: Online Streaming and Globalization of Anglo-American Quality Programming” Giulia Taurino G University of Bologna/Université de B15 Cinema of Exploration I Montréal G “Understanding Cultural Proximity In , Nonlinear Television: Monitoring Netflix’s Expansion across Europe” CHAIR Rachel Webb Jekanowski G Concordia University Nick Marx G Colorado State University G “Live From Seoul!: Transnational Television and Cross-Cultural Katherine Groo G Lafayette College G “Post -Human Ways of Seeing: Drone Footage and the Future Perfect” Comedy in Saturday Night Live Korea” Vinzenz Hediger G Goethe-Universität Frankfurt G “The Entertainment-Zoological Complex” Rachel Webb Jekanowski G Concordia University G “Resource Frontiers and Cinematic Geologies of the Canadian North” Catherine Russell G Concordia University G “Amazon Cinema: Vegetal Storytelling” SPONSOR Experimental Film and Media Scholarly Interest Group 54 WEDNESDAY 11:00 am – 12:45 pm SESSION B B18 Adventures in the Archive B20 Star Branding Uncovering the Ephemera of Film History and Celebrity Practices , , G CHAIR Anne Bachmann Independent Scholar CHAIR Rebecca Gordon G Northern Arizona MARCH Anne Bachmann G Independent Scholar G “Changing University 14 the Face of Film Culture: The Meeting of Film and Print Rebecca Gordon G Northern Arizona University G Cultures in Sweden’s Silent Era” “Vincent Price and Native American Arts: Internal Arts Cary Elza G University of Wisconsin-Stevens Point G Diplomacy before Red Power” “Down the Rabbit Hole: Nontheatrical Distribution and Sara Bakerman G University of Southern California G the Evolution of Intertitles in the 1920s” “‘Ever the Lady’: Star Image, Cultural Memory, and the Kathy Fuller-Seeley G University of Texas at Austin G Right to Publicity in de Havilland v. FX” “Fannish Devotion, Gender Ideology, and Creation of Kevin Hagopian G Penn State University G “The Film History from the Bottom Up: Cara Hartwell’s Movie Bombshell Goes Shoplifting: Gender, Theft, and Scrapbook, 1914 – 1985” Celebrity in the Case of Hedy Lamarr” Jonathan Cannon G Oklahoma State University G “The Cassandra Collier G Arizona State University G “Maybe Tom Mix Museum: Archiving Stardom in Small-town We Don’t Already Know?: Understanding Big Freedia’s Oklahoma” Cultural Labor of Exceptionalism, Legibility, and SPONSORS Scandinavian Scholarly Interest Group and Belonging” Silent Cinema Scholarly Interest Group
B21 ROUNDTABLE B19 Architectures Comics Studies in Canada Spatial, Cultural, Political , , CHAIR Benjamin Woo G Carleton University CHAIR Daniel D’Amore G Harvard University ROUNDTABLE PARTICIPANTS Daniel D’Amore G Harvard University G “Divine Light Mission: Millennium ’73, the Astrodome, and the Sylvain Lemay G Université du Québec en Outaouais G Spectacle of Spiritual Connection” “Researching the bande dessinée québécoise” Esra Çimencioglu G Northwestern University G Candida Rifkind G University of Winnipeg G “Canadian “Unveiling the City: Gender and Everyday Spaces in the Comics and Canadian Comics Studies” Transnational Cinemas of the Middle East” Peter Wilkins G Douglas College G “Comics Scholarship Michele Beverly G Mercer University G “Reimagining Outside Research-Intensive Institutions” the Racial Architecture of the South in Contemporary SPONSOR Comics Studies Scholarly Interest Group Media and Visual Culture” Jumi Ekunseitan G Emory University G “On This Side of Town: Asserting Space and Mobility in Chris Robinson’s ATL”
55 SESSION B 11:00 am – 12:45 pm B22 Media Technologies, B24 Images of Infrastructure New and Old and Geography , 2 , 2 WEDNESDAY MARCH CHAIR Lauren Rosati G The Graduate Center, CUNY CHAIR Anu Thapa G University of Iowa 14 Lauren Rosati G The Graduate Center, CUNY, G “‘Music Anu Thapa G University of Iowa G “Spectacular Made of Ink’: Rudolf Pfenninger and the Origin of Structures: Infrastructural Imaginaries of Imperial and Graphic Sound” Avant-Garde Cinemas” Bryan Sebok G Lewis & Clark College G “Participatory John Taylor G University of Pittsburgh G “Interstate Documentary Practice and the Limits of 4K Production” Logic: How Superhighways Changed the Cinematic Brandon Green G University of California, Los Angeles G Representation of Time and Space” “Packaging Play: Machinima-Makers on YouTube” Chaeyoon Yoo G University of California, Irvine G Kyle Wrather G University of Texas at Austin G “ICT and Urban Landscape in Contemporary Korean “Peripheral Visions: Marketing TV Accessories in the Cinema” VCR Age, 1980 – 1985” Patrick Smith G Concordia University, Montreal G “Unearthing State Violence: Carceral Geographies and the Politics of Commemoration in Forensic Architecture’s Living Death Camps Project” B23 Advertising and the Measuring of Audiences , 2 B25 Horror, Humor, and Desire CHAIR Kathryn Frank G Young Harris College New Studies in Genre G G Kathryn Frank Young Harris College “Direct , 2 Markets, Indirect Metrics, and Audience Assumptions: CHAIR Sandra Waters G University of Arkansas Comics Industry Sales Data and Competing Visions of Success” Sandra Waters G University of Arkansas G “Who’s Watching You?: Surveillance, Narrative, and Matthew Ogonoski G Concordia University G “Gene Spectatorship in Recent American Horror Films” Kelly Sells Gene Kelly, or ‘Dignity, Always Dignity’: Gene Kelly as Spokesperson for RCA’s Failed VideoDisc Matthew Smith G Georgia State University G Project” “From Scream to Scream: Understanding Formula in Trans-media Adaptations and Cycles” Jennifer Hessler G University of California, Santa Barbara G “From Audimeter To Big Data: Early TV Ratings Rhyse Curtis G Syracuse University G “Strangling Technologies and the Mechanization/Domestication of Men: Redirected Violence and Queer Resistance in the Consumer Surveillance” Horror of James Whale” JJ Bersch G University of Wisconsin-Madison G “‘We’re Sarah Panuska G Michigan State University G “Not Not Doing the Ads in the Ads’: On Hollywood Just For Boys: Community and the Lesbian Camp Handbook’s Irreverant Integrated Advertising” Sensibility”
56 WEDNESDAY 11:00 am – 12:45 pm SESSION B
MEETING MEETING 11:00 am – 12:45 pm 11:00 am – 12:45 pm Sound and Music Studies Transnational Cinemas MARCH Scholarly Interest Group Scholarly Interest Group 14 ROOM Kent, 2nd floor ROOM Simcoe/Dufferin, 2nd floor
topics and agenda items include: Claudia Gorbman topics and agenda items include: survey results; name change Student Writing Prize; our bibliography of members’ consideration; meet & greet among attendees research; other future initiatives for members
57 WEDNESDAY MARCH session 14 C 1:00 – 2:45 pm WEDNESDAY I MARCH 14, 2018
C1 Asian American Media and C2 Feminist Political Visions the Production of Cross-Racial , Relationships CHAIR Chelsea Wessels G Colby College , Chelsea Wessels G Colby College G and CHAIR Lori Lopez G University C of Wisconsin-Madison Matthew Holtmeier G Ithaca College G “Only RESPONDENT Mariam Lam G University of California, Connect: Cascadia, Peripheral Production, and Riverside Ecofeminist Aesthetics” Peter X Feng G University of Delaware G “Racial Qui Ha Hoang Nguyen G University of Southern Triangulation and Star Discourse: Media California G “Socialist Women, Sexuality, and Desire Representations of Indian, Pakistani, Iraqi, and Persian in Vietnamese Revolutionary Cinema” Jazz” Erin Nunoda G University of Toronto G “Breaking the Jun Okada G SUNY Geneseo G “1990s Black/Asian Mirror: Hausu and the Feminine Nation” Relations in Asian American Independent Film and Katalin Kis G University of Southern California G Video” “Shifting Realisms in Rape-Revenge Representations, Alison Yeh Cheung G University of Utah G and and the Pro-feminist Genre Subversions of Irréversible, Kent Ono G University of Utah G “Before Crazy Hard Candy, and Man Down” Rich Asians: Pre-production Discourses and the Racialization of Asian Americans” Lori Lopez G University of Wisconsin-Madison G “Asian American Twitter: Hashtagging Media Activism and Racial Solidarity” SPONSOR Asian/Pacific American Caucus
58 WEDNESDAY 1:00 – 2:45 pm SESSION C C3 In Defense of the Poor Image C5 Monstrosity, Disability, , and Mental Illness CHAIR Christina Gerhardt G University of Hawaii at Unpacking Gendered Tropes Manoa in Video Games MARCH Pedro Doreste G University of Chicago G “Disappearing , 14 into Everything: La novia de Cuba and the Traces of an CHAIR Sarah Stang G York University Imperfect Cinema” Sarah Stang G York University G “Ableism, Ageism, Ryan Watson G Misericordia University G “Poor Fatness, and the Monstrous-Feminine in Video Games” Images/Militant Images: Toward a Theory of Radical Rebecca Waldie G Concordia University G “The Documentary in the Age of New Media” Protector vs. The Psycho-Killer: An Intersectional Exploration of Masculinity and Mental Illness in Until Dawn” Adan Jerreat-Poole G McMaster University G “Blood Magic and Self-Harm: Confronting Feminist Horror in C4 Decoding the Logic Dragon Age 2” of the Black Box Claudia Lo G Massachusetts Institute of Technology G Mathematics and Experimental Media “Heretics, Witches, Mothers of Demons: The Monstrous Mothers of the Souls Series” , SPONSOR CHAIR Andrew Vielkind G Yale University Video Game Studies Scholarly Interest Group CO-CHAIR Clint Enns G York University Andrew Vielkind G Yale University G “Doomsday Equations: Mathematical Logic and Uncertainty in Austrian Experimental Cinema” Clint Enns G York University G “Encoding/Decoding: C6 Performative Pasts From Math Culture to Mass Culture” Using Archives to Understand the Present Ted Kafala G College of Mount Saint Vincent G , “Algorithms with the Potential to Create Universes: CHAIR Kate Cronin G University of Texas at Austin Pseudorandomness in Experimental Video and Kate Cronin G University of Texas at Austin G Generative Art” “Cataloging Authorship: Creative Collaboration and Natalie Greenberg G Concordia University G “Nuclear Archival Practice in Contemporary Television” Scaling: The Eames’s Powers of Ten and Cold War Kelsey Moore G Independent Scholar/Sherman Grinberg Mathematical Comprehension” Film Library G “Performing Patriotism: Cinematic SPONSOR Experimental Film and Media Scholarly Interest Group Images of the Japanese Internment and Their Digital Afterlife” Lilian Radovac G University of Toronto, Mississauga G “Re/mediating the Archive: Building Alternative Toronto” Cortland Rankin G New York University G “(Web )Sites of Memory: Online Memorials and First World War Remembrance Culture”
59 SESSION C 1:00 – 2:45 pm C7 Authorship in Generic Contexts C9 Canadian Media History , and Discourse CHAIR J. D. Connor G University of Southern Onscreen, Offscreen, and Online WEDNESDAY MARCH California , 14 J. D. Connor G University of Southern California G CHAIR Myles McNutt G Old Dominion University “The Deferred-Action Movie: Sequels, Reboots, and Rusty Hatchell G University of Texas at Austin G “When Ridley Scott” Vancouver Is Vancouver: Negotiating Canadianness in Andrew Patrick Nelson G Montana State University G North American Science Fiction Television” “‘In front of God and everybody this time?’: Delmer Myles McNutt G Old Dominion University G Daves and the Progressive Family Melodrama” “Toronto, but Not Toronto?: Elisions of Place in Arthur Redding G York University G “Noir and the Canada/U.S. Co-productions” Cinema of Robert Frank” Elizabeth Steinbock G Leiden University for the Arts in Marc Olivier G Brigham Young University G “Kubrick’s Society G “How to Respond to Hate and Ignorance: Typewriter: On Reading ‘All work and no play makes Response Videos by Transsexual, Trans*, and Two- Jack a dull boy’” Spirit Visual Activists, or ‘Rising Up’ in Canada”
C8 Processing Ecology C10 Imagining War and Conflict The Systematic Design of Environments in the Digital Age after WWII , , CHAIR Carrie Andersen G University of Texas at CHAIR David Thomas G Binghamton University Austin CO-CHAIR Amanda Beardsley G Binghamton University Wendy Kozol G Oberlin College G and David Thomas G Binghamton University G “Turn On, Rebecca Adelman G University of Maryland, Tune In, Don’t Drop Out: Pulsa and the Forming of a Baltimore County G “Inscrutable Evidence: Computer Based Ecology” Witnessing Chemical Warfare in the Digital Age” Amanda Beardsley G Binghamton University G Jeff Heydon G Wilfrid Laurier University G “Mobile “Sounding Broads: The Salt Lake Tabernacle and Vern Recontextualizations: The Smartphone and Military Knudsen’s 1969 Miniskirt Study” Urbanism” Jeremy Blair G Tennessee Technological University G Carrie Andersen G University of Texas at Austin G “Ingredients of Experience: Utilizing Game Systems to “Unmanning War: The Televisual Reimagination of Design Experiential Environments” Masculine Power in the Age of Drone Warfare” Sarah Hollenberg G University of Utah G “‘Altar to Gary Kafer G University of Chicago G “Double Tapping the God of All’: Architecture, Faith, and International Dronestagram: The Politics of Participation in UAV Modernism at the United Nations” Warfare and Social Media” SPONSOR War and Media Studies Scholarly Interest Group
60 WEDNESDAY 1:00 – 2:45 pm SESSION C C11 Affects and Politics C13 Low-Budget Media of Global Television Syncretic Connections , , G CHAIR Katariina Kyrola G Åbo Akademi University CHAIR Priscilla Layne University of North Carolina MARCH at Chapel Hill Katariina Kyrola G Åbo Akademi University G 14 “Queering Indigeneity on Primetime TV: Sámi Priscilla Layne G University of North Carolina at Authenticity and Queer Ecologies in Midnight Sun Chapel Hill G “Low-Budget Fantasy and the Politics of (2016)” Race in Melvin van Peebles’ Story of a 3-Day Pass” Jelena Jelusic G Northwestern University G “Feminine Alexander Thimons G DePaul University G and Feminist Pleasures in Late-Yugoslav TV” “Small-Market Television and Network Power: Mediating the Nation in 1950s Texas” Nicole Hentrich G University of Michigan G “The Australian Gothic as ‘Quality’ TV Drama: Paratexts, Marty Fink G Ryerson University G “Completely Place, and the Paradox of Modernity” Hidden From the Public: The Low-Budget HIV Prison Documentary” Anu Koivunen G Stockholm University G “Affective Management: Television and the Politics of Emotion in Quinn Miller G University of Oregon G “Vincente Finland and Sweden around 1970” Manicotti Minnelli and the Media Ecology Project: Schlock Data on In the Life” SPONSOR Scandinavian Scholarly Interest Group
C12 Crossroads in National Horror C14 Agnès Varda’s Documentary Politics , , CHAIR Michael Crandol G Indiana University CHAIR David Fresko G Fairfield University Loretta Goff G University College Cork G “Environments of Contemporary Irish Horror: Nature as Jennifer Stob G Texas State University G “‘This Place is Victim and Villain” Not About Us’: La Pointe Courte and Asocial Space” Katherine Guerra G University of California, Berkeley G David Fresko G Fairfield University G “Black Panthers, “Spectacular Absence: Globalization, Trauma, and the New Waves, or Agnès Varda in Oakland” Ephemeral Monster” Rebecca J. DeRoo G Rochester Institute of Technology G Michael Crandol G Indiana University G “Godzilla vs. “Documentary and the Multimedia Museum: Agnes Dracula: Transnational Popular Films, National Genres” Varda’s L’île et elle” G G SPONSOR Horror Studies Scholarly Interest Group Michael Cramer Sarah Lawrence College “Agnès Varda’s Vanishing Gaze and the Ruins of Cinema” SPONSORS Documentary Studies Scholarly Interest Group and French/Francophone Scholarly Interest Group
61 SESSION C 1:00 – 2:45 pm C15 Cinema of Exploration II C17 Curating Niche Content , , CHAIR Luca Caminati G Concordia University, CHAIR Anne Major G University of Texas at Austin WEDNESDAY MARCH Montreal Kayti Lausch G University of Michigan, Ann Arbor G 14 Malini Guha G Carleton University G “Adventure “The Satellite of God: How the Christian Broadcasting Cinema in the Age of Austerity: The Case of Miguel Network’s Cable and Satellite Strategies Transformed Gomes’ Arabian Nights (2015) Trilogy” Religious Broadcasting” Luca Caminati G Concordia University, Montreal G Adam Hebert G University of Pittsburgh G “Notes “Exploration as Revolution: Militant Italian Cinema and from Street Skateboarding’s Cinematic Underground: the Third World Liberation Movements” Aesthetics of Dissensus and Politics in Motion” Karine Bertrand G Queen’s University G “From Pierre Anne Major G University of Texas at Austin G “‘What’s Perrault to Wim Wenders: Auteur Cinema and the in a Niche?’: FilmStruck’s Streaming Services and the Poetic Exploration of Indigenous Lands and Identities” Over-the-Top Marketplace” Jacob Mertens G University of Wisconsin-Madison G “Streaming Anime: Engaging with Cultural Art Forms in the Digital Age” C16 The Final Act Curating and Exhibiting the End of the Star Life
, C18 ROUNDTABLE CHAIR Julie Lobalzo-Wright G University of Warwick “Identity politics is . . . what we Lucy Bolton G Queen Mary, University of London G used to call civil rights” “The Roman Spring of Vivien Leigh: the Final Three Identity in the Classroom Films and Their Damaging Legacy” , Julie Lobalzo-Wright G University of Warwick G “The CHAIR Julia Himberg G Arizona State University Self-Authored Star Image: Kirk Douglas’ Real Life and CO-CHAIR Ron Becker G Miami University Hollywood Legacy” Melanie Williams G University of East Anglia G “The ROUNDTABLE PARTICIPANTS Late Return of Glenda Jackson: From Junior Minister to Lisa Henderson G University of Massachusetts, Amherst Queen Lear” G “The Art of Identity” Catherine Lomax G Queen Mary, University of London G Jennifer Fuller G Miami University G “Teaching Media “Not Suffering in Silence: Talking and Television in the in a Post-Colorblind Era” Later Career of Patricia Neal” Julie Levin Russo G The Evergreen State College G “From Syllabus to Seminar: Centering Power and Difference in the Film and Media Curriculum” Ani Maitra G Colgate University G “Identity, Resistance, and Cultural Capital” Ron Becker G Miami University G “Finding Out about the End of Heteronormativity from My Students” Julia Himberg G Arizona State University G “Fluid 62 Labels?: Gender & Sexuality in the Classroom” WEDNESDAY 1:00 – 2:45 pm SESSION C C19 Looking Out C21 Reimagining Modernism Marginalized Histories of the Queer Screen , , CHAIR Zoran Samardzija G Columbia College Chicago CHAIR Ryan Powell G Indiana University Zoran Samardzija G Columbia College Chicago G “From MARCH Ryan Powell G Indiana University G “High Socialist Realism to Capitalist Realism in the Films of 14 Concept, Gay Minor: Recovering 1970s Gay Movie Cristi Puiu” Advertisements” Dan Bashara G DePaul University G “The Design Gaze: Taylor Cole Miller G University of Georgia G “Norman Modernist Cartoonishness in Hollywood Cinema” Lear’s Mary Hartman, Mary Hartman and All That Paul Haacke G Pratt Institute G “Hitchcock’s Vertigo of Glitters: Televising Queerness in the 1970s” Verticality” Finley Freibert G University of California, Irvine G Cato Wittusen G University of Stavanger G “The “Policing Queer Obscenity: ‘Deviant’ Adult Media Inflection of Modernism in André Bazin’s Criticism” Distribution and Exhibition in California, 1960 – 1979” SPONSOR Central/East/South European Cinemas Scholarly Bryan Wuest G University of California, Los Angeles G Interest Group “Defining ‘Homosexual Love Stories’: Reconsidering Pat Rocco’s All-male Films and the Legitimation of Gay Narrative Film” SPONSOR Adult Film History Scholarly Interest Group C22 Legal Eagles Contracts, Copyright, and Unions in Media Industries C20 Filmgoing Communities and , 2 Alternate Modes of Film CHAIR Kate Fortmueller G University of Georgia Kate Fortmueller G University of Georgia G “Defining Reception in North America Television Labor: Acting, Actors, and Unions During Community, Social Capital, and Labour Television’s First Golden Age” , Philip Sewell G Bucknell University G “Operation CHAIR Salah Hassanpour G York University Round Table: Regional Exhibitors’ Last Ditch Attempt to Patrick Dolan G York University G “Video Home Dodge the Paramount Decision” Subculture: Subcultural Capital and Labour in VHS Anne Kelly G University of Southern California G Horror Collecting” “Preservation for Profit: The Restoration, Copyright, Salah Hassanpour G York University G “The 1995 and Distribution of The Taming of the Shrew (1929)” Famous Players Projectionist Lockout in Alberta and the Peter Labuza G University of Southern California G Rise and Fall of the Modern Multiplex in Canada” “The Singing Cowboy’s Crimson Defense: Samuel Williston and Autry v. Republic Productions, Inc. (1947)” SPONSOR Caucus on Class
63 SESSION C 1:00 – 2:45 pm C23 Imagining Race in the Past and C25 Sounding Sensorial Histories the Present Audio Transmissions in Media Technology , 2 , 2 WEDNESDAY G MARCH CHAIR Aviva Briefel G Bowdoin College CHAIR Amy Skjerseth University of Chicago CO-CHAIR Sarah Lerner G University of California, Santa 14 Aviva Briefel G Bowdoin College G “Somebody’s Trying to Kill Me, and I Think It’s My White Girlfriend: Get Out Barbara and the New Female Gothic” Patrick Sullivan G University of Rochester G “Wacky Aurality: The Sound of Hanna-Barbera’s Cartoon Liz Clarke G Brock University G “Whitewashing the American Civil War: American Film of the 1910s” Worlds” Amy Skjerseth G University of Chicago G “Sounding Jenny Barrett G Edge Hill University G “The Enslaved Subject: Subjectification and the Neo-slave Narrative out of Time: Audio-Visual Inscriptions of Feminine and Onscreen” Nonhuman Subjectivity in The Wall/Die Wand (2012)” Harry Burson G University of California, Berkeley Kevin Chew G University of Cambridge G “On War and Cuteness: The Utopian Politics of Disney’s Zootopia G “Hearing the Cloud: Sound, Environment, and (2016)” Representing the Supersensible” Sarah Lerner G University of California, Santa Barbara G “Listening with LIGO: Gravitational Waves, Audification, and Sounds from the Cosmos” SPONSOR Sound and Music Studies Scholarly Interest Group C24 Moving Images Beyond Us Posthumanism and Film Philosophy
, 2 MEETING CHAIR Chelsea Birks G University of Glasgow 1:00 – 2:45 pm CO-CHAIR Terrance McDonald G Brock University Terrance McDonald G Brock University G “Mystical Children’s and Youth Media and Culture Images: The Posthuman Cinematic Forms of Herzog Scholarly Interest Group and Kunuk” ROOM Kent, 2nd floor Toby Neilson G University of Glasgow G “Living in A World-without-Us: Contemporary Science Fiction topics and agenda items include: build scholarly Cinema and the (Dis)Appearance of the Human in the collaborations and connections, as well as plan Anthropocene” for SCMS 2019, including future events and how we might best use our SIG funds in the future Christine Evans G University of British Columbia G “The World within Us: Cinematic Fantasies of Ecology” Chelsea Birks G University of Glasgow G “Mermaids and Superpigs: Loving Nature under Global Capitalism” MEETING SPONSOR Film Philosophy Scholarly Interest Group 1:00 – 2:45 pm Media, Science, and Technology Scholarly Interest Group
ROOM Simcoe/Dufferin, 2nd floor
64 WEDNESDAY session MARCH D 14 3:00 – 4:45 pm WEDNESDAY I MARCH 14, 2018
D1 Tales of Two Cities D2 ROUNDTABLE Media Culture & Urban Representations Emerging Research Paradigms in Montreal and Toronto, 1960 – 1980 via Digital Tools , , CHAIR Anthony Kinik G Brock University CHAIR Mark Williams G Dartmouth College CO-CHAIR Jennifer VanderBurghD G Saint Mary’s CO-CHAIR Jasmijn van Gorp G Utrecht University University Anthony Kinik G Brock University G “Urbanissimo or ROUNDTABLE PARTICIPANTS Urbanose?: The Cinema of Sixties Montreal and the Mark Williams G Dartmouth College G “The Civil Rights Megacity Discourse” Newsfilm Collection Project” Jennifer VanderBurgh G Saint Mary’s University G Elisa Uffreduzzi G University of Florence G “Granular “TV’s Toronto: Aesthetics as Artefacts in CBC Toronto Performance Annotations: Florence Lawrence Dramas, 1963 – 1980” Revealed” William Straw G McGill University G “Going Wide: Bret Vukoder G Carnegie Mellon University G “Local/ The Emergence of a Tabloid Show Business Culture in Global Networks: Rediscovering the USIA Archive” Montreal” Lauren Tilton G University of Richmond G “Distant TV: Ira Wagman G Carleton University G “Up Where the Deep Learning and Television” Thrills Are: The CN Tower and Media Spectacles in 1970s Toronto” Jasmijn van Gorp G Utrecht University G “Missing Data Visualizations in Digital Archives” SPONSOR Digital Humanities and Videographic Criticism Scholarly Interest Group
65 SESSION D 3:00 – 4:45 pm D3 Getting into Get Out D5 Critical Lenses on Recent , Cinema CHAIR Danielle Wong G Cornell University , WEDNESDAY MARCH Danielle Wong G Cornell University G “‘Now Stay CHAIR Robert Silberman G University of Minnesota 14 Woke’: Racial Half-Lives in Get Out and Advantageous” Robert Silberman G University of Minnesota G Alexander Svensson G Indiana University G “Do You “Dunkirk and the Politics of History” Belong Here?: Advertising Get Out in the Contested Xiqing Zheng G Chinese Academy of Social Sciences G Space of Los Angeles” “Your Name: Makoto Shinkai’s Bodily Metaphor for Ashley R. Smith G Northwestern University G “Part Empathy in Otaku Community” of ‘the Family’: Inherent and Inherited Bias in Jordan Daniel Sacco G Ryerson University G “‘Survival is Peele’s Get Out” Everything’: Truth and Historical Meaning in the Nova Smith G University of Chicago G “‘Studying Film Cinema of Paul Greengrass” and Photo Flash Focus Record’: Frederick Douglass, Daniel Singleton G University of Rochester G Alfred Hitchcock, and Photographic Salvation in Get “Recovering and Relinquishing the Auteur: The Out” Ideological Function of the Auteurist-Spectator-in-the- Text in The Force Awakens”
D4 Viral Videos Platform, Disease, and Affect D6 Genre in National/ , Transnational Contexts G CHAIR Zachary Price Cornell University , Rahul Mukherjee G University of Pennsylvania G CHAIR Jennifer Alpert G University of California, “Vigilante Virality: Between the Political and the Berkeley Socio-Biological” Jennifer Alpert G University of California, Berkeley G Bill Albertini G Bowling Green State University G “Viral “Outside the ‘Law’: Detective and Crime Films as Temporalities” Vicarious Administration of Justice in Contemporary Zachary Price G Cornell University G “Viral Sharing in Argentine Cinema” Contagion” Fareed Ben-Youssef G New York University Shanghai G SPONSOR Media, Science, and Technology “After the American Dream Is Broken: Disability and the Scholarly Interest Group West in Chloé Zhao’s The Rider” Alessandra Mirra G University of Pennsylvania G “Giving Body to Poetry through Image and Sound: Mario Martone’s Il giovane favoloso” Siavash Yansori G Columbia University G “‘Space of Innocence’ in Asghar Farhadi’s Modern Melodramas”
66 WEDNESDAY 3:00 – 4:45 pm SESSION D D7 Spectatorship and Speculation D9 Beyond Legacies Inter-Asia Film Theories Then and Now , CHAIR Mark Durrand G University of Akron , Mark Durrand G University of Akron G “Embodiment CHAIR Victor Fan G King’s College London MARCH and Vitality in Film Experience, or Gaze Too Long into Victor Fan G King’s College London G “Cinema 14 The Silence of the Lambs and The Silence of the Lambs Illuminating Reality: Cinema Ontology Revisited Gazes into You” through Buddhism” Ellen Y. Chang G University of Washington G “Looping Earl Jackson G National Chiao Tung University G “The as Attractions: Screening Video Art at Film Festivals” Cinematic Subject in Masumura Yasuzo” Dan McFadden G University of Toronto G Irhe Sohn G University of Michigan G “A Physiology “The Speculative Capacity of Montage” of the Feeble: Im Hwa’s Vision for Colonial Korean Matthew Leggatt G University of Winchester G “Utopia Cinema” and Matriarchy in an Exhausted Future: Ben Wheatley’s Olga Solovieva G University of Chicago G High-Rise (2015)” “Torahiko Terada’s Image of the Physical World in Cinematography” SPONSOR Asian/Pacific American Caucus
D8 Educational Uses of Film , CHAIR Hongwei Thorn Chen G Brown University D10 On the Margins and Ruins of Hongwei Thorn Chen G Brown University G “Industrial European Identity in Cinema Education Films and the Temporalities of Uneven , Development: China in the 1930s” CHAIR Temenuga Trifonova G York University Michelle Kelley G Washington University in St. Louis G Temenuga Trifonova G York University G “It’s Everybody’s Business: Economic Educational Film “Displacement, Homelessness, and Border-Crossing in and Christian Free Enterprise in the United States, Recent European Cinema” 1945 – 1975” Alice Bardan G Mount St. Mary’s University, Los Angeles Chi Li G University of California, Berkeley G “Playing Bits G “Precarity, Immigration, and Identity in Recent and Numbers: Film Acting and Social Research in China European Films: Transnational Fantasies of Shared from the 1930s to 1960s” Experiences in Europe” Sean Batton G University of Chicago G “L’entraînement Nora Gortcheva G Mount Holyoke College G “Anxieties mental: The Medvedkin Groups and the Legacy of from Within: Marginality in Contemporary European Popular Education” Cinema” SPONSOR Nontheatrical Film and Media Scholarly Interest Group Boris Pantev G York University G “Ethical Supplement or Normative Universality: The Cinematic Face of Europe’s Other” SPONSORS Central/East/South European Cinemas Scholarly Interest Group and Transnational Cinemas Scholarly Interest Group
67 SESSION D 3:00 – 4:45 pm D11 Digital Embodiment D13 Dissecting the Frog Theoretical and Methodological New Approaches in Humor Studies Interventions into Data, Race, Sensation, , WEDNESDAY and the Corporeal MARCH CHAIR Benjamin Wright G University of Toronto , 14 CO-CHAIR Joshua Moss G California State University, CHAIR Marika Cifor G Bowdoin College Chico Marika Cifor G Bowdoin College G “Making HIV Visible: Jennifer Bean G University of Washington G “The Art of Representation, Embodiment, and Stigma on Dating Falling Apart: Grotesque Laughter and Female Clowns, Apps” 1890 – 1920” Stacy Wood G University of Pittsburgh G “Management Benjamin Wright G University of Toronto G “Best of the Blues: Digital Media Labor Practices of Law Worst: Comedy Podcasting and Participatory Snark” Enforcement” Paul Cote G University of Maryland G “Laughing Tonia Sutherland G University of Alabama G “‘Slave to Gnomes, Goblins, and Clowns: The Pure Camp of David the Rhythm’: Embodied Labor, Carceral Archives, and Bowie’s Novelty Songs” Digital Resurrection” Joshua Moss G California State University, Chico G Patricia Ciccone G University of California, Los Angeles “Punching Snooki: Crisis Slapstick and Geo-Violence in G “Sensational Labour: Defining and Performing Contemporary Humor” Sensations on Commercial Social Networking SPONSOR Comedy and Humor Studies Scholarly Interest Group Platforms”
D14 Crude Epistemologies D12 Queerness and Industrial Oil Films at Midcentury Political Commitment , , CHAIR Brian Jacobson G University of Toronto G CHAIR Robin Griffiths University of Gloucestershire CO-CHAIR Luca Peretti G Yale University Robin Griffiths G University of Gloucestershire G “‘You Nariman Massoumi G University of Bristol G “‘Pouring miserable, no good, dirty sons of bitches!’: Queer(y)Ing water on troubled oil’: Dylan Thomas and the the Politics of Identity in 1970s Canuxploitation ‘Unfilmability’ of the Anglo-Iranian Oil Company’s Cinema” Persian Story (1952)” David Coon G University of Washington Tacoma G Ila Tyagi G Yale University G “Extending the Eye: Vision “From Public Television to Online Archive: In the Life as and Technology in Midcentury American Petrocinema” Queer Media Activism” Luca Peretti G Yale University G “Italy Is Not a Poor Andrew Davis G Oklahoma State University G “After Country: Joris Ivens and Italian Oil” New Queer Cinema: Analyzing the Industrial Trends of Brian Jacobson G University of Toronto G LGBTQQ Cinema in the Early 2000s” “Franco-Petro-Sci-Fi: French Film Modernism in the Cameron Clark G Vanderbilt University G “Queer Style of Oil” Violence and the Politics of Natural Space in SPONSORS Middle East Caucus and Contemporary Extremism” Nontheatrical Film and Media Scholarly Interest Group
68 WEDNESDAY 3:00 – 4:45 pm SESSION D D15 Modern Women D17 Okja and Netflix’s Blockbuster Bodies, Machines and Celebrity in Early Future Cinema , , CHAIR Nam Lee G Chapman University MARCH CHAIR Annie Fee G University of Oslo Nam Lee G Chapman University G “Streaming Creative 14 Annie Fee G University of Oslo G “Photogénie Mania: Freedom: Netflix’s Original Movie Okja and Film Avant-Garde Beauty Queens and the Emergence of Authorship” Cinephilia in 1920s Paris” Anna Lee Swan G University of Washington G “Visible Kelly Kirshtner G University of Wisconsin-Milwaukee G Bodies and Imagined Futures: An Intersectional “The ‘Trouble’ with Clara Bow: Electric Forces at Odds Analysis of Okja and Snowpiercer” on Hollywood’s Early Sound Stages” John Donegan G Boston University G “A Response Kerry McElroy G Concordia University G “Lulu et to Netflix: Amazon’s Digital Distribution Strategy and Montréal: Louise Brooks’ Québécois Connection and Commitment to Exhibitors” the Implications of a Masculinist Film Historiography” Radhika Raghav G University of Otago G “The Iconography of a Celebrity as a Modern Indian Woman: An Analysis of Gohar Mamajiwala’s Fashionable Persona in 1930s Films” D18 Archives and Auteurs SPONSORS Silent Cinema Scholarly Interest Group and Women in Screen History Scholarly Interest Group , CHAIR Leah Vonderheide G University of Iowa Leah Vonderheide G University of Iowa G “‘Everyone Rallies to His Position’: Rohmer and Truffaut’s The Modern Church (1953)” D16 Coming to Grips with the Shawn VanCour G University of California, Los Angeles G Current Moment “Rethinking Early U.S. Telefilm Production: Vallee Video Critical Angles on Contemporary Media and the Case of the Minor Independent” Paul Morton G University of Washington G “Small, , Unperfect Men: The Hand of the Animator in the CHAIR Paul Flaig G University of St. Andrews Zagreb School of Animation” Paul Flaig G University of St. Andrews G “From the Jon Kraszewski G Seton Hall University G “ Route 66 and Tramp to Trump, The Kid to Aylan Kurdi, Film History to Road Television Production: Challenges to the Role of Social Media” the Writer on 1960s Television Dramas” June Deery G Rensselaer Polytechnic Institute G “Exploiting Class Insecurity: From Reality TV to Presidential Politics” Barbara Selznick G University of Arizona G “Changing Representations of Class on Television in the Digital Age” Nico Baumbach G Columbia University G “Theses on Ideology Critique in the Age of Trump”
69 SESSION D 3:00 – 4:45 pm
D19 Sleeping, through the Image D21 WORKSHOP , Not Just Kidding Around CHAIR Jennifer Fay G Vanderbilt University On Teaching Children’s Media WEDNESDAY MARCH RESPONDENT James McFarland G Vanderbilt University , 14 Kimberly Icreverzi G Harvard University G “Sleeper CHAIR Andrew Scahill G University of Colorado Denver Sadism” WORKSHOP PARTICIPANTS Jennifer Fay G Vanderbilt University G “Neoliberal Ian Wojcik-Andrews G Eastern Michigan University Narcolepsy, or Nina Hoss’s Power Naps” Helane Rosenberg G Rutgers University Jean Ma G Stanford University G “Sleeping at the Movies” SPONSOR Children’s and Youth Media and Culture Scholarly Interest Group Jacques Khalip G Brown University G “Utopian Chastity” SPONSOR Film Philosophy Scholarly Interest Group
D22 Permissible Cruelty Representations of Violence at the Limit D20 Acoustic Variations , 2 Rethinking Sound in Media CHAIR Steve Choe G San Francisco State University RESPONDENT Tina Kendall G Anglia Ruskin University , Se Young Kim G Vanderbilt University G “Feminist CHAIR Carolyn Jacobs G Yale University Empowerment and Cinematic Violence: Vengeful Carolyn Jacobs G Yale University G “Sound Medicine: Femininity in The Villainess” Hearing the Body in Early Medical ‘Talkies’” Steve Choe G San Francisco State University G “William Dustin Condren G Stanford University G “‘Legends Friedkin’s Political Theology” Are Forgotten but Songs Remain’: Montage Beyond the Frame in Eisenstein’s American Film Projects” Aaron Kerner G San Francisco State University G “Sadistic Laughter: A Case for ‘Non-Ethical’ Viewing” Casey Long G University of Wisconsin-Madison G “Dropping the /r/: Edith Skinner and Transatlantic Dialect in 1930s Hollywood” Michael Slowik G Wesleyan University G “Sound Authorship and Sonic Subjectivity: The Late Films of Alfred Hitchcock” SPONSOR Classical Hollywood Scholarly Interest Group
70 WEDNESDAY 3:00 – 4:45 pm SESSION D D23 Everywhere Infrastructure D25 Global Distribution Circuits The Systems, Structures, , 2 and Ideologies of Big Tech CHAIR Blake Atwood G University of Texas at Austin , 2 Blake Atwood G University of Texas at Austin G MARCH CHAIR Andrea Zeffiro G McMaster University “Underground Video Dealers in Iran: Labor and 14 RESPONDENT Rena Bivens G Carleton University Informal Media Distribution” Mél Hogan G University of Calgary G “Templating the Ramna Walia G University of Texas at Austin G Body, from Eugenics to Storing Digital Data onto DNA” “Vernacular Industry: Makeshift Economy and the Elizabeth Ellcessor G University of Virginia G “Special Design of Video Parlors in Malegaon” Blue Lights: A Cultural History of Emergency Theo Stojanov G Concordia University G “Imported Infrastructure on College Campuses” Local: The Culture Maps of International Versioning and Andrea Zeffiro G McMaster University G Global Post-Production Work” “A Methodology of Failure: Decoding the Data Daniel Johnson G Union College G “The Fix is In: Infrastructural Regime” Dubbing as Transcultural and Transmedia Adaptation” SPONSOR Media, Science, and Technology Scholarly Interest Group
MEETING D24 Film Festivals and Inter/National 3:00 – 4:45 pm Cinemas in the 21st Century Experimental Film and Media , 2 Scholarly Interest Group CHAIR Michelle Baroody G University of Minnesota ROOM Kent, 2nd floor Michelle Baroody G University of Minnesota G “Cinema in Crisis: Digital Media, Festival Films, and the Syrian War” Karrmen Crey G Simon Fraser University G “Circulating Screen Culture: Indigenous Film Festivals and the MEETING Transnational Discourse of ‘The Indigenous New Wave’” 3:00 – 4:45 pm Viviane Saglier G Concordia University G “Politics of Documentary Studies Outreach and the Emerging Palestinian Film Economy” Scholarly Interest Group Eren Odabasi G University of Massachusetts Amherst G ROOM Simcoe/Dufferin, 2nd floor “Collaborations between Film Festival Funds: From Berlin to Cannes via Rotterdam” topics and agenda items include: venues for documentary SPONSOR Film and Media Festivals Scholarly Interest Group scholarship; promoting online scholarly discussion of documentary; possible events for SCMS 2019
71 WEDNESDAY MARCH session 14 E 5:00 – 6:45 pm WEDNESDAY I MARCH 14, 2018
E1 Franchising Feminism E2 ROUNDTABLE Branding, Merchandising, The C and M in SCMS, Part II and Managing Gendered Properties On the Expansiveness of Cinema and in the Cultural Industries Media Studies
, , G CHAIR Nicholas BensonE University of Wisconsin- CHAIR G Lucas Hilderbrand University of California, Madison Irvine CO-CHAIR Caroline Leader G Defiance College ROUNDTABLE PARTICIPANTS Nicholas Benson G University of Wisconsin–Madison G “Twice Upon a Time: Gendered Discourses, Meaning Stephanie Boluk G University of California, Irvine G Management, and Refurbishing the Franchised “Failure of the New Ludic Century” Princess” Aymar Jean Christian G Northwestern University G Avi Santo G Old Dominion University G “Shelving the “Expanding Theory: Development As Research” Franchise: Why are Wonder Woman Toys on the Boys Tung-Hui Hu G University of Michigan G “Feeling the Action Figure Aisle?” Social in Media” Caroline Leader G Defiance College G “Beyond Pink: Deconstructing Early Brand-Building of The Disney Princess” Elizabeth Affuso G Pitzer College G “‘Girls Rule the Galaxy’: Franchises, Fashion, and Commodity Feminism” SPONSORS Children’s and Youth Media and Culture Scholarly Interest Group and Media Industries Scholarly Interest Group
72 WEDNESDAY 5:00 – 6:45 pm SESSION E E3 South by South / West Asia E5 Climate, Crisis, and Ecocinema Transregional Cartographies of Middle , East / South Asia Cinema CHAIR Anna Stenport G Georgia Institute of , Technology MARCH CHAIR Samhita Sunya G University of Virginia Anna Stenport G Georgia Institute of Technology G 14 Samhita Sunya G University of Virginia G “Breaking “Visualizing Arctic Climate Crisis Data in Scientific Waves: Ruptured Histories of Middle East / South Asia Modeling and Documentary” Cinematic Circuits” Carmen Victor G York University/Ryerson University Negar Taymoorzadeh G New York University G G “Cli-Fi, Horror, and the Circumpolar North: Visual “Bollywood alla Turca: Turkifying Awara in an Arabesk Culture of the Anthropocene” Cinema” Matthew Thompson G University of Toronto G Claire Cooley G University of Texas at Austin G “Insecticide: The Horror of Insect Murder in the Work of “Amitabh Bachchan in Cairo: Hindi Film Stars and Rachel Carson and David Cronenberg” Egyptian Cinema in the 1980s” Shirley Roburn G McGill University G “Occupying the Ratheesh Radhakrishnan G Indian Institute of Technology (Fish) Farm: First Nations Media Strategies on British Bombay G “Masquerade as Migration: The Gulf in Columbia’s Central Coast” Malayalam Cinema” SPONSOR Scandinavian Scholarly Interest Group SPONSOR Middle East Caucus
E6 New Screens and E4 Experiments in Data New Identity Formations , , G CHAIR Carol Vernallis Stanford University CHAIR Deborah Castro G Madeira Interactive Carol Vernallis G Stanford University G “Tracing the Technologies Institute Asset: Humanistic and Quantitative Approaches to Deborah Castro G Madeira Interactive Technologies Cybercrime Film Trailers” Institute G “Can New Media Habits Survive Economic Josh Stenger G Wheaton College (Massachusetts) G “Do Downturns?: The Latin American Affair with Pay TV” Second Screens Make Second Audiences?: Thoughts Faithe Day G University of Michigan G “ If I Was Your on Social Television, Big Data, and Fan Engagement” Girl: Race, Religion, and Reimagining Pleasure in Black Sheila Murphy G University of Michigan G “Imaging an Queer Web Series” Elephant: Data, Visualization, and Visuality Online” Hojin Song G Roberts Wesleyan College G “Meokbang Brian Huser G University of California, Santa Barbara G as a Play Culture of the Younger Generation in South “Technologies of Control: The ‘Personal Computers’ of Korea” ‘Personalized Learning’”
73 SESSION E 5:00 – 6:45 pm E7 Big Questions, E9 Transatlantic Technologies Day-to-Day Objects A Comparative Discussion of Technologies and Social Transformations in Spanish and , WEDNESDAY Latin American Cinema, 1910 – 1950 MARCH CHAIR Gavin Feller G Southern Utah University , 14 Gavin Feller G Southern Utah University G “Binding CHAIR Nilo Couret G University of Michigan Families: Memory, Materiality, and the Gendering of Digital Photo Book Apps” Leigh Mercer G University of Washington G “Madronita Andreu’s Early Home Movies: The Dangers of Directing Alia Haddad G University of Southern California G “The While Female in Spain” Car Window as Screen: Hopscotch Opera, American Car Culture, and the Perception of Reality” Kathleen Newman G University of Iowa G “Newsreels, Kiosk Literature, and Film Melodrama: Technology and Matthew Fee G Le Moyne College G “‘Seeing too much Argentine Narrative in the 1920s” is seeing nothing’: The Place of Fashion within the Documentary Frame” Eva Woods Peiró G Vassar College G “Speakers and Breasts, Cameras and Legs: Technology and the Body in Hannah Cohen G Harvard University G “ Qui êtes-vous, Spanish Cinema Magazines, 1920 – 1940” Polly Maggoo?: Fashion Between Still and Moving Image” Nicolas Poppe G Middlebury College G “Northern Light: Alex Phillips’ Mexican Films, 1931 – 1943” SPONSORS Latino/a Caucus and Women in Screen History Scholarly Interest Group E8 Theorizing Memory and Politics in Cinema , E10 Television and Abuse CHAIR Hudson Moura G Ryerson University Programmes, Archives, Practices Hudson Moura G Ryerson University G “Refugee , Drifting: Agamben’s Repetitions and Gestures” CHAIR Karen Boyle G University of Stirling Kenneth Berger G Brown University G “Cinema, CO-CHAIR Helen Wheatley G University of Warwick Political Memory, Potentiality” Rowan Aust G Royal Holloway, University of London Matthew Ellis G Brown University G “The Cinematic G “Jimmy Savile and the BBC Archive: Rewriting the Afterlife of Louis XIV: Roberto Rossellini, Albert Serra, History of the Corporation” and the Problem of History” Helen Wheatley G University of Warwick G “Haunted B. Sonenreich G Georgia State University G “Finding Television: Morality, Trauma, and the Spectre in the Ground To Place Our Stones: Vital Materiality and Archive” Jewish Dispossession in Polish Cinema” Karen Boyle G University of Stirling G “Television and/as Testimony: (Child) Sexual Abuse and Media Constructions of Believability” Helen Wood G University of Leicester G “Three Working-Class Girls, Television, and the ‘Voicing’ of Sexual Abuse”
74 WEDNESDAY 5:00 – 6:45 pm SESSION E
E11 Romcom Urbanism E13 ROUNDTABLE Genre, Gender, and Place Trumped , Media in the Age of Trump CHAIR Martha Shearer G King’s College London , MARCH CO-CHAIR Anna Viola Sborgi G King’s College London CHAIR Lynne Joyrich G Brown University 14 Joshua Glick G Hendrix College G “Dreaming on the CO-CHAIR Laurie Ouellette G University of Minnesota, Edge: Coney Island, Classical Hollywood, and the Twin Cities Persistence of Nostalgia” ROUNDTABLE PARTICIPANTS Anna Viola Sborgi G King’s College London G “‘Lofts are no place for women’: Loft-Living and Gender in North Hunter Hargraves G California State University, Fullerton and East London Millennial Romcoms” G “On Blame: Television’s Political Cartographies” Martha Shearer G King’s College London G “‘Second Rachel Dubrofsky G University of South Florida G chances don’t expire until midnight’: New Year’s Eve “Monstrous Authenticity, Trump, and Whiteness” and the ‘New’ Times Square” Alison Hearn G University of Western Ontario G Noelle Griffis G Auburn University G “I Heart West “Promotional President: Trump as Media/Brand” Covina: Crazy Ex-Girlfriend’s Deconstruction of Genre Brandy Monk-Payton G Fordham University G “Trump, and Place” Celebrity, and Racial Politics” SPONSOR Urbanism/Geography/Architecture Lynne Joyrich G Brown University G “Trump, Television, Scholarly Interest Group and TV Studies” SPONSOR Television Studies Scholarly Interest Group
E12 Histories of Censorship , E14 Deviant Documentaries CHAIR Megan Minarich G Vanderbilt University The Recent Turn in Legitimizing Sexual Taboo Megan Minarich G Vanderbilt University G “Abortion, Audience, and Awareness: The Failed Censorship and , Box Office Success of Leave Her to Heaven (1945)” CHAIR Marc Francis G University of California, Heather Addison G University of Nevada, Las Vegas Santa Cruz G “When the ‘Big Bankroll Boy’ Took on Hollywood: Marc Francis G University of California, Santa Cruz G Howard Hughes and the Strange Case of Queer People” “Towards a ‘Cross-Genealogy’ of Deviant Media: Some Andy Raeder G University of Rostock G “Suspected of Pitfalls and Openings” Social Criticism?: Ulrich Thein’s Miniseries Columbus 64 Linnéa Hussein G New York University G “Sex that (1966) and East German Television” Belongs in Documentary: Fremdschämen and the Kuhu Tanvir G University of Pittsburgh G “Making the Politics of Sanitizing Deviant Desire” Cut: Censoring Hindi Films in the Age of Television” Louise Wallenberg G University of Stockholm G and Torkild Thanem G Stockholm University G “‘Let Us Guide You’: Sex Education Films in Sweden, 1940s – 2010s” SPONSOR Documentary Studies Scholarly Interest Group 75 SESSION E 5:00 – 6:45 pm E15 Mediated and E17 Sticky Media Remediated Voices Transmedia, Mixed Media, and Affective Adhesions , WEDNESDAY , MARCH CHAIR Katie Young G Royal Holloway, University of 14 London CHAIR David Humphrey G University of Notre Dame Katie Young G Royal Holloway, University of London G Laurence Coderre G New York University G “The Model “Religious and Cinematic Listening: Performing Hindi in the Mirror: The Chinese Cultural Revolution, the Film Songs in the Mawlid in Northern Ghana” Communist Hero, and You” Joseph Coppola G University of Pennsylvania G Jamie Coates G Sophia University G “Sticky Affects in “Negotiating the ‘Suturing Effect’ of the Cinematic the Sexualised Sino-Japanese Context” Black Voice” David Humphrey G University of Notre Dame G “Silver Peter Bloom G University of California, Santa Barbara G Capes, Space Aliens, and Bad Makeup: Beat Takeshi “Radio Listening and the Culture of Social Monitoring: and the Parodic Media Franchise” Radio Malaya as Cold War Archive of BBC Auditory” Heather Warren-Crow G Texas Tech University G “Whisper Work: YouTube Videos and a Vocal Aesthetics of Girliness” SPONSOR Radio Studies Scholarly Interest Group E18 Wham, Bang, Insert Extra Quarter for Pow Intersections of Superheroes and Videogames
, E16 Self-Conscious Cinema CHAIR Felan Parker G University of St. Michael’s Texts and Their Gestures to Political College G University of Toronto Discourse Meghan Blythe Adams G Western University G “Waist , Away: Gender and Fat (In)Visibility in the Heroes of CHAIR Christopher Sieving G University of Georgia Overwatch” Christopher Sieving G University of Georgia G “Terry Sinervo Kalervo G Concordia University G “LEGO Whitmore’s Re-shoots: The Black Vietnam War Deserter Batman and the Licensing Network” Onscreen” Michael Hancock G University of Waterloo G “Heroes Giorgio Bertellini G University of Michigan G of Yester-play: Nostalgic Consumerism and 90s “Researching Neorealism’s Photographic Genealogy” Superhero Cartoon Game Adaptations” Peter Schweppe G Sewanee: The University of the South J. Andrew Deman G University of Waterloo G “With G “Searching for Eiffe: German Documentary Film Great Power: The Loss of Protector Fantasy in West German Graffiti, 1968” Superhero Videogames” Alina Predescu G University of California, Berkeley G SPONSOR Comics Studies Scholarly Interest Group “Intrusive Reflexivity: The Ethics of (Un)Knowing the Other in Marcel Lozinski’s So It Doesn’t Hurt” SPONSOR Central/East/South European Cinemas Scholarly Interest Group
76 WEDNESDAY 5:00 – 6:45 pm SESSION E E19 Chris Marker and the Foreign E21 Media and Geography Different Eras, Different Contexts , CHAIR Laure Astourian G Bentley University , Laure Astourian G Bentley University G “Sunday in CHAIR Derek Johnson G University of Wisconsin- MARCH Peking . . . and Paris” Madison 14 Steven Chung G Princeton University G “Cold War Derek Johnson G University of Wisconsin-Madison G Alterities in Chris Marker’s Asias” “Fantasies of the Factory: Media Industries and the Labor of Tourism” Nora Alter G Temple University G “Cuba peut-être . . .” William Boddy G Baruch College, CUNY G “‘What Jean-Michel Frodon G Sciences Po Paris/University Is America’s Game?’: Early Television and National of Saint Andrews G “Chris Marker, From Sovereignty in 1930s Britain” Internationalism to Globalization” Ipek Çelik Rappas G Koç University G “From Titanic SPONSORS Documentary Studies Scholarly Interest Group and to Game of Thrones: The Role of Screen Industries in French/Francophone Scholarly Interest Group Rebuilding Belfast’s Image”
E20 Against Cinema E22 Theories of Seriality , , 2 CHAIR Gordon Sullivan G University of Pittsburgh CHAIR Staci Stutsman G Syracuse University Gordon Sullivan G University of Pittsburgh G “Against Elizabeth D. Muller G Cornell University G “Seriality Complexity: On Some Recent Horror Films” and the City: Early Actualities and the Construction of Kalling Heck G University of Redlands G “Negative Urban Spatial Narratives” Aesthetics and Democracy Today” Staci Stutsman G Syracuse University G “‘Bad’ Bette: EJ Basa G University of Wisconsin-Milwaukee G Seriality, Stardom, and Performance” “Political Amplification: Disgust, Disillusionment, and Daniel Varndell G University of Winchester G “Tasting Empathy in El botón de nacar (2015) and La muerte de Anthony Hopkins: Serial Cannibalisation in NBC’s Pinochet (2011)” Hannibal” Zachary Campbell G Whitman College G “Duration and Yael Levy G Tel Aviv University G “Serial Housewives: Oblivion” The Feminist Resistance of The Real Housewives’ Matrixial Structure”
77 SESSION E 5:00 – 6:45 pm E23 Utopias, Dystopias, E25 Racial Pasts and Futures and Alternative Family , 2 Arrangements in Contemporary CHAIR Jack Hamilton G University of Virginia WEDNESDAY MARCH American Media Jack Hamilton G University of Virginia G “The Future 14 , 2 Present: Auto-Tune and the Death and Life of the Voice” CHAIR Suzanne Leonard G Simmons College Joseph Sannicandro G University of Minnesota G “The Social Life of the Nurse with Wound List: Networked Victoria Sturtevant G University of Oklahoma G “Happily Ever After(birth): Interrogating Hollywood’s Historiography in the MP3 Blog Era” Babytopias” Suzanne Leonard G Simmons College G “‘I Just Went with My Heart’: Utopian Rhetorics and Dystopian Realities in Bachelor Nation” MEETING Taylor Nygaard G University of Denver G and Jorie Lagerwey G University College Dublin G 5:00 – 6:45 pm “Alternative Families, White Precarity, and the Politics of the Millennial Dystopian Sitcom” Film and Media Festivals Ellen Grabiner G Simmons College G “ The Handmaid’s Scholarly Interest Group Tale: Surveillance and the Optics of Dystopia” ROOM Kent, 2nd floor SPONSOR Women’s Caucus
MEETING E24 Queering the Aging Diva Aging, Female Celebrities, Media, 5:00 – 6:45 pm and Queer Performance Animated Media , 2 Scholarly Interest Group CHAIR & RESPONDENT Erica Rand G Bates College ROOM Simcoe/Dufferin, 2nd floor Dolores McElroy G University of California, Berkeley G “Diva Dolorosa: Ritual Suffering and Vocal Crisis in the Diva” Shannon Wong-Lerner G University of North Carolina at Chapel Hill G “‘We’re Strong Stock and We Have Precious Little Time Left’: Bette Davis, Human Technicity, and the Aged Diva”
78 WEDNESDAY
SPECIAL EVENT WEDNESDAY, MARCH 14 7:00 – 9:00 pm MARCH Toronto: Global Television Production Center 14 Roundtable discussion and screening of clips, followed by Q&A
ROOM Birchwood Ballroom, Mezzanine Toronto’s significance as a global television center has grown exponentially over the last 10 years, breaking records in 2017 as the TV industry has surged past $2 billion in production expenses. This special event seeks to outline some of the major contours of Toronto’s contemporary television production cultures, and features a roundtable of Toronto-based television producers from RedCloud Studios, Sinking Ship Entertainment, Guru Studios, Epitome Pictures, Temple Street Productions, and the Canadian Broadcasting Company. MODERATOR Serra Tinic G Canadian Television Scholar of the University of Alberta ADMISSION: Free to this event with an SCMS badge. Seating is available first come, first serve.
