Reconstructing the World. Regions and Their Diversities
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Past, Present, and Future of the Chinese Home an Architectural
Te Past, Present, and Future of the Chinese Home An Architectural Study of the Relationship Between Politics, Culture, and Domestic Space By | Tina Huang | 黄维钰 A thesis submitted to the Faculty of Graduate and Postdoctoral Afairs in partial fulfllment of the requirements for the degree of Master in Architecture Carleton University, Ottawa, Ontario ©2021TinaHuang ABSTRACT his thesis analyzes the oscillating cause and effect between State, citizen, Tand architecture by studying the relationship between politics and domestic spaces in China. It explores the development of China from the beginning of the twentieth century through the present and into a speculative future to argue that wider socio-political changes are reflected in the detailed and intimate spaces of the home, and conversely, that the home can act as an agent of political resistance. The timeline in question represents a unique and tumultuous era in the development of modern China, one which dramatically changed the way people in China built their homes, and in turn, lived their lives. By imagining a speculative future condition in which China has undergone another major political and cultural shift, this thesis will consider the past in order to propose a speculative trajectory for the future of domestic Chinese architecture. II ACKNOWLEDGEMENTS I want to firstly thank my advisor Natalia for your patience and constant support during this past year, your encouragement throughout the writing of this thesis has been invaluable. To the staff and faculty at the Azrieli School of Architecture and Urbanism, thank you for making the last six years so wonderful. The guidance and support from everyone has been crucial to my educational growth. -
MONOGRAPH SERIES Q Società Scientifica Ludovico Quaroni Wu Liangyong
L’ARCHITETTURA DELLE CITTÀ MONOGRAPH SERIES Q Società Scientifica Ludovico Quaroni Wu Liangyong INTEGRATED ARCHITECTURE Foreword by Lucio Valerio Barbera Translations by Anna Irene Del Monaco, Liu Jian, Ying Jin George Michael Riddel, Roberta Tontini Afterword by Anna Irene Del Monaco L’ARCHITETTURA DELLE CITTÀ MONOGRAPHQ SERIES #1 Società Scientifica Ludovico Quaroni EDIZIONI NUOVA CULTURA L’ARCHITETTURA DELLE CITTÀ QMONOGRAPH SERIES #1 Società Scientifica Ludovico Quaroni L’ADC L’architettura delle città. Monograph Series The Journal of Scientific Society Ludovico Quaroni direttore scientifico | managing editor Lucio Valerio Barbera, University of Rome Sapienza comitato scientifico-editoriale| editorial-scientific board Maria Angelini, University of Pescara Luisa Anversa, Sapienza University of Rome Lucio Valerio Barbera, University of Rome Sapienza Yung Ho Chang, Massachusetts Institute of Technology MIT, Boston Jean-Louis Cohen, New York University NYU, New York Mario Guido Cusmano, University of Florence Stanley Ira Halley, Catholic University of Washington DC Roberto Maestro, University of Florence Paolo Melis, Sapienza University of Rome Ludovico Micara, University of Pescara Giorgio Muratore, Sapienza University of Rome Attilio Petruccioli, Polytechnic of Bari Richard Plunz, Columbia University in the City of New York Vieri Quilici, University of Roma Tre Daniel Sherer, Columbia University in the City of New York / Yale University Daniel Solomon, University of California UCB, Berkeley Paolo Tombesi, University of Melbourne comitato -
Critical Regionalism: Whatever Happened to Autonomy
fusion-journal.com http://www.fusion-journal.com/issue/004-fusion-the-town-and-the-city/critical-regionalism-whatever-happened-to-autonomy/# Critical Regionalism: Whatever Happened to Autonomy Opening In his most recent take on “critical regionalism,” Kenneth Frampton revisits the dichotomy between centre and periphery. It is not the implied territorial divide that interest Frampton. At issue is how architecture could or should define the periphery in contrast to the hegemonic architecture unfolding in the centre. Frampton’s take is centred on the ways that technological apparatus, under the auspices of capitalism, transform the cities one- dimensionally. From China to wherever else that capital today finds a home for fast accumulation, we witness “the mediagenic impact of spectacular form which is,” Frampton observes, “as much due to the capacity of ‘superstar architects’ to come up with sensational, novel images as to their organizational competence and technical abilities.”