VJAA Inc. | CV Jennifer Yoos FAIA, LEED AP
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Jeffry Burchard, ARCHITECT
Jeffry Burchard, ARCHITECT Education 2008 Master in Architecture II, with Distinction Harvard University Graduate School of Design, Cambridge, MA 2006 Master in Architecture, with Honors University of Idaho College of Art and Architecture, Moscow, ID 2005 Bachelor of Science in Architecture University of Idaho College of Art and Architecture, Moscow, ID Professional Affiliations since 2010 Registered Architect Massachusetts Registration #50206 NCARB Certification #73845 Teaching History since 2012 Design Critic in Architecture Harvard University Graduate School of Design, Cambridge MA Courses taught: First Semester Core: Introduction to Design and Visual Studies in Architecture Second Semester Core: Introduction to Design and Visual Studies Independent Thesis in Satisfaction of Degree MArch 2008-2009 Adjunct Assistant Professor Boston Architectural College, Boston, MA Courses taught: Undergraduate Core Studio in Architecture Graduate Core Studio in Architecture since 2006 Architectural Juries at the following Institutions Columbia University Yale University Architectural Association Cornell University New York Institute of Technology Northeastern University University of Tennessee Rhode Island School of Design Wentworth Institute Massachusetts Institute of Technology University of Pennsylvania Boston Architectural College Harvard University Graduate School of Design Working History since 2008 Principal Machado Silvetti, Architecture and Urban Design Projects: Pomona College Museum of Art Claremont, CA, USA In Progress Lead Designer, Project -
As Incoming Dean of the College of Architecture, Art and Planning of Cornell University, Meejin Yoon Shares Her Insights from He
Willard Williams, AIA ~ University of Idaho Arena Editorial & News As Incoming Dean of the College of Architecture, Art and Planning Features of Cornell University, Meejin Yoon Shares Her Insights From Her News Events Own Experience as an Architecture Student Competitions By Shane Reiner-Roth Sep 11, '18 10:00 AM EST Employment 308 0 Follow Community Academia About My Jobs howeleryoon Activity Stream Settings Log Out Filter by Category: » Architectural Issues » Architects » Culture » Buildings » Academia ↓ More Meejin Yoon. Photo by Andy Ryan. At the beginning of the upcoming Spring semester, Meejin Yoon is the newly minted dean of the College of Architecture, Art and Planning of Cornell University. According to the Cornell Chronicle, Yoon is the first woman named to the position since the college was formed in 1896. Based in Ithaca, New York, Cornell University is distinguished by both its relative distance to any major city and carrying the only professional undergraduate degree in Architecture among the Ivy Leagues. As a graduate of that program, Yoon quickly drew the attention of the review board for the newly opened dean position at the prestigious university. “Her time as a student at Cornell was formative," Provost Michael Kotlikoff said, "and continues to inform her work as an architect and an academic." Yoon is no stranger to hard work: after graduating from Cornell, she went on to receive a Masters of Architecture from the Harvard Graduate School of Design; then developing a practice with Eric Höweler (Höweler + Yoon Architecture LLP) while also teaching at the Massachusetts Institute of Technology (MIT), where she soon became the head of its architecture program. -
“A Game Changer for Maine Art.”
“A game changer for Maine art.” - ALEX KATZ CMCA - Advancing contemporary art in Maine through exhibitions and educational programs. | cmcanow.org PO Box 1767 Rockland, Maine 04841 207.701.5005 | 207.323.3299 [email protected] Gift Opportunities NAMED GIFT OPPORTUNITIES FOR THE NEW CMCA • Gallery 1 – 2500 square feet / $1,000,000 • Gallery 2 – 2100 square feet / $500,000 • Lobby – 850 square feet / $500,000* • ArtLab – 600 square feet / $500,000* • Lecture Hall/Gallery 3 – 990 square feet / $350,000* • Courtyard – 2200 square feet / $350,000 • Gift Shop – 330 square feet / $250,000 • Administrative Wing – 1950 square feet / $250,000 * These named gift opportunities have been committed. CMCA - Advancing contemporary art in Maine through exhibitions and educational programs. | cmcanow.org PO Box 1767 Rockland, Maine 04841 207.701.5005 | 207.323.3299 Gift Opportunities [email protected] NAMED GIFT OPPORTUNITIES FOR THE NEW CMCA GIFT SHOP 330sf GALLERY 1 COURT YARD 2500sf 2200sf LOBBY 850sf* WING 1950sf ADMINISTRATIVE ADMINISTRATIVE GALLERY 2 LECTURE HALL / GALLERY 3 2100sf ARTLAB 2100sf* 600sf* *These named gift opportunities have been committed.. CMCA - Advancing contemporary art in Maine through exhibitions and educational programs. | cmcanow.org PO Box 1767 Rockland, Maine 04841 207.701.5005 | 207.323.3299 [email protected] Gallery 1 NAME GALLERY 1: $1,000,000 Gallery 1 is the premiere exhibition space in the new CMCA. With 20-foot high walls, state-of- the-art energy-efficient LED track lighting, and 2500 square feet of display space, Gallery 1 offers unparalleled exhibition opportunities. Overhead, the open steel trusses reveal the building’s structure as well as the series of four distinctive saw-tooth clerestory windows that allow natural north light to suffuse the gallery, an aesthetic—and energy-saving—advantage. -