SPONSORED BY Brock University, Department of Communication, University of Iowa, Department of Popular Culture & Film Communication Studies Television Studies Scholarly Interest Group Media Industries Scholarly Interest Group University of Toronto, Cinema Studies Institute EVENT COORDINATORS Eleanor Patterson, Liz Clarke, R. Colin Tait, Sarah Matheson
Cinema Studies Institute
Name Badge If you need a replacement badge, they are available at Registration for $5 USD. Prices are in USD and can only be paid by credit card. Your credit card provider will automatically convert the USD amount into your local currency. Replacement badges will only be printed during registration hours (see page 14). 79 SPECIAL EVENT WEDNESDAY, MARCH 14 WEDNESDAY MARCH 7:00 – 9:00 pm 14 Film, Media, and Toronto’s Built Environment Panel discussion and screening of clips, followed by a reception
LOCATION Innis Town Hall, University of Toronto, 2 Sussex Avenue (corner of St. George Street and Sussex Avenue)
DIRECTIONS From Sheraton Centre head west on Queen Street West to Osgoode Train Station (NE corner of University and Queen Street West) (2 minutes); take Line 1 (Yonge-University) NORTH towards Vaughan Metropolitan Center Station for 4 stops (6 minutes) to St. George. Leave the station using the St. George Street exit, and head south on St. George Street towards Bloor Street, crossing to the opposite (west) side of the street at the first set of lights. Take St. George one block south to the first intersection, which is Sussex Avenue. Enter Innis College just before you reach Sussex; Town Hall is directly beyond the lobby (5 minutes). Total travel time: 13 minutes. This panel brings together a group of arts and architecture practitioners, and filmmakers/scholars to discuss the role of film and media in creating and explicating contemporary Toronto’s built environment. The group will emphasize the role of the urban imaginary as mediated by both mass-cultural and avant-garde texts. In keeping with the emphases of the SIGs co- sponsoring the event, it will touch on issues of international production, as well as those of media cross-fertilization. Each participant will present, providing a brief video, a clip from a film, a succession of photographs, or a piece of video installation that they feel is emblematic of their conceptions/understandings of the city. Subsequently, those visual presentations will be used to anchor the discussion of the group. A reception will follow, giving the audience members an opportunity to continue the conversations with the participants. MODERATOR Bart Testa G University of Toronto, Cinema Studies Institute PARTICIPANTS Jane Corkin G Owner and Director of Corkin Gallery, Luis Jacob G Peruvian-born, Toronto-based artist and Toronto curator Brigitte Shim G Principal, Shim-Sutcliffe Architects, Joseph Clement G Landscape architect and filmmaker, Professor at the John H. Daniels Faculty of Architecture, director of Integral Man (2017) Landscape, and Design, University of Toronto Atom Egoyan G Toronto-based, internationally- Geoff Pevere G Lecturer, author, broadcaster, and renowned filmmaker and artist, whose body of work media critic, former film critic, and cultural journalist (including theatre, music, and art installations) delves for the Toronto Star into issues of memory, displacement, and the impact of technology and media on modern life SPONSORED BY University of Cincinnati, Transmedia Studies Scholarly Interest Group Niehoff Center for Film and Media Studies, Transnational Cinemas Scholarly Interest Group Urbanism/Geography/Architecture University of Toronto, Innis College Scholarly Interest Group University of Toronto, Cinema Studies Institute SCMS EVENT COORDINATORS Stanley Corkin, Amy Corbin
Cinema Studies Institute 80 INNIS COLLEGE WEDNESDAY
SPECIAL EVENT WEDNESDAY, MARCH 14 7:00 – 9:00 pm MARCH Unlimited Animation 14 A TRIBUTE TO HANNAH FRANK ROOM Willow Centre & East, Mezzanine In August of 2017, the cinema and media studies community lost Hannah Frank, a young and promising scholar just beginning her tenure-track career at UNC Wilmington. Her sudden death has profoundly affected the many members of our community who have crossed paths with her as a student, peer, collaborator, mentor, and friend. As Frank’s mentor Tom Gunning wrote in the September SCMS News Brief, “Our field has been robbed of one of its rising stars, one of its most original and inquisitive minds. Beyond this we have lost a spirit marked not only by her genius but her generosity, not only by her tireless research, passionate in pursuit of details, but her startling originality, probing into fundamental questions. Hannah’s life and work were imbued with sparkling wit, a sense of humor and delight. She embodied animation in every sense of the word.” This tribute to Hannah will not be an event of mourning, it will be a celebration of an accomplished and inspiring career, however short. From her undergraduate years at Yale, to her graduate studies at Iowa and the University of Chicago, to her year as faculty member at UNCW, Hannah ceaselessly innovated in her scholarship and pedagogy, developing methodologies and strategies that will have continued impact on our field. This event brings together friends of Hannah Frank from numerous institutions to honor her intellectual contributions and ensure the lasting influence of her daring scholarship and teaching methods.
SCHEDULE OF SPEAKERS: 7:00 – 7:05 pm Opening Remarks 7:05 – 7:20 pm John McKay G Yale University co-presenting with Mihaela Mihailova G Michigan State University 7:20 – 7:35 pm Corey Creekmur G University of Iowa co-presenting with Laura Cechanowicz G University of Southern California 7:35 – 7:50 pm Robert Bird G University of Chicago 7:50 – 8:05 pm Tim Palmer G University of North Carolina, Wilmington 8:05 – 8:20 pm Alla Gadassik G Emily Carr University of Art + Design co-presenting with Ryan Pierson G University of Calgary 8:20 – 8:35 pm Donald Crafton G University of Notre Dame 8:35 – 9:00 pm Group discussion, open call for remembrances, and closing remarks
SPONSORED BY University of Chicago, SCMS Department of Cinema and Media Studies CinemArts Scholarly Interest Group Animated Media Scholarly Interest Group Experimental Film and Media Scholarly Interest Group EVENT COORDINATORS Ian Bryce Jones, Timothy Jones, Mikki Kressbach, Jordan Schonig, Ryan Pierson
81 SPECIAL EVENT THURSDAY, MARCH 15 9:00 – 10:00 am Members’ Business Meeting ROOM Civic Ballroom (North & South), 2nd floor All SCMS members are encouraged to attend the annual Members’ Business Meeting to learn more about SCMS and current strategic processes. This year’s meeting will include a listening session regarding the shortened schedule for the 2019 Seattle Conference and the Cinema Journal name change and cover redesign. Members will also meet the officers and Board
THURSDAY members, and the leadership of the SCMS Caucuses and Scholarly Interest Groups. MARCH 15
AWARDS Join Us Thursday at 6:45 pm for the Awards Ceremony Grand Ballroom West & Centre, Lower Concourse
82 session
F THURSDAY 10:00 – 11:45 am THURSDAY I MARCH 15, 2018 MARCH 15
F1 WORKSHOP F2 Streaming Diversity? Bridging Theory and Practice Gender, Race, and Disability Strategies for Inclusive Teaching in Media in Marvel’s Netflix Shows Classrooms , , CHAIR Matt Yockey G University of Toledo CHAIR Jennifer ProctorF G University of Michigan- G G James Gilmore Indiana University “Marvel’s Dearborn Daredevil and Defending Bodies That Matter” CO-CHAIR Ruth Goldman G SUNY Buffalo Anna Peppard G York University G “Picturing Abuse, and Drawing Strength: On the Adaptation of Alias to WORKSHOP PARTICIPANTS Jessica Jones” Christina Hodel G Bridgewater State University Dru Jeffries G Wilfrid Laurier University G “The Christine Acham G University of Southern California Unbearable Whiteness of Iron Fist: Racebending SPONSORS Digital Humanities and Videographic Criticism Discourse and Fandom’s Fidelity Fetish” and Scholarly Interest Group Critical Media Pedagogy Matt Yockey G University of Toledo G “Black Metropolis: Scholarly Interest Group Reclaiming Blackness in Netflix’s Luke Cage” SPONSOR Comics Studies Scholarly Interest Group
83 SESSION F 10:00 – 11:45 am F3 Ways of Play F5 Reconfiguring Borders, Histories and Futures of Genre in Video Centers, and Peripheries Game Studies , , CHAIR Shu Ching Chan G Independent Scholar CHAIR James Fleury G University of California, Shu Ching Chan G Independent Scholar G “China’s Los Angeles Main Melody Films by Hong Kong Filmmakers: CO-CHAIR Oscar Moralde G University of California, Cooptation or Subversion?” Los Angeles Camilo Diaz Pino G University of Wisconsin-Madison G RESPONDENT Betsy Brey G University of Waterloo “At Centre of the Periphery: Emergent Media Players James Fleury G University of California, Los Angeles G and Mexico City’s Role as a Global Media Capital” “It’s a Bird, It’s a Plane, It’s the Birth of the Tie-In Video Josetxo Cerdan G Universidad Carlos III de Madrid THURSDAY Game Genre: Atari’s Superman” MARCH G “Experience, Migration, and Experimental 15 Chris Hanson G Syracuse University G “The Once Documentary: Naomi Uman’s Diptych Leche (1998) & and Future Game: The Rise and Fall and Rise of the Mala leche (2003)” Adventure Genre” Virginia Bonner G Clayton State University G “What Oscar Moralde G University of California, Los Angeles G Comes Afterwards: The Power of the False in Alfonso “Now We Play the Waiting Game: The Clicker Game Cuarón’s Y tu mamá también” Genre and Configuring Everyday Temporalities” Matthew Payne G University of Notre Dame G “‘Now They’re Playing with Power!’: Genre, Canonicity, and the NES Classic” F6 Finding the Authorial Voice , CHAIR Maxime Bey-Rozet G University of Pittsburgh F4 Digital Mediation Maxime Bey-Rozet G University of Pittsburgh G “ Gone Algorithms, Aesthetics, and Artifice Girl and the Parameters of Extreme Cinema” G G , Ben Rogerson Texas Tech University “‘The Old MGM is Gone’: Paul Mazursky’s Auteurist CHAIR Eddie Lohmeyer G North Carolina State University Entertainment in Recessionary New Hollywood” Chelsey Crawford G North Central College G Eddie Lohmeyer G North Carolina State University G “Frag the Artist, Blow up the Art: Modding Aesthetics in “Disjuncture, Psychos, and the Cinematic Community” Orhan Kipack and Reini Urban’s ArsDoom” Tama Hamilton-Wray G Michigan State University G “The Power of Ava DuVernay’s Film Practice and Colin Williamson G Pace University G “‘An escape into reality’: Computers, Special Effects, and the Haunting Activism” Optics of Westworld (1973)” Jason LaRiviere G New York University G “The Cultural Techniques of Compression: Reading Algoritmic Information Theory as Media Theory” Niels Niessen G University of Amsterdam G “Clouded Love: Online Encounters on the Film Screen”
84 10:00 – 11:45 am SESSION F F7 Archives of the City F9 Exploitation Cinema and Decay, Remediation, Memory Transnational Identity , , G CHAIR Susan Lord Queen’s University CHAIR Ryan Rashotte G Lakeland University CO-CHAIR Janine Marchessault G York University Johnny Walker G Northumbria University G Susan Lord G Queen’s University G “The “Transnational Splatter Cinema and the Birth of the Afro-descendent Archive of 1960s Havana” ‘Shot-on-Video’ Horror Film” THURSDAY Janine Marchessault G York University G “Some Erin Wiegand G Northumbria University G “Mondo Recipes for Disaster in the Process Cinema of Deirdre Americano: Tracing American and Italian Exploitation Logue and Helen Hill” Traditions in the Mondo Films of Lee Frost and Bob Juan-Carlos Rodríguez G Georgia Tech University G Cresse” “The Ruin and the Archive: Cuban Soviet Imaginaries in Ryan Rashotte G Lakeland University Japan G MARCH Zoe García’s Todo tiempo pasado fue mejor” “Assimilating the Nude in Canuxploitation’s The Naked 15 May Chew G York University G “Technologies of Flame” Immersion: Cité Mémoire in Old Montreal” Iain Robert Smith G King’s College London G SPONSOR Urbanism/Geography/Architecture “The Whiteness of Cult” Scholarly Interest Group SPONSOR Transnational Cinemas Scholarly Interest Group
F8 Bodies in Spaces F10 Women Filmmakers in France Physical Media Consumption , , CHAIR Maureen Turim G University of Florida CHAIR Tupur Chatterjee G University of Texas at Tami Williams G University of Wisconsin-Milwaukee Austin G “Rediscovering Nicole Védrès: A Pioneer of the Tupur Chatterjee G University of Texas at Austin G Historical Essay Film in Postwar France” “Architectures of Happiness: Designing the ‘Malltiplex’ Mary Wiles G University of Canterbury G “The in India” Movement and Music of Céline Sciamma’s Bande de Chenshu Zhou G Stanford University G “Moviegoing filles” as ‘Torture’: Embodied Film Spectatorship in Maoist Maureen Turim G University of Florida G China” “Autobiographical Fictions of Three French Women Nikhil Thomas Titus G University of Pittsburgh G Filmmakers” “Hi-Tech, Low Culture: The Precarious and Piratical Joy Schaefer G Grand Valley State University G “The Sites of Migrant Film Viewing in Mumbai” Islamic Headscarf as Ritual in Faiza Ambah’s Mariam Edmond Ernest dit Alban G Concordia University G (2015)” “Japanese Media Mix and the Birth of Fan Sanctuaries: SPONSOR French/Francophone Scholarly Interest Group Walking as Filling the Gap in between Moving Images”
85 SESSION F 10:00 – 11:45 am F11 On Broadening the Discourse F13 Sound Technologies New Research on Film Festivals in Canada and Music Formats , , G CHAIR Ger Zielinski Ryerson University CHAIR Tim Anderson G Old Dominion University Kate Lawrie Van de Ven G York University G Tim Anderson G Old Dominion University G “Affective “Constructions of Festival Cities and Festival Intermediation and Queered Records: Sire Records, Citizenship” Remixes, and Networking Alternative Publics in the Jonathan Petrychyn G York University G “Putting Film Late 20th Century” Back in Film Festivals: Textual Analysis as a Method for Insook Park G Columbia University G “When Music Film Festivals” Can Freely Fly beyond Diegesis: Object-Based Sound Kami Chisholm G Independent Scholar G “Digiqueer Mixing Technology and Audio-Visual Synchronization THURSDAY MARCH Festivals and Filmmaking” at the Point of Audition” 15 Ger Zielinski G Ryerson University G “Online and Off: Alexander Russo G The Catholic University of America On Digital Film Forms and Formats, and Their Festivals” G “Punch Cards and Playlists: Computation, Curation, SPONSOR Film and Media Festivals Scholarly Interest Group and Labor in the Algorithmic Aesthetics of 1960s Radio Formats” Michael D’Errico G Pitzer College G “Ubiquitous Production: Making Music with the iPhone” SPONSOR Radio Studies Scholarly Interest Group F12 Media Worlds and Queer Transpacific Imaginaries , CHAIR Emily Raymundo G Dartmouth College F14 Rethinking Space through CO-CHAIR & RESPONDENT Jih-Fei Cheng G Scripps College Documentary Practice Chris Chien G University of Southern California G “Transpacific Spatial Politics, Queer Encounters” , CHAIR Neepa Majumdar G University of Pittsburgh Michelle Cho G McGill University G “Desiring Worlds, Queering K-Pop” Neepa Majumdar G University of Pittsburgh G “Documentary Biopolitics: Surveillance Aesthetics and Emily Raymundo G Dartmouth College G “Gesturing the Queer Cinematic Transpacific” the Idea of Europe in Nikolaus Geyrhalter’s Abendland (2011)” Juana New G University of Iowa G “ The Pearl Button: Mapping the Cosmos and Other Americas” Ritika Kaushik G University of Chicago G “Truth, Historiography and Documentary Strategy: Shohei Imamura’s A Man Vanishes” Richard McLaughlin G University of Southern California G “Chris Marker’s Le Joli Mai: Documentary Style and the Specter of Colonial Violence in Parisian Social Space”
86 10:00 – 11:45 am SESSION F F15 Theory and Politics F17 Post-WWII Governing in Science Fiction Genealogies of Cinematic , Institutions CHAIR Neil Ewen G University of Winchester , Neil Ewen G University of Winchester G “‘Where is my CHAIR Hadi Gharabaghi G New York University mind?’: Capitalism, Crisis and ’90s Nostalgia in Mr. RESPONDENT Isabelle Freda G Hofstra University THURSDAY Robot” Hadi Gharabaghi G New York University G “‘Margaret Pablo Gómez Muñoz G University of Zaragoza G Mead Film Festival’?: Questioning a Title through a “Beyond Heteronormative Science Fiction: Queer Critical Race Genealogy of ‘Americana Film Series’” Cosmopolitanism in Codependent Lesbian Space Alien Terri Ginsberg G The American University in Cairo G Seeks Same” “The McCarthyist Foundations of Academic Cinema Maxwell Cassity G Syracuse University G “‘We are all Studies: Abstract Expressionism, U.S. Cultural MARCH tired and no one trusts each other’: Epidemic Fear and Diplomacy, and the Institutional Study of Film” 15 Paranoid Humanism in The Thing (1982, 2002)” Priya Jaikumar G University of Southern California G “Licenses, Raw Stock, and the Terms of Creativity in Post-Independence Indian Cinema” SPONSOR Nontheatrical Film and Media Scholarly Interest Group F16 Entering the Lynchverse Celebrity, Collaboration, and Aging in the Worlds of David Lynch , F18 Water, Mud, Soil CHAIR Will Scheibel G Syracuse University Mediating the Elemental RESPONDENT G Martha Nochimson David Lynch Graduate , School of Cinematic Arts CHAIR Lisa Han G University of California, Santa Kirsty Fairclough G University of Salford G “David Barbara Lynch: The Celebrity Life” Weixian Pan G Concordia University G “Islands, Reefs, Will Scheibel G Syracuse University G “A Falling Star or Rocks: Eco-legal Reclamation of Ocean Space and over Mulholland Drive: Representation of the Actress” Speculative Videation” Anne Jerslev G University of Copenhagen G “Textures Amaru Tejed G University of California, Santa Barbara of Aging in David Lynch’s Work” G “Recycling Injustice: Lead-Exposure Publics and the Struggle for Sustainability” Lisa Han G University of California, Santa Barbara G “Mining the Seabed: From Flourishing Vents to Fertile Mud” John Shiga G Ryerson University G “Creak, Ping, Echo: An Ecocritical Approach to Soundscapes in Cold War Submarine Films” SPONSOR Media and the Environment Scholarly Interest Group
87 SESSION F 10:00 – 11:45 am
F19 “In the Presence of Others” F21 WORKSHOP Revisiting Hannah Arendt in Film and Historicizing Information in Media Studies Media Studies , , CHAIR Toby Lee G New York University CHAIR Craig Robertson G Northeastern University CO-CHAIR Josh Guilford G Amherst College RESPONDENT Bonnie Honig G Brown University WORKSHOP PARTICIPANTS Toby Lee G New York University G “‘The Kids’ Table’: Kate Eichhorn G The New School Cinema as a Public Thing” Miriam Posner G University of California, Los Angeles Josh Guilford G Amherst College G “ Chumlum and the Shannon Mattern G The New School Paradox of Intimate Worlds” Jonathan Sterne G McGill University THURSDAY MARCH Nicholas Gamso G Pratt Institute G “Neighborly Love in Haidee Wasson G Concordia University 15 Frederick Wiseman’s In Jackson Heights”
F22 Fan Labor and Participation F20 Archival Explorations Histories, Spaces, and Genres Crossovers Between Film History and Theory , 2 CHAIR Erin Hanna G University of Oregon , Erin Hanna G University of Oregon G “Double Fans CHAIR Grazia Ingravalle G Brunel University London and Industry Alter Egos: Aspirational Labor and the RESPONDENT Susan Ohmer G University of Notre Dame Capitalist Spirit of Early Comics Fandom” Grazia Ingravalle G Brunel University London G Phillipp Dominik Keidl G Concordia University G “A Quest for Origins: A Material History of the George “Localizing Media Fandom: Fan-Induced Tourism and Eastman Museum’s Film Collection” the Museum” Beatriz Tadeo Fuica G Université Sorbonne Nouvelle–Paris 3 Jeremy Moore G University of California, Santa Barbara G “Exploring European Film History through Latin G “Constructing the Survivor Archive: Historicizing American Archives” Reality Television through Surplus Audience Labor” Elizabeth Ramírez Soto G San Francisco State University Itay Harlap G Sapir Academic College G and G “Scattered Bodies: Tracing, Finding, and (Re)Writing Ariel Avissar G Tel Aviv University G “‘The Death of Transnational Television Histories” the Author will be Televised’: Televisual Metaphors of the Contemporary Creator-Audience Relationship in The OA, 13 Reasons Why, and Westworld” SPONSORS Caucus on Class and Fan and Audience Studies Scholarly Interest Group
88 10:00 – 11:45 am SESSION F F23 Bodies and Embodiment F25 The Trouble with , 2 Representation CHAIR Katerina Symes G Concordia University Race in Film History Katerina Symes G Concordia University G “Challenging , 2 Images of Menstrual Abjection in Orange Is the New CHAIR Kristen Hatch G University of California, Irvine Black” Kristen Hatch G University of California, Irvine G “On THURSDAY Rebecca Burditt G Hobart and William Smith Colleges G the Impossibility of Black Girlhood: Childhood, Race, “What a Gas!: Bodies, Laughter, and Identification in and Gender in Studio-Era Hollywood” Gag Reels” Anna Martonfi G University of East Anglia G “Money Karisa Butler-Wall G University of Washington Bothell Talks?: Overt and Covert Jewish Stereotypes in 1930s G “Revitalizing Bodies and Minds: Holistic Health and British Cinema” Lifestyle Media in the Digital Era” Aurore Spiers G University of Chicago G “‘Liberté, MARCH Jonathan Doucette G University of California, Davis G Egalité, Fraternité’: The 1923 French Ban of The Birth of 15 “In Search of Quiet: Towards an Electromagnetic Bodily a Nation and the African American Myth of Color-blind Ontology” France” Paul Fileri G American University G “The Silences of the Voice Dislocated: French Postcolonial Racism, Med Hondo, and the Crisis of Cinéma Vérité Documentary” F24 Genealogies of Political Cinema , 2 CHAIR Luka Arsenjuk G University of Maryland G College Park MEETING CO-CHAIR Meghan Sutherland G University of Toronto 10:00 – 11:45 am Meghan Sutherland G University of Toronto G “Variety, Attraction, Convergence: On the Politics of Genealogy Central/East/South European Cinemas and the Evolution of Cinema” Scholarly Interest Group Alessandra Raengo G Georgia State University G “A ROOM Kent, 2nd floor Claimable Lineage: Black America Again” Mauro Resmini G University of Maryland, College Park G “The Figure of the Worker in Italian Political Cinema” Domietta Torlasco G Northwestern University G “Soft Montage and the New Rhythms of (Film) Labor” MEETING SPONSOR Film Philosophy Scholarly Interest Group 10:00 – 11:45 am Video Game Studies Scholarly Interest Group
ROOM Simcoe/Dufferin, 2nd floor
89 SPECIAL EVENT THURSDAY, MARCH 15 10:30 – 11:15 am Hosted Tour—University of Toronto Thomas Fisher Rare Book Library LOCATION Thomas Fisher Rare Book Library, 120 St. George Street Join us for a tour of the Thomas Fisher Rare Book Library, the largest publicly accessible collection of rare material in Canada. On display will be some rare and unusual material from the Fisher’s print and manuscript collections specially selected for THURSDAY MARCH Cinema Studies conference attendees. 15 Meet in the Fisher Library exhibit area accessible through the second floor of Robarts Library. You may take the outside steps to the second floor and enter through the revolving door to the library, or you may use the ground floor entrance and take the escalator or elevator up to the 2nd floor and enter Fisher via the revolving doors. NOTE: Please arrive a few minutes before 10:30 to hang up coats and stow bags in lockers as they are not allowed in the library. TOUR GUIDE: Liz Ridolfo G Cataloguer
SPECIAL EVENT THURSDAY, MARCH 15 11:30 am – 12:15 pm Hosted Tour—University of Toronto Media Commons LOCATION Robarts Library, 3rd floor, 130 St. George Street Come for a tour of the premier film and broadcast library and archive for media-related studies in Canada. Learn about the largest circulating film library in the country and the best equipped playback/digitization lab. Also, visit the only cold vault in any Canadian university dedicated just to film. On display, will be a sampling of rare and interesting materials from the holdings. Meet at the Media Commons Service Desk. TOUR GUIDE: Brock Silversides G Director, Media Commons
90 session
G THURSDAY 12:00 – 1:45PM THURSDAY I MARCH 15, 2018 MARCH 15
G1 Synecdoche, Quebec G2 Sergei Eisenstein’s The Glocal Facets of Xavier Dolan’s Non-Indifferent Nature Cinema , , CHAIR Robert Bird G University of Chicago CHAIR Andrée Lafontaine G Aichi University, Nagoya Robert Bird G University of Chicago G “Eisenstein’s G GG Fulvia Massimi Concordia University “Queering Dialectics of Nature” Times, Regendering History: Temporal Drag and Linear Antonio Somaini G Université Sorbonne Nouvelle – Paris Disruptions in Xavier Dolan’s ‘Québec Corpus’” 3 G “Sergei Eisenstein’s formula pafosa and Aby Martina Olivero G Université Paris 1 Sorbonne G “Pop Warburg’s Pathosformel: A Comparative Analysis” Aesthetics and Committed Creativity in Xavier Dolan’s Joan Neuberger G University of Texas at Austin G Cinema” “Nature as Medium: Landscape as Self-Portrait” Katherine Ann Roberts G Wilfrid Laurier University G Hannah Frank G University of North Carolina at “‘Tarte ou croustade’: Dialogues of Alienation in Xavier Wilmington G “Unbridling the Imagination: Eisenstein Dolan’s Mommy (2014)” on Animation in Theory and Practice” Mokkil Navaneetha G Jawaharlal Nehru University G Hannah Frank’s paper will be read in memoriam by her “Xavier Dolan in India: The Alchemy of Film Viewing” colleagues. Please note the special Wednesday night event where the Society will remember her.
91 SESSION G 12:00 – 1:45 pm G3 I’ll Hear You Again G5 Global Media in Twenty-five Years Platforms and Technologies of Production The Music and Sound Design , of Twin Peaks CHAIR HyeRyoung Ok G University of Oregon , HyeRyoung Ok G University of Oregon G “From Mobile CHAIR Reba Wissner G Montclair State University Drama to Web Drama: Media Convergence in South Jessica Getman G University of Michigan G “‘Listen to Korea” the Sounds’: The Uncanny Sound Design of Twin Peaks: Wan-Jun Lu G University of Wisconsin-Madison G The Return” “Building a Global TV Community: Borders, Protocols, Reba Wissner G Montclair State University G “Chaos and Transnational Media Flows on Viki” and Creation: Music, Redemption, and the Atomic Catherine Bernier G Concordia University G “A THURSDAY MARCH Bomb in Twin Peaks: The Return” Very Complicated Category of Indie in Bollywood: 15 Katherine Reed G California State University, Fullerton G Polyphonic Labeling and Epistemologies of “The Bang Bang Bar, Silencio, and Lynch’s Audiences: Ethnographic Methods in Production Studies” Meaning and Musical Performances in Twin Peaks: The Anirban Baishya G University of Southern California G Return” “Necrography: Perspectives on Space, Technology, and Evan Ware G Central Michigan University G “Trauma’s Anxiety in India’s Selfie-related Deaths” Ghosts: Sonic Renderings of Dissociation in Twin Peaks and Broadchurch” SPONSOR Sound and Music Studies Scholarly Interest Group
G6 ROUNDTABLE Political Cinema in the 21st Century G4 Recognizing Bodies A Roundtable on Radical Film Culture Today , , CHAIR Aleksandra Kaminska G Université de CHAIR Sarah Hamblin G University of Massachusetts Montréal Boston
G G Eve Ng Ohio University “‘Host’–‘Human’–‘Synth’: ROUNDTABLE PARTICIPANTS Recognizing Android Bodies in Westworld and Humans” Julia Lesage G University of Oregon G “Gender and Race in Radical Film” Lucia Palmer G University of Texas at Austin G “Surveilling the Bodies of Border Crossers: Traces and Mike Wayne G Brunel University G “Globalization and Apparitions of the Human at the U.S.-Mexico Border” Third Cinema Today” Alana Staiti G Cornell University G “Before Body Christopher Robé G Florida Atlantic University G Scanning There Was Looker: Building the Proto-Digital “Digital Cinema, New Media, Radical Film” Actor Circa 1981” Morgan Adamson G Macalester College G “Feminist Aleksandra Kaminska G Université de Montréal G Epistemologies and Radical Cinema” “Facial Recognition in Art and Storytelling: Toeing Richard Porton G New York University G “Radical Film the Uncomfortable Line between Interaction and Culture Beyond the Academy” Recognition” SPONSOR Caucus on Class 92 12:00 – 1:45 pm SESSION G G7 Issues in Distribution/ G9 Documentary Surfaces Exhibition , , CHAIR Leo Goldsmith G New York University CHAIR Elena Razlogova G Concordia University, Erika Balsom G King’s College London G “Documentary, Montreal Contemporary Art, and the Orthodoxy of ‘Ecstatic Elena Razlogova G Concordia University, Montreal G Truth’” THURSDAY “The Circulation of Ousmane Sembene and Larisa Leo Goldsmith G New York University G “The Shepitko in the Cold War” Face of the Earth: Surface and Image in Landscape Derek Long G University of Illinois at Urbana-Champaign Documentary” G “The Battle for Playdates: Paramount and the Pooja Rangan G Amherst College G “The Documentary Temporal Management of Distribution, 1921–1924” Acousmêtre” Nathan Koob G Oakland University G “Midnight Mass: Jean-Paul Kelly G University of Toronto G “‘Drama, in MARCH Place-ing Midnight Movies” the shape of exceptional happenings’: Fairness and the 15 Daniel Sanchez-Salas G Universidad Rey Juan Carlos G Non-Objective Documentary” “Spectator Combatants: Conflict in Spanish Cinemas SPONSOR Documentary Studies Scholarly Interest Group during the First World War”
G10 Queer Movements G8 Silence and Solitude Across Media , , G CHAIR Ian Kennedy Wayne State University CHAIR Matthew Hipps G University of Iowa Ian Kennedy G Wayne State University G “Implied Matthew Hipps G University of Iowa G “Gay Silence and the Hyperbolized Pause: Stylizations of Travelogue, Tourism, and Homocapitalism: The Films Low-Frequency Sound in Contemporary Narrative of Pat Rocco” Cinema” Daniel Kissinger G University of Washington Bothell G Hannah Paveck G King’s College London G “Tonal “‘Ride or die, remember?’: Queer Affect and Solidarity Silence and the Ethics of Listening in Claire Denis and Act(ion)s in The Fast and the Furious” Jean-Luc Nancy” Cody Mejeur G Michigan State University G “Queer Not James Mulvey G University College Cork G “Ambiguous Here: On Queer Space and Absence in Video Games” Solitude in the Cosmopolitan: The Silence of Becoming- Nomad” Lauren Herold G Northwestern University G “Public Access as a Medium for AIDS Advocacy: a Case Study Zeke Saber G University of Southern California G “The of Our Time” Exaggerated Realism of Footsteps in Anime”
93 SESSION G 12:00 – 1:45 pm G11 Extracurricular G13 Doing Feminism and Making Campus Film Cultures Beyond the Media Traditional Classroom Critical Approaches to Transformative , Media Praxis CHAIR Tanya Goldman G New York University , Miranda Banks G Emerson College G “Diversity and CHAIR Carrie Rentschler G McGill University Equity in Film Schools and Industry Fellowships: A Carrie Rentschler G McGill University G Study of Gatekeepers and Mandates for Change” “Instrumentalizing Feminism?: Revisiting the Daniel Herbert G University of Michigan G “‘Take a film Relationship between Making Media and Doing where it will be most appreciated’: New Line Cinema Feminism” and College Film Culture” Elizabeth Groenveld G Old Dominion University THURSDAY G MARCH Alex Kupfer G Vassar College G “Cornell Clubs: “Doing Queer Feminism and Making Lesbian University Film Distribution and the Fostering of Pornography: The Publishing Praxis of On Our Backs 15 Alumni Relations, 1936 – 1944” Magazine” Tanya Goldman G New York University G “Eruditio et Sarah Banet-Weiser G University of Southern California Ciné: Fifty Years of Programming, Film Production, and G “Injury and Capacity: Popular Feminism and the Theater Management at Duke University, 1929 – 1979” Restructuring of Feminist Politics” SPONSOR Nontheatrical Film and Media Scholarly Interest Group Safiya Umoja Noble G University of Southern California G “The Epidemiology of Algorithms: In Search of an Anti-racist, Feminist Algorithm” SPONSOR Critical Media Pedagogy Scholarly Interest Group G12 Urban Spaces in German Cinema , CHAIR Antje Ascheid G University of Georgia Antje Ascheid G University of Georgia G “The Symbolic Site: German Identity and the Berlin Film” Jan Uelzmann G Georgia Institute of Technology G “Provisional Capital: Promoting the FRG’s Capital Bonn through the Deutsche Wochenschau Newsreel Company, 1949 – 1963” Made You Look Mariana Ivanova G Miami University G “Film City Follow SCMS on Instagram Babelsberg: From Multi-Language Productions to @scmstudies Hollywood Blockbusters, 1912 – 2017” Be sure to tag your Instagram Berna Gueneli G University of Georgia G “Young, photos with #SCMS18. Diverse, and Polyglot: Screening the New Urban Sound of Europe” SPONSOR Central/East/South European Cinemas Scholarly Interest Group
94 12:00 – 1:45 pm SESSION G
G14 ROUNDTABLE G16 Star Studies, Straight from Your Documents, Archives, Absence Twitter Feed Current Methodological Challenges and , Insights from the Middle East and Beyond CHAIR Caitlin Lawson G University of Michigan , Caitlin Lawson G University of Michigan G “Platform CHAIR Kaveh Askari G Michigan State University Vulnerabilities: Trolling and Misogynoir in the Digital THURSDAY CO-CHAIR Hatim El-Hibri G George Mason University Attack on Leslie Jones” ROUNDTABLE PARTICIPANTS Jacqueline Land G University of Wisconsin-Madison G “‘It Took Me, a White Non-Native Woman’: Shailene Bilge Yesil G College of Staten Island, CUNY G “Media Woodley and White Post-Feminist Celebrity in the Studies in Turkey” Standing Rock Movement” Chihab El Khachab G Christ Church, University of Oxford Sreya Mitra G American University of Sharjah G “From MARCH G “Egyptian Film Industry Studies” Rasika to Rowdy to Troll: Tracing the Evolution of the 15 Laura Fish G University of Texas at Austin G “Research Bollywood Fan in Millennial India” Risks in Iran and Dubai” Jessica Maddox G University of Georgia G “‘But First, Hatim El-Hibri G George Mason University G “Media Let Me Take a (Networked) Selfie’: Kim Kardashian, Infrastructures in Beirut” Kimoji, and Internet Enthrallment” Kaveh Askari G Michigan State University G “Working with Institutions in Tehran” SPONSOR Middle East Caucus G17 Cross-Currents in Indian Cinema Exploring Intermediality as G15 More than Costumes Historiographic Method A Survey On the Multifaceted Work of , Hollywood Costume Designers CHAIR Manishita Dass G Royal Holloway, University , of London CHAIR Elizabeth Lundén G Stockholm University Priyanjali Sen G New York University G “Author/ Anne Coco G Academy of Motion Pictures Arts and Screenwriter/Director: Adaptation as Intermediality Sciences G “Dressed to Thrill: Costume Design and Articulation of Authority in Bengali Cinema, through an Archival Lens” 1920s – 1940s” Lies Lanckman G University of Kent G “Mrs. Thalberg’s Manishita Dass G Royal Holloway, University of London Nightgown: The Sartorial Transformations of Norma G “Intermedial Gestures: Tracing the Theatrical in Shearer” Ritwik Ghatak’s Cinema” Elizabeth Lundén G Stockholm University G “The Sangita Gopal G University of Oregon G “Media Case of Lux Flakes: The Costume Designers as Fashion Meddlers: Gender, Television and the Beginnings of the Experts and Endorsers during the Studio Era” ‘Indie’ Film in India” Julie Nakama G University of Pittsburgh G “‘The Helen Anuja Jain G University of St. Andrews G “Lost Rose Originals Are Fabulous’: The Fashion Show Experiments and New Histories of Experimental Film Featurette as a Site of Industrial Reflexivity” and Moving Image in India” 95 SESSION G 12:00 – 1:45 pm G18 Nature Transformed G20 Our Bodies, Our Comedy Time-Lapse, Mise-en-scène, The Embodied Humor of Women and Environmental Experience Comedians
, , CHAIR Jessica Ruffin G University of California, CHAIR Amber Day G Bryant University Berkeley Seth Soulstein G Cornell University G “Mad CO-CHAIR Alex Bush G University of California, Berkeley Laugh(t)ers: Women’s Hysterical Laughter as an Jessica Ruffin G University of California, Berkeley Alternative Carnival” G “‘Without Why’: Time-Lapse Flowers and the Kriszta Pozsonyi G Cornell University G “Aging Movement of Abstraction” Comedic Voices: The Cinematic Swan Songs of Mae Inga Pollmann G University of North Carolina at Chapel West, Lucille Ball, and Moms Mabley”
THURSDAY Hill G “Environmental Aesthetics: The Politics of a MARCH Ashlynn d’Harcourt G University of Texas at Austin G Latent Image from Early Cinema to Contemporary Art “Clowning Around: Vaudeville Anarchy in Women 15 Cinema” Comics’ Stand-up Comedy Specials” Alex Bush G University of California, Berkeley G Amber Day G Bryant University G “OB Tampons and “Scaling Vision: Time-Lapse, Glacial Death, and National Champions: (White) Feminist Satirists vs. Rape Historical Loss in Chasing Ice” Culture” Oliver Gaycken G University of Maryland G “Notes SPONSOR Comedy and Humor Studies Scholarly Interest Group from Underground: The Time-Lapse Plant-Growth Film’s Copernican Vocation” SPONSOR Media and the Environment Scholarly Interest Group G21 Play Interpellation and Identification G19 My Name is Peaches , Blackness and Gender in Film and Media CHAIR Michael Anthony DeAnda G Illinois Institute of Technology , John Vanderhoef G California State University, CHAIR Samantha Sheppard G Cornell University Dominguez Hills G “You’ve Probably Never Heard of CO-CHAIR Michael Gillespie G City College of New York, It: Indie Game Players between Counterculture and CUNY Capitalism” G Michael Gillespie City College of New York, CUNY, Karen Stewart G SUNY Oneonta G “I Choose to Kiss and Samantha Sheppard G Cornell University G You: Romantic Agency and Otome Gaming” “Choreographing Black Girl Becoming: Sonic Visuality and Haptic Exercise in The Fits” Michael Anthony DeAnda G Illinois Institute of Technology G “‘Wanna see my pikachu?’: Cobra Club and Jerome P. Dent, Jr. G University of Rochester G “Endless Orientating Gay Male Desire” Disguise: Figuring Gender and Race in the Horror Film” SPONSOR Video Game Studies Scholarly Interest Group Jamie Rogers G University of California, Irvine G “Intertextuality and Diasporic Communion in Julie Dash’s Daughters of the Dust and Beyoncé’s Lemonade” SPONSOR Black Caucus
96 12:00 – 1:45 pm SESSION G G22 Screen Sculptures G24 Rethinking Noir Space, Place, Situation , 2 , 2 CHAIR Joshua Kierstead G University of Iowa CHAIR Annie Dell’Aria G Miami University Joshua Kierstead G University of Iowa G “Edgar RESPONDENT Andrew Uroskie G Stony Brook University G. Ulmer and Anthony Mann’s Noirs of the Past: A Erica Levin G Ohio State University G “TV Inside Out Rethinking of 1940s Film Noir” THURSDAY and Backwards” William Covey G Slippery Rock University G “South Gregory Zinman G Georgia Institute of Technology G Korean Neo-Noir and the Family” “The Avant-Garde Goes to the Mall: The Life, Death, Scott Boehm G Michigan State University G “¡Manos and Afterlife of the Rio VideoWall (1989)” arriba!: Spanish Crime Thrillers in a Time of Crisis” Elisabeth Hodges G Miami University G “From Waves to Wavelengths: Sonic Space in Ten Thousand Waves” MARCH Annie Dell’Aria G Miami University G “Kino Skulptur: 15 Media Art and Sculptural Practice in the 2017 Art Grand Tour” G25 Data Analytics and New SPONSOR Experimental Film and Media Scholarly Interest Group Audience Imaginaries , 2 CHAIR Evan Elkins G Colorado State University Evan Elkins G Colorado State University G “From Cultural Proximity to Transnational ‘Taste G23 The Productive Failures of Communities’: How Netflix Understands its Global Political Cinema Audience” , 2 Elena Maris G University of Pennsylvania G and CHAIR & RESPONDENT Shai Biderman G Beit-Berl College Nancy Baym G Microsoft Research G “Fandoms, Metrics, and the Market Power of Measurement” Ido Lewit G Yale University G “Fassbinder’s Fontane Effi Briest: Media Power-Relations and the Failure of Andrew Zolides G Xavier University G “Controlling the Cinema” Conversation: Measuring Social Media Engagement During the 2016 Campaign” Ori Levin G Tel Aviv University G “In Praise of Failure: Lack of Credibility and Fantasy as Engines of Change” Anat Dan G Tel Aviv University G “Artistic Workshops for Asylum Seekers: The Productive Failures of Israeli Political Documentaries”
97 SESSION G 12:00 – 1:45 pm
MEETING MEETING 12:00 – 1:45 pm 12:00 – 1:45 pm Latino/a Caucus Classical Hollywood
ROOM Kent, 2nd floor Scholarly Interest Group ROOM Simcoe/Dufferin, 2nd floor topics and agenda items include: discussion of the caucus mission statement and outreach; revamping of the mentorship topics and agenda items include: new mentorship program; program; 2018 special event; bibliography project elections for the co-chair and grad student representative; events and ways to engage members throughout the year, before the 2019 Seattle conference THURSDAY MARCH 15
98 session
H THURSDAY 2:00 – 3:45 pm THURSDAY I MARCH 15, 2018 MARCH 15
H1 ROUNDTABLE H2 Media and American Political Canadian Cinema Since 2000 Crisis New Perspectives , , CHAIR Heather Hendershot G Massachusetts CHAIR Charles Tepperman G University of Calgary Institute of Technology HG CO-CHAIR Lee Carruthers University of Calgary Heather Hendershot G Massachusetts Institute of Technology G “The ‘Phooey!’ Candidate: How ROUNDTABLE PARTICIPANTS Segregationist Lester Maddox Used Notions of ‘Liberal Magali Simard G Toronto International Film Festival G Media Bias’ to Take Georgia” “TIFF in the Canadian Film Scene” Owen Lyons G Ryerson University G “Toward a Theory Seth Feldman G York University G “Legacies of of American Fascist Cinema” Experimentation in NFB Documentaries” Shannon O’Sullivan G Green Mountain College Peter Urquhart G Wilfrid Laurier University G “Can the G “Bourgeois White Supremacy on Screen: The Government Grow Screen Industries?” Sociopolitical Significance of Dear White People and Get Aimée Mitchell G Toronto Queer Film Festival G “Queer Out under Trumpism” Experimental Film: Resisting the Mainstream” Richard Rambuss G Brown University G “Loving the Lee Carruthers G University of Calgary G “Denis Bomb: Kubrick’s Dr. Strangelove and the Essence of Villeneuve and Canadian Auteur Cinema” Men in the Time of Trump”
99 SESSION H 2:00 – 3:45 pm H3 The Poetics of Twin Peaks H5 Film Heroines, from Delphine The Return to Diana , , G CHAIR Jonah Horwitz University of Wisconsin- CHAIR Chelsea McCracken G Beloit College Madison Chelsea McCracken G Beloit College G “Terse Heroines: Anthony Bleach G Kutztown University of Pennsylvania A Videographic Analysis of Female Dialogue” G “GIFs, Glitches, and the Repetition Aesthetic of Twin Matthew Hubbell G University of Chicago G “Une Peaks: The Return” Inconnue Célèbre: Beauty and Anonymity in the Josette Wolthuis G University of Warwick G Performance Aesthetics of Delphine Seyrig” “Costuming Twin Peaks: A Poetics of Serial Oddness” Shaylynn Lesinski G University of North Texas G Elizabeth Alsop G Graduate Center, CUNY G “Too Much “Female Just-Warriors: Battling Objectification and THURSDAY MARCH Time: The Transgressive Temporalities of Twin Peaks: Representing Authenticity in Edge of Tomorrow and 15 The Return” Mad Max: Fury Road” Jonah Horwitz G University of Wisconsin-Madison G Elisa Hernández-Pérez G Universitat de València G “The Modularity of Twin Peaks: The Return” “Problematizing a Feminist Icon: The Construction of the Gaze in Wonder Woman (2017)” SPONSOR Women’s Caucus
H4 Transparency and Opacity Surveillance Optics in the Digital Age , H6 Queerness and CHAIR Daniel Grinberg G University of California, Representability Santa Barbara , Kelly Gates G University of California, San Diego G CHAIR Jose Capino G University of Illinois at Urbana- “Modulating Desire: Opaque Data Analytics Practices Champaign and Transparent Sexual Subjectivities” Jose Capino G University of Illinois at Urbana-Champaign Kris Fallon G University of California, Davis G G “Lino Brocka’s Always Changing, Always Moving: “Manufacturing Reality: On the Invisible Boundaries of Bisexual Representability and Desire in 1980s Philippine Non-Fiction Media” Cinema” Daniel Grinberg G University of California, Santa Barbara Karen Backstein G Independent Scholar G “Anatomies, G “Cracking the Vault: Investigating the Digital Art, and Angst: A Study of the Male Ballet Dancer in Archives of the FBI” Two Documentary Films” Finn Brunton G New York University G “The Blinding Traci Abbott G Bentley University G “Reassessing Lear’s Factor” Legacy in the History of Trans Representation: All That Glitters (1977)” Alex Denison G University of Iowa G “Chasing Rainbows: Lesbian Invisibility in Todd Haynes’s Mildred Pierce”
100 2:00 – 3:45 pm SESSION H H7 Making Sense of the Screen H9 Transpacific Mediascapes Materiality, Tactility, and Ideology The Cultural Imagination and Shared Media Experiences of Contemporary , East Asia and Latin America CHAIR Andrea Kelley G Auburn University , Andrea Kelley G Auburn University G “White as a Sheet: the Materiality of the Segregating Screen” CHAIR Joseph Jeon G University of California, Irvine THURSDAY Solveig Nelson G University of Chicago G “‘Contact’ in Benjamin Han G Tulane University G “K-Drama Early Video Art” Diplomacy: Korea in the Latin American Cultural Imagination” Hannah Spaulding G Northwestern University G “‘Touch the Button and See the World’: Tactility, Joseph Jeon G University of California, Irvine G “Love in Interactivity, and the Brief Life of QUBE” the Time of TRIPS: Intellectual Property, Free Trade, and Korea – Latin American Filmic Exchange” Kaitlin Forcier G University of California, Berkeley G MARCH “Distant Vision: An Archaeology of the Videophone” SPONSORS Asian/Pacific American Caucus, Latino/a Caucus, and Transnational Cinemas Scholarly Interest Group 15
H8 The Paradoxes of Play Marketing Media and Toys to Children H10 Scholarly Sites Experimental Film in Academia , , CHAIR Meredith Bak G Rutgers University-Camden CHAIR Tim Ridlen G University of California, San Diego Jonathan Rey Lee G Cascadia University G “Deconstructing Construction Toys” RESPONDENT Michael Zryd G York University Tim Ridlen G University of California, San Diego G Meredith Bak G Rutgers University-Camden G “Tiny Trojan Horses: Privacy, Play, and Contemporary “Uncertainty in the University: Robert Watts’ Yam Connected Childhood” Lecture” Eleni Palis G University of Pennsylvania G “Film Natalie Coulter G York University G “Pop Goes the Girl: The Production Ecology of an Intellectual Property” Quotation and The Watermelon Woman: Re- narrativizing Film Studies’ Historiography and SPONSOR Children’s and Youth Media and Culture Institutional Identity” Scholarly Interest Group Kathryn Siegel G King’s College London G “Structural Materialism in Print: Filmmaker as Theorist and Publication as Institution” SPONSOR Experimental Film and Media Scholarly Interest Group
101 SESSION H 2:00 – 3:45 pm H11 Reframing Sports Media H13 Silent-Era Horror Cinema , , CHAIR Kristen Fuhs G Woodbury University CHAIR Murray Leeder G University of Calgary Brett Kashmere G University of California, Santa Cruz G Murray Leeder G University of Calgary G “ The “Analyzing NFL (Tele-)Films through Apparatus Theory” Avenging Conscience (1914) and the Definitional Robert Cavanagh G Emerson College G “Stick to Sports: Challenges of Silent-Era Horror Cinema” Identity, Politics, and the Boundaries of Sports Media” Kendall R. Phillips G Syracuse University G “Feminine Alexander Johnston G University of California, Santa Cruz Superstition: Masculinity and the Supernatural in the G “Salesman and Saint: The Television Commercials of Early American Cinema” Muhammad Ali” Gary D. Rhodes G Queen’s University of Belfast G “The Kristen Fuhs G Woodbury University G “The Contingent First Vampire Films” THURSDAY MARCH Stardom of the Olympic Athlete” Harry Benshoff G University of North Texas G “Chasing 15 The Bat from Page (1908) to Stage (1920) to Screen (1926)” SPONSORS Horror Studies Scholarly Interest Group and Silent Cinema Scholarly Interest Group H12 Color From Dream Screen to Green Screen