[i] For a better understanding of Frampton’s position we need to give attention to the change in the title of his text. Since the rise of postmodernism, Frampton has constantly searched for alternative(s) in the work of architects who sidetrack the post-sixties turn to historical eclecticism and the drive for formal autonomy, to mention two dominant tendencies of the time. As early as the 1980s, Frampton mapped the thematic of “critical regionalism” with phenomenological aspiration for the duality between “national culture” and civilization. [ii] Exploring the early -
100 Years of Clemson Architecture: Southern Roots + Global Reach Proceedings Ufuk Ersoy
Clemson University TigerPrints Environmental Studies Clemson University Digital Press 2015 100 Years of Clemson Architecture: Southern Roots + Global Reach Proceedings Ufuk Ersoy Dana Anderson Kate Schwennsen Follow this and additional works at: https://tigerprints.clemson.edu/cudp_environment Recommended Citation Ersoy, Ufuk; Anderson, Dana; and Schwennsen, Kate, "100 Years of Clemson Architecture: Southern Roots + Global Reach Proceedings" (2015). Environmental Studies. 7. https://tigerprints.clemson.edu/cudp_environment/7 This Book is brought to you for free and open access by the Clemson University Digital Press at TigerPrints. It has been accepted for inclusion in Environmental Studies by an authorized administrator of TigerPrints. For more information, please contact [email protected]. 100 YEARS OF CLEMSON ARCHITECTURE: SOUTHERN ROOTS + GLOBAL REACH PROCEEDINGS 100 YEARS OF CLEMSON ARCHITECTURE SOUTHERN ROOTS GLOBAL REACH PROCEEDINGS + EDITED BY UFUK ERSOY DANA ANDERSON KATE SCHWENNSEN Copyright 2015 by Clemson University ISBN 978-1-942954-07-1 Published by Clemson University Press for the Clemson University School of Architecture. For more information, contact the School of Architecture at 3-130 Lee Hall, Clemson, South Carolina 29634-0503. School of Architecture: www.clemson.edu/architecture Clemson University Press: www.clemson.edu/cedp/press Produced at Clemson University Press using Adobe Creative Suite. Editorial Assistants: Karen Stewart, Charis Chapman Printed by Ricoh USA. 100 YEARS OF CLEMSON ARCHITECTURE: SOUTHERN ROOTS -
Portico 2006/3
PORTICO 2006/3 UNIVERSITY OF MICHIGAN TAUBMAN COLLEGE OF ARCHITECTURE + URBAN PLANNING Table of Contents TABLE OF CONTENTS From the Dean .......................................................................................1 Letters .....................................................................................................3 College Update Global Place: practice, politics, and the polis TCAUP Centennial Conference #2 .....................................................4 <<PAUSE>> TCAUP@100 .....................................................................6 Centennial Conference #1 ................................................................7 Student Blowout ................................................................................8 Centennial Gala Dinner ....................................................................9 Faculty Update.....................................................................................10 Honor Roll of Donors ..........................................................................16 Alumni Giving by Class Year ..............................................................22 GOLD Gifts (Grads of the Last Decade) ...........................................26 Monteith Society, Gifts in memory of, Gifts in honor of ................27 Campaign Update................................................................................27 Honor Roll of Volunteers ....................................................................28 Class Notes ..........................................................................................31 -
School of Architecture 2001–2002