Corporate Urbanization: Between the Future and Survival in Lebanon
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Sharp, Deen Shariff Doctoral Thesis — Published Version Corporate Urbanization: Between the Future and Survival in Lebanon Provided in Cooperation with: The Bichler & Nitzan Archives Suggested Citation: Sharp, Deen Shariff (2018) : Corporate Urbanization: Between the Future and Survival in Lebanon, Graduate Faculty in Earth and Environmental Sciences, City University of New York, New York, NY, http://bnarchives.yorku.ca/593/ This Version is available at: http://hdl.handle.net/10419/195088 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu Between the Future and Survival in Lebanon C o r p o r a t e U r b a n i z a t i o n By Deen Shariff Sharp, 2018 i City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects Graduate Center 9-2018 Corporate Urbanization: Between the Future and Survival in Lebanon Deen S. -
Planning a Sectarian Topography Revisiting Michel Ecochard’S Master Plans for Beirut Between 1941-1964
Planning a Sectarian Topography Revisiting Michel Ecochard’s Master Plans for Beirut between 1941-1964 by Ali Khodr Bachelor of Architecture (BArch.) American University of Beirut, 2015 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF SCIENCE IN ARCHITECTURE STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2017 © Ali Khodr. All Rights Reserved The author hereby grants to MIT the permission to repro- duce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: __________________________________________________________________________ Department of Architecture May 25, 2017 Certified by: __________________________________________________________________________ Professor Nasser Rabbat Professor of the History of Architecture & Aga Khan Professor Thesis Supervisor Accepted by: __________________________________________________________________________ Professor Sheila Kennedy Professor of Architecture Chair of the Department Committee on Graduate Students Planning a Sectarian Topography Revisiting Michel Ecochard’s Master Plans for Beirut between 1941-1964 Ali Khodr Thesis Committee Nasser Rabbat, MArch, PhD Aga Khan Professor, Professor of the History of Architecture Director, Aga Khan Program Supervisor James Wescoat, PhD Aga Khan Professor, Professor of Urban Studies and Planning Associate Head, Department of Architecture Reader Hashim Sarkis, PhD Dean, -
CHRISTIAN UNVERZAGT Associate Professor of Practice in Architecture Design Director University of Michigan Taubman College M1/DTW LLC [email protected] [email protected]
CHRISTIAN UNVERZAGT Associate Professor of Practice in Architecture Design Director University of Michigan Taubman College M1/DTW LLC [email protected] [email protected] GENERAL INFORMATION 1.1 Education Southern California Institute of Architecture, Master of Architecture with Distinction 1999 Bartlett School of Architecture, University College London, Unit 12 1998 California Institute of the Arts, Mutant Design with Louise Sandhaus 1997, 1998 University of Michigan, College of Architecture & Urban Planning, Bachelor of Science 1994 1.2 Academic Appointments Associate Professor of Practice in Architecture, Ann Arbor, MI, University of Michigan 2018—present Assistant Professor of Practice in Architecture, Ann Arbor, MI, University of Michigan 2011—2018 Lecturer IV in Architecture, Ann Arbor, MI, University of Michigan 2008—2011 Lecturer II in Architecture, Ann Arbor, MI, University of Michigan 2005—2008 Adjunct Faculty, Southfield, MI, Lawrence Technological University, Graduate Masterclass 2005, 2006 Lecturer I in Architecture, Ann Arbor, MI, University of Michigan 1999—2005 Assistant Design Instructor, Los Angeles, CA, Southern California Institute of Architecture 1999 1.3 Professional Experience Design Director, M1/DTW LLC, Detroit 2000 —present Freelance Designer, Los Angeles / San Francisco / London 1996—1999 1.4 Professional Societies American Institute of Architects, Member, Associate AIA 2010—present AIGA, the professional association for design, Sustaining Member 1999—present CREATIVE PRACTICE 2.1 Professional Honors and Recognition “House of Pure Vin.” Commerce Design: Detroit Award Winner. AIA Detroit/Design Core Detroit. 2018 “House of Pure Vin.” AIA Michigan Honor Award. Interior Award. 2017 “One Care Offices.” Detroit Home Design Awards, Commercial Interiors, Office. First Place. 2017 “House of Pure Vin.” Detroit Home Design Awards, Commercial Interiors, Retail Interior Design. -
Conference Program