, CHAIR Megan Alvarado Saggese G University of California, Irvine H14 In/visible Aesthetics Contemporary Political Documentaries Megan Alvarado Saggese G University of California, and Their Mediated Gazes Irvine G “‘Gorgeous Lifelike Color’: Cinematic Space and Latin American Kinetic Art” , William Carroll G University of Chicago G “The History CHAIR Cristina Formenti G University of Milan of a Broken Blue Sho¯ji Screen: Color in Suzuki Seijun’s Nea Ehrlich G Ben Gurion University of the Negev G Nikkatsu Action Films” “Shattering Illusions: Bad VR or Good Documentary?” SPONSOR CinemArts Scholarly Interest Group Joshua D. Miner G University of Kansas G “Hybrid Documentary Aesthetics in Indigenous Animation and Videogames” Cristina Formenti G University of Milan G “Absenting the Subject to Create a Documentary’s ‘Star-Director,’ or How Sabina Guzzanti Plays with In/visibility” Katerina Korola G University of Chicago G “Blue like the Mediterranean: The Work of the Monochrome in the Atlas Group Archive” SPONSOR Documentary Studies Scholarly Interest Group
102 2:00 – 3:45 pm SESSION H H15 Radio Voices H17 The Spectacle of Conflict Locating the Historical Echoes in Network War, Trauma, and Gender Radio in Contemporary Cinema
, , CHAIR Jennifer Wang G Independent Scholar CHAIR Karen Randell G Nottingham Trent University Jennifer Wang G Independent Scholar G “‘Broadcasts of RESPONDENT Stacy Takacs G Oklahoma State University THURSDAY Blackface Chatter’: The Commercial Accent of Women’s Elena Caoduro G University of Bedfordshire G “Bodies Voices in Clara, Lu ‘n’ Em” in Revolt: Masculinity, Spatial Politics, and the Cynthia Meyers G College of Mount Saint Vincent G Troubles” “The Voices of Time: Authenticity and Impersonation Karen Randell G Nottingham Trent University G on The March of Time (1931 – 39)” “Women on the Battlefield: Wonder Woman and the G Audacious Spectacle of Femininity” Jason Loviglio University of Maryland-Baltimore County MARCH G “‘Ethnic’ Masculinity and Radio’s Golden Age” Colleen Glenn G College of Charleston G “The 15 Ilana Emmett G Northwestern University G “Sound on Aesthetics of Trauma: the Psychology of Dunkirk and Soaps: Envisioning Sound in a Moment of Transition” Damaged Masculinity” SPONSOR Radio Studies Scholarly Interest Group SPONSOR War and Media Studies Scholarly Interest Group
H16 Examining Visual Discourses H18 Stop-Motion Animation Historical, Theoretical, in Post-Fukushima Japan and Aesthetic Dimensions , , CHAIR Mitsuyo Wada-Marciano G Carleton University CHAIR Andrea Comiskey G Franklin & Marshall RESPONDENT Mark Roberts G The University of Tokyo, College Center for Philosophy Panpan Yang G University of Chicago G “Time Derails: Akiko Shimizu G The University of Tokyo, Komaba G Stop-Motion Tricks in Silent Cinema” “Manipulated Distance and the Refusal of Touch: Keeping Queer Distance in Postcolonial Japan” Andrea Comiskey G Franklin & Marshall College G “A Technique or a Style?: Stop-Motion in/and Digital Yutaka Kubo G Kyoto University G “Towards the Light: Animation” The Rise of Independent Filmmaker Ryutaro Nakagawa in Post-3.11 Japanese Cinema” Laura Lee G Florida State University G “Materializing the Cinematic in Japan’s Silent Era” Mitsuyo Wada-Marciano G Carleton University G “Nuclear Nation I and II (2012, 2015), a Study of Nuclear Ekin Pinar G Independent Scholar G “Stop-Motion as Refugees in Post-Fukushima Japan” Historiography: Larry Jordan’s Animated Documents” SPONSOR Animated Media Scholarly Interest Group
103 SESSION H 2:00 – 3:45 pm H19 Revisiting Theory H21 Always More to See Authorship, Aesthetics, and the Digital New Takes on Classical Hollywood
, , CHAIR Angelo Restivo G Georgia State University CHAIR Mary Celeste Kearney G University of Notre Amresh Sinha G The School of Visual Arts, New York G Dame “The Splendor of the Insignificant: Hitchcock, Rancière, Mary Celeste Kearney G University of Notre Dame and Deleuze” G “Teens in Space: Production Design, Spatiality, Cormac Deane G Institute of Art, Design and Technology and Female Adolescence in 1940s Stage-to-Screen G “Digital Aesthetics in Christian Metz’s Final Work, Adaptations” Impersonal Enunciation” Robert Kilker G Kutztown University of Pennsylvania G Todd Berliner G University of North Carolina at “‘She Died for Her Country’: Democracy and Women’s THURSDAY Sacrifice in George Cukor’s Keeper of the Flame” MARCH Wilmington G “On the Centrality of Aesthetics to 15 Understanding Cinema” Elisa Jochum G University College London G “Postal SPONSOR Film Philosophy Scholarly Interest Group Patriarchy?: Women and Mail in Hollywood Cinema, 1939 – 1955” Alan Nadel G University of Kentucky G “Terry Malloy and Taft-Hartley: Organized Labor, Gendered Economies, and the Right to Work in On the Waterfront” H20 ROUNDTABLE Film Festivals, Programming, SPONSOR Classical Hollywood Scholarly Interest Group and the Labor of Diversity , CHAIR Beth Tsai G Independent Scholar CO-CHAIR Frédérick Pelletier G Les Rendez-vous du H22 Visualizing the South cinéma Québécois , 2 ROUNDTABLE PARTICIPANTS CHAIR Robert Joseph G Bowling Green State University Kerri Craddock G Toronto International Film Festival G “Women Filmmakers and Diverse Voices” Robert Joseph G Bowling Green State University G “‘Elvis Presley sat here’: Authenticity and New Orleans’ Kristine Estorninos G Toronto Reel Asian International On-Screen Legacy in HBO’s Treme” Film Festival G “Bringing Asian Cinema to Canada” Katherine Henninger G Louisiana State University G Brian Hu G Pacific Arts Movement G “Global Cinema and Niche Film Festivals” “Southern Childhood in the Postracial Imaginary” Gareth Hedges G Independent Scholar G “Emmett Sudeep Sharma G University of California, Los Angeles Till and the ‘Crisis in the Deep South’ for Hollywood G “The Labor of Film Festivals” Cinema of the 1950s and Early 1960s” Danju Claire Yu G Los Angeles Chinese Film Festival G “Reimagining the National Film Festival Framework”
104 2:00 – 3:45 pm SESSION H H23 Illuminating Visions H25 Representing the Great Looking at Light in Different Media Recession , 2 , 2 G CHAIR Brigitte Peucker Yale University CHAIR John McCullough G York University Brigitte Peucker G Yale University G “The Presentation RESPONDENT Kirk Boyle G University of North Carolina of Seeing: Abbas Kiarostami and Jeff Wall” Asheville THURSDAY Loumia Ferhat G Johns Hopkins University G “Toward Ina Hark G University of South Carolina G “White a Raced Connective Media: Black Resistance Strategies Appropriation of Native American Victimhood in the and the Logics of Social Media” Post-Great Recession Western” Matthew Noble-Olson G Georgetown University G Milo Sweedler G Wilfrid Laurier University G “Allegories “Solar Cinema: Seeing the Sun through Film Theory of the End of Capitalism in Contemporary Film” and Expanded Cinema” Jenny Gunn G Georgia State University G “While You MARCH SPONSOR CinemArts Scholarly Interest Group Weren’t Looking: Recession Mise-en-scène in David 15 Fincher’s Gone Girl”
H24 Sonic, Aquatic, Robotic Black Embodiment in the Afrofuturist MEETING Imagination 2:00 – 3:45 pm , 2 CHAIR Shelby Cadwell G Wayne State University French/Francophone RESPONDENT Elizabeth Reich G Connecticut College Scholarly Interest Group Kevin Ball G Wayne State University G “Sonic Motion ROOM Kent, 2nd floor and Heaviness in the Antiracist Imagination” Shelby Cadwell G Wayne State University G “Aquatopias & Afrofuturism: Water, Motion, and Myth in Music Videos” Chamara Moore G University of Notre Dame G “West to MEETING the Afrofuture: Performativity in HBO’s Westworld” 2:00 – 3:45 pm Queer Caucus
ROOM Simcoe/Dufferin, 2nd floor
105 session I 4:00 – 5:45 pm THURSDAY I MARCH 15, 2018 THURSDAY MARCH 15
I1 Trump’s Women I2 ROUNDTABLE Gender, Affect, and Agency in Revisiting the “Classics” Contemporary U.S. Media Culture Contemporary Perspectives on Core , Debates in Media Theory CHAIR Maria Pramaggiore G Maynooth University , Anna Misiak G Falmouth UniversityI G “From the CHAIR Sharon Shahaf G Georgia State University Politics of Lifestyle to the Politics of Movement: When Sexism Re-emerged in American Politics” ROUNDTABLE PARTICIPANTS Sarah Arnold G Maynooth University G “‘Internalized Shanti Kumar G University of Texas at Austin G Misogynists’: The Language of Oppression and Female “Rethinking Active vs. Passive Audience Theory” Trump Supporters” Joseph Straubhaar G Georgia State University G Maria Pramaggiore G Maynooth University G “From “Revisiting Cultural Imperialism: Netflix in Latin ‘Daddy’s Lap Warmer’ to Postfeminist POTUS: Affect, America” Ambition, and the Premediation of Ivanka Trump’s Chiara Ferrari G California State University, Chico Presidency” G “Revisiting ‘Narrative Complexity’ in Italian Television” Daniel Marcus G Goucher College G “Complicating Raymond Williams’ Marxism and Literature” Biswarup Sen G University of Oregon G “Theorizing Reality Television: Ritual or Hegemony?” Sharon Shahaf G Georgia State University G “Revisiting ‘The Global’ in Television Studies” SPONSOR Television Studies Scholarly Interest Group
106 4:00 – 5:45 pm SESSION I I3 The Labor of Looking I5 Parody, Participation, Apparatus Theory in the Neoliberal Age and Intrusion , , G CHAIR Mal Ahern Yale University CHAIR Jonathan Kahana G University of California, CO-CHAIR Francesco Casetti G Yale University Santa Cruz Francesco Casetti G Yale University G “The Jonathan Kahana G University of California, Santa Cruz THURSDAY Disappearance of Labor in Early Film Theories” G “Crimes Against the Original: Video Parody, Critical Mal Ahern G Yale University G “The Inattention History, and ‘Sacred Reenactment’” Economy circa 1960” Jordan Schonig G University of Chicago G Philip Rosen G Brown University G “Western Marxism “Purposiveness without Purpose: On Reddit’s Aesthetic and the Work of Apparatus Theory” Categories” Soyoung Yoon G The New School G “The New Pelle Snickars G Umeå University G “Breaking Bad MARCH Enclosures” Terms of Service: The Media Scholar as Villain” 15 SPONSOR Caucus on Class James Hansen G Oberlin College G “Make -Believe Video Space: Joe Gibbons’s Pixelvision Intrusions”
I4 Mediation and Identity in Online Communities I6 Creating Histories, Critiquing Sources , Piecing Together Media History from 1910 CHAIR Jane Glaubman G Cornell University to the 1980s Jane Glaubman G Cornell University G “On the Slab , Runes Were Deeply Graven: Recursion, Film, Tolkien, and Tumblr” CHAIR Jennifer Porst G University of North Texas CO-CHAIR Deborah L. Jaramillo G Boston University Kyle Moody G Fitchburg State University G “Bigger than Gods: The Production of a Culture of Myth-Making in Jennifer Porst G University of North Texas G “Teaching Popular Music through Social Media” Shadows to Talk: Radio, Sound Film, and the Discourse of Media Industry Disruption” Mike Van Esler G University of Wisconsin-Oshkosh G “‘These Weird Little Treasures’: Themes of Social Deborah L. Jaramillo G Boston University G “The Sustenance and Practice in Private Filesharing Inherent Artistic and Highly Individualistic Nature of the Communities” Work: Salary Stabilization and Talent Compensation in the 1950s” Olympia Kiriakou G Florida Atlantic University G “‘Now You Can be Part of the Disney Magic in a Whole New Maya Montañez Smukler G The New School G “The Way!’: Big Name Fandom and the (Inevitable) Failure of Directors Guild of America: Method and Access” Disflix” Karen Petruska G Gonzaga University G “The Ultimate SPONSOR Fan and Audience Studies Scholarly Interest Group Insiders: Evaluating TV Critics as Access Points to the Past”
107 SESSION I 4:00 – 5:45 pm I7 Borders and Migrations I9 Visualities and Politics of Place , and Space CHAIR Shota Ogawa G Nagoya University Global Mediations in Contemporary Latin American Narrative and Documentary Film Shota Ogawa G Nagoya University G “Border -Crossing Korean Blockbusters and Japan’s Border Envy: , Revisiting the Korean Wave in Japan, 1989 – 2010” CHAIR Carolina Rueda G University of Oklahoma Harry Karahalios G Duke University G “Migration Kerry Hegarty G Miami University G “Cinematographer and the Politics of Memory in Contemporary Spanish Emmanuel Lubezki and the Politics of Verticality” Cinema” Nadia Lie G KU Leuven G “Urban Moodboards: The Francisco Monar G Brown University G “Crossing the Aesthetics of Disaffection in the Mexican Festival Film Border of Art and Politics: The Border Film Project and Güeros” THURSDAY MARCH Contemporary Art Documentation” Salomé Aguilera Skvirsky G University of Chicago G 15 Aine O’Healy G Loyola Marymount University G “The Cross Section Film in Latin America” “Between Humanitarianism and Securitization: Carolina Rueda G University of Oklahoma G Mediating the Mediterranean Borderscape from Closed “Re-examining Director Alicia Scherson’s Sea to Fire at Sea” ‘Unfaithfulness’ to Chilean Cinema and the ‘Odd’ Visual Starkness of Il futuro” SPONSOR Latino/a Caucus
I8 Agency and Ecomedia , CHAIR Mario Trono G Mount Royal University I10 Reexamining Post-World War II Nikolaj Lübecker G University of Oxford G “Ecology French Film Practices and Terror: Nature as Interruption in James Benning’s , Two Cabin Projects” CHAIR Eric Smoodin G University of California, Davis Megan De Roover G Arizona State University G “The Eric Smoodin G University of California, Davis G Performance of Vegetal Agency through Time Lapses” “Liberation Cinema: Paris, 1944 – 1947” Mario Trono G Mount Royal University G “Bit of a Kelley Conway G University of Wisconsin-Madison G Stretch: Trans-Corporeality, Critical Agency, and “The Ciné-Club in Post-WWII France” Certain Women” Tim Palmer G University of North Carolina at Wilmington G “Nicole Védrès’s Cinephilia and the Diversity of Postwar French Cinema” Richard Neupert G University of Georgia G “Post-WWII French Animation: Jean Image, the French Disney” SPONSOR French/Francophone Scholarly Interest Group
108 4:00 – 5:45 pm SESSION I I11 Archival (Re)mediations I13 Silent Horror Films Videographic Criticism and in the Sound Film Era the Archival Potential of Film , , CHAIR Olga Tchepikova-Treon G University of CHAIR & RESPONDENT Jason Mittell G Middlebury College Minnesota, Twin Cities Evelyn Kreutzer G Northwestern University G “The City Nathaniel Bell G Azusa Pacific University G “Silent as Palimpsest: Videographic Scholarship and Sites of Horror and Avant-Garde: The Primacy of the Visual in THURSDAY Collective Histories” Meshes of the Afternoon and Fragment of Seeking” Nicole Erin Morse G University of Chicago G George Eric Zobel G Indiana University G “Digging “Meanwhile, Later, A Little Earlier: Digital Queer Up Das Cabinet: Adapting Horror in Peter Sellars’ The Archival Possibilities through Shea Couleé’s Lipstick Cabinet of Dr. Ramirez” City (2016)” Olga Tchepikova-Treon G University of Minnesota, Twin MARCH Nike Nivar Ortiz G University of Southern California Cities G “Deaf Horror: Classic Horror Aesthetics and 15 G “Cinders of La Invasión: Reenactment as Index in B-Movie Debauchery in Deafula” Abner Benaim’s Invasión” SPONSORS CinemArts Scholarly Interest Group, SPONSOR Digital Humanities and Videographic Criticism Horror Studies Scholarly Interest Group and Scholarly Interest Group Silent Cinema Scholarly Interest Group
I12 Qualities and “Quality” I14 Form, Space, and Mobility of Contemporary TV in MENA Film and Media , , G CHAIR Sue Thornham University of Sussex CHAIR Zahra Khosroshahi G University of East Anglia Sue Thornham G University of Sussex G “‘I’m not your Zahra Khosroshahi G University of East Anglia G mother’: Mother as Self and British Social Realism in “Breaking the Silence: The Representation of the Taboo Sally Wainwright’s Happy Valley (BBC 2014 – 16)” in Hush! Girls Don’t Scream” Graeme Stout G University of Minnesota G “Opening Natasha Marie Llorens G Columbia University G “ Tahia Credits: Reading the Disjunctive Quality of Title Ya Didou: Running in Ideological Circles in a City by the Sequences in European Noir Television” Sea” G G Nepomuk Zettl University of Zurich “‘Nobody SPONSOR Middle East Caucus knows that they saw it, but they did’: Strategies and Consequences of Product Placement in House of Cards and Okja” Zaya Rustamova G Kennesaw State University G “Forging Identities between the Frontiers of Dictatorship and Democracy: Re-emergence of Marginalized Voices in Spanish Historical TV Fiction”
109 SESSION I 4:00 – 5:45 pm I15 Sounding Other I17 Watching/Listening in the Cinematic Intersections of Race and Streaming Era Disability through Music Media Industries, Aesthetics, , and Audiences CHAIR James Deaville G Carleton University , James Deaville G Carleton University G “American CHAIR Barbara Klinger G Indiana University Nightmare: Deafness, Madness, and Jazz in It’s a Marc Steinberg G Concordia University G “Streaming Wonderful Life” Contents, Streaming Comments: Niconico Video and Kristen Loutensock G University of Wisconsin-Madison the Paid Subscription Model” G “Playing Authentic: Race, Disability, and Empathy in Neil Verma G Northwestern University G “Speaking Rain Man” to You Wherever You Are: Streaming, Podcasting, and THURSDAY MARCH Andrew Tubbs G University of Iowa G “Scoring a Audible’s House Sound” 15 Failed American Dream: Disability and Race in Aaron Tanya Horeck G Anglia Ruskin University G “‘Welcome Copland’s Of Mice and Men” to Your Tape’: The Relationship between Binge- SPONSOR Sound and Music Studies Scholarly Interest Group Watching and Violence in 13 Reasons Why” Sue Turnbull G University of Wollongong G “‘Getting Your Fan Base In’: Web Series and the Value of the Online Audience I16 New Expansions in Star Studies , CHAIR Jenny Romero G Universidad Autónoma de Madrid I18 Creation of Meaning Stop-Motion Animators and Their Objects Jenny Romero G Universidad Autónoma de Madrid G “Women, Identity, and Popular Media in Contemporary , Spain: The Star Image of Rocío Jurado” CHAIR Lora Mjolsness G University of California, Jeanne Rohner G University of Lausanne G “Stardom Irvine and Film Character as Seen by Production Documents Lora Mjolsness G University of California, Irvine G Archives : Danielle Darrieux in Films by Claude Autant- “Does a Woman’s Hand Matter? Soviet Stop-Motion Lara” Animation and the Role of Gender” Guy Spriggs G University of Kentucky G “Expansion Vincenzo Maselli Sapienza G University of Rome G and Collapse: American Cinema after the Star” “Puppet Animation and Alchemy: The Puppeteer- Shan Mu Zhao G University of Southern California G Demiurge and the Puppet-Homunculus” “Adapting the Sidekick: Reworking The Green Hornet in Michele Leigh G Southern Illinois University G “Two Hong Kong” Cats and a Battle Cry: Soviet Women’s Animation and Rudyard Kipling” SPONSOR Animated Media Scholarly Interest Group
110 4:00 – 5:45 pm SESSION I I19 Cinematic and Written I21 Queer Asian Cinemas Reflections on Hollywood Temporalities, Archives, and Aesthetic Challenges , , CHAIR Dan Chyutin G Tel Aviv University CHAIR Hwa-Jen Tsai G National Yang-Ming University Dan Chyutin G Tel Aviv University G “Transnationalism in the Time of High Nationalism: Cinema Culture in CO-CHAIR Chun-Chi Wang G National Dong Hwa 1950s Israel” University THURSDAY Hwa-Jen Tsai G National Yang-Ming University G “The Michael Potterton G University of California, Los Angeles Ghost, the Ritual Master, and the Queer Video Archive” G “Visualizing Democracy: Policy, Narrative, and Mise-en-scène of Hollywood Films in Post-War Korea, Ungsan Kim G University of Washington G 1945 – 1948” “Assembling Ghostly Remains: Temporal Politics of Queer Independent Documentaries in South Korea” Kaelie Thompson G University of Michigan G “‘Scottish MARCH Interest was Lacking’: The Films of Scotland Committee Shi-Yan Chao G Hong Kong Baptist University G “Mass 15 Battles Brigadoon (1954) and Hollywood’s Image of Camp and Gender Parody in the Hui-Styled Comedy” Scots” Chun-Chi Wang G National Dong Hwa University G SPONSOR Classical Hollywood Scholarly Interest Group “Kids Reign Supreme: Queers’ Imagination of Family in Contemporary Taiwan Tongzhi Cinema” SPONSORS Asian/Pacific American Caucus and Queer Caucus
I20 Towards a Critical Film Festival Studies , CHAIR Ezra Winton G Lakehead University CO-CHAIR Antoine Damiens G Concordia University Ezra Winton G Lakehead University G “Radical Festivals, Cultural Politics, and Political Activism” Liz Czach G University of Alberta G “Slow Cinema, Programming, Rejection, and Selection” Antoine Damiens G Concordia University G “Archives, LGBTQ Festivals, Activism, Epistemology, and Methodology” Michelle Latimer G Hot Docs / the Dawson City International Short Film Festival G “Indigenous Filmmaking, Diversity, and Decolonization” Claudia Sicondolfo G York University G “Disruptions, Cultural Politics, Decolonization, Programing, and Translation” SPONSOR Film and Media Festivals Scholarly Interest Group
111 SESSION I 4:00 – 5:45 pm I22 Ageing Texts / Ageing I24 Before AIDS Audiences Mediating Non-Normative Genders and Memory, Adaptation, and Revival Sexualities in the 1970s
, 2 , 2 G CHAIR Richard McCulloch G University of CHAIR Daniel Laurin University of Toronto Huddersfield CO-CHAIR Dan Udy G King’s College London CO-CHAIR Inger-Lise Kalviknes Bore G Birmingham City RESPONDENT Elspeth Brown G University of Toronto University Daniel Laurin G University of Toronto G “‘He Scorches Line Nybro Petersen G University of Southern Denmark the Screen with Men, but Shares His Bed with Women’: G “Growing Older with Lorelai and Rory: The Role of Heterosexuality in Pre-AIDS Gay Pornography” Gilmore Girls for Fans in a Life Course Perspective” Laura Guy G University of Edinburgh G “Coming THURSDAY MARCH Jenni Lehtinen G Nazarbayev University G Together: Honey Lee Cottrell’s Sweet Dreams (1979) 15 “Rejuvenating the Canon: 21st-Century Adaptation, and the Emergence of a ‘Blatant’ Lesbian Image” Online Audiences, and the Metamorphosis of Doña Dan Udy G King’s College London G “Re-Reading An Bárbara” American Family: Candy Darling, Holly Woodlawn, and Richard McCulloch G University of Huddersfield G Lance Loud” and Inger-Lise Kalviknes Bore G Birmingham SPONSOR Adult Film History Scholarly Interest Group City University G “Bringing Brent Back: Affective Continuities, Transmedia Audiences, and the Unfolding Celebrity Text” SPONSOR Fan and Audience Studies Scholarly Interest Group I25 Shoot from the Eye Early Optical Technologies in Front of and Behind the Camera
, 2 I23 Psychiatry, Policing, CHAIR Michael Cowan G University of St Andrews and Incarceration Michael Cowan G University of St Andrews G “Games , 2 of Empire in Early Cinema: Excavating the Cinematic CHAIR Christopher Cwynar G Defiance College Shooting Gallery” Christopher Cwynar G Defiance College G “Ear Nicholas Miller G Loyola University Maryland G Hustle and the Ambivalent Politics of the First-Person “Drawing on the Eye: Joseph Plateau’s Loci Experiments Narrative Non-Fiction Podcast Genre” and the Temporality of Seeing” Olivia Banner G University of Texas at Dallas G Noriko Morisue G Yale University G “Classical, “The Gaze of Psychiatric Videotape: Gendering and Vernacular, and Film Formats: A Discourse on Amateur Racializing the Cybernetic Patient” Fictional Filmmaking in the Interwar Japan” Chris Barnes G Syracuse University G “Mapping the Prison in The Prison in Twelve Landscapes” Eric Forthun G University of Texas at Austin G “Maria Bamford, Lady Dynamite, and the Stand-up Comic’s Influence on the Sitcom Format”
112 4:00 – 5:45 pm SESSION I
MEETING MEETING 4:00 – 5:45 pm 4:00 – 5:45 pm Middle East Caucus Women’s Caucus
ROOM Kent, 2nd floor ROOM Simcoe/Dufferin, 2nd floor
topics and agenda items include: collaborative topics and agenda items include: presentation of Graduate THURSDAY panels and workshops; film programming Student Writing Prize; panel titled “Gendered opportunities for 2019; oral history initiatives. Realities in Today’s Early Career Environments”
MARCH 15
SPECIAL EVENT THURSDAY, MARCH 15 5:45 – 6:45 pm Reception ROOM Grand Ballroom East & Foyer, Lower Concourse Celebrate this year’s award recipients, outgoing SCMS Board members, and others who have served the Society this past year while catching up with old friends and meeting new acquaintances.
113 SPECIAL EVENT THURSDAY, MARCH 15 6:45 – 8:00 pm Awards Ceremony ROOM Grand Ballroom West & Centre, Lower Concourse
PRESENTER: Pamela Robertson Wojcik G University of Notre Dame—SCMS President Student Writing Award Katherine Singer Kovács Essay Award
THURSDAY FIRST PLACE G G MARCH Erika Balsom King’s College London “Instant Benjamin Schultz-Figueroa G University of California, Failure: Polaroid’s Polavision, 1977–1980,” Grey Room 15 Santa Cruz G “B.F. Skinner’s Project Pigeon: 66 (Winter 2017): 6–31. Rendering the War Animal through Optical Technology” Anne Friedberg Innovative Scholarship Award
SECOND PLACE Kris Paulsen G Ohio State University G Here/There: Tyler Morgenstern G University of California, Santa Telepresence, Touch, and Art at the Interface (MIT Barbara G “What Abides: Settler Colonial Recursions Press, 2017) at the Edge of Cybernetics” THIRD PLACE Best Edited Collection Katie Bird G University of Pittsburgh G “Sporting Martha J. McNamara G Wellesley College and Sensations: Béla Balázs and the Bergfilm Camera Karan Sheldon G Northeast Historic Film Operator” G Amateur Movie Making: Aesthetics of the Everyday in New England Film, 1915–1960 (Indiana University Dissertation Award Press, 2017)
Andrew Bottomley G University of Wisconsin-Madison G “Internet Radio: A History of a Medium in Transition” Best Essay in an Edited Collection Award WINNER Best First Book Luka Arsenjuk G University of Maryland G “‘to speak, to hold, to live by the image’: Notes in the Margins of Erin Hill G University of California, Los Angeles G Never the New Videographic Tendency” in The Essay Film: Done: A History of Women’s Work in Media Production Dialogue, Politics, Utopia, eds. Caroline Eades and (Rutgers UP, 2016) Elizabeth Papazian (New York: Columbia University Press/Wallflower Press, 2016), 275–299. Katherine Singer Kovács Book Award HONORABLE MENTION WINNER Alexander Zahlten G Harvard University G “1980s Nyu¯ Karl Schoonover G University of Warwick G and Aka: (Non)Media Theory as Romantic Performance,” Rosalind Galt G King’s College London G Queer in Media Theory in Japan, eds. Marc Steinberg and Cinema in the World (Duke University Press, 2016) Alexander Zahlten (Durham, NC: Duke University Press, HONORABLE MENTION 2017), 200–220. Noa Steimatsky G University of California, Berkeley G The Face on Film (Oxford University Press, 2017) 114 Service Award Distinguished Career Achievement Award
Chris Holmlund G University of Tennessee, Knoxville Jane Gaines G Columbia University (Emerita)
Pedagogy Award
John T. Caldwell G University of California, Los Angeles THURSDAY
SPECIAL EVENT MARCH THURSDAY, MARCH 15 15 Grrrls Night Out LOCATION Maezo Restaurant, 67 Richmond Street West, Suite 101 8:00 pm Dinner Doors Open at 7:00 pm Sign up and purchase tickets here: https://www.eventbrite.com/e/grrrls-night-out-at-scms-tickets-41328134563 Grrrls Night Out (GNO) is an open, friendly networking/social extravaganza aimed at encouraging conversation and connection among all women: trans, cis, and gender queer. You don’t have to be an SCMS member to attend, and we welcome friends and children of our grrrls too. This year, GNO is proud to host our annual dinner at Maezo in Toronto, a Modern Indian restaurant. The restaurant is just a 4-minute walk from the conference hotel. http://www.maezotoronto.com/ Vegetarian, vegan, and gluten free options available; open cash bar (cash only); Wine, beer, and other beverages available but not included in the price of the ticket. Tickets must be purchased in advance! $30.00/graduate students and adjunct/under-employed faculty, $40.00 for faculty (we ask faculty to pay more to help finance the meals for those who can afford less). Any questions? Please email Sarah Sinwell ([email protected]) or Karen A. Ritzenhoff ([email protected]).
115 SPECIAL EVENT THURSDAY, MARCH 15 8:30 – 10:30 pm Re:Orientations RICHARD FUNG ON QUEER ASIAN-CANADA LOCATION School of Image Arts, IMA 307, Third floor, Ryerson University, 122 Bond Street
DIRECTIONS From Sheraton Centre, turn east on Queen Street West and follow (past Bay Street and Yonge Street) to Bond Street. Turn LEFT onto Bond Street and follow (past Shuter Street and Dundas Street) to destination on left (15-minute walk).
THURSDAY The artistic work of Asian-Canadian queer filmmaker Richard Fung, in cinema and across other media, addresses both the MARCH history and the ongoing conditions of queer Asians in Canada. Re:Orientations follows up with several subjects from Fung’s 15 earlier documentary Orientations (1984), who have since become successful scholars, artists, and professionals. They reflect upon their experiences of struggle during the ensuing decades, pointing out many issues that remain unaddressed and unresolved today. In fact, today’s LGBTQ Asian-Canadians, who are sometimes regarded in Anglo-Canada as “fully assimilated,” often find that their doubly-inscribed identities still mark them as “other”—even when, simultaneously and paradoxically, this double inscription gets actively erased by the neoliberal discourses of assimilationism. The screening will be followed by a solo dance performance by Sze-yang Ade-Lam, who appears in the film. The event will conclude with a Q & A with Fung and Lam.
PARTICIPANTS Richard Fung F Director, Re:Orientations Sze-yang Ade-Lam F Performer, Re:Orientations
SPONSORED BY Queer Caucus Ryerson University, School of Image Arts Asian/Pacific American Caucus SCMS EVENT COORDINATORS Victor Fan, Mila Zuo
116 SPECIAL EVENT THURSDAY, MARCH 15 8:30 – 10:30 pm Silent Gems of Toronto’s Archives Another Day and Secrets of the Night THURSDAY LOCATION Innis Town Hall, University of Toronto, 2 Sussex Avenue (corner of St. George Street and Sussex Avenue)
DIRECTIONS From Sheraton Centre head west on Queen Street West to Osgoode Train Station (NE corner of University and Queen Street West) (2 minutes); take Line 1 (Yonge-University) NORTH towards Vaughan Metropolitan Center Station for 4 stops (6 minutes) to St. George. Leave the station using the St. George Street exit, and head south on St. George Street towards Bloor Street, crossing to the opposite (west) side of the street at the first set of lights. Take St. George one block south to the first MARCH intersection, which is Sussex Avenue. Enter Innis College just before you reach Sussex; Town Hall is directly beyond the lobby. 15 Travel time: 13 minutes by train and foot, 7 minutes by taxi. The Silent Cinema SIG, in conjunction with the Nontheatrical Film and Media SIG, the Classical Hollywood SIG, and the Women in Screen History SIG, are pleased to offer two rare screenings accompanied by a discussion of Toronto’s film archives. To lead off this event, we are pleased to host a 30-minute panel discussion with Toronto-area archivists familiar with the local film and media collections, including those held by the University of Toronto, Ryerson University, York University, and the Toronto International Film Festival (TIFF). Panelists include Alicia Fletcher (Ryerson, previously with TIFF); Katrina Cohen- Palacios (York University Libraries); and Christina Stewart (University of Toronto’s Media Commons), who was responsible for overseeing the restoration of the night’s feature film. The screening itself will consist of two silent films, with live musical accompaniment by local pianist Jordan Klapman. Another Day (1934) is a 10-minute Toronto-set distillation of all of the best conventions of the “city symphony,” produced by the Toronto Film Club. Secrets of the Night (1924) is a Universal murder-mystery comedy, starring Madge Bellamy, James Kirkwood, and Zasu Pitts and directed by Herbert Blaché. Secrets was believed lost/incomplete until a 16mm print was found in 2016 in the basement of a Toronto-area home. Both silent films, in their own way, point to the long and important film history of Toronto and the continuing significance of its archives. Finally, we are excited to host a reception immediately following the screenings, offering late-night snacks and drinks. The reception is a unique opportunity for the multiple sponsoring SIGs, as well as other SCMS members, to mix and mingle. Please join us for the panel, the films, and the reception!
PARTICIPANTS Katrina Cohen-Palacios G York University Libraries Christina Stewart G University of Toronto’s Alicia Fletcher G Ryerson University Media Commons Archives
SPONSORED BY SCMS Nontheatrical Film and Media Scholarly Interest Group University of Toronto, Innis College Silent Cinema Scholarly Interest Group Classical Hollywood Scholarly Interest Group Women in Screen History Scholarly Interest Group EVENT COORDINATORS Wyatt Phillips, Luci Marzola, Charlie Keil
INNIS COLLEGE
117 SPECIAL EVENT FRIDAY, MARCH 16 8:30 – 10:00 am Institutional Members Chairs’ Breakfast ROOM Civic Ballroom, 2nd floor Chairs of our institutional members are invited to this breakfast. Meet your colleagues to discuss issues relating to program administration and the role of film and media studies in your university and beyond.
SPONSORED BY: Ryerson University, Office of the University of Toronto, St. George campus, Vice President for Research Book and Media Program at St. Michael’s College Ryerson University, Faculty of University of Toronto, St. George campus, Communication and Design McLuhan Center Ryerson University, School of Image Arts University of Toronto, Mississauga campus, University of Toronto Libraries, St. George Institute of Communication, Culture, campus (including Media Commons) Information & Technology University of Toronto, St. George campus, York University, School of Arts, Media,
FRIDAY Cinema Studies Institute Performance, & Design (AMPD) MARCH University of Toronto, St. George campus, York University, Department of Cinema & Media Arts 16 Faculty of Arts & Sciences York University, Graduate Program in Film University of Toronto, Scarborough York University, Graduate Program in Communication campus, Department of English & Culture University of Toronto, Mississauga campus, OCAD University, Indigenous Visual Culture Program Department of Visual Studies and Culture Shifts Documentary Series
Cinema Studies Institute LIBRARIES
English
Institute of Communication, Culture, Information & Technology
FACULTY OF INFORMATION McLuhan Centre for Culture & Technology
118 MEETING 9:00 – 11:00 am Cinema Journal Editorial Board Meeting
ROOM Peel, Mezzanine
SPECIAL EVENT FRIDAY, MARCH 16 10:00 – 11:00 am Best Practices in Applying
for Funds to Support Scholarship FRIDAY ROOM Grand Ballroom East, Lower Concourse If you ever worried that these organizations do not support cinema and media studies, or you are unsure how to frame your topic for grant proposals, please come meet their representatives, who will tell you about funding opportunities, and best practices for applying for funds in support of scholarship in media studies. MARCH PRESENTERS 16 Brett Bobley G National Endowment of the Humanities (NEH) Matthew Goldfeder G American Council of Learned Societies (ACLS) Dominique Bérubé G Social Sciences and Humanities Research Council of Canada (SSHRC)
SPECIAL EVENT FRIDAY, MARCH 16 10:00 – 10:30 am & 11:00 – 11:30 am Hosted Tours—TIFF Bell Lightbox Reference Library LOCATION TIFF Bell Lightbox, 350 King Street West, 4th floor The Film Reference Library is the ultimate free resource for film-lovers, scholars, teachers, and film and television professionals. A proud affiliate member of the International Federation of Film Archives (FIAF), the library promotes Canadian and global film scholarship by collecting, preserving, and providing access to a comprehensive collection of film, and film- related reference resources. Find out more about reference and special collections at tiff.net/library. To reserve space in a tour, please visit http://bit.ly/2H4jDSt When you arrive at TIFF Bell Lightbox, please take the elevators up to the 4th floor reception desk where you will check in for your tour. 119 session J 11:15 am – 1:00 pm FRIDAY I MARCH 16, 2018
J1 Canadian Content J2 The (Post)feminist Continuum The Adult Film Industry History, Celebrity and Formations of and its Canadian Contexts Culture
, ,
FRIDAY CHAIR G CHAIR G MARCH Peter Alilunas University of Oregon Yvonne Tasker University of East Anglia CO-CHAIR Patrick KeiltyJ G University of Toronto G G 16 Rachel O’Neill University of York “The Promise of Peter Alilunas G University of Oregon G “‘Closed Due Wellness: Femininity, Health, Labour” to Pressure from the Morality Squad’: The Cinema Diane Negra G University College Dublin G “Ivanka 2000 and Pornography Regulation in Toronto” Trump and the New Plutocratic (Post)feminism” Cait McKinney G University of Toronto G “Digitizing Shelley Cobb G University of Southampton G “The Controversies in Toronto’s Lesbian Porn Archives” Geena Davis Problem: The Postfeminist Politics Nikola Stepic´ G Concordia University G “Québec of Celebrity Gender-Equality Activists in Film and Exposed: Gay Male Pornography as Virtual Tourism” Television” Patrick Keilty G University of Toronto G “Silicon(e) Yvonne Tasker G University of East Anglia G Valley: Montreal’s Porn Industry” “Vernacular Feminism and Historical Postfeminisms” SPONSORS Adult Film History Scholarly Interest Group and Media Industries Scholarly Interest Group
120 11:15 am – 1:00 pm SESSION J J3 Readdressing the Film Musical J5 Hollywood Film Style Varda, Godard, and and Its Influences the Americans in Paris 1930s
, , G CHAIR Boel Ulfsdotter University of Gothenburg CHAIR Robert Read G Independent Scholar RESPONDENT Mats Björkin G University of Gothenburg Chris Yogerst G University of Wisconsin-Washington Boel Ulfsdotter G University of Gothenburg G “Song County G “Late 1930s Film Style, Anti-Nazi Espionage, and Dance in the Capital of Love: Paris, Musicals, and and the Senate Investigations on Motion Picture the Myth” Propaganda” Anna Backman Rogers G Rogers University of Grégoire Halbout G François Rabelais University G Gothenburg G “Agnès Varda’s L’une chante, l’autre “Lubitsch’s Bluebeard’s Eighth Wife: Sugar-Soft pas: Recuperating the Musical as a Radical Feminist Narrative and Lexical Attrition” Act” Patrick Keating G Trinity University G “Time, Tessa Nunn G Duke University G “ Danser sa danse: The Storytelling, and Hollywood Lighting” Evolution of Dance in Godard’s Films” Robert Read G Independent Scholar G “Industrial Realism in 1930s Independent ‘Poverty Row’ Films” FRIDAY SPONSOR Classical Hollywood Scholarly Interest Group
J4 Digital Aesthetics Artificial Intelligence and Data Art MARCH , J6 Acting for Complex Television 16 CHAIR John Belton G Rutgers University , Christine Sprengler G Western University G “ Blade CHAIR Aaron Taylor G University of Lethbridge Runner—Autoencoded (2016): Paratexts, Cinematic Memory, and the Future (Im)perfect of AI” Lucy Fife Donaldson G University of St. Andrews G “The Same, but Different: Adjustment and Jedd Hakimi G University of Pittsburgh G “Artificial Accumulation in Television Performance” Intelligence and the Existence of the Simulated Other: On Extras and Non-Playable Characters in Film and Jason Gendler G California State University, Long Beach Video Game Worlds” G “Television, Character Change, and the Creative Process” Joo Yun Lee G Stony Brook University G “Immersion into the Datascape: The Viewer’s Sensible Experience Elliott Logan G University of Queensland G “The in Ryoji Ikeda’s Audiovisual Installation and Concert Presence of Performance and the Stakes of Serial Datamatics” Drama” Aaron Taylor G University of Lethbridge G “ Twin Peaks and the Performative Poetics of Complex Television”
121 SESSION J 11:15 am – 1:00 pm J7 Cinema and the Anthropocene J9 Postwar Japanese Cinema from a Nonhuman Perspective as a Social Medium POV and Beyond Active Participation and the Democratization of Viewership , CHAIR Lukas Brasiskis G New York University , CO-CHAIR Tiago de Luca G University of Warwick CHAIR Rea Amit G Illinois College Tiago de Luca G University of Warwick G “Homo Rea Amit G Illinois College G “The Emancipated Friends Sapiens: Whose Vision is This?” of the Studio: To¯ei’s Network of Activists, Gamers, and Analog Bloggers” Lukas Brasiskis G New York University G “Non-Human Perspective beyond Point of View: Cinematic Meshwork Jennifer Coates G Kyoto University G “Locating the in Damnation and Single Stream” Casual Viewers of Postwar Japanese Cinema” SPONSOR Film Philosophy Scholarly Interest Group Lauri Kitsnik G Sainsbury Institute for the Study of Japanese Arts and Cultures G “Beside and Beyond the Silver Screen: Film Journals and Scriptreaders in 1950s Japan” Chika Kinoshita G Kyoto University G “The Other J8 Race and Early Sphere: 1956 – 1958, Female Audiences, and the Latin American Cinema Prostitution-Prevention Law” , FRIDAY MARCH CHAIR Mónica García Blizzard G Kenyon College 16 RESPONDENT Laura Isabel Serna G University of Southern California J10 Discourses of Naida García-Crespo G United States Naval Academy G Medicine and Care “Documenting Pan-Caribbeanism on Screen: José de Diego’s Trip to Santo Domingo (1915)” , CHAIR Michael DeAngelis G DePaul University Jaime Omar Salinas Zabalaga G Villanova University G “Race and Bolivian Modernity in Wara Wara by José Michael DeAngelis G DePaul University G “Confession María Velasco Maidana (1930)” as Therapy in Hollywood’s Sexual Revolution” Mónica García Blizzard G Kenyon College G Ellis Hanson G Cornell University G “ Shame and the “Indigeneity in the Early Films of Miguel Contreras Ideology of Sex Addiction” Torres: Zitari (1931) and Tribu (1935)” Stephen Tropiano G Ithaca College, Los Angeles G “Out SPONSOR Latino/a Caucus of the Medical Closet: The New Visibility of Intersex Teenagers on American Television” Dan Vena G Queen’s University G “Is There An Erotics of Touch in Medical Horror Films?: Exploring Haptic Visuality in American Mary (2012)”
122 11:15 am – 1:00 pm SESSION J
J11 Contemporary African J13 WORKSHOP Documentary Practices From Proposal to Publication Navigating the Academic Writing , Processes in Graduate School and Beyond CHAIR Sada Niang G University of Victoria CO-CHAIR Alexie Tcheuyap G University of Toronto , CHAIR Amber Hodge G University of Mississippi Alexie Tcheuyap G University of Toronto G “Politics and Aesthetics of Documentary in Africa” WORKSHOP PARTICIPANTS Sada Niang G University of Victoria G “Rama Thiaw’s Nicholas Baer G University of Chicago The Revolution Will Not Be Televised (2016): An African Julie Wilson G Allegheny College Diasporic Performance Documentary” Michelle Yates G Columbia College Chicago Suzanne Crosta G McMaster University G “Screening Historical Legacies, Social Inequalities, and Freedom of SPONSOR Graduate Student Organization Expression in Jean-Marie Téno’s Documentary Films”
J14 The Cannon Film Group, FRIDAY J12 Fans as Cultural Intermediaries 1967 – 1994 , , CHAIR Sarah Florini G Arizona State University CHAIR Sarah Thomas G University of Liverpool MARCH Sarah Florini G Arizona State University G “Dem RESPONDENT Frederick Wasser G Brooklyn College, CUNY 16 Thrones, Y’all: Game of Thrones, Podcast Recaps, and Sarah Thomas G University of Liverpool G “‘From Culturally Resonant Fan Practices” Authentic Joes to Fake Bobs’: Cannon Films, Lauren Savit G Indiana University G “Friendlings, 1967 – 1979” Gillies, and Bartlet’s Army: Episodic TV Podcasts as Mark McKenna G University of Sunderland G “‘Of Emergent Sites for TV Fandom” Underdogs and Arm Wrestling’: Stardom in the Cannon Joceline Andersen G University of British Columbia Film Group” G “List Videos: YouTube, Cult Viewing, and the Fan-driven Future of Film History” Amanda Halprin G University of Texas at Austin G “I Don’t Speak Korean: How U.S. English-Language Audiences Interpret Cultural and Linguistic References in Korean Dramas” SPONSOR Radio Studies Scholarly Interest Group
123 SESSION J 11:15 am – 1:00 pm J15 Cyborg, Queer, and J17 Serial Television Dis-individualized Bodies in Generic Contexts in Science Fiction Cinema , , CHAIR Catherine Lester G University of Warwick CHAIR & RESPONDENT Elif Sendur G Binghamton University Catherine Lester G University of Warwick G “Giving Isa Murdock-Hinrichs G Tulane University G Kids Goosebumps: The Children’s Horror Anthology “Westworld: Queering Bodies; Queering Narrative” Series on North American and British Television” Frances A. Kamm G University of Kent G “Imagining Geoffrey Henry G Georgia State University G “The a World without Gender: The Gothic Ambiguity of Circular Flow of Formula Art: The Classical Detective Gender and Technology in Ex Machina” Story and The Mysteries of Laura” Olivia Belton G University of East Anglia G “Cyborg Amanda McQueen G University of Wisconsin-Madison G Multiplicity in Dollhouse and Orphan Black” “A Very Special Storyline: #HollyoaksConsent and Soap Opera Narrative Structure”
J16 Approaching Irish Media in J18 Theorizing Everything Transnational Contexts Perspectives on David OReilly’s
FRIDAY , Experimental Game MARCH CHAIR Rachel Fabian G University of California, , 16 Santa Barbara CHAIR Mihaela Mihailova G Michigan State Jessica Scarlata G George Mason University G “Friendly University Orange, Hostile Green?: Remapping Belfast in ’71” Mihaela Mihailova G Michigan State University G Rachel Fabian G University of California, “Questioning Everything: Procedural Animation’s Role Santa Barbara G “Affinitive Transnationalism and in Creating the Video/Game” Community-Oriented Media Practice in Northern Ireland and Appalachia during the 1980s” Aylish Wood G University of Kent G “We As Everything” Patrick Brodie G Concordia University G “Media Diplomacy/Media Sovereignty: Labor, Geopolitics, and David O’Grady G University of California, Los Angeles Co-production Policy in Post-Crisis Ireland” G “Stop Trying to Control Everything: Interactive Restraint and Enactive Enlightenment in Video Games” Dierdre O’Leary G Manhattan College G “Big Men/ Small Rooms: Transnationalism, the Celtic Tiger, and Leon Gurevitch G Victoria University of Wellington G Fearing Global Dublin in the Plays of Enda Walsh” “The Powers of Everything: Simulation, Computation, and the Scale of the Game Gaze” SPONSOR Transnational Cinemas Scholarly Interest Group SPONSOR Animated Media Scholarly Interest Group
124 11:15 am – 1:00 pm SESSION J J19 Fresh From the Fight J21 Perspective and Space The Fight Sequence in Contemporary 2D / 3D / Live Cinema , , CHAIR Li Zeng G Illinois State University CHAIR Lindsay Steenberg G Oxford Brookes Li Zeng G Illinois State University G “Spatial Aesthetics University in 3D Martial Arts Films: From Affective Space to CO-CHAIR Lisa Coulthard G University of British Performative Depth” Columbia Andrew Campana G Harvard University G “Seeing Lisa Coulthard G University of British Columbia Fireworks from the Side: 2.5 Dimensionality and G “Enjoy Your Fight!: Sound and Enjoyment in Cross-Media Cinema in Contemporary Japan” Contemporary Fight Scenes” Laura McGough G Alfred University G “Troubling the Lindsay Steenberg G Oxford Brookes University G “We Genre: Live Cinema as Refusal” Who Are about to Die: The Arena as Violent Playground Agnes Tam G University of Münster G “Twice in the in the Sword and Sandal Film” Shell: Removing and Enacting Hong Kong in Ghost in Lisa Funnell G University of Oklahoma G “Crush-ing the Shell (2017)” Expectations: Gina Carano, MMA, and Corporeal
Authenticity in Haywire” FRIDAY Morgan Harper G University of British Columbia G “When Fight Scenes Don’t Sweat: The Absence of Affective Markers in Contemporary Teen Cinema” J22 ROUNDTABLE Sisters in the Life MARCH A History of Out African American Lesbian 16 Media-making J20 Exploring Failure in , 2 Transnational Audiovisual CHAIR Alexandra Juhasz G Brooklyn College Industries CO-CHAIR Yvonne Welbon G Sisters in Cinema ROUNDTABLE PARTICIPANTS , CHAIR Benjamin Pearson G University of Michigan Jennifer Brody G Stanford University G “Coquie Hughes: Urban Lesbian Filmmaker” Courtney Brannon Donoghue G Oakland University G “Set Up to Fail: How Hollywood Values Female-Driven Pamela Jennings G CONSTRUKTS G “the book of ruins Films” and desire” Tamara Falicov G University of Kansas G “‘¡Ay, Estoy Karin Wimbley G DePauw University G “Stereotypy, tan embarazada!’: Failures in Film Marketing to Latinx Mammy, and Recovery in The Watermelon Woman” Audiences” Thomas Allen Harris G Family Pictures USA G Benjamin Pearson G University of Michigan G “Aiding “Narrating Our Histories: Black Queer Media” Failure: International Development Funding and Africa’s SPONSOR Queer Caucus First VOD Platform” Kevin Sandler G Arizona State University G “Zoinks!: The Curious Case of Scooby-Doo! Mystery Incorporated!”