School of Architecture 2001–2002 bulletin of yale university Series 97 Number 3 June 30, 2001 Bulletin of Yale University Postmaster: Send address changes to Bulletin of Yale University, PO Box 208227, New Haven ct 06520-8227 PO Box 208230, New Haven ct 06520-8230 Periodicals postage paid at New Haven, Connecticut Issued sixteen times a year: one time a year in May, October, and November; two times a year in June and September; three times a year in July; six times a year in August Managing Editor: Linda Koch Lorimer Editor: David J. Baker Editorial and Publishing Office: 175 Whitney Avenue, New Haven, Connecticut Publication number (usps 078-500) The closing date for material in this bulletin was June 20, 2001. The University reserves the right to withdraw or modify the courses of instruction or to change the instructors at any time. ©2001 by Yale University. All rights reserved. The material in this bulletin may not be repro- duced, in whole or in part, in any form, whether in print or electronic media, without written permission from Yale University. Open House All interested applicants are invited to attend the School’s Open House: Thursday, November 1, 2001. Inquiries Requests for additional information may be directed to the Registrar, Yale School of Architecture, PO Box 208242, 180 York Street, New Haven ct 06520-8242; telephone, 203.432.2296; fax, 203.432.7175. Web site: www.architecture.yale.edu/ Photo credits: John Jacobson, Sarah Lavery, Michael Marsland, Victoria Partridge, Alec Purves, Ezra Stoller Associates, Yale Office of Public Affairs School of Architecture 2001–2002 bulletin of yale university Series 97 Number 3 June 30, 2001 c yale university ce Pla Lake 102-8 Payne 90-6 Whitney — Gym south Ray York Square Place Tompkins New House Residence rkway er Pa Hall A Tow sh m u n S Central tree Whalley Avenue Ezra Power Stiles t Morse Plant north The Yale Bookstore > Elm Street Hall of Graduate Studies Mory’s Sterling St. -
“A Game Changer for Maine Art.”
“A game changer for Maine art.” - ALEX KATZ CMCA - Advancing contemporary art in Maine through exhibitions and educational programs. | cmcanow.org PO Box 1767 Rockland, Maine 04841 207.701.5005 | 207.323.3299 [email protected] Gift Opportunities NAMED GIFT OPPORTUNITIES FOR THE NEW CMCA • Gallery 1 – 2500 square feet / $1,000,000 • Gallery 2 – 2100 square feet / $500,000 • Lobby – 850 square feet / $500,000* • ArtLab – 600 square feet / $500,000* • Lecture Hall/Gallery 3 – 990 square feet / $350,000* • Courtyard – 2200 square feet / $350,000 • Gift Shop – 330 square feet / $250,000 • Administrative Wing – 1950 square feet / $250,000 * These named gift opportunities have been committed. CMCA - Advancing contemporary art in Maine through exhibitions and educational programs. | cmcanow.org PO Box 1767 Rockland, Maine 04841 207.701.5005 | 207.323.3299 Gift Opportunities [email protected] NAMED GIFT OPPORTUNITIES FOR THE NEW CMCA GIFT SHOP 330sf GALLERY 1 COURT YARD 2500sf 2200sf LOBBY 850sf* WING 1950sf ADMINISTRATIVE ADMINISTRATIVE GALLERY 2 LECTURE HALL / GALLERY 3 2100sf ARTLAB 2100sf* 600sf* *These named gift opportunities have been committed.. CMCA - Advancing contemporary art in Maine through exhibitions and educational programs. | cmcanow.org PO Box 1767 Rockland, Maine 04841 207.701.5005 | 207.323.3299 [email protected] Gallery 1 NAME GALLERY 1: $1,000,000 Gallery 1 is the premiere exhibition space in the new CMCA. With 20-foot high walls, state-of- the-art energy-efficient LED track lighting, and 2500 square feet of display space, Gallery 1 offers unparalleled exhibition opportunities. Overhead, the open steel trusses reveal the building’s structure as well as the series of four distinctive saw-tooth clerestory windows that allow natural north light to suffuse the gallery, an aesthetic—and energy-saving—advantage. -
Constructs Fall 2008 Table of Contents 02 Charles Gwathmey