PROGRAM BOOK SHAPING NEW KNOWLEDGES 104 TH ACSA ANNUAL MEETING 2016 MARCH 17-19, 2016 SEATTLE, WA ABOUT THE CONFERENCE STAY CONNECTED As intellectual practice, architecture embodies unique ways ACSA NATIONAL OFFICE of knowing. We use many terms to describe the creation of new architectural knowledge, among them research, scholarship and @ACSAUpdate #ACSA104 creative practice. Sometimes these terms are used interchangeably and without precision. As we confront real world crises, and facebook.com/ACSANational changing expectations for research production within universities, it is important to ask more precisely: what are the unique shapes of instagram.com/ACSANational the new knowledges that are particular to architecture? STUDY ARCHITECTURE Architecture is shaped by its grounding conditions, among them: shelter, social relationships, culture, economy, energy, materiality, @studyarch #studyarchitecture and technique. The challenge of integrating diverse inputs and questions differentiates architecture from other, more narrowly facebook.com/studyarchitecture defined disciplines. Rather than framing this heterogeneity as a “generalist” form of inquiry, it can be argued that architecture’s instagram.com/studyarchitecture multiplicity of constituencies and concerns can, and does, lead to the formulation of more compelling research questions and creative IMADETHAT_ production. @IMadeThat_ #imadethat When an increasing number of fields claim design thinking as their domain, all design inquiry must demonstrate “added value” facebook.com/imadethat_ to whatever objects or problems they explore. Could this value be located precisely in the often tense and positively charged gap instagram.com/imadethat_ between research and practice? The 104th annual conference calls for session topics exploring what this productive tension means to the academy: to our teaching, inquiry, and contribution to the profession. -
Portico Winter 2009
university of michigan taubman college of architecture and urban planning winter 2009 portico 1 letter from the dean 4 college update 6 ten years as taubman 8 future of design 10 faculty update 17 student update 19 honor roll 31 class notes 45 calendar Cover image: Students await the arrival of Al Taubman to the University of Michigan Museum of Art for “Ten Years as Taubman” a special event in honor of the $30 million gift which resulted in the 1999 naming of the college. (See story p.6) This page: Judy and Al Taubman are enthusiastically welcomed by students, faculty, and staff of Taubman College. letter from the dean As we ponder the present and future of the field of architecture, it might be helpful to look at the history of design. Different versions of many of the debates currently played out in the design media, in academic conferences and in our classrooms were rehearsed at the advent of the industrial revolution and revisiting them may shed light on our present predicaments. As early as 1797, Goethe deliberated the relative merits of hand-made vs. machine- made production. In his essay Art and Handicraft he argued with artistic contempt against the value of mechanically produced objects, which he found less “pure,” not as “sensitive” or as “true” as their counterparts made by hand. It is fair to say that this debate and its moralistic undertones dominated much of the design theory of the 19th century. As technological advances and economic changes fundamentally transformed material production, despite their ideological differences, Pugin, Ruskin, Henry Cole, Richard Redgrave, Gotfried Semper, and William Morris among others, spent their time lamenting that machines had usurped the craftsman’s control over the form of the product. -
Curriculum Vitae
CURRICULUM VITAE TOSHIKO MORI, FAIA Principal, Toshiko Mori Architect (www.tmarch.com) Robert P. Hubbard Professor in the Practice of Architecture, Harvard University Graduate School of Design (Tenured, 1995) Chair, Department of Architecture, Harvard University Graduate School of Design, 2002 – 2008 Founder, VisionArc (www.visionarc.org) Partner, Paracoustica (Non-Profit Organization) EDUCATION 1996 Harvard University Graduate School of Design Hon. M. Arch 1976 Cooper Union School of Architecture B. Arch 1970-71 Cooper Union School of Art REGISTRATION AND PROFESSIONAL AFFILIATION NCARB certified 2011- Registered Architect of the State of Missouri 2011- Registered Architect of the State of New Jersey 2007- Registered Architect of the State of Minnesota 2005- Registered Architect of the State of Rhode Island 2004- Registered Architect of the State of Connecticut 2004- Registered Architect of the State of Michigan 2000- Registered Architect of the Commonwealth of Massachusetts 1997- Registered Architect of the State of Florida 1989- Registered Architect of the State of Maine 1979- Registered Architect of the State of New York AWARDS & HONORS 2014 AIA New York Chapter Projects Merit Award, Sinthian Cultural Center and Artists’ Residence 2014 AIA New York Chapter Architecture Merit Award, House in Ghent 2014 Architectural Digest’s 2014 AD 100 2013 Kathy and Howard J. Aibel Award, A.R.T./New York Spring Benefit 2013 AIA New York Chapter Interiors Honor Award, Sean Kelly Gallery 2012 American Architecture Awards, Syracuse Center of Excellence -
Competition Report March 20, 2020 Dorte Mandrup A/S Grafton Architects