SPONSOR Media Industries Scholarly Interest Group 125 SESSION J 11:15 am – 1:00 pm
MEETING MEETING 11:15 am – 1:00 pm 11:15 am – 1:00 pm Comedy and Humor Studies Scholarly Interest Group Scholarly Interest Group Coordinating Committee
ROOM Kent, 2nd floor ROOM Simcoe/Dufferin, 2nd floor
mission: for SIGs to discuss issues affecting their members and the Society at large. Representatives from the SCMS Board will be present at the meeting. All members are welcome, but this meeting will be of particular interest to SIG co-chairs and other representatives. FRIDAY MARCH 16
Explore . . . the SCMS Exhibit Area Sheraton Hall E & F, Lower Concourse see page 21 for Exhibit Hours
126 session K 1:15 – 3:00 pm FRIDAY I MARCH 16, 2018
K1 The Legacy of Robin Wood K2 ROUNDTABLE FRIDAY , Film Preservation Priorities CHAIR Greg Burris G American University of Beirut A Listening Session for SCMS Members CO-CHAIR Barry Keith Grant G Brock University , RESPONDENT Richard Lippe G York University CHAIR Jennifer Horne G University of California, MARCH K Santa Cruz Christopher Sharrett G Seton Hall University G 16 “Valuation and Film Criticism: Robin Wood in Retrospect” ROUNDTABLE PARTICIPANTS Matthew Bernstein G Emory University G “The Greg Burris G American University of Beirut G “Knocking on Wood: Humanist Openings in The National Film Preservation Board” Babadook and Under the Shadow” Jennifer Horne G University of California, Santa Cruz G “The National Film Preservation Board” Robert K. Lightning G Manhattanville College G “The Critic as Recalcitrant Humanist” Jeff Lambert G The National Film Preservation Foundation G “The National Film Preservation Foundation” Andy Uhrich G Indiana University Libraries G “Moving Image Archives Committee”
127 SESSION K 1:15 – 3:00 pm K3 Melodrama in Our Present K5 Meditations on the Media Arts The Now of Cultural Nationalism Image, Frame, Figure
, , CHAIR Jane Gaines G Columbia University CHAIR Gregory Flaxman G University of North Jane Gaines G Columbia University G “What if Moving Carolina at Chapel Hill Image Melodrama Was What We Exported to China?” Rick Warner G University of North Carolina at Chapel Hill Koel Banerjee G University of Minnesota G “‘Then G “Restyling Suspense: Frame, Atmosphere, and the as farce’: Melodrama, History, and Nationalism in Viewer-Screen Interface in Kiyoshi Kurosawa’s Creepy Contemporary India” and Olivier Assayas’s Personal Shopper” Carla Marcantonio G Loyola Marymount University Marcia Landy G University of Pittsburgh G “Outside the G “Melodramatic Film at the Crossroads of the Frame: Counter-History in Derek Jarman’s Auto/biopics, Anthropocene” Wittgenstein and Caravaggio” Rachel Schaff G University of Minnesota G “The Gregory Flaxman G University of North Carolina at Hitlerization of Evil” Chapel Hill G “The Gravity of the Image: Force and Frame in the Long History of Cinema” Bishnupriya Ghosh G University of California, Santa Barbara G “Living with Numbers: Digitality and the Screening of Chronic HIV Infection” K4 Programmed Utopia; or, SPONSOR Film Philosophy Scholarly Interest Group FRIDAY MARCH Remembering the Future 16 of Computation , CHAIR Jacob Gaboury G University of California, K6 Screen Acting and Identity Berkeley Analyzing the Performance of Social Types RESPONDENT Jasmine Rault G University of Toronto, Mississauga , CHAIR Cynthia Baron G Bowling Green State Jacob Gaboury G University of California, Berkeley G University “Procedure Crystallized: Computation, Historicity, Theory” Cynthia Baron G Bowling Green State University G “Performance and Third Cinema Aesthetics in Bush Scott Richmond G University of Toronto G “Logo, Mama” Microworlds, and the Utopia of the Screen” Scott Balcerzak G Northern Illinois University G Laine Nooney G New York University G “‘The “Performing Fonzie: Henry Winkler, Stella Adler, and Computerized Home of Tomorrow’: The Xanadu the Italian ‘Greaser’ as Pastiche” Homes and the American Fantasy of Privatized, Computational Living” Mark Gallagher G University of Nottingham G “Male Modeling: Sexiness in Screen Performance” SPONSOR Media, Science, and Technology Scholarly Interest Group Celestino Deleyto G University of Zaragoza G “Performing Cosmopolitanism: Julie Delpy and Ethan Hawke in Richard Linklater’s Before Trilogy”
128 1:15 – 3:00 pm SESSION K K7 Landscapes, Horizons, Borders K9 Queer Interface Video Games, Embodiment, and Code , CHAIR Ryan Conrath G Syracuse University , Ryan Conrath G Syracuse University G “Intervallic CHAIR Whitney Pow G Northwestern University Ecologies: The Role of Montage in Experimental Teddy Pozo G University of California, Santa Barbara G Landscape Cinema” “Radical Softcore Games: Haptic Game Controllers, Mi Jeong Lee G Quebec University in Montreal G Conductive Textiles, and Femme Hacking Histories in “Horizon Aesthetics in the Cinema of Hong Sang-Soo: Queer Game Design” The Liminality and Liquidity of In Another Country” Whitney Pow G Northwestern University G Daryl Meador G New York University G “Ethics and “c://Downloads/Deep Pit/Deeper/Deeper: A Queer Affects of GoPro Images in Border Studies” Politics of Computing in Porpentine’s Video Game Foldscape” Justin Shanitkvich G New York University G “On Excess: Gastronomic Landscapes in Babette’s Feast and Aubrey Anable G Carleton University G “The Domestic The Cook, the Thief, His Wife & Her Lover” Interface and Queer Time in Gone Home” Ricardo Zulueta G University of Miami G “Queer Countergaming Narratives: Ascending Levels in Ryan
Trecartin’s Priority Innfield” FRIDAY SPONSOR Video Game Studies Scholarly Interest Group K8 Mapping Audiences The Use of Cartography in Fan and Audience Studies MARCH
, 16 CHAIR Marta Boni G University of Montreal K10 Eco/Eco The Environmental Ramifications of Jeffrey Klenotic G University of New Hampshire G Media Economics “Mapping Local Histories in Global Contexts: GIS and the Prospects for Cinema History from Below” , Marta Boni G University of Montreal G “This Is How It CHAIR Hunter Vaughan G Oakland University Looks from Here: Geolocalizing Traces of Reception” Hunter Vaughan G Oakland University G “Economics Daniela Treveri-Gennari G Oxford Brookes University G and Ecosystem in Miami’s Underwater Cinematography “Cinematic Cartography: Geovisualizations of Postwar Culture” Cinema-Going Experiences and Their Challenges” Justin Rawlins G University of Tulsa G “Programming Giuseppe Fidotta G Concordia University, Montreal G the Once and Future North: Alaskan Production Tax “Let’s Map Them All: New Populist Cartography for Credits, Extraction Industries, and the Environment in Media Studies” Reality TV” G G SPONSOR Fan and Audience Studies Scholarly Interest Group Pietari Kaapa Warwick University “Environmental Policy for Film Production: From Materialities to Management” Zenia Kish G Stanford University G “Remediating the Farm: Africa’s Data Revolution, Agricultural Development, and Precarious Farmers” SPONSORS Media and the Environment Scholarly Interest Group and Media Industries Scholarly Interest Group 129 SESSION K 1:15 – 3:00 pm
K11 Imaging Past, Present, Future K13 ROUNDTABLE Special Effects and Historiography Night of the Living Dead at 50 , Legacies for Genre, Politics, CHAIR Bob Rehak G Swarthmore College and Independent Cinema Bob Rehak G Swarthmore College G “Tracing , the Canals of Mars: Science, Special Effects, and CHAIR Adam Lowenstein G University of Pittsburgh Worldbuilding from Percival Lowell to John Carter” ROUNDTABLE PARTICIPANTS Julie Turnock G University of Illinois, Urbana-Champaign G “Faith in the Animated or Faith in the Photographic?: Tom Gunning G University of Chicago G “Film Genre Digital Effects since 1991” Theory and Cinema’s Uncanniness” Lisa Purse G University of Reading G “Surface Adam Lowenstein G University of Pittsburgh G Pleasures: Digital Materiality Reconsidered” “‘Implicit’/‘Explicit’ Politics of Racial Representation” Lisa Bode G University of Queensland G “The Shifting Isabel Pinedo G Hunter College, CUNY G “Visual Horizons of the Digital Face as Visual Effect: Science, Economies of Gender and Race” Technology, Cultural Reception” Adam Simon G University of Pittsburgh G “Genre and Independent Cinema Beyond Oppositions”
FRIDAY K12 Sketchy Humorists MARCH Black Sexuality in the Comic Works of K14 Sounding Out Cartoons 16 Spencer Williams, Josephine Baker, Examining the Animated Film Soundtrack and Larry Fuller , , CHAIR Colleen Montgomery G Rowan University CHAIR Terri Francis G Indiana University CO-CHAIR Katherine Quanz G University of Wisconsin– RESPONDENT Glenda Carpio G Harvard University Madison Terri Francis G Indiana University G “Josephine Baker’s Jennifer Fleeger G Ursinus College G “Marni Nixon Oppositional Burlesque: Strategic Incongruity and Film Unsung: Animating the Diva of Dubbing” Pioneering” Colleen Montgomery G Rowan University G “‘Leased Jacqueline Stewart G University of Chicago G “ The Larynxes’: Tracing the Industrial History of Vocal Girl in Room 20: Spencer Williams’ Comedies of Black Performance in Disney Animation in the 1930s – 1940s” Female Performance” Katherine Quanz G University of Wisconsin-Madison G Rebecca Wanzo G University of Washington at St. Louis “Animation in Stereo: Rock Musicals, Dolby, and the G “Rape and Race in the Gutter: Larry Fuller and White Toronto Resistance” Whore Funnies” Robynn Stilwell G Georgetown University G “Writing SPONSORS Comedy and Humor Studies Scholarly Interest Group Your Own Story in The Book of Life: Singing Yourself in and Oscar Micheaux Society Animated Films of the 2010s” SPONSOR Animated Media Scholarly Interest Group
130 1:15 – 3:00 pm SESSION K K15 Radical Romantic Comedy K17 The Inevitable Dialogue , of TV Industries CHAIR Maria San Filippo G Goucher College Transnational Tensions of Production, Distribution, and Competition Leslie Abramson G Loyola University Chicago G “Evidence to the Contrary: Matrimony & Legal , Interventionism in Silent Divorce Comedies” CHAIR Carolina Acosta-Alzuru G University of Sueyoung Park-Primiano G Ithaca College G “The Georgia Awkward Truth: Failure to Romance and the Art of Christa Salamandra G Graduate Center, CUNY G “An Decoupling in the Films of Hong Sang-soo” Exilic Industry: Syrian Television Drama” Maria San Filippo G Goucher College G “Love Crimes: Juan Piñón G New York University G “ El Señor de los Incest, Murder, and Queer(ing) Romcom” Cielos, A Hit Forged in Multiple Digital Platforms of Kyle Stevens G Appalachian State University G “The Distribution for Transnational Consumption” Sweet, Sweet Invisible Climax of The Telephone Book” Arzu Öztürkmen G Bog˘aziçi University G “Disguised SPONSOR Comedy and Humor Studies Scholarly Interest Group Impact of the Distribution Processes in Turkish Television: Domestic Strategies for the Global Dizi” Carolina Acosta-Alzuru G University of Georgia G “Ratings or International Sales?: Local and Global FRIDAY Market Tensions for Telenovela and Turkish Dizi K16 Absence in Cinema Producers” SPONSORS Middle East Caucus and Television Studies , Scholarly Interest Group MARCH CHAIR Justin Remes G Iowa State University 16 Colin Gardner G University of California, Santa Barbara G “Ecosophical Chaoids: Drilling Into Language with Guy Debord’s Hurlements en Faveur de Sade” Justin Remes G Iowa State University G “Martin Arnold’s Disappearing Act” Tanya Shilina-Conte G SUNY Buffalo G “This Video Does Not Exist: A Remix of Blank Screens in Cinema” SPONSORS Digital Humanities and Videographic Criticism Scholarly Interest Group and Experimental Film and Media Scholarly Interest Group
131 SESSION K 1:15 – 3:00 pm K18 Transgressive Desires, K20 The Documentary Turn Radical Metamorphoses, , Visionary Ecologies CHAIR Brian Winston G University of Lincoln The Queer Worlds of João Pedro Rodrigues CO-CHAIR Michael Renov G University of Southern , California G CHAIR Roy Grundmann G Boston University RESPONDENT Su Friedrich Princeton University Jose Gatti G Universidade Federal de Santa Catarina G Michael Renov G University of Southern California G “Elusive Boundaries” “New Documentary Horizons” Joaquin Terrones G Massachusetts Institute of Technology Brian Winston G University of Lincoln G “‘Extreme G “‘A festa dos rapazes’: Autobiography, Hagiography, Post-modern Skepticism’ in the Context of and the Doubled Deviant Self in O Ornitólogo” Contemporary Documentary Studies” David Pendleton G Harvard Film Archive G “Queer Patricia Zimmermann G Ithaca College G Utopian Reflections on Subjectivity and Embodiment, “Documentary and the Digital Turn” or Metamorphoses in the Films of João Pedro SPONSOR Documentary Studies Scholarly Interest Group Rodrigues” David Pendleton’s abstract will be read in memoriam by his colleagues. The panel will include time for attendees to pay tribute to David. K21 Networks of Cinemas of India FRIDAY Industrial, Technological, MARCH and Trans-Regional Traffic 16 Before and After Bollywood
K19 Studio Architectures , Environments, Materials, Labor CHAIR Monika Mehta G Binghamton University , Anupama Kapse G Loyola Marymount University G CHAIR Justus Nieland G Michigan State University “The Bulbul of India: Shanta Apte, Language, and Noa Steimatsky G University of California, Berkeley G Economies of Regional Stardom” “9 Km. South of Rome” Swarnavel Eswaran G Michigan State University G Sarah Street G The University of Bristol G “Pinewood “Remakes and Adaptations: Culture, Industry, and Studios, the Independent Frame, and Innovation” Translations” Alla Gadassik G Emily Carr University G “Fantasyland: Anustup Basu G University of Illinois at Urbana-Champaign Walt Disney Studio at Burbank” G “Cosmopolitanism and Bombay Cinema of the Fifties” Justus Nieland G Michigan State University G “Eames- Wilder: 901 between Work, Play, and Knowledge Work” SPONSOR Urbanism/Geography/Architecture Scholarly Interest Group
132 1:15 – 3:00 pm SESSION K K22 Women, Creative Agency, MEETING and Sound Era Cinema 1:15 – 3:00 pm Questions of Method and History Caucus Coordinating Committee , 2 CHAIR Melanie Bell G University of Leeds ROOM Kent, 2nd floor CO-CHAIR Helen Hanson G University of Exeter mission: for Caucus co-chairs or their representatives Melanie Bell G University of Leeds G “Below the Line to update the Committee about caucus activities, and Outside History: Female Technicians and the events, programs, and potential collaborations. British Film Industry, 1930 – 1970” Caucus representatives will also receive updates from Helen Hanson G University of Exeter G “Textures of the SCMS Board liaison and can raise any questions, Choice, Genres of Work: Gender, Scale, and Agency in concerns, or ideas for Board consideration. Classical Hollywood Production Histories” Shelley Stamp G University of California, Santa Cruz G “Film Noir’s ‘Gal Producers’ and the Female Market” Lisa Stead G University of Exeter G “Out of the Shadows: Women’s Star Archives, Intimacy, and MEETING Creative Agency” 1:15 – 3:00 pm FRIDAY SPONSORS Classical Hollywood Scholarly Interest Group and Women in Screen History Scholarly Interest Group Film Philosophy Scholarly Interest Group MARCH ROOM Simcoe/Dufferin, 2nd floor 16
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133 session L 3:15 – 5:00 pm FRIDAY I MARCH 16, 2018
L1 Unpacking the Expedition Film L2 The Politics of Identity , across Sports Media CHAIR Scott Curtis G Northwestern University , Gregory Waller G Indiana University G “African CHAIR Aaron Baker G Arizona State University FRIDAY MARCH Expedition Films ofL the Early 1910s and the History of Travis Vogan G University of Iowa G “Muhammad Ali 16 Non-fiction Commercial Cinema” and The Super Fight: The Cultural Politics of Closed Alison Griffiths G Baruch College, CUNY G “In Marco Circuit Boxing Broadcasts” Polo’s Footsteps: The Enigma of Expedition Cinema” Jason Kido Lopez G University of Wisconsin-Madison G Scott Curtis G Northwestern University G “Film, “Interconnected Brands: The Ambivalent Relationship Photography, and the Danish Ethnographic Expedition between ESPN and the NFL” to Qatar” Guy Harrison G Youngstown State University G SPONSORS Scandinavian Scholarly Interest Group and “Putting in the Work: Emotional Labor and the Silent Cinema Scholarly Interest Group American Female Sportscaster” Evan Brody G University of Wisconsin–La Crosse G “Imagining Athletic Progress?: Modern LGBT Sports Documentaries and the Depiction of Difference”
134 3:15 – 5:00 pm SESSION L
L3 ROUNDTABLE L5 Calling the Shots? Digital Processes and Racial The Practitioner Interview in British Formations Women’s Cinema From the Alt-Right to Afrofuturism , G , CHAIR Linda Ruth Williams University of Exeter CO-CHAIR Natalie Wreyford G University of CHAIR Wendy Chun G Brown University Southampton ROUNDTABLE PARTICIPANTS RESPONDENT Christine Cornea G University of East Anglia Tara McPherson G University of Southern California G Linda Ruth Williams G University of Exeter G “‘. . . “Digital Platforms and Hate Speech” and I just think, ‘why didn’t I direct that?’’: Working Articulations of Women in British Film” Lisa Nakamura G University of Michigan-Ann Arbor G “Race, Gender, and Computer Labor Practices” Natalie Wreyford G University of Southampton G “Friend or Faux?: Interviewing Friends, Colleagues, and Kara Keeling G University of Southern California Influencers about Gender Inequality in the UK Film G “Modulation, Speculation, and Black Radical Traditions” Industry” Ania Ostrowska G University of Southampton G Wendy Chun G Brown University G “Big Data and Race” “British Women Documentarians: Authorial Agency in FRIDAY the Act of Filmmaking”
MARCH L4 Teleinteractivity 16 The Interactive Aesthetics and Embodied L6 Queer Bodies Experience of VR Environments Disability, Affect, Performance , , CHAIR Sara Palmer G Emory University CHAIR Maja Manojlovic G University of California, Los Angeles Sara Palmer G Emory University G “To Cohere as Queer: Mental and Physical Disability in Midnight Jonathan Cohn G University of Alberta G “Going against the Flow: Critical Distance in Anti-immersive VR Cowboy” Games” Jules O’Dwyer G University of Cambridge G “Coming and Going: Barthes, Nolot, and the Porn Theatre” Vito Zagarrio G Università Roma Tre G “Virtual Reality and The Postmodern Impegno” Emma Ben Ayoun G University of Southern California G “Life that Lasts Forever: Derek Jarman and the Limits of Malvina Giordana G Università Roma Tre G “If the Invisible Part Takes Shape: Note on Blindness, Zero the Body” Days, and the Possibility of a ‘Contact-space’” Kyler Chittick G Independent Scholar G “Locating Zoe: Queer Affect, Vitalism, and the Posthuman in Beasts of Maja Manojlovic G University of California, Los Angeles the Southern Wild and Mulholland Drive” G “The ‘Interworld,’ ‘Body of Sensation,’ and Teleinteractive Aesthetics of Tilt Brush VR”
135 SESSION L 3:15 – 5:00 pm L7 Aesthetics of Attunement L9 Global Projections of Latinx , America CHAIR Iggy Cortez G University of Pennsylvania , CO-CHAIR Rizvana Bradley G Yale University CHAIR Juan Llamas-Rodriguez G University of Texas Nick Salvato G Cornell University G “The Art of In- at Dallas Fidelity in Lions Love (. . . and Lies)” CO-CHAIR Bianka Ballina G University of California, Iggy Cortez G University of Pennsylvania G “Eyes Wide Santa Barbara Open, Eyes Wide Shut: Cemetery of Splendor’s Spectral Luisela Alvaray G DePaul University G “Netflix in Latin Ecology” America / Latin America on Netflix” Rizvana Bradley G Yale University G “Kathleen Collins’s Bianka Ballina G University of California, Santa Barbara Losing Ground: The Lost Object of Black Ecstatic G “Mediating Internationalism and Historical Memory Experience” in Post-Socialist Cuba” Rosalind Galt G King’s College London G “Mongrel Juan Llamas-Rodriguez G University of Texas at Dallas Attunement in White God” G “Specters of Narcotrafficking in Latin American SPONSORS Film Philosophy Scholarly Interest Group and Television” Transnational Cinemas Scholarly Interest Group Isabel Molina-Guzmán G University of Illinois at Urbana-Champaign G “ East Los High and the Digital Globalization of Chicanas” SPONSORS Latino/a Caucus, Media Industries Scholarly Interest
FRIDAY Group, and Television Studies Scholarly Interest Group MARCH L8 Movies and Movie Theaters 16 Activism and Elegies
, CHAIR William Stevenson G Newington College L10 Geo-Mediologies of the Screen Zeynep Yasar G Indiana University Bloomington G “Saving a Movie Theater as Civic Duty: Urbanization , and Grassroots Resistance in Istanbul” CHAIR Adam Nocek G Arizona State University Scott Rodgers G Birkbeck, University of London G CO-CHAIR Patricia Pisters G University of Amsterdam “#saveourcinema: Social Media Platforms and the Adam Nocek G Arizona State University G “Geologies Ambient Urban Politics of Cinema Preservation” of Cinema and Myth: On the Expanded Laboratory of William Stevenson G Newington College G Jan Švankmajer” “Los Angeles after Cinema” Patricia Pisters G University of Amsterdam G “Canary in a Coal Mine: Carbon Cinema and Three Ecologies of Energy” Jonathan Beller G Pratt Institute G “Toxic Finance: On the Geomediation of Violence” Erin Espelie G University of Colorado Boulder G “Tectonic Frame Shifts: Mining in Today’s Hybrid Cinema”
136 3:15 – 5:00 pm SESSION L L11 Exploiting Seriality L13 Horror and New Media, Low-Budget Serial Production and the Horror of New Media in U.S. and Italian Cinema , , CHAIR Adam Hart G North Carolina State University CHAIR Frank Krutnik G University of Sussex Shane Denson G Stanford University G “The Horror Frank Krutnik G University of Sussex G “Deliberately of Discorrelation: Mediating Unease in Post-Cinematic Engineered Ephemerality: Larry Darmour as Serial Cine- Screens and Networks” Entrepreneur” Cecilia Sayad G University of Kent G “Reality Ghosts: Peter Stanfield G University of Kent G “Strange Digital Images and the Material World” Excitements: Seriality, the Outlaw Biker Movie, and Its Adam Hart G North Carolina State University G “Shock Audience” Tactics: YouTube ‘Screamers’ and a Shock-Based Austin Fisher G Bournemouth University G “Recycling Theory of Horror Spectatorship” The Godfather: Popular Seriality in Italian Mafia Films” Kevin Chabot G University of Toronto G “Beware the Stefano Baschiera G Queen’s University Belfast G “Do Slender Man: Digital Horror in Networked Culture” It Again, but Cheaper: The Sequels in Italian Genre SPONSOR Horror Studies Scholarly Interest Group Cinema of Imitation, 1978 – 1988” FRIDAY
L12 Indigenous Identities in Motion L14 Gaming Cultures and Player MARCH Communities , 16 , CHAIR Corinn Columpar G University of Toronto CHAIR Amy Dawson-Andoh G University of Michigan Corinn Columpar G University of Toronto G “ Charlie’s G Ann Arbor Country, Gulpilil’s Body” Amy Dawson-Andoh G University of Michigan, Ann Christopher Gittings G Western University G Arbor G “Blurring the Line between Amateur and “Indigenous Canadian Cinemas: Negotiating the Professional: The Unofficial Localization of Mother 3” Precarious” Eric Freedman G Columbia College Chicago G “New Yifen Beus G Brigham Young University Hawaii G Media Ecosystems: Amazon, Media Studies, and the “Moana Talks Back: Indigenizing the Soundscape of Video Game Development Pipeline” Disney’s Moana (2016)” Reem Hilu G McGill University G “Computing Couples: Alok Amatya G University of Miami G “Towards a Marital Self-Help Software in the 1980s” Global Legibility of Indigenous Struggles: Itineraries of Conflict in Standing on Sacred Ground” Sean Duncan G University of Virginia G “Always Be Running: Mediating Play through Interface Design” SPONSOR Video Game Studies Scholarly Interest Group
137 SESSION L 3:15 – 5:00 pm L15 Listeners 2.0 L17 The Everyday Poetics Musical Streams, Authors, and Remixes of Digital Media , Perspectives from South Asia CHAIR Kariann Goldschmitt G Wellesley College , Kate Galloway G Wesleyan University G “‘What’s in my CHAIR Lia Wolock G University of Wisconsin- Keds box’: Musicking and Circulating the Materiality Milwaukee and Aurality of Taylor Swift’s Web 2.0 Fandom” Padma Chirumamilla G University of Michigan, Ann Paula Harper G Columbia University G “‘I am no longer Arbor G “The Ragged Edge of the Digital Dream: Cable looking forward to the weekend’: Hating, Loving, Television, Cinema Halls, and Programmatic Control in Remixing ‘Friday’” Andhra Pradesh” Kariann Goldschmitt G Wellesley College G “The Long Sriram Mohan G University of Michigan, Ann Arbor G History of the 2017 Spotify ‘Fake Music’ Scandal” “Transacting to Belong: Mobile Payments and the Thomas Johnson G Graduate Center, CUNY G “‘All We Mediation of Technological Citizenship in Digital India” Got’: Hip-Hop, Spotify, and Demographic Delimitation Patrick Jones G University of Oregon G of Genre” “‘Tamper-Proof’: Electronic Voting Machines, Indian SPONSOR Sound and Music Studies Scholarly Interest Group Elections, and the Sociotechnical Imaginary” Lia Wolock G University of Wisconsin- Milwaukee G “Digital Archives, American Dreams, and the Making of South Asian Futures”
FRIDAY SPONSOR Media, Science, and Technology MARCH L16 Mad Women and Furious Men Scholarly Interest Group 16 Anger, Gender, and Contemporary Media Politics
, CHAIR Elizabeth Nathanson G Muhlenberg College L18 ROUNDTABLE Hollis Griffin G Denison University G “Grabbing Back: Anger, Gender, and the 2016 Election” Queer Sex and Contemporary David Gurney G Texas A&M University-Corpus Christi G Cinema “‘Hillary Clinton Is a God Damn Demon!’: The Paranoid , Style and Hypermasculine Anger in Mediated Political CHAIR Connor Winterton G Birmingham City Discourse” University Jessica Johnston G University of Wisconsin-Milwaukee ROUNDTABLE PARTICIPANTS G “White Women’s Wrath: Reconsidering Feminist Narrative Television in a Post-Election Context” Andrew Moor G Manchester Metropolitan University G Elizabeth Nathanson G Muhlenberg College G “Bee’s “Sexual Objectification/Non-Objectification: Visibility Sting: Feminist Anger on Nighttime Cable Television” or Reductiveness?” Michele Aaron G University of Warwick G “What’s Queer About ‘Queer Sex’?” Desirae Embree G Texas A&M University G “Scissoring and Cinema’s Lesbian Imaginary” SPONSORS Adult Film History Scholarly Interest Group and 138 Queer Caucus 3:15 – 5:00 pm SESSION L L19 Uncanny Histories L21 When Words Fail? Weaving Warily between the Essay Film , and the Videographic Essay CHAIR Patrice Petro G University of California, Santa Barbara , Elizabeth Goodstein G Emory University G “Simmel, CHAIR Lesley Stern G University of California, San Diego Kracauer, Benjamin” CO-CHAIR Katrin Pesch G University of California, San Diego Naomi DeCelles G University of California, Santa Barbara RESPONDENT Corey Creekmur G University of Iowa G “Curating Lotte Eisner” Julia Vassilieva G Monash University G “Montage Maria Corrigan G Concordia University G “Circling the Square: Eccentric Archives and Russian Film Reloaded: From Russian Avant-Garde to the Historiography” Videographic Essay” Patricia White G Swarthmore College G “On Lesbian Representation” Tracy Cox-Stanton G Savannah College of Art and Design G “‘Operating on the object’s scattered parts’: From L20 The Historicity of the Essay Film to the Video Essay” Stranger Things Katrin Pesch G University of California, San Diego G FRIDAY “The Poisoned Flume: On Material Resources and , Meaning Making in the Videographic Essay” CHAIR Jason Middleton G University of Rochester Joel Burges G University of Rochester G “Gothic MARCH Obsolescence, Netflix Nostalgia” 16 Jason Middleton G University of Rochester G “The 1950s of Stranger Things” L22 Hollywood’s Industry Amy Rust G University of South Florida G “Digital Strategies Revised Props: Recycled Media and the Upside Down” , 2 Frances Smith G University of Sussex G “Nostalgia, CHAIR Janet Staiger G University of Texas at Austin Pastiche, and Stardom: Considering Winona Ryder in Stranger Things” Wyatt Phillips G Texas Tech University G “Early Hollywood’s Genre System: Building Protocols of Reception, Training Viewers, and Normalizing the Mass Audience” Janet Staiger G University of Texas at Austin G “‘To Turn Words into Pictures’: Screenwriting in the Package-Unit Era” Shawna Kidman G University of California, San Diego G “‘For Internal Use Only’: Memos, Blockbusters, and Financing at the Dawn of the Tent-Pole Film” Elissa Nelson G Bronx Community College, CUNY G “Studio Divisions: Conglomerate Organizational Structure and Its Effects on Distribution Windows”
139 SESSION L 3:15 – 5:00 pm
MEETING MEETING 3:15 – 5:00 pm 3:15 – 5:00 pm Caucus on Class Fan and Audience Studies
ROOM Kent, 2nd floor Scholarly Interest Group ROOM Simcoe/Dufferin, 2nd floor topics and agenda items include: upcoming Caucus elections; plans to network and organize around the topics and agenda items include: breakout sessions on amalgam of crises surrounding academic labor various research, graduate student, and career queries, in conjunction with the Comics Studies SIG FRIDAY MARCH 16
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140 SPECIAL EVENT FRIDAY, MARCH 16 5:00 – 6:00 pm Graduate Student Reception ROOM Civic Ballroom, 2nd floor All graduate student members are invited to meet, mingle, and network at this Graduate Student Happy Hour. Take a break from an otherwise very busy conference and get to know the next generation of media scholars.
SPONSORED BY: Ryerson University, Office of the University of Toronto, St. George campus, Vice President for Research Book and Media Program at St. Michael’s College Ryerson University, Faculty of University of Toronto, St. George campus, Communication and Design McLuhan Center Ryerson University, School of Image Arts University of Toronto, Mississauga campus, University of Toronto Libraries, St. George Institute of Communication, Culture, FRIDAY campus (including Media Commons) Information & Technology University of Toronto, St. George campus, York University, School of Arts, Media, Cinema Studies Institute Performance, & Design (AMPD) University of Toronto, St. George campus, York University, Department of Cinema & Media Arts MARCH Faculty of Arts & Sciences York University, Graduate Program in Film 16 University of Toronto, Scarborough York University, Graduate Program in Communication campus, Department of English & Culture University of Toronto, Mississauga campus, OCAD University, Indigenous Visual Culture Program Department of Visual Studies and Culture Shifts Documentary Series
Cinema Studies Institute LIBRARIES
English
Institute of Communication, Culture, Information & Technology
FACULTY OF INFORMATION McLuhan Centre for Culture & Technology
141 MEETING RECEPTION 6:00 – 7:45 pm 6:00 – 8:00 pm Television Studies Scholarly Interest Group University of California, Santa Cruz Department of Film & Digital Media ROOM York, Mezzanine Reception
ROOM Chestnut West, Mezzanine Reception for faculty, students, friends, and those interested in our program. MEETING 6:00 – 7:45 pm Video Game Studies Scholarly Interest Group ROOM Maple West, Mezzanine RECEPTION 6:00 – 8:00 pm University of California, FRIDAY MARCH Los Angeles Reception MEETING 16 ROOM Willow East/Foyer, Mezzanine 6:00 – 7:45 pm Reception for UCLA faculty, students and alumni hosted by Libraries & Archives UCLA’s Department of Film, Television and Digital Media. Scholarly Interest Group
ROOM Cedar, Mezzanine Inaugural members meeting. RECEPTION 7:00 – 9:00 pm New York University Department of Cinema Studies Reception
ROOM Birchwood Ballroom, Mezzanine Reception for faculty, students, alumni, and friends of the Department.
142 SPECIAL EVENT FRIDAY, MARCH 16 7:00 – 9:30 pm Mediated Belongings INDIGENOUS FILM AND ENVIRONMENTAL JUSTICE LOCATION OCAD University Auditorium, 100 McCaul Street, Room 190
DIRECTIONS From Sheraton Centre, head west on Queen Street West for .3 miles to McCaul Street Turn right on McCaul Street and follow north for .2 miles to OCAD University at 100 McCaul Street (.5 miles, 10-minute walk). Come join us for an international screening event to champion the art and vision of Indigenous peoples in a time of accelerated environmental destruction and social injustice. Coordinated by the Media and the Environment, Scandinavian, and Documentary Scholarly Interest Groups as well as the Latino/a Caucus, “Mediated Belonging” brings together Indigenous artists, social activists, and environmental media scholars to spotlight Indigenous filmmakers’ contributions to critical debates on globalization, climate change, and environmental justice. Moderated by environmental media and Arctic film scholar Anna Stenport, “Mediated Belonging” places Toronto-based FRIDAY artists and activists in conversation with transnational efforts to address issues of decolonization, ecological and social change, and media sovereignty in this stage of the Anthropocene. Toronto-based Métis/Algonquin director and actor Michelle Latimer, will join the event for the screening of her latest documentary short, Nuuca (2017), which explores the connections between industrial exploitation of the land and violence inflicted on Indigenous women and girls. This will be screened alongside two short films by Blackfoot and Sámi writer/director/producer/actor Elle-Máijá Tailfeathers: the 2011 anti-fracking MARCH documentary Bloodland and the auto-biographical Bihttoš (2015), plus Yaasib Vázquez Colmenares’ documentary Yubán 16 (Live Earth) (“Yubán [Tierra Viva]”, 2011), about a Zapotecan community in a state of radical cultural transition. Latimer and Stenport will be joined for a post-screening Q&A by Jason Ryle, Executive Director of Toronto’s ImagineNATIVE Film & Media Arts Festival, the world’s largest presenter of Indigenous screen content. In collaboration with OCAD University’s Indigenous Visual Culture Program and Culture Shifts Documentary series, and the Women and Gender Studies Institute at the University of Toronto, and fully catered by the First Nations-owned NishDish, we invite you to join us in supporting local organizations that advocate for ecology, social justice, and food sovereignty. This is a free event. Sponsored happy hour beginning at 6 pm at Sin & Redemption, 136 McCaul Street (Just north of Dundas Street West and a 5-minute walk from OCAD University). OCAD University Auditorium doors open at 7:00 pm. Event begins at 7:30 pm.
SPONSORED BY SCMS University of Toronto, Documentary Studies Scholarly Interest Group Women and Gender Studies Institute Latino/a Caucus OCAD University, Indigenous Visual Culture Program Media and the Environment Scholarly Interest Group and Culture Shifts Documentary Series Scandinavian Scholarly Interest Group EVENT COORDINATORS Selmin Kara, Missy Molloy, Hunter Vaughan
Women and Gender Studies Institute
143 SPECIAL EVENT FRIDAY, MARCH 16 7:30 – 9:30 pm Tribute to Chuck Kleinhans ROOM Civic Ballroom, 2nd floor Please join fellow members of SCMS for a collective celebration of our late colleague Chuck Kleinhans, whose scholarship, teaching, personal warmth, political convictions, and boundless mentoring across so many fields in media studies made such a difference in so many of our lives. Following short testimonials from close friends, colleagues, and former students, we invite you to share your warm thoughts about Chuck, informally, with other attendees.
SPONSORED BY Northwestern University, Concordia University, Mel Hoppenheim School of Cinema Department of Radio/Television/Film Gina Marchetti, University of Hong Kong SCMS Caucus on Class University of California, Los Angeles, Latino/a Caucus School of Theater, Film and Television Queer Caucus Northwestern University, Women’s Caucus Gender & Sexuality Studies Program Adult Film History Scholarly Interest Group
FRIDAY New York University, Tisch School of the Experimental Film and Media Scholarly Interest Group MARCH Arts, Cinema Studies Department Television Studies Scholarly Interest Group 16 EVENT COORDINATORS Miriam J. Petty, Chris Holmlund
Department of Radio/Television/Film
MEETING RECEPTION 8:00 – 9:45 pm 8:00 – 10:00 pm Black Caucus Graduate Journal Reception ROOM Linden, Mezzanine ROOM Willow West, Mezzanine Reception for graduate-run publications to share information about upcoming issues and publishing opportunities with members of SCMS.