Constructs Yale Architecture Fall 2008 Constructs Fall 2008 Table of Contents 02 Charles Gwathmey and Robert A.M. Stern discuss Paul Rudolph Hall 04 Chuck Atwood and David Schwarz 06 Francisco Mangado 07 Frank Gehry’s Unbuilt Projects 08 Spring Event Reviews: Sustainable Architecture: Today and Tomorrow by Susan Yelavich and Daniel Barber 10 Modernism Events by Peggy Deamer and Joan Ockman 10 Building the Future by Jayne Merkel 12 Kroon Hall lectures Mobile Anxieties, the MED Symposium 13 In the Field: A New Urbanism by Tim Love Australia Symposium by Brigitte Shim New Zealand Symposium by Peggy Deamer 16 Book Reviews: Tim Culvahouse’s TVA Peter EIsenman’s Ten Canonical Buildings Hawaiian Modern Perspecta 40 Monster 18 Fall Events: Model City: Buildings and Projects by Paul Rudolph Hawaiian Modern Yale in Jordan YSoA Books 20 Spring 2008 Lectures 22 Spring 2008 Advanced Studios 24 Faculty News Herman Spiegel: An Appreciation 26 Alumni News Eugene Nalle: A Tribute 02 CONSTRUCTS YALE ARCHITECTURE FALL 2008 INTERVIEW: CHARLES GWATHMEY & ROBERT A.M. STERN Charles Gwathmey & Robert A.M. Stern A discussion Rudolph Hall), which between Dean will be rededicated Robert A.M. Stern on November 8, (’65) and Charles 2008, and the Gwathmey (’62) took opening of the new place this summer art history building, for Constructs on the Jeffrey Loria the occasion of the Center for the History renovation of the of Art. A&A Building (Paul Robert Stern When I became the plan was the Art Gallery’s need to expand dean in 1998, I set out to define our goals into the Swartwout Building and Street Hall. -
Rethinking Architectural Historiography Begins by Renegotiating Foundational and 9 Contemporary Boundaries of Architectural History in Relation to Other Cognate fields
1111 2 Rethinking Architectural 3 Historiography 4 5 6 7 8 9 1011 1 2 3111 4 5222 Rather than subscribing to a single position, this collection informs the reader about 6 the current state of the discipline looking at changes across the broad field of 7 methodological, theoretical and geographical plurality. Divided into three sections, 8 Rethinking Architectural Historiography begins by renegotiating foundational and 9 contemporary boundaries of architectural history in relation to other cognate fields. It then goes on to engage critically with past and present histories, disclosing assump- 20111 tions, biases and absences in architectural historiography. It concludes by exploring 1 the possibilities provided by new perspectives, and reframing the discipline in the 2 light of new parameters and problematics. 3 Featuring distinctive contributions from authors with a range of expertise on the 4 writing, teaching and practice of architectural history, this timely and internation- 5 ally relevant title reflects upon the current changes in historiographical practice. This 6 book explores potential openings that may contribute to further transformation of 7 the discipline and theories of architectural historiography, and addresses the current 8 question of the disciplinary particularity of architectural history. 9 30111 Dana Arnold is Professor of Architectural History and Director at the Centre for Studies in Architecture and Urbanism, University of Southampton, UK. 1 2 Elvan Altan Ergut is Assistant Professor and Vice Chair in the Department of 3 Architecture at Middle East Technical University, Ankara, Turkey. 4 5 Belgin Turan Özkaya is Associate Professor of Architectural History in the 6 Department of Architecture at Middle East Technical University, Ankara, Turkey. -
PROLOGUE the CHALLENGE of GALICIA. Alexander Tzonis My First
PROLOGUE THE CHALLENGE OF GALICIA. Alexander Tzonis My first visit to Galicia with Liane Lefaivre was twenty years ago. I remember distinctly the warm, gray granite color that enveloped outside spaces, facades, pavements, and sky, creating a feeling of serenity and containment. I also have vivid the memory of the impression made on us by several new projects by architects totally unknown outside of Spain, such as the granite using Bar Boo's high rise buildings and the small structures by Campos Michelena revitalizing the fisherman village of Combarro. The projects were few but exciting because they had many unique and genuinely creative attributes generated through effective examination of local needs and potentials of local resources. This feeling was confirmed later when we presented these projects outside of Spain in lectures and writings. The source of the excitement was the fact that the projects were "regional" meaning that