ANTHONY TIMBERLANDS CENTER FOR DESIGN AND MATERIALS INNOVATION FAY JONES SCHOOL OF ARCHITECTURE + DESIGN UNIVERSITY OF ARKANSAS, FAYETTEVILLE, ARKANSAS Competition Report March 20, 2020 Dorte Mandrup A/S Grafton Architects Contents Preface 04 Request for Qualifications 06 Submitting Firms/Invited Firms 10 Competition Brief 12 Competition Report 22 Invited Finalists’ Presentations 26 Final Recommendation 64 Kennedy & Violich Architecture LEVER Architecture Acknowledgements 66 Shigeru Ban Architects WT/GO Architecture 3 university campuses, these six finalists were invited to submit conceptual Preface “We seek a building that is Peter MacKeith designs for the project in a limited competition, ahead of the formal Dean and Professor of Architecture interviews mandated by the procurement process. The six practices redolent of the qualities were advised, encouraged and instructed to research and identify an Anthony Timberlands Center for Fay Jones School of Architecture + Design of the forest, one that University of Arkansas appropriate Arkansas architecture practice partner to accompany their Design and Materials Innovation submission and to move forward with as a team, should their candidacy imagines anew timber and be recommended to the University of Arkansas Board of Trustees for approval. wood as materials. We seek The Anthony Timberlands Center for Design and Materials Innovation, a building that is hewn, a visionary building initiative undertaken by the Fay Jones School of Following the competition deadline of January 31, an internationally Architecture and Design at the University of Arkansas, is now at an recognized team of qualified external evaluators provided the carved, jointed, woven, exciting moment in its progress towards design and construction, University’s Anthony Timberlands Center building project committee bringing a spotlight to Arkansas, its timber industries and its future in with a deep, insightful review of the conceptual designs, and contributed and assembled, layered, wood product research and development. -
Corporate Urbanization: Between the Future and Survival in Lebanon
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Corporate Urbanization: Between the Future and Survival in Lebanon Deen S. Sharp The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2909 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] CORPORATE URBANIZATION: BETWEEN THE FUTURE AND SURVIVAL IN LEBANON by Deen Shariff Sharp A dissertation submitted to the Graduate Faculty in Earth and Environmental Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 i © 2018 Deen Shariff Sharp All Rights Reserved ii Corporate Urbanization: Between the Future and Survival in Lebanon by Deen Shariff Sharp This manuscript has been read and accepted for the Graduate Faculty in Earth and Environmental Sciences in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date [Marianna Pavlovskaya] Chair of Examining Committee Date [Cindi Katz] Executive Officer Supervisory Committee: Marianna Pavlovskaya Michael Sorkin Jillian Schwedler Timothy Mitchell THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Corporate Urbanization: Between the Future and Survival in Lebanon by Deen Shariff Sharp Advisor: Marianna Pavlovskaya If you look today at the skyline of downtowns throughout the Middle East and beyond, the joint- stock corporation has transformed the urban landscape. The corporation makes itself present through the proliferation of its urban mega-projects, including skyscrapers, downtown developments and gated communities; retail malls and artificial islands; airports and ports; and highways. -
Document Final.Indd
UNIVERSITY OF CINCINNATI Date: May 16, 2006 I, Travis Shane Little hereby submit this work as part of the requirements for the degree of: Master of Architecture in: The School of Architecture and Interior Design It is entitled: Materials Matter: Exploring Unconventional Applications of Brick in Architecture This work and its defense approved by: Chair: Michael McInturf Gordon Simmons Materials Matter: Exploring Unconventional Applications of Brick in Architecture A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Architecture in the School of Architecture and Interior Design College of Design, Architecture, Art, and Planning 2006 Travis Shane Little B.S. in Architectural Engineering Technology University of Cincinnati College of Applied Science, 1999 Committee Chairs: Michael McInturf Gordon Simmons Abstract Throughout history, man has shared an intimate relationship with materials and what purpose these materials hold in art, architecture and buildings. Over the last half century, the exploration of new materials and the re-invention of traditional materials has grown at an exponential rate. Material explorations, coupled with advancements in technology, have expanded the palette of materials available to architects and designers, but reduced their intimate relationship with and knowledge of these new materials. Architects and designers must explore unconventional applications for traditional and non-traditional materials in order to discover new ways to push the limitations of these resources to express qualities that were previously overlooked. ii Acknowledgments To my professors and mentors: Thank you for teaching me the skills and knowledge needed to become a respected member of the architecture community and for showing me how to express my ideas to the fullest.