144 session M 9:00 – 10:45 am SATURDAY I MARCH 17, 2018
M1 The Prop and Its Properties M2 Cripping Film Theory Diegetic Things in History and Theory What Can We Learn about Spectatorship from Disability Studies , CHAIR Elena Gorfinkel G King’s College London , Charles Wolfe G University of California, Santa Barbara CHAIR Slava Greenberg G Tel Aviv University G MRESPONDENT Laura U. Marks G Simon Fraser University “Property Management: Early Chaplin and Slapstick Props” Rebecca Sanchez G Fordham University G “Deafening SATURDAY John David Rhodes G University of Cambridge G “The Chaplin: Critical Deafness and the Advent of the Prop as Thing and Possession” Talkies” Jocelyn Szczepaniak-Gillece G University of Wisconsin– Allison Ross G University of Southern California G Milwaukee G “Acid Tests: The Drug as Prop” “Making Sense out of Non-normative Sexual Identity and Disability in Works by Derek Jarman” Elena Gorfinkel G King’s College London G “‘Nice Slava Greenberg G Tel Aviv University G “A Shift Texture to That Velvet’: The Labor of Decor in the Skin MARCH Flick” in Perception: Rethinking Sight and Spectatorship through Avant-Grade Animation” 17 Kathleen McHugh G University of California, Los Angeles G “New Familiars: Touching and Tasting with/as the Disabled Body”
145 SESSION M 9:00 – 10:45 am M3 The Cinema of Kelly Reichardt M5 Fragmented Archives Sounds and Visions in the American and Industries Landscape Research Challenges in Postwar , Hollywood Historiography CHAIR Steven Rybin G Minnesota State University, , Mankato CHAIR Emily Carman G Chapman University Steven Rybin G Minnesota State University, Mankato G Daniel Gomez Steinhart G University of Oregon G “On Certain Colors in Kelly Reichardt’s Films” “‘Always at Your Film Service’: Researching the Therese Grisham G Oakton Community College G International Support Services for Hollywood’s Postwar “Temporal Breakdown: Maps, Signs, and Guides in Runaway Productions” Kelly Reichardt’s Wendy and Lucy and Meek’s Cutoff” Joshua Gleich G University of Arizona G “‘Scattered Rebecca Bell-Metereau G Texas State University G to the 4 Winds’: Exploring the Semi-Documentary “Full Frontal Nature: Challenging Landscapes in Kelly through Studio Archives” Reichardt” Ross Melnick G University of California, Santa Barbara G Murray Pomerance G Ryerson University G “Kelly “Digging through Fox Holes: 20th Century-Fox, Global Reichardt’s Phantom Acousmêtre” Archives, and African Cinemas” Emily Carman G Chapman University G “A Misfit Cinema: Hollywood in Transition in 1961” SPONSOR Classical Hollywood Scholarly Interest Group M4 Defining “Appropriate Fandom” , CHAIR Mark Stewart G University of Amsterdam Mel Stanfill G University of Central Florida G “Branding M6 Underground Circulations and Corralling: Media Industry Approaches to European Scenes of the 1960s and 1970s Audiences” , Suzanne Scott G University of Texas at Austin G CHAIR Juan Suárez G University of Murcia SATURDAY “Rethinking ‘Fan Investment’: Legion M and the Future MARCH Miguel Fernández Labayen G Universidad Carlos III de 17 of Fanancing” Madrid G “Promiscuous Cinema: The Underground Bertha Chin G Swinburne University of Technology G Films of Adolpho Arrieta, Antoni Padrós, and Iván “Media Power, Ontological Security, and the Auteur Zulueta” Fanboy: Joss Whedon’s Fall from Grace” Juan Suárez G University of Murcia G “The French Mark Stewart G University of Amsterdam G “Toxic ‘Corporeal Cinema’: Teo Hernández and Klonaris and Masculinity and Appropriate Fandom” Thomadaki” SPONSOR Fan and Audience Studies Scholarly Interest Group Michele Pierson G King’s College London G “Underground Performance Spaces: From the Arts Lab (London) to the Cantrill’s ‘Living Cinema’ program at The Maze (Melbourne)” SPONSOR Central/East/South European Cinemas Scholarly Interest Group
146 9:00 – 10:45 am SESSION M M7 Sculpting (Nuclear) Time M9 Canadian National Cinema Life, History, Affect, and Temporal in an Age of International Critique in Recent Films on Nuclear Ecologies Co-production , , CHAIR Peter Lester G Brock University CHAIR Livia Monnet G University of Montreal Peter Lester G Brock University G “Making Room: Daniel O’Neill G University of California, Berkeley G International Co-productions in Canada” “Cinema and the Genetic Imaginary: Re-wilding the Nuclear Exclusion Zones” Wendy Donnan G York University G “‘Survival of the Fittest’: International Co-productions, the Cultural Livia Monnet G University of Montreal G Capital of Film Festivals, and Global Art Cinema in “The (De)coloniality of Nuclear Time: Futurity, Affect, Canada” and Retro-Avant-Garde in Almagul Menlibayeva’s Video Installation Transformation (2016)” David Hanley G Carleton University G “A Unique Transnational Relationship: The Growth Industry of Mathieu Li Goyette G University of Montreal G “The India-Canada Collaborations and Co-productions” State, the Becoming of Postwar Japan, and the New Godzilla” Mary Arnatt G University of Calgary G “‘Giving Nature a Bad Name’: Co-producing Conflict in Cinepix’s State Suzanne Beth G McGill University G “Philippe Rouy’s Park” Fukushima Trilogy: Restoring Movement, Reclaiming Undecidability”
M10 Regionalism, Politics, and Film SATURDAY M8 New Takes on Archives , and Memory CHAIR Adam Ochonicky G University of Wisconsin– Oshkosh , Michael Reinhard G University of California, Los Angeles CHAIR Aleah Kiley G University of California, Santa G “Resentment and Post-Truth Aesthetics in Citizens Barbara United Documentaries” MARCH Aleah Kiley G University of California, Santa Barbara Andrée Betancourt G Montgomery College G “The G “Infrastructures of Indie: The Independent Games 17 Role of Sweded Videos in the Celebration and Critique Festival as Archive” of Place, Space, and Fandom” Megan Ankerson G University of Michigan G “Time Isaac Rooks G University of Southern California G Capsules and Memory Clouds: Material-Semiotic “Panic in Detroit: Don’t Breathe and the Fear of Old Histories of Media Archives” Cities, Homes, and Men” Ryan Lizardi G SUNY Polytechnic Institute G Adam Ochonicky G University of Wisconsin–Oshkosh G “The Development of Video Game Emulation “Documenting Failure, Nostalgia, and Resentment in and Its Subjective Nostalgic Experiences” the Midwest” Dimitrios Pavlounis G Carleton College G “A Tale of SPONSOR Urbanism/Geography/Architecture Tapes and Emails: Storage Media and the Potential for Scholarly Interest Group Political Scandal”
147 SESSION M 9:00 – 10:45 am M11 Off-Screen, Off-Center M13 Ring-a-Ding-Ding! Screenwriters, Marginality, Frank Sinatra in American Life and Media and Authorship in the Cinema , , CHAIR Jon Lewis G Oregon State University CHAIR Ellen Scott G University of California, CO-CHAIR Dana Polan G New York University Los Angeles RESPONDENT Scott Bukatman G Stanford University CO-CHAIR Donna Kornhaber G University of Texas at Keir Keightley G University of Western Ontario G Austin “Sinatra, Superstardom, and Media en Abyme” RESPONDENT Debbie Danielpour G Boston University Claudia Calhoun G New York University G “The Radio Donna Kornhaber G University of Texas at Austin G Adventures of Frank Sinatra: Rocky Fortune (1953 – 54) “Women’s Work: Anita Loos, Jeanie Macpherson, and and the Comeback” the Female Screenwriter in Silent-Era Hollywood” Dana Polan G New York University G “‘You under my Ellen Scott G University of California, Los Angeles G skin’: Modes of Audience Address in the Performances “Shadow Uprisings: Slavery and the Radical Imaginary of Frank Sinatra” before New Hollywood” Jon Lewis G Oregon State University G “Frank Sinatra J.J. Murphy G University of Wisconsin–Madison G and Surviving Celebrity in the American Century” “Alternative Forms of Scripting in the Films of Sean Baker: From Take Out to Tangerine”
M14 ROUNDTABLE M12 It’s Not a New Wave Mobilizing Cultural Competencies/ Re-engaging Feminist TV Theory Understanding Black Popular
, Mediated Identities CHAIR Meenasarani Murugan G Fordham University , G Leigh Goldstein G Northwestern University G “When CHAIR Bambi Haggins University of California, Irvine
SATURDAY Women Were Media: Television, Femaleness, and ROUNDTABLE PARTICIPANTS MARCH Feeling in the Mid-20th Century U.S.” Bambi Haggins G University of California, Irvine G “Lay 17 Jennifer Clark G Fordham University G “Local Theory and Common-Sense Cultural Competencies” Television in the Age of the Women’s Movement: The Feminist Production Practices of ‘Yes, We Can!’” Racquel Gates G College of Staten Island, CUNY G “How Media Texts Become Legible as Black” Alyxandra Vesey G University of Alabama G “Through Thick and Thin: Theme Song Vocality and the Kristen Warner G University of Alabama G “Nostalgia Amplification of Black Women’s Voices in Televisual and Disrespectability” Form, 1993 – 2008” Beretta Smith-Shomade G Emory University G Meenasarani Murugan G Fordham University G “Religious Ways of Being in Black Culture and Media” “Unfair & Lovely: Theorizing TV Surfaces through SPONSOR Black Caucus Mindy’s Project of South Asian Diasporic Visuality” SPONSOR Women’s Caucus
148 9:00 – 10:45 am SESSION M M15 Music Lessons M17 Pod People Sound and Music in the Media Industries Performing Alternative Sports Talk over Digital Channels , CHAIR Joan Titus G University of North Carolina at , Greensboro CHAIR Ethan Tussey G Georgia State University Joan Titus G University of North Carolina at Greensboro Matthew Perkins G University of California, Los Angeles G “The Experimental Turn (Away?): The Early Film G “Crossover Dribble: Medium-Specific Aesthetics and Scores of Gavril Popov and Vladimir Shcherbachyov” Labor in The Starters” Nicholas Forster G Yale University G “Writing Memory Ethan Tussey G Georgia State University G “Men in through a Fading Medium: The Improvisational History Blazers: The Promotion of ‘Crap’ Sports Commentary” of Jelly Roll Morton’s Library of Congress Recordings” Garret Castleberry G Mid-America Christian University Marco Ladd G Yale University G “Music, Mediated: G “Wrestling Fandom and Digital Convergence: The Revisiting the Film Scores of Italian Silent Cinema” Kitsch Class Consciousness of SiriusXM’s Busted Open Radio” Dafna Kaufman G Georgia State University G “Tip-Toeing on Thin Ice: Gender Representation in 30 for 30 Podcasts” M16 Violence, Law, and Genre SPONSOR Radio Studies Scholarly Interest Group in East Asian Cinemas , CHAIR Kristof Van den Troost G The Chinese University of Hong Kong
M18 Nonfiction Explorations SATURDAY Kristof Van den Troost G The Chinese University of Hong Global Documentary Kong G “Hong Kong’s ‘Illegal’ Censorship and the 1988 Censorship Law: The Censorship of Violence, or across Time and Space the Violence of Censorship?” , Belinda Qian He G University of Washington G “The CHAIR Charles Musser G Yale University Fantasy of People’s Trial: Class Struggle, the Enemy, and Charles Musser G Yale University G “The Documentary Alternative ‘Trial Film’ in China” Tradition: Histories, Genealogies, Formations” MARCH Kate Taylor-Jones G University of Sheffield G “Return Julie Lavelle G Indiana University G “Historicizing 17 to the Pink: Sion Sono, Anti-Porno (2016), and the Popular Seriality: Muckraking Journalism and the Film Resurgence of a Genre” Serial” Wei Yang Menkus G University of San Francisco G Ana Paula Hirano G Harvard University G “ Cabra “Violence in Jia Zhangke’s Films: Aesthetic, Design, and Marcado para Morrer and Peões: Temporal and Spatial Social Impact” Trajectories in Two Brazilian Documentary Films”
149 SESSION M 9:00 – 10:45 am
M19 Consent Puzzles M21 ROUNDTABLE Narratives and Media Debates “Post-Truth” Media Literacy on Sexual Consent , , CHAIR Catherine Zimmer G Pace University CHAIR Michele Meek G Bridgewater State University Katherine Karlin G Kansas State University G “‘A Known ROUNDTABLE PARTICIPANTS Rapist in my Apartment’: Saturday Night Fever and Eva Hageman G University of Richmond G “Reality TV: How We Define Rape” Scapegoat or G.O.A.T.?” Sarah Projansky G University of Utah G “Media, Roopali Mukherjee G Queens College, CUNY G “Race Feminism, and the Shifting Relationships among Title and Alternative Facts” IX, Consent, and Sexual Violence, January 20, 2017, to B. Ruby Rich G University of California, Santa Cruz G the present” “Urgency, Dismay, and Remaking Rhetoric” G G Cara Dickason Northwestern University Wendy Sung G University of Texas, Dallas G “‘Feeling’ “Consensual Sexual Selfies: Everyday Exposure in as Social Justice and Fact” Televised Teen Girls’ Digital Lives” Catherine Zimmer G Pace University G “Cinematic Michele Meek G Bridgewater State University G Identification and ‘Many Sides’” “Seduction or Rape?: Sexual Struggles in Teen Films” SPONSOR Critical Media Pedagogy Scholarly Interest Group SPONSOR Women’s Caucus
M20 VR Aesthetics M22 Queering Pornography Immersion and Empathy , 2 CHAIR Nicholas de Villiers G University of North , Florida CHAIR Paul Roquet G Massachusetts Institute of CO-CHAIR John Paul Stadler G Duke University Technology John Paul Stadler G Duke University G “The Queer SATURDAY Lindsay Palmer G University of Wisconsin–Madison G MARCH Heart of Porn Studies” “‘Present within Distant Worlds’: Virtual Reality in U.S. 17 War Reporting” Shaka McGlotten G Purchase College G “Streaking” G G Grant Bollmer G North Carolina State University G and Laura Helen Marks Tulane University “‘110% Katherine Guinness G University of North Carolina at Heterosexual’: Queer Heteroporn Fandom” Chapel Hill G “Empathy and Nausea” Nicholas de Villiers G University of North Florida G Paul Roquet G Massachusetts Institute of Technology “Camp versus Sex or Camp Sex in Tsai Ming-liang’s G “Living with Ambient Computation in Japanese VR Musical Films” Narratives” SPONSORS Queer Caucus and Brooke Belisle G Stony Brook University G “Whole Adult Film History Scholarly Interest Group World within Your Reach: GoogleEarth VR” SPONSOR CinemArts Scholarly Interest Group
150 9:00 – 10:45 am SESSION M
MEETING MEETING 9:00 – 10:45 am 9:00 – 10:45 am Scandinavian Radio Studies Scholarly Interest Group Scholarly Interest Group
ROOM Kent, 2nd floor ROOM Simcoe/Dufferin, 2nd floor
topics and agenda items include: areas of special interest in current and recent scholarship; opportunities for interdisciplinary collaboration inside and outside our SIG SATURDAY
MARCH 17
151 session N 11:00 am – 12:45 pm SATURDAY I MARCH 17, 2018
N1 ROUNDTABLE N2 Montage La La Land From Practice to Theory Mash-ups, Mix-ups, and the Musical , , CHAIR André Gaudreault G Université de Montréal CHAIR Steven NCohan G Syracuse University RESPONDENT Charlie Keil G University of Toronto André Gaudreault G Université de Montréal G ROUNDTABLE PARTICIPANTS “Actorial/Narratorial Cuts and the Articulations of David Lugowski G Manhattanville College G “Mashing Spatial Language in D.W. Griffith’s First Two Years at Up: Musicals and the Oscars” Biograph (1908 – 1910)” Adrienne L. McLean G University of Texas at Dallas G Santiago Hidalgo G Université de Montréal G “The “The Postmodern ‘Primitive’ Musical” Impact of ‘Shot Consciousness’ in Early Discourse on Sean Griffin G Southern Methodist University G “Pola- Film Editing” SATURDAY la-rization and the Musical” SPONSORS and MARCH French/Francophone Scholarly Interest Group Desirée Garcia G Dartmouth College G “ La La Land as Silent Cinema Scholarly Interest Group 17 ‘Racist’ Musical” Caryl Flinn G University of Michigan G “The 2016 Mix-Up”
152 11:00 am – 12:45 pm SESSION N N3 Anti-Trump Resistance across N5 The New City Symphony Feminized Media Cultures Politics and Potentialities , , G CHAIR Jessalynn Keller G University of Calgary CHAIR Erica Stein Vassar College Jessalynn Keller G University of Calgary G “ Teen Ofer Eliaz G Ohio University G “Crypt-Cities: Georges Vogue, Public Feelings, and the Political Economy of Franju and the Postwar French City Symphony” ‘Woke-ness’” Erica Stein G Vassar College G “ The Cool World, Urban Jessica Bain G University of Leicester G “Crafting Renewal, and the Symphonic Rejection of Blight” Resistance: Pussyhat Power and Anti-Trump Craftivism Erin Schlumpf G Ohio University G “Post -Mortem: on Social Media” Cao Fei’s La Town and the Death of the Modern City” Marian Sciachitano G Washington State University G Gerald Sim G Florida Atlantic University G “The City “Does Kamala Khan Need Saving?: DIY Citizenship in an Symphony In Time to Come” Era of Trumpism” SPONSOR Urbanism/Geography/Architecture Melissa Zimdars G Merrimack College G and Scholarly Interest Group Michaela Frischherz G Towson University G “Women’s Magazines and the Perils, Potentials, and Power of Resistance” SPONSOR Women’s Caucus N6 Visions, Vexations, and Vulnerabilities in Flesh , G N4 ROUNDTABLE CHAIR Luke Stark Dartmouth College SATURDAY African Film and Media Studies Lana Lin G The New School G “Returning to The Cancer New Paths and Connections Journals: The Enfleshed Work of Audre Lorde” Bernard Dionysius Geoghegan G King’s College London , G “The Screenic System: Radar and the Invention of CHAIR Kenneth Harrow G Michigan State University the Ecological Image” ROUNDTABLE PARTICIPANTS Luke Stark G Dartmouth College G “Re-scoping the MARCH Moradewun Adejunmobi G University of California, Private Image: Visuality and the Body in the New Gilded 17 Davis G “Streaming Cinema, Streaming Quality” Age” Rachel Gabara G University of Georgia G “Realism, Kelli Moore G New York University G “The Pessimistic Reflexivity, and African Documentary Film” Eye: Using Automatic Reporting Devices in Studies of Perceptual Bias in Legal Reasoning” Suzanne Gauch G Temple University G “Contemporary Moroccan Film Noir” SPONSOR CinemArts Scholarly Interest Group
SPONSOR Black Caucus
153 SESSION N 11:00 am – 12:45 pm N7 Scientific Encounters N9 Stardom from Below Latin American Icons and , Their Cinematic Ascent CHAIR Linda Bertelli G IMT School for Advanced Studies Lucca , Linda Bertelli G IMT School for Advanced Studies Lucca CHAIR Olivia Cosentino G Ohio State University G “The Viewer’s Gestuality: Cinema, Psychology, and Ana López G Tulane University G “Quasi Stardom?: Physiology at the Beginning of the 20th Century” Thinking through Stardom Theory and Starlets or the Stephan Boman G University of California, Santa ‘Almost Stars’” Barbara G “Of Potted Plants and Crackpot Science: Olivia Cosentino G Ohio State University G Photography, Psychophysics, and The Secret Life of “The Anti-Celebrity: Linking Popular Music Plants” to Film through Gloria Trevi’s DIY Aesthetics” Mingyi Yu G Harvard University G “Deep Time and/or Dona Kercher G Assumption College G “Crash Scam Cultural Techniques: On Daniel Lord Smail’s History of Breakthrough!: Ricardo Darín between Television and Civilization” Film Stardom in Perdido por perdido (1993)” Adam Szymanski G McGill University G “Notes Leslie Marsh G Georgia State University G “Just towards a Critical Ethnography of the Use of Film in Art Another Narco-drama?: Wagner Moura, Narcos, and Therapy Practice” the Politics of Transnational Stardom” SPONSOR Nontheatrical Film and Media Scholarly Interest Group SPONSOR Latino/a Caucus
N8 American Middlebrow N10 Invisible Vietnam and the Movies, Counter-archives and the Visual from Celluloid to Digital Mediation of War , , CHAIR Vinh Nguyen G University of Waterloo CHAIR & RESPONDENT Sabine Haenni G Cornell University SATURDAY Lan Duong G University of Southern California G “Shot MARCH Sarah Gleeson-White G University of Sydney G “Race Movies and Black Middlebrow Culture” in Viet Nam: Actualités and the Aesthetics of French 17 Colonial Cinema” Pardis Dabashi G Boston University G “Who Needs Plot When You’ve Got Dames?: Resisting Middlebrow Vinh Nguyen G University of Waterloo G “War’s Narrativity in the Cinema of Busby Berkeley” Quotidian: Tran Anh Hung’s The Scent of Green Papaya” Monique Rooney G Australian National University Jacinda Tran G Yale University G “From Deadbeat Dad G “Beyoncé’s Lemonade (2016) as Intermedial Middlebrow” to Great Benefactors: Picturing Rescue by (Re)Scripting U.S. Masculinity through the 1988 Amerasian Homecoming Act” Thy Phu G Western University G “Family Photography’s Warring Visions”
154 11:00 am – 12:45 pm SESSION N N11 Ethics of Representation N12 Asian/American Identity in LGBTQ Anglophone in Mainstream Film Documentary since 1990 Regulation and Resistance Geotemporality, Subjectivity, and Desire , , CHAIR Philippa Gates G Wilfrid Laurier University CHAIR Gary Needham G University of Liverpool Philippa Gates G Wilfrid Laurier University G “A CO-CHAIR Dana Heller G Old Dominion University Regulatory Gaze: Chinese-Americans in American Chris Holmlund G University of Tennessee, Knoxville G Silent Film’s Chinatowns” “Re-shaping ‘Hirstory’: Documentary and Transgender Yiman Wang G University of California, Santa Cruz G Pioneers” “Non-white Racial Masquerade on Screen: Toward a Dana Heller G Old Dominion University G “Burning Theory of Minority Performers’ Affective Labor” from Paris to Portsmouth, VA: Bringing Ballroom Hye Seung Chung G Colorado State University G Culture Home” “Censorship as Cultural Resistance: The Chinese Gary Needham G University of Liverpool G “Is the Government’s ‘Uplift’ of National Images in 1930s Rectum a Rave? Risk and Redemption in Chemsex Hollywood” (2015)” Tony Tran G Boston College G “Is Ngoc Minh Quan Çakırlar Cüneyt G Nottingham Trent University G Chinese, Vietnamese, or Both?: Exploring Jackie Chan, “Ameliorative Homecomings: Migrant Subjectivity in The Foreigner, and Chinese/Vietnamese (American) A Sinner in Mecca (2015) and Who’s Gonna Love Me Identities” Now? (2016)” SPONSOR Asian/Pacific American Caucus SPONSORS Queer Caucus and Documentary Studies Scholarly Interest Group SATURDAY
MARCH 17
155 SESSION N 11:00 am – 12:45 pm N13 The Trading Floor of Cultural N15 Comedians, Transmedia Production Performance, and the Evolution Finance and the Media of American Mass Media , , G CHAIR Andrew deWaard University of California, CHAIR Stephanie Brown G University of Illinois at Los Angeles Urbana-Champaign CO-CHAIR John T. Caldwell G University of California, Stephanie Brown G University of Illinois at Urbana- Los Angeles Champaign G “#HashtagWars: The Humor of Social Charles R. Acland G Concordia University, Montreal G TV on Comedy Central’s @Midnight” “Two Steves Go to Hollywood: Bannon, Mnuchin, and Kristen Anderson Wagner G Solano College G “‘TV’s Modes of Ideological Engagement in Entertainment Funniest Females’: Martha Raye, Imogene Coca, and Production” the Female Vaudeo Star” Aynne Kokas G University of Virginia G “Paying Heather Osborne-Thompson G California State Dividends: How U.S. Capital Markets Sell Out Media University, Fullerton G “Tally Ho!: Nature Cat, Sketch Freedom to China” Comedy, and PBS Kids” Andrew deWaard G University of California, Los Angeles SPONSOR Comedy and Humor Studies Scholarly Interest Group G “TPG Capital, Silver Lake Partners, and Hollywood’s Financial ‘Shadow Studios’” John T. Caldwell G University of California, Los Angeles G “Economic Poetics: Production Studies for Whom?” SPONSOR Media Industries Scholarly Interest Group N16 Deviant Spectatorship , CHAIR Caetlin Benson-Allott G Georgetown University N14 Dimensions of Animation Grace Foster G Georgetown University G “A Partial Redefining and Reconceptualizing History of Sexual Non-spectatorship” Caetlin Benson-Allott G Georgetown University G “The
SATURDAY Animation MARCH Inebriated Spectator and Televisual Distraction” , G G 17 CHAIR Kara Lynn Andersen G Brooklyn College, CUNY Amelie Hastie Amherst College “Funny Hands (aka Loving Bree Daniels)” CO-CHAIR Eric Herhuth G Tulane University Daniel Reynolds G Emory University G “The Eric Herhuth G Tulane University G “The Personified Conscience: The Cinematic Treatment of a Spectatorial Mouth” Fundamental Animation Aesthetic” Kara Lynn Andersen G Brooklyn College, CUNY G “‘Take This Cage of Snakes and Throw It at Her’: Cartoon Aesthetics in the Films of Stephen Chow” Ryan Pierson G University of Calgary G “Figures and Forces for Animation Theory” SPONSOR Animated Media Scholarly Interest Group
156 11:00 am – 12:45 pm SESSION N N17 Useful Television N19 Listening In Historical Methods and Models Surveillance, Complaint, Audibility, and the Techno-politics of Reception , CHAIR Ethan Thompson G Texas A&M University- , Corpus Christi CHAIR Rory Solomon G New York University Susan Murray G New York University G “‘All to See Kathryn Wataha G University of Michigan, Ann Arbor G Where Few Can Be’: Color Television as Electronic “Sounding Voices at the Margins: Animal Media and Surgical Amphitheater in Post-War Medical Education” Sonic Regimes of Imperceptibility” Lucas Hatlen G University of Georgia G “The Better Shari Wolk G New York University G “‘The man with a Angels of Our Nature: Marginalized Faiths and the two cent stamp’: Commercial Radio and the Informatics Utility of Media Production” of Feedback” Ethan Thompson G Texas A&M University-Corpus Christi Jessica Feldman G Stanford Digital Civil Society Lab G G “Events Described are Not Occurring (and Not “Active Listening and Unpermitted Speech: Public Funny): Serious Fake News and Local Television” Listening Techniques and Discursive Technologies in Luke Stadel G Independent Scholar G “TVU: ESPN, the ‘Movements of the Squares’” the NCAA, and the American University as Television Rory Solomon G New York University G “Routing Content Provider” Around: Citizens’ Band Radio and the Prehistory of SPONSORS Nontheatrical Film and Media Scholarly Interest Group Wireless Mesh Networks” and Television Studies Scholarly Interest Group SPONSOR Radio Studies Scholarly Interest Group SATURDAY N18 Intersectionality in Classical N20 VR Aesthetics 2 Hollywood Cinema Forms and Formats , , G CHAIR Delia Konzett G University of New Hampshire CHAIR Philippe Bédard Université de Montréal RESPONDENT G G G Adam Sulzdorf-Liszkiewicz RUST LTD. Jonna Eagle University of Hawai’i at Manoa “A MARCH Queer, Strangled Look: Race, Gender, and Morality in Michael LaRocco G University of Southern California G The Ox-Bow Incident” “Develop-ing the Spatial Paradigm of Virtual Reality” 17 Ryan Friedman G Ohio State University G Philippe Bédard G Université de Montréal G “Intersectional Excess: African American Specialty “(Inter)Subjectivity in Contemporary VR Films” Performers in Eleanor Powell’s World War II Musicals” Liron Efrat G University of Toronto G “The Return of Delia Konzett G University of New Hampshire G The Real: The Aesthetics of Convergence in Augmented “Minstrelsy, Yellowface, Hollywood Happy Endings: The Reality” Black Camel, Charlie Chan in Egypt, and Charlie Chan at the Olympics” Chris Cagle G Temple University G “Women and Class Transcendence in the Postwar Immigration Drama”
157 SESSION N 11:00 am – 12:45 pm N21 Race, Ethnicity and the MEETING American Cinematic Suburbs 11:00 am – 12:45 pm , CinemArts CHAIR Merrill Schleier G University of the Pacific Scholarly Interest Group Merrill Schleier G University of the Pacific G “Suburban Spatial Ruptures for African Americans in Take a Giant ROOM Kent, 2nd floor Step (1959)” Stanley Corkin G University of Cincinnati G “Inverting the Spatial Narrative: Boston, Race, and the Post-Industrial Suburbs” Amy Corbin G Muhlenberg College G “Updating the MEETING Suburban Film: New Narratives of Asian American and 11:00 am – 12:45 pm Arab American Families” Elizabeth Patton G University of Maryland G Comics Studies “Palimpsest Spaces in Post-Racial America: Get Out Scholarly Interest Group (2017) and the Legacy of Sundown Suburbs” ROOM Simcoe/Dufferin, 2nd floor SPONSOR Urbanism/Geography/Architecture Scholarly Interest Group topics and agenda items include: breakout sessions on various research, graduate student and career queries, in conjunction with the Fan and Audience Studies SIG.
N22 Perspectives on Two Decades of Red TV Drama Production , 2 CHAIR Ben Aslinger G Bentley University Alison Peirse G University of York G “The Limits of SATURDAY MARCH Institutional Creativity: Bedlam and Writing Television 17 Horror” Beth Johnson G University of Leeds G “‘RED’s Arresting Women’: Professionalism, Representation and Collaborative Power” Faye Woods G University of Reading G “Wainwright’s West Yorkshire” Ben Aslinger G Bentley University G “Moving Along and Pushing the Bar?: QAF, Cucumber, Queer Narrative Possibilities, and the Televisual Unimaginable”
158 session O 1:00 – 2:45 pm SATURDAY I MARCH 17, 2018
O1 Remembering Carrie Fisher O2 ROUNDTABLE An Interdisciplinary Exploration Caring for the Open , Open Access and Film Studies CHAIR Tanya Zuk G Georgia State University , Ken Feil G EmersonO College G “Postcards from the CHAIR Malte Hagener G Philipps-Universität Marburg Valley of the Dolls: Carrie Fisher, Jacqueline Susann, Star Gossip, and Feminist Camp Authorship” ROUNDTABLE PARTICIPANTS SATURDAY Linda Mizejewski G Ohio State University G Eric Hoyt G University of Wisconsin–Madison G “Carrie Fisher’s Memoirs from the Edge: Comedy, “Building Digital Resources for Media History” Autobiography, and Stardom” Caroline Edwards G Birkbeck, University of London Cynthia Hoffner G Georgia State University G G “Open Access Publishing in Film/Media Studies” “Responses to Carrie Fisher’s Mental Health Advocacy” James Steffen G Emory University G “Libraries and OA in Film Studies” Tanya Zuk G Georgia State University G “Join the MARCH Resistance: Gendered Political Protest, Star Wars, and Lea Whittington G Academy of Motion Picture Arts and 17 the Women’s March 2017” Sciences, Technical Service G “Technical Services at the AMPAS” SPONSOR Digital Humanities and Videographic Criticism Scholarly Interest Group
159 SESSION O 1:00 – 2:45 pm O3 Women at Work in the Postwar O5 Neocolonial, Postcolonial, Film and Television Industries and Diasporic Cinemas , , CHAIR J. E. Smyth G University of Warwick CHAIR Jane Shattuc G Emerson College CO-CHAIR Cynthia Lucia G Rider University Jane Shattuc G Emerson College G “Touring Violence RESPONDENT Paula J. Massood G Brooklyn College, CUNY and Poverty: Rocha’s The Aesthetic of Hunger and Cynthia Lucia G Rider University G “Natalie Wood’s English-Language Documentaries about Rio de Janeiro” Postwar Roles and Their Resonance” Christian Rossipal G New York University G “The J. E. Smyth G University of Warwick G “‘Jills of All Noncitizen Archive: Activist-Refugees and Transversal Trades’: Gender, Power, and the Film and Television Media” Producer” Lakshmi Padmanabhan G Brown University G “In Annie Berke G Hollins University G “What Happened Repose: On a Postcolonial Aesthetics of Rest and the to Janet Wood?: Women TV Story Editors in 1950s Moving Image” American Television” Manuel Perez Tejada G Universidad de Monterrey SPONSOR Caucus on Class G “The Politics of Transnational Mexican Cinema: Representation, Gaze, and the Other”
O4 Transactions and Translations of World Cinema O6 Imagining the Rust Belt Videographic Approaches Post-industrial Cities in Popular Media , , CHAIR Michael D. Dwyer G Arcadia University CHAIR David Richler G Carleton University G CO-CHAIR Michael Talbott G Castleton University Dwayne Avery Memorial University of Newfoundland G RESPONDENT Kevin B. Lee G Merz Akademie “Beyond Decay: Visualizing Detroit’s Architectural Ruins” G G
SATURDAY David Richler Carleton University “The Unifying MARCH Discourse of World Cinema and the Critical Intervention Grant Wiedenfeld G Sam Houston State University of Audiovisual Criticism” G “Post-industrial and Post-paternal: Liberation 17 Narratives and Sports Media in Slap Shot (1977)” Michael Talbott G Castleton University G “Class Conveyance: The Bike in World Cinema” Alberto Zambenedetti G University of Toronto G “Location Cleveland: History, Infrastructure, Jeffrey Middents G American University G “The Representation” National Auteur ‘Goes World’: Claudia Llosa and Aloft” Michael D. Dwyer G Arcadia University G “Steel City, SPONSOR Digital Humanities and Videographic Criticism Tinsel Town: Pittsburgh, Hollywood, and the Screening Scholarly Interest Group of the Creative Class” SPONSOR Urbanism/Geography/Architecture Scholarly Interest Group
160 1:00 – 2:45 pm SESSION O O7 Atoms, Energy, Waves O9 Behind the Scenes Exploring the Physics of Media Latin American Silent Film Culture Technologies , , CHAIR Juan Sebastián Ospina León G The Catholic CHAIR Erik Born G Cornell University University of America Erik Born G Cornell University G “Visible Music and the Rielle Navitski G University of Georgia G “Regulating Invisible Spectrum: A Televisual Imaginary in Interwar Light, Interiors, and the National Image: Electrification Germany” and Studio Space in 1920s Brazil” Alex Zhang G University of Chicago G “From Ether to Juan Sebastián Ospina León G The Catholic University Space-time: Physics and Jean Epstein’s Philosophy of of America G “Mara Meva: Colombia’s Silent Era Cinema” ‘Imported’ Local Star” Selena Dickey G University of Texas at Austin G “AT&T, SPONSORS Latino/a Caucus and the National Association of Broadcasters, and the Fight Silent Cinema Scholarly Interest Group for Communications Satellite Control” Jeff Hinkelman G Carnegie Mellon University G “ The Eighth Day: Presenting the Nuclear Age in Cinerama and Stereophonic Sound” SPONSOR Media, Science, and Technology O10 Patterns of Behavior Scholarly Interest Group The Fates of Empirical Motion Study
, CHAIR Seth Barry Watter G Pace College CO-CHAIR Henning Engelke G Universität zu Köln Tatiana Efremova G New York University G “Moving SATURDAY O8 Demystifying Pictures and Moving Bodies: Dziga Vertov’s Kino-Eye Video Game Monsters and the Soviet Study of Motion” , Henning Engelke G Universität zu Köln G “Image CHAIR Jaroslav Svelch G University of Bergen Ecologies: Allison Jablonko’s Microanalysis of Maring
G G Motion Behavior” Jaroslav Svelch University of Bergen “Reading MARCH Role-playing Game Bestiaries: Sublime Monstrosity Heather Love G University of Pennsylvania G versus the Encyclopedic Impulse” “Watching and/or Wondering: Tinbergen’s 17 Observational Research on Childhood Autism” Daniel Vella G University of Malta G “The Aesthetics and Ethics of the Knowable Monster in the Games by Seth Barry Watter G Pace College G “‘The Reaches of Team Ico” Temporality’: Ray Birdwhistell and Hollis Frampton” Sarah Christina Ganzon G Concordia University G SPONSOR Experimental Film and Media Scholarly Interest Group “University Lifegivers and Immortal Keepers of History: Representations of the Female Oni and Women as Storytellers in Hakuo¯ki” Carly Kocurek G Illinois Institute of Technology G “Creepy Cuddlies: Playing with Monsters in Children’s Games” SPONSOR Video Game Studies Scholarly Interest Group 161 SESSION O 1:00 – 2:45 pm
O11 Sound Selectors O13 ROUNDTABLE Curation Work in the Digital Media The Present and Future Shape Industries of Queer Cinema and Media in , the Academy CHAIR Andrew Bottomley G SUNY Oneonta , Eric Harvey G Grand Valley State University G CHAIR Ron Gregg G Columbia University “Engineering Discovery: Control and Curation in Media CO-CHAIR Amy Villarejo G Cornell University Platforms” Sarah Murray G University of Michigan G “‘The Closest ROUNDTABLE PARTICIPANTS Story Is the One Next Door’: Intimate Soundwork and Glyn Davis G Edinburgh College of Art G “New Queer Self-Curation in Podcasting Collectives” Archives, Methodologies, and Texts” G G Brian Fauteux University of Alberta “Curating Nick Davis G Northwestern University G “Linking Queer Tradition on Satellite Radio: Bob Dylan, Storytelling, Studies with Other Theoretical Traditions” and the ‘Authentic’ Voice” C. Riley Snorton G Cornell University G “Analysis of Andrew Bottomley G SUNY Oneonta G Trans within Africana Texts” “Machine-Powered Taste: Algorithmic Curation and the Invisible Labor of Pandora Internet Radio” Damon Young G University of California, Berkeley G “Emerging Queer Theory, New Queer Readings” SPONSOR Radio Studies Scholarly Interest Group SPONSOR Queer Caucus
O12 “Peak Television” and Quality TV Failures O14 Corporeal Cinema , , CHAIR April Miller G Arizona State University CHAIR R. Colin Tait G Texas Christian University April Miller G Arizona State University G “Feminist Christine Becker G University of Notre Dame G “The
SATURDAY Plasticity: Surgical Horror, Body Modification, and the MARCH Angst of the Auteur: Assessments of the Failures of Medicalization of Rape-Revenge Narratives” True Detective 2 and The Bastard Executioner” 17 Julia Huggins G Brown University G “Motherboards Alfred L. Martin G University of Colorado Denver G Overboard: Amnesia and the (Re)writable Female “Quality TV while Black: Underground and the Precarity Body” of Black Failure” Utako Kurihara G Seinan Gakuin University G Molly Schneider G Northwestern University G “A “Cinematic Tattoo Began to Move: Disney’s Pseudo- ‘Solution to an Ongoing TV Problem’: The Limited Polynesian Film Moana” Series as Quality TV Format” R. Colin Tait G Texas Christian University G “The Curious Case of The Knick: How Steven Soderbergh’s ‘Quality TV’ Show Got Cancelled” SPONSOR Television Studies Scholarly Interest Group
162 1:00 – 2:45 pm SESSION O O15 Memes Against Humanity O17 Eyeballs, Execs, and Expectations Narrative Control and Generic Form in , American Network Television CHAIR Lauren Berliner G University of Washington Bothell , Jaimie Baron G University of Alberta G “The Hateful CHAIR Caryn Murphy G University of Wisconsin– Meme” Oshkosh Lauren Berliner G University of Washington Bothell G Caryn Murphy G University of Wisconsin–Oshkosh G “Spreading Cancer: The Memefication of Illness on “‘Cops and Robbers à la Alain Resnais’: N.Y.P.D. and the Crowdfunding Sites” Limits of Innovation in the Crime Drama” Isra Ali G New York University G “Meme-ing Cultural Elana Levine G University of Wisconsin–Milwaukee G “A Citizenship” Slippery Slope: Changing Structures of Ownership and Control in the Network-Era Daytime TV Soap Opera” Leah Shafer G Hobart and William Smith Colleges G “Springtime for Hatred: Downfall Memes and Kelly Kessler G DePaul University G “Taking the Strip to Nationalism in Internet Cultures” the Small Screen: Seventies Musical Variety, Branding, Genre, and Rise of the Broadway-Vegas Hybrid” SPONSOR Comedy and Humor Studies Scholarly Interest Group Alice Leppert G Ursinus College G “Who’s the Boss when Work Revolves Around Family Ties?: Work/Family Sitcoms in the 1980s”
O16 Sensory Machines Identification, Ideation, and Affect in Japanese Cinema
O18 We Can Do This SATURDAY , Film Communities and Political Activism CHAIR Diane Wei Lewis G Washington University in St. Louis , CHAIR Frances Corry G University of Southern CO-CHAIR Michael Raine G Western University, Canada California Diane Wei Lewis G Washington University in St. Louis Frances Corry G University of Southern California G G “Film Realism as Media Assemblage: Great Kanto MARCH Earthquake Melodrama Films and Their Paratexts” “‘LADY SEND ME YR MOVIE’: Making and Preserving Joanie 4 Jackie’s Feminist Distribution Network” 17 Junko Yamazaki G University of California, Los Angeles G “Unfamiliar Affects: Mazuyumi Toshiro’s Avant-Garde Sara Blaylock G University of Minnesota, Duluth Music in Popular Cinema” G “Crossing Media, Forging Community: The Experimental Films of East Germany’s Feminist Art Michael Raine G Western University-Canada G “The Collective, the Künstlerinnengruppe Exterra XX” Presentation of Masculinity in Everyday Life: Nikkatsu Action and the ‘Yujiro Mood’” Ylenia Olibet G Concordia University, Montreal G “The Importance of the Digital Archive for the Transmission Philip Kaffen G University of North Carolina at Charlotte of Women’s Cinema: the Case Study of the Italian G “Between Grace and Contingency: Like Being in Feminist Collective ‘Le Nemesiache’” Love” Joseph DeLeon G University of Michigan, Ann Arbor G SPONSOR Asian/Pacific American Caucus “A Vital Human Place for All of Us: The Fifth Estate and 1960s Alternative Cinema in Detroit”
163 SESSION O 1:00 – 2:45 pm O19 The Black Biopic O21 Reclaiming Popular from Lady Sings the Blues to Documentary Post-“Postracial” Times , , CHAIR Christie Milliken G Brock University CHAIR Arthur Knight G The College of William and Steve Anderson G University of California, Los Angeles G Mary “New Ontologies of Documentary” Charlene Regester G University of North Carolina at Michael Baker G Sheridan College G “Popular Music, Chapel Hill G “Contested Spaces: An Examination of Short Form Documentary, and the Internet as Forum Heterotopia Spaces in Billie Holiday’s Lady Sings the for Innovation” Blues (1972)” Christie Milliken G Brock University G “Of Kids and Arthur Knight G The College of William and Mary G Sharks: Victims, Heroes, and the Politics of Melodrama “Obama, O.J., and the Biography of Black Identity” in Popular Documentary” Miriam Petty G Northwestern University G “Dipping S. Topiary Landberg G University of California, Santa Cruz into History: Tyler Perry, Oscar Micheaux, and the Black G “Truth and Inconvenience: Al Gore, Political Failure, Biopictorial Impulse” and the Problem with the Hero” Mikal Gaines G Wentworth Institute of Technology G “Paid the Cost to Be the Boss: Chadwick Boseman and Mythologizing the Black Superhero” SPONSOR Black Caucus O22 Hollywood Professionalism , 2 CHAIR Abigail Cheever G University of Richmond Lawrence Webb G University of Sussex G “Warner O20 Remixing the Politics of Taste Bros., Professional Films and the New Hollywood on Social Media ‘Making-of’ Documentary” , Abigail Cheever G University of Richmond G “‘How CHAIR Allison McCracken G DePaul University Did a Shrink Get to Be a Priest?’: Professionalism in The SATURDAY Exorcist (1973)” MARCH Jennifer Malkowski G Smith College G “Tumblr’s 17 Gallery of Loops: GIF Art Beyond Reaction GIF Culture” Jeff Menne G Oklahoma State University G “Amateurs and Auteurs” Rukmini Pande G O.P. Jindal Global University G “Don’t Harsh My Squee!: The Politics of Whiteness in Online Derek Nystrom G McGill University G “‘Schmucks See Fandom” Wayne Newton’: The Politics of Professional Cultural Labour in Lost in America” Alexander Cho G University of California, Irvine G “Prurient Participatory Politics: Tumblr’s CTRL+W33D and Vivian Fu” Christine Goding Doty G Northwestern University G “Beyond the Pale Blog: Tumblr Pink and the Aesthetics of White Anxiety”
164 1:00 – 2:45 pm SESSION O
MEETING MEETING 1:00 – 2:45 pm 1:00 – 2:45 pm War and Media Studies Horror Studies Scholarly Interest Group Scholarly Interest Group
ROOM Kent, 2nd floor ROOM Simcoe/Dufferin, 2nd floor
topics and agenda items include: vote for new co-chair, topics and agenda items include: potential future events; discussion on a new book series and of ways to increase panel selection at subsequent conferences; participation in the blog: warandmediastudies.org the possibility of a student essay award SATURDAY
Recycle . . . your badge & conference MARCH program— 17 look for the bins in the Conference Registration area.
165 session P 3:00 – 4:45 pm SATURDAY I MARCH 17, 2018
P1 Le Cinéma Divisé P2 Looking Back at “The On the Work and Legacy of Marie-Claire Transgender Look” Ropars-Wuilleumier , , CHAIR Roxanne Samer G Grand Valley State CHAIR Timothy Holland G Emory University University G RESPONDENT Ian BalfourP York University RESPONDENT G Jack Halberstam Columbia University Emily Perez G San Francisco State University G “Weak Cáel M. Keegan G Grand Valley State University G Times, Dead Times: Finding the ‘Between’ through the “Trans Opts Received: Transgender Dialectics in The Legacy of Marie-Claire Ropars-Wuilleumier” Matrix and Boys Don’t Cry” Timothy Holland G Emory University G “Marie-Claire Candace Moore G University of Michigan G Ropar-Wuilleumier’s écriture filmique” “Non-binary TV” James Leo Cahill G University of Toronto G “‘The Roxanne Samer G Grand Valley State University G SATURDAY MARCH Double Inconstancy’: L’Esprit de M-C Wuilleumier” “When the Stars Are Ours: Remixing Trans Romance” SPONSOR French/Francophone Scholarly Interest Group 17 SPONSOR Queer Caucus
166 3:00 – 4:45 pm SESSION P P3 All the Single Ladies P5 Horror and the Occult Becoming, Remembering, , and Re-becoming Single CHAIR Robert Spadoni G Case Western Reserve , University CHAIR Mary Desjardins G Dartmouth College Robert Spadoni G Case Western Reserve University G Mimi White G Northwestern University G “Happy in a “Low-Rent Atmosphere in The Crime of Doctor Crespi” Sad Way: Becoming Single Young Women in The World Kartik Nair G New York University G “Grotesque of Henry Orient” Surfaces: Tracking Bombay Horror’s Unfinished Special Pamela Robertson Wojcik G University of Notre Dame G Effects” “Becoming Single: Gidget Un-becoming” Daniel Bishop G Indiana University G “Imaginal Space Mary Desjardins G Dartmouth College G “ Our Hearts and the Occult Soundtrack in Guy Maddin’s Keyhole” Were Young and Gay: Travel, Comedy, and the Single Andrew Kemp G Georgia State University G “On the Girl 1920s/1940s” Ludic Tomb: Dread and the Video Game Image in Five Brenda Weber G Indiana University G “Sex and the Nights at Freddy’s” Single (Septuagenarian) Girl: Grace and Frankie” SPONSOR Horror Studies Scholarly Interest Group
P4 Speaking, Singing, P6 Histories of Exhibition Dancing Bodies , Sonic Dispositifs in Indian Cinema CHAIR Ariel Rogers G Northwestern University , SATURDAY Ariel Rogers G Northwestern University G “Fire CHAIR Usha Iyer G Stanford University Screens: Multiple Projection and Virtual Flames” G G Debashree Mukherjee Columbia University Jessica Whitehead G York University, Toronto G “Awaaz: Voice, Technology, and an Impassioned “Hidden Circuits of Canadian Cinema: Excavating Dialogue Aesthetics” Histories of Immigrant Showmen and Women, 1907 to G G Madhavi Murty University of California, Santa Cruz 1967” MARCH “The Commoner in the Soundscape: Political Economy Leo Rubinkowski G University of Wisconsin–Madison 17 and the Sonic Iterations of Folk in ‘New’ and ‘Renewed’ G “From Experiment to Industry: What Corporate India” Histories Can Tell Us about Event Cinema” G G Pavitra Sundar Hamilton College “Voice as Bodily Thomas West G Syracuse University G “The Instrument: Women’s Millennial Soundwork in Bombay Spirit is Willing, but the Flesh is Weak: Embodied Cinema” Transcendence and Widescreen Spectatorship in The Usha Iyer G Stanford University G “Dance Robe” Musicalization: Proposing a Choreomusicological SPONSOR Media Industries Scholarly Interest Group Approach to Hindi Film Song-and-Dance Sequences”
167 SESSION P 3:00 – 4:45 pm P7 Diaspora and Trauma P9 Alternative Televisions, , Alternative Modernities CHAIR Dan Browne G Ryerson University Countering the Post-Network Model Dan Browne G Ryerson University G “Diasporic Sights: , Place, Memory, Representation and Decay Aesthetics in CHAIR Joaquín Serpe G Concordia University Recent Canadian Poetic Cinema” Joaquín Serpe G Concordia University G “Broadcasting Anjeana Hans G Wellesley College G “Trauma, Populism: Public Argentine Television during the Disruption, Reinvention: Exile Film in Austria, Kirchner Years” 1933 – 1937” Catherine Benamou G University of California, Irvine G Iftin Abshir G University of Southern California G “Spanish -Language Television: (Counter) Hegemony, “Somalia, the Nation of Poets: Diasporic Culture in the Market Opportunism, or Advocacy?: Recent Age of Online Communities” Developments in the North American Context” Alison Wielgus G University of Wisconsin–Superior G “A Call from inside the House: Broadcasting the Black Audio Film Collective’s Postcolonial Critiques on Channel 4” P8 Comics and Nostalgia Grace Jung G University of California, Los Angeles G “Aspirational Modernity: Constructing the Korean , Father Figure via Reality Television” CHAIR Katheen McClancy G Texas State University SPONSOR Television Studies Scholarly Interest Group Jennifer Smith G University of Wisconsin–Madison G “Goldilocks Fandom: Superhero Comic Book Writers, Nostalgia, and Legitimation” Daniel Pinti G Niagara University G “Superheroic Haunts: Nostalgia and Black Hammer” Katheen McClancy G Texas State University G “Desperate Housewives: Murdering Gendered Nostalgia in Lady Killer” SATURDAY MARCH Blair Davis G DePaul University G “Comics Scholarship and the Limits/Benefits/Pains/Pleasures/ Hedonisms/ 17 Necessities of Nostalgia” SPONSOR Comics Studies Scholarly Interest Group Browse . . . the SCMS Exhibit Area closes at 5 pm. Be sure and stop by for some great deals!