they were perfect fit to a well-demarcated unique set of requirements and by being a unique solution they were contributing to the diversity of architectural knowledge. It was impossible to imagine at that time, the number, size, and style of the houses to be built all over Galicia during the last ten years, a representative sample of which are the twenty-five selected ones in this book. Yet, the fact that these projects exist today does not surprise anyone. Although not completely adequate to define the overall built tissue of Galicia the structures documented here are enough to draw at least one major conclusion: that without doubt Galicia has submitted to globalization. -
Fall 2007 Portico Welcome
university of michigan taubman college of architecture + urban planning fall 2007 portico welcome 01 letter from the dean 04 the michigan difference updates 06 college 08 faculty 14 student 18 A Unity of Purpose: June Manning Thomas 20 Connecting Present & Past: The Lorch Column Project 23 Building Addition & Renovation—preliminary proposal 29 class notes calendar On the Cover: Early sketch of proposed rooftop addition by Robert Hull of the Miller/Hull Partnership. letter from the dean Abuilding we go… Our college has lived in the Art and Architecture Building on North Campus since 974. That’s a full third of its century of existence. I’m told it took a new building to entice the faculty to leave Central Campus. Some people would still like the College to return, but it’s now clear we’re here to stay. And we’re determined to improve both the North Campus and the building. Over the years there have been numerous interventions in the building, too many to describe. In the last decade alone, we’ve spent some $3 million to upgrade the auditorium, a half-dozen classrooms, college gallery, computer labs, and many offices, as well as reconfigured the building to include a new, large classroom, Media Center, faculty/staff lounge, IT offices, four student lounges, and two digital fabrication labs. The third-floor design studio, the largest in the country we think, has been redesigned and equipped with over Dean Kelbaugh with professor Jim Chaffers at his 400 new workstations. FAIA investiture at the Alamo in San Antonio It might sound like we’ve done enough to accommodate the needs and desires of our students and faculty, which have each grown about 20% during that period. -
Strategies of Negation in Reflective Design As an Alternative to Critical Regionalism: a Study of Contemporary Architecture in China and Japan Since 1990
Strategies of Negation in Reflective Design as an Alternative to Critical Regionalism: A Study of Contemporary Architecture in China and Japan since 1990 By Lu ZHANG Submitted in total fulfilment of the requirements of the degree of: Doctor of Philosophy June 2019 Faculty of Architecture, Building, and Planning The University of Melbourne ORCID: https://orcid.org/0000-0003-3265-7130 Abstract After a long period of westernisation and modernisation, East Asian countries had begun a common effort in regenerating indigenous cultural resources to shape their own versions of modernity in response to a globalising homogenisation in architecture. It firstly emerged in Japan with a rise of Metabolist movement since the 1960s. Benefited from the Chinese market economy and opening-up policy, it happened in China only from the 1990s, amongst some most reflective architects with independent thinking. This situation puts China and Japan into parallel and even comparable positions to examine East Asian approaches to respond the universalizing forces of globalisation. This is often viewed as attempts in ‘critical regionalism’, a concept developed in European and North American academic context using mainly western cases and concepts. This raises an issue as to if this western category is applicable to the cases in East Asia. However, there is no research done that addresses this issue using cases from China and Japan in a regional framework and adopting indigenous aesthetic categories in response to formulations from the west. To fill up this gap, this research conducts a region-based comparative study on the most recent reflective design practices in China and Japan.