168 3:00 – 4:45 pm SESSION P P10 Affect as a Medium P12 Geographies of Sports Media of Knowledge , Magnitude, Immersion, CHAIR Timothy Piper G University of Texas at Austin Objectivity, and Atmosphere CO-CHAIR Steven Secular G University of California, , Santa Barbara CHAIR Robin Curtis G Albert-Ludwigs-Universität RESPONDENT Victoria Johnson G University of California, Freiburg Irvine CO-CHAIR Bettina Papenburg G Albert-Ludwigs- Timothy Piper G University of Texas at Austin G Universität Freiburg “Transmitting ‘The City Game’: Superstations, Tess Takahashi G Camera Obscura Editorial Collective Basketball, and the Politics of Urban Place” G “Analog Data Visualization: Big Data, Affect, and Steven Secular G University of California, Santa Epistemology in Experimental Film” Barbara G “Games without Frontiers: The Digital Bettina Papenburg G Albert-Ludwigs-Universität Freiburg Infrastructures of Global Sports Television” G “Molecular Affect: Popular Cultural Tropes as Kate Ranachan G University of Minnesota G and Orchestrations of the Microscopical Apparatus in Life Helen Morgan Parmett G University of Vermont Science Animation Films” G “The Sportification of Place: Reimagining Cities Maren Butte G Heinrich-Heine-Universität Düsseldorf Through the Media-Sport Complex” G “‘I know it, I feel it’: (De-)constructing the Affective Movement in Contemporary Performance” Robin Curtis G Albert-Ludwigs-Universität Freiburg G “The Golden Records and Atmosphere: Melancholy and Frisson in the Future Perfect Continuous Tense” P13 ROUNDTABLE SPONSORS CinemArts Scholarly Interest Group and Mediating Charlottesville #1 SATURDAY Media, Science, and Technology Scholarly Interest Group Charlottesville and Our Fractured Publics
, CHAIR Aniko Bodroghkozy G University of Virginia
ROUNDTABLE PARTICIPANTS P11 All the World’s a Stage Siva Vaidhyanathan G University of Virginia G MARCH Labor and Identity beyond the Screen “#Charlottesville Is Not a Real Place” 17 , Jennifer Petersen G University of Virginia G “Speech, CHAIR Denise McKenna G Palomar College Conduct, Politics: Charlottesville and Beyond” Lauren Steimer G University of South Carolina G “The Amber Payne G NBC News G “Covering ‘Charlottesville’ Dangers of Difference: Organizational Rhetorics of on NBCBLK” Safety and Training in Stunt Work” Eric Pierson G University of San Diego G “Rhetoric of Denise McKenna G Palomar College G “Hiding in Plain Hate and the Internet” Sight: Gender, Immaterial Labor, and the Red Carpet” SPONSOR Critical Media Pedagogy Scholarly Interest Group Mark Lynn Anderson G University of Pittsburgh G “Managing Stars in Early Hollywood: The Promotion of Clara Kimball Young” SPONSOR Caucus on Class
169 SESSION P 3:00 – 4:45 pm P14 Reassessing Realism P16 Periodizing Stars in U.S. Film in Middle Eastern and History North African Cinema , , CHAIR Paul Young G Dartmouth College CHAIR Peter Limbrick G University of California, RESPONDENT Amy Lawrence G Dartmouth College Santa Cruz Katherine Fusco G University of Nevada-Reno G Michael Allan G University of Oregon G “Realism “Temple out of Time: Shirley Temple and Child from the Talbotype to the Cinématographe: Philology, Stardom’s Temporality” Photography, and Orientalism” Robert Jackson G University of Tulsa G “Lena Horne’s Golbarg Rekabtalaei G Seton Hall University G “Reality Fury” on Reel: A Case for Realism in Pre-revolutionary Iranian Paul Young G Dartmouth College G “Star of the Sea Cinema” and the Screen: Mary Pickford in the Firmament of the Peter Limbrick G University of California, Santa Cruz G Early Feature Film” “Genealogies of Realism in Arab Cinema” Linda Mokdad G St. Olaf College G “Sectarian Realism: Maroun Bagdadi’s Lebanese Civil War Films” SPONSORS Middle East Caucus and CinemArts Scholarly Interest Group P17 Sound and Fury Identity Politics in Hulu’s The Handmaid’s Tale
, CHAIR Karen Ritzenhoff G Central Connecticut State P15 Visualizing Computational University Subjectivities CO-CHAIR Debra White-Stanley G Keene State College Artificial Intelligence, Affect, and Data Clémentine Tholas-Disset G Paris III-Sorbonne Nouvelle University G “Suffering Motherhood and Woman’s , Empowerment: Comparing Metropolis (1927) and The CHAIR Andrew Johnston G North Carolina State SATURDAY Handmaid’s Tale (2017)” MARCH University Debra White-Stanley G Keene State College G CO-CHAIR James Hodge G Northwestern University 17 “Sound, Complexity, and Feminist Resistance in The Andrew Johnston G North Carolina State University G Handmaid’s Tale” “Animating AI and Algorithmic Machine Runs” Janis Goldie G Huntington University G “‘The Magical James Hodge G Northwestern University G Land of the North’: Anti-Americanism and Canadian “Mindlessness: Nonreparative Forms of Self Care in Identity within The Handmaid’s Tale” Digital Aesthetics” Karen Ritzenhoff G Central Connecticut State University Jessica Elam-Handloff G North Carolina State University G “War on the Homefront: Sexual Politics in The G “Know Thy Enemy AI: Histories of Artificial Handmaid’s Tale” Intelligences as Weapons of War(games)” Alexander Monea G George Mason University G “‘I Know It When I See It’: An Overview of Google’s SafeSearch and the Politics of Automating Judgment”
170 3:00 – 4:45 pm SESSION P P18 User Hacking and P20 Cinema on the Road Making in the Digital Era Transitions and Disruptions in Travel Films , , G CHAIR Melanie Swalwell G Flinders University CHAIR Ling Zhang SUNY Purchase College G CO-CHAIR Helen Stuckey G RMIT University G RESPONDENT Timothy Corrigan University of Melbourne Pennsylvania William Lockett G New York University G “Genealogy Ling Zhang G SUNY Purchase College G “Sounding of the User, or Inventing the Science of Fun” Cinematic Explorations of the ‘Frontier Regions’ in Wartime China” David Murphy G Ryerson University G “Making and Playing on the TRS-80” Anne Eakin Moss G John Hopkins University G “The Viewer as Stalker: Disruptions of the Travel Film in Post- Maria Garda G Flinders University G “The Maker Soviet Cinema” Movement in South Australia” Chris Berry G King’s College London G “The Chinese Melanie Swalwell G Flinders University G Road Movie, or How to Drop Out in China” “Cryptoparties: Making Cybersecurity an Everyday Affair” SPONSOR Critical Media Pedagogy Scholarly Interest Group
P21 WORKSHOP In the Mix The Collaborative Video Essay in Theory P19 Media, Ecology, and Praxis and the Environment , SATURDAY , CHAIR Vicki Callahan G University of Southern CHAIR Kass Banning G University of Toronto California Kass Banning G University of Toronto G “Installation of CO-CHAIR Daniel Clarkson Fisher G Ryerson University the Real: The Ecological Aesthetics of John Akomfrah” WORKSHOP PARTICIPANTS Joel Neville Anderson G University of Rochester G “Whales and Documentaries: Neoliberal Consumption Christina Lane G University of Miami MARCH on the Environmental Film Festival Circuit” Nicole Richter G Wright State University 17 Stephen Babish G DePaul University G “Nostalgia, J.D. Bradley G Harold Washington College Utopia, and Critical Naturalism in The Legend of Zelda: Liz Cambron G Wright State University Breath of the Wild” Mihaela Brebenel G University of Southampton G and Yig˘it Soncul G University of Southampton G “Documenting After-maths: Futures Waged and Lost” SPONSOR Media and the Environment Scholarly Interest Group
171 SESSION P 3:00 – 4:45 pm P22 Beyond Transmedia MEETING New Approaches to the Aesthetics of the Multimedia Franchise 3:00 – 4:45 pm
, 2 Silent Cinema CHAIR Colin Burnett G Washington University in Scholarly Interest Group St. Louis ROOM Kent, 2nd floor Leora Hadas G University of Nottingham G “‘On the Go’ topics and agenda items include: updates on Domitor, Transmedia: The Evolving World of Overwatch” Women and the Silent Screen, and the Media Colin Burnett G Washington University in St. Louis G History Digital Library (MHDL); SIG events “‘This Never Happened to the Other Gal’: Moneypenny and elections for the coming year and Threaded Seriality” Mark Minett G University of South Carolina G “Pills, Thrills, and Discontinuities: Transmedia Genre Cycles and the Early Comic Book Superhero” Drew Morton G Texas A&M University-Texarkana G MEETING “Being Luke Skywalker: Transmedia Play and Cultural Reenactment” 3:00 – 4:45 pm Media Industries Scholarly Interest Group
ROOM Simcoe/Dufferin, 2nd floor SATURDAY MARCH 17
172 session Q 5:00 – 6:45 pm SATURDAY I MARCH 17, 2018
Q1 “You Will Remove Q2 Racial Confusion These Restraints” in Silent Cinema Feminist Explorations of Star Wars , , CHAIR Laura Horak G Carleton University CHAIR Rebecca Harrison G University of Glasgow Maggie Hennefeld G University of Minnesota, Twin Cities CO-CHAIR QG Hannah Hamad Cardiff University G “‘Make Me Laugh’: The Racial and Sexual Politics of Rebecca Harrison G University of Glasgow G “Attacking Early Film Laughter” SATURDAY the Clones: Decoding the Woman Problem in Star Richard Abel G University of Michigan G “The Skin Wars” Color of Identity in Early American Movies” Hannah Hamad G Cardiff University G “‘Bring Back Laura Horak G Carleton University G “Racial Science, the Slime Who Kidnapped My Little Punky Muffin’: Star Racial Cinema: Constructing the Boundaries of Roma, Wars and the Post-Millennial Politics of Masculinity” Jewish, Black, and White Identity in Swedish Silent Megen de Bruin-Molé G Cardiff University G “Forces Cinema” MARCH of Destiny: The Gender Politics of Star Wars Kim Khavar Fahlstedt G Stockholm University / 17 Merchandising” Yale University G “Christian Bells and Heathen Souls: Emma Pett G University of East Anglia G “Prince Leia The Ambiguous Geography of Warner Oland in Old San and Lady Solo: Crossplay, Gender Fluidity, and Star Francisco (1927)” Wars Fandom” SPONSORS Scandinavian Scholarly Interest Group, SPONSOR Women’s Caucus Silent Cinema Scholarly Interest Group and Oscar Micheaux Society
173 SESSION Q 5:00 – 6:45 pm Q3 André Bazin’s New Century Q5 Musical Signatures , , CHAIR Dudley Andrew G Yale University CHAIR Krin Gabbard G Columbia University Feroz Hassan G Independent Scholar G “André Bazin’s Krin Gabbard G Columbia University G “The Auteur at ‘Sacred Sociology’ of the Cinema” Three: Interrogating the Signature of Damien Chazelle” Dudley Andrew G Yale University G “Evolution or Kevin John Bozelka G Bronx Community College G Break?: Digital Techniques in the Wake of Bazin” “Between Spontaneity and Clear Motivation: Historical Blandine Joret G University of Amsterdam G “André Inflections of Source Music in Hollywood Musicals” Bazin’s Pedagogy in VR: Between a Rock (Montage) and Jenny Oyallon-Koloski G University of Illinois at Urbana- a Hard Place (Semiotics)” Champaign G “Dance’s Function in the Musical Genre and the Saturday Night Fever Film Cycle” Alberto Mira G Oxford Brookes University G “Against Integration: Bursting into Song in Hollywood Musicals of the 70s” Q4 Representation and Social Power in Digital Cultures , CHAIR Poe Johnson G Rutgers University Q6 Home Movies in Public Poe Johnson G Rutgers University G “The Great Chain Amateur Film as Counter-archive of Being Black: Lynching as Fandom of the Remediated Black Body” , CHAIR Joseph Clark G Simon Fraser University Amanda Cote G University of Michigan G “Girly Games and ‘Girl Gamers’: Implicit Sexism in Video Game CO-CHAIR Louis Pelletier G Université de Montréal Culture” Louis Pelletier G Université de Montréal G “A Community Building Tool: The Ciné-Kodak Special” Andre Cavalcante G University of Virginia G “Tumbling Into the ‘Queer Vortex’: Experiences of LGBTQ Social Joseph Clark G Simon Fraser University G “Different Media Users on Tumblr and the Queer Utopic” Color: Rethinking the Politics and Aesthetics of Race on SATURDAY Film through the Home Movies of Matthew Ko” MARCH Kevin Wynter G University of Washington, Tacoma G 17 “Strange Passage: Point of View Pornography and Black Nicolas Dulac G Université de Montreal / Université de Spectatorship” Lausanne G “‘All Different, All Relative’: The Omidvar Brothers’ Travelogues as Home Movies” Ananya Ohri G Regent Park Film Festival G “Home Made Visible: Personal Archives and Public Memory in Regent Park” SPONSOR Nontheatrical Film and Media Scholarly Interest Group
174 5:00 – 6:45 pm SESSION Q Q7 Monsters, Horror, and Witches Q9 Family and Gender in the , History of Brazilian and CHAIR Mark Hain G Bowling Green State University Mexican Film Culture Mark Hain G Bowling Green State University G “‘I Will , Have to Borrow Your Head’: The Politics of Witchcraft in CHAIR Anne Rubenstein G York University West African and Southeast Asian Cinema” Anne Rubenstein G York University G “A Sentimental Claudia Consolati G University of the Arts G “Abject Education: Gender and Generation in Mexican Bodies and Feminist Resistance: The Witch’s Return in Movie-going, 1935 – 1960” Contemporary Cinema” Lena Suk G University of Louisiana at Lafayette G Glen Close G University of Wisconsin–Madison G “Marriage and Motherhood at the Movies in 1920s “Necropornography in Spanish Morgue Horror” Brazil” Larrie Dudenhoeffer G Kennesaw State University G Melanie Huska G University of Tennessee, Knoxville G “Walls without Cinema: Cinematic Space, Subjective “‘Not from the same world’: Parents, Siblings, and Embodiment, and Apartheidism in U.S. Monster Films” Lovers in La Antorcha encendida” SPONSOR Horror Studies Scholarly Interest Group Isabella Goulart G Universidade de São Paulo G “Spanish-Language Hollywood Films in Brazil: Representations of Gender and Family” SPONSOR Latino/a Caucus Q8 Toho’s Characterization Strategies in Japanese Cinema History from Kurosawa’s Iconic Stars toward Godzilla Q10 Transmedia Practices in SATURDAY , Contemporary Teen Television CHAIR Akiko Miyamoto G Tokyo Institute of , Technology CHAIR Louisa Stein G Middlebury College RESPONDENT Kanji Matsuura G Studio kk Gry Rustad G University of Oslo/ Northwestern University Johan Nordström G Tsuru University G “Revisiting the G “Teen Transmedia, Flow, and the Rhythms of MARCH Modern Girl: Takehisa Chieko at Studio Toho” Everyday Reception” 17 Miyoko Shimura G Tsuru University G “Masculinity and Sarah Sinwell G University of Utah G “Keep Jughead Representations of the Military Body in Toho’s WWII Asexual: Asexuality, Queerness, and Representation on Films” Teen Television and Twitter” Akiko Miyamoto G Tokyo Institute of Technology G “Not Megan Connor G Indiana University G “‘It’s Not Massive but Gentle: The New Trends of Today’s Toho’s Twilight’: The Vampire Diaries and Developing Advertising Campaign” Franchise Logics in Young Adult Literature” Stefania Marghitu G University of Southern California G “Making CW’s Riverdale as ‘Quality’ Teen TV: An Exercise in Intertextuality” SPONSOR Children’s and Youth Media and Culture Scholarly Interest Group
175 SESSION Q 5:00 – 6:45 pm
Q11 Renationalizing Q13 ROUNDTABLE the Transnational Mediating Charlottesville #2 Charlottesville and Our Fractured , Classroom CHAIR Anders Bergstrom G Wilfrid Laurier University , Steven Rawle G York St John University G “Will the True Godzilla Please Stand Up?: Putting the National Back CHAIR Anna Everett G University of California, Santa into Transnational Monster Movies” Barbara Anders Bergstrom G Wilfrid Laurier University G “The ROUNDTABLE PARTICIPANTS Question of Chinese National Cinema and the Case of Stephen Chow” Michael Kackman G University of Notre Dame G “Pedagogic and Theoretical Implications” Russell Kilbourn G Wilfrid Laurier University G “Transnational Sorrentino: Transmediality and Anna Everett G University of California, Santa Barbara G Auteurship” “Campus #Activism in Trump-Time” Keara Goin G University of Virginia G “On Real/ Danielle Schwartz G SUNY Binghamton G “A Slum Within a City: The Neoliberal Construction of Space and Symbolic Violence” Time in Slumdog Millionaire” Emily Blout G University of Virginia G “Nazis in Charlottesville: Notes from the Crucible” SPONSOR Transnational Cinemas Scholarly Interest Group
Q12 Materiality and Q14 Political Impurity Merchandising in Screen and the Moving Image Consumption Cultures , CHAIR Brian Price G University of Toronto , Malcolm Turvey G Tufts University G “Jacques Tati and CHAIR Ross Garner G Cardiff University Political Reaction”
SATURDAY Matt Hills G University of Huddersfield G “Screen-Used MARCH Materials at Auction: The Materialism of ‘High-End’ Fan Brian Price G University of Toronto G “After the 17 Collecting and Quasi-Participatory Culture” Political: Seduction in Assayas” Scott Durham G Northwestern University G “Impure Ross Garner G Cardiff University G “Exploring Brand-Filtered Tangible Nostalgia: Licensing, Democracies: Imagining Equality in Rancière, Marker, Materiality, and Industrially-Imagined Consumers for and Godard” Funko’s Tele-centric Pop! Vinyls” Anjo-marí Gouws G University of Toronto G “Anne Charlotte Robertson’s Five Year Diary and the Paul Booth G DePaul University G “When Tourism Comes to You (But You Still Have to Get It): The Possibility of a Feminist Trousseau” Rickmobile and Mobile Pop-up Tourism” SPONSOR Film Philosophy Scholarly Interest Group Rebecca Williams G University of South Wales G “Butterbeer, Dole Whip, and Duff: Materiality, Paratexts, and Consumable Culture in the Theme Park Fan Experience” SPONSOR Fan and Audience Studies Scholarly Interest Group 176 5:00 – 6:45 pm SESSION Q Q15 Gaming Bodies as Techniques Q17 The Television Industries, of Corporeal Mediation Distribution, and Digital Culture , , CHAIR Josef Nguyen G University of Texas at Dallas CHAIR Eleanor Patterson G University of Iowa CO-CHAIR Carlin Wing G Scripps College Laura Felschow G University of Texas at Austin G “‘Call Carlin Wing G Scripps College G “The Body Elastic” me Cordelia’: Anne with an E and the Imagined Netflix Audience” Josef Nguyen G University of Texas at Dallas G “Painful Games and Enduring Masculinities” Charlotte Howell G Boston University G “Welcome to the Fempire: The National Women’s Soccer League David Parisi G College of Charleston G “Dis-abling Iron Man: Interiorities and Exteriorities of the Networked Branding on Lifetime and Go90” Body” Austin Morris G University of Wisconsin-Madison G “Algorithms and Their Human Contingencies: Gender Amanda Phillips G Georgetown University G “Anatomical Fictions: The Mechropolitics of X-ray and Labor in Online Video Production Cultures” Damage in Gaming” Eleanor Patterson G University of Iowa G “Entering the Hulubratory: Gender and Immaterial Labor in Hulu’s SPONSOR Video Game Studies Scholarly Interest Group Corporate Culture” SPONSOR Television Studies Scholarly Interest Group
Q16 Points in Space Performance and the Moving Image Q18 The Hollywood Renaissance ,
SATURDAY CHAIR Swagato Chakravorty G Yale University Revisited New Perspectives on American Cinema’s Ji-hoon Kim G Chung-ang University G “Expanded Most Celebrated Era Cinema Performances between the Western and the Asian: Tsai Ming-liang and Apichatpong , Weerasethakul” CHAIR Yannis Tzioumakis G University of Liverpool G Rebecca Sheehan G California State University, Fullerton G RESPONDENT Jean Walton University of Rhode Island MARCH “‘. . .just look and look and look at things’: Performing for Justin Wyatt G University of Rhode Island G “Bridging 17 Ken Jacobs’ The Guests” Commerce and Classification through the American Art Megan Hoetger G University of California, Berkeley G Film: The Case of Who’s Afraid of Virginia Woolf?” “Crossing Signals: Communication between Film and Anthony McKenna G Shanghai Jiao Tong University G Theatre in the Actions of VALIE EXPORT and Carolee “‘I smell money!’ The Graduate, Class Product, and the Schneemann” Corporatisation of Embassy” Swagato Chakravorty G Yale University G “The Yannis Tzioumakis G University of Liverpool G “From Difficulty of Difference: Glenn Ligon’s The Death of Tom Exploitation to Legitimacy: Easy Rider’s Failed and Institutional Legibility” Production and Distribution Deal at American SPONSOR Experimental Film and Media Scholarly Interest Group International Pictures”
177 SESSION Q 5:00 – 6:45 pm Q19 Queer Screens Q21 Senses of Socialism Auteurist Gestures, Aesthetic Sight, Sound, Touch, and Affect Transformations in the Early Soviet Film Sensorium
, , CHAIR David A. Gerstner G College of Staten Island, CHAIR Daniel Schwartz G McGill University CUNY Daniel Schwartz G McGill University G “Counterpoint Sarah Keller G University of Massachusetts, Boston G Revisited: Beyond Sound vs. Image in Early Soviet “At a Queer Angle: Considering the Legacy of Barbara Cinema” Hammer” Lilya Kaganovsky G University of Illinois at Urbana- Daniel Humphrey G Texas A&M University G “Archaic Champaign G “The Sound of Socialist Realism: Desires, Modern Subjects: Pasolini’s Queer Mythologies Excess and Ideology in Stalinist Film” of the Self” Emma Widdis G Trinity College G “Cambridge Feeling Usman Shaukat G College of Staten Island, CUNY G Revolution: Making Sense in Soviet Cinema” “The Snake of His Hair, The Green of His Beard: The Ana Olenina G Arizona State University G “Movement Death of Androgynies in Shahid Nadeem’s Jaanjal to Consciousness: Tectonics, Reflexology, and Pura” Biomechanics in Soviet Avant-Garde Film Theory” G G Joe McElhaney Hunter College, CUNY “Luchino SPONSOR Central/East/South European Cinemas Scholarly Visconti and the Fabric of Cinema” Interest Group
Q20 ROUNDTABLE Q22 Differences, Discoveries, Audio Academia Paradoxes , Recent Directions in Feminist Media CHAIR Jeremy Morris G University of Wisconsin-Madison Analysis CO-CHAIR Mack Hagood G Miami University , 2
SATURDAY CHAIR Lucy Fischer G University of Pittsburgh MARCH ROUNDTABLE PARTICIPANTS Eylem Atakav G University of East Anglia G “Making 17 Jacob Smith G Northwestern University G a Difference with Feminist Media Research: Forced “Adventurous Listening: A Study in Audiography” Marriage on Screen and Growing Up Married (2016)” Kris M. Markman G Harvard Library G “The Delphine Chedaleux G University of Lausanne G Instructional Value of Podcasting for the Academic “Documenting Film Production Process in a Feminist Library” Perspective : the Case of Devil in the Flesh (1947)” Jeremy Morris G University of Wisconsin–Madison G Natasha Chuk G School of Visual Arts G “A Gaze of “Saving New Sounds: PodcastRE.org” Cruelty, Deferred: An Examination of Cate Shortland’s Mack Hagood G Miami University G “Sound Studies Berlin Syndrome” Out Loud” Aviva Dove-Viebahn G Arizona State University G “‘To Marshall Poe G The New Books Network G “Spreading Stop a War with Love’: The New Feminine Intuition and Knowledge ‘Trapped’ in Books” the Wonder Woman Paradox” SPONSOR Radio Studies Scholarly Interest Group 178 MEETING MEETING 5:00 – 6:45 pm 5:00 – 6:45 pm Urbanism/Geography/Architecture Digital Humanities Scholarly Interest Group and Videographic Criticism
ROOM Kent, 2nd floor Scholarly Interest Group ROOM Simcoe/Dufferin, 2nd floor topics and agenda items include: outreach to other scholarly groups, our mentoring program, and Mediapolis journal
HOST COMMITTEE EVENT SATURDAY, MARCH 17 7:00 – 8:40 pm An Evening with Guy Maddin LOCATION TIFF Bell Lightbox , 350 King Street West, Cinema 2
DIRECTIONS From Sheraton Centre, go west on Queen Street West to University Avenue. Turn left on University and follow to King Street West. Turn right on King Street West. (13-minute walk; 6-minute taxi ride) Canadian auteur Guy Maddin provides live narration alongside a screening of his most intimate film, My Winnipeg (2007). Named best Canadian film of its year by the Toronto Film Critics Association, My Winnipeg is a “docu-fantasia” that combines fiction and stranger-than-fiction to create a dizzying portrait of the director’s hometown. SATURDAY Guy Maddin is a filmmaker, writer, installation and internet artist, and lecturer at Harvard. He is the director of eleven feature- length movies, including The Saddest Music in the World (2003), The Forbidden Room (2015), and Green Fog (2017), as well as innumerable shorts. He has also mounted around the world over seventy performances of his films featuring live elements— orchestra, sound effects, singing, and narration.
Guy Maddin is a Member of The Order of Canada and The Order of Manitoba. He has twice won the National Society of Film MARCH Critics Award for Best Experimental Film. 17 The Host Committee reception, open to all conference registrants, will directly follow the screening and take place at the Design Exchange located at 234 Bay St, Toronto (between King Street West and Wellington Street West). It takes 11 minutes to walk from TIFF to the Design Exchange. TICKET INFORMATION: 200 tickets to the Host Event screening will be available to SCMS delegates on a first-come, first-served basis starting two hours before the event at TIFF Bell Lightbox (350 King Street West). There will be a table set up in the lobby where SCMS delegates can claim a ticket by showing their badge. At that time, you will also receive a drink ticket for the reception to follow and a small map to the reception location at The Design Exchange, 234 Bay Street.
PARTICIPANT MODERATOR Guy Maddin G Director Theresa Scandiffio G Toronto International Film Festival (TIFF)
179 HOST COMMITTEE EVENT SATURDAY, MARCH 17 9:00-11:00 pm Host Committee Reception LOCATION Design Exchange, 234 Bay Street (between King Street West and Wellington Street West)
DIRECTIONS From TIFF Bell Lightbox, go east on King Street West to Bay Street. Turn right on Bay and walk south to the destination, which you will reach before the corner of Bay and Wellington. (11-minute walk; 6-minute taxi ride)
ALL HOST COMMITTEE EVENTS ARE SPONSORED BY University of Toronto Libraries, St. George University of Toronto, Mississauga campus, campus (including Media Commons) Institute of Communication, Culture, University of Toronto, St. George campus, Information & Technology Cinema Studies Institute Ryerson University, Office of the University of Toronto, St. George campus, Vice President for Research Faculty of Arts & Sciences Ryerson University, Faculty of Communication and Design University of Toronto, Scarborough Ryerson University, School of Image Arts campus, Department of English Toronto International Film Festival (TIFF) University of Toronto, Mississauga campus, York University, School of Arts, Media, Department of Visual Studies Performance, & Design (AMPD) University of Toronto, St. George campus, York University, Department of Cinema & Media Arts Book and Media Program at St. Michael’s College York University, Graduate Program in Film University of Toronto, St. George campus, York University, Graduate Program in Communication McLuhan Center & Culture OCAD University, Indigenous Visual Culture Program and Culture Shifts Documentary Series HOST COMMITTEE MEMBERS Charlie Keil G University of Toronto, Chair Patrick Keilty G University of Toronto SATURDAY G G MARCH Dimitrios Latsis Ryerson University Kass Banning University of Toronto 17 Mike Zryd G York University Janine Marchessault G York University TIFF STAFF: Theresa Scandiffio, Keith Bennie, Jessica Lam
Cinema Studies Institute LIBRARIES
English Institute of Communication, Culture, Information & Technology
FACULTY OF INFORMATION McLuhan Centre for Culture & Technology
180 session R 9:00 – 10:45 am SUNDAY I MARCH 18, 2018 RSEMINARS R1 Unbound: New Possibilities for the American TV Series ROOM Sheraton Hall A, Lower Concourse SEMINAR LEADER Martha Nochimson G David Lynch Graduate School of Cinematic Arts PARTICIPANTS Thomas Johnson G University of Florida Francisco Menendez G University of Nevada, Las Vegas Elliott Logan G University of Queensland Matthew Ramsey G Salve Regina University Maureen Mauk G University of Wisconsin-Madison Raphael Raphael G University of Hawaii AUDITORS Traci Abbott G Bentley University Nava Dushi G Lynn University Heather Addison G University of Nevada, Las Vegas Jason Gendler G California State University, Long Beach SUNDAY Ipek Çelik Rappas G Koc University Yael Levy G Tel Aviv University Oksana Chefranova G Yale University
MARCH 18
Seminars are closed sessions. Only pre-registered participants and auditors may attend. 181 SESSION R 9:00 – 10:45 am R2 Adult Film History Methods and Methodologies
ROOM Sheraton Hall B, Lower Concourse SEMINAR LEADERS Peter Alilunas G University of Oregon and Lynn Comella G University of Nevada, Las Vegas PARTICIPANTS James Coates G The Australian National University Andrew Owens G DePaul University Rebecca Holt G Concordia University Benjamin Strassfeld G University of Michigan Darshana Sreedhar Mini G University of Southern Melis Umut G Stony Brook University, SUNY California AUDITORS Jing Jing Chang G Wilfrid Laurier University Laura Helen Marks G Tulane University Li Cornfeld G Amherst College Susanna Paasonen G University of Turku Finley Freibert G University of California, Irvine Constance Penley G University of California, Santa Elena Gorfinkel G King’s College London Barbara Patrick Keilty G University of Toronto John Paul Stadler G Duke University Jules O’Dwyer G Trinity Hall, University of Cambridge
R3 Making Videographic Criticism The Videographic Epigraph
ROOM Sheraton Hall C, Lower Concourse SEMINAR LEADERS Kevin Ferguson G Queens College, CUNY and Jason Mittell G Middlebury College PARTICIPANTS Ariel Avissar G Tel Aviv University Desirae Embree G Texas A&M University Josie Barth G McGill University Eleni Palis G University of Pennsylvania Christopher Boulton G The University of Tampa David Richler G Carleton University Samantha Close G DePaul University Iain Robert Smith G King’s College London AUDITORS Alex Bordino G University of Massachusetts Amherst Nicholas Miller G Loyola University, Maryland Chelsey Crawford G North Central College Tanya Shilina-Conte G SUNY Buffalo Alla Gadassik G Emily Carr University of Art + Design Louisa Stein G Middlebury College Eva Hageman G University of Richmond Josh Stenger G Wheaton College-Massachusetts Itay Harlap G Sapir Academic College James Younger G Trinity College SUNDAY MARCH 18
Seminars are closed sessions. Only pre-registered participants and auditors may attend. 182 9:00 – 10:45 am SESSION R R4 Generating Cultural Resources Film Festivals and Public Programming at Colleges and Universities
ROOM York, Mezzanine SEMINAR LEADERS Charles Musser G Yale University and Patricia Zimmermann G Ithaca College PARTICIPANTS Antoine Damiens G Concordia University Timothy Murray G Cornell University Naomi DeCelles G University of California, Santa Karen Ritzenhoff G Central Connecticut State Barbara University Tamara Falicov G University of Kansas Dora Valkanova G University of Illinois at Urbana- Caroline Klimek G York University Champaign Scott MacDonald G Hamilton College AUDITORS Scott Boehm G Michigan State University Shawn Shimpach G University of Massachusetts Nathaniel Epstein G The New School Amherst Oliver Gaycken G University of Maryland, College Park Daniel Gomez Steinhart G University of Oregon Roger Hallas G Syracuse University Agnes Tam G University of Muenster Eren Odabasi G University of Massachusetts Amherst Katherine Lawrie Van de Ven G York University Danielle Schwartz G SUNY Binghamton SPONSOR Film and Media Festivals Scholarly Interest Group
R5 Archives in the Digital Era Bridging Theory and Practice for Saving and Studying Media
ROOM Peel, Mezzanine SEMINAR LEADERS Jeremy Morris G University of Wisconsin–Madison and Eric Hoyt G University of Wisconsin–Madison PARTICIPANTS Anirban Baishya G University of Southern California Mark Hayward G York University, Toronto Andrew Bottomley G SUNY Oneonta Asen Ivanov G University of Toronto Allison Cooper G Bowdoin College Lilian Radovac G University of Toronto Almudena Escobar Lopez G University of Rochester Laura Stamm G University of Pittsburgh SUNDAY AUDITORS Janelle Blankenship G University of Western Ontario Derek Kompare G Southern Methodist University Donald Crafton G University of Notre Dame Susan Ohmer G University of Notre Dame Philippa Gates G Wilfrid Lauier University Katherine Spring G Wilfrid Laurier University Rebecca Gordon G Northern Arizona University Jasmijn Van Gorp G Utrecht University MARCH Malte Hagener G University of Marburg Chelsea Wessels G Colby College 18
Seminars are closed sessions. Only pre-registered participants and auditors may attend. 183 SESSION R 9:00 – 10:45 am R6 New Directions in Black Film and Media Scholarship ROOM Norfolk, Mezzanine SEMINAR LEADERS Racquel Gates G College of Staten Island, CUNY Michael Gillespie G The City College of New York, CUNY Beretta Smith-Shomade G Emory University and Kristen Warner G University of Alabama PARTICIPANTS Jerome Dent G University of Rochester Edward Mendez G University of Nevada, Reno Karina Griffith G University of Toronto Philana Payton G The University of Southern California Tama Hamilton-Wray G Michigan State University Adrien Sebro G University of California, Los Angeles Josslyn Luckett G University of Pennsylvania Rebecca Wanzo G Washington University Alfred Martin G University of Colorado Denver AUDITORS Jaimie Baron G University of Alberta Melanie Kohnen G Lewis and Clark College Jennifer Blaylock G University of California, Berkeley Allison McCracken G DePaul University Ryan Conrath G University of Rochester Linda Mizejewski G Ohio State University Arthur Knight G College of William & Mary
R7 Protest Footage from 1968 ROOM Oxford, Mezzanine SEMINAR LEADER Mark Shiel G King’s College London PARTICIPANTS Stanley Corkin G University of Cincinnati Jazmine Hudson G Georgia State University Jesse Cumming G York University Tessa Nunn G Duke University John Davidson G Ohio State University Agnes Tam G University of Muenster Ana Paula Hirano G Harvard University Maureen Turim G University of Florida AUDITORS Luca Caminati G Concordia University Joseph Sannicandro G University of Minnesota, Sarah Hamblin G University of Massachusetts Boston Twin Cities Erica Levin G Ohio State University Erin Schlumpf G Ohio University Phoebe Marshall G University of Pittsburgh Peter Schweppe G University of Toronto Andy Raeder G University of Rostock Christopher Sieving G University of Georgia Diane Waldman G University of Denver SUNDAY MARCH 18
Seminars are closed sessions. Only pre-registered participants and auditors may attend. 184 9:00 – 10:45 am SESSION R R8 Intersectional Spaces in Screen Cultures ROOM Carleton, Mezzanine SEMINAR LEADERS Pamela Robertson Wojcik G University of Notre Dame and Paula J. Massood G Brooklyn College, CUNY PARTICIPANTS Chijioke Azuawusiefe G University of Pennsylvania Neepa Majumdar G University of Pittsburgh Audrey Belanger G Université du Québec à Montréal Agnieszka Piotrowska G University of Bedfordshire Michael Dwyer G Arcadia University Jacqueline Sheean G University of Southern California Melissa Gelinas G University of Michigan, Ann Arbor Jacinta Yanders G The Ohio State University AUDITORS R. Bruce Brasell G Independent Scholar Anna Sborgi G King’s College London Anna Cooper G University of Arizona Merrill Schleier G University of the Pacific Liron Efrat G University of Toronto Martha Shearer G King’s College London Sarah Keller G University of Massachusetts, Boston Anna Lee Swan G University of Washington Elizabeth Patton G University of Maryland, Baltimore County
R9 Touch Screen Mediations Intersectional Feminist Theories of Digital Devices, Bodies, and Applications
ROOM Maple West, Mezzanine SEMINAR LEADER Michele White G Tulane University PARTICIPANTS Tingting Hu G Macquarie University Leah Steuer G University of Wisconsin-Madison Shana MacDonald G University of Waterloo Moira Weigel G Harvard University Teddy Pozo G University of California, Santa Barbara Michele White G Tulane University AUDITORS Ben Aslinger G Bentley University Alison Patterson G University of Pittsburgh Andrew Campana G Harvard University Sarah Projansky G University of Utah Adam Daniel G Western Sydney University Sarah Sinwell G University of Utah Jenny Gunn G Georgia State University Fengyun Zhang G University of California, Los Angeles Ori Levin G Tel Aviv University SUNDAY
MARCH 18
Seminars are closed sessions. Only pre-registered participants and auditors may attend. 185 SESSION R 9:00 – 10:45 am R10 Media and Energy Studies ROOM Maple East, Mezzanine SEMINAR LEADERS Brian Jacobson G University of Toronto and Mona Damluji G University of California, Santa Barbara PARTICIPANTS Kaveh Askari G Michigan State University Lee Grieveson G University College London Martina Broner G Cornell University Hannah Holtzman G University of Virginia Paul Dobryden G University of Virginia Zach Melzer G Concordia University Christina Gerhardt G University of California, Berkeley Anne Pasek G New York University AUDITORS Erik Born G Cornell University Debashree Mukherjee G Columbia University Alex Bush G University of California, Berkeley Luca Peretti G Yale University Hongwei Chen G Brown University Amy Rust G University of South Florida Lisa Han G University of California, Santa Barbara Ila Tyagi G Yale University Matthew Holtmeier G Ithaca College
R11 Mediated Space by/for Young People ROOM Linden, Mezzanine SEMINAR LEADER Peter Kunze G University of Texas at Austin PARTICIPANTS Nadia Ali G Independent Scholar Ryan Bunch G Rutgers University-Camden Jessica Bay G York & Ryerson Universities, Toronto Jake Pitre G Carleton University AUDITORS Jessica Balanzategui G Swinburne University of Claudia Sicondolfo G York University Technology Yannis Tzioumakis G University of Liverpool Katherine Henninger G Louisiana State University Ian Wojcik-Andrews G Eastern Michigan University Mary Celeste Kearney G University of Notre Dame Chaeyoon Yoo G University of California, Irvine Bernadette Salem G Lancaster University SPONSOR Children’s and Youth Media and Culture Scholarly Interest Group SUNDAY MARCH 18
Seminars are closed sessions. Only pre-registered participants and auditors may attend. 186 9:00 – 10:45 am SESSION R R12 New Approaches to Film Aesthetics ROOM Cedar, Mezzanine SEMINAR LEADERS Todd Berliner G University of North Carolina at Wilmington and Malcolm Turvey G Tufts University PARTICIPANTS Lorenzo Fabbri G University of Minnesota, Twin Cities Joseph Pomp G Harvard University Marc Furstenau G Carleton University Jessica Ruffin G University of California, Berkeley Laura Jaramillo G Duke University Félix Veilleux G University of Toronto AUDITORS Elizabeth Alsop G CUNY Graduate Center Katie Lally G University of California, Santa Cruz Cameron Clark G Vanderbilt University James Lastra G University of Chicago Leigh Duck G University of Mississippi Azalia Muchransyah G SUNY Buffalo Amanda Greer G University of Toronto Carolina Rueda G University of Oklahoma Morgan Harper G University of British Columbia Josette Wolthuis G University of Warwick
R13 Video Games and Material Culture ROOM Birchwood Ballroom, Mezzanine SEMINAR LEADERS Carly Kocurek G Illinois Institute of Technology and Chris Hanson G Syracuse University PARTICIPANTS Kara Andersen G Brooklyn College, CUNY John Sanders G Syracuse University Nick Bestor G University of Texas at Austin Rachel Watson G University of Colorado Boulder David Leblanc G Concordia University Lesley Willard G University of Texas at Austin Daniel Reynolds G Emory University Hong-An Wu G University of Texas at Dallas AUDITORS Mats Bjorkin G University of Gothenburg Felan Parker G University of Toronto Nicholaus Gutierrez G University of California, Berkeley Graeme Stout G University of Minnesota Philipp Dominik Keidl G Concordia University Jaroslav Svelch G University of Bergen Montreal Shan Mu Zhao G University of Southern California Insook Park G Columbia University SUNDAY
MARCH 18
Seminars are closed sessions. Only pre-registered participants and auditors may attend. 187 SESSION R 9:00 – 10:45 am R14 Creative Critical Writing Seminar ROOM Pine East, Mezzanine SEMINAR LEADER Holly Willis G University of Southern California PARTICIPANT Katie Model G OCAD University Kathryn Siegel G King’s College London Sarah O’Brien G University of Virginia Arthur Wang G Yale University Hannah Paveck G King’s College London Elizabeth Wijaya G Cornell University Angelo Restivo G Georgia State University Greg Youmans G Western Washington University AUDITORS Aviva Dove-Viebahn G Arizona State University Mazyar Mahdavifar G Dodge College of Film and Media Erin Espelie G University of Colorado at Boulder Arts Junting Huang G Cornell University Alfredo Martinez-Exposito G University of Melbourne Alison Levine G University of Virginia Elena Razlogova G Concordia University Kiki Loveday G University of California, Santa Cruz Laurel Westrup G University of California Los Angeles Shannon Wong-Lerner G University of North Carolina
R15 Cripping the Screen Cripface and Intersectionality
ROOM Pine West, Mezzanine SEMINAR LEADERS James Deaville G Carleton University and Kristen Loutensock G University of Wisconsin, Madison PARTICIPANTS Neta Alexander G New York University Caitlin Manocchio G University of California, Linnea Hussein G New York University Los Angeles Bill Kirkpatrick G Denison University Andrew Tubbs G University of Iowa Carol Vernallis G Stanford University AUDITORS Olivia Banner G University of Texas at Dallas Sean Donovan G University of Michigan Emma Ben Ayoun G University of Southern California Brian Plungis G New York University SUNDAY MARCH 18
Seminars are closed sessions. Only pre-registered participants and auditors may attend. 188 9:00 – 10:45 am SESSION R R16 Towards Adaptable Media Pedagogy ROOM Spruce, Mezzanine SEMINAR LEADERS Melissa Lenos G Donnelly College and Anna Froula G East Carolina University PARTICIPANTS Catherine Clepper G Cornell University Nicole Hentrich G University of Michigan Nick Davis G Northwestern University AUDITORS Sara Bakerman G University of Southern California Dana Och G University of Pittsburgh Yifen Beus G Brigham Young University Hawaii Catherine Martin G Boston University Megen de Bruin-Mole G Cardiff University Benjamin Schultz-Figueroa G University of California Chelsea McCracken G Beloit College Santa Cruz
R17 Genre Studies Methodology for Film, Television, and New Media Development Since Altman’s Semantic/Syntactic/Pragmatic Approach
ROOM Chestnut East, Mezzanine SEMINAR LEADERS Grant Wiedenfeld G Sam Houston State University and Annie Berke G Hollins University PARTICIPANTS Byron Fong G University of Rochester Eileen Rositzka G Freie Universität Berlin Jedd Hakimi G University of Pittsburgh Emily Saidel G University of Michigan, Ann Arbor Mike Phillips G The Graduate Center, CUNY Nathan Scoll G University of Utah Michelle Robinson G University of North Carolina at Janet Staiger G University of Texas at Austin Chapel Hill Fengyun Zhang G University of California, Los Angeles AUDITORS Claudia Calhoun G New York University Kristof Van den Troost G The Chinese University of Lindsey Decker G Boston University Hong Kong Herbert Eagle G University of Michigan Erin Wiegand G Northumbria University Loretta Goff G University College Cork S. Topiary Landberg G University of California, Andree Lafontaine G Aichi University Santa Cruz Vincenzo Maselli G Sapienza University of Rome Christine Holmlund G University of Tennessee SUNDAY Katherine Morrissey G University of Kentucky (Emerita)
MARCH 18
Seminars are closed sessions. Only pre-registered participants and auditors may attend. 189 SESSION R 9:00 – 10:45 am R18 Race, Policing, and Media ROOM Chestnut West, Mezzanine SEMINAR LEADERS Daniel Grinberg G University of California, Santa Barbara and Michael Litwack G University of Alberta PARTICIPANTS Kendra Atkin G University of Southern California Joshua Mitchell G University of Southern California Christine Goding Doty G Northwestern University Hudson Moura G Ryerson University Gareth Hedges G Independent Scholar Hannah Mueller G Hunter College, CUNY Azaan Khamis G Wilfrid Laurier University Christian Rossipal G New York University AUDITORS Sasha Crawford-Holland G University of Southern Andrew McLaughlin G University of Oregon California Magda Yuksel G University of Toronto Anat Dan G Tel Aviv University Carole Gerster G University of California, Santa Cruz
R19 The Crisis of Academic Labor and the Future of Film and Media Studies ROOM Willow East, Mezzanine SEMINAR LEADERS Jamie Rogers G University of California, Irvine and Christopher Robé G Florida Atlantic University PARTICIPANTS Jane Glaubman G Cornell University Barbara Mennel G University of Florida Randolph Jordan G Ryerson University Alisa Perren G University of Texas at Austin Sima Kokotovic G Concordia University, Montreal Monica Sandler G University of California, Los Angeles Dimitrios Latsis G Ryerson University Benedict Stork G Seattle University AUDITORS Hannah Airriess G University of California, Berkeley Linda Liu G University of Massachusetts Boston Mark Lynn Anderson G University of Pittsburgh Nicole Erin Morse G University of Chicago Cynthia Baron G Bowling Green State University Jennifer Proctor G University of Michigan-Dearborn Caroline Bem G Université de Montréal Amanda Shubert G University of Chicago SPONSOR Caucus on Class SUNDAY MARCH 18
Seminars are closed sessions. Only pre-registered participants and auditors may attend. 190 9:00 – 10:45 am SESSION R R20 Non-theatrical film Hemispheric American Perspectives
ROOM Willow Centre, Mezzanine SEMINAR LEADERS Julian Etienne G University of Texas at Austin and Laura Isabel Serna G University of Southern California PARTICIPANTS Catherine Benamou G University of California, Irvine Ana López G Tulane University Julia Gonzalez de Canales Carcereny G University of Ian Murphy G University of North Carolina, Chapel Hill Vienna Javier Ramirez G Indiana University Tanya Goldman G New York University Irene Rozsa G Concordia University, Montreal Martin Johnson G The Catholic University of America AUDITORS Alia Ayman G New York University Joseph Clark G Simon Fraser University Monica Garcia Blizzard G Kenyon College
R21 Critical Ethnic Studies and Cinema and Media Studies A Conversation
ROOM Willow West, Mezzanine SEMINAR LEADER Beenash Jafri G University of California, Davis PARTICIPANTS Hend Alawadhi G Kuwait University Melissa Molloy G Victoria University of Wellington Crystal Camargo G Northwestern University Isabel Pinedo G Hunter College, CUNY Amber Hodge G University of Mississippi Emily Rauber Rodriguez G University of Southern Zahra Khosroshahi G University of East Anglia California AUDITORS Joel Neville Anderson G University of Rochester Kirsten Lew G University of California, Los Angeles Isabella Goulart G University of Sao Paulo Brandy Monk-Payton G Fordham University Arcelia Gutierrez G University of Michigan Gerald Sim G Florida Atlantic University Belinda Qian He G University of Washington, Seattle SUNDAY
MARCH 18
Seminars are closed sessions. Only pre-registered participants and auditors may attend. 191 SESSION R 9:00 – 10:45 am R22 Reality and Identity in 21st Century American Television ROOM Huron, Second floor SEMINAR LEADERS Amanda Ann Klein G East Carolina University and Erin A. Meyers G Oakland University PARTICIPANTS Emily Blout G University of Virginia Raffi Sarkissian G University of Southern California Kelsey Cameron G University of Pittsburgh Dahlia Schweitzer G University of California, Los Rose Routh G Emory University Angeles Andrea Ruehlicke G University of Illinois, Urbana- Champaign AUDITORS Benjamin Kruger-Robbins G University of California, Irvine
Seminars are closed sessions. Only pre-registered participants and auditors may attend.
SPECIAL EVENT SUNDAY, MARCH 18 10:45 – 11:30 am Coffee Break ROOM Mezzanine Foyer, Mezzanine
SPONSORED BY University of Notre Dame, College of Arts and Letters SCMS SUNDAY MARCH 18
192 session S 11:30 am – 1:15 pm SUNDAY I MARCH 18, 2018
S1 Broadcasting Play S2 The Academy is Born Mediating Videogames Examining the Formative Years of the for an (Inter)active Audience Academy of Motion Picture Arts and Sciences , CHAIR Alexander Champlin G University of , California,S Santa Barbara CHAIR Luci Marzola G University of Southern Andrew Ferguson G Washington and Lee University California G “Bad Games, Broken-World Playing, and the RESPONDENT Barbara Hall G Writers Guild Foundation Scholarship of Repair” Dimitrios Latsis G Ryerson University G “Industrial Matt Knutson G University of California, Irvine G Historiography: The Early Educational Activities of the “Buffered Time: Connected Asynchronicity on Twitch” Academy of Motion Pictures Arts and Sciences” Alexander Champlin G University of California, Santa Luci Marzola G University of Southern California G “The Barbara G “Liveness at Play: Twitch Streaming and Science of the Academy: AMPAS and the Fundamental the Production of Immediacy” School of Sound” SPONSOR Video Game Studies Scholarly Interest Group Monica Sandler G University of California, Los Angeles G “Inside the AMPAS Reorganization Committee: Collective Bargaining, the Oscars, and the Battle for the
Academy’s Future” SUNDAY SPONSOR Classical Hollywood Scholarly Interest Group
MARCH 18
193 SESSION S 11:30 am – 1:15 pm S3 Beyond the Sound System S5 Time, Violence, and Death The Cultural Contexts , for Cinema’s Audio Formats CHAIR Allison Rittmayer G Northwestern State , University CHAIR Eric Dienstfrey G University of Wisconsin– Allison Rittmayer G Northwestern State University G Madison “Reflections on Mur-tality: Time and Death in the RESPONDENT Katherine Spring G Wilfrid Laurier University Works of Agnès Varda” Meredith Ward G Johns Hopkins University G Katie Lally G University of California, Santa Cruz G “Old Models in Listening with Dolby Atmos: “Violence and the Sacred in the Films of Bruno The Extra-Cinematic and the Rise of 21st-Century Dumont” Surround Sound” Sam B. Girgus G Vanderbilt University G “The Violence K.J. Donnelly G University of Southampton G “The and Death of Time in Tommy Lee Jones’s The Three Silent Film Music Industry: Format Translation in the Burials of Melquiades Estrada (2005)” Age of Pathological Historicism” Tomas Elliott G University of Pennsylvania G “Marat/ Eric Dienstfrey G University of Wisconsin–Madison Sade/Artaud/Deleuze” G “Historicizing the Fake: Digital Software and the Archaeology of Dead Media Aesthetics” SPONSOR Sound and Music Studies Scholarly Interest Group S6 Radical Environments Threat, Transformation, and Media Sensibility
S4 Questions of Queerness , Presence, Absence, Affect CHAIR Greg Siegel G University of California, Santa , Barbara CHAIR Lauren Pilcher G University of Florida Joshua Malitsky G Indiana University G “Sound and/as Lauren Pilcher G University of Florida G “Deep South Energy in Esfir Shub’s KShE” Queers: Intersectionality and Authenticity in Southern Selmin Kara G OCAD University G “World Upside Documentary” Down: Transmediating the Anthropocene” Greg Youmans G Western Washington University G Greg Siegel G University of California, Santa Barbara G “When We Were Jung: The Centrality of Jungian Ideas “Media, Meteorology, Contingency” and Aesthetics to Liberation-Era Queer Experimental Martina Broner G Cornell University G “Going Out on a Filmmaking” Limb: Embodiment and Virtual Reality in a Threatened William J. Simmons G University of Southern California G Landscape” “The Absent Queer in Lars von Trier’s Nymphomaniac” SPONSOR Media and the Environment Scholarly Interest Group Sergio Rigoletto G University of Oregon G SUNDAY MARCH “Parentheticality and Affect in Xavier Dolan’s Laurence 18 Anyways”
194 11:30 am – 1:15 pm SESSION S
S7 Colonies and Colonialism S9 ROUNDTABLE , AI, Social Media, CHAIR Dalina Perdomo G University of Iowa and The New Modes of Dalina Perdomo G University of Iowa G “Cinelibre, Programmed Sociality Pueblo Preso: La Gran fiesta and the Structures of , Contradiction in Puerto Rico’s Stillborn National CHAIR Taina Bucher G University of Copenhagen Cinema” CO-CHAIR Tero Karppi G University of Toronto, Emily Rauber Rodriguez G University of Southern Mississauga California G “‘Blinding Our People with a Fantasy World’: Chicano Students’ Early Media Criticism, ROUNDTABLE PARTICIPANTS 1969 – 1979” Andrea Guzman G Northern Illinois University G “How Artificiality Matters in Communication” Ganaele Langlois G York University G “A Media Archeology of Machinic Being” Tero Karppi G University of Toronto, Mississauga G S8 Childhood, Adolescence, “Facebook, AI, and the Human Condition” and Coming of Age Taina Bucher G University of Copenhagen G “The , Human Touch in AI” CHAIR Lauren Davine G Ryerson University Lauren Davine G Ryerson University G “Queering Female Adulthood: The Woman-Child in Contemporary American Film” Jason Scott G Arizona State University G “Ero -Autism: S10 The Beginnings and Ends of Some Intersections of Sexuality, Gender, Adolescence, New Media and Neurodiversity in Recent Series Television” , G Michael Rennett Texas A&M University–Corpus Christi CHAIR Andrew Lison G SUNY Buffalo G “Diverse Paths to Adulthood: The Impact of Race and Ethnicity on Emerging-Adult Narratives” Andrew Lison G SUNY Buffalo G “Reconsidering Post-Electoral Mythologies: ‘Fake News’ and Big Data” Ryan Bowles Eagle G California State University, Jennifer Blaylock G University of California, Berkeley Dominguez Hillls G “The Parent Trap: How Media Studies Scholar-Parents Navigate Pediatricians’ G “New Media, Neo-Media: The Brief Life of Socialist Screentime Recommendations” Television in Ghana”
Kyle Stine G Johns Hopkins University G “Other Ends of SUNDAY SPONSOR Children’s and Youth Media and Culture Scholarly Interest Group Cinema: On Logistics (2014)” Paul Benzon G Skidmore College G “Zombie Media and the Untimely Resurrection of the Flip Phone”
SPONSOR Media, Science, and Technology MARCH Scholarly Interest Group 18
195 SESSION S 11:30 am – 1:15 pm S11 Media Maintenance S13 Celebrity and the , Contemporary Horror Film CHAIR Zach Melzer G Concordia University , Zach Melzer G Concordia University G “Mending CHAIR Lindsey Decker G Boston University Cinema” Dana Och G University of Pittsburgh G “The Fame that Matthew Hockenberry G New York University G Wouldn’t Die: Horror Comedy, Celebrity, and the Body” “The Performance of Preservation for Dead Media Lindsey Decker G Boston University G “‘Harry Maintenance” Potter and the Scary Ghost Lady’: Daniel Radcliffe’s Bhargavi Narayanan G University of California, Santa Transnational Star Appeal and The Woman in Black” Barbara G “Infrastructures in Circulation: The Lives Genevieve Newman G Independent Scholar G “Fandom and After-lives of Political Banners in South India” and the Resurrection of Fear in Millennial Horror” Charlie Oughton G Regent’s University London G “And the Stars Came Crashing Down: Reassessing the Roles of Female Horror Filmmakers and Their Fandoms” SPONSOR Horror Studies Scholarly Interest Group S12 Modernism Then and Now , CHAIR Alexander Kauffman G Philadelphia Museum of Art Alexander Kauffman G Philadelphia Museum of Art G S14 New Approaches to 1970s “The Kinematic Turn of 1913: Cubist Cinema Beyond Documentary Film and Theory Film” , Bernadette Salem G Lancaster University G “Cinema’s CHAIR Matthew Croombs G University of Calgary First Space Tourists: Commercial Space Flight in the Time of Méliès” CO-CHAIR Kate Rennebohm G Harvard University Kate Rennebohm G Harvard University G “ Anna Adam Pugen G University of Toronto G “The Phenomenology of ‘Digital Modernism’: Schoenberg’s (1975): Cinema, Video, and the Ethics of Reviewing” Twelve-Tone System as Ideational World Design” Matthew Croombs G University of Calgary G “A Militant’s Voyage through Art History: René Vautier’s Kendra Atkin G University of Southern California G “Cinema as Gift/Cinema as Demand in The Cabinet of Documentaries for Algerian Television” Dr. Caligari” Trevor Stark G University of Calgary G “Serialized Death: Straub-Huillet, Schoenberg, and the SPONSOR Central/East/South European Cinemas Scholarly Interest Group Architecture of Fascism” Jessica Bardsley G Harvard University G “Liquid History and the Vitalist Materiality of Chick Strand’s Kristallnacht (1979)” SUNDAY MARCH SPONSORS CinemArts Scholarly Interest Group and 18 Documentary Studies Scholarly Interest Group
196 11:30 am – 1:15 pm SESSION S S15 Rethinking Ideology in S17 Quality TV Apparatus Theory New Questions about Prestige and Politics , , G CHAIR Randall Halle G University of Pittsburgh CHAIR Joanne Morreale Northeastern University Aniko Imre G University of Southern California G Joanne Morreale G Northeastern University G and “Socialist Dispositives in Postsocialist Media Cultures” Nathan Blake G Northeastern University G “The Illusion of Control: Considering Mr. Robot” Barbara Mennel G University of Florida G “Voices of Finance: Dance in the Landscape of Finance” Sarah Matheson G Brock University G “Is TV ‘TIFF Worthy’?: Television at the Toronto International Film Jesse Anderson-Lehman G University of Pittsburgh G Festival” “Anime on Netflix: How Streaming Alters Production” Despina Kakoudaki G American University G “A Virtual Michael Gott G University of Cincinnati G “Europe by Winter: On CGI, Climate Change, and the Absence of ‘Airport Cinema’: Representation, Mobility, and the Ecology in Game of Thrones” Cinematic Apparatus” Hannah Mueller G Hunter College, CUNY G “‘Steal It or Scam It’: Poverty and the Commodified Body in Showtime’s Shameless”
S16 Resistant Aesthetics Film and Media Activism , S18 Women Directors CHAIR J. Carlos Kase G University of North Carolina at Wilmington and Female Bodies , J. Carlos Kase G University of North Carolina at Wilmington G “The Fever Dreams of Third Cinema: Exploring CHAIR Sarah Smyth G University of Southampton Aesthetic Excess and Grotesquerie in the Neglected Sarah Smyth G University of Southampton G Peripheries of Radical Filmmaking” “Authorship, Subjectivity, and the Horror Film: Richard Mwakasege-Minaya G University of Michigan G Challenging the Representation of the Pregnant “The Cuban Exile Campaign: Latinx Media Activism and Woman in Alice Lowe’s Prevenge (2016)” Conservative Latinidad” Andrea Braithwaite G University of Ontario Institute Hend Alawadhi G Kuwait University G “Militant Film of Technology G “Playing the Flâneuse: Space and Collectives: Examining the Legacy of the Palestinian Movement in Female Detective Games” Film Unit (PFU)” Sonia Lupher G University of Pittsburgh G “The Rise of SUNDAY Matt Sienkiewicz G University of Rochester G “New the Female Horror Filmmaker/Fan” Wave in the Neo Empire: Afghanistan’s Jump Cut Nina Martin G Connecticut College G “‘I’d Kill for This Cinema Collective as Artistic Resistance” Role’: Gender and Hollywood Horror” SPONSOR Middle East Caucus SPONSOR Horror Studies Scholarly Interest Group MARCH 18
197 SESSION S 11:30 am – 1:15 pm
S19 Los Angeles and Cinema S21 WORKSHOP An Interdisciplinary Site Handmade, Hands-On, , and Low-Tech Practices in CHAIR John Trafton G Seattle University Media Pedagogy G René Thoreau Bruckner Columbia College Hollywood , G “Wildness Enclosed: The Film-Animal Industry in CHAIR Steven Doles G Syracuse University Los Angeles” James Tweedie G University of Washington G “The Art WORKSHOP PARTICIPANTS Director as Architect, or the Construction of Classical Steven Doles G Syracuse University Hollywood” Sarah O’Brien G University of Virginia Michael Green G Arizona State University G Kelsey Cameron G University of Pittsburgh “Whiteness in the Los Angeles-Set Films of Emma Marina Hassapopoulou G New York University Stone and Ryan Gosling” Eva-Lynn Jagoe G University of Toronto John Trafton G Seattle University G “L.A. Punk Cinema and La Caméra-Stylo” SPONSOR Critical Media Pedagogy Scholarly Interest Group
S20 Racial Politics S22 Fandom, Reception, and in Cinema and Television Critique in a Digital Age , 2 , CHAIR Henry Wermer-Colan G Temple University CHAIR Annie Sullivan G Northwestern University Henry Wermer-Colan G Temple University G Annie Sullivan G Northwestern University G “Mediating the Rebellion: Kathryn Bigelow’s Vision of “Calculating the Politics of Aesthetics: A Distant Detroit and Local Televisual Responses to Urban Crisis” Reading of Iraq War Film Reviews” Lesley Willard G University of Texas at Austin G Steve Swetich G King’s College London G “The People v. White Supremacy: Images of Race, Activism, and O.J. “#FanArtFriday: A Case for the (Increasing) Importance Simpson” of Data and Mixed Methods in Fan Studies” Lida Zeitlin Wu G University of California, Berkeley G Rachel Watson G University of Colorado Boulder “Referential Mania Goes Live: NABOKV-L and the G “Brothers From Another Mother: The Uncanny Relationship between the United States and South Emergence of an Online Critical Discourse” Africa” Jennifer deWinter G Worcester Polytechnic Institute G “Not So Cool in Game Studies: The Pressures on Jacqueline Pinkowitz G University of Texas at Austin ‘Cool Japan’ from Sex Simulations, Doujinshi, and Fan G “‘Rape and Race’: Exposing/Exploiting Slavery’s Monstrous Intimacies in Late 1960s and Early 1970s Translations” SUNDAY MARCH Slavery Exploitation Films” SPONSOR Fan and Audience Studies Scholarly Interest Group 18
198 11:30 am – 1:15 pm SESSION S
MEETING MEETING 11:30 am – 1:15 pm 11:30 am – 1:15 pm Critical Media Pedagogy Nontheatrical Film and Media Scholarly Interest Group Scholarly Interest Group
ROOM Kent, 2nd floor ROOM Simcoe/Dufferin, 2nd floor
topics and agenda items include: interactive workshop topics and agenda items include: elections, discussion of on tools and skills for critical media literacy in SIG sponsorship process, SIG events in 2019, and the age of participatory media—plus snacks! nontheatrical film and media publishing initiative
Soap Drive Contribute to the 2018 SCMS Soap Drive As an organization, we are collecting used & unused/opened & unopened hotel soaps, shampoos, conditioners, and other toiletry
items that people in need might find useful. Please take your SUNDAY donations to the Registration area and look for the soap drive bin.
MARCH 18
199 session T 1:30 – 3:15 pm SUNDAY I MARCH 18, 2018
T1 Queer Resistance / T2 WORKSHOP Queer Media Designing and Facilitating , Media Camps for Youth CHAIR Peter Marra G Wayne State University , Peter Marra G Wayne State University G “Killer Queens: CHAIR Barbara Brickman G University of Alabama T G Horror and the Queer Art of Drag” CO-CHAIR Jacqueline Vickery University of North Texas Robert LaRue G Moravian College G “Fifty Shades of Gay: Roland Emmerich’s Stonewall and the Violence of WORKSHOP PARTICIPANTS Mainstream Queer Representations” Lora Taub-Pervizpour G Muhlenberg College Carla Carter-Bishop G University of North Texas Kirsten Lew G University of California, Los Angeles G “From Social Problem to Melodrama: Censoring Ida Yoshinaga G University of Hawaii-Manoa Queerness and Racism in Stahl’s Imitation of Life” SPONSOR Children’s and Youth Media and Culture Jake Pitre G Carleton University G “The Radical Arc of Scholarly Interest Group Queer Redemption in Steven Universe” SPONSOR Queer Caucus SUNDAY MARCH 18
200 1:30 – 3:15 pm SESSION T T3 Subversive Media/Subversive T5 21st Century Screen Migrants Comedy A Convergence of Surveillance, Fantasy, and Empathy , , CHAIR Rob King G Columbia University CHAIR G CO-CHAIR Nicholas Sammond G University of Toronto Nicole Wallenbrock Syracuse University CO-CHAIR Drew Paul G University of Tennessee, Knoxville Rob King G Columbia University G “The Revelations of Bill Hicks: Standup and Televangelism on Parallel Drew Paul G University of Tennessee, Knoxville G Tracks” “Forced Migration and Fantasies of Return in Palestinian Cinema” Jessica Hoover G University of North Texas G “As Seen on TV: The Carol Burnett Show, Second Wave Nicole Wallenbrock G Syracuse University G “Gender Feminism, and the One-Two Punch to Advertising” and Immigration in the Sahara: An Africaine’s Clandestiny, Hope (Lokjine, 2014)” Peter Kunze G University of Texas at Austin G “Black Conservative Satire, Social Media Celebrity, and the Alt Valerie Behiery G Independent Scholar G “Migrants and Right” Refugees in Contemporary Moving Image Art: Ghazel’s Home (stories) and Bouchra Khalili’s The Mapping Nicholas Sammond G University of Toronto G Journey Project’” “Flatulence Will Get You Everywhere: The Kipper Kids and Non-sense Video” SPONSOR Middle East Caucus SPONSOR Comedy and Humor Studies Scholarly Interest Group
T6 Gender and Aging T4 Political Economies of Online in Global Media Streaming , CHAIR G , C. Lee Harrington Miami University G G CHAIR Emily West G University of Massachusetts C. Lee Harrington Miami University “Aging and Amherst Indian Television: Mega-Serials in Tamil Nadu” Emily West G University of Massachusetts Amherst G Sophie Saint-Just G Williams College G “Making a “Amazon, Digital Monopolies, and the Pleasures of Caribbean Landmark Film: The Material Conditions of Digital Enclosure” Rue Cases-Nègres (1983)” Danny Kimball G Goucher College G “Net Neutrality, Liam Burke G Swinburne University of Technology G “Generation Emigration?: How New Media Is Facilitating Monopoly Power, and Privatized Regulation in the New SUNDAY Media and Broadband Industries” Various Forms of ‘Return’ for Older Migrants” Ian Murphy G University of North Carolina at Chapel Andrea Schmidt G Willamette University G “‘Into Hill G “The Great Video Pivot and the Crisis in Online the Wild’: Frauenförderungspläne, or Women’s Publishing” Advancement Initiatives, in the German Film and Television Industries” MARCH SPONSOR Media Industries Scholarly Interest Group 18
201 SESSION T 1:30 – 3:15 pm T7 Reinventing Surrealism T9 Occupation, Colonization, , and Displacement CHAIR Jessica Balanzategui G Swinburne University , of Technology CHAIR Shekhar Deshpande G Arcadia University Jessica Balanzategui G Swinburne University of Marla Zubel G Western Kentucky University G “Filming Technology G “‘Shaye Saint John’ and the Aesthetics Haiti’s Le Poloné: Transnational Encounters in of the Digital Gothic: The Subversive (Dis)embodiments Contemporary Polish Cinema” of Outsider Art on YouTube” Graig Uhlin G Oklahoma State University G “Fires at Paulina Tomkowicz G University of Pittsburgh G Sea: Lifeboat Cinema and Population Displacement” “Fernando Arrabal and Long Live Death: Why Cinema Joseph Pomp G Harvard University G “French Matters for the College of Pataphysics” Government Subsidies of African Film Production, or Mi Young Park G Southern Illinois University the Gift that Keeps on Giving (and Taking)” Carbondale G “Female Workers and Surrealism in the Kascindra Shewan G McMaster University G Post-Cinematic Age: Factory Complex (2014)” “Rapacious Revenge: Sexualized Violence, Devin Thomas G New York University G “Possession: Neoliberalism, and Settler-colonial Politics in Elle-Máijá Jean Rouch and the Magic in and of Film” Tailfeathers’ A Red Girl’s Reasoning (2012)” SPONSOR Transnational Cinemas Scholarly Interest Group
T8 Reviewing the Nation and Rethinking “National” Cinemas T10 Cinematic Sound , , G CHAIR Meta Mazaj University of Pennsylvania CHAIR Darshana Mini G University of Southern Gohar Siddiqui G Clark University G “Docufictions California and Cinematic Truth in Afghani Cinema: Gender and Darshana Mini G University of Southern California G Religion in Siddiq Barmak’s Osama” “‘Un-sound’ Cinema: Sound, Sex, and Desire in Indian Belén Vidal G King’s College London G “Transplanted Cinema” blossoms: Reading International Casts through the Woojeong Joo G Nagoya University G “Imagining Deferrals of Cinephilia in Spain” Sound beyond Nation : How Japan Understood and Melis Umut G Stony Brook University G “When Pathos Adapted American Technology in the Early History of Meets Eros: The 1970s ‘Erotic Melodramas’ in Turkish Sound Cinema” Cinema” Brooke McCorkle G SUNY Geneseo G “Liveness, Music, Nava Dushi G Lynn University G “ Foxtrot, A Dangerous Media: The Case of the Cine-concert” Dance: The Politicization of State Funding” Silpa Mukherjee G University of Pittsburgh G
SUNDAY “Loudness in the Air: The New Digital Sonotope of Item MARCH Numbers of Bombay Cinema” 18 SPONSOR Sound and Music Studies Scholarly Interest Group
202 1:30 – 3:15 pm SESSION T T11 Orientalist Palettes T13 Plasticene Asian Women as Cinematic Technique Material and Conceptual “Plastics” in and Affective Form Cinema and Media Studies
, , CHAIR Mila Zuo G Oregon State University CHAIR Emily Verla Bovino G University of California, Feng-mei Heberer G New York University G “Hito San Diego Steyerl’s Racial Montage” Adam Lauder G Social Sciences and Humanities Research Mila Zuo G Oregon State University G “The Chinese Council, Toronto G “‘Time after Time’: Hanne Feminine Cool (Maggie Cheung) and its ‘Hot’ Darboven and the Plasticity of Number” Limitations (Bai Ling)” Kenneth Rogers G York University G “Pathways Lily Wong G American University G “Recoding Diversions: Plastic Media and Neuro-ecologies” Chineseness: Transpacific Engagements in Seeking Laila Shereen Sakr G University of California, Santa Asian Female” Barbara G “Media Sousveillance on Its Back” SPONSOR Asian/Pacific American Caucus Heather Davis G Independent Scholar G “Plastic Media”
T12 Virtual Reality, Virtual Selves, T14 Making History and Pressing and Computational Research Boundaries in Documentary , Film CHAIR Maria Engberg G Malmö University , Maria Engberg G Malmö University G and CHAIR Sandra V. Navarro G Western New England Jay David Bolter G Georgia Institute of Technology G University “Watching in the Round: 360° Films, VR, and Mobile Sandra V. Navarro G Western New England University G Cinematics” “Documenting Childhood: Mediating Memory and the David Leblanc G Concordia University G “Learning the Ephemeral in El edificio de los chilenos” Hard Way: Media-Based Training from Video to VR” Eduardo Ledesma G University of Illinois at Urbana- Adam Daniel G Western Sydney University G “Stories Champaign G “A Fast Look at Slow Cinema: Dead in Space: Screenwriting Paradigms in Virtual Reality” Slow Ahead (2015) and the Spanish Sci-Fi Documentary Movement”
G G
Kate Hearst Independent Scholar “Negotiations: SUNDAY Making History with Film” Elizabeth Kaszynski Gilmore G Indiana University G “Exhibiting White Saviors: Invisible Children Rough Cut and Ambivalent Benevolence” MARCH 18
203 SESSION T 1:30 – 3:15 pm
T15 WORKSHOP T17 Widening Histories of the Small Syllabus Hack Screen Introducing Television Studies in the TV’s Connections to Music, Theatre, Internet Era and the Avant-Garde
, , CHAIR Casey McCormick G McGill University CHAIR Norma Coates G University of Western Ontario WORKSHOP PARTICIPANTS Norma Coates G University of Western Ontario G “Rock David Pierson G University of Southern Maine to the Rescue: Rock Concert Programs on Late Night TV Jacinta Yanders G Ohio State University in the 1970s” Bridget Kies G University of Wisconsin–Milwaukee Britta Hanson G University of Texas at Austin G “‘She Melanie Kohnen G Lewis and Clark College Flew into 65,000,000 Hearts!’: Peter Pan, Broadway, Charlotte Stevens G Birmingham City University and the 1950s TV Musical” Dillon Hawkins G Oklahoma State University G “Experimental TV: The Children’s Television Workshop and the Avant-Garde” Kit Hughes G Colorado State University G “Theater T16 Still Gazing at the Stars Television, Corporate Communication, and Narrowcast Networks” , CHAIR Swapnil Rai G Brown University Swapnil Rai G Brown University G “Of Courtesans, Dream Girls, and Brahmin Beauties: Female Star Switching Power in Bollywood Production Culture” T18 Screening Military Films Wesley Jacks G University of California, Santa Barbara G Nontheatrical Sites and Spaces during “Big in China: Transnational Stars in Early Reform-Era World War II China” , Josh Jackson G University of California, Berkeley G “Multichannel Networks, YouTubers, and Machine- CHAIR Joshua Mitchell G University of Southern Managed Celebrity” California CO-CHAIR Javier Ramirez G Indiana University Martin L. Johnson G The University of North Carolina at Chapel Hill G “A Distant Local View: The Small Town Film and U.S. Cultural Diplomacy, 1942 – 1965” Joshua Mitchell G University of Southern California G “Military Films and Wartime Labor in the American Prison during World War II” SUNDAY MARCH Javier Ramirez G Indiana University G “Framing American and Mexican American: Military Institutions 18 and Nontheatrical Exhibition during and Post-WWII” SPONSOR Nontheatrical Film and Media Scholarly Interest Group
204 1:30 – 3:15 pm SESSION T T19 Contemporary French Ecocinema T21 We’re Still Here Politicizing the Nonhuman Turn , across Media CHAIR Hannah Holtzman G University of Virginia RESPONDENT Alison Murray Levine G University of Virginia , CHAIR Neta Alexander G New York University Liz Groff G University of Miami G “‘Quand le ciel bas et lourd pèse comme un couvercle’: Atmospheric RESPONDENT Richard Grusin G University of Wisconsin- Aesthetics in Cinema” Milwaukee Hannah Holtzman G University of Virginia G “French Moira Weigel G Harvard University G “Aquarium/Film: Webdocs and Nuclear Disaster in Japan” Verne, Williamson, and Immersion” Audrey Evrard G Fordham University G “‘Après l’usine, Neta Alexander G New York University G “Make Room la terre!’: Redefining Militant Filmmaking in the 21st for Roomba: Cleanliness, Choreography, Capital” Century” Arthur Wang G Yale University G “Dehumanizing SPONSORS French/Francophone Scholarly Interest Group and Consent: Coercive Media and Game Theories of the Media and the Environment Scholarly Interest Group Nonhuman”
T20 Hidden Labor in the Spotlight T22 Hybrid Practices Hollywood Production Below the Line Contesting Mythologies in Scholarly and Creative Projects , , 2 CHAIR Katherine A. Johnson G Indiana University CHAIR Christina Corfield G University of California, Katherine A. Johnson G Indiana University G “‘Action, Santa Cruz that’s what’: Stunt Work in the Western” Christina Corfield G University of California, Santa Cruz Amos Stailey-Young G University of Iowa G “Synthetic G “Technological Anachronism and Craft as Media Nature: Classical Hollywood Location Shooting in Cecil Historiography” B. DeMille’s Union Pacific” Amy Ruhl G Independent Scholar G “Between Tin Men: Aaron Rich G University of Southern California G “The Remaking Oz into a Feminist Historiography” Past Lives and Afterlives of Rome: Research Bibles and Visual History in Quo Vadis” Kiki Loveday G University of California, Santa Cruz G “What You Love: The Library at Alexandria, Quotation, Saul Kutnicki G Indiana University G “St. Louis by and Survival” Design: Escape From New York amidst a Contemporary SUNDAY Urban Crisis, 1971 – 1981” SPONSORS Women’s Caucus and Women in Screen History Scholarly Interest Group SPONSOR Classical Hollywood Scholarly Interest Group
MARCH 18
205 SESSION T 1:30 – 3:15 pm
MEETING MEETING 1:30 – 3:15 pm 1:30 – 3:15 pm Media and the Environment Transmedia Studies Scholarly Interest Group Scholarly Interest Group
ROOM Kent, 2nd floor ROOM Simcoe/Dufferin, 2nd floor
topics and agenda items include: new elections; the student essay prize; a workshop on environmental justice and pedagogy.
Join Us Next Year in Seattle, Washington March 13–17, 2019 Sheraton Seattle SUNDAY MARCH 18
206 Index A Aaron, Michele L18 Airriess, Hannah B11 , R19 Amit, Rea J9 Arnold, Sarah I1 Abbott, Traci H6, R1 Akser, Murat B6 Anable, Aubrey K9 Arsenjuk, Luka F24 Abel, Richard Q2 Alawadhi, Hend S16 , R21 Andersen, Carrie C10 Arzumanova, Inna A17 Abramson, Leslie K15 Alberti, John B8 Andersen, Joceline J12 Ascheid, Antje G12 Abshir, Iftin P7 Albertini, Bill D4 Andersen, Kara Lynn N14, R13 Askari, Kaveh G14, R10 Acham, Christine F1 Alexander, Neta R15 , T21 Anderson Wagner, Aslinger, Ben N22, R9 Acland, Charles N13 Ali, Isra O15 Kristen N15 Astourian, Laure E19 Acosta-Alzuru, Carolina K17 Ali, Nadia R11 Anderson-Lehman, Jesse S15 Atakav, Eylem Q22 Adams, Meghan Blythe E18 Alilunas, Peter J1, R2 Anderson, Joel Neville Atkin, Kendra R18, S12 Adamson, Morgan G6 Allan, Michael P14 P19, R21 Atwood, Blake D25 Addison, Heather E12, R1 Alpert, Jennifer D6 Anderson, Mark Lynn P11 , R19 Aust, Rowan E10 Adejunmobi, Moradewun N4 Alsop, Elizabeth H3 , R12 Anderson, Steve O21 Avery, Dwayne O6 Adelman, Rebecca C10 Alter, Nora E19 Anderson, Tim F13 Avissar, Ariel F22, R3 Affuso, Elizabeth E1 Alvarado Saggese, Megan H12 Andrew, Dudley Q3 Ayers, Drew B2 Aguilera Skvirsky, Salomé I9 Alvaray, Luisela L9 Ankerson, Megan M8 Ayman, Alia A22, R20 Ahern, Mal I3 Amatya, Alok L12 Arnatt, Mary M9 Azuawusiefe, Chijioke R8 B Babish, Stephen P19 Balfour, Ian P1 Barnes, Chris I23 Bean, Jennifer D13 Bachmann, Anne B18 Ball, Kevin H24 Baron, Cynthia K6 , R19 Beardsley, Amanda C8 Backman Rogers, Anna J3 Ball, Rachael B7 Baron, Jaimie O15, R6 Becker, Christine O12 Backstein, Karen H6 Ballina, Bianka L9 Baroody, Michelle D24 Becker, Ron C18 Baer, Nicholas J13 Balsom, Erika G9 Barrett, Jenny C23 Bédard, Philippe N20 Bain, Jessica N3 Banerjee, Koel K3 Barth, Josie R3 Behiery, Valerie T5 Baishya, Anirban G5 , R5 Banet-Weiser, Sarah G13 Basa, EJ E20 Belanger, Audrey R8 Bak, Meredith H8 Banks, Miranda G11 Baschiera, Stefano L11 Belisle, Brooke M20 Baker, Aaron L2 Banner, Olivia I23, R15 Bashara, Dan C21 Bell-Metereau, Rebecca M3 Baker, Michael O21 Banning, Kass P19 Basu, Anustup K21 Bell, Melanie K22 Bakerman, Sara B20, R16 Baran, Sebnem B17 Batton, Sean D8 Bell, Nathaniel I13 Balaisis, Nicholas B6 Bardan, Alice D10 Baumbach, Nico D16 Bell, Tim A22 Balanzategui, Jessica R11, T7 Bardsley, Jessica S14 Bay, Jessica R11 Beller, Jonathan L10 Balcerzak, Scott K6 Barner, Briana B6 Baym, Nancy G25 Belton, John J4 207 Index
Belton, Olivia J15 Betz, Mark A21 Bolter, Jay David T12 Briefel, Aviva C23 Bem, Caroline A21 , R19 Beus, Yifen L12 , R16 Bolton, Lucy C16 Brodie, Patrick J16 Ben Ayoun, Emma L6 , R15 Beverly, Michele B19 Boluk, Stephanie E2 Brody, Evan L2 Ben-Youssef, Fareed D6 Bey-Rozet, Maxime F6 Boman, Stephan N7 Brody, Jennifer J22 Benamou, Catherine P9 , R20 Bhalla, Simran A7 Boni, Marta K8 Broner, Martina R10 , S6 Bennie, Keith B14 Biderman, Shai G23 Bonner, Virginia F5 Brown, Elspeth I24 Benshoff, Harry H13 Bird, Katie A11 Booth, Paul Q12 Brown, Stephanie N15 Benson-Allott, Caetlin N16 Bird, Robert G2 Bordino, Alex R3 Browne, Dan P7 Benson, Nicholas E1 Birks, Chelsea C24 Born, Erik O7 , R10 Bruckner, René Thoreau S19 Benzon, Paul S10 Bishop, Daniel P5 Bottomley, Andrew O11, R5 Bruns, John B12 Berger, Kenneth E8 Bivens, Rena D23 Boulton, Christopher R3 Brunton, Finn H4 Bergstrom, Anders Q11 Björkin, Mats J3, R13 Bovino, Emily Verla T13 Bucher, Taina S9 Berke, Annie O3 , R17 Blair, Jeremy C8 Bowles Eagle, Ryan S8 Buel, Jason B11 Berliner, Lauren O15 Blankenship, Janelle R5 Boyle, Karen E10 Bukatman, Scott M13 Berliner, Todd H19, R12 Blaylock, Jennifer R6 , S10 Boyle, Kirk H25 Bunch, Ryan R11 Bernier, Catherine G5 Blaylock, Sara O18 Bozelka, Kevin John Q5 Burditt, Rebecca F23 Bernstein, Matthew K2 Bleach, Anthony H3 Bradley, J.D. P21 Burges, Joel L20 Berry, Chris P20 Blodgett, Bridget A3 Bradley, Rizvana L7 Burke, Andrew A22 Bersch, JJ B23 Bloom, Peter E15 Braithwaite, Andrea S18 Burke, Liam T6 Bertelli, Linda N7 Blout, Emily Q13 Brannon Donoghue, Burnett, Colin P22 Bertellini, Giorgio E16 Boddy, William E21 Courtney J20 Burris, Greg K1 Bertrand, Karine C15 Bode, Lisa K11 Brasell, R. Bruce R8 Burson, Harry C25 Bestor, Nick R13 Bodroghkozy, Aniko P13 Brasiskis, Lukas J7 Bush, Alex G18 , R10 Betancourt, Andrée M10 Boehm, Scott G24, R4 Brebenel, Mihaela P19 Butler-Wall, Karisa F23 Beth, Suzanne M7 Bollmer, Grant M20 Brey, Betsy F3 Butte, Maren P10 Brickman, Barbara T2 C Cadwell, Shelby H24 Carroll, William H12 Chatterjee, Tupur F8 Chuk, Natasha Q22 Cagle, Chris N18 Carruthers, Lee H1 Chedaleux, Delphine Q22 Chun, Wendy L3 Cahill, James Leo P1 Carter-Bishop, Carla T2 Cheever, Abigail O22 Chung, Hye Jean A20 Caldwell, John T. N13 Carter, Oliver R2 Chefranova, Oksana B3 , R1 Chung, Hye Seung N12 Calhoun, Claudia M13, R17 Casetti, Francesco I3 Chen, Hongwei Thorn Chung, Steven E19 Callahan, Vicki P21 Cason, Franklin A17 D8, R10 Chyutin, Dan I19 Camargo, Crystal R21 Cassity, Maxwell F15 Cheng, Jih-Fei F12 Ciccone, Patricia D11 Cambron, Liz P21 Castleberry, Garrett M17 Cheung, Alison Yeh C1 Cicoski, Jonathan A24 Cameron, Kelsey R22, S21 Castro, Deborah E6 Chew, Kevin C23 Ciecko, Anne R15 Caminati, Luca C15, R7 Cavalcante, Andre Q4 Chew, May F7 Cifor, Marika D11 Campana, Andrew J21 , R9 Cavanagh, Robert H11 Chien, Chris F12 Cimencioglu, Esra B19 Campbell, Zachary E20 Çelik Rappas, Ipek E2, R1 Chin, Bertha M4 Citizen, Robyn A22 Caña Jiménez, María del Cerdan, Josetxo F5 Chirumamilla, Padma L17 Clark, Cameron D12 , R12 Carmen B9 Chabot, Kevin L13 Chisholm, Kami F11 Clark, Jennifer M12 Cannon, Jonathan B18 Chakravorty, Swagato Q16 Chittick, Kyler L6 Clark, Joseph Q6 , R20 Caoduro, Elena H17 Champlin, Alexander S1 Cho, Alexander O20 Clarke, Liz C23 Capino, Jose H6 Chan, Shu Ching F5 Cho, Michelle F12 Clarkson Fisher, Daniel P21 cárdenas, micha B7 Chang, Ellen Y. D7 Choe, Steve D22 Clayton, Stephanie B12 Carman, Emily M5 Chang, Jing Jing R2 Choi, Jinhee A21 Clepper, Catherine R16 Carpio, Glenda K12 Chao, Shi-Yan I21 Christian, Aymar Jean E2 Close, Glen Q7 208 Index
Close, Samantha R3 Connor, J. D. C7 Corrigan, Timothy P20 Crawford-Holland, Coates, James R2 Connor, Megan Q10 Corry, Frances O18 Sasha A7 , R18 Coates, Jamie E17 Conrath, Ryan K7, R6 Cortez, Iggy L7 Crawford, Chelsey F6, R3 Coates, Jennifer J9 Consolati, Claudia Q7 Cosentino, Olivia N9 Creekmur, Corey L21 Coates, Norma T17 Conway, Kelley I10 Cote, Amanda Q4 Crey, Karrmen D24 Cobb, Shelley J2 Cooley, Claire E3 Cote, Paul D13 Cronin, Kate C6 Coco, Anne G15 Coon, David D12 Coulter, Natalie H8 Croombs, Matthew S14 Coderre, Laurence E17 Cooper, Allison R5 Coulthard, Lisa J19 Crosta, Suzanne J11 Cohan, Steven N1 Cooper, Anna A15, R8 Couret, Nilo E9 Cumming, Jesse R7 Cohen, Hannah E7 Coppola, Joseph E15 Covey, William G24 Cüneyt, Çakırlar N11 Cohn, Jonathan L4 Corbin, Amy N21 Cowan, Michael I25 Curp-Goldfarb, Ashleigh B11 Collier, Cassandra B20 Corfield, Christina T22 Cox-Stanton, Tracy L21 Curtis, Rhyse B25 Columpar, Corinn L12 Corkin, Stanley N21, R7 Craddock, Kerri H20 Curtis, Robin P10 Comella, Lynn R2 Cornea, Christine L5 Crafton, Donald R5 Curtis, Scott L1 Comiskey, Andrea H18 Cornfeld, Li A1, R2 Cramer, Michael C14 Cwynar, Christopher I23 Condren, Dustin D20 Corrigan, Maria L19 Crandol, Michael C12 Czach, Liz I20 D D’Amore, Daniel B19 Day, Faithe E6 Denson, Shane L13 Donovan, Sean A24 , R15 D’Errico, Michael F13 de Bruin-Molé, Megen Dent, Jr., Jerome P. G19 , R6 Dootson, Kirsty B7 d’Harcourt, Ashlynn G20 Q1, R16 DeRoo, Rebecca J. C14 Doreste, Pedro C3 Dabashi, Pardis N8 de Luca, Tiago J7 Deshpande, Shekhar T9 Doucette, Jonathan F23 Daigle, Allain B7 De Roover, Megan I8 Desjardins, Mary P3 Douglas, Andrew B14 Dalle Vacche, Angela Q3 de Villiers, Nicholas M22 deWaard, Andrew N13 Dove-Viebahn, Aviva Damiens, Antoine I20 , R4 DeAnda, Michael deWinter, Jennifer S22 Q22, R14 Damluji, Mona R10 Anthony G21 Diaz Pino, Camilo F5 Doyle Myerscough, Dan, Anat G23 , R18 Deane, Cormac H19 Dickason, Cara M19 Kaelan A23 Daniel, Adam R9, T12 DeAngelis, Michael J10 Dickey, Selena O7 Druick, Zoë B2 Dass, Manishita G17 Deaville, James I15, R15 Dienstfrey, Eric S3 Dubrofsky, Rachel E13 Davidson, John R7 DeCelles, Naomi L19 , R4 Diffrient, David Scott B1 Duck, Leigh R12 Davine, Lauren S8 Decker, Lindsey R17 , S13 Dillard, Clayton A23 Dudenhoeffer, Larrie Q7 Davis, Andrew D12 Deery, June D16 Dobryden, Paul R10 Dulac, Nicolas Q6 Davis, Blair P8 Dejmanee, Tisha A17 Dolan, Patrick C20 Duncan, Sean L14 Davis, Glyn O13 DeLeon, Joseph O18 Doles, Steven S21 Duong, Lan N10 Davis, Heather T13 Deleyto, Celestino K6 Donaldson, Lucy Fife J6 Durham, Scott Q14 Davis, Nick O13 , R16 Dell’Aria, Annie G22 Donegan, John D17 Durrand, Mark D7 Dawson-Andoh, Amy L14 Deman, J. Andrew E18 Donnan, Wendy M9 Dushi, Nava R1, T8 Day, Amber G20 Denison, Alex H6 Donnelly, K.J. S3 Dwyer, Michael D. O6, R8 E Eagle, Herbert R17 Ekunseitan, Jumi B19 Ellis, Matthew E8 Ernest dit Alban, Edmond F8 Eagle, Jonna N18 El Khachab, Chihab G14 Elza, Cary B18 Escobar Lopez, Almudena R5 Eakin Moss, Anne P20 El-Hibri, Hatim G14 Embree, Desirae L18 , R3 Espelie, Erin L10, R14 Edwards, Caroline O2 Elam-Handloff, Jessica P15 Emmett, Ilana H15 Estorninos, Kristine H20 Efrat, Liron N20, R8 Eliaz, Ofer N5 Engberg, Maria T12 Eswaran, Swarnavel K21 Efremova, Tatiana O10 Elkins, Evan G25 Engelke, Henning O10 Etienne, Julian R20 Ehrlich, Nea H14 Ellcessor, Elizabeth D23 Enns, Clint C4 Evans, Christine C24 Eichhorn, Kate F21 Elliott, Tomas S5 Epstein, Nathaniel R4 Everett, Anna Q13 209 Index
Evrard, Audrey T19 Ewen, Neil F15 F Fabbri, Lorenzo R12 Feng, Peter X. C1 Fleeger, Jennifer K14 Freda, Isabelle F17 Fabian, Rachel J16 Ferguson, Andrew S1 Fleury, James F3 Freedman, Eric L14 Fairclough, Kirsty F16 Ferguson, Kevin R3 Flinn, Caryl N1 Freibert, Finley C19 , R2 Falicov, Tamara J20 , R4 Ferhat, Loumia H23 Florini, Sarah J12 Fresko, David C14 Fallon, Kris H4 Fernández Labayen, Fong, Byron R17 Frey, Mattias B4 Fan, Victor D9 Miguel M6 Forcier, Kaitlin H7 Friedman, Ryan N18 Fauteux, Brian O11 Ferrari, Chiara I2 Formenti, Cristina H14 Friedrich, Su K20 Fay, Jennifer D19 Fidotta, Giuseppe K8 Forster, Nicholas M15 Frodon, Jean-Michel E19 Fee, Annie D15 Fileri, Paul F25 Forthun, Eric I23 Froula, Anna R16 Fee, Matthew E7 Fink, Marty C13 Fortmueller, Kate C22 Fuhs, Kristen H11 Feil, Ken O1 Fischer, Lucy Q22 Foster, Grace N16 Fuller-Seeley, Kathy B18 Feldman, Jessica N19 Fish, Laura G14 Francis, Marc E14 Fuller, Jennifer C18 Feldman, Seth H1 Fisher, Austin L11 Francis, Terri K12 Funnell, Lisa J19 Feller, Gavin E7 Flaig, Paul D16 Frank, Hannah G2 Furstenau, Marc R12 Felschow, Laura Q17 Flaxman, Gregory K5 Frank, Kathryn B23 Fusco, Katherine P16 G Gabara, Rachel N4 Gendler, Jason J6, R1 Goldie, Janis P17 Greenwood, Steven A24 Gabbard, Krin Q5 Geoghegan, Bernard Goldman, Ruth F1 Greer, Amanda R12 Gaboury, Jacob K4 Dionysius N6 Goldman, Tanya G11, R20 Gregg, Ron O13 Gadassik, Alla K19, R3 Gerdes, Benj B2 Goldschmitt, Kariann L15 Grieveson, Lee R10 Gaines, Jane K3 Gergely, Gábor A2 Goldsmith, Leo G9 Griffin, Hollis L16 Gaines, Mikal O19 Gerhardt, Christina C3, R10 Goldstein, Leigh M12 Griffin, Sean N1 Gallagher, Mark K6 Gerster, Carole R18 Gómez Muñoz, Pablo F15 Griffis, Noelle E11 Galloway, Kate L15 Gerstner, David A. Q19 Gonzalez de Canales Griffith, Karina R6 Galt, Rosalind L7 Getman, Jessica G3 Carcereny, Julia R20 Griffiths, Alison L1 Galvin, Kristen B13 Gharabaghi, Hadi F17 González-Cuesta, Begoña A14 Griffiths, Robin D12 Gamso, Nicholas F19 Ghosh, Bishnupriya K5 Goodman, Natalie A24 Grinberg, Daniel H4 , R18 Ganzon, Sarah Christina O8 Gilbert, Anne A1 Goodstein, Elizabeth L19 Grisham, Therese M3 García Blizzard, Gillan, Jennifer B11 Goodwin, Hannah A7 Groenveld, Elizabeth G13 Mónica J8 , R20 Gillespie, Michael G19 , R6 Gopal, Sangita G17 Groff, Liz T19 García-Crespo, Naida J8 Gilmore, James F2 Gordon, Rebecca B20, R5 Groo, Katherine B15 Garcia, Desirée N1 Ginsberg, Terri F17 Gorfinkel, Elena M1, R2 Grundmann, Roy K18 Garda, Maria P18 Giordana, Malvina L4 Gortcheva, Nora D10 Grusin, Richard T21 Gardner, Colin K16 Girgus, Sam B. S5 Gott, Michael S15 Gueneli, Berna G12 Garner, Ross Q12 Gittings, Christopher L12 Gotzler, Steven A19 Guerra, Katherine C12 Gartner, Matthew A9 Glaubman, Jane I4, R19 Goulart, Isabella Q9, R21 Guha, Malini C15 Gates, Kelly H4 Gleeson-White, Sarah N8 Gouws, Anjo-marí Q14 Guilford, Josh F19 Gates, Philippa N12 , R5 Gleich, Joshua M5 Grabiner, Ellen E23 Guinness, Katherine M20 Gates, Racquel M14 , R6 Glenn, Colleen H17 Grant, Barry Keith K1 Gunn, Jenny H25, R9 Gatti, Jose K18 Glick, Joshua E11 Green, Brandon B22 Gunning, Tom K13 Gauch, Suzanne N4 Goding Doty, Christine Green, Michael S19 Gurevitch, Leon J18 Gaudreault, André N2 O20, R18 Greenberg, Natalie C4 Gurney, David L16 Gaycken, Oliver G18, R4 Goff, Loretta C12 , R17 Greenberg, Slava M2 Gutierrez, Arcelia B1 , R21 Gelinas, Melissa R8 Goin, Keara Q13 Greenhough, Alexander A10 Gutierrez, Nicholaus R13 210 Index
Guy, Laura I24 Guzman, Andrea S9 H Haacke, Paul C21 Hanson, Ellis J10 Heck, Kalling E20 Hoetger, Megan Q16 Haastrup, Helle Kannik B1 Hanson, Helen K22 Hedges, Gareth H22, R18 Hoffner, Cynthia O1 Hadas, Leora P22 Hanstein, Ulrike A9 Hediger, Vinzenz B15 Hogan, Mél D23 Haddad, Alia E7 Hargraves, Hunter E13 Hegarty, Kerry I9 Holland, Timothy P1 Haenni, Sabine N8 Hark, Ina H25 Heller, Dana N11 Hollenberg, Sarah C8 Hageman, Eva M21, R3 Harlap, Itay F22, R3 Hemmann, Kathryn B10 Holmaas, Luke B12 Hagener, Malte O2, R5 Harper, Morgan J19 , R12 Hendershot, Heather H2 Holmlund, Chris N11, R17 Haggins, Bambi M14 Harper, Paula L15 Henderson, Lisa C18 Holt, Rebecca R2 Hagood, Mack Q20 Harrington, C. Lee T6 Hennefeld, Maggie Q2 Holtmeier, Matthew C2 , R10 Hagopian, Kevin B20 Harrington, Catherine A13 Henninger, Katherine Holtzman, Hannah R10 , T19 Hain, Mark Q7 Harris, Thomas Allen J22 H22, R11 Honig, Bonnie F19 Hakimi, Jedd J4, R17 Harrison, Guy L2 Henry, Claire B5 Hook, Jamie A25 Halberstam, Jack P2 Harrison, Rebecca Q1 Henry, Geoffrey J17 Hoover, Jessica T3 Halbout, Grégoire J5 Harrow, Kenneth N4 Hentrich, Nicole C11 , R16 Horak, Laura Q2 Hall, Barbara S2 Hart, Adam L13 Herbert, Daniel G11 Horeck, Tanya I17 Hall, Dawn A23 Harvey, Eric O11 Herhuth, Eric N14 Horne, Jennifer K2 Hallas, Roger B6, R4 Hassan, Feroz Q3 Hernández-Pérez, Elisa H5 Horwitz, Jonah H3 Halperin, Yoav B1 Hassanpour, Salah C20 Herold, Lauren G10 Howell, Charlotte Q17 Halprin, Amanda J12 Hassapopoulou, Marina S21 Hessler, Jennifer B23 Hoyt, Eric O2 , R5 Hamad, Hannah Q1 Hastie, Amelie N16 Heydon, Jeff C10 Hu, Brian H20 Hamblin, Sarah G6, R7 Hatch, Kristen F25 Hidalgo, Santiago N2 Hu, Tingting R9 Hamilton-Wray, Tama F6, R6 Hatchell, Rusty C9 Hilderbrand, Lucas E2 Hu, Tung-Hui E2 Hamilton, Jack E25 Hatlen, Lucas N17 Hills, Matt Q12 Huang, Junting A2 , R14 Han, Benjamin H9 Havas, Julia A5 Hilu, Reem L14 Hubbell, Matthew H5 Han, Lisa F18, R10 Hawkins, Dillon T17 Himberg, Julia C18 Hudson, Jazmine R7 Hancock, Michael E18 Hawkins, Joan B3 Hinkelman, Jeff O7 Huggins, Julia O14 Hanley, David M9 Hayward, Mark R5 Hipps, Matthew G10 Hughes, Kit T17 Hanna, Erin F22 He, Belinda Qian M16 , R21 Hirano, Ana Paula M18 , R7 Humphrey, Daniel Q19 Hans, Anjeana P7 Hearn, Alison E13 Hockenberry, Matthew S11 Humphrey, David E17 Hansen, James I5 Hearst, Kate T14 Hodel, Christina F1 Huser, Brian E4 Hanson, Britta T17 Heberer, Feng-mei T11 Hodge, Amber J13, R21 Huska, Melanie Q9 Hanson, Chris F3, R13 Hebert, Adam C17 Hodge, James P15 Hussein, Linnéa E14 , R15 Hodges, Elisabeth G22 I Icreverzi, Kimberly D19 Ingravalle, Grazia F20 Ivanova, Mariana G12 Imre, Aniko S15 Ivanov, Asen R5 Iyer, Usha P4 J Jacks, Wesley T16 Jagoe, Eva-Lynn S21 Jekanowski, Rachel Webb B15 Jochum, Elisa H21 Jackson, Earl D9 Jaikumar, Priya F17 Jelusic, Jelena C11 Johnson, Beth N22 Jackson, Josh T16 Jain, Anuja G17 Jeng, Jonah A12 Johnson, Daniel D25 Jackson, Robert P16 Jaramillo, Deborah L. I6 Jennings, Pamela J22 Johnson, David A23 Jacobs, Carolyn D20 Jaramillo, Laura R12 Jeon, Joseph H9 Johnson, Derek E21 Jacobson, Brian D14, R10 Jaromin, Sabrina A18 Jerreat-Poole, Adan C5 Johnson, Katherine A. T20 Jafri, Beenash R21 Jeffries, Dru F2 Jerslev, Anne F16 Johnson, Martin L. R20, T18 211 Index
Johnson, Poe Q4 Johnston, Andrew P15 Jordan, Randolph R19 Juhasz, Alexandra J22 Johnson, Thomas L15 , R1 Johnston, Jessica L16 Joret, Blandine Q3 Jung, Grace P9 Johnson, Victoria P12 Jones, Patrick L17 Joseph, Robert H22 Jung, Seungyeon Gabrielle A8 Johnston, Alexander H11 Joo, Woojeong T10 Joyrich, Lynne E13 Jurgess, Todd A14 K Kaapa, Pietari K10 Keating, Patrick J5 Kies, Bridget T15 Koivunen, Anu C11 Kackman, Michael Q13 Keegan, Cáel M. P2 Kilbourn, Russell Q11 Kokas, Aynne N13 Kafala, Ted C4 Keeling, Kara L3 Kiley, Aleah M8 Kokotovic, Sima R19 Kafer, Gary C10 Keidl, Phillipp Dominik Kilker, Robert H21 Kompare, Derek R5 Kaffen, Philip O16 F22, R13 Kim, Ji-hoon Q16 Kong, Belinda A6 Kaganovsky, Lilya Q21 Keightley, Keir M13 Kim, Jinsook A8 Konkle, Amanda A5 Kahana, Jonathan I5 Keil, Charlie N2 Kim, Se Young D22 Konzett, Delia N18 Kakoudaki, Despina S17 Keilty, Patrick J1 , R2 Kim, Ungsan I21 Koob, Nathan G7 Kalviknes Bore, Inger-Lise I22 Kelleher, Marta B13 Kimball, Danny T4 Kornhaber, Donna M11 Kaminska, Aleksandra G4 Keller, Jessalynn N3 King, Rob T3 Korola, Katerina H14 Kamm, Frances A. J15 Keller, Sarah Q19 , R8 Kinik, Anthony D1 Kozma, Alicia A15 Kang, Jennifer A11 Kelley, Andrea H7 Kinoshita, Chika J9 Kozol, Wendy C10 Kapse, Anupama K21 Kelley, Michelle D8 Kiriakou, Olympia I4 Kraszewski, Jon D18 Kara, Selmin S6 Kelly, Anne C22 Kirkpatrick, Bill R15 Krayenbuhl, Pamela A25 Karaduman, Arzu A2 Kelly, Jean-Paul G9 Kirshtner, Kelly D15 Kredell, Brendan B14 Karahalios, Harry I7 Kemp, Andrew P5 Kis, Katalin C2 Kressbach, Mikki A6 Karlekar, Tilottama A4 Kendall, Tina D22 Kish, Zenia K10 Kreutzer, Evelyn I11 Karlin, Katherine M19 Kennedy, Ian G8 Kissinger, Daniel G10 Kruger-Robbins, Karppi, Tero S9 Kercher, Dona N9 Kitsnik, Lauri J9 Ben B13 , R22 Kase, J. Carlos S16 Kerner, Aaron D22 Klein, Amanda Ann R22 Krutnik, Frank L11 Kashmere, Brett H11 Kessler, Kelly O17 Klenotic, Jeffrey K8 Kubo, Yutaka H16 Kaszynski Gilmore, Khalip, Jacques D19 Klimek, Caroline R4 Kumar, Shanti I2 Elizabeth T14 Khamis, Azaan R18 Klinger, Barbara I17 Kunze, Peter R11, T3 Kauffman, Alexander S12 Khavar Fahlstedt, Kim Q2 Knight, Arthur O19 , R6 Kupfer, Alex G11 Kaufman, Dafna M17 Khosroshahi, Zahra I14 , R21 Knutson, Matt S1 Kurihara, Utako O14 Kaushik, Ritika F14 Kidman, Shawna L22 Kocurek, Carly O8, R13 Kutnicki, Saul T20 Kearney, Mary Celeste Kido Lopez, Jason L2 Kohnen, Melanie R6 , T15 Kyrola, Katariina C11 H21, R11 Kierstead, Joshua G24 L Labuza, Peter C22 Landy, Marcia K5 Laurin, Daniel I24 Lee, Jonathan Rey H8 Ladd, Marco M15 Lane, Christina P21 Lausch, Kayti C17 Lee, Joo Yun J4 Lafontaine, Andrée G1 , R17 Langlois, Ganaele S9 Lavelle, Julie M18 Lee, Kevin B. O4 Lagerwey, Jorie E23 Langlois, Suzanne A19 Lawrence, Amy P16 Lee, Laura H18 Lally, Katie R12 , S5 LaRiviere, Jason F4 Lawrie Van de Ven, Lee, Mi Jeong K7 Lam, Mariam C1 LaRocco, Michael N20 Katherine F11 , R4 Lee, Nam D17 Lam, Stephanie A6 Larsen, Miranda B10 Lawson, Caitlin G16 Lee, Toby F19 Lambert, Jeff K2 LaRue, Robert T1 Layne, Priscilla C13 Leeder, Murray H13 Lanckman, Lies G15 Lastra, James R12 Leader, Caroline E1 Leggatt, Matthew D7 Land, Jacqueline G16 Latimer, Michelle I20 Leadston, Mackenzie B12 Lehtinen, Jenni I22 Landa, Amanda B4 Latsis, Dimitrios R19 , S2 Leblanc, David R13, T12 Leigh, Michele I18 Landberg, S. Topiary O21, R17 Lauder, Adam T13 Ledesma, Eduardo T14 Lemay, Sylvain B21 212 Index
Lenos, Melissa R16 Levy, Yael E22 , R1 Liu, Linda A13 , R19 Lord, Susan F7 Leonard, Suzanne E23 Lew, Kirsten R21 , T1 Lizardi, Ryan M8 Loutensock, Kristen I15, R15 Leppert, Alice O17 Lewis, Diane Wei O16 Llamas-Rodriguez, Juan L9 Love, Heather O10 Lerner, Sarah C25 Lewis, Jon M13 Llorens, Natasha Marie I14 Loveday, Kiki R14, T22 Lesage, Julia G6 Lewit, Ido G23 Lo, Claudia C5 Loviglio, Jason H15 Lesinski, Shaylynn H5 Li Goyette, Mathieu M7 Lo, Dennis A8 Lowenstein, Adam K13 Lester, Catherine J17 Li, Chi D8 Lockett, William P18 Lu, Wan-Jun G5 Lester, Peter M9 Lie, Nadia I9 Logan, Elliott J6, R1 Lübecker, Nikolaj I8 Levin Russo, Julie C18 Lightning, Robert K. K1 Lohmeyer, Eddie F4 Lucia, Cynthia O3 Levin, Erica G22, R7 Limbrick, Peter P14 Lomax, Catherine C16 Luckett, Josslyn R6 Levin, Ori G23, R9 Lin, Lana N6 Long, Casey D20 Lugowski, David N1 Levine, Alison Murray Lippe, Richard K1 Long, Derek G7 Lundén, Elizabeth G15 R14, T19 Lison, Andrew S10 López, Ana N9, R20 Lupher, Sonia S18 Levine, Elana O17 Litwack, Michael R18 Lopez, Lori C1 Lyons, Owen H2 M Ma, Jean D19 Martin, Nina S18 McGeehan Muchmore, Middleton, Jason L20 Ma, Wentao R1 Martinez-Exposito, Devin R2 Mihailova, Mihaela J18 MacDonald, Scott R4 Alfredo A12 , R14 McGlotten, Shaka M22 Miller, April O14 MacDonald, Shana R9 Martonfi, Anna F25 McGough, Laura J21 Miller, Nicholas I25 , R3 MacKenzie, Scott A13 Marx, Nick B17 McHugh, Kathleen M2 Miller, Quinn C13 Maddox, Jessica G16 Marzola, Luci S2 McKenna, Anthony Q18 Miller, Taylor Cole C19 Mahdavifar, Mazyar R14 Maselli Sapienza, McKenna, Denise P11 Milliken, Christie O21 Maitra, Ani C18 Vincenzo I18, R17 McKenna, Mark J14 Minarich, Megan E12 Major, Anne C17 Massimi, Fulvia G1 McKinney, Cait J1 Miner, Joshua D. H14 Majumdar, Neepa F14, R8 Massood, Paula J. O3, R8 McLaughlin, Andrew O. A4 , R18 Minett, Mark P22 Malcic, Steven A13 Massoumi, Nariman D14 McLaughlin, Richard F14 Mini, Darshana Sreedhar Malin, Brenton A18 Matheson, Sarah S17 McLean, Adrienne L. N1 R2, T10 Malitsky, Joshua S6 Matsuura, Kanji Q8 McNutt, Myles C9 Mirra, Alessandra D6 Malkowski, Jennifer O20 Mattern, Shannon F21 McPherson, Tara L3 Misiak, Anna I1 Manocchio, Caitlin R15 Matthews, Malcolm A25 McQueen, Amanda J17 Mitchell, Aimée H1 Manojlovic, Maja L4 Mauk, Maureen R1 Meador, Daryl K7 Mitchell, Joshua R18, T18 Maragh, Raven B4 Mazaj, Meta T8 Meek, Michele N19 Mitra, Sreya G16 Marcantonio, Carla K3 McClancy, Katheen P8 Mehta, Monika K21 Mittell, Jason I11, R3 Marchessault, Janine F7 McCorkle, Brooke T10 Mejeur, Cody G10 Miyamoto, Akiko Q8 Marcus, Daniel I2 McCormick, Casey T15 Melnick, Ross M5 Mizejewski, Linda O1 , R6 Marghitu, Stefania Q10 McCracken, Allison O20, R6 Melzer, Zach R10 , S11 Mjolsness, Lora I18 Maris, Elena G25 McCracken, Chelsea H5 , R16 Mendez, Edward R6 Model, Katie R14 Markman, Kris M. Q20 McCulloch, Richard I22 Meneghetti, Mike A14 Mohan, Sriram L17 Marks, Laura U. M2 McCullough, John H25 Menendez, Francisco R1 Mokdad, Linda P14 Marks, Laura Helen M22, R2 McDonald, Kevin A9 Menne, Jeff O22 Mokkil Navaneetha G1 Marra, Peter T1 McDonald, Terrance C24 Mennel, Barbara R19, S15 Molina-Guzmán, Isabel L9 Marsh, Leslie N9 McElhaney, Joe Q19 Mercer, Leigh E9 Molloy, Melissa R21 Marshall, Phoebe R7 McElroy, Dolores E24 Mertens, Jacob C17 Monar, Francisco I7 Martin, Alfred R6 McElroy, Kerry D15 Meyers, Cynthia H15 Monea, Alexander P15 Martin, Alfred L. O12 McEwan, Paul B14 Meyers, Erin A. R22 Monk-Payton, Brandy E13 , R21 Martin, Catherine R16 McFadden, Dan D7 Meyers, Rebecca B14 Monnet, Livia M7 Martin, Daniel O14 McFarland, James D19 Middents, Jeffrey O4 Montañez Smukler, Maya I6 213 Index
Monteiro, Stephen A4 Morimoto, Lori B10 Muchransyah, Azalia R12 Murphy, Ian R20 , T4 Montgomery, Colleen K14 Morisue, Noriko I25 Mueller, Hannah R18, S17 Murphy, J.J. M11 Moody, Kyle I4 Morreale, Joanne S17 Mukherjee, Debashree P4 , R10 Murphy, Sheila E4 Moor, Andrew L18 Morris, Austin Q17 Mukherjee, Rahul D4 Murray, John A3 Moore, Candace P2 Morris, Jeremy Q20, R5 Mukherjee, Roopali M21 Murray, Sarah O11 Moore, Chamara H24 Morrison, James A10 Mukherjee, Silpa T10 Murray, Susan N17 Moore, Jeremy F22 Morrissey, Katherine A5 , R17 Muller, Elizabeth D. E22 Murray, Timothy R4 Moore, Kelli N6 Morse, Nicole Erin I11 , R19 Mulvey, James G8 Murty, Madhavi P4 Moore, Kelsey C6 Morton, Drew P22 Murdock-Hinrichs, Isa J15 Murugan, Meenasarani M12 Moorhead, Bailey A5 Morton, Paul D18 Murnane, Eric A3 Musser, Charles M18 , R4 Moralde, Oscar F3 Moss, Joshua D13 Murphy, Caryn O17 Mwakasege-Minaya, Morgan Parmett, Helen P12 Moura, Hudson E8 , R18 Murphy, David P18 Richard S16 N Nadel, Alan H21 Negra, Diane J2 Ng, Eve G4 Nooney, Laine K4 Nair, Kartik P5 Neilson, Toby C24 Nguyen, Josef Q15 Nordfjord, Bjorn A18 Nakama, Julie G15 Nelson, Andrew Patrick C7 Nguyen, Qui Ha Hoang C2 Nordström, Johan Q8 Nakamura, Lisa L3 Nelson, Elissa L22 Nguyen, Vinh N10 Norton, Diana A25 Narayanan, Bhargavi S11 Nelson, Solveig H7 Niang, Sada J11 Nunn, Tessa J3, R7 Nathanson, Elizabeth L16 Neuberger, Joan G2 Nieland, Justus K19 Nunoda, Erin C2 Navaneetha, Mokkil G1 Neupert, Richard I10 Niessen, Niels F4 Nybro Petersen, Line I22 Navar-Gill, Annemarie A1 New, Juana F14 Nivar Ortiz, Nike I11 Nygaard, Taylor E23 Navarro, Sandra V. T14 Newman, Genevieve S13 Noble-Olson, Matthew H23 Nystrom, Derek O22 Navitski, Rielle O9 Newman, Kathleen E9 Nocek, Adam L10 Needham, Gary N11 Newman, Kathy A19 Nochimson, Martha F16 , R1 O O’Brien, Sarah R14 , S21 Och, Dana S13 , R16 Ok, HyeRyoung G5 Ospina León, Juan O’Dwyer, Jules L6, R2 Ochonicky, Adam M10 Okada, Jun C1 Sebastián O9 O’Grady, David J18 Odabasi, Eren D24, R4 Olenina, Ana Q21 Ostrowska, Ania L5 O’Healy, Aine I7 Oeming, Madita A6 Olibet, Ylenia O18 Ostrowska, Dorota A10 O’Leary, Dierdre J16 Ogawa, Shota I7 Olivero, Martina G1 Ouellette, Laurie E13 O’Neill, Daniel M7 Ogonoski, Matthew B23 Olivier, Marc C7 Oughton, Charlie S13 O’Neill, Rachel J2 Ogrodnik, Ben A2 Ordonez, Samanta A12 Owens, Andrew R2 O’Sullivan, Sean A10 Ohmer, Susan F20, R5 Osborne-Thompson, Oyallon-Koloski, Jenny Q5 O’Sullivan, Shannon H2 Ohri, Ananya Q6 Heather N15 Ozselcuk, Evren B5 Öztürkmen, Arzu K17 P Paasonen, Susanna R2 Pantev, Boris D10 Patterson, Alison R9 Pearson, Benjamin J20 Padmanabhan, Lakshmi O5 Panuska, Sarah B25 Patterson, Eleanor Q17 Peirse, Alison N22 Palis, Eleni H10 , R3 Papenburg, Bettina P10 Patti, Lisa A15 Pelletier, Frédérick H20 Palmer, Landon B13 Parisi, David Q15 Patton, Elizabeth N21 , R8 Pelletier, Louis Q6 Palmer, Lindsay M20 Park-Primiano, Sueyoung K15 Paul, Drew T5 Pendleton, David K18 Palmer, Lucia G4 Park, Insook F13 , R13 Paveck, Hannah G8 , R14 Penley, Constance R2 Palmer, Sara L6 Park, Mi Young T7 Pavlounis, Dimitrios M8 Peppard, Anna F2 Palmer, Tim I10 Parker-Flynn, Christina B16 Payne, Amber P13 Perdomo, Dalina S7 Pan, Weixian F18 Parker, Felan E18 , R13 Payne, Matthew F3 Peretti, Luca D14, R10 214 Pande, Rukmini O20 Pasek, Anne R10 Payton, Philana R6 Perez Tejada, Manuel O5 Index
Perez, Emily P1 Phillips, Wyatt L22 Pisters, Patricia L10 Powell, Ryan C19 Perkins, Matthew M17 Phu, Thy N10 Pitre, Jake R11, T1 Pozo, Teddy K9 , R9 Perren, Alisa R19 Pierson, David T15 Plungis, Brian R15 Pozsonyi, Kriszta G20 Pesch, Katrin L21 Pierson, Eric P13 Poe, Marshall Q20 Pramaggiore, Maria I1 Petersen, Jennifer P13 Pierson, Michele M6 Polan, Dana M13 Pranolo, Jennifer A18 Petro, Patrice L19 Pierson, Ryan N14 Pollmann, Inga G18 Pratt, David A19 Petruska, Karen I6 Pilcher, Lauren S4 Pomerance, Murray M3 Predescu, Alina E16 Petrychyn, Jonathan F11 Pinar, Ekin H18 Pomp, Joseph R12 , T9 Price, Brian Q14 Pett, Emma Q1 Pinedo, Isabel K13, R21 Poppe, Nicolas E9 Price, Zachary D4 Petty, Miriam O19 Pinkowitz, Jacqueline S20 Porst, Jennifer I6 Proctor, Jennifer F1 , R19 Peucker, Brigitte H23 Piñón, Juan K17 Porton, Richard G6 Projansky, Sarah M19, R9 Phillips, Amanda Q15 Pinti, Daniel P8 Posner, Miriam F21 Pugen, Adam S12 Phillips, Kendall R. H13 Piotrowska, Agnieszka R8 Potterton, Michael I19 Purse, Lisa K11 Phillips, Mike R17 Piper, Timothy P12 Pow, Whitney K9 Q Quanz, Katherine K14 R Radhakrishnan, Ratheesh E3 Raymundo, Emily F12 Richter, Nicole P21 Roquet, Paul M20 Radovac, Lilian C6, R5 Razlogova, Elena G7, R14 Ridlen, Tim H10 Rosati, Lauren B22 Raeder, Andy E12, R7 Read, Robert J5 Rifkind, Candida B21 Rosen, Philip I3 Raengo, Alessandra F24 Redding, Arthur C7 Rigoletto, Sergio S4 Rosenberg, Helane D21 Raghav, Radhika D15 Reed, Katherine G3 Rittmayer, Allison S5 Rositzka, Eileen R17 Rai, Swapnil T16 Regester, Charlene O19 Ritzenhoff, Karen P17 , R4 Ross, Allison M2 Raine, Michael O16 Rehak, Bob K11 Robé, Christopher G6 , R19 Rossipal, Christian O5 , R18 Rambuss, Richard H2 Reich, Elizabeth H24 Roberts, Katherine Ann G1 Routh, Rose A20 , R22 Ramírez Soto, Elizabeth F20 Reinhard, Michael M10 Roberts, Mark H16 Rozsa, Irene R20 Ramirez, Javier R20, T18 Rekabtalaei, Golbarg P14 Robertson, Craig F21 Rubenstein, Anne Q9 Ramsey, Matthew R1 Remes, Justin K16 Robinson, Michelle R17 Rubinkowski, Leo P6 Ranachan, Kate P12 Rennebohm, Kate S14 Roburn, Shirley E5 Rudraiah, Ganga B8 Rand, Erica E24 Rennett, Michael S8 Rodgers, Scott L8 Rueda, Carolina I9, R12 Randell, Karen H17 Renov, Michael K20 Rodriguez, Guillermo R1 Ruehlicke, Andrea R22 Rangan, Pooja G9 Rentschler, Carrie G13 Rodríguez, Juan-Carlos F7 Ruffin, Jessica G18, R12 Rankin, Cortland C6 Resmini, Mauro F24 Rogers, Ariel P6 Ruhl, Amy T22 Raphael, Raphael R1 Restivo, Angelo H19 , R14 Rogers, Jamie G19 , R19 Russell, Catherine B15 Rashotte, Ryan F9 Reynolds, Daniel N16 , R13 Rogers, Kenneth T13 Russell, Christopher B5 Rauber Rodriguez, Rhodes, Gary D. H13 Rogerson, Ben F6 Russo, Alexander F13 Emily R21 , S7 Rhodes, John David M1 Rohner, Jeanne I16 Rust, Amy L20, R10 Rault, Jasmine K4 Rich, B. Ruby M21 Romero, Jenny I16 Rustad, Gry Q10 Rawle, Steven Q11 Richler, David O4, R3 Rooks, Isaac M10 Rustamova, Zaya I12 Rawlins, Justin K10 Richmond, Scott K4 Rooney, Monique N8 Rybin, Steven M3 S Saber, Zeke G8 Saint-Just, Sophie T6 Salinas Zabalaga, Jaime Samer, Roxanne P2 Sacco, Daniel D5 Sakr, Laila Shereen T13 Omar J8 Sammond, Nicholas T3 Saglier, Viviane D24 Salamandra, Christa K17 Salter, Anastasia A3 San Filippo, Maria K15 Saidel, Emily R17 Salem, Bernadette R11, S12 Salvato, Nick L7 Sanchez-Salas, Daniel G7 Samardzija, Zoran C21 215 Index
Sanchez, Rebecca M2 Sharrett, Christopher K1 Snickars, Pelle I5 Stevens, Kyle K15 Sanders, John R13 Shary, Timothy B5 Snorton, C. Riley O13 Stevenson, William L8 Sandler, Kevin J20 Shattuc, Jane O5 Sohn, Irhe D9 Stewart, Jacqueline K12 Sandler, Monica R19, S2 Shaukat, Usman Q19 Solomon, Rory N19 Stewart, Karen G21 Sannicandro, Joseph E25 , R7 Shearer, Martha E11 , R8 Solovieva, Olga D9 Stewart, Mark M4 Santo, Avi E1 Sheean, Jacqueline R8 Somaini, Antonio G2 Stilwell, Robynn K14 Sarkissian, Raffi R22 Sheehan, Rebecca Q16 Soncul, Yiğit P19 Stine, Kyle S10 Savit, Lauren J12 Sheppard, Samantha G19 Sonenreich, B. E8 Stob, Jennifer C14 Sayad, Cecilia L13 Shewan, Kascindra T9 Song, Hojin E6 Stojanov, Theo D25 Sborgi, Anna Viola E11 , R8 Shiel, Mark R7 Soulstein, Seth G20 Stork, Benedict R19 Scahill, Andrew D21 Shiga, John F18 Spada, Marissa A9 Stout, Graeme I12, R13 Scarlata, Jessica J16 Shilina-Conte, Tanya K16, R3 Spadoni, Robert P5 Strassfeld, Benjamin R2 Schaefer, Joy F10 Shimizu, Akiko H16 Spaulding, Hannah H7 Straubhaar, Joseph I2 Schaff, Rachel K3 Shimpach, Shawn R4 Spiers, Aurore F25 Straw, William D1 Scheibel, Will F16 Shimura, Miyoko Q8 Sprengler, Christine J4 Street, Sarah K19 Schleier, Merrill N21, R8 Shubert, Amanda R19 Spriggs, Guy I16 Stuckey, Helen P18 Schlumpf, Erin N5, R7 Sicondolfo, Claudia I20 , R11 Spring, Katherine R5 , S3 Sturtevant, Victoria E23 Schmidt, Andrea T6 Siddiqui, Gohar T8 St. Pierre, Scott B8 Stutsman, Staci E22 Schneider, Molly O12 Siegel, Carol A17 Stadel, Luke N17 Suárez, Juan M6 Schonig, Jordan I5 Siegel, Greg S6 Stadler, John Paul M22, R2 Subramanian, Kalpana B3 Schules, Douglas B10 Siegel, Kathryn H10 , R14 Staiger, Janet L22, R17 Suk, Lena Q9 Schultz-Figueroa, Sienkiewicz, Matt S16 Stailey-Young, Amos T20 Sullivan, Annie S20 Benjamin R16 Sieving, Christopher E16 , R7 Staiti, Alana G4 Sullivan, Gordon E20 Schwartz, Daniel Q21 Silberman, Robert D5 Stamm, Laura R5 Sullivan, Patrick C25 Schwartz, Danielle Q11, R4 Sim, Gerald N5 , R21 Stamp, Shelley K22 Sulzdorf-Liszkiewicz, Schweitzer, Dahlia R22 Simard, Magali H1 Stanfield, Peter L11 Adam N20 Schweppe, Peter E16 , R7 Simmons, William J. S4 Stanfill, Mel M4 Sun, Lin A4 Sciachitano, Marian N3 Simon, Adam K13 Stang, Sarah C5 Sundar, Pavitra P4 Scoll, Nathan R17 Sinervo, Kalervo E18 Stark, Luke N6 Sung, Wendy M21 Scott, Ellen M11 Singer, Ben B12 Stark, Trevor S14 Sunya, Samhita E3 Scott, Jason S8 Singleton, Daniel D5 Stead, Lisa K22 Sutherland, Meghan F24 Scott, Suzanne M4 Sinha, Amresh H19 Steenberg, Lindsay J19 Sutherland, Tonia D11 Sebok, Bryan B22 Sinwell, Sarah Q10, R9 Steimatsky, Noa K19 Svelch, Jaroslav O8, R13 Sebro, Adrien R6 Skjerseth, Amy C25 Steimer, Lauren P11 Svensson, Alexander D3 Secular, Steven P12 Slowik, Michael D20 Stein, Erica N5 Swalwell, Melanie P18 Segal, Shira B3 Smith-Shomade, Stein, Louisa Q10 , R3 Swan, Anna Lee D17 , R8 Selznick, Barbara D16 Beretta M14 , R6 Steinberg, Marc I17 Sweedler, Milo H25 Sen, Biswarup I2 Smith, Ashley R D3 Steinbock, Elizabeth C9 Swetich, Steve S20 Sen, Priyanjali G17 Smith, Frances L20 Steinhart, Daniel Symes, Katerina F23 Sendur, Elif J15 Smith, Iain Robert F9, R3 Gomez M5 , R4 Szczepaniak-Gillece, Serna, Laura Isabel J8 , R20 Smith, Jacob Q20 Steinhauer, Margaret A1 Jocelyn M1 Serpe, Joaquín P9 Smith, Jennifer P8 Stenger, Josh E4, R3 Szymanski, Adam N7 Severyn, Greg B9 Smith, Matthew B25 Stenport, Anna E5 Sewell, Philip C22 Smith, Nova D3 Stepic´, Nikola J1 Shafer, Leah O15 Smith, Patrick B24 Stern, Lesley L21 Shahaf, Sharon I2 Smoodin, Eric I10 Sterne, Jonathan F21 Shanitkvich, Justin K7 Smyth, J. E. O3 Steuer, Leah R9 Sharma, Sudeep H20 Smyth, Sarah S18 Stevens, Charlotte T15 216 Index
T Tadeo Fuica, Beatriz F20 Taylor, John B24 Thomas, Sarah J14 Trifonova, Temenuga D10 Tai, Peng-yi A20 Taymoorzadeh, Negar E3 Thompson, Ethan N17 Trono, Mario I8 Tait, R. Colin O12 Tchepikova-Treon, Olga I13 Thompson, Kaelie I19 Tropiano, Stephen J10 Takacs, Stacy H17 Tcheuyap, Alexie J11 Thompson, Matthew E5 Tsai, Beth H20 Takahashi, Tess P10 Tejeda, Amaru F18 Thornham, Sue I12 Tsai, Hwa-Jen I21 Talbott, Michael O4 Tepperman, Charles H1 Tilton, Lauren D2 Tubbs, Andrew I15, R15 Tam, Agnes J21 Terrones, Joaquin K18 Titus, Joan M15 Turim, Maureen F10, R7 Tan, Hiaw Khim A11 Thanem, Torkild E14 Titus, Nikhil Thomas F8 Turnbull, Sue I17 Tanvir, Kuhu E12 Thapa, Anu B24 Tomokwicz, Paulina T7 Turnock, Julie K11 Tasker, Yvonne J2 Thimons, Alexander C13 Torlasco, Domietta F24 Turvey, Malcolm Q14 Taub-Pervizpour, Lora T2 Tholas-Disset, Trafton, John S19 Tussey, Ethan M17 Taurino, Giulia B17 Clémentine P17 Tran, Jacinda N10 Tweedie, James S19 Taylor-Jones, Kate M16 Thomas, David C8 Tran, Tony N12 Tyagi, Ila D14 , R10 Taylor, Aaron J6 Thomas, Devin T7 Treveri-Gennari, Daniela K8 Tzioumakis, Yannis Q18 , R11 U Udy, Dan I24 Uhlin, Graig T9 Umoja Noble, Safiya G13 Urquhart, Peter H1 Uelzmann, Jan G12 Uhrich, Andy K2 Umut, Melis R2, T8 Utterson, Andrew B2 Uffreduzzi, Elisa D2 Ulfsdotter, Boel J3 Uroskie, Andrew G22 V Vaidhyanathan, Siva P13 Vanderhoef, John G21 Venkatesh, Vinodh B9 Vidal, Belén T8 Valkanova, Dora R4 Varndell, Daniel E22 Verheul, Jaap B4 Vielkind, Andrew C4 Van den Troost, Kristof Vassilieva, Julia L21 Verma, Neil I17 Villarejo, Amy O13 M16, R17 Vaughan, Hunter K10 Vernallis, Carol E4, R15 Vogan, Travis L2 Van Esler, Mike I4 Veilleux, Félix R12 Vesey, Alyxandra M12 Von Vogt, Matt B3 van Gorp, Jasmijn D2 , R5 Vella, Daniel O8 Vickery, Jacqueline T2 Vonderheide, Leah D18 VanCour, Shawn D18 Vena, Dan J10 Victor, Carmen E5 Vukoder, Bret D2 VanderBurgh, Jennifer D1 W Wada-Marciano, Mitsuyo H16 Ward, Meredith S3 Weber-Feve, Stacey B8 Wiedenfeld, Grant O6, R17 Wagman, Ira D1 Ware, Evan G3 Weber, Brenda P3 Wiegand, Erin F9 , R17 Waldie, Rebecca C5 Warner, Kristen M14, R6 Weigel, Moira R9, T21 Wielgus, Alison P9 Waldman, Diane R7 Warner, Rick K5 Welbon, Yvonne J22 Wijaya, Elizabeth R14 Walia, Ramna D25 Warren-Crow, Heather E15 Wermer-Colan, Henry S22 Wiles, Mary F10 Walker, Johnny F9 Warren, Shilyh A14 Wessels, Chelsea C2 , R5 Wilkins, Christina A21 Wallenberg, Louise E14 Wasser, Frederick J14 West, Emily T4 Wilkins, Peter B21 Wallenbrock, Nicole T5 Wasson, Haidee F21 West, Thomas P6 Willard, Lesley R13, S22 Waller, Gregory L1 Wataha, Kathryn N19 Westrup, Laurel R14 Williams, Linda Ruth L5 Walsh, Michael B16 Waters, Sandra B25 Wheatley, Helen E10 Williams, Mark D2 Walton, Jean Q18 Watson, Kayla B9 White-Stanley, Debra P17 Williams, Melanie C16 Wang, Arthur R14, T21 Watson, Rachel R13, S20 White, Michele R9 Williams, Rebecca Q12 Wang, Chun-Chi I21 Watson, Ryan C3 White, Mimi P3 Williams, Tami F10 Wang, Jennifer H15 Watter, Seth Barry O10 White, Patricia L21 Williamson, Colin F4 Wang, Yiman N12 Wayne, Mike G16 Whitehead, Jessica P6 Willis, Holly R14 Wanzo, Rebecca K12, R6 Webb, Lawrence O22 Widdis, Emma Q21 Wilson, Julie J13 217 Index
Wimbley, Karin J22 Wojcik, Pamela Wong, Danielle D3 Wrather, Kyle B22 Winegar-Schultz, Zosha A12 Robertson P3 , R8 Wong, Lily T11 Wreyford, Natalie L5 Wing, Carlin Q15 Wojcik-Andrews, Ian D21 , R11 Woo, Benjamin B21 Wright, Benjamin D13 Winston, Brian K20 Wolfe, Charles M1 Wood, Aylish J18 Wright, Julie Lobalzo C16 Winterton, Connor L18 Wolk, Shari N19 Wood, Helen E10 Wu, Hong-An R13 Winton, Ezra I20 Wolock, Lia L17 Wood, Stacy D11 Wuest, Bryan C19 Wissner, Reba G3 Wolthius, Josette H3 , R12 Woods Peiró, Eva E9 Wyatt, Justin Q18 Wittusen, Cato C21 Wong-Lerner, Shannon Woods, Faye N22 Wynter, Kevin Q4 E24, R14 Y Yamazaki, Junko O16 Yates, Michelle J13 Yoshinaga, Ida T2 Yu, Danju Claire H20 Yanders, Jacinta R8, T15 Yesil, Bilge G14 Youmans, Greg R14, S4 Yu, Mingyi N7 Yang Menkus, Wei M16 Yockey, Matt F2 Young, Damon O13 Yuksel, Magda R18 Yang, Panpan H18 Yogest, Chris J5 Young, Katie E15 Yansori, Siavash D6 Yoo, Chaeyoon B24, R11 Young, Paul P16 Yasar, Zeynep L8 Yoon, Soyoung I3 Younger, James R3 Z Zagarrio, Vito L4 Zhang, Ling P20 Zimanyi, Eszter A7 Zolides, Andrew G25 Zambenedetti, Alberto O6 Zhao, Jing Jamie A8 Zimdars, Melissa N3 Zryd, Michael H10 Zeffiro, Andrea D23 Zhao, Shan Mu I16, R13 Zimmer, Catherine M21 Zubel, Marla T9 Zeitlin Wu, Lida S22 Zheng, Xiqing D5 Zimmermann, Patricia Zuk, Tanya O1 Zeng, Li J21 Zhou, Chenshu F8 K20, R4 Zulueta, Ricardo K9 Zettl, Nepomuk I12 Zielinski, Ger F11 Zinman, Gregory G22 Zuo, Mila T11 Zhang, Alex O7 Zigterman, Kaitlynn B16 Zobel, George Eric I13
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Echoes of a Queer Are You Watching Beautiful, Bright, Messianic Closely? and Blinding From Frankenstein to Cultural Paranoia, Phenomenological Aesthetics Brokeback Mountain New Technologies, and the and the Life of Art Richard O. Block Contemporary Hollywood H. Peter Steeves Reconsiders mostly German Misdirection Film Phenomenological analysis of beauty narratives from around 1800 to Seth Friedman and art across various aspects of lived recover echoes of a queer messianic Identifies a new genre—misdirection experience and culture. that still resonate today. films—and explains its appeal to con- temporary producers and audiences. Movies and Midrash Rx Hollywood Popular Film and Jewish Cinema and Therapy Affective Images Religious Conversation in the 1960s Post-apartheid Documentary Wendy I. Zierler Michael DeAngelis Perspectives Foreword by How films of the 1960s and early Marietta Kesting Eugene B. Borowitz 1970s framed therapeutic issues as Explores intervisual case studies Brings popular cinema and Jewish problems of human communication, in relation to migration, xenophobia, religious texts into a meaningful and individual psychological problems and gender. dialogue. as social ones. Adapting Gender Queer Art Camp Black Women’s Mexican Feminisms Superstar Mental Health from Literature to Film Decoding the Cinematic Balancing Strength Ilana Dann Luna Cyberworld of Ryan Trecartin Demonstrates how film adaptations and Vulnerability Ricardo E. Zulueta intersect with feminist discourse in Stephanie Y. Evans, The first book-length study of neoliberal Mexico. Kanika Bell, and Trecartin’s artistic genealogy, evolving Nsenga K. Burton, editors aesthetics, radical approach to digital Foreword by Linda Goler Blount Ripping England! and Internet culture, and impact on Creates a new framework for Postwar British Satire contemporary art, film, and media. approaching Black women’s wellness, from Ealing to the Goons by merging theory and practice Roger Rawlings with both personal narratives and Examines an all too often neglected www.sunypress.edu public policy. period of postwar British cinema and popular culture. NOW AVAILABLE from IU PRESS
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Volume 1 9, Number BLACK CAMERA An International Film Journal Black Camera: An International Film Journal Edited by Michael T. Martin Historical and contemporary scholarship on black cinematic experiences and the development of black creative culture.
BLACK CAMERA Black Camera, a journal of Black film studies, is devoted to the study and documentation of the Black cinematic experience and aims to engender and sustain a formal academic discussion of Black film production. It includes reviews of historical as well as contemporary books and films, An International Film Journal researched critiques of recent scholarship on Black film, interviews with In This Issue accomplished film professionals, and editorials on the development of Articles by AMADOU FOFANA and BRUCE S. HALL; ALBERT FU and MARTIN MURRAY; REIGHAN GILLAM; and OLIVIA LANDRY Black creative culture. Black Camera challenges received and established MICHAEL T. MARTIN with YALIE KAMARA conversation with writer and views and assumptions about the traditions and practices of filmmaking director Dany Laferrière
in the African diaspora. The journal devotes issues or sections of issues to CLOSE-UP ON BEYONCÉ: MEDIA AND CULTURAL ICON with an introduction by STEPHANIE LI and articles by ERIC HARVEY, EMILY J. LORDI, MAKO national cinemas, as well as independent, marginal, or oppositional films FITTS WARD, MARQUIS BEY, DINAH HOLTZMAN, ALICIA WALLACE, AISHA DURHAM, and TIFFANY E. BARBER and cinematic formations. Archival Spotlight by RONDA L. SEWALD including an interview and narrative on jazz musician and composer Phil Moore
Fall Published biannually. ISSN 1536-3155 | eISSN 1947-4237
AND INCLUDING 2017 FESPACO 2017 Dossier, Film Review, Archival News, Professional Notes Keywords: African Studies, Film Studies, Popular Culture and Research Sources Close-Up: Beyoncé: Media and Cultural Icon For subscription and submission information, visit iupress.indiana.edu/journals/blackcamera THE NEW SERIES Volume 9, Number 1 • Fall 2017
Film History: An International Journal Edited by Gregory A. Waller The historical development of the motion picture in its social, technological, and economic contexts. Film History publishes original research on the international history of cinema, broadly and inclusively understood. Its areas of interest are the production, distribution, exhibition, and reception of films designed for commercial theaters as well as the full range of nontheatrical, noncommercial uses of motion pictures; the role of cinema as a contested cultural phenomenon; the technological, economic, political, and legal aspects of film history; the circulation of film within and across national borders; and the relations between film and other visual media and forms of commercial entertainment. Published quarterly. ISSN 0892-2160 | eISSN 1553-3905 Keywords: Film Studies, Popular Culture, Technology For subscription and submission information, visit iupress.indiana.edu/journals/filmhistory
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THE BRESSONIANS STARS AND STARDOM IN BRAZILIAN CINEMA French Cinema and the Culture of Authorship Tim Bergfelder, Lisa Shaw and João Luiz Vieira [Eds.] Codruţa Morari 302 pages • Paperback 206 pages • Hardback MARXISM AND FILM ACTIVISM POLAND DAILY Screening Alternative Worlds Economy, Work, Consumption and Social Class Ewa Mazierska and Lars Kristensen [Eds.] in Polish Cinema 290 pages • Paperback Ewa Mazierska 346 pages • Hardback GERMAN TELEVISION CYPRUS AND ITS CONFLICTS Historical and Theoretical Perspectives Representations, Materialities, and Cultures Larson Powell and Robert R. Shandley [Eds.] Vaia Doudaki and Nico Carpentier [Eds.] Film Europa 324 pages • Hardback 242 pages • Paperback
SPANISH LESSONS POLITICAL FELLINI Cinema and Television in Contemporary Spain Journey to the End of Italy Paul Julian Smith Andrea Minuz 176 pages • Hardback 228 pages • Paperback
TRANSBORDER MEDIA SPACES NEW USES OF BOURDIEU IN Ayuujk Videomaking between Mexico and the US FILM AND MEDIA STUDIES Ingrid Kummels Guy Austin [Ed.] Anthropology of Media 184 pages • Paperback 354 pages • Hardback NEW HONG KONG CINEMA MAD MÄDCHEN Transitions to Becoming Chinese in Feminism and Generational Conflict in Recent German 21st-Century East Asia Literature and Film Ruby Cheung Margaret McCarthy 288 pages • Paperback 270 pages • Hardback STORIES MAKE THE WORLD THE ETHICS OF SEEING Reflections on Storytelling and the Photography and Twentieth-Century German History Art of the Documentary Jennifer Evans, Paul Betts, and Stefan-Ludwig Hoffmann [Eds.] Stephen Most Studies in German History 288 pages • Paperback 306 pages • Hardback MASS MEDIA AND HISTORICAL CHANGE LESSONS IN PERCEPTION Germany in International Perspective, The Avant-Garde Filmmaker as Practical Psychologist 1400 to the Present Paul Taberham Frank Bösch 236 pages • Forthcoming Hardback 212 pages • Paperback
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RECENT ARTICLES “There’s Nothing Makeup Cannot Do”: Women Beauty Vloggers’ Self-Representations and #thepowerofmakeup, Michele White Before and After Ghostcatching: Animation, Primitivism, and the Choreography of Vitality, Heather Warren-Crow Passing for Children in Cate Shortland’s Lore, Andrew Webber On Shock Therapy: Modernist Aesthetics and American Underground Film, William Solomon
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WINNER OF THE 2008 AAP/PSP PROSE AWARD FOR BEST NEW JOURNAL IN THE SOCIAL SCIENCES & HUMANITIES! PROJECTIONS The Journal for Movies and Mind Editor: Ted Nannicelli, University of Queensland Published in association with the Society for Cognitive Studies of the Moving Image Projections: The Journal for Movies and Mind is an interdisciplinary, peer-reviewed journal that explores the way in which the mind experiences, understands, and interprets the audio-visual and narrative structures of cinema and other visual media. Recognizing cinema as an art form, the journal aims to integrate established traditions of analyzing media aesthetics with current research into perception, cognition and emotion, according to frameworks supplied by psychology, psychoanalysis, and the cognitive and neurosciences. Volume 12/2018, 2 issues p.a. www.berghahnjournals.com/projections
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CINEPOETICS ENGLISH EDITION
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Edited by Hermann Kappelhoff and Michael Wedel
The Cinepoetics book series aims at a theoretical and analytical reconceptualization of the discursivity of audiovisual images. The focus is not on the circulation of media representations but on the modes of this circulation: How do audiovisual images as figurations of media experience relate to other audiovisual images? What does it mean to describe different modes of audiovisual experience and recursivity as forms of cinematic thinking? From this perspective, the series’ volumes provide analyses of the aesthetic dimension, historical function and cultural significance of their subjects, making the poetic logic of audiovisual images accessible to an interdisciplinary audience.
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Volume 1 Volume 2 Volume 3 Hermann Kappelhoff Dorothea Horst Eileen Rositzka FRONT LINES OF COMMUNITY MEANING MAKING AND CINEMATIC CORPOGRAPHIES Hollywood Between War and POLITICAL CAMPAIGN Re-Mapping the War Film Democracy ADVERTISING Through the Body 06/2018. Approx. 350 pp., 50 fig. A Cognitive-linguistic and 10/2018. Approx. 220 pp., 20 fig. Film-analytical Perspective on HC Approx. RRP € 69.95 [D] / HC RRP € 69.95 [D] / US$ 80.99 / £ 57.99 Audiovisual Figurativity US$ 80.99 / £ 63.99 ISBN 978-3-11-046523-5 10/2018. Approx. 300 pp., 18 fig. ISBN 978-3-11-057963-5 HC RRP € 77.95 [D] / US$ 89.99 / £ 70.99 ISBN 978-3-11-057447-0
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University of Wisconsin – Milwaukee MEDIA, CINEMA, & DIGITAL STUDIES
UWM’s MA and PhD program in Media, Cinema, and Digital Studies starts from the assumption that media in the 21st century must be studied comparatively. Students in our interdisciplinary program work across major media forms such as film, television, video games, and tactical and social media, employing rigorous historical, theoretical, and political methodologies for innovative research projects in Cinema history Television studies FACULTY Gilberto Blasini: third cinemas, cultural studies, lm and Game studies television criticism; Richard Grusin: media theory, mediation and politics, and Digital studies a ect theory; omas Haigh: history of information and technology, history of work and business, media studies; Lane Hall: activism and tactical media, experimental Histories of technology narrative, multimedia production; Jennifer Johung: digital culture, media art, Media theory and performance studies; Elana Levine: feminist media studies, television history, theory historiography and criticism; omas Malaby: game studies, video game industry and culture, Queer film and television digital anthropology; Stuart Moulthrop: game studies, media theory, so ware culture; Michael Newman: American cinema and television, video games, media Gender and culture history, theory, criticism; Peter Sands: science ction, utopianism, technoculture; Third cinemas Jocelyn Szczepaniak-Gillece: American exhibition, spectatorship, special e ects Tactical media and screen technology; Tami Williams: European cinema, early cinema and the archive, digital culture. Global, national, and transnational cinemas Reception studies For more information, visit media.uwm.edu or contact Stuart Moulthrop, Coordinator, at [email protected]
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COMPLETE CELLULOID CHAINS THE AFRICAN QUEEN AND FILM CRITICISM EDITED BY RUDYARD THE NIGHT OF THE HUNTER EDITED BY J. ALCOCER, KRISTEN EDITED BY CHARLES MALAND BLOCK, AND DAWN DUKE JEFFREY COUCHMAN Hardcover / $99 Hardcover / $65 Hardcover / $90 Available Now Available June 2018 Available Now
THE UNIVERSITY OF TENNESSEE PRESS UTPRESS.ORG Call 800-621-2736 or Like us on Facebook, go online to order. Follow us on Twitter CANADIAN JOURNAL OF FILM STUDIES REVUE CANADIENNE D’ÉTUDES CINÉMATOGRAPHIQUES
The Canadian Journal of Film Studies / Revue canadienne d’études cinématographiques is Canada’s leading academic peer-reviewed film journal. CJFS / RCÉC has published bi-annually since its launch in 1990. Sponsored by the Film Studies Association of Canada, CJFS / RCÉC publishes scholarly articles, book reviews, and review essays on film, television, and other moving image media.
Read CJFS / RCÉC online at utpjournals.press/loi/cjfs
utpjournals.press Fandom & Culture publishes dynamic books that challenge readers to reexamine preconceived notions of fandom, fan communities, and fan works. Titles in this series employ innova- tive methods and analysis that address the unique dimensions of fan passions, whether dealing with personal reflections or transcultural topics. The series aims to speak to scholars, fans, and general audiences on a number of social and cultural issues Please send inquiries and related to fandom. proposals to Ranjit Arab, ☛ Katherine Larsen & Paul Booth, series editors [email protected]
Fandom as Classroom Practice A Teaching Guide edited by Katherine Anderson Howell 188 pages . 4 b&w photos 2 figures. $70 paper available may 2018
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CORNELLPRESS.CORNELL.EDU It’s lights, camera, action for Buffalo.
Villa Maria’s new Digital Filmmaking Program offers a practical, focused education that blends a hands-on learning experience with expert instruction and guidance in various aspects of the digital film industry.
Turn your passion into a profession by learning the ins and outs of the filmmaking industry by earning WNY’s only BFA in Digital Filmmaking. Theory + Practice Film and Media programs offered by the College of Staten Island, CUNY
Summer Abroad in Tours, France
Filmmaking and Film Theory in Tours, France This uniquely intensive program challenges students to think critically and conceptually while making creative and intellectually rewarding films. Students will spend three weeks at l’université François-Rabelais. Only two hours from Paris, the college town along the Loire Valley offers a pace and a backdrop ideal for our student-filmmakers. • While in Tours, students will conduct principal photography while collaborating with their French contemporaries and discuss the creative and executive processes with French industry professionals, filmmakers, and scholars. As students study the implications of cinematic praxis the films they produce are not only informed by the classroom but filtered through their experiences in France. The program culminates with a trip to Paris where students visit the CNC and La Fémis.
Both undergraduate and graduate seats are available for July 2018 program. Application deadline extended for SCMS members! Contact [email protected] for more info.
FACULTY: Christopher Anderson • Jillian Báez • Cynthia Chris • Racquel Gates • David A. Gerstner (Chair) • Bang-Geul Han • Michael Mandiberg • Tara Mateik • Edward Miller • Sherry Millner • Reece Peck • Jason Simon • in Valerie Tevere • Cindy Wong • Bilge Yesil • Ying Zhu M.A. Cinema and Media Studies
Our M.A. program is conveniently situated in the most vibrant media capital in the world giving a select and markedly international student body direct access to New York City’s expansive media archives, museums, theaters, galleries, and libraries. • The M.A. program is a challenging two-year curriculum that spans core knowledge in media history, theory, criticism, and production to develop research, writing, and media-making skills in preparation for careers in academia, the arts, or media-related professions. • Students work one-on-one with an engaged diverse faculty composed of active distinguished film scholars and historians, and prominent film, video and digital media artists. Our students have the rare opportunity to combine coursework in both theory and practice, completing either a written or media production thesis, with resources including a digital-media lab and a television studio.
www.csi.cuny.edu/media-culture 718.982.2541 new from edinburgh university press
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www.edinburghuniversitypress.com e UNIVERSITY of OKLAHOMA
Film and Media Studies is an interdisciplinary undergraduate program FILM & at the University of Oklahoma designed to give students a broad MEDIA understanding of film and media history, theory, and criticism. OU Film STUDIES and Media Studies, in the College of Arts and Sciences, is proud to be the institutional home of the SCMS Office and staff.
Established in 1890, the University of Oklahoma is known for its academic excellence and strong sense of community. Attracting top students from across the nation and more than 100 countries around the world, it is a comprehensive public research university offering a wide array of undergraduate, graduate, and professional programs and extensive continuing education and public service programs. It ranks first in the nation among public universities in the number of National Merit Scholars enrolled, and its 2000-acre Norman Campus houses fifteen colleges with approximately 1300 faculty serving more than 26,000 students.
http://ou.edu/cas/fms IN MEMORIAM We lost leaders in film and media this past year.
Peter Bondanella Hannah Frank Brian Henderson 1943–2017 1984–2017 1941–2017 Photo Credit: Indiana University Bloomington Website Photo Credit: UNCW Film Studies Facebook Photo Credit: Dave Pape
Chuck Kleinhans John Kuiper David Pendleton 1942-2017 1928-2017 1964–2017 Photo Credit: Julia Lesage Photo credit: North Texan, University of North Texas Photo Credit: Peter Limbrick SEATTLE 2019 CALL FOR Paper, Panel, Workshop and Roundtable Proposals The Society for Cinema and Media Studies announces its call for proposals for the 2019 conference. Please join us Wednesday, March 13—Sunday, March 17, 2019 at the Sheraton Seattle Hotel.
Seattle is a bustling port town in the Pacific Northwest, known for its independent and vibrant music, film, and art scenes. Also recognized as the “Emerald City,” Seattle is known for the historic Pike Place Market, the Space Needle, the original Starbucks, Amazon’s headquarters, and more. Seattle is home to institutions such as the University of Washington, Seattle University, as well as the Northwest Film Forum, the Seattle International Film Festival, and the Henry Art Gallery.
The 2019 SCMS Conference Program Committee welcomes quality paper, panel, workshop, and roundtable proposals on any topic related to cinema and media studies. Proposal submission forms will be available through the SCMS website on June 1, 2018. The deadline for proposals is Friday, August 31, 2018 (5:00 pm, Central Time).
Graduate Faculty 2018–2019 Giorgio Bertellini, Associate Professor: Silent Cinemas; Comparative Media Studies; Fascism; Italian Cinema and TV Hugh cohen, Professor: The Western; Film Criticism; Scandinavian Film caryl Flinn, Professor: Film Music & Musicals; Gender; Critical Theory & Cultural Studies colin Gunckel, Associate Professor & DGS: Ph.D. Program Am Film History; Chicano/Latino Film & Media; Latina American Cinema dan Herbert, Associate Professor: Media in Screen artS & cultureS Industries; Media Geographies; Video Studies Sheila Murphy, Associate Professor: Digital film, televiSon, anD new meDia Media; Internet Studies; Video Game Studies; TV Sarah Murray, Assistant Professor, Digital Media, Histories and Theory of New & Emerging Media, TV Audiences, Production Cultures he UM Screen Arts & Cultures abé Mark Nornes, Professor: Asian Film; Documentary; Translation Theory doctoral program emphasizes the yeidy rivero, Chair & Professor: International study of representations exhibited, TV & Media; Race & Ethnic Representations in T Media produced and consumed via screens— Matthew Solomon, Associate Professor: whether cinematic or televisual screens, French & US Film History & Theory; Authorship; video monitors, computer display, handheld Intermediality devices, etc. We pursue screen media in Johannes von Moltke, Professor: Film & Critical Theory; Spectatorship; Genre; their social, national, transnational, and German Film History; Fascist Cinemas historical contexts using historically- and affiliated Faculty: Megan Sapnar Ankerson, Nilo Couret, Susan theoretically-based methods from film, Douglas, Herb Eagle, Geoff Eley, Daniel Herwitz, television, and digital studies as well as Tung-Hui Hu, Madhumita Lahiri, Amanda Lotz, Lisa Nakamura, Aswin Punathambekar, cultural and critical theory. Christian Sandvig, Katherine Sender
www.lsa.umich.edu